Blooming Lavender, for orchestra, Kids Compose 2006-07

Page 1

Blooming Lavender for orchestra

written for Kids Compose 2006-07 Indiana University

Laura M. Kramer Melodies by: Sarah Williams and Agnes Zhu Duration: ca. 3 min.



Instrumentation 2 Flutes 2 Oboes 2 Bb Clarinets 2 Bassoons 4 F Horns 2 Bb Trumpets 2 Trombones 1 Tuba 3 Timpani Percussion1: Xylophone, Bass Drum, Crotales Percussion 2: Vibraphone, Bell Tree Percussion 3: Tubular Bells, 2 Suspended Cymbals Violin I Violin II Viola Violoncello Double Bass

Program Note Blooming Lavender was composed for the 2006-07 Kids Compose Project at Indiana University, and was premiered on a concert that featured melodies of elementary students. Two melodies are presented: Blooming Ideas by Sarah Williams and Lavender by Agnes Zhu. I wanted the students to choose the instruments for their melodies as much as possible, so we met, I demonstrated a bunch of possibilities, and we then decided to use the strings and flutes for the themes. From there, we mixed in other instruments, as though blending shades of paint together. For instance, the flute’s first statement of Lavender, following the fanfare opening, can be heard alongside the vibes. Both tunes have a sense of growth, and they complement each other well when played simultaneously. In fact, both imply nearly the same harmonies. This made it very easy to create an overall blossoming effect - After each tune is heard in its entirety separately, I arranged bits and pieces of them into canon-like passages. Choirs of instruments gradually enter and echo each other, until the entire orchestra is playing the tunes. Bravo to Sarah and Agnes!

January 2007



Transposed Score Melodies by: Sarah Williams Agnes Zhu

Blooming Lavender  3            

Majestic

 Flutes  

f

Oboes

3

f

   

3, 4

   

mute

mute

   

 mute     

3

f

vibes (motor off) medium yarn mallets

mf

     mf

pizz.     

pizz.

mf

     pizz.

Violoncello

  

mf

f

pizz.   Violin I    

  f

susp. cymbal Bells wooden fiberglass mallet edge stick

  

q = ca. 80

pedal only where indicated

Viola

 

fp

fp

1.

  

  

  

  

  

soft felt mallet

brushes, swirl

p

mp

  

pizz.

mf

  

  

1.

 

mf

     

  

     mp        

 

tutti

  

5 

  

mf

 

mf

 

      mf 2.

mf

  

Gliding h = ca. 72

soft felt mallets

    mf

 

mp



   





 

   

mf

susp. cymb.

edge      

 



 

tutti

       pizz.

div.

   

mf

 3                  mf

solo

fp

arco

     mf

3

mp espress.

        

arco

  

p

mp

          

arco

 

  

1.

fp

arco

p

 

mp

         

mf

 

 

arco

  

1.

p

  

p

p

       

              mf mp bell tone 2.

1.

mf

  mf

mp

 



  

  

3

mp espress.

  

          

mf

     Double Bass 

bell  tone  

mf

  

p

div.

mf

mp

mute

  div.     

  

mute

3

         bell tone 2.

mf

    

sim.



1.

   

 

mp

mp



  Percussion 1      Xylophone, Bass Drum, 

Violin II

mf

   

mf

 

mp

 

 

Xylo. medium rubber mallets

Percussion 3 Tubular Bells, 2 Susp. Cymbal

fp

 3     



Majestic

Percussion 2 Vibraphone, Bell tree

  

 



1.

Laura Kramer

Gliding h = ca. 72

5

f

  Tuba 

Crotales

  

f

mf

3 Timpani

fp

mp

  

    

 

 

mute      3      

Trombones

  

mf

mp

Bb Trumpets

fp

f

 

  

 

      

  Bassoon 

F Horns

3

 3              3 

mf

1, 2

 3                3  f

Bb Clarinets

Kids Compose 2006-07

 3            

q = ca. 80

3

 Copyright © Laura Kramer. Indiana University, Jacobs School of Music Kids Compose 2006-07

  

  mf

   mf


10 10 tutti               Fl. 

    3

3

mf

Ob.

tutti

3

   



tutti

Cl.

mf

Bsn.

mf

     

 tutti       

3

     

3

legato 1.

open

tutti

mf

3

    3

legato

Hns.

   

3

        

3         3

3      3

  

   

3         3

3     3

  

   



 3   







mf

3





3

3

3

3

3

3

3

3

f

f

  

  

f

fp

fp

f

3

mf

  

     

  

3

       

fp

mp

3

3

  

 

                       

f

3

3

open

open

3

mp

 

f

3

mf

  

f

3

              

14 

3



 

mf

f

Tpts. open

3

   

mf

Tbn.



open

mf

Tba.

 

(xyl.)

(vibes)

Perc.

Perc.



 

 

   

mf

   





 

3







mp

14  

bass drum

 

mf

(susp. cymb.)

3



    

take metal mallet

susp, cymb. medium yarn mallet

mf

 p

div.

 Vln. I 

3

   

mf

Vln. II

     

Vc.

 

Db.

 

arco

3

3

3

f



 

f

 

xylo.



medium yarn mallets

  



f

f

f

 

f

       

3

    3

3

ppp

3

 

3

ppp

3

3

3

3

             3

ppp

 mp

3

3

  3

3

 mf

3

3



 

 

 

mf

   



3

3

3

3

3

 3

mp

 

3

             mp

3



3

3

3

       

  

mf

   

f





mf

 

f

mf

3

mf

Vla.



 

mf

 

bell tree

 



f

 

p

take heavy felt beater

fp

p

 



mf

  

mf

fp

ppp

   

 f

mp

10 Perc.

mf

Timp.

3



mp

mp

open



 

3

3

3

pizz.

 

mf

f

 

mf





f

  

  


4 17

 Fl.  

Ob.

3

    

mf

3



p

 

3

3

       3

3

             3

3

3

3

3

3

 



3

      

3

3

3

    

3

3

3

mf

 



legato

 

p

         

  p

 

 3  

 



 

legato

3

mf

 

3

  

  

3

     

3

3

mp

  

3

 

     

     3

mp

3

     3



mf

mp

p

3

  

mf

  

3

3

mf

3

      

3

mf

   

mp

Hns.

dim.

 3

mp

Bsn.



 

22 q = ca. 80    

p

 

Cl.

mf

rit.

mf

3          3

Tpts.



3

Tbn.

Tba.

Timp.





  

 



mp

Perc.

  

Perc.



 

 

p

Vln. I



    vibes

crotales

3

3

3

 

             

 

Vla.

3

mf

 

cup

mp

     

arco

3

Db.

3

ppp

3

     

mf

3

3

3

3

 

swish

q = ca. 80

 

3

  

3

3

3



   

  

mf 3

  

mf



  

3

 



         3

3

3

3

   

3

 mp

                  pp

6

6

6

6

3

div. pizz.

3

sul tasto

3

     

  

3

p

mf

     



arco

3

     

arco

 arco

pizz.

3

 

pizz.

3

 

ppp

Vc.

22 

p

mf

mf

Vln. II

ppp

  

3

ppp

mf

 

rit. take metal mallets

mf

pp

 Perc.

        mp



  

 


  

solo

23

 Fl.  

mf

   

1.

Ob.

mp

Bsn.

3

  

3

   

   

3

   

3

5

    3

3

    p 3

3

mp

   

1.

   

3

 1.  

Cl.

3

mp

    p 3

  

 

 

   

1.

p 3

Hns.

Tpts.

Tbn.

Tba.

Timp.

(crotales)

Perc.

  

  

p

3

   

mp

 

cup

  

3

mp

sul tasto 6

3

6

3

6

6

6

6

 

6

6

6

 6

   

 

pizz.

tutti arco

mp rich

6

6

mp rich

mp

3

3

6

6

6

6

6

6

6

6

6

6

6

6

6

6

6

6

6

pp

6

 

                            6

Vc.

   

                           

Vla.

   

mf

Vln. II

take fiberglass mallet and medium yarn mallets

swish

  Vln. I 

Db.

take medium rubber mallets

(susp. cymb.) Perc.

solo

(vibes)

Perc.

6

6

6

6

    3

    3

6

3

6

6

6 3

6

3

6

6

6

3

  

   

   

 

  

   

   

 

3

                            

3

3

3

6


28

6

   

27

 Fl. 

Imitative



    

     3

tutti

mp

   

       Hns.

   

3

    

3

3

3

 

tutti

mp

3



 

 

 

mp



mf

   

tutti

 

3

3



3



3

   

3

    3

   

mf

   

tutti

mp

   





3

3

3



3

3

mf

3

mp

     

Cl.

Bsn.

Ob.

tutti

   

     3

3

mp

     





 

mp

Tpts.

Tbn.

 

 

   

p

mp

  

p

mp





mp

Tba.



mf





mf

Timp.

 

 

ppp

Perc.

28

 

 

Imitative

 

xylo

 

mp

Perc.

    

Perc.

Vln. II

 

Vc.

 

  

p

bells

mp

  p

mp

 



mf

6

6

6

6

6

6

6

6

6

6

6

6

6

6

Db.

6

6

6

6

6

                                  6

6

6

6

6

6

6

6

6

6

6

6

                                     6

6

   

   

3

6

6

3

6

  3

 div.       pizz

6

6

6

6

  3

6

6

6

6

     

(div. a 3)

arco

mp



6

                                   

mp

                                                                6

6

Vla.



 Vln. I 

6


  

31

 Fl. 





  

        f

Bsn.

  

  mf

3

     

f

    

 

3

3

   



   











    3

    3

3

    3

3

   

   

3

3

3

   

   

 

   

mf

 

3

       

mf

f

7

3

   

mf

f

Cl.

3

mf

f

Ob.

32 Melodious q = ca. 120       

 

3

   

Hns.

  

   

f

f

mf

3

mf

 

   

3

3

Tpts.

  



  

f

Tba.



f

Timp.

Perc.

 

 

mf



mf

  

 



(vibes)

mf

Vln. II

Vla.



  

Vc.

Db.

 mf

f

     

arco

 

 

f

 mf

  

 mf

3     



   

    

3

3

mf

    3

    3

3

3

mf

mf

   

3

   

 bells

   

f

f

3

3     

f

f normal

   

susp. cymb.

f

tutti

mf

 

(bells)

normal

 Vln. I 

 

ppp

32 Melodious q = ca. 120   

crotales

 Perc.

mf

f

Perc.

mp

mf

 

mf

f

Tbn.

   

   

3

    3

3

    3

mf 3

   

   

3


8

 



  3  3  3  3       

3

3

sub. p

    

3

3

3

 

3

 

3

 

3

3

3



3

  



 sub. p

Timp.

 

p

f

Perc.





 









 

 







 

 



mf

mp













mp

mf

 

accel.

38

f

mp



f

mp

mf



mp

mf

  

 

mp

 

f

 

mf

mf

sub. p

Tba.

 

sub. p

 

sub. p



mp

Tpts.

Tbn.

 

 

             

p

 

 

 

            

 

 

 

3

sub. p

Hns.

 

mp

           

 

 

mf dim.

sub. p

Bsn.

 

 

mf dim.

sub. p

Cl.

 

Animated q = ca. 140

sub. p

Ob.

38

accel.

37

 Fl. 

mp

Animated q = ca. 140

bass drum

 

p 3

3

metal mallet

3

             

ppp

bell tree



Perc.

3

 Perc.



 Vln. I  

Vln. II

mp

sub. p

Vc.

mp

mf

3

3

3

3

3



3

3

Db.

 sub. p

mf

3

ppp



3

3

3

 mf

arco

mf



    mf





   

3

3

   

   

   

   

3

susp. cymb.

    3

 

   

 

f

    3

 

mp

div.

3

3

   

3

mf

3

           

p

sub. p



              

sub. p

             

ppp

Vla.

 

 

  f


9

42

 Fl. 



 

   

accent, but do not tongue

Ob.



 

   

      

accent, but do not tongue

                            3

Cl.

3

3

3

3

3

3

3

3

3

3

3

Bsn.

 f

fp

     

 f

fp

Hns.

  

f

fp

Tpts.

f

  

  

  

3

3

    

mp

  

3

mp

3

 

    

  

     

accent, but do not tongue

    

accent, but do not tongue

f

mf



f

  

    

 

 

 

      accent, but do not tongue       accent, but do not tongue    

   

    

accent, but do not tongue



accent, but do not tongue

Tbn.

  

Tba.

 

Perc.

f



mf

 

 xylo.



 





Vln. I

   

Vln. II

 

f

 

 

 

3

3

 

3

3

             3

3

3

3

           

 

3

3

3

3

Db.

    



mp

  

 

mf

 



f

 

vibes

 

 

 

mf

  

   

   f



    



f

 

 

pizz.



f

 

pizz.

mf

 

mf

   

f

f



f

 

mp

Vc.

mf

mp

Vla.

medium yarn mallets

 (susp. cymb .)

Perc.



mf

f

Perc.

f

(bass)

accent, but do not tongue

accent, but do not tongue

f

fp

Timp.

mf

f

fp





   



arco

 



pizz.

f



 


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