Looking Forward, for violin and cello (2005)

Looking Forward for violin and cello 2005

Laura M. Kramer

Duration: ca. 6 min.

Instrumentation Violin Cello

Program Note Looking Forward was written during my senior year as an undergraduate student, after I had just decided that I would apply to schools for a masters degree in composition. At this point in time, composing was still feeling quite brand new, and what came with that was a newfound excitement into this branch of music that I wanted to know more about. Looking Forward is about the anticipation of pursuing this new direction.

October 2005

Looking Forward for violin and cello 2005

           Violin        f Cello

pp

        

       

            

   

     9

 

    

mf

sfp

sfp

mf

sfp



           

     

  

mp

                      mf

                    mf

   

    

                

molto cresc.

   

      

sfz

molto cresc.

mp dolce

                                      

14

17

    

mf

             p

      

8                             mp dolce mf                             

      

 

sfp

        

f

mp

pp

5

      

     sfz mp     

        

  

f

f

Laura M. Kramer

             

Uplifting q = ca. 92

  



sub. f

sfp

sub. f

sfp

                             

  

 

              

19           

         

               



  

      

mp espress.





        mp

Copyright © 2005 Laura M. Kramer (ASCAP)



espress.

2

       

   

21

   

         sfz       

 





 

                sub. f harsh             30

     

p dolce



 

       

 

           

    

   mp    mp

             

                  

32        mf

         

               

 

mf molto cresc.

34                               p  f                             

p

      



mf

 

sub. f harsh

       

mf

cresc.

p dolce

sfz

40

       

     

                      

25





cresc.

          

          

       

f

                 mf p                  p

mf

                    p cresc.                         

41 with joy                       f                             f

p

cresc.

                             

3 45                                                                                          

49 49                       ff with energy                     ff with energy 

      pp      

molto rall.

       p          53

   

p

58

  

     

 

                                   

pp

 

    

                     f sfz                       sfz

55 Dark q = ca. 65          

   

mp

 

pizz.





  

      

        

arco



   

 

62

  

       

   5

mf

5

    



         5

mf

5



    

 

mp

       

5

  



mp

5

mf

 

65 

pizz.

 

p sul tasto

    p



mp



   

    



arco

        mp



5

    normale

5

4 68

  

                 5

mf



  



mf

   5

          

5

     

5



                              3 5 5

cresc.

5

cresc.

77

5

73

                        mf mp                                   

78

 

5

5

mf

mp

        

 

        pizz.



arco

  p



      

accel.

                   cresc.  p dark arco                 84

p dark

89

  



cresc.

    















p

                      pizz.        

87 Vigorous q = ca. 92            

   

ff



ff

  5



          5                 rit.



dim.





5

       

     

       dim.





 

93    

Livelyq = ca. 80

     mf             

mf

5

5

accel.                                      5 5 5 cresc. rich                                       94



5

 



5

5

5

5

rich

3

100 Uplifting q = ca. 100                                        f                                    5  99

cresc.

           

            

f

   102

   

  

      

                           sfp mf             106

mf

sfp

             

           

f

 

 

 

       

 mf



f

                                                          

sfz

                        5

                      5 mf

109

sfz

            f

 

    

105

    

     

     

       

     

  

        ff

         ff

