KTCF 2014 Catalog

KTCF INITIATORS FOREWORD Welcome to Kota Tua Creative Festival.

You are the reason we are here. Whether you are part of the creative communities, building owners, government officials, street vendors, adorers of Kota Tua or passers-by, we are together in this 2-day special event to explore the unique open spaces and abandoned heritage buildings in the treasured yet often forgotten part of Jakarta.

This festival is inspired by centuries old urban forms and dynamic social spaces that take place here today, in light of the renewed spirit of Kota Tua. What are the different ways to reoccupy heritage buildings with contemporary uses without losing its historical memories?

The festival program – music, art, design, and culture – focuses on creative fields as an essential force in the revitalization of Kota Tua. One of the missions of Kota Tua revitalization plan is to encourage a sense of belonging and love for the city. To achieve this, a thoughtful restoration is needed not only on its physical spaces, but also on the intangible social spaces. Learning from Venice, festivals -which can be realized in short period of time with minimum facilities due to its temporality- could be an effective starting point towards physical revitalization of Kota Tua. As Ahok (Basuki Tjahaja Purnama, Acting Governor of Jakarta) puts it- Kota Tua can be the Jewel of Jakarta- it shall not stay a dream, yet a feasible plan. And the best way to carry out the plan is to start oneself and not to wait for others. When one building is revived and re-souled, more buildings will follow. More creative industries will join in. Along with new infrastructure and facilities, more buildings will be renovated. In the exhibition ‘Jakarta Old Town Reborn: 7 Projects for the City,’ we work with the best of Dutch and Indonesian architects to deliver specific concepts which can be realized today.

Diana Ang, Windi Salomo and Daliana Suryawinata

Kota Tua Creative Festival is a pilot project of Creative Public Spaces Program, an enterprise which initiates the creation of temporary and permanent physical public spaces in the city.

It is made in close cooperation with the Ministry of Tourism and Creative Economy and the Liveable Cities Task Force of the Indonesian Diaspora Network.

MINISTRY OF TOURISM & CREATIVE ECONOMY FOREWORD Assalamu’alaikum Wr.Wb Blessings on us all, Creative economy is very important for the future growth and quality of life of Indonesia.

For this we need to have the creative people and the next generation really arise and develop their human capital to develop the diverse creative. Thus, the spirit of the first Kota Tua Creative Festival is to encourage creative people -- Indonesian architects, artists, designers, and other creative fields -- to enter the public realm and bring visible changes in the social and physical spaces in Jakarta and other cities.

KTCF is a program of Creative Public Spaces -- an initiative for the creation of temporary and permanent physical public spaces to be built in central locations in Jakarta, where open public spaces should have existed. Public spaces are a platform of expression, communication, and collaboration, an essential space for creative communities. Creative economy has enormous potential to improve the city’s image and quality of life through leveraging unique perspectives from unique individuals and communities, those whose passion allow them to unlock the potential of Indonesia’s rich natural resources, cultural heritage and diversity.

In alignment with various programs from Agency of Arts Development, Agency of Creative Economy based on Arts & Culture, and the 2014 Ministry of Tourism and Creativity (Director General for Creative Economy based on Arts and Culture), we hope that Kota Tua Creative Festival will inspire changes that can improve the livelihood of Indonesian citizens.

The program in Kota Tua Creative Festival also expresses a change of lifestyle as a result of increased awareness of aesthetics, which responds to the demands and progress of the contemporary society. In Kota Tua Creative Festival, this is achieved through the following programs: contemporary art and architecture exhibitions, young designers and creative culinary booths, museum walk, bike tour, performances, and many other participatory activities.

We thank the committee of Kota Tua Creative Festival and all parties who have helped made this event possible from planning to realization. We hope that Kota Tua Creative Festival can become a regular event that continues to expand opportunities for the proliferation and development of creative industries in Indonesia.

Thank you.

Mari Pangestu Minister of Tourism and Creative Economy

JAKARTA CITY GOVERNMENT TOURISM & CULTURE FOREWORD

NETHERLANDS EMBASSY FOREWORD

We have come to the stage where the revitalization of Kota Tua area in Jakarta has commenced. Not only will Kota Tua serve as an important tourism attraction, but also it may also grow as a potential center for creative communities. The city of Jakarta has been working together with private and public institutes to prepare a masterplan and action points to revitalize Kota Tua. As an example, JOTRC is focusing on the development of the buildings and revival of commercial activities, while the city focuses on infrastructure, such as parking lots and traffic management.

Indonesia and the Netherlands have a long shared history; and its proof can be found everywhere. Houses, office buildings, industrial monuments and archival records—all of them create trails of this history. In addition, Indonesia is rich with historical monuments, lending their nuances to the ‘painting’ of this nation’s history.

Kota Tua Creative Festival is a unique event initiated by young generation of private individuals with the Indonesian Diaspora Network and the Ministry of Tourism and Creative Economy. The preparation has began since May 2013 when the city of Jakarta and Minister Mari Pangestu endorsed the festival as a way to test revitalization programs at Kota Tua based on creative industry.

We thank you all sponsors and institutes who have made this event possible, and we hope to see other initiatives in the future along the similar vision to make Jakarta a better city for the people.

Enjoy Jakarta!

Arie Budhiman Head of Department of Tourism & Culture The City of Jakarta

The importance of this cultural heritage deserves greater attention. This is a positive development, because the past and present of a nation and city is intertwined through national cultural heritage. To know the past is to know the present. If they disappear or are diminished, then cracks will begin to appear in the nation’s history and self. A good management of cultural heritage is not limited to the care of objects and buildings; this mission must have a wider reach, and must be oriented toward the future.

This is also applicable to Kota Tua, as a historical phenomenon uniquely related to Indonesia today. Its appeal to the youths of Indonesia is abundantly clear and is undoubtedly related to the extraordinary history of this part of the city. Kota Tua (or Kota) has always been a place where the people of Indonesia meet and interact with foreign guests in an informal setting.

In addition to its historical and cultural role, this part of the city also plays an important social role in modern-day Jakarta. There is no better way to demonstrate its importance than through the daily activities at Taman Fatahillah.

But, it can be much better: Kota Tua has the almost limitless opportunity to flourish in this role. “To see is to believe”, they say, and this is what the initiative aims to do. With great enthusiasm, we have entered into this cooperation [partnership] in order to showcase Kota Tua’s vast potential. The Netherlands has a strong reputation in areas of conservation and reutilization of monuments as living and relevant aspects of today’s reality: a synergy of the old and the new. The latter is certainly no less important for Kota, and it is here that we wish to establish cooperation with relevant Indonesian partners.

The Netherlands have many young and talented architects who are eager to share their works with their counterparts in Indonesia.

Also in relation to Kota, we must also mention the cooperation in water management, as part of the National Capital Integrated Development Programme. We must keep Kota from ever being submerged underwater.

Tjeerd F. de Zwaan Ambassador of the Kingdom of the Netherlands to Indonesia

We need open-minded young people to bring us changes Siwi, Guru TK

Jakarta bebas korupsi Hasnul Fatimah, Cleaning Service

Kawasan Kota Tua Jakarta dapat segera terbebas dari kesan kumuh dan kusam Ella, Karyawan PT Kereta Api Indonesia(Persero)

Jakarta: kota dunia yang nyaman, hijau dengan karakter unik, original dari budaya dan sejarahnya, tanpa mencoba ikut-ikutan budaya lain Seto, Wiraswasta

Priyanka Tobing, Konsultan Hukum

Jakarta punya hutan kota, lebih perduli ruang publik, transportasi umum yang lebih baik Ivan Octovian, Arsitek

Saya mengharapkan Jakarta yang masyarakatnya bergotong royong menumpas kebodohan dan mengurangi kemiskinan

Basuki Tjahaja Purnama, Plt Gubernur DKI

Wati Chaeron, Emic Research

Semoga semakin maju dan semakin aman. “believe Jakarta” - Numo Dallas Avian, Event Art Organizer

Desi, Guru TK

Abdul Said Ahtar, Future Cities Laboratory

Patriot Negri, Mahasiswa

Modern, aman, nyaman, menjadi kota dunia

Anky Prasetya, Film Editor

Arya Harsono, Student

Wicianto Zen, Mahasiswa

Mari bermimpi: Jakarta sebagai kota untuk manusia, dan manusianya berbuat untuk kota!

Harapan saya untuk kota Jakarta: (Kembali) menjadi tempat harapan-harapan disemai dan dituai

Libatkan para desainer & komunitas kreatif untuk menciptakan kawasan-kawasan di kota Jakarta menjadi lebih hidup dan berwarna

Ivan Octovian, Arsitek

Albertus Prawata, Arsitek/Studio Arsitektropis

Adi Harsono, KS Energy, Ltd.

Yohana Nirahuwa, Karyawan swasta

Albertus Prawata, Arsitek/Studio Arsitektropis

Iffa, Borneo Orangutan Survival Foundation

Semoga kedepannya bisa menjadi kota yang bersih dari sampah dan bebas dari bahaya dan kekerasan di jalan raya

Bunga Mega, Cewequat

Natasha Selenia, Mahasiswi

Hendra Pratama, Pt. Drymix Indonesia

Kota Tua menjadi bersih, aman dan nyaman sehingga bisa menjadi tujuan rekreasi bagi seluruh warga Jakarta Masyarakat Jakarta yang damai dan guyub, sebagai penjamin kenyamanan kunjungan wisatawan mancanegara.

Ahmad Darus, Karyawan / Lembaga Musyawarah Kelurahan (LMK)

Pamela Natalia, Merchandiser

Transportasi umum yang semakin rapih, bersih, teratur, aman dan nyaman.

Lalu lintas yang mengikuti peraturan.

Diandra Tarcia Nada, Interior Materials Marketing

Menjadi kota yang lebih bersih, terbebas dari macet, banjir, dan kejahatan

Semoga transportasi umum lebih layak, lebih banyak ruang publik dan acara/festival yang kreatif & menarik, dan warganya semakin tertib

Saya mengarapkan Jakarta yang bersih, sehat, nyaman dan sejahtera

Berto, Lecturer Universitas Bina Nusantara

Michael Tjioeputra, Mahasiswa

Jakarta jangan ada banjir lagi

Robert Tambunan, Jakarta Heritage Trust

Hai Jakarta, saya harap kamu makin aman dan nyaman untuk perempuan.

Aminnn!!!

Saya berharap Jakarta menjadi kota yang bersih, teratur dan tertata rapih dalam setiap birokrasi, dalam pengurusan KTP, dan lain-lain

Jakarta bisa menjadi smart and livable city yang mencintai dan dicintai semua orang

Anugrah Fikriyanto, Mahasiswa

Julisa Pratiwi, Public Relations

Kami ingin Jakarta bisa nyaman dan dinamis, sungai mengalir, tidak ada sampah, dan setiap warganya setiap tahun wajib menanam satu pohon.

Semoga Jakarta tidak lagi kotor dan menjadi kota yang aman dan ramah untuk berwisata.

I LOVE JKT!

Jakarta punya hutan kota, lebih perduli ruang publik, transportasi umum yang lebih baik

Hastito Rahmadhika, Mahasiswa

Realrich Sjarief, Arsitek

Menjadi Kota yang dapat ditinggali dengan nyaman dan aman

Mensejajarkan Kota Tua Jakarta dengan Kota-kota Tua dunia

Semoga Jakarta bisa menemukan jati dirinya sebagai Jakarta yang satu-satunya di dunia

Semoga Ruang publik dan ruang terbuka hijau semakin banyak dan merata di seluruh Jakarta, dan warganya bisa menjaga kebersihan dan merawatnya

Rofianisa Nurdin, RUANG Online Magazine

Semoga fasilitas umum dan gratis diperbanyak.

Perbanyak wi-fi gratis juga di tempat wisata.

Ardzuna Sinaga, Urban Designer AECOM

Reza Ambardi Pradana, CPG Consultants

I hope the slums in Jakarta will be reduced by the cooperation of the people, by the people, and for the people, and architects and government as facilitators

Wujudkan Jakarta Livable City: Jakarta nyaman, Jakarta aman, Jakarta berkualitas

I hope Jakarta can be a cultural utopia that welcomes creativity from all individuals and become the innovative city it was born to be!

Harapan nomor satu adalah kemauan besar untuk melakukan usaha memperbaiki mental warga kota

Yunita Lestari, Penggiat Kota Tua

Semoga kota Jakarta dapat menjadi salah satu kota paling livable di dunia pada tahun 2045!

Devi Kasih, Pegawai Swasta

Dipimpin oleh Leader yang jujur dan tegas

Semoga anak-anak di Jakarta bisa melihat bintang di malam hari tanpa harus pergi ke planetarium

Ayo, Kota Tua milikmu jua.

Mari kita lestarikan Kota Tua.

Kota Tua bisa menjadi permatanya kota Jakarta

Oktafiani Joeng, Merchandiser

Jakarta that breathes out fresh air, facilitates good living, breeds people’s creativity and nurtures a vibrant young generation

Esviyola, Net-Impact NGO

Ajeng Nadia Ilmiani, Karyawan Swasta

Semakin menjadi kota yang warganya mau berkorban demi Jakarta yang lebih baik lagi Janice Hertania, Mahasiswi

Semoga Jakarta menjadi tempat dimana mimpi terwujudkan, kebahagiaan meraja-rela, dan kebaikan tinggal bersama penduduk kota Jakarta

Tetap indah dengan segala karakter dan keistimewaannya, lebih indah dengan keteraturan dan kedisiplinan kotanya

Suparno, Komunitas Sepeda Onthel

Jakarta bebas polusi Rohaji, Security

Dipa Sitepu, Designer

Saya ingin kota Jakarta menjadi “rumah” yang aman, tentram dan penuh kebudayaan dan citra diri

Bebas banjir, bebas polusi, bebas macet, mari bersepeda

Jakartaku harus jadi sumber sukacita, bukan penimbun luka.

Jadi rumah, bukan rimba yang merenggut nyawa.

Jadi sorga, bukan neraka dunia.

Menjadi kota yang penuh canda dan tawa, bukan penuh buaya dan rawa. Menjadi kota yang tentram dan aman, bukan penuh dengan preman dan jagoan.

Boavia, Karyawan

Semoga Jakarta menjadi kota yang lebih sehat dan ramah untuk dikunjungi dan ditinggali

Martha Debby, Guru

Indyrra Chrisyadewi, Mahasiswa

Jakarta butuh banyak RUANG PUBLIK KREATIF! Daliana Suryawinata, Arsitek/SHAU

Jakarta di masa depan menjadi kota megapolitan global yang layak huni untuk masyarakatnya dengan tetap mempertahankan kearifan lokalnya Sigit Kusumawijaya, Arsitek & Urban Designer

Semoga Jakarta menjadi kota yang lebih diverse, less traffic, dan masyarakatnya lebih perduli akan kebersihan dan keamanan sekitar Jennifer Angela, Wirausahawati

YORI ANTAR

Curator

Jakarta Old Town Reborn: 7 Projects for the City Kota Tua has lost its spirit. Old and dying soul, degraded and abandoned are some characters that represent the conditions of Kota Tua now. About 182 neglected heritage artifacts are surrounded with decadent environment that considered undesirable place to live and/or work. Complex and intertwined problems are hidden behind its pretty yet derelict neoclassical façade. Different government initiatives have failed to restore its energy and vitality due to its minor scale and lack of coordination.

Building owners claimed that renovating and maintaining a heritage building is not beneficial for them. One by one, these old buildings disappear, either through force or through neglect, crumbling away because no one cared for them. Many attempts had been made to renovate these old buildings, or to give them new functions; however, the lack of coordination, their isolated and singular efforts were not strong enough to create a lasting impact, let alone acting as a generator that could jump-start this increasingly forgotten and abandoned part of the city.The façade has frozen; however, for better or worse, its grand narration is appropriated by peddlers and squatters into a discontinued storyline.

Jakarta Old Town Reborn (JOTR) decided to take actions for the future of Kota Tua. JOTR invites 7 Dutch and Indonesian notable architects to collaborate with local government and building owners to reprogram 6 heritage buildings and 1 landscape area located along Kali Besar and Fatahillah Square. We’ve gone through several workshops, seminars, debates, site visits, negotiations with stake holders, consultations with government agencies, and come up with ‘archipunctural urban renewal strategy’ to spread six distinct projects that is interconnected by a larger green master plan of Kota Tua. JOTR uses ‘archipunctural’ solution to inject new life for Kota Tua and increase the livability of the historical old town district with a small, design-oriented approach. This group of pilot projects should act as exemplary urban magnets to restore Kota Tua energy to continue its urban narrative.

JOTR is initiated by Erasmus Huis and RumahAsuh, in collaboration with seven distinct personas or architectural firms (andramatin architects, djuhara+djuhara, Han Awal& Partners, KCAP, MVRDV, NiekRoozen feat. Wageningen University, and OMA). While, the archipunctural strategy is proposed by SHAU. It is also supported by the Embassy of the Netherlands, the Ministry of Tourism and Creative Economy, IAI-EU, Tropica Greeneries, MPYK Studio and the Kota Tua Creative Festival curatorial team. Jakarta Old Town Revitalization Corporation has pioneered a pilot project of the conversion of Post Office building into a Contemporary Art gallery and Visitor’s Center, opened in March 2014. As a continuation to the pilot project, we’re proud and happy to present our proposals for Kota Tua in this exhibition. However, we invite your participation to actively engage in this project by critically (but not cynically) evaluating these proposals and think thoroughly the kind of narration that Kota Tua should continue.

With this project, together we shall witness the existing abandoned monuments of Kota Tua will be reborn to continue its narrative and give a new spirit to Jakarta.

Kota Tua telah kehilangan jiwanya. Menua dan hampir mati, terdegradasi dan ditinggalkan, adalah karakter yang merepresentasikan kondisi Kota Tua saat ini.Sekitar 182 artefak peninggalan colonial terbengkalai, dikelilingi oleh lingkungan yang buruk dan berpolusi, dihindari sebagai tempat hidup dan/atau bekerja. Wajah usang neoklasik-nya menyimpan permasalahan yang kompleks dan berbelit. Berbagai inisiatif telah dilakukan baik oleh pihak swasta maupun pemerintah, namun tidak banyak membangkitkan vitalitasnya, bahkan satu persatu gedung tua punah, baik disengaja maupun rubuh sendiri karena kurangnya perawatan dan pemeliharaan. Banyak gedung tua sudah dicoba renovasi dan diberi fungsi yang baru namun karena kurangnya koordinasi, terisolasi dan cenderung harus berjuang sendiri maka tidak cukup kuat memberikan dampak apalagi sebagai generator yang diharapkan bisa menghidupkan kembali kawasan Jakarta Kota yang semakin ditinggalkan dan dilupakan. Wajahnya telah dibekukan, namun, narasinya diteruskan oleh pedagang kaki lima dan penghuni liar untuk membuatcerita yang sama sekali baru.

Jakarta Old Town Reborn (JOTR) menawarkan sebuah masa depan untuk Kota Tua. JOTR mengundang 7 tim arsitek dari Belanda dan Indonesia untuk bekerja sama dengan pemerintah dan pemilik bangunan untuk menghidupkan 6 bangunan bersejarah serta sebuah bidang lansekap disekitar Kali Besar dan lapangan Fatahilah. Kami mengadakan loka karya, seminar, debat, kunjunganlahan, bernegosisasi dengan para stakeholder, berkonsultasi dengan aparat pemerintah, dan sepakat dengan sebuah ide ‘archipunctural urban renewal strategy’. Strategi tersebut berfokus kepada enam buah proyek arsitektural yang disebar di beberapa tempat, kemudian dihubungkan oleh sebuah master plan lansekap.

Walau skalanya kecil dan berorientasi desain, proyek-proyek ini akan bekerja secara ‘archipuntural’ (architecture + acupunture), menyuntikkan aktivitas-aktivitas baru untuk menghidupkan Kota Tua dan menjadikan kawasan bersejarah tersebut layak ditinggali.

Proyek-proyek ini akan menjadi daya tarik baru Kota Tua untuk melanjutkan narasi urbannya.

JOTR dimotori oleh Erasmus Huis dan Rumah Asuh, yang berkolaborasi dengan tujuh karatkter/firma arsitektur (andramatin architects, djuhara+djuhara, Han Awal & Partners, KCAP, MVRDV, Niek Roozen bersama Wageningen University, dan OMA).Sedangkan, masterplan diusulkan oleh SHAU. Program ini juga didukung oleh Kedutaan Belanda, Kementerian Pariwisata dan Ekonomi KreatifIndonesia, IAI-EU, Tropica Greeneries, MPYK Studio serta Kota Tua Creative Festival curatorial team.

Salah satu proyek perintis telah dibuka bulan Maret 2014 lalu, Kantor Pos Kota Tua dikonversi menjadi Musium Seni Kontemporer serta Pusat Informasi Wisata Kota Tua. Sebagai kelanjutan dari rangkaian proyek ini, dengan bahagia dan berbangga, kami persembahkan rencana-rencana terhadap Kota Tua dalam pameran ini. Tak lupa kami mengundang partisipasi anda untuk secara aktif terlibat dalam proyek ini untuk secara aktif mengkritisi (tapi tidak dengan sinis) danmengevaluasi rencana-rencana ini, serta samasama memikirkan narasi apa yang harus dilanjutkan oleh Kota Tua. Dengan proyek ini, kita akan mengubah monumen Kota Tua yang terbengkalai terlahir kembali dan melanjutkan narasinya serta memberi semangat baru kepada Kota Jakarta.

Andramatin architects Djuhara+Djuhara Han Awal & Partners KCAP MVRDV Niek Roozen Landscape Architects Wageningen University OMA SHAU

ARCHITECTURE EXHIBITION

Kantor Pos

Andramatin www.andramatin.com A contemporary Indonesian architect, both Isandra Matin Ahmad, the man and the firm that bears his name, andra matin, are known for clean, modern creations that attempt to use space in a way that reflects and is sensitive to its environment. Upon inspection, these deceptively simple, straightforward buildings represent a sophisticated interplay of internal and external boundaries and contain subtle ambiguities that imbue them with a certain underlying tension and dynamism. Andra Matin (Aang) is one of the founders of Arsitek Muda Indonesia (Young Architects of Indonesia, AMI), which has greatly influenced the progress of architecture in Indonesia. His publications include Haikk! in 2008 by Borneo publications. A frequent lecturer at universities in Indonesia he has won numerous awards including the Association of Indonesian Architects (Ikatan Arsitektur Indonesia, IAI), in 1999 and 2002, 2006 and 2011. His work has also appeared in various international media, and several issues in Japanese architecture magazine, GA Houses.

Galeria Fatahillah: Reviving historical trail through urban culture

Edi Sadeli (Yayasan PSMI)

Djuhara + Djuhara www.djuhara.com Djuhara + djuhara was established in 2004 by husband and wife, Ahmad Djuhara and Wendy Djuhara. It was previously called Firma Arsitektur Ahmad Djuhara (2001 – 2004), until Wendy joined in 2004. Both are active members of several organizations, namely Young Architects of Indonesia (AMI), Indonesian Architects Institute (IAI, where Ahmad was the chairman for Jakarta chapter from 2006 to 2009) and as Committee Member of House Vision Indonesia. The firm has won several awards, such as Citation from IAI Award for Sugiharto Steel House (2002), IAI Award for Pondok Gede House (2008), Shining Stars Bintaro Kindergarten (2009). The last one was also shortlisted (in the Learning Category) at the World Architecture Festival 2010.

Sadeli House: Esensi Revitalisasi Gedung Sadeli

Kota Bawah (Rumah Akar)

HAN AWAL & PARTNERS Han Awal & Partners was established in 1970, and currently led by Yori Antar. He is one of the founders of AMI (Young Architects of Indonesia) in 1989 and also a freelance photographer for Aga Khan Awards for Architecture. In 2008, he established Rumah Asuh Foundation which focusing on preservation of colonial buildings and Indonesian traditional architecture. The firm and Rumah Asuh have won numerous awards including the Association of Indonesian Architects (IAI) in 2008, 2011, and Awards of Excellence from UNESCO AsiaPacific Awards 2012 for Wae Rebo.

In 2010, he established Liga Merah Putih (Red-White League) with photographers Oscar Matuloh and Jay Subiakto.

Kota Bawah: The Reincarnation

Samudera

KCAP www.kcap.eu KCAP Architects&Planners is a Dutch office for architecture, urban design and urban planning, founded by Kees Christiaanse in 1989. During the last 20 years KCAP has established itself as one of the leading international practices in the fields of architecture and urbanism. Working on an international level from the start, KCAP has designed and realized projects in major countries and cities all over the world such as Hamburg, Zurich, Perm, London, Beijing and Amsterdam.

Samudera: Collapse. Redesign. Revived.

Kerta Niaga

MVRDV www.mvrdv.nl MVRDV was founded in 1993 by Winy Maas, Jacob van Rijs and Nathalie de Vries in Rotterdam, the Netherlands. The practice engages globally in providing solutions to contemporary architectural and urban issues. A highly collaborative, research-based design method involves clients, stakeholders and experts from a wide range of fields from early on in the creative process. The results are exemplary, outspoken projects, which enable our cities and landscapes to develop towards a better future.The work of MVRDV is exhibited and published worldwide and has received numerous international awards. Together with Delft University of Technology, MVRDV runs The Why Factory, an independent think tank and research institute providing an agenda for architecture and urbanism by envisioning the city of the future.

Smart Nature for Kerta Niaga: A piece of nature in the heart of Jakarta

The landscape of Kali Besar and Taman Fatahillah

Niek Roozen Landscape Architects + Wageningen University www.niekroozen.com www.wageningenur.nl Niek Roozen bv was established by Niek Roozen in 1982.Over the years the firm has worked on a variety of projects including parks, horticulture and garden exhibitions, theme parks and master plans, both nationally and internationally.

Niek Roozen bv landscape architects has always worked together closely with other national and international design firms since the firm was established. We choose our teams, depending on the project, to include urban designers, architects, traffic engineers, horticultural engineers or civil engineers. Our office works closely with Atelier Loos van Vliet on our projects in China. Niek Roozen bv and Atelier Loos van Vliet are currently in the process of setting up a satellite office in China in order to expand the opportunities to work with other international design offices as well as be more directly involved in the detailed design and construction phases of our Chinese projects.

Wageningen University & Research centre (WUR) comprises of the university and several specialised institutes. One of these institutes is Applied Plant Research-Nursery stock. This institute is working on cultivation and use of nursery stock crops like, perennials, avenue trees, shrubs, conifers, roses, forest and hedging plants.

The focus in cultivation is on economic, environmental and social sustainability. In close cooperation with growers, mainly on-farm, experiments are executed. In the urban environment plants can contribute to the well-being of people. This contribution is part of the Green city concept. We always state ‘the right plant on the right place’. Plants need space above ground as well as below the surface for their development. The amount of space depends on the species, function required and the local growing conditions.

Especially in cities rooting space needs attention.

Kota Tua Green City: Green vision for a vibrant neighborhood

Tjipta Niaga

OMA www.oma.com OMA was founded in 1975 by Rem Koolhaas, Elia and Zoe Zenghelis and Madelon Vriesendorp as a collaborative office practicing architecture and urbanism. Now, OMA is a leading international partnership practicing architecture, urbanism, and cultural analysis. OMA’s buildings and masterplans around the world insist on intelligent forms while inventing new possibilities for content and everyday use. OMA is led by six partners - Rem Koolhaas, Ellen van Loon, Reinier de Graaf, Shohei Shigematsu, Iyad Alsaka, and David Gianotten - and sustains an international practice with offices in Rotterdam, New York, Beijing, Hong Kong, and Doha.

Ruang Ragam: Creating a heterogenous Kota Tua

Urban Archipuncture Strategy

SHAU www.shau.nl SHAU aims to design attractive buildings and cities which are socially and environmentally responsible. The studio was established in 2008 as two independent offices in Rotterdam (Florian Heinzelmann and DalianaSuryawinata) and Munich (Tobias Hofmann) and serves as common platform. Since 2012 SHAU runs an office in Jakarta, Indonesia led by Yogi Ferdinand. The individual offices collaborate on a project basis and combine their extensive working experiences in well-established and internationally-recognized architecture firms where they successfully worked on numerous projects on various scales. We can therefore offer a broad scope of services ranging from urban to architectural project commissions.

SHAU is mostly interested in delivering outstanding design solutions while embedding societal as well as environmental concepts in the design process.

Key projects include MuaraAngke Vertical Housing, Jakarta (which received presidential mention in 2013 during the 2nd Congress of Indonesian Diaspora); House by the Danube, Obernzell Germany; Social Mall (with andramatin), Jakarta; Microlibraries in Bandung, among others.SHAU actively engages itself with international exhibition curatorial, project commissions, writing, lectures, and public events.

archipuncture generation catalog SHAU

Fatahillah Square Installation: Clouds of Thoughts

SHAU + Diana Ang Public spaces are places where people can exist together and are free to express their voices. A collective voice is more than the sum of its individual voices. We attempt to capture this essence in Clouds of Thoughts - a canopy composed of messages of hope from Jakarta’s diverse citizens: students, teachers, government and private employees, street vendors, creative communities, and many more individuals that make up the city’s narrative.

The installation invites people to stroll and sit under its shade while finding these aspirations, and also becomes a visual map for the festival through its gradients of primary colors: blue aligning to the entrance from Stasiun Kota, red aligning to the main pedestrian entrance, and yellow hovering above Fatahillah Square. Through the installation, we celebrate the new spirit in Kota Tua revitalization, to quote Goenawan Mohamad , as a creative agenda.

Kata Macet hilang dari perbendaharaan kata warga Jakarta

Semoga Jakarta menjadi kota yang sehat, bersih, damai, dan aman

Jaga keunikan yang Luhki Herwanayogi, Jakarta ada dalam bangunanSutradara diharapkan menjadi barometer bangunan di Kota Tua. bagi ibukota negara Jangan lupa perawatannya lainnya didunia dalam hal kedamaian dan juga membutuhkan keguyuban diantara masyarakatnya kebersamaan dan Saya ingin kota partisipasi kelahiran saya jadi kota yang ramah masyarakat Semoga Jakarta lingkungan, ramah Angger Prawitasari, Training Admin

Ahmad Darus, Karyawan/Lembaga Musyawarah Kelurahan (LMK)

Jakarta to be a walking city, better public transportation to help with the traffic issue

Nggak macet, plus banyakkin pepohonan, bukan bangunan.

Harapan nomor satu adalah kemauan besar untuk melakukan usaha memperbaiki mental warga kota Ardzuna Sinaga, Urban Designer AECOM

Perbaiki apa yang perlu diperbaiki, jaga semua yang harus dijaga.

Jakarta layak untuk dibanggakan.

Ahdhan, carikAvasa

Jakarta menjadi kota dimana ruang-ruang publik kreatifnya menjadi inspirasi bagi warga dan pengunjungnya

Jakarta bisa menjadi kota megapolitan yang SIMPEL dan FLEKSIBEL

Diana Ang, Arsitek

Bersih dari sampah, lahan hijau ditambah

Henry Edward Parlindungan Tambunan, Wirausaha

Semoga kesejahteraan meningkat, transportasi umum semakin baik, aspal jalanan mulus.

Drainase berfungsi dengan baik.

Lebih banyak ruang hijau dan taman-taman.

Jakarta yang lebih hijau, manusiawi dan beradab.

Tentunya sangat berharap banjir dan kemacetan dapat segera diatasi.

Melanie Widjaja, Kemenparekraf

Ester Elfrida Jutensia, PNS

Indra Jaya Wangsa, Mahasiswa & Indie Filmmaker

Izzy Tanasale, Ibu Rumah Tangga

Jakarta yang lebih maju, bersih, teratur, bijak dan dewasa Reza Sukianto, Karyawan

Adakan peremajaan angkutan umum Nia Kusniawati, Cleaning Service

Pump Up The Jam!

Semoga makin meningkatkan kenyamanan dan keamanan untuk transportasi publik.

Makin oke sistem pemerintahannya!

Happy day Djakarta!

Cliff Salomo, Swasta

Shinta Nurin Ayu Narulita, PNS

Sandy Putranto, Urban Designer

Penegakan peraturan oleh pihak berwenang benar-benar dijalankan dan dilakukan. Pelanggar peraturan dihukum sesuai peraturannya.

Fatih Anfasa, Mahasiswa

Mari Pangestu, Menteri Pariwisata& Ekonomi Kreatif

Afrizah Pisca Alinda Mahasiswa

Pedestrian friendly, tentunya didukung oleh trotoar yang sesuai standar, street furniture & green corridor terawat, transportasi publik memadai Aulia Kurniaputri, Mahasiswa

Dyah Wulandari, Karyawan Google

Raditya Agarwalla, Engineer

Saya ingin pedagang kaki lima yang nggak punya pangkalan bisa berjualan Jakarta menjadi kota yang bersih dan aman untuk para pejalan kaki dan pengguna transportasi umum Rinaldy Zulkarnain, Mahasiswa

Obeh, Pedagang Soto Mie

1. Petunjuk jalan jelas dalam jarak pandang yang proporsional.

2. Naik-turun penumpang bis HARUS di HALTE resmi.

Muhamad Kamaluddin, Corporate Planning Department/ RasGas

Astrid L. Rebekka, LRT

Jakarta bisa menjadi setara dengan kota-kota metropolis dunia lainnya, yang ramah pada pejalan kaki dan bebas banjir.

I hope that we can have proper spaces to read: a library or a park

Semakin menghargai masa lalu dan senantiasa sadar dalam melangkah ke masa depan Rizki Supratman, Arsitek

Rahadiyan Harryputra, Graphic Designer

Ciptakan ruang kosong dalam jarak setiap 5km.

Ruang ini untuk bermain anak, paru-paru kota, dan tempat melepas stress.

Vanessa M. Liem, Student

Saya berharap ada zona khusus industri berteknologi tinggi dengan konektivitas handal dan kelas dunia namun terjangkau perusahaan startup

Semoga Jakarta memiliki polisi yang lebih jujur dan baik

Lie Cherry, Wiraswasta

I wish for an acceleration of open-mindedness and great empathy in this nation: for mercy to overcome any judgement or any emotion of hate.

Jakarta dikenal menjadi kota yang memiliki ruang publik yang cantik, yang dipenuhi dengan public art

Perbaiki apa yang perlu diperbaiki, jaga semua yang harus dijaga.

Jakarta layak untuk dibanggakan.

Berto, Lecturer Universitas Bina Nusantara

Saya bermimpi sederhana dan berharap agar sungai-sungai di Jakarta menjadi bersih dan dapat dilalui perahu turis seperti di Amsterdam.

Amin!

Windi Salomo, Event Producer

Agar ada banyak ruang publik, gedung pertunjukan, dan teater untuk orang kreatif

Suatu saat warganya bisa berkata “Aku CINTA Jakarta!!!� dengan bangga & tulus

Novia Pratiwi Putri, Pelajar

Dwi Rahayu, Interior Designer

Florian Heinzelmann, Architect/SHAU

Saya ingin kota Jakarta menjadi Kota yang BERSIH, AMAN dan NYAMAN

Semoga Jakarta bisa menjadi kota yang lebih baik dan bebas macet serta banjir

Proyek MRT lancar, people stop buying cars, use public transport more.

More trees and parks in the cities.

Uli Padmanegara, Freelancer

Atri Anggirani, Desain Grafis

Stephanie Yovita, Copywriter And Social Media Specialist

Afrizah Pisca Alinda Mahasiswa

Berharap kota Jakarta menjadi simbol Ibukota Indonesia yang berbudaya, bermasyarakat, berbangsa dan bersatu

Lebih ramah, aman dan bersahabat. Lapangan dan tempat kumpul keluarga di pusat kota diperbanyak Wahyu Kumoro, PNS

Semoga kemacetan dan tingkat kriminalitas berkurang. Semoga transportasi umumnya bisa lebih baik

Cindy Frishanti, Media Staff

DKI bebas korupsi

Semoga seni yang ada di Kota Tua bisa dikembangkan kembali

Agatha Vania Karina, Graphic Designer

Semakin dipernyamannya space untuk pejalan kaki, diperbanyakkan pohon-pohon dalam kota sebagai sumber udara segar

Become a livable and lovable city!

Susi Ratnawati, Wiraswasta

Remy Thalita, Karyawan Swasta

Semoga penduduknya semakin teratur

Michel, Arsitek

Ririn Risanti, Graphic Designer

Diyah Kwee, Jakarta Freelancer bebas sampah, bebas macet, tertib, cantik dan menarik orang untuk datang dan menikmati budaya timur Indonesia, go Jakarta!!!

Cynthia Mononutu, Graphic Designer

Indonesia beriklim tropis, we should be greener than other countries.

bisa jadi SURGA DUNIA

pejalan kaki, ramah anak dan perempuan dan aman bagi penduduknya

Ajianto Dwi Nugroho, Swasta

Tidak macet & banjir, dan banyak taman dan pohon di ruang-ruang gersang

Maria Dewi, Kandidat Doktor Jurusan Teknik Perkotaan

Warga kelas menengah & bawah dapat menikmati rumah dan taman di dekat kantornya, jadi punya waktu lebih berkualitas untuk keluarga dan diri sendiri Randi Pratama Kusuma, CNPS

Harapannya, desain & material di ruang publik dieksekusi dengan baik, sekalipun fasilitas dan infrastruktur kota bersifat temporary Putri Kusumawardhani, Urban Designer

RIZKI. A. ZAELANI

Curator Tak setiap saat, sebuah karya seni rupa mendapatkan kesempatan ‘menantang’ seperti kegiatan pameran kali ini. Karya-karya ini dipamerkan di sebuah lokasi yang jauh berbeda dengan situasi ruang di sebuah galeri atau museum seni rupa pada umumnya. Boleh jadi, tempat ini sebelumnya adalah sebuah ruang kerja atau kegiatan sehari-hari yang tak ada hubungannya sama sekali dengan ekspresi seni rupa. Kini, ruangan itu menunjukkan identitas keadaanya secara lain.

Bagaimanapun kini, ruangan ini tampil sebagai suatu keadaan yang bernilai khusus: meski nampak jejak keadaan yang terabaikan namun jelas kuat memancarkan pesona sejarah dan aroma waktu yang perkasa. Keadaan tempat atau ruangan yang digunakan untuk berpameran ini ada, meski tentu juga boleh jika seseorang tak setuju, sebagai sebuah tantangan sekaligus undangan. Pesona sejarah dan aroma jejak waktu yang sedemikian kuat sebagai karakter ruang pameran ini menjanjikan semacam situasi ‘baru’ bagi kelahiran kembali gagasan yang muncul dari sebuah karya seni rupa yang mungkin tadinya dianggap telah ‘selesai’, bahkan oleh sang senimannya sendiri.

Keadaan studio masing-masing seniman tentu saja tak pernah mirip dengan bayangan tentang ruang, di sebuah galeri atau museum, yang dikehendaki setiap seniman untuk mempresentasikan karya-karya yang dikerjakannya. Sebagai tempat produksi atau penciptaan karya, ruangan studio seniman umumnya lebih lusuh dan liar, dijejali berbegai jejak gagasan, tindak tanduk eksperimentasi, atau kehendak yang keseluruhannya tak sempat dinyatakan sebagai karya.

Namun demikian, ruang presentasi di sebuah bangunan tua di kompleks kota tua Jakarta ini adalah sebuah situasi ‘ke-beda-an’ yang lain. Ada bukan sebagai ruang presentasi yang netral dan anggun layaknya di ruangan galeri, namunjuga bukan situasi lusuh yang akrab sebagaimana di ruangan studio kerja para seniman.

Ruangan presentasi di kota tua Jakarta ini secara persistent turut menawarkan gagasan, bahkan kembali menarik keadaan masing-masing karya pada situasi

awal ketika karya dikerjakan oleh sang seniman. Karyakarya yang dipamerkan ini bukan hanya hadir sebagai sebuah presentasi tetapi juga sebuah representasi ‘baru’ hasil campuran dari gagasan yang dimiliki masingmasing seniman dan nilai situasi yang diperagakan oleh sang ruang.

Presentasi dan representasi karya-karya seni rupa dalam pameran ini, saya anggap, merobek tabir dalam asumsi kita mengenai persoalan tentang ‘yang lama’ dan ‘yang baru.’Meski tempat pameran ini bisa dianggap sebagai ruang usang dari gedung yang sudah lama, namun pada prakteknya, karaktek ruang dan nilai situasi yang diperagakan oleh tempat ini adalah kenyataan yang ‘baru’, yang kemudian bisa dipahami sebagai kualitas yang bisa ditambahkan pada tiap-tiap karya seniman yang dipamerkan di sini. Langkah persiapan untuk presentasi pameran ini tak hendak menjadikan ruangan ini menjadi ruangan yang bersifat netral ibarat ruang di sebuah galeri atau museum. Sebaliknya, berusaha semaksimal mungkin untuk membiarkan, atau mempersilahkan keadaan ruang ‘sebagaimana adanya’.

Pun karya-karya yang dipamerkan adalah karya-karya yang telah ‘selesai’ dikerjakan atau dipamerkan oleh para seniman, dan bukan karya yang disiapkan khusus untuk dipamerkan di tempat yang khas semacam ini. Dalam perkembangan seni rupa, dikenal metoda ekspresi yang disebut sebagai ‘site specific project’ (ekspresi seni rupa sebagai proyek khusus yang disiapkan berdasarkan keadaan ruang pamer bagi karya). Pameran ini jauh dari gagasan penyiapan karya sebagai sebuah karya ‘site specific project’ tersebut. Beberapa seniman hanya menyiapkan beberapa langkah penyesuaian karya yang lebih berkaitan dengan teknis pemasangan karya.

Pameran ini, dan juga ruangan pameran ini, seakan-akan hendak menyiapkan kelahiran kembali masing-masing kekuatan dari karya-karya yang akan ditampilkan. Pesona sejarah, aroma jejak waktu, dan kharisma ruang yang ada di tempat ini adalah elemen lama yang jadi kekuatan baru yang seolah bekerja memperbaharui gagasan dan kreativitas para seniman.

Karya-karya dipamerkan ini, tentu saja, bukan dimaksudkan untuk ‘menghiasi’ ruang ini, tidak menghiasi dalam pengertian demi menjadikan tempat nampak lebih indah. Karya-karya yang dipamerkan ini, bagi saya, adalah sebuah contoh bagaimana kita tetap mampu mengartikulasikan sikap penghargaan

kita terhadap pelajaran mengenai hikmah waktu dan nilai kehidupan. ‘Ars longa, vita brevis.’ Perjalanan hidup kita tak akan pernah cukup untuk memahami apa yang sempurna yang diwariskan setiap pencapaian yang sesungguhnya kita, manusia, mampu ciptakan.

Setiap hasil keterampilan, kemampuan, daya pikir, yang dihasilkan oleh manusia tak akan pernah cukup untuk bisa dipahami sepenuhnya dalam batas-batas waktu hidup manusia itu sendiri. Apa yang kita anggap ‘yang lama’ pada kenyataanya selalu mampu menjadi ‘yang baru’ ketika kita diberi kesempatan untuk memiliki kepekaan meraih pelajaran baru darinya. Dengan demikian setiap yang kita ciptakan, pada kenyataannya, adalah jejak resonansi dari bentuk-bentuk dan tingkattingkat penciptaan yang lain. Setiap manusia, seperti halnya juga para seniman, tak pernah bisa menjadi asal dari sebuah proses penciptaan selain justru menjadi bagian dari sumber dan muasal proses kerativitas lain yang tak bisa langsung dikenal atau dipahami oleh setiap orang. Dalam hal ini, maka seorang seniman pada akhirnya akan menyadari ihwal adanya cakrawala langitlangit yang lain, yang lebih luas, di atas langit-langit proses kreasi yang digelutinya secara personal.

Pameran ini didedikasikan kepada setiap usaha dan kerja keras setiap pihak dalam rangka menghidupkan kembali kemampuan manusia saat kini agar tetap mampu belajar dari prestasi dan hasil-hasil pencapaian manusia di lain waktu, situasi, dan kesempatan. Karya-karya yang dipamerkan ini lebih mirip sebagai sebuah dialog atau interaksi antara situasi ‘yang lama’ dengan ‘yang baru’, ‘yang lalu’ dengan ‘yang kini’, ‘yang saat kini’ dengan ‘yang kemudian nanti’. Ekspresi karya-karya yang dipamerkan ini hanyalah sebuah contoh dari kehendak dan ketulusan untuk terus belajar dan memahami, mengenang setiap apa yang kita tahu sebagai hadiah pengetahuan justru karena kita akhirnya menjadi sadar pada hal ihwal yang lain yang belum lagi kita ketahui.

Cakrawala keluasan dan ketinggian harkat kemanusiaan tak akan pernah cukup dihargai dalam kemasaan kalkulasi nalar dan perhitungan dari rencana-rencana, selain jadi berharga karena tetap dirawat dan dihidupkan dalam kepekaan dan kecerdasan hati.

Rizki A. Zaelani kurator

Ars longa, vita brevis Only from the heart Can you touch the sky Jalal al-din Rumi

It is not often that an artwork receives a ‘challenging’ opportunity as in our exhibition today. These works are presented in a location/site far removed from a space in a gallery or museum of art. Perhaps, this used to be a place of work, or a place where its daily activities had nothing to do with art expression. Today, the location shows a different side to its conditional identity. Whatever its past, the site is now presented as a condition with special values: despite its neglect, it strongly shows its historical charm and the powerful scent of time. The condition of this site, which we now use as an exhibition space, is both a challenge and an invitation—although people are certainly welcomes to disagree. The charm of history and the scent of time are so powerful that its character promises to provide a ‘novel’ situation for the rebirth of an idea, emerging out of artworks once considered as “completed” perhaps even by their own artists.

Each artist’s studio is certainly unlike the idea of space inside a museum or gallery, as envisioned by artists to display their works. As a place of artistic creation or production, an artist’s studio is usually shabbier and wilder, filled to the brim with trails of ideas, experimental conducts, or desires that cannot be fully transformed into a particular work. And yet, a presentation site inside an old building in Jakarta’s Old Town is a ‘different’ situation altogether. It is not a neutral and elegant presentation space like most gallery rooms, but neither is it a shabby but homely space of an artist’s studio. The presentation space in Jakarta’s Old Town persistently offers ideas, even taking each artwork back to its earlier situation, when it was still a work-in-progress under the artist’s hands.

Works exhibited here, are not merely presentations, but a ‘new’ representation, a product of the artist’s own idea(s) intermingled with the situational value of the space itself.

I consider the presentation and representation of artworks in this exhibition, as an attempt to uncover

the veil around our assumptions regarding ‘the old’ and ‘the new’. Although we may see the site as a worn-out room inside an old building, in practice, its spatial character and situational value is a ‘new’ reality, which can then be understood/regarded as a quality that can be added to each of the artworks exhibited here. All the preparations ahead of this exhibition never once attempted to make it into a neutral place like those found in galleries or museums. On the contrary, we try as much as possible to allow the site to be ‘as it is’. In addition, works presented here are those that have been completed or even shown in prior exhibitions by the artists, not specially-made pieces for such a unique place as this. In the development of art, we recognize a method of expression called ‘site specific project’ (i.e. an art expression done as a special project in reaction to, or based on, the specific situation of a specific exhibition space). However, our current exhibition is far from a ‘site specific project’.

The few artists who made small adjustments to their works did so only for technical reasons regarding the display of works.

This exhibition, like the exhibition space itself, seems to be preparing for the rebirth of the strengths in each exhibited works.

The charm of history, the scent of time, the charisma exuding from this space—they are old elements made into new strengths that work to rejuvenate the artists’ ideas and creativity.

These exhibited works are certainly not intended to ‘decorate’ the space—at least, not ‘decorate’ in the sense of beautifying a place. The works on exhibit, for me, act as an example of how we will have the ability to articulate our appreciation of time’s wisdoms and life’s values. Ars longa, vita brevis. Our life’s journey will never be long enough for us to comprehend the perfect things bequeathed by the achievements that

we, as humans, can actually create. Not every achievement through human skills, abilities, and thoughts, can be fully understood within the human lifetime. What we consider as “old”, in reality, can always become “the new”, if only we are given the opportunity to have the kind of sensitivity needed to find new lessons from it. And so, every creative thing, in reality, comes from the resonance emitted by other creative levels and forms.

Each person, including the artist, can never be the font/source of a creative process, but only a part of the source and beginning of other creative processes that are not immediately recognizable or understandable.

In this case, an artist will finally realize that there are other horizons, wider than his or her own creative horizon.

This exhibition is dedicated to every effort and hard work that has gone into our attempts to rejuvenate our abilities, so we can continue to learn from the achievements made in another time, situation, and opportunity. Works exhibited here are perhaps more like dialogs or interactions between “old” and “new” situations, “the past” and “the present”, “today” and “future” things. The expressions of works presented here serve as examples of the desire and heartfelt attempts to continue to learn and understand, to recall everything that we know as gifts of knowledge, especially because we have become conscious of things that we have yet to know. It is not enough to appreciate the length and breadth of human dignity through logical calculations or through the accounting of plans; instead, it becomes valuable and priceless because it has been nurtured and kept alive through sensitivity and an intelligent heart.

Rizki A. Zaelani kurator

Ade Artie Tjakra

Dydik Sukowati ‘Codit’

Risa Astrini

Alvin Tjitrowirjo

Ghina Fianny

Rony Rahardian ‘Onik’

Tiarma Dame Ruth Sirait

Isha Hening

Theo Frids Hutabarat

Abdul Sobur

Josua Alessandro

Willy Himawan

Andre Tanama

Kemal Ezedine

Yani M Sastranegara

Andro Napitupulu

Kinez Riza

Yaya Sung

Andy Dewantoro

Masagoeng

Ykha Amelz

Asmudjo Jono Irianto

Muhammad Taufiq ‘emte’

Zico Albaiquni

Aviandari Lestari

Nus Salomo

Bonggal Hutagalung

Rendra Santana Riono Tanggul Nusantara

CONTEMPORARY ART EXHIBITION

ADE ARTIE TJAKRA Born in Jakarta, Indonesia

SOLO EXHIBITION 2002

Manusia Seutuhnya, Galery Cipta III, TIM, Jakarta.

GROUP EXHIBITION

EDUCATION Teguh Ostenrik Dolorosa Sinaga

2013

2012

2011

2010

Art Bazaar Jakarta Locafore, Kota Baru Parahyangan, Bandung Sepuluh Pelukis Perempuan Jakarta ,Museum Seni Rupa Dan Keramik, Jakarta KITA The Philippine/Indonesia ART EXCHANGE, Cebu, Manila, Philippine, and Bali Asian Watercolour Expression 2012, Bentara Budaya, Jakarta, Jogya, Solo, Bali LOCAFORE – Art, Design & Jazz festival – Kota Baru Parahyangan,Padalarang Bandung; 23 Sept – 31 Des 2011 Pameran Watercolour On Beautiful Small Space; 11 Sept-11 Okt 2011 di Art Space Jakarta Barat Irisan Grand Indonesia East Mall, Jakarta Art Malaysia - PCA4 , Kuala Lumpur Malaysia 10th Anniversary One galeri, Jakarta Deterjen GaleriCipta II TIM Jakarta China – ASIAN youth Artwork creativity contest)

Living In The Fantacy

WORKSHOP Charles Reid, Ramon Kelley, Richard McDonald USA

Bronze 85 x 95 x 137 cm

ALVIN TJITROWIRJO TIARMA DAME RUTH SIRAIT ABDUL SOBUR JL. Suryo No. 11 A, 2nd Floor.

Jakarta Selatan +62 816 193 1300 info@alvin-t.com WWW.ALVIN- T.COM

Chrysalis “The notion of a new language always develops with time from its infancy towards maturity, in Indonesia there has been a development towards modernity” This art installation is a representation of a stage of transformation between infancy and maturity within the contemporary Indonesian design world. There has been a surge of modernism penetrating our lives. Influences have come from all parts of the world which indirectly shape the notion of modern design within the local society.

Chrysalis is a development of understanding towards modernism within Indonesia.

Its shape conceived from a frozen movement of an organism blossoming towards a direction yet to be known.

Made out of Rattan, a material that is common towards the local eyes but haven’t secured its proper respect, the installation is mounted on top of a stage to be represented as work-in-process and also a milestone for this development of understanding towards what modern contemporary Indonesian deign can be in the near future.

Chrysalis

Rattan Manau in natural finish, Teak in wax finish 400 x 150 x 220 cm 2013

ANDRE TANAMA Born in Yogyakarta, March 28 , 1982 Perumahan Alam Citra B.39, Jl. Parangtritis Km.7, Sewon, Bantul 55188, D.I. Yogyakarta, Indonesia. +62 856 2911 888 andre_tanama@yahoo.com www.gwensilentproject.blogspot.com www.andretanama.weebly.com th

Andre Tanama is one of young Indonesian visual artist. While being active as fine art lecture in Institut Seni Indonesia Yogyakarta (Indonesia Institute of the Arts), he is also being active creating visual artworks in various media such as drawing, printmaking, painting, and sculpture. This time, he focus on exploring his “lovely� figures: Wayang Monyong, Gwen Silent, and Agathos as metaphor of many issues. He brings his figures in many exhibitions in Indonesia and other countries such as Malaysia, Singapore, Italy, Switzerland, USA, Netherland, Portugal.

EDUCATION 2005 - Indonesia Institute of the Arts (ISI) Yogyakarta, Bachelor of Fine Art (cum laude) 2010 - Postgraduate Indonesia Institute of the Arts (ISI) Yogyakarta, 2006 - present; Master of Fine Art (cum laude) Lecturer in Fine Art - Indonesia Institute of the Arts (ISI) Yogyakarta

SOLO EXHIBITION 2013 Wayang Monyong, Miracle Art Space,

Tirtodipuran, Yogyakarta 2012 Agathos, Langgeng Gallery, Magelang,

Central Java 2011 The Tales of Gwen Silent, Bentara

Budaya Jakarta 2010 The Tales of Gwen Silent, Bentara

Budaya Yogyakarta

Gwen Silent, Final Project of Master

Degree, Galeri Biasa, Yogyakarta GROUP EXHIBITION 2014 Do You Believe in Angel, curated by

Tony Godfrey, Equator Art Project,

Singapore and Philipine

Pager Piring, 15th Peringatan Wafat

YB Mangunwijaya, Bentara Budaya

Yogyakarta 2013 Neo-Iconoclasts, Langgeng Gallery,

Magelang

Tegangan: Sosok/ Artikulasi, Pameran

Seni Rupa Dosen ISI Jogja & ITB, Galeri ISI

Yogyakarta

Coffeelicious, Coffetalk Art Space,

Yogyakarta

Melihat/Dilihat, Pameran Seni Rupa

karya-karya Dosen Seni Rupa se-Indone

sia, Galeri Nasional Indonesia, Jakarta

Silaturahmi #2, Bentara Budaya Jakarta 2012 Legend of Jogja, Primae Noctis,

Switzerland

Hello, Goodbye, it is all about East and

West, Willem Kerseboom Gallery,

Amsterdam

Here and There, Now and Then,

printmaking exhibition curated by Tony

Godfrey, Langgeng Art Foundation, Jogja

Art Stage Singapore, Marina Bay Sands,

Singapore (with Primo Marella Gallery)

Revolution of Indonesia II, Art Front

Gallery, Singapore

Archive Reclaim.doc, Galeri Nasional

Indonesia, Jakarta 2011 PAN Amsterdam, RAI Parkhal (hall 8),

Amsterdam

Jakarta Biennale #14 Maximum City,

Central Park Mall, Jakarta

PMR Cube - Contemporary Culture

Interplay, Sampoerna Strategic, Jakarta

Flight for Light - Religiocity in

Indonesian Art, Grand Opening ART:1

New Museum, Art Space:1, Jakarta

Yang Mendamba Kesunyian

Painted Fiberglass 70 x 70 x 105 cm 2014

ANDRO NAPITUPULU Born in Soroako, April 20 , 1986 Jl. Kalijati Indah no 26 Rt 06/Rw 04, Antapani, Bandung 40291 (022) 7279465 / +62 856 210 8990 nailedfleshwithoutblood@yahoo.com th

EXHIBITIONS 2007 Graphic Art Application, Galeri

Soemardja, Bandung

Us/Industry, Galeri Rumah Teh,

Bandung

Scale ; 15x15x15 Project, Galeri

Soemardja, Bandung 2008 Exhibition for Capo Project Workshop,

Bandung New Emergence II, Selasar

Sunaryo, Bandung

Urban Toys Exhibition, Workshop Capo

Project, Urban Fest Ancol, Jakarta

Metaphoria; 15x15x15 Project#2,

Galeri Soemardja, Bandung 2009 TREXI Custom Show, Tunjungan Plaza

Surabaya, Surabaya

TREXI Custom Show, FX Mall, Jakarta

We’re All Millionaires, AOD Art Space,

Jakarta

Inhabitant, Padi Artground, Bandung

Post Mortem, Vanessa Artlink, Jakarta 2010 DRAWING the day after TODAY, Padi

Artground, Bandung

Recreate x Reality x Representation;

15x15x15 Project#3, Galeri

Soemardja, Bandung

Munny World Festival Indonesia, TOC,

Fx Mall, Jakarta

Sang Ahli Gambar dan Kawan-Kawan;

Tribute kepada S. Sudjojono, Galeri

Kita Bandung 2011 Sweet Agony, Dia.Lo.Gue, Kemang,

Jakarta

Hybrid Project; The Butterfly Effect,

Museum Barli, Bandung

Festival Grafis Bandung Reframing

Printmaking, Lawangwangi Art and

Science, Bandung

Hybrid Project; The Butterfly Effect-

Expanded, Maja House, Bandung

The Other I, Padi Artground, Bandung

QUEAJ

WORKSHOP AND SEMINAR 2008 Workshop Capo Project, Selasar

Sunaryo Art Space Bandung 2007 Seminar and Leather Workshop 2006 Printmaking Workshop, KGB-ITB AWARDS 2010 2008 2006

Marlboro Style Your Party Finalist Most Favorite Capo (2008) Indonesian Printmaking Trienal II Finalist

mixed media approx. 40 x 40 x 40 cm 2014

ANDY DEWANTORO Born in Tanjung Karang, Lampung, 1973 Jl. Setrasari V No.8 Bandung - 40153 Jl. Patra IV No. 64, Jakarta Barat

EDUCATION 1995-2000 Interior Design, Faculty of Fine Art and Design, Bandung Institute of Technology (ITB) SOLO EXHIBITION 2012- We Wanted To Be The Sky D Gallerie, Jakarta, Indonesia 2011- Half Full Half Empty Valentine Willie Fine Art, Kuala Lumpur 2010- empty – space – landscapes Galeri Semarang, Indonesia

GROUP EXHIBITIONS 2014

2013

2012

2011

ART STAGE SINGAPORE 2014 Semarang Contemporary Art Gallery, Marina Bay Sands, Singapore Lost and Found Ark Galerie, Space K, Gwacheon, Seoul, South Korea Art Basel 2013 Hong Kong Convention and Exhibition Center, Hong Kong G-Seoul International Art Fair 13 Ark Galerie, Grand Hilton Seoul, South Korea Homo Ludens 4 Emmitan CA Gallery, Bentara Budaya, Denpasar, Bali A TRIBUTE TO A MENTOR, Indonesian Modern and Contemporary Art Exhibition Gedung Tribakti, Magelang, Indonesia Re.claim Galeri Nasional, Jakarta, Indonesia CONTEMPORARY INDONESIAN ART EXHIBITION Sin Sin Fine Art, Hong Kong ART STAGE SINGAPORE 2012 Semarang Contemporary Art Gallery, Marina Bay Sands, Singapore LINTAS Edwin’s Gallery, Jakarta,Indonesia Flight for Light: Religiosity in Indonesia Art, Art:1 Space, Jakarta, Indonesia The Indonesian Eye Contemporary Art Exhibition Saatchi Gallery, London, England Indonesian Artist Group Show Sin Sin Fine Art, Hong Kong Bazaar Art Jakarta 2011 The Ritz Carlton, Jakarta, Indonesia We Are Now Open GARIS artspace, Jakarta, Indonesia ART|JOG|11 Taman Budaya Yogyakarta, Yogyakarta, Indonesia CONTEMPORARY LANDSCAPE Lawangwangi – Art & Science Estate, Bandung, Indonesia HOMO LUDENS #2 Emmitan CA Gallery, Surabaya, Indonesia Indonesian Eye Contemporary Art Exhibition: Fantasies & Reality Ciputra Artpreneur Center, Jakarta, Indonesia ART STAGE SINGAPORE 2011 Semarang Contemporary Art Gallery, Marina Bay Sands, Singapore

A Quite Place

Oil on canvas 240 x 180 cm 13-14

ASMUDJO JONO IRIANTO Born in Bandung, September 26 , 1962 th

SOLO EXHIBITION 2000

2002

2014

Kleptosign 1, Barak Gallery, Bandung.

Kleptosign 2, Lontar Gallery, Jakarta.

Kleptosign 3, Cemeti Art House, Yogyakarta.

Debt Store, Cemeti Art House, Yogyakarta.

Unoriginal Sin: Art in The Expired Field. Selasar Sunaryo Art Space.

Bandung.

Stairway to heaven

GROUP EXHIBITION

EDUCATION 1990 - BA, Fine Art Department, Faculty of Art and Design, Bandung Institute of Technology.

MA, Fine Art Department, Faculty of Art and Design, Bandung Institute of Technology.

2007

2008

2009

2010

2012

2013

4th Ceramic Biennale, Icheon, Kyonggi Province, Korea.

Pameran 100 Tahun Affandi, Yogyakarta Biennale Yogya IX-2007, Yogyakarta Mapped, 5 ceramic artists from Singapore, Malaysia, Vietnam and Indonesia. Esplanade, Singapore.

Pameran Asian International Art Exhibition 22nd “Imagining Asia�, Selasar Sunaryo Art Space, Bandung Quota, Indonesian Contemporary Art National Gallery, Jakarta Arafura Craft Excahnge. Trajectory of Memories, Tradition and Modernity in Ceramics, Museum and Art gallery of The Nortjern Territory, Darwin, NT, Australia.

Manifesto National gallery, Jakarta Jatiwangi Art Factory Contemporary Art Exhibition, Jatiwangi, West Java Dear Andry, S-14 gallery, Bandung Dear Andry II, Ruang Rupa, Jakarta Bandung Initiative 4, Rumah Rupa, Jakarta Kado #2, Nadi Gallery, Jakarta Critical Point, Edwin Gallery, Jakarta Making is Thingking Kota Baru Parahyangan, Bandung Progress Report Galeri Soemardja, Bandung Institute of Technology Pameran Karya Pengajar Seni Rupa 2013: Progress Report, Galeri Nasional Jakarta Pameran Sudjojono dan Kebangsaan, Galeri Nasional Indonesia, Jakarta

resin, zinc frame, found object Variable dimension 2014

Untitle#1

resin, books 350 x 70 x 35 cm 2014

AVIANDARI LESTARI Born in Bandung, June 9 , 1990 Jl. Dago Giri no111 Desa Mekarwangi Warung Caringin Bandung, Indonesia +62 8177 355 99 aviandarilestari@gmail.com th

AWARD 2014- Primary evaluation, Bexco Young Artist Award, Busan, South Korea.

2013- Finalist, Soemardja Art Award 2013, Galeri Soemardja, Institut Teknologi Bandung, Indonesia.

2014

2013

2012

2011

Research team assistant. Academic Paper for Indonesian National Gallery.

Curator team assistant for Manifesto 2014, Indonesian National Gallery, Jakarta Indonesia.

Curator team assistant for The World and I : A Solo Exhibition by Heri Dono, Art:1 New Museum, Jakarta Indonesia.

Curator team assistant for SEA+ Triennale 2013, Indonesia National Gallery, Jakarta Indonesia Curator team assistant for Indonesian Art Award 2013, Indonesia National Gallery, Jakarta Indonesia Curator assistant of Mr.Rizki A. Zaelani for Mall Art project at Bazaar Art 2013, Pacific Place, Jakarta Indonesia Volunteer for Art Stage Singapore 2012, Marina Bay Sands, Singapore Project manager of Lubberland: a group exhibition by Cinq-cinq, W_Space Jakarta, Indonesia OK Video, video workshop by Meiro Koizumi and Agung Hujatnikajennong, Selasar Sunaryo Artspace, Bandung Indonesia VIDEOSONIC #2 – The Spectacle, video workshop with Michael Brynntrup and Filmklasse Braunschweig students, Institut Teknologi Bandung Indonesia Public Installation workshop by Faculty of Architecture, Institut Teknologi Bandung Indonesia Public Installation seminar by Faculty of Architecture, Universitas Indonesia, Jakarta Indonesia Marketing of Festival Grafis Berseni, Lawang Wangi, Art and Science Estate, Bandung, Indonesia.

You Don’t Speak But I Hear You

GROUP EXHIBITION 2013

2012

Soemardja Art Award 2013, Galeri Soemardja, Institut Teknologi Bandung, Indonesia Mix Template, Galeri Kita, Bandung, Indonesia Ranah Bertabuh Kreasi, Medco Building, Jakarta, Indonesia.

15x15x15, Galeri Soemardja, Institut Teknologi Bandung, Indonesia.

Lubberland, a Group Exhibition by Cinq-Cinq, W_Space, Jakarta, Indonesia.

Mitbringsel, Konnektor Forum Fur Kunste, Hannover, Germany

Pigmented resin on organdi cloth 130 x 100 x 10 cm 2013

BONGGAL HUTAGALUNG Born in Sleman, July 28 , 1988 Jl. Sekeloa Utara 1 No. 13 A Bandung 40134 th

SOLO EXHIBITION 2013

Coolest Pot In Town

Cracked Pot With Boobs

Pottrippin Galeri Hidayat, Bandung

EXHIBITIONS

EDUCATION Bachelor Degree, Faculty of Art and Design, Majoring on Ceramics Art, Bandung Institute of Technology.

2014 2013

2012

2011

2010

2009

Manifesto 4 Galeri Nasional, Jakarta Cataclysm Swoon Gallery, Bali Subject Matter: A Locus Of Collectivism Art:1, Jakarta Everyday Is Like Sunday Langgeng Gallery, Magelang Step-art Galeri Kamones, Bandung Jakarta Contemporary Ceramic Bienale North Art Space, Jakarta GIF Festival, www.giffestival.tumblr.com Seni Keramik Kontemporer Indonesia: A Progress Report, Museum Seni Rupa dan Keramik, Jakarta Design/Art, Lawangwangi, Bandung 15x15x15 mind eye, Soemardja Gallery, Bandung Cerita Kami Tentang Hidup, di CCF, Bandung Aroma Kengerian, Galeri Kita, Bandung Skin Matters, Galeri Soemardja, Bandung Hail To Sail, Galeri Kita, Bandung Middelbare Akte, Soemardja Gallery, Bandung 15x15x15 recreate, reality, representation, Soemardja Gallery, Bandung FOURPLAY, Japan Foundation, Jakarta Going Beyond guest house C.M.N.K Art Space, Bandung

glazed stonware, rosary 52 x 36 x 36 cm 1180C 2013

What Is Done In Love Is Done Well

glazed stonware 52 x 33 x 33 cm 1180C 2013

glazed stoneware, neon lights 52 x 33 x 33 cm 1180C 2013

Yaela

engobed stoneware, sgraffito 51 x 47 x 43 cm 1180C 2013

EKO DIDYK ( CODIT ) SUKOWATI Born in Tegal 1977

SOLO EXHIBITION KORNFLIK, ViaVia Cafe Kembara, Yogyakarta

2002

GROUP EXHIBITION

EDUCATION 1996 - Modern School of Design, Yogyakarta 1997 - Indonesian Institute of The Arts,Yogyakarta (1997-2006)

2014

NEOICONOCLASTS, Langgeng Gallery, Magelang

2013

2012

SWEET SEVENTEEN, ViaVia Cafe Kembara, Yogyakarta Bazaar Art Jakarta, organized

By Srisasanti Gallery, The Ritz Carlton,Pacific Place, Jakarta The Legend Of Jogja, Primae Noctis Art Gallery, Milan,Italia IVAA-ArtJog ArchiveAID 2012, TBY, Yogyakarta

2011

PMR CUBE Contemporary Culture Interplay, The Atrium, Sampoerna Strategic Square, Jakarta.

Pulp F(r)iction (Going Across The Grain),Chandan Gallery,Kuala Lumpur, Malaysia The Alleys of a City Named Jogya, Primo Marella Gallery, Milan, Italia ARTJOG10, Indonesian Art Now:The Strategies of Being, TBY,Yogyakarta The Comical Brothers, Andi’s Gallery, Galeri Nasional Indonesia, Jakarta

2010

Drowned In Arabica Creamers

AWARDS:

Best Sketch, Fine Art Faculty,

Indonesia Institute of The Arts

Best Painting, Fine Art Faculty,

Indonesia Institute of The Arts

acrylic on canvas 170 x 190 cm 2014

GHINA FIANNY Born in Jakarta, November 4 , 1989 Perumahan Bank Mandiri Pondok Pinang, Blok C-19 Jakarta Selatan +62 812 990 717 47 ghinafianny@gmail.com th

EDUCATION

Institut Teknologi Bandung

Fakultas Seni Rupa dan Desain EXHIBITIONS 2013 Pameran Soemardja Award sebagai

nominasi kategori Mahasiswa Terbaik di

Galeri Soemardja ITB (Desember 2013) 2012 Pameran lukisan Mix Template oleh GALI

ITB di Galeri Kita Bandung (Oktober 2012)

The Wicked Artist and the Innocent

Thief di Gedung Indoesia Menggugat

Bandung (Mei 2012) 2011 Pameran grafis Reframing Printmaking,

Festival Grafis Berseni di Lawangwangi

Art and Science Estate Bandung

(September 2011)

Pameran Proyek Akhir Seni Eksperimental

di Lawangwangi Art and Science Estate

Bandung (Juni 2011)

Mors Vincit Omnia

acryilic paint used rontgen 48 x 55,5 cm 2013

ISHA HENING Born in Jakarta, August 3 , 1986 Gardenia Boulevard Resort Apartment - A1003 Jl. Warung Jati no. 12 Pejaten Jakarta Selatan, Indonesia +62 817 13 73 13 ishahening@gmail.com www.vimeo.com/ishahening www.ishahening.com rd

PROFESSIONAL EXPERIENCE 2011

2012 - 2013

2012

2010 - 2011

2010 - present

2009 - 2010

2008 - 2009

2007

present Freelance motion designer - Jakarta, Indonesia Motion design lecturer at Lasalle College International, Jakarta - Indonesia Freelance motion designer at Chris Harvey Project - Santa Monica, CA, USA Freelance motion designer, director and visual jockey Writer and contributor at motionbydesign.net Motion designer at Coconut Mind - Jakarta, Indonesia Graphic designer at Rumah Buku - Bandung, West Java, Indonesia Motion designer (intern) at Mirage Post Production - Jakarta, Indonesia

Tango

AREAS OF SPECIALIZATION

EDUCATION 2008 - Bachelor Degree in Visual Communication Design - Multimedia Faculty of Art and Design, Bandung Institute of Technology (ITB) Bandung - West Java, Indonesia

Motion Graphics Live visual Performance Visual Mapping Projection Audio Visual Installation Music Video

COMPUTER PROFICIENCY

Operating System: Mac OS, Windows Adobe After Effects Final Cut Pro Cinema 4D Adobe Photoshop Adobe Illustrator Modul8 Resolume Avenue & Arena Logic Pro iWork Motion Graphics 2 min 30 sec 1280 px X 720 px 2014

JOSUA ALESSANDRO Born on April 26th, 1979 (+62) 8119771781 (+62) 8118402277 joe@josuaalessandro.com pattyjosua@gmail.com www.josuaalessandro.com www.flickr.com/photos/escapadepictures/sets/ www.pinterest.com/joealessandro/ www.vimeo.com/josuaalessandro/

My career started as a photojournalist in 1998.

I freelanced for many publications ranging from political to lifestyle magazines.

My broadcasting career started in 2003 when I joined Trans TV as their news cameraman and later on Associate Producer for news programs. I have covered many important events such as the 2004 Tsunami and the Ambon conflict. Now I work for myself as a freelance photographer/cameraman.

PERSONAL PROJECT 1999

2011

Holding Hands

Into The Light

Reformation, a question mark ?

Jakarta University Student Exhibition The Unseen Photo Exhibition A travel photography exhibition at Dia.Lo.Gue Artspace - Kemang

PROFESSIONAL CAREER 2008 -2010

2003 –2008

2001-2003

2000-2001

2000-2001

2000

1998-2000

Associate Producer Magazine Program, News Division, Trans TV News Cameraman Trans TV Key Achievements: Aceh & North Sumatra Tsunami coverage in 2005 Tokyo, Osaka and Kyoto nightlife coverage in 2004 Ambon conflict coverage in 2004 Photographer Tempo Newspaper Photographer Djakarta Magazine Photographer Male Emporium Magazine Photographer Puncak Tourism Community Magazine Photographer Tajuk Magazine

Passing By

The Trumpets

Waiting

Veil

KEMAL EZEDINE Born in Yogyakarta, October 3 , 1978 Jl. Nyuh Bulan No. 23 Nyuh Kuning Ubud Mas Gianyar Bali +62 815 865 99 725 kemal_ezedine@yahoo.com rd

EDUCATION 1997-2004; Facultuy of Fine Art and Design, Bandung Institute of Technology

SOLO EXHIBITION 2012

Tales of Moving Island, s.14 Bandung

Asakusa

GROUP EXHIBITION 2014

Artjog2014 Taman Budaya Yogyakart, (Mahendra Yasa Feat. NeoPitamaha) Pameran Manifesto#4 Galeri Nasional, Jakarta

2013

Pameran Ilustrasi Cerpen Kompas 2012, Bentara Budaya Bali, Denpasar Mythography:now, Sudakara Artspace, Sanur, Bali BAZAART 2013, (mural and artcar project) Pacific Place, Jakarta JALAN MONSTER, Ubud Public Art Festival, Seniman Industries art project, Ubud, Bali Art Mini Mart, Sika Gallery, Campuhan, Ubud, Bali Art Bromo: Collision of Nature and Culture, Java Banana Gallery, Mt.Bromo, Probolinggo,

2012

Reposisi, Gallery Nasional, Jakarta Renegotiating Boundaries, Lawangwangi Artspace, Bandung Indonesian Contemporary art #1: Maping, ART:1(moondecor), Jakarta

acrylic on canvas 200 x 130 cm 2011

Three

acrylic on canvas 200 x 150 cm 2011

KINEZ RIZA +62 811 938 142 kinez.riza@gmail.com

SOLO EXHIBITION 2012 Wayfaring Complete Works, D Gallerie,

Jakarta Indonesia

GROUP EXHIBITION 2012 Deer 1, Dia.Lo.Gue Artspace, Jakarta

Indonesia 2013 Jakarta’s New and Emerging, Dia.Lo.Gue,

Bazzar Art Fair, Jakarta, Indonesia

Kelimutu

PROJECT BOOTH 2013 Etherworld, Art Dubai, UAE RESIDENCIES 2013 The Artic Circle Autumn Art and Science

Expedition, The Farm Inc, Hiogh Artic 2013-present

Artist-in-Residence, Archaelogy and

Paleontology Department, Geology

Museum, Bandung and Excavation Site,

Flores, Indonesia ASSOCIATIONS, GRANTS & AWARDS 2013 Feature Artist, Global Archive

Photography

EDUCATION 2007-2010; Chelsea College of Art & Design, University of The Arts London, United Kingdom Fda Diploma in Art & Design (awarded Distinction) 2010 - London Metropolitan University, United Kingdom BA Education Studies : Sociology

SELECTED PUBLICATIONS / ARTICLES 2012 KOMPAS Newspaper, Artist’s Interview,

Jakarta, Indonesia

Media Indonesia Newspaper, Artist’s

Interview, Jakarta, Indonesia

Jawa Pos, Artist’s Interview, Jakarta,

Indonesia

Jakarta Post, Artist’s Interview, Jakarta,

Indonesia

Jakarta Globe, Artist’s Interview, Jakarta,

Indonesia

Seputar Indonesia Newspaper, Artist’s

Interview, Jakarta, Indonesia 2013

Art Agenda, Art Dubai collective review Etherworld, New York, USA The Art Newspaper, Art Dubai earns its stipes : Deer 1, Kayan Mentarang, London, UK 2013 : Harper’s Bazzar Art, Lights! Camera! More Camera Action!, Etherworld, Dubai, UAE 2013 TATLER Indonesia, Capturing the Wild Edens, Jakarta, Indonesia Artist’s Interview, Global Archive Photography, London, UK Artist’s Interview, Modern Rate, http: modernrate.blogspot.com

Komodo

Duratrans print on lightbox 116 x 176 x 7 (framed lightbox) 2013

Duratrans print on lightbox 117 x 177 x 7 (framed lightbox) 2013

MASAGOENG Born in Purwokerto, Indonesia, June 12 , 1978 Jl. Tambak II No.27, RT 009/RW 05 Pegangsaan, Menteng Jakarta Pusat 10320 +62-81514653366 masagoeng@live.com www.masagoeng.com th

EXHIBITIONS 2013

‘Picturing Pictures’, at Ho Chi Minh Fine Art Museum, Vietnam.

PameranSeniRupa Nusantara “Metamuk”, GaleriNasional, Jakarta.

Pameran Persahabatan KoreaIndonesia, GaleriNasional, Jakarta.

Art Expo, Art Exhange Gallery, Singapore.

2012

Group Exhibition: ‘Parahyangan’, Kota BaruParahyangan Bale SeniBarli Bandung.

2011

Group Exhibition: ‘Harmony of Color’, Grand Indonesia, Jakarta.

2010

Group Exhibition: ‘LESTARI’, The Energy Building, Jakarta.

2009

Group Exhibition: ‘Tribute to Jacko’, Sultan Hotel, Jakarta.

2008

Group Exhibition: ‘En8ma’, Soka Gallery, Jakarta.

Group Exhibition: ‘Renjana The Living Spirit’, National Gallery of Indonesia, Jakarta.

Queen of Butterfly

Oil on Canvas 200 x 300 cm 2014

MUHAMMAD TAUFIQ ‘emte’ Born in Jakarta, March 15th, 1979 JL. Andara 1 no.30 RT 002/03 Pondok Labu Jakarta 12450 rapidodancer@gmail.com

EDUCATION Visual Communication Design Jakarta Institute of Arts (IKJ)

EXHIBITIONS 2014 Kreavi challenge collaboration with

JavaJazz Festival (JIEXPO Kemayoran,

Jakarta)

SOFT VIOLENCE -solo exhibition

(platform3, Bandung)

RUPANADA exhibition (Jogja Gallery,

Jogjakarta)

MANIFESTO#4 –Keseharian- Mencandra

Tanda-tanda Masa (Galeri Nasional,

Jakarta) 2013 LOKALISASI -an Indonesian flavour

exhibition ( Eastern Promise Kemang,

Jakarta )

ARTE Indonesia Arts Festival ( Plenary

Hall - Jakarta Convention Center )

FEARFEST -halloween art exhibition (Cafe

Mondo -Kemang, Jakarta) 2012 CAFFEINATED -an Illustration Art

Exhibition (Inkubator asia, Jakarta) 2011 Proyek Buku Sketsa - RURU Gallery -

(Ruang Rupa, Jakarta)

Bandung Wayang Festival (Kotabaru,

Padalarang, West Java)

Art collaboration with GAP ( 0% Plastic

Bag campaign )

INTERSTELLAR -The Howler Terror Club

collaboration (Family Affair-Bandung,

Pacific Place-Jakarta)

Kopling-Kopi Keliling-art exhibition ( Cafe

Kedai -kemang, Jakarta )

POISON#1 -art exhibition ( Puri Art

Gallery, Jakarta Art District )

Kopi Keliling - art exhibition ( Tornado

Coffee -Kemang, Jakarta ) AWARDS 2007

2010

2011

Ashpalt Angels

acrylic on canvas 100 x 80 cm 2014

Spin Spin Sugar

acrylic on canvas 100 x 70 cm 2014

The Best Part of The Meal Is The Conversation

Penghargaan “Adikarya Ikapi Award”, peringkat ke-1 kategori ilustrasi buku anak terbaik IGDA (Indonesian Graphic Design Award) kategori ilustrasi terbaik Pinasthika Creative Award ( Gold ) - ilustrasi terbaik Pinasthika Creative Award ( Silver ) - ilustrasi terbaik Citra Pariwara (Silver) - kategori print craft Citra Pariwara (Bronze) - serial Ad in print

acrylic on canvas 100 x 70 cm 2014

NUS SALOMO Born in Medan, Indonesia, May 9 , 1967 Jl. Cikini FG 3 / 5, Bintaro Jaya Sektor 7 Tangerang +62 855 108 3333

nus_salomo@yahoo.com nussalomo@gmail.com www.nussalomo.com th

EDUCATION Bandung Institute of Technology Indonesia Architecture Art Center College of Design, Pasadena, CA Product & Entertainment Design

SOLO EXHIBITION 2006 The Post Human at Galeri Lontar,

Jakarta. Curated by Asikin Hasan 2008 Nus the Cybernaut digital painting solo

exhibition at O House Gallery, Jakarta

Curated by Jim Supangkat 2009 Deus ex Machina at Ark Galerie, Jakarta.

Curated by Jim Supangkat GROUP EXHIBITION 2011 Group sculpture exhibition, Irisan, with

Andi’s Gallery at Grand Indonesia.

Curated by Hardiman & Asikin Hasan

Group exhibition, Art Motoring, National

Gallery, Jakarta. Curated by Rizki Zaelani

& Rikrik Kusmara

Kompas Illustration exhibition, at

Bentara Budaya, Jakarta & Yogyakarta

Homo Ludens 2, Emmitan CA Gallery,

Surabaya, Indonesia. Curated by

Wahyudin

Crossing the Boundaries, with Andi’s

Gallery, National Gallery, Jakarta. Curated

by Asmudjo J. Irianto

Contemporary Sculpture exhibition,

Expansi, National Gallery, Jakarta.

Curated by Asikin Hasan

Outdoor sculpture exhibition, Rampak

Ragam, Kota Baru Parahyangan, Bandung.

Curated by Asikin Hasan

Flight for Light - Indonesian Art &

Religiosity, Art:1 New Museum &

Artspace, Jakarta. Curated by

Jim Supangkat & Rikrik Kusmara

PMR Cube : Contemporary Culture

Interplay, Sampoerna Strategic Square,

Jakarta. Curated by Jim Supangkat &

Asmudjo J. Irianto 2012 What Pictures Want to Say, at Art:1

artspace, Jakarta. Curated by Rizki Zaelani

New sculpture exhibition, Simpangan, at

Salihara gallery, Jakarta. Curated by

Asikin Hasan

Outdoor sculpture exhibition Alam

Patung, Kota Baru Parahyangan,

Bandung. Curated by Asikin Hasan

Contemporary Fibre Art #1 : Mapping,

Art:1 Artspace, Jakarta. Curated by

Asmudjo Irianto & Rizky Zaelani 2013 Exhibition of 5 artists & designers for

Martell, at Designclopedia and Sky,

Jakarta

Group exhibition at Bazaar Art Jakarta

supported by Andi’s Gallery, The Ritz

Carlton, Pacific Place, Jakarta

King Cutter

Fibreglass & Laser Cut Acrylics 45 x 70 x 125 cm 2009

RENDRA SANTANA Born in Tasikmalaya, August 11 , 1974 Komp Suka Asih, Jl. Suka Asih Atas VI No. 357 / 358, Sindangjaya, Mandalajati, Bandung

+62 815 613 8001 rendrasantana@yahoo.com th

EXHIBITION & WORKSHOP 2014

2013

How To Draw#1. YPK Bandung Telik Sandi, Ghin artspace Jelengkong Bandung Locafore Bale Pare Exhibition Hall, Kota Baru Parahyangan, Padalarang, Bandung

GROUP EXHIBITION 2013

2012

2011

2010

Ho Chi Minh City Fine Art Museum, Vietnam Parahyangan, Kota Baru Parahyangan - Bale Seni Barli, Bandung Bayang, Islamic contemporary, Galeri Nasional Indonesia, Jakarta Tribute to Soedjojono, Lawangwangi, Bandung Percakapan Masa, Galeri Nasional Indonesia Symphony of Indonesia, R.A Fine Art Gallery, Kuala Lumpur Malaysia Veduta Bandung Initiative 5#, Vannesa Art Link Jakarta

Time Machine

Oil on Canvas 150 x 200 cm 2014

RIONO TANGGUL NUSANTARA Born in Yogyakarta, August 17 , 1984 Bumen, KG III, No.474, Kotagede Yogyakarta th

EDUCATION 2003-2010; Seni Murni, ISI Yogyakarta 2000-2003; SMSR Yogyakarta

EXHIBITIONS 2014

Manifesto #4, Galeri Nasional, Jakarta, Indonesia Neoiconoclast, Langgeng gallery, Magelang

2013

Realis Tecno Museum, with Ace House Collective, Jakarta Biennal, Jakarta Punkasila,The lepidopters a space opera, mona foma,tazmania.

Spot Art 2013, Singapore

2012

The Legend Of Jogja, Primae Noctis Gallery Jogja Agro Pop, Taman Budaya Yogyakarta Phoning it in from Yogyakarta, Space 1026, Philadelpia, US Art Jog 12, Taman Budaya Yogyakarta

2011

Tak Ada Rotan Akar Punjabi, Ace House Collective, Parallel event, Biennale Jogja XI, Yogyakarta Crop Cycle, Gallery Canna, Jakarta Contemporary Culture Interplay, Sampoerna Strategic, Jakarta Kios Kaos, Kedai Kebun Forum, Yogyakarta Scope Basel 2011, Basel, Swiss Art Jog 11, Taman Budaya Yogyakarta Mengintip Laut, Brest Festival, LIP Gallery, Yogyakarta Speech Object, Ace House Collective, Musee De L’objet, Blois, France Street Movement, Outloud, Yogyakarta The Alleys of City Named Jogja, Primo Marella Gallery, Milan, Italia

How To Perfect Draw

hard pastel on canvas 150 x 180 cm 2014

RISA ASTRINI Born in Bandung, May 9 , 1988 JL. Haurpancuh II no 7 RT 01 RW 04 Kelurahan Lebakgede. Dipati Ukur, Bandung

+62 813 22 00 0908 risarusarisa@yahoo.com th

EXHIBITION 2013

2012

2011

2010

2009

Bandung Contemporary, Selasar Soenaryo Art Space, Bandung, Indonesia.

Purwa Wiwitan Daksina Wekasan, Selasar Soenaryo Art Space, Bandung, Indonesia. s.14 Library Program, s.14, Bandung, Indonesia.

Lubberland, W_artspace, Jakarta, Indonesia.

Contemporary Archeology, Sigi Art Gallery, Jakarta, Indonesia.

15x15x15 mini art project #3, recreate x reality x representation, Soemardja Gallery, Bandung, Indonesia.

Deer Andry, Mess 56, Yogyakarta, Indonesia.

Deer Andry, Ruang Rupa, Jakarta, Indonesia.

Deer Andry, s.14, Bandung, Indonesia.

The Goddess Astarini

Kinetic objects comprising UV lamp Laser cut and digital print on acrylic sheets 60 cm x 60 cm x 20 cm 2012

RONY RAHARDIAN ‘REBELLIONIK’ Born in Cilacap, January 22nd, 1979 Menteng Square Tower A floor 3 AO.33 Jakarta Pusat CCO at ONX Idea Studio / www.onxidea.com

EXHIBITIONS 2014 2013

We Are Ultraviolla Feb 13 – 16 Ultraviolla, June 17 – July 10, Plaza Indonesia, Jakarta

GROUP EXHIBITION 2008 2011

2012

ULTRAVIOLLA

Trashure, LocaKemang , Jakarta Lain Doeloe Lain Sekarang, Kalibata City Jakarta NYLON Art & Fashion, Atrium Plaza Indonesia, Jakarta RATED A, Bengkel Night Park, Jakarta RATED A, Fairground , Jakarta 22 Anniversary Plaza Indonesia, Plaza Indonesia, Jakarta

a

EDUCATION 1998 – 2003; S1 Architecture Parahyangan University Bandung

Lightbox 111 x 170 cm 2014

THEO FRIDS HUTABARAT Born in Jakarta, Indonesia, February 6 , 1987 Nasio A8/9, Jatimekar, Bekasi, Indonesia Muararajeun Baru 21B, Bandung, Indonesia +62 813 1413 4342 theo_frids@yahoo.com www.theofrids.carbonmade.com th

EDUCATION MFA, Faculty of Arts, Bandung Institute of Technology

EXHIBITIONS 2014

2013

2012

2011

Preparing, group exhibition; Cemara 6 Gallery Museum, Jakarta Everyday is Like Sunday, group exhibition; Langgeng Gallery, Magelang Bandung Contemporary 13:Disposition, group exhibition; Lawangwangi Art & Science Estate, Bandung Running Linchpin, group exhibition; Artsphere Gallery, Jakarta Pressing, group exhibition; Videoinsight Center, Turin Ghost (Dear Curator Curate Me), group exhibition; Selasar Sunaryo Art Space, Bandung Kitaran, group exhibition; Indonesia Menggugat Building, Bandung Trick or Truth, group exhibition; Fang Gallery, Jakarta Mix Template, group exhibition; Kita Gallery, Bandung Bazaar Art Jakarta (with Gallery Rachel), artfair; Ritz Carltron Hotel, Jakarta ArtJog 12, artfair; Taman Budaya Yogyakarta, Yogyakarta Prismatic Vibe, group exhibition; Fang Gallery, Jakarta Lindap, group exhibition; rumahproses, Bandung Bandung New Emergence vol.4, group exhibition; Selasar Sunaryo Art Space, Bandung Bandung Contemporary Art Awards #02 (BaCAA #02), group exhibition; Lawangwangi Art & Science Estate, Bandung Interface: Bandung, group exhibition; Valentine Willie Fine Art, Kuala Lumpur Little Box, group exhibition; Bentara Budaya Jakarta, Jakarta Jakarta Biennale #14, biennale; Indonesia National Gallery, Jakarta Festival Grafis Berseni 2011, group exhibition; Lawangwangi Art & Science Estate, Bandung Survey #3 (For Whom The Bell Tolls), group exhibition; Edwin’s Gallery, Jakarta ArtJog 11, artfair; Taman Budaya Yogyakarta, Yogyakarta Sweet Agony, group exhibition; dia.lo.gue artspace, Jakarta

Bloodless Development

Mixed media 150 x 100 cm 2014

WILLY HIMAWAN Born in Denpasar, Febuary 13 , 1983 Jl. Kanayakan Baru No. 7, Dago Bandung 40135 (022) 2505061 /+62 813 2209 1008 willyhim1302@gmail.com willy_himawan@yahoo.com www.willyhim.wordpress.com th

SOLO EXHIBITION 2008

2009

Layer Separation kuratorial oleh Jim Supangkat, Artsphere Gallery, Jakarta Fusion of Paradox kuratorial oleh Jim Supangkat, Emmitan Gallery, Surabaya

GROUP EXHIBITION 2010

2011

2012

2013

Superimposed, D gallery, Jakarta ARTJOG 10; The Strategies of Being” Taman Budaya Yogyakarta Art & Motoring, Indonesia National Gallery Contemporary Landscape Lawangwangi Gallery, Bandung ARTJOG 11, Taman Budaya Yogyakarta 1001 Doors; Reinterpreting Tradition, Ciputra Gallery, Jakarta Report/Knowledge, Gallery Soemardja ITB Bandung Kompas, Short Story Ilustration Touring Exhibition Bentara Budaya,(Jakarta,jogja, solo,bali) Indonesia 27th AIAE Ratjadamnoen Contemporary Art Space, Bangkok – Thailand Report/Knowledge #2, Gallery Soemardja ITB Bandung Melihat/Dilihat; Pameran Pengajar Perguruan Tinggi Seni se-Indonesia, Indonesia National Gallery, Jakarta Sosok: Tegangan/Artikulasi, Galeri ISI Yogyakarta South East Asia + Triennale, Indonesia National Gallery Paperium; persfective/creativity Museum Sribaduga Bandung

ART’S When You Arrived

ABDUL AZID ‘Abung’

Fluoroscent glow in the dark paint, uv neon, canvas, PIR censor, Mechanic approx 160 x 110 x 5 cm 2014

YANI SASTRANEGARA Born in Rangkasbitung, August 17 , 1955 Jl. Srengseng Dalam No.38 Kembangan, Jakarta-Barat 11630 Jl. Sumatra No.58 Kampung-Gedong, Jombang-Ciputat, Tangerang 15414 (021) 7455219 / +62 812 834 0655 tigajiwanara@yahoo.com

tigajiwanara@gmail.com th

EDUCATION 1981 - LPKJ – IKJ Seni Patung

EXHIBITIONS 2012 Pameran bersama ICAD 2, Artura

Insanindo – Grand Kemang Jakarta

Pameran patung outdoor LOCAFORE,

Bale Pare, Kota Baru Parahyangan,

Bandung

Pameran Seni Rupa SLENCO, Bentara

Budaya Jakarta

Pameran Karya Untuk Kawan IV Art

Pieces for Solidarity , Galeri Nasional

Indonesia - Jakarta

Pameran Jakarta Untuk Jakarta,

Museum Seni Rupa - Jakarta

Pameran Patung JEJAK , Galeri Cipta 2

TIM - Jakarta

Pameran Pekan Produk Kreatif Indonesia

2012 , Epiwalk Epicentrum, Kuningan -

Jakarta

Pameran Seni Rupa Instalasi ‘…+ Optima’ ,

Museum Seni Rupa dan Keramik - Jakarta 2013 Pameran Seni Rupa Cinta Kasih, Galeri

Cipta II – Jakarta

Pameran Seni Rupa, Hotel ARYA DUTA,

Jakarta

Pameran Seni Rupa ARTJOG13,

MARITIME CULTURE, Taman Budaya

Yogyakarta

Pameran Seni Rupa, Java Banana Gallery,

Bromo.

Pameran Seni Rupa Horizon of Strenght

: Meta:Kriya Nusantara, Tugu Kunstkring

Paleis – Jakarta.

Pameran Indonesian Contemporary Art

& Design (ICAD) 2013 RESTART -

reinvent history, revolutionize story,

Artura Insanindo-Grand Kemang Jakarta.

Pameran Ulang tahun Jatiwangi Art

Factory – Cirebon.

Pameran Seni Patung dan Instalasi TRAX

13, Galeri Cipta II – TIM.

Pameran bersama Crossing Conversation

/ Percakapan Menyilang, Gelora Bung

Karno - Jakarta

Pameran Patung HEAVY PUNCH,

Watusaman Sculpturespace dan API 2014 Pameran Martell Contemporary

Art Exhibition - Challenging The

Boundaries, Martell-Pernord Ricard

Indonesia – Kuningan City.

Pameran Seni Rupa Fiesta Kota Tua

Jakarta, Gedung Kantor POS Fatahillah -

Jakarta

Pameran Seni Rupa MODUS, API

Yogyakarta dan Semarang Gallery -

Jakarta

Pameran Seni Rupa , TIM - Jakarta

Tilu Tangtung

Plat Galvanis, besi beton 1. D = 100 cm, T = 260 cm 2. D = 100 cm, T = 260 cm 3. D = 100 cm, T = 220 cm 2014

YAYA SUNG Born in Jakarta, Indonesia, September 2 , 1986 Jl. Senayan Utama I No. 1 A Sektor 9 Bintaro Jaya Tangerang, Indonesia 15229

+62 812 989 25743 hello@yayasung.com www.yayasung.com nd

SOLO EXHIBITION 2013

Legal Artist Series: Jalan Kemenangan at Ruang MES56, Yogyakarta - Indonesia.

RESIDENCIES 2014 Makan Angin #1 Cemeti Art House,

Yogyakarta – Indonesia

Fictive Communities Koganecho Bazaar,

Yokohama – Japan

‘Walking Banana’ series

GROUP EXHIBITION 2014 1 x 25 Jam Cemeti Art House,

Yogyakarta – Indonesia 2013 Seks Volume 3 Waga Gallery, Jakarta –

Indonesia

Blink/ Glance/ Gaze Dia.Lo.Gue artspace,

Jakarta – Indonesia

ARTE: Indonesia Arts Festival 2013 at

Jakarta Convention Center, Jakarta –

Indonesia 2012 EXI(S)T #1: Maps, Reimagined at

Dia.Lo.Gue artspace, Jakarta, Indonesia 2011 Jakarta Doeloe+SKRG at Museum

Layang-Layang, Jakarta - Indonesia 2010 Self Portrait, at CSVPA’s Personal

Learning Center, Cambridge United Kingdom

EDUCATION 2004-2008; BA, Visual Communication and Design, University of Pelita Harapan. Jakarta, Indonesia 2009-2010; Pre-Master for Fine Art Programme, Cambridge School of Visual and Performing Arts. Cambridge, United Kingdom

PUBLICATIONS 2013 Emerging New Artists at Harper’s Bazaar

Magazine, Indonesia

The Photography Annual at Pipeline

Magazine, Hong Kong

Thoughts on Victory Street at JJK

Magazine, Indonesia 2012 Artists Exi(s)t With Hope of Gaining

More Exposure at Jakarta Globe,

Indonesia 2011 Local Artists Rock! at Cosmo Girl

Magazine, Indonesia 2010 Picturized: On Your Mark Get Set Go at

Trax Magazine, Indonesia matte coated platinum photo paper on wood panel 60 x 120 cm 2012

ZICO ALBAIQUNI Born on August 8 , 1987 http://zicoalbaiquni.blogspot.com th

EDUCATION 2004-2008 - Bachelor Degree, Faculty of Art and Design ITB,

Majoring in Painting, Institute Technology of Bandung.

Study for Master Degree, Faculty of Art and Design ITB

AWARDS 2012 - Nominator “Soemardja Awards Nominator “ Bandung Contemporary Art Awards”

SOLO EXHIBITION 2014 SEKE Platform3 Bandung GROUP EXHIBITION 2014 Manifesto No.4 : Keseharian Galeri

Nasional Jakarta 2013 Bandung Contemporary : Disposition

Lawangwangi, Bandung

BMUKK Austria : Artist-in- Residence

Program 2013 Vienna, Austria

Pressing: Indonesian Art Exhibition

Videoinsight Centre, Turin, Italy

Pameran Ilustrasi Cerpen Kompas

Bentara Budaya, Jakarta

Locafore Bale Pare, Kota Baru

Parahyangan, Indonesia 2012 Soemardja Awards 2012 Galeri

Soemardja, Bandung

Folklore Hompimpa Group Exhibitition,

Siete, Bandung

MixTemplate Galeri Kita, Bandung

Bandung New Emergence Vol. 4, Selasar

Sunaryo Art Space, Bandung

Bandung Contemporary Art Award,

Lawangwangi, Bandung

What Images Want, Art1 Mondecor,

Jakarta

Prismatic Vibe, Feng Gallery, Jakarta

Re-interpretating Tradition, Ber.seni

Project, Jakarta

Bazaar Art Fair: Islamic Art, Pacific Place,

Jakarta

Papered Experimental, Gedung

Indonesia Menggugat, Bandung 2011 Jakarta Biennale # 4: Maximum City,

Galeri Nasional, Jakarta

Rite of Now, Galeri AJBS, Surabaya

Artist Studio, Paris Van Java, Bandung WORKSHOP 2012 MERDEKA Pameran Group Kostkomik,

Galeri Gerilya Bandung

LOKAKARYA GERILYA#1: Performance

art, Presentasi dan Metode, Galeri

Gerilya Bandung

LOKAKARYA GERILYA#2: ON PINS AND

NEEDLES,by Jef Carnay , Galeri Gerilya

Bandung

I Am You Pameran Maradita Sutantio,

Galeri Gerilya

Air Seni Citarum, Green Peace Indonesia 2013 Pelangi Citarum, Green Peace Indonesia

BMUKK : Artist- In- Residence, Vienna,

Austria

Preposition in Silent Translation

MPS Medium Variable Dimension 2014

YKHA AMELZ Born in Jakarta, Indonesia, May 12 , 1983 +62 81 214 113 646 ykha.amelz@gmail.com http://www.behance.net/ykha th

EDUCATION 2001 - Bachelor degree of Architecture Parahyangan Catholic University. Bandung.

EXHIBITIONS 2014

2013

2012 2011

2010

#NP : A duet exhibition with Rukmunal Hakim - WAGA, Jakarta Girl Gangs of Indonesia - Newsagency Gallery, Sydney ARTE - JHCC, Jakarta Bazaar Art Jakarta - Ritz Carlton, Jakarta Begadang Neng? - Ruang Rupa, Jakarta Nike Cortez 40/40 - Soleplay, Jakarta Reinterpreting Traditions: 1001 Doors - Ciputra Marketing Gallery, Jakarta Interstellar: A collaboration with T.H.T.C. - The GOODS Dept., Jakarta Pameran ilustrasi buku anak: Goelali - Jakarta Letsdietogetherin2012 - Common Room, Bandung La Composition Seduisante - Edwin’s Gallery, Jakarta Kopi Keliling Vol.4. - TRYST Living, Jakarta ANTI SIXTEEN - The GOODS Dept, Jakarta Jakarta – Bandung Pulang - Pergi.

Dia.lo.gue, Jakarta Proyek Buku Sketsa - Ruang Rupa, Jakarta Munny Custom Toy Exhibition - Plastic Culture, Jakarta Topeng Nusantara: eXpresi - Alun-Alun Indonesia, Jakarta.

Dia & Tanduknya

Berawal dari kutipan “Mulutmu harimau-mu”, dalam karya ini sosok seekor banteng dan tanduknya dipilih sebagai metafora sebuah tindakan, sesuatu yang lebih dari hanya sekedar salah kata.

Serudukan tanduk adalah sebuah tindakan, sebuah jalan, sebuah target yang telah dipilih oleh seorang individu. Tanduknya adalah senjatanya, namun juga kelemahannya jika diangkat terlalu tinggi.

Dia harus menjaga baik-baik arah tanduknya, karena dia sendiri adalah tanduknya.

Graphite & acrylic on canvas 2 x 1,5 m

About the initiators Daliana Suryawinata is a founding partner of SHAU Architecture & Urbanism in Rotterdam and Jakarta, Chief of IAI (Indonesian Institute of Architects) European Union Chapter and leader of Liveable Cities Taskforce at the Indonesian Diaspora Network. She is a co-founder of Creative Public Spaces Program.

Diana Ang is an architect at OMA (Office for Metropolitan Architecture) in Hong Kong and a graduate of Rice University. She is a co-founder of Creative Public Spaces Program.

Windi Salomo is a founding partner of Dia.lo.gue Artspace in Jakarta, and head of W production, an art event production house.

Catalogue Program cover printed on Renoir Natural White 230 gsm by Surya Fancy content printed on Bookpaper Marusumi 64 gsm by PT Surya Palacejaya

Kota Tua Creative Festival 2014