HyperMazurka

Page 1

HyperMazurka

for cello and percussion

Lee Hartman

Copyright Š 2007 Ragnarok Press


HyperMazurka Duration: 14 minutes Instrumentation Cello Percussion (one player) Glockenspiel Vibraphone Snare drum Small bass drum Splash cymbal China cymbal Sizzle cymbal Suspended cymbals (3 varying sizes) Tam-tam Metal wind chimes Triangle Brake drum

HyperMazurka seeks to elaborate and confuse, honor and parody the wonderful piano pieces by Chopin. Various themes and tonal movements were extracted from the Chopin Mazurkas and are presented in completely different ways from the originals. Many of the Mazurkas share common rhythmic patterns (not surprising as the basis of these works is in Polish folk dance) and, when layered on top of one another, generate counterpoint completely foreign to their original settings. Performance practice of a Mazurka dictates that the weak beat is accented; while not always accented in HyperMazurka, the weak beat is prominent and often elongated. Source material for HyperMazurka is taken from multiple opera but only from the first work (No. 1) within each opus. Furthermore, the piece, I hope, is not as dry as this program note; after all, there is a melody written for the tam-tam and the cello parts covers four plus octaves!

For more information, please visit www.leehartmanmusic.com


for Ben and Jim

HyperMazurka Maestoso (q = 76)

    Violoncello   f

  

Lee Hartman (b. 1979) Kansas City, MO Jan.-Mar. 2007

Senza misura

ad lib. tremolo   arco,       pizz.

     

SP

p f possibile

3

mp

Splash China Metal wind chimes

     

  Percussion    

w/ medium yarn

     Sizzle

   

Tam-tam

f

  

  Vc. 



3

   

Triangle w/shaft

Perc.

     

 

  

9    Vc. 

Perc.

    

 



Perc.

  



     

  

 



Copyright © 2007 Ragnarok Press



   





mfp

3

  

 

 

sul D

  

    

  

 

ppp

13    Vc. 

p

   



pp

ppp

5

 

Ord.

   


2

17    Vc. 

  

 

mfp

mpp

      p  sempre

Vibraphone

Perc.

21

 

 

      

Perc.

mp

  

  

  

fp

      

    





      

  

  

pp

 

   

    

+ brass



   

fp

mf

  

molto accel.



Vib.  (  w/ slurs)     

 

   



mp pp





  

pp

            

Glockenspiel w/ brass Perc.

pp

pp

mp

Vc.

 

3



pp



             

       

30

  

       

secco



26

 

f

  

 

Senza misura

SP

p

Vc.

   

Random natural harmonics. 1x. Sul C, 2x. Sul D, 3x. Sul D, 4x. Sul G, Moderato (q = 108) 5x. Sul D, 6x. Sul A, 7+x. ad lib. Ord. pizz. arco

 Vc.   Perc.

 

w/ yarn


HyperMazurka

34

   Vc. 

Perc.

  



 



3

Vivace (q = c. 132)

      

 

mp

     

ff w/ rubber S Sus. Cym. Glock. (w/ rubber) 

                 

- yarn, + hard rubber

sim.

f

38    Vc.  

  

  

                   

Perc.

3

              3

3

Perc.

  



 

 

3

    ff

Vib. w/ rubber secco

       p

ff

3

3

    f

  



accel.

  





f



rit.



                  

                   Vc. 

                     molto rit.





                  

ff subito pp

like a broken record

Perc.

f

molto accel.

  

f

p gradually add P

44

   

w/ brass L Sus. Cym.



42

 Vc. 

            

- 4 mallets, + drum sticks

 


4

HyperMazurka

sul D - A pizz. sim.                                               

47

Vc.

molto rit.







0

0

0

0

0

0

pppp

Subito Prestissimo 51

3   arco   Vc.                           ff     Perc.   

Vivace (q = c. 132)

      

              5



 

 

Small Bass Drum

 

f 55

Perc.

 58

Perc.

  

fp

   

SD (snares on)

          

ffff

  

  

f

3

                           3 3 Rim shot

62

Perc.

sub. p

66

 Vc. 

Perc.

  69

f

rit.



 



 

Maestoso (q = 76)

  

M Sus. Cym. w/ butt end dome edge

Perc.

         pp

ff p



 

p distant

sfz

  Vc.     

p

      

- drum sticks, + hard yarn

        

  

 

 

     

ossia- C#

        

S Sus. Cym. w/ butt end w/ yarn dome edge

  

mp

 

        


HyperMazurka 3                         Vc.   

74

mp

cresc.

Perc.

  

  



cresc.

  

   Vc.   

mf

Perc.

85

Perc.

mp

     accel.

   Vc.  

p f intense vibrato on

f

pizz.

  6

mp

   

     3

p

 

       

          

6

  

                f

          

                        

  

Allegro (q = 120)



arco

                         3 88

Perc.

       

          

  Vc. 

3

 

3

 3 3           3 f 

   82



            

 

mp 1/2 P

78

ff intense



Vib.

      Vc.         Perc.

    

arco

pizz.

5

f

Vibrato off

 

 

sim.

      


6

HyperMazurka 90

Vc.

Perc.

  



  

ff with bravado

  

  



 



92

     Vc.

 Perc.

95

Perc.





     

 

  

 

       





 

                 

   Vc.

  







 

97         Vc.                  Perc.                          


HyperMazurka 100

 Vc.   Perc.



 

 

  



 

                                     

103        Vc.                Perc.                 

107

  Vc.

Perc.

    

7

              

                                      

     

fffpcresc.

  

 

  ffp

  

 

 

  cresc.

ff molto espressivo á la Shostakovich

  

 



 

       

Half Time (q = 60)

 

     

       

    

          

ff bell-like 112            

Vc.

Perc.

    

       

 

  

      

 

   

     dim. 

  

       

     

3

     

              

  


8

HyperMazurka

          Vc.            p 117

Perc.

3

    

 

  

dim.

3

3

    

3

  

3            

      appassionato

      

  

 fp

                mp 3

3

3

3

3

appassionato

121

 Vc. 

Perc.



        



ff

              3 3 3

   Vc.   Perc.





 



 3    

   



ff dim. poco a poco

                        3 3 3 3

3



   

fp 3

dim.

3

   

3        



           3

3

125

  

 

Freely

   

 





 3    

  

    



 



accentuate the shift

A tempo 129

  Vc.   

Perc.

  





 

 



3

3

  



3

  

                                  3  3 3

3

3

3

3


HyperMazurka

   Vc.   131

 

 

3

9

 

Adagio (q = 60)

mfpp

       3

      3

Perc.

             

Glockenspiel

3

ppp

133    Vc. 

SP

Ord.

SP

mfpp

fpp

 

fpp

3

6



Ord.

 

mfpp

                                              Cymbals (ossia: random sizes in rhythm) Vibraphone

Perc.

3

SP    Vc.  137

Ord.

mfpp

      

     

 

142

    

 

pp

SP

 

fpp

   (Tri.)        

5

ppp

Vc.

   3



fpp

Perc.

p

3

6

ppp

Freely

 

           

Vibraphone w/ bow Perc.

 

Perc.

  

 

 

 

      6

  

 



 



    

   

  Glockenspiel  5    

     

 

 

- yarn, + 2 triangle beaters & bow

Scrape from dome to edge

145

   Vc.   

      

 

  

7


10

 

147

Vc.

HyperMazurka

molto accel.

  

   

   

Lento (q = 40)              f possibile

cresc.

Progress from a lot of harmonics to very few. Ossia: hand dampen gradually -triangle beaters & bow, + Tam-tam beater & drum stick

Perc.

   

  

Top 1/3 only

p Near Edge Middle Center

          

     

Random natural harmonics. sim. bar 23. Emerge out of the tam-tam sound. 153

 Vc.   Perc.

Entire range

            





 

 

 



            

 

 

- tam-tam beater, + drum stick

   

 

 

sfz

              cresc.

f

p

  

  

           N

3

sfz

167        Vc.    

mp

Perc.

 

 

p

p



                    

on dome

Perc.

 

Allegro 161

Vc.



        

        

3

           

on the rim                                                                   p


HyperMazurka

11

 171                     Vc.                              Perc.   

174

       Vc.       N         Perc.      3

  

            

 

      

                               

 

                    

                

   

  

    

p

179                  Vc.          

Perc.

 

  

 

cresc. poco a poco 183    Vc.   

Perc.

                                           

                 fpp ff                        

 

    

mf 187

   Vc.  

          

fpp Perc.

 

      

     

     fp

molto rit.

    Random cymbals

               ff

7

ff

   3

5

    


12

HyperMazurka 191

Adagio (q = 60)

   Vc.          Perc.   



       



 

  

   

         fpp 196 pizz.  6     6            6    6               Vc.  3 6 3 - drum sticks, + soft yarn

p Vibraphone

Perc.

    

 

mp

  

                

199

arco 

3



- yarn, + drum sticks

3        

204

  

molto accel.

 Vc.  Perc.

 

 

 

 



1/2 P

                   



Vivace (q =132)

  Vc.  

fff

 

 

 

 

                       Brake drum

Perc.

fff

205

 Vc.   Perc.



sub. p



  3    3    3   

 207    Vc.   ff    Perc.   

   

 

 pp



 3  

    

   pp

 



 3  

 p

                   

  

          p

  

 mp

  

  

   

     mp

  

  

 mf


HyperMazurka

     Vc.  211

   

                           6

Cadenza: Pesante e maestoso

       

fp

Perc.

       mf

f



13

accel.

A tempo

ff

    

- drum sticks, + medium yarn

ff

 

3 6 3                                                         Vc.           

accel.

A tempo

217

                                 

220

Vc.

p ff intense

       

222

Vc.

 224             

3

3

rit.

    3

A tempo

Vc.

sub. ff

 

gliss.

 

                6

               0 0

3

0 0

5:3

5

          


14

HyperMazurka

      

228

Vc.

 

  

 

 

 

 

mf

230

            3

  Vc.    0 0

  

Meno mosso

molto rit.

  

 

intenzionale

Perc.

         p

SP punta d'arco

      

 

     

 

ppp, like a mosquito

Vib., vibrato on

   

 

    



dreamy, like a broken music box

Ord. 233

Vc.

Perc.

    

     

Vc.

Perc.

         

   

+ tam-tam beater

   



     

         

        

        

237

      

 

           

ad lib. nat. harm. like guitar distortion

SP

     

     

ppp almost inaudible

  

  

  

 

 


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