Lefteris Papadimitriou List of works Orchestra Black and White, for piano and orchestra, Duration 16’ (2005) First performance: Radio Kamer Filharmonie and pianist Ashley Hribar conducted by Etienne Siebens, “Muziekgebouw aan ’t Y”, 8/9/2006 (The piece performed during Gaudeamus music week and won the Gaudeamus prize in 2006) Wheels and Waves, for orchestra, Duration 12' (2012) Ballad, for orchestra and soprano based on the poem ''Free Besieged'' by Dionisios Solomos, Duration 10' (2021)
Ensemble Variations for string quartet, Duration 10' (2001) First performance: ASON string quartet, University of Athens auditorium, 2001 ETHANOL, for six instruments Duration 9' (2004) (Flute, Clarinet in B, Trombone, 2 Violins, Cello) BANANAS, for fifteen instruments Duration 7' (2007) (Flute, Oboe, Clarinet in B, Basoon, Horn in F, Trumpet in C, Trombone, Percussion, 3 Violins, 2 Violas, 2 Cellos) First performance: Orchestre National de Lorraine, directed by Sylvio Gualda, Metz, France 2007 TALA, for six instruments. Duration 8’ (2007) (Clarinet in Bb, Trombone, Percussion, Piano, Violin, Cello) First performance: Greek contemporary music ensemble conducted by Theodoros Antoniou, Athens Megaron Concert Hall, 2007 POLARIS, for six instruments. Duration 7' (2007) (Clarinet in Bb, Trombone, Percussion, Piano, Violin, Cello)
SPLATTER, for fifteen instruments and optional stereo electronic sound. Duration 16' (2008) (Flute, Oboe, Clarinet in Bb, Bassoon, Horn in F, Trombone, Tuba, 2 percussionists, Piano, 2 Violins, Viola, Cello, Double bass, optional Sampler Keyboard) First performance: Asko/Scoenberg ensemble conducted by Bas Wiegers,“Muziekgebouw aan ’t Y” , 4/9/2008 HORUS, for trombone and cello, Duration 9’ (2009) First performance: Elision Ensemble, St. Paul Hall, Huddersfield 12/2010. Scratch, for bass string trio, Duration 6’ (2010) (Viola, Cello, Double bass) Liquid Glass, for two percussionists and 4-channel electronic sound Duration 14' (2011) Part 1: Glass Flowers, for two timpani (Duration 6') Part 2: Liquid Drums (Duration 8') First performance: London Sinfonietta, Huddersfield Contemporary Music Festival, Huddersfield, 19/11/2011 BECK, for soprano saxophone, percussion and piano Duration 10' (2011) First performance Ensemble Nikel, Tzlil Meudcan Festival, Tel Aviv, 18/7/2011 Spider Web, for string quartet (and electronic sounds) Duration 12' (2012) (can be performed together with electronic music Acid Drops as Spider Web B) Magical Theatre, for seven instruments and 4-channel elctronic sound, Duration 25' (2011-12) (Piano, 2 Percussionists, 2 Violins, Viola, Cello) (Consisting of the pieces Electric Serpent, Liquid Glass, Fissure, Spider Web, Acid Drops, Waterfall)
Wheel, for picollo, clarinet and piano Duration 1-3' (2013)
First performance: DissonArt ensemble, Leuk, Switzerland as part of Swiss Contemporary Music Festival.
Breathing Form, for wind quintet Duration 6' (2014)
(Flute, Clarinet in Bb, Oboe, Horn in F, Bassoon) First performance: St. Pauls Hall, Huddersfield, 2014, Maria Ackroyd Wind Quintet.
FM Resonances, for two violins, electronic sound and video Duration 5' (2015) First performance: 9/12/2016 at KET, (TV Control Center), Athens, Greece, by ARTéfacts Ensemble. AM Resonances, for clarinet in Bb, soprano saxophone, two violins, electronic sound and video. Duration 6' (2016) The piece can also be performed without electronics with the title AM Resonances A. First performance: 9/12/2016 at KET, (TV Control Center), Athens, Greece, by ARTéfacts Ensemble. Unicode Wave Patterns, for two percussionists, electronic sound and video. Duration 7' (2016) The piece can also be performed without electronics with the title Unicode Wave Patterns A. First performance: 9/12/2016 at KET, (TV Control Center), Athens, Greece, by ARTéfacts Ensemble. META Data, for six instruments, electronic sound and video Duration 8' (2016) (bass clarinet, soprano saxophone, two violins, two percussionists) The piece can also be performed without electronics with the title META Data A. First performance: 9/12/2016 at KET, (TV Control Center), Athens, Greece, by ARTéfacts Ensemble. No Signal, for six instruments, stereo electronic sound and video Duration 28' (201316) (clarinet/bass clarinet, soprano saxophone, two violins, two percussionists, electronics and video) First performance: 9/12/2016 at KET, (TV Control Center), Athens, Greece, by ARTéfacts Ensemble. Tabula Smaragdina, 14 songs on the latin alchemical text for soprano, microtonal
synthesizer and piano Duration 15' (2018) First performance at Rome by ensemble ''L' arsenale'' at festival Nuova Consonanza (December 2018). Finalist of Franco Evangelisti composition competition 2018. Splinters, for piano and microtonal synthesizer (2019) Duration 6' First performance 31 January in Santiago, Chile, by Julio Torres and Nikolas Kiwadenko. Nothing I Hear..., for cello and percussion (2021) Duration 12'
Solo Variations for piano solo, Duration 10' (2001) First performance: Dionisis Boukouvalas, Parnassos concert hall, 2001 Song, for piano and four-channel electronic sound, Duration 17’ (2004) First performance: Dionisis Boukouvalas, Greek - French association auditorium, 10/3/2006 (Stereo version). Eleni Perpiraki, Amphitheatre of Music technology department, Rethymno, 25/10/2008 (4channel version). ANO LIOSIA, for piano, Duration 7’ (2007), written for pianist Ermis Theodorakis, for the recording of the cd
“Piano music by Greek composers Vol. 2 ”. First performance: Ermis
Theodorakis St. Pauls Hall, Huddersfield 2013. Calcination, for solo amplified cymbal, Duration 6' (2010) First performance: Joby Burgess, St. Pauls Hall, Huddersfield, 29/11/2010 VOYAGE, 10 short pieces for piano and electronics based on Timothy Leary's 'The Psychedelic Experience' (1966) , Duration 11' (2011) Electric Serpent, for piano and 4-channel electronic sound, Duration 17' (2011) Part 1: Serpent on the edge of an abyss, (Duration 9') Part 2: Electric Currents, (Duration 8') First performance: Sarah Nicolls, Huddersfield Contemporary Music Festival, Huddersfield, 21/11/2011 Fissure, for solo cello, Duration 3' (2012) can also be performed together with the electronic piece Waterfall with the title Fissure B.
NO SIGNAL, for violin, electronic sound and video Duration 1' (2013) First
performance:
Daniel
Mihai,
''George
Enescu''
International
Festival,
Bucharest,
25/9/2013.
TV Resonances, for bass clarinet, electronic sound and video Duration 2' (2016) First performance: 9/12/2016 at KET, (TV Control Center), Athens, Greece, by ARTéfacts Ensemble.
Electronic/Video Acid Drops, for 8-channel electronic sound Duration 11' (2011) First performance: Seoul International Computer Music Festival 2013 Waterfall, stereo electronic sound Duration 3' (2012) Dreamscape, electroacoustic poem in two parts, Duration 30' (2012) Part 1: Rainforest (Duration 14') Part 2: Black Moon (Duration 16') First performance: Days of Electroacoustic Music 2012, Public Theatre of Lixouri, Lixouri, Kefallinia, 8/12/2012, first performance of Rainforest at Centre San Fedele, Milan, 13/10/2012 Mutating Plant, Duration 2' (2012)stereo electroacoustic piece written for the CD ''54 Electroacoustic Miniatures''. L'Union libre, electroacoustic poem (with video) based on Andre Breton's poem with the same title, Duration 15' (2013) First performance: Harvestworks, New York, 14/1/2014, FILE Hypersonica Festival, Sao Paolo, 2014 (video version). Μεγάλη Παρασκευή (Great Friday), electroacoustic soundscape, Duration 20' (201415) Days of Electroacoustic Music 2015, Ionios Akadimia, Ionian University, Corfu, 18/12/2015 Unicode Wave Patterns B, stereo electronic sound and video, Duration 7' (2016) (part of No Signal, for six instruments and electronics) Sonatas for electronic sounds, Duration 45’ (2015-2018), (12 pieces for electronic sounds) released by 404notlabel. Objects, for electronic sounds, Duration 30' (2016-18) (7 pieces for recorded sound) released by 404notlabel. Review from Computer Music Journal at: https://muse.jhu.edu/article/801777?fbclid=IwAR0T38crBOqCX7JPvRY14VFKHnisqErGdkEMGhoaMiAeIsYud8ZDKyYrHY Chamber Cosmic Strings (2018-19), Duration 30' generative audiovisual symphony in three acts, Music by lefteris papadimitriou, Video by Orfeas Pavlidis. First performance at Music Village festival at Volos, Greece. Mirage, for electronic sounds, Duration 20' (2020) Fluid Forms, Duration 3-24 hours, (2015-2020), modular installation piece comprised of Sonatas, Object and Mirage in a kaleidoscopic form.
Ensembles I, 6 computer music pieces, Duration 33' (2021)
Soundtrack Anders als die andern, Duration
55' (2014) soundtrack for the silent film by Richard
Oswald (1919), at the pre-recorded parts: Bassoon and flute: Maria Ackroyd, Prepared piano and percussion: Lefteris Papadimitriou First performance at Cacoyiannis Foundation, Athens, 8/7/2014
Improvisation/Collaborations BRICK,
(collaboration
with Marios Tsangaris), live electronic music. Duration 60’
(2003) First performance: Lefteris Papadimitriou and Marios Tsangaris, Small music theater, 2003
Matches, (collaboration with Marios Tsangaris), for live electronics and video installation. Duration 60' (2004) First performance: Lefteris Papadimitriou and Marios Tsangaris, Small music theater, 2004
Jollywood, (collaboration with Marios Tsangaris), for MIDI sounds, prerecorded voices, live sounds and video. Duration 20’ (2005) First performance: Lefteris Papadimitriou and Marios Tsangaris, small music theater, 6th 2:13 music festival, 10 /12/2005 Panorama (2010) Duration 20-50' First performance: Huddersfield Contemporary Music Festival, Huddersfield, 2010 Meta Hyper, improvised music for piano and shamisen (Lefteris Papadimitriou: Piano, Ryoko Akama: Shamisen), Duration 35' (2012)
Unsample Electroacoustic improvisational music by Lefteris Papadimitriou, Marios Tsagkaris and musicians: electronics, samples, instruments and instruments. Cyber Klang (2013) Digital album release
VVV (2014) Release of digital album on UK label digitalDizzy. Ipsissima Voce (2014) Release of digital album on Etched Traumas. +Chorochronos (2015), live audiovisual improvisation, collaboration with visual artists Christos Tsamis and Vera Gizelidoy. Physis (2015) Release of digital album on Canadian label Sudden Moment Recordings. (Greggy K.: Electric guitar, Bass Guitar, Sitar. Kimon Atelis: Electric guitar Markos Tsatsoulis: Flute Marios Tsagkaris: Electric guitar, Bass guitar, Vocals, Drums, Synthesizer, Piano. Lefteris Papadimitriou: Violin, Bass guitar, Recorder, Vocals, Drums, Synthesizer)
The Room Recordings (2019-20) Digital album release