ISSUE 76 NOVEMBER 2018
SYDNEY
|
MELBOURNE
Auction Calendar Modern Design Monday 12 November 2018 – 6.30pm
FITZROY
Prints & Multiples Wednesday 14 November 2018 – 6.30pm
MELBOURNE
Jewels Monday 26 November 2018 – 6.30pm
MELBOURNE
Fine Art Tuesday 27 November 2018 – 6.30pm
MELBOURNE
Luxury Wednesday 28 November 2018 – 6.30pm
MELBOURNE
A Gentleman’s Collection: The Estate of Mr Neil Robertson Sunday 2 December 2018 – 11am
MELBOURNE
The Kellies Antiques Collection Wednesday 5 December 2018 – 6.30pm
MELBOURNE
The Asian Art Edit Wednesday 12 December 2018 – 6.30pm
MELBOURNE
The Estate of Frank & Jill Jones Monday 10 December 2018 – 5pm
MELBOURNE
Collectables Thursday 13 December 2018 – 2pm
MELBOURNE
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The Thursday Auction Furniture & Interiors – 10am Jewellery – 10.30am Art Salon – 11.30am
MICHAEL CARTWRIGHT (born 1959) The Mask 2002 bronze, unique 80 cm (height) including base $2,800-3,800 Fine Art Auction, Tuesday 27 November at 6.30pm
Books & Objects – 12pm MELBOURNE Front Cover: HANS WEGNER ‘GE240 CIGAR’ ARMCHAIR $600-800 Modern Design, Auction Monday 12 November at 6.30pm
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Our Expertise
Almost 100 Years of Auction History...
MANAGING DIRECTOR & PROPRIETOR John Albrecht 03 8825 5619 | john.albrecht@leonardjoel.com.au
Auction Specialists PRIVATE COLLECTIONS John Albrecht, National Head of Department 03 8825 5619 | john.albrecht@leonardjoel.com.au FINE ART Sophie Ullin, National Head of Department
Auction season is in full swing and this month we’re celebrating the Private Collections of Neil Robertson and Frank & Jill Jones and our upcoming series of Fine Auctions, including Modern Design, Fine Art and Jewels.
03 8825 5609 | sophie.ullin@leonardjoel.com.au JEWELS John D’Agata, National Head of Department 03 8825 5605 | john.dagata@leonardjoel.com.au DECORATIVE ARTS Chiara Curcio, Head of Department, Melbourne 03 8825 5635 | chiara.curcio@leonardjoel.com.au Hamish Clark, Head of Sydney Office 02 9362 9045 | hamish.clark@leonardjoel.com.au
Also in this issue, we learn more about Victorian jewellery, interview Anna Grassham, Head of Modern
MODERN DESIGN Anna Grassham, Head of Department 03 8825 5637 | anna.grassham@leonardjoel.com.au COLLECTABLES
Design about our inaugural Design Week in Fitzroy,
Nora Merralls, Manager
share four hot trends in handbags and delve into a pivotal
LUXURY
moment in the development of Australian modernism.
03 8825 5625 | nora.merralls@leonardjoel.com.au
Bethany McGougan, Manager 03 8825 5645 | bethany.mcgougan@leonardjoel.com.au
The Thursday Auction Specialists ART SALON
We hope you enjoy the read and look forward to seeing you in Melbourne or Sydney soon.
Lucy Foster, Art Specialist 03 8825 5630 | lucy.foster@leonardjoel.com.au
FURNITURE Toby Lennox-Hilton, Manager 03 8825 5640 | furniture@leonardjoel.com.au JEWELLERY Bethany McGougan, Manager 03 8825 5645 | bethany.mcgougan@leonardjoel.com.au OBJECTS, BOOKS & COLLECTABLES Moira Rogers, Manager 03 8825 5604 | moira.rogers@leonardjoel.com.au
Valuations Caroline Tickner, Head of Department 03 8825 5638 | caroline.tickner@leonardjoel.com.au
Marketing & Communications Nicole Kenning, Head of Department 03 8825 5620 | nicole.kenning@leonardjoel.com.au Claire Mazzone, Manager 03 8825 5620 | claire.mazzone@leonardjoel.com.au Maria Rossi, Graphic Artist Adam Obradovic, Videographer & Photographer Joseph Hammond, Videographer & Photographer
Sale Rooms MELBOURNE 333 Malvern Road, South Yarra, Melbourne VIC 3141 Telephone: 03 9826 4333 SYDNEY The Bond, 36-40 Queen Street, Woollahra, Sydney NSW 2025 Telephone: 02 9362 9045
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TOORAK IN SITU
As I approach my fourth decade in the
in their homes in Toorak in the same
and Jill Jones can also be viewed and
apartment of Neil Robertson and then
antiques and auction industry I can
month! Rare indeed and quite possibly
enjoyed in their lifelong home.
contrast this with the rambling English
recall only a handful of auctions where
a first.
As with every collection there are
garden and period home of the Jones’.
collectors and the general public can
The first is the Estate of Neil Robertson
differences and nuances. My first visit
Both collections enjoy similar threads
enjoy the viewing of a lifetime’s collection
in Mathoura Road. Never have I seen a
to the property I could not help but
but the original presentation of both
in situ. The intrigue of private collection
collection as vast, curious and refined
notice the library that spoke of both
collections will hopefully provide you, as
auctions displayed in situ is simple; the
as this one. From tiny hallmarked silver
extensive travel and, as their books on
it does me, that rare soulful experience
viewer enjoys the contextualisation and
boxes of every imaginable design
blanc de chine would indicate, a serious
of enjoying beautiful things where
personalisation in a way that a saleroom
through to fine English furniture and
interest in the academics of collecting.
they have been loved and considered
viewing can never convey with the same
miniature art, this collection speaks of
This Private Collection for me is a bold
for over half a century by interesting
impact.
require
a life lived not just practising the fine
and very determined walk through
people.
more imagination while in situ viewings
art of collecting but truly embracing its
Asian decorative arts, handsome and
reduce the need to possess “the eye
entire journey. Connoisseurship is an
imposing English furniture and period
of the decorator” and make for, in my
overused term but it is one that Neil
decoration, with the occasional surprise
opinion, a more complete and more
Robertson and his collection deserves
elements of post-war art.
engaging auction experience.
to be defined as.
There is only so much one can convey
This November, we are privileged to be
Just a short walk, 2.2 kilometres in fact,
in words so best you visit us at the
offering two such Private Collections
and a week later, the Estate of Frank
contemporary,
Saleroom
viewings
classically
designed
JOHN ALBRECHT, MANAGING DIRECTOR AND NATIONAL HEAD OF COLLECTIONS
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Private Collections A GENTLEMAN’S COLLECTION: THE ESTATE OF NEIL ROBERTSON
Apartment of Neil Robertson
Melbourne Auction Sunday 2 December, 11am 333 Malvern Road, South Yarra VIC 3141
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Melbourne Viewing Unit 1, 51 Mathoura Road, Toorak VIC 3142 STRICTLY BY REGISTRATION ONLY Thursday 29 November, 10am-4pm Friday 30 November, 10am-4pm Saturday 1 December, 10am-4pm
Enquiries Chiara Curcio Head of Decorative Arts 03 8825 5635 chiara.curcio@leonardjoel.com.au
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An extraordinary anthology The late Neil Robertson epitomised a gentleman collector. His apartment is an extraordinary anthology of Decorative Arts, from Georgian furniture to portraits to snuff boxes, and everything in between. Neil’s interest in antiques started at an early age - he made his first purchase at 12 years old. After completing high school Neil worked as a bookseller in Australia and England, and became the proprietor of Melbourne’s iconic Webber’s Booksellers. In addition to antiques, Neil also had a keen interest in gardening, and subsequently became involved in Australia’s Open Garden Scheme in 1988 and served as the National Executive Officer for almost 20 years. 308 DORA CHAPMAN (1911-1995) Study for Self Portrait c.1940 oil on canvas 48.5 x 37.5cm $3,500-5,500
His true passion, however, was collecting curios, which richly decorated every surface of his Toorak apartment. The collection offers a real insight into Neil’s life, style and intellect. A unique ebonized campaign chest, early 19th century, is one of the more historical pieces in the collection, with plaques inscribed ‘Thomas Ferrier Hamilton Esq’, an Australian politician, pastoralist, sportsman and family ancestor. The Dora Chapman work of art Study for Self Portrait c.1940, is one of the fine examples of Australian art in his collection. The work was painted during Chapman’s time as a student at the Adelaide School of Arts, where she studied under Marie Tuck, Dorrit Black, Leslie Wilkie, Louis McCubbin and Ivor Hele. Additionally, Neil amassed an extensive collection of fine porcelain and early ceramics, demonstrating his solid understanding of English porcelain factories. We look forward to welcoming you to the viewing, where you will have the opportunity to immerse yourself into Neil’s world. Chiara Curcio Head of Decorative Arts
16 A 19TH CENTURY EBONIZED CAMPAIGN CHEST, OF AUSTRALIAN INTEREST TITLE PLAQUE FOR THOMAS FERRIER HAMILTON ESQ (1820-1905) With four graduated drawers, two brass presentation plaques inscribed ‘Thomas Ferrier Hamilton Esq’, raised on four bun feet. The whole covered in a rich ebonized finish. $3,000-5,000
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Private Collections THE ESTATE OF FRANK AND JILL JONES
98 JUSTIN O’BRIEN (1917-1996) A still-life of Australian flowers and foliage in a green glass pitcher oil on board signed lower right: O’BRIEN 41 x 30cm $14,000-18,000
Melbourne Auction Monday 10 December, 5pm 333 Malvern Road, South Yarra VIC 3141
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Melbourne Viewing 7 Torresdale Court, Toorak VIC 3142 STRICTLY BY REGISTRATION ONLY Friday 7 December, 10am-4pm Saturday 8 December, 10am-4pm Sunday 9 December, 10am-4pm
Enquiries Chiara Curcio Head of Decorative Arts 03 8825 5635 chiara.curcio@leonardjoel.com.au
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A Journey of Collecting We are pleased to present for auction The Estate of Frank and Jill Jones. Frank and Jill were married in London in 1963, after which they spent several years abroad in Europe. Returning to Melbourne in 1967, the family moved around before settling into their Toorak residence in 1975. Once established in Melbourne, Frank and Jill’s journey of collecting began. From 1975 onwards, they collected works from many auction houses and galleries, including Leonard Joel, and would often form friendships and long associations with the proprietors. Their interests spanned art, sculpture, English and Asian ceramics, textiles, rugs and furniture. In addition to their comprehensive and varied collection is an extensive library of reference books, which currently occupies two full rooms in their home. The library serves as an encyclopaedia of their collection and showcases the breadth of their intellectual pursuits. The viewing for this auction will be onsite at Frank and Jill’s Toorak home. As you tour the property and collection, you will gain an insight into the couple’s life, their adventures, travels and interests. Several stand out pieces include a beautiful oil on
184 A CHINESE HARDWOOD TABLE SCREEN INSET WITH AN INSCRIBED WHITE JADE PLAQUE QING DYNASTY $3,000-5,000
board work by the much-admired Australian artist Justin O’Brien, Still-life of Australian flowers and foliage in a green glass pitcher and a finely carved Chinese hardwood table screen inset with an inscribed white jade plaque from the Qing Dynasty. Chiara Curcio Head of Decorative Arts
91 A FINE GEORGE II MARBLE SLAB AND MAHOGANY CENTRE TABLE MID 18TH CENTURY, PROBABLY IRISH $2,500-3,500
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FINE ART
76 LEONARD FRENCH (1928-2017) Still Life 1955 enamel on board 60 x 82cm $14,000-18,000 © Leonard French. Licensed by Viscopy Ltd. Australia
Melbourne Auction Tuesday 27 November, 6.30pm 333 Malvern Road, South Yarra VIC 3141
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Sydney Highlights Viewing The Bond, 36-40 Queen Street, Woollahra NSW 2025 Friday 9 November, 10am-4pm Saturday 10 November, 10am-4pm Sunday 11 November, 10am-4pm
Melbourne Viewing 333 Malvern Road, South Yarra VIC 3141 Wednesday 21 November, 9am-8pm Thursday 22 November, 10am-4pm Friday 23 November, 10am-4pm Saturday 24 November, 10am-4pm Sunday 25 November, 10am-4pm Monday 26 November, 10am-4pm
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Enquiries Sophie Ullin National Head of Art 03 8825 5609 | 0407 360 513 sophie.ullin@leonardjoel.com.au
“Australian art is at floodtide. It has burst its banks and now is coursing everywhere.”
59 DONALD FRIEND (1915-1989) Jazz at the Windsor Palace 1957 oil on board 31 x 39.5cm $25,000-35,000
62 CHARLES BLACKMAN (1928-2018) Christabel at the Table c.1963-64 oil and collage on canvas 151 x 135cm $60,000-80,000
© Donald Friend. Licensed by Viscopy Ltd. Australia
© Charles Blackman. Licensed by Viscopy Ltd. Australia
Pivotal Moments Following Impressionism and the advent of the two
Archibald Prize of 1943 with his ground-breaking
Palace 1957 (Lot 59) highlights his Picassoesque
world wars, the chief subject for Australian artists
portrait of Joshua Smith, sparking a turning point in
use of colour and abstraction of the human figure.
was the “ideal landscape” with golden fields, blue
public appreciation.
Similarly, Christabel at the Table by Charles Blackman
skies and the hope of the Australian dream revived.
(Lot 62) is a prime example of the artist’s ability to
However, the need for it passed in the subsequent
“Old cities of the mind have been laid bare and new
convey figuration through abstract and poetic forms,
decade and artists soon began to broaden
ones discovered. The great infinitely varied territory
with an almost ghostly apparition as Christabel,
their artistic influences, entering a new phase of
of artistic endeavour has been opened up and the
created through collage and brushwork reminiscent
exploration and experimentation. As William Frater
frontiers extended. As new roads are driven out into
of American modernists Ben Nicholson and Mark
noted, “it was as if the whole landscape of art
still undiscovered country, nobody need be unaware
Rothko.
suddenly lifted, like a curtain going up”.
of the directions they are taking or of what is found along the way.” Kim Bonython
The ensuing decades were filled with pivotal
REFERENCE Bonython, K., Modern Australian Painting 1950-1975,
moments in the development of Australian
Our November Fine Art auction showcases several
modernism. For instance, The George Bell School
of these pivotal shifts throughout Australian mid-
and Contemporary Art Society were formed in
century modernism. Leonard French’s Still Life from
Olivia Fuller
the 1930s, instigating a shift in art education; the
1955 (Lot 76) is a key example of the artist’s talent for
Art Specialist
return of Australian artists from their time abroad
geometric design, and a precursor to his masterpiece
introduced a European (and eventually American)
commissioned by the National Gallery of Victoria.
focus; and William Dobell controversially won the
Donald Friend’s portrayal of Jazz at the Windsor
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Rigby Publishers, Australia 1960
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JEWELS
1 AN ANTIQUE ENAMEL BROOCH $1,500-2,000
Melbourne Auction Monday 26 November, 6.30pm 333 Malvern Road, South Yarra VIC 3141
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Sydney Highlights Viewing The Bond, 36-40 Queen Street, Woollahra NSW 2025 Saturday 17 November, 10am-4pm Sunday 18 November, 10am-4pm
Melbourne Viewing 333 Malvern Road, South Yarra VIC 3141 Wednesday 21 November, 9am-8pm Thursday 22 November, 10am-4pm Friday 23 November, 10am-4pm Saturday 24 November, 10am-4pm Sunday 25 November, 10am-4pm
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Enquiries John D’Agata National Head of Jewels 03 8825 5605 | 0408 355 339 john.dagata@leonardjoel.com.au
30 A VICTORIAN GARNET, DIAMOND AND PEARL NECKLACE $3,000-5,000
The Return of the Victorians During a time when so much of the modern world is engrossed with technology and advancements, it is pleasing to see that antique Victorian jewellery is having a resurgence in popularity. Having worked in the jewellery industry for well over twenty years, I’ve seen many jewellery trends come and go. There was a time, not so long ago, when Victorian jewellery was seen as too ornate and out-dated. Today, however, there seems to be a new romanticism surrounding this period for jewellery and it is certainly being reflected in the auction market. Part of the allure with Victorian jewellery is that discerning buyers can purchase beautifully crafted items that are unique and buy them as statement pieces for their collections. Many items are consigned for auction in original boxes, often with interesting provenance, adding to the mystique for potential buyers. Whilst the Victorian period was well known for being the age of machinery and mass production
120 AN ADVANCE AUSTRALIA FEDERATION GOLD HUNTER POCKET WATCH $500-700
for most industries, including jewellery, it is still the better pieces that have survived. The renaissance for Victorian Jewellery today means that now is a good time to buy. Many family heirlooms are being sold, as younger generations often don’t see the value in keeping jewellery from 118 A GOLDFIELDS BROOCH $850-1,000
this period. Perhaps in years to come, they will change their minds? John D’Agata National Head of Jewellery
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MODERN DESIGN 231 CLEMENT MEADMORE ‘CLAYX’ CEILING LIGHT $2,000-3,000
225 ROSANDO SIDEBOARD $2,000-3,000
Melbourne Auction Monday 12 November, 6.30pm 200A Argyle Street, Fitzroy VIC 3065
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Melbourne Viewing 200A Argyle Street, Fitzroy VIC 3065 Friday 9 November, 10am-4pm Saturday 10 November, 10am-4pm Sunday 11 November, 10am-4pm
Enquiries Anna Grassham Head of Modern Design 03 8825 5637 | 0415 076 480 anna.grassham@leonardjoel.com.au
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115 FRANK LLOYD WRIGHT ‘605 ALLEN’ DINING SETTING FOR CASSINA $15,000-20,000
Q&A with Anna Grassham, Head of Modern Design This November, Leonard Joel presents Design Week in Fitzroy, a new, curated auction showcasing furniture, lighting and objects from an array of iconic designers, alongside limited edition Prints by leading Australian and International artists. We recently spoke with Anna Grassham, Head of Modern Design about the event...
It really is a fantastic opportunity to acquire pieces by
$19,000 and is on offer for $6,000 is going to cause a
some of the most creative designers from early 20th
bidding frenzy!
century and beyond. I’d have to say though, one of the most exciting Design Week is very connected to the
pieces in the auction is the amazing Frank Lloyd
Modern Design category. How has the department
Wright ‘605 ALLEN’ dining setting for Cassina. Frank
evolved?
Lloyd Wright is a visionary and it’s rare to see any of
I took over the department in 2014. Back then it was
his designs in Australia.
much smaller in scale but it became increasingly popular and we were inundated with stock, until it
What advice would you give to buyers looking
just became too big for its own boots! So we took a
to build a collection?
leap of faith and created a new category auction that
For me personally, it’s not about trends or themes,
became ‘Modern Design’. Since then, it continues to
I am more about creating spaces that enable furniture
grow in leaps and bounds.
and objects to evolve. It’s as much about aesthetics as it is balance. Never stick to a particular look, because
In 2016, we sold the largest collection of Grant
everything changes, like fashion. Try to focus on
The inaugural Design Week will take place this
Featherston furniture worldwide, and last year we sold
special pieces that hold resonance with you and that
November in Fitzroy, tell us a bit about it and why
the most prominent collection of furniture at auction
will form part of your own personal collection, which
you choose that area?
by Italian manufacturer Cassina.
will continue to develop and grow.
clients and I thought holding the tradition Modern
What are your favourite pieces in the November
What are the market trends for this category
Design auction alongside Prints & Multiples in a
auction?
in Australia?
different environment would be a great venture.
Ha! It’s forever a tricky question, as my favourite
If I had to staple down a particular look for the
pieces are always the ones I want for myself! However,
season in Australia, I would say mid-century, Italian,
I have always wanted to host an offsite auction for the
I’m happy to share my passions and hot lots of the
Danish and Australian design. The 1950s and 60s are
category, and it seemed fitting to cross the river and
auction. The November offering includes a few
still at the helm for both collectors and sellers. Just
hold it North side. It is fantastic area for design, has a
Australian treats, from Grant Featherston to Clement
try to mix it up a little, incorporate these eras with
great attitude and there is a lot of activity. A lot of our
Meadmore. I love the Calyx ceiling light and Rosando
contemporary pieces. At the end of the day, just have
clients are based in or near the area, so we thought
console. As I am looking for a sofa right now, I’m not
fun, experiment with shapes and colour, buy what you
it would be a fantastic opportunity to bring the stock
at liberty to divulge my particular favourites! Although
love, and what makes you happy!
to them, whilst also allowing new clients to find out
I am certain the Jean-Marie Massuad “Grandtorino’
what we do, and how easy it can be to buy at auction.
three seat sofa for Poltrona Frau that retails for
I love the idea of creating a curated space for our
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COLLECTABLES
THE MARTIN BODINAR COLLECTION Sold for $48,546
1895 VFA PREMIERSHIP FOOTBALL Presented To Fitzroy Captain Tom Banks Sold for $12,200
FOUR PHAR LAP HORSE SHOES Sold for $31,720
TWO PIECES ARE A COINCIDENCE BUT THREE ARE A COLLECTION! The hallmark of a collection, a triptych on a theme, establishes the
doll maker, or memorabilia relating to your favourite TV show, the spirit
collector as intentional and interested. While two connected objects
of the collector transcends categorization. A collectable is all about the
may tell their own story, it is the addition of just one more that moves
hunt. It’s the sought after piece you need to complete a set. It’s the item
it into a whole new realm. As Leonard Joel looks to celebrate the new
you’ve heard whispers of but haven’t been able to get your hands on -
collector, where better to start than with Collectables! These auctions,
yet!
held quarterly, are the place to discover a new passion, add another piece to a long held collection, or to revel in and learn from the interests
What is your collection? To share your story and for a complimentary
of others.
auction valuation, please contact Nora Merralls.
A fanatical passion and strong sense of curiosity are the collector’s badges of honour. Whether it’s for your AFL team, a particular German
Melbourne Auction Thursday 13 December, 2pm 333 Malvern Road, South Yarra VIC 3141
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Melbourne Viewing 333 Malvern Rd, South Yarra VIC Wednesday 12 December, 9am-8pm
Melbourne Enquiries Nora Merralls Collectables Manager 03 8825 5625 nora.merralls@leonardjoel.com.au
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PRINTS JOHN COBURN (1925-2006) Sun and Sydney Opera House Screenprint 51/99 $1,000-1,500
CELEBRATING COLOUR AND SHAPES ‘The effect is stunning, almost bewildering, a combination of visual impressions
who continually changes style. My work is still evolving and developing along
and emotional responses that challenge categorisation, that have a beauty and
the same path.” Fellow artist Charles Blackman praised this style of working, and
calm about them that is simple as it is intricate, as obvious as it is mysterious.’1
said “Coburn… strives for the ideal. His commitment to the organic shape of his religious feeling has been unfailing.”
Known for his striking abstract works, which celebrate the colour and shapes of a native landscape, John Coburn (1925-2006) uses a unique symbolic language of
John Coburn is represented in collections of the National Gallery of Australia, the
bright shapes and intense colours, employing flat signs and silhouettes against
Art Gallery of NSW, Rome’s Vatican Museum, as well as state and regional galleries
glowing fields of colour. Primarily working as a painter, and printmaker, Coburn
in Australia. Expressing nature and the world, his spiritual depiction of such
was also a respected teacher, and later in his life became a passionate activist
themes set him on a course that ran apart from other Post-war Australian artists. It
against the deforestation of New South Wales forests.
is a pleasure to present some beautiful examples of Coburn’s practice in the Prints & Multiples auction on the 14 November, alongside the Modern Design collection,
Coburn’s work took a decisive shift in the 1970s, when, emboldened by his
which so beautifully compliments this artists’ work.
European experiences and successful stints in Paris and New York, and exposure to artists such as Picasso and Matisse, he embarked on what can be called his
1. Peter Skrzynecki cited in Kolenberg, J., John Coburg, Australian Galleries, Sydney and Melbourne, 2000, p.5
own artistic mission. He begun to develop a distinctly Australian abstract visual
(exhibition catalogue)
language, which synthesised Western European culture, the Roman Catholic religion, Aboriginal spirituality and nature. Throughout his career, Coburn’s style
Ella Perrottet
remained remarkably consistent, stating “there’s nothing worse than an artist
Art Assistant
Melbourne Auction Wednesday 14 November, 6.30pm 200A Argyle Street, Fitzroy VIC 3065
Viewing 200A Argyle Street, Fitzroy VIC 3065 9 - 14 November, 10am-4pm
Melbourne Enquiries Lucy Foster Art Specialist 03 8825 5630 lucy.foster@leonardjoel.com.au
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LUXURY
A MESSENGER BAG BY LOUIS VUITTON $600-800
A HANDBAG BY SONIA RYKIEL $300-500
A FOLD OVER BAG BY CELINE $1,800-2,200
4 HOT TRENDS IN HANDBAGS CHAIN STRAPS
OVERSIZE HANDBAGS
Having been noticeably absent from the runway for several seasons,
Practical and stylish, oversized handbags have been spotted on
the chain strap bag is back! From Dolce & Gabbana to Gucci, the
a number of international runways in 2018. The fold over bag by
chains are chunkier and heavier than we have seen before. The
Céline in the November auction illustrates this trend perfectly. The
Sonia Rykiel handbag in the November auction would be the perfect
piece might also become a collector’s item from the much-adored
addition to any fashionista’s wardrobe that would like to embrace
creative director at Céline, Phoebe Philo, who recently left the house
this trend.
and sparked a frenzy for pieces from her tenure at the brand.
RETRO LOGOS
VINTAGE
The recent explosion of the iconic Christian Dior saddle bag has
Vintage pieces never go out of style. Classic handbags in mint
heralded a return of the retro logo. Bags and baguettes by Fendi,
condition, such as the Chanel 2.55, a Louis Vuitton Epi leather or a
Gucci and Christian Dior have all sported iconic logos in an array of
bamboo-handled Gucci, are always highly coveted and will stand
colours and designs and can be seen on the arms of many fashion
the test of time.
influencers.
Melbourne Auction Wednesday 28 November, 6.30pm 333 Malvern Road, South Yarra VIC 3141
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Melbourne Viewing 333 Malvern Rd, South Yarra VIC Wednesday 21 November, 9am-8pm Thursday 22 November, 10am-4pm Friday 23 November, 10am-4pm Saturday 24 November, 10am-4pm Sunday 25 November, 10am-4pm
Melbourne Enquiries Bethany McGougan Luxury Manager 03 8825 5645 bethany.mcgougan@leonardjoel.com.au
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VALUATIONS
AT LEONARD JOEL Discovered in last month’s Valuations Evening in Melbourne
16 § MIRKA MORA (1928-2018) Absinthe Drinkers 2003 gouache on paper, 29.5 x 41cm $3,000-5,000 Fine Art Auction Tuesday 27 November at 6.30pm
Do you have treasures that you would like valued?
Join us for complimentary auction valuations, first Wednesday of every month, 5-8pm. No appointments necessary. Caroline Tickner, Head of Valuations 03 8825 5638 | caroline.tickner@leonardjoel.com.au
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THE THURSDAY AUCTION
JOHN LENNOX (1941-1996) Didrie’s Back oil on canvas 75 x 101cm $3,000-5,000
JOHN LENNOX IN THE ART SALON Known for his idyllic, dreamlike scenes of innocence and natural beauty,
Portrait, Studies of Body From a Tree, a surreal exploration of sexuality
John Lennox has been a long-time buyers’ favourite at Leonard Joel. A
and the human form.
ten thousand dollar record was set for the Australian artist at auction in 1993 before Lennox’s death and now, with a collection featuring some
Another standout work in this exciting collection is a portrait of Deidre,
of his greatest works, it’s not difficult to see why.
the wife of Lennox. He portrayed Deidre numerous times throughout his career, always recognisable by her blue floral dress, tightly buttoned
Born in Melbourne in 1941, Lennox studied at the National Gallery
around the neck and wrists, in a style reflective of Victorian-era fashion.
School, the George Bell School and in Europe. Many of his artworks depict serene scenes of children playing in the garden, tea parties and
This stunning collection from one of Australia’s most varied and
wild flower landscapes. For a period of time Lennox ventured away from
subversive artists is on view at Leonard Joel in The Thursday Auction Art
these lush bucolic subjects toward darker themes of human suffering
Salon on the 7th of November.
and survival, sexuality and the harsh Australian landscape, conveying his versatility and growing confidence as an artist. This breadth of subject,
Lucy Foster
tone and style is what makes this collection so striking, from Just Living,
Art Specialist
portraying a family surviving poverty and harsh living conditions to Self
Melbourne Auction - Art Salon Thursday 7 November, 11.30am 333 Malvern Road, South Yarra VIC 3141
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Viewing 333 Malvern Rd, South Yarra VIC Wednesday 6 November, 9am-8pm
Melbourne Enquiries Lucy Foster Art Specialist 03 8825 5630 lucy.foster@leonardjoel.com.au
leonardjoel.com.au
A WEDGWOOD BLACK JASPERWARE PORTLAND VASE Sold for $3,720
A RARE CHANTILLY TEAPOT CIRCA 1735-40 Sold for $6,820
SYDNEY
A BLUE JOHN COMPORT Sold for $6,500
AN AUCTION TO REMEMBER Leonard Joel’s inaugural auction in The Bond on Queen Street
And as the hammer consistently came down throughout the
was highly anticipated. The expansive collection of decorative arts
evening, it was evident that Leonard Joel’s new position in Sydney as
attracted a high level of interest throughout the viewing period,
the premier auction house for decorative arts had been cemented.
with over 500 people attending, a reflection of the superb quality
The stars of the evening were: the cover lot, Wedgewood black
and rare appearance of such a fine collection on the market. It also
Jasperware Portland vase, selling for $3,720 against a low estimate
revealed the depth and age of European decorative arts within New
of $2,000; an Auguste Peyroula gold compact, selling for $8,060
South Wales and Queensland collections, from where the majority of
against a low estimate of $5,000; a rare Chantilly teapot c. 1735-40,
the works were sourced.
selling for $6,820 against a low estimate of $5,000; a Charles II oak dresser base, selling for $7,440 against a low estimate of $3,500; and
The historic landmark Bond building, built in 1870 and originally
a Blue John comport, selling for $6,500 against a low estimate of
a Masonic Lodge, provided an impressive setting for the 450 lot
$3,000.
auction covering the classic categories of English and Continental furniture, fine silver, eighteenth-century porcelain and object d’art.
However it took until lot 407 – 410 at 9.45pm for the most
As the ballroom began to fill on auction night and the final absentee
sensational result to be realised amongst a furry of internet, phone
and phone-bids were allocated, it was apparent that it was going
and in-room bidding. Four pieces of Coalbrookdale ‘Fern and
to be an enthusiastic night of bidding from local, interstate and
Blackberry’ furniture sold for a combined $19,468 against a low
international buyers.
estimate of $2,900. Enquiries Hamish Clark, Head of Sydney Office 02 9362 9045 | hamish.clark@leonardjoel.com.au
A CHARLES II OAK DRESSER BASE LATE 17TH CENTURY Sold for $7,440
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THE 22ND REPORT #19
IN MY OPINION
The Antiques Trade Gazette recently published a Special Report on the
miniatures and items judged to be of extraordinary historical importance
proposed legislative ban on the trade of ivory in the United Kingdom. I urge
(my words). Compare this to Leonard Joel’s policy, adapted from USA
anyone interested in this topic (regardless of which side of the fence you sit
legislative efforts, that allows for no more than 50% by volume or value with
on) to read the report as it presents an accurate snapshot of the debate that
an overarching restriction of no more than 200grams of ivory and it does
is raging amongst the Antiques & Auction Industry (A&AI) in the U.K. about
appear that if the UK wants a workable De Minimis principle this element of
the legislation that aims to reduce, with limited exceptions, trade to only
the legislation requires refinement.
100 year old objects and only those with a maximum ivory content of 10%. At this point I reiterate my unwavering position on this matter, which is that
(ii) Why public museums should be able to trade and private citizens
the global A&AI is directly connected to the value chain that continues
not?
to drive the slaughter of elephants and that a virtual total ban in trade is
Collecting, and collecting on often a grand scale, is part of British DNA,
the only way we will see the devaluation of ivory as a material commodity.
centuries old and an important element of the culture. So, it is no wonder
The inherent glamour of auctions and the culturally embedded notion that
that private collectors and the trade are up in arms as to why public
collecting is a “high-pursuit� places us, in my opinion, at the very apex of
museums should be more freely able to buy and sell than the private citizen.
that value chain.
My view is that when change is required, inevitably compromises must be
I tried my best to read this report objectively. Below I seek to distil the
made and if the choice lies between allowing publicly-enjoyed museums
arguments within this debate that I hope reflects fair-minded discourse on
this grace or a privately-enjoyed collection, then I think the discretion
my part and an effort to extend my discussions in to the concerns of my
allowed to public bodies is the right one.
policy combatants. For me, the report highlights seven important matters and below I provide
(iii) What a post-enactment regulatory environment might look like in
brief commentary and my views on these matters:
the UK Advocates for a complete ban and organisations better-versed than me in
(i) The final agreed quantum of the De Minimis rule and just how
this public policy area make a very important point about regulation. The
restricted the exceptions should be
current global conventions, domestic legislative regimes and the resourcing
The UK legislation proposes a no more than 10% ivory content for antique
and regulatory-infrastructure currently in place has been HOPELESSLY
pieces with restricted exceptions allowing for trade in musical instruments,
inadequate in ensuring that new ivory does not find its way in to the wider
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market place. In short, profoundly under-resourced policing bodies have
on ivory sales that would not escape the legislative ban, I will confidently
enabled an A&AI to trade in all manner of ivory with scant pressure (or
suggest that a very clear majority of dealers would not be remotely
will) to even comply with existing laws. So why is this relevant to the UK
impacted by a cessation in ivory trade and could comfortably adapt to a
debate? Much of the report identified concerns expressed by both the
De Minimis-plus-Exemptions regime. With regard to auctioneers, no doubt
trade and private collectors about “how on earth” (my words) registration
their Asian Art and related departments will be affected but to varying and
and compliance could be possibly managed with some estimated 400,000
manageable degrees. Our last Fine Asian Art Auction sourced, marketed
ivory objects in their marketplace? It’s a very legitimate question but also
and successfully sold an offering that had to navigate our own elephant
precisely the point of many activists in this space. It is highly unlikely the
ivory/rhino horn cessation policy. My point is, it can be done and for those
A&AI or government can afford the resources necessary to truly regulate
very few dealers that may be more than marginally affected I would have no
and police a market and free it from modern ivory. With this reality it seems
hesitation in supporting a once-off government compensation or phase-out
to me that if the government or the A&AI can’t allocate sufficient revenues
scheme. Add to this the steadily declining appetite for ivory material in the
to create an effective regulatory environment then it shouldn’t protest the
decorative arts and I would suggest that whether enforced or voluntary, the
only logical alternative, which is a virtual shut-down in trade to make the
move to cessation is a move that inevitably the antiques trade, for the sake
management of at least exempted items possible.
of their own regeneration, will be required to embrace anyway.
(iv) The link between trade and poaching
(vii) The A&AI’s natural attachment to the regulatory status quo
For me this point is an article of faith; that if we trade in ivory (regardless
While point (iii) above covers aspects of this issue I feel it is important to
of age) we can’t deny we are ultimately still part of ivory poaching. The
reiterate why the A&AI are largely comfortable with the status quo but
A&AI argue that its trade in antique and CITES-approved objects is not
equally why it is unsustainable. While no doubt many A&AI players respect
connected to modern ivory sales and the slaughter of elephants and at
CITES and their local regulations the reality is that despite this, illegal and/
a surface level this is technically correct. But what this argument ignores
or modern ivory circulates within the A&AI. No laws or regulations have
are three realities. Firstly, the A&AI sits at the apex of a value chain that
worked and the result is a highly liquid and opaque market place that has
glamorises ivory and legitimises the sale of it. Secondly, while we trade in
enabled easy passage of modern ivory passing as antique. If further proof
ivory (regardless of age) we simply cannot argue that we don’t support and
were needed of this fact I would direct you to the joint Oxford University
enhance the material’s value and that while value is maintained the desire
and Elephant Action League study: AVAAZ (July 2018) ‘Europe’s deadly
to poach, for value, will continue. Finally, if we wish to be party to poorly
ivory trade – Radiocarbon testing illegal ivory in Europe’s domestic antiques
regulated marketplaces that provide no adequate controls over the entry
trade’ accessed at
of modern ivory, then we can’t say we are not part of the current problem.
https://s3.amazonaws.com/avaazimages.avaaz.org/AVAAZ_EUROPES_
These are the artificial constructs embraced by much of the A&AI and while
DEADLY_IVORY_TRADE.pdf
somewhat understandable, they are getting in the way of real progress on this important environmental issue.
The ATG’s Special Report is an important document that provides a voice to both the A&AI’s concerns (as it should as the publication representing the
(v) The distinction between devaluation and destruction of ivory objects
trade) but also to those advocating for the logic of the legislation and its
In various letters to the editor, the words devaluation and destruction
important environmental purpose.
(and words of similar sentiment) presented regularly and somewhat
What I was hoping to find amongst its pages was an auctioneer in the UK,
interchangeably and in some cases as if to imply, that devaluation was
like Leonard Joel, that had once been a significant trader in ivory but was
tantamount to destruction. My concern here was this extension of the
no longer – this was not to be. But I am sure that such an auctioneer or
meaning of devaluation. I agree with the observation that such a ban will
antique dealer exists (or will emerge) and what they can do, as we have in
indeed devalue and/or render valueless much ivory currently in circulation.
Australia, is provide comfort to the UK trade that this legislative move, now
But to suggest that devaluation must equal destruction is simply not the
gaining global traction, will not cause the sky to fall in.
case. Our own policy advocates for retention by the collector or donation to a public museum to ensure removal from the value-chain; an option open to
John Albrecht, Managing Director
all those with ivory items not exempted by the ban. (vi) The A&AI’s commercial dependency on ivory While I have not studied the U.K.’s dealerships in detail and would not be surprised if a VERY small handful of dealers were somewhat dependant
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2018 ANNUAL GALA AT ARTS PROJECT AUSTRALIA 1 December – 19 December | 24 High Street, Northcote, VIC 3070
Anthony Romagnano, Grooving, 2018, greylead pencil and pencil on paper, 35 x 50 cm.
With 144 artists practicing in the Arts Project Australia studio
works on display will be for sale, so it’s a great opportunity to
each week, the Annual Gala exhibition showcases over 200 works
grab an original artwork or a unique Christmas present. We’ll
from our talented artists. Displaying an intriguing, inventive and
also have an array of calendars, cards, books and AUSTRALIANA
thoughtful range of artwork, including painting, drawing, digital
merchandise for sale.
art, photography, printmaking, ceramics and sculpture, the show is a celebration of Arts Project studio artists and their practice.
And remember: all artwork can be taken home on the day, so it’s best to get in quick! Artworks literally walk out the door!
Join us on Saturday 1 December from 3-5pm for an afternoon of music performance by Craig Dermody and Caroline No (solo),
Annual Gala is an event not to be missed! Free and open to the
as well as a sausage sizzle hosted by the Men’s Shed. There’ll
public!
also be exciting goodies, raffle prizes and great artwork. All
www.artsproject.org.au
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DESIGN WEEK
9 - 14 November
Ever dreamt of owning an original Grant Featherston chair or a limited edition by George Baldessin? With Australian mid-century design by Clement Meadmore, Rosando and Grant Featherston, European furniture by Cassina, B&B Italia and Poltrona Frau and limited edition Prints by artists such as Baldessin, Fransella and van der Sluys, Leonard Joel Design Week is your chance to take home an original.
Viewing 9 - 14 November 10am-4pm Auctions Modern Design 12 November, 6.30pm Prints & Multiples 14 November, 6.30pm 200A Argyle Street, Fitzroy VIC 3065 modern@leonardjoel.com.au | leonardjoel.com.au
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BUYING AT AUCTION. IT’S SIMPLE, REALLY! Browse With regular auctions in Contemporary Art,
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collection or delivery of your purchase/s. Contact a member of our team or stop by our Melbourne or Sydney salerooms if you have any questions.
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ISSUE 24 OUT NOW
SUBSCRIBE NOW AND RECEIVE YOUR COPY OF VAULT MAGAZINE FIRST
AUS $17.50 NZ $25.00
GENESIS BELANGER, BILL CULBERT, JUAN DAVILA, SHOUFAY DERZ, DAVID GOLDBLATT, PIERRE MUKEBA, ALONDRA DE LA PARRA, EASTON PEARSON, MICHAEL RAKOWITZ, SALLY ROSS, EVA ROTHSCHILD, NICOLA SMITH, TEAMLAB & MORE ISSU E 2 4 · NOV E M BER to J A N UA RY 2019
Genesis Belanger, Bill Culbert, Juan Davila, Shoufay Derz, David Goldblatt, Pierre Mukeba, Alondra de la Parra, Easton Pearson, Michael Rakowitz, Sally Ross, Eva Rothschild, Nicola Smith, teamLab, The 9th Asia Pacific Triennial of Contemporary Art & more
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BILL CULBERT Off White, 2018 chair and fluorescent tube 120 × 34 × 34 cm Courtesy the artist and Roslyn Oxley9 Gallery, Sydney
22/10/18 9:19 am
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LOOK OUT FOR THE SUMMER ISSUE.
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