Fine Art

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HIGHLIGHTS

FINE ART AUCTION TUESDAY 21 MARCH 2017 MELBOURNE

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AUCTION CATALOGUE VOLUME 10 ISSUE 4

Front Cover Illustration (Detail) 25 CLARICE BECKETT (1887-1935) Yacht at Sunset c.1928 oil on board signed lower left: C Beckett 38 x 32cm $28,000-38,000

Inside Front Cover Illustration (Detail) 48 CHARLIE SHEARD (born 1960) Palace of Smokey Light 1999 oil on canvas 152 x 204cm $8,000-12,000

Inside Back Cover Illustration (Detail) 240 JUSTIN FEUERRING (born 1985) Blue Monday 2015 enamel on canvas 100 x 100cm $2,000-3,000

leonardjoel.com.au 2


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234 JASPER KNIGHT (born 1978) The Grey Window 2007 mixed media on board signed, titled and dated verso: JASPER KNIGHT/ “The Grey Window”/ 2007 120 x 90cm $2,500-4,500

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HIGHLIGHTS

FINE ART AUCTION TUESDAY 21 MARCH 2017 AT 6.30PM MELBOURNE

PREVIEW Sydney Viewing Highlights 39 Queen Street, Woollahra 2 - 4 March 10am-4pm

Melbourne Viewing 333 Malvern Road, South Yarra 15 March 9am-8pm 16 - 17 March 10am-4pm 18 - 20 March 10am-5pm

CONTACT

Sophie Ullin

Olivia Fuller

Emily Sinclair

National Head of Art 03 8825 5609 | 0407 360 513 sophie.ullin@leonardjoel.com.au

Art Specialist 03 8825 5624 olivia.fuller@leonardjoel.com.au

Art Specialist, Sydney 02 9362 9045 emily.sinclair@leonardjoel.com.au

View the entire catalogue at leonardjoel.com.au 3


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Introduction

The Feminine Equation As we enter the Year of the Rooster, in what some may view as

The march of women continues on the other side of the fence with

auspicious, Leonard Joel’s first 2017 Fine Art sale sees women coming

The Collection of a Lady forming the preeminent collection in this

up trumps.

sale. Brimming with classic and handsome landscapes by Adrian Feint

Our front cover features Clarice Beckett’s mesmeric Yacht at Sunset

and Kenneth Macqueen, nocturnal scenes also clearly found firm

c.1928 whom despite a dearth of support from her male peers, painted

favour evidenced by Arthur Streeton’s purple-hued Night Scene 1890

continuously throughout her life, albeit mostly in the shadows. Timely

and David Davies Day’s End, both of which featured in the Ballarat Art

recognition only came after her death when Rosalind Hollinrake, (then

Gallery’s 1974 celebrated exhibition, Moonrise.

Humphries) in the 1970s granted Beckett’s her work the exposure

At the Contemporary end of the spectrum is another edition from

it long deserved and set her place as one of Australia’s most

Jan Nelson’s series Walking in Tall Grass depicting a female subject,

significant modernists.

Iris after our September offering of Viktor. Close to a century after

By contrast, an artistic sisterhood was more readily available

Beckett, Nelson may still work in an environment where male artists

and nurturing to artists Dorrit Black and Ethel Spowers who

are predominant however it is no longer a game of masters and

are represented in this sale by two uncommon works.

Black’s

apprentices between the genders as opportunities and expectations

contemporaneous wartime era scene, At the Cafeteria c.1943 is

are thankfully more evenly matched. The (re)contextualising of

notable as a monochromatic rendering and also for being an inverse

twentieth century women artists has certainly been a welcome trend

representation of this image. Spowers’ The Rocking Horse 1927 is a

of the last decades, however in the future these acute and timely re-

thrilling discovery as it is not too often that ‘ghostly’ works, known but

evaluations will probably not occur as readily or be required in this

largely unseen, come to light. This the first to appear at auction and

more level playing field. Already auction indications are encouraging

it is speculated that Spowers never released it as an edition, enticing

– look no further than our recent sale of Patricia Piccinini’s Cyclepups:

further research.

Firestarter which along with Ben Quilty’s offerings belong to the

The dark horse in this sale may indeed be Ina Gregory, an artist

currently small clique of Contemporary works that have matched

inspired by esotericism and who is represented by eleven works that

their gallery prices, a rare feat in an evolving market and something

showcase her focus on portraiture, landscape and spiritualism. With

to crow about!

only a handful of works ever brought to auction and perhaps better known by some for her close connections with Impressionist Jane

Sophie Ullin, National Head of Art

Price, this spotlight may raise the veil higher and grant more context to her oeuvre –the lure of further discovery beckons.

41 (Opposite Detail) CRISS CANNING (born 1947) Cottage Flowers c.1988 oil on canvas signed lower right: Criss Canning 84.5 x 74.5cm NOTES: Accompanied by an Australian Art Card illustrating the work with details verso $25,000-35,000 © Criss Canning. Licensed by Viscopy Ltd. Australia

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20TH CENTURY WOMEN ARTISTS

30 DORRIT BLACK (1891-1951) At the Cafeteria c.1943 linocut 21 x 26cm PROVENANCE: Gifted to the artist’s niece c.1950 Thence by descent LITERATURE: Lock-Weir, T., Dorrit Black: Unseen Forces, Art Gallery of South Australia, Adelaide, p. 206 (illus.) (inverse version) $10,000-15,000 6

31 (Opposite Detail) ETHEL SPOWERS (1890-1947) The Rocking Horse 1927 coloured linocut signed and dated lower right: E. L. Spowers 1927 titled lower left: The Rocking Horse - 6 20 x 22cm PROVENANCE: Gifted to the vendor’s mother 1927 Thence by descent Private collection, Melbourne $12,000-18,000


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36 LINA BRYANS (1909-2001) Willows 1960 oil on canvas on board signed and dated lower left : Lina 60 37.5 x 45cm PROVENANCE: Private collection, Melbourne $5,000-7,000

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35 DORA CHAPMAN (1911-1995) Girl on Bicycle oil on board unsigned 93 x 67cm PROVENANCE: Small & Whitfield, Adelaide, April 1999 Private collection, Sydney $3,000-5,000 © Dora Chapman. Licensed by Viscopy Ltd. Australia

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24 CLARICE BECKETT (1887-1935) Sherbrook oil on board signed lower right: C Beckett 32 x 39cm PROVENANCE: Rosalind Humphries Galleries, Melbourne (label verso) Private collection, Melbourne $18,000-24,000

25 (Opposite Detail) CLARICE BECKETT (1887-1935) Yacht at Sunset c.1928 oil on board signed lower left: C Beckett 38 x 32cm PROVENANCE: Rosalind Humphries Galleries, Melbourne (label verso) Private collection, Melbourne Thence by descent EXHIBITIONS: Clarice Beckett, Niagara Galleries, Melbourne, 29 Feb-1 Apr 2000 (label verso) $28,000-38,000

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FOCUS ON INA GREGORY Having lived a life of relative seclusion in Melbourne, artist Ina Gregory

likely her time at Charterisville with teacher Emanuel Phillips Fox that

remains one of Australia’s more enigmatic 20th century women artists.

influenced this change in subject matter. In fact, Ina is featured in

Beginning as a portrait artist, she came to focus on landscape and

Fox’s well known painting Study for Art Students c. 1895 as the artist

genre paintings as her embrace of spiritualism and esotericism

mid-creation on the left.

grew.. Although she attended the NGV school for five years, it is

171 INA GREGORY (1874-1964) Self Portrait with Brushes oil on canvas signed lower left: GA/ Gregory initialled lower right 73 x 57cm PROVENANCE: Private collection, Melbourne $4,000-6,000

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175 INA GREGORY (1874-1964) Nude Study oil on canvasboard signed lower right: G A Gregory signed verso 34 x 49cm PROVENANCE: Private collection, Melbourne $2,500-3,000

176 ยง INA GREGORY (1874-1964) Charterisville Garden with Young Woman and Goat oil on canvas signed verso 23 x 30.5cm PROVENANCE: The collection of the late Mrs Jessica Lavery Private collection, Sydney Theodore Bruce, Sydney, 12 April 2015, lot 14 $1,200-1,800

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94 § BRETT WHITELEY (1939-1992) The Vatican Seen Past the River Tiber, Rome, Italy c.1959 mixed media on paper laid on board signed lower right: Whiteley 33 x 51cm PROVENANCE: Gifted to David Chandler by Beryl Whiteley Estate of the Late David Chandler Vickers & Hoad Auctioneers, Sydney, 14 Oct 2012, lot 374 Private collection, NSW $25,000-35,000 © Courtesy of Wendy Whiteley

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70 ROBERT KLIPPEL (1920-2001) No. 253b Metal Construction 1971 painted welded steel bears engraved plate ‘David Jones/Awards For/Fashion Excellence/Grand Award/To/Maglia’ on the base 71cm (height) not incl. base PROVENANCE: Commissioned by David Jones and awarded to Maglia Pty. Ltd. as the prize for its second Annual Award for Fashion Excellence in 1971 Private collection, Melbourne Thence by descent LITERATURE: Gleeson, J., Robert Klippel, Bay Books, Sydney, 1983, pp. 332, 473. Robert Klippel, Catalogue Raisonne, Art Gallery of New South Wales, Sydney, CD-ROM, cat. 253, illus. (incorrectly dated as 1981) $35,000-45,000 © Robert Klippel. Licensed by Viscopy Ltd. Australia

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4 PETER BOOTH (born 1940) Untitled 1984 pastel on paper 27 x 37cm PROVENANCE: Powell Street Graphics, Melbourne, c.1984 (label verso) Private collection, Melbourne $2,500-3,500 © Peter Booth. Licensed by Viscopy Ltd. Australia

11 (Opposite) MICHAEL SHANNON (1927-1993) Portrait pastel on paper signed lower left: Shannon 71 x 48cm $1,200-1,800

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218 § ROBERT DICKERSON (1924-2015) The Pink Chair pastel on paper Signed lower right: DICKERSON 36.5 x 30.5cm PROVENANCE: Independent Art Auctioneers, January 2011 Private collection, NSW $3,000-5,000

8 CHARLES BLACKMAN (born 1928) Untitled (White Flower in Cup) oil on board signed lower centre: CHARLES BLACKMAN 40 x 47cm PROVENANCE: Private collection, Sydney $8,000-12,000 © Charles Blackman. Licensed by Viscopy Ltd. Australia

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7 JOHN COBURN (1925-2006) Egyptian Journey 1978 oil on canvas signed and dated lower right: Coburn/ 78 60.5 x 75.5cm PROVENANCE: Editions Gallery, Melbourne 1999 Private collection, Melbourne $10,000-15,000 © John Coburn. Licensed by Viscopy Ltd. Australia

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PRIVATE COLLECTION OF A LADY, MELBOURNE

82 ARTHUR STREETON (1867-1943) Pointe du Raz, Brittany oil on canvasboard signed lower right : A. Streeton titled on label verso 31.5 x 41cm $25,000-35,000

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73 CHARLES WHEELER (1881-1977) Coastal Scene oil on board signed lower right: C. Wheeler 15 x 21cm $1,500-2,500

74 AMALIE COLQUHOUN (1894-1974) View Through The Boatshed oil on canvas laid on board signed upper left: Amalie Colquhoun 39 x 47cm $1,500-2,500

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ARTHUR STREETON In contrast to many of his other known works, Arthur Streeton’s

titled, Moonrise. Streeton’s turn of the century, twilight landscape is

Night Scene 1890 highlights the subtle shift in Australian landscape

an exemplary work that emphasises how the celebrated style of the

painting, which occurred after 1887. Here, alluring tones of indigo and

Australian Impressionist movement, still so effortlessly depicts the

violet became increasingly prevalent with the rise in the depiction

natural beauty of the often harsh, rugged landscape for which this

of evening en plein air compositions. This remarkable work was

country is known.

showcased as part of a unique exhibition by Ballarat Fine Art Gallery in 1973-74, which highlighted the “mauve nineties”[1], and was aptly

83 ARTHUR STREETON (1867-1943) Night Scene 1890 oil on panel initialled lower left: AS titled on Ballarat Art Gallery label verso 17 x 67.5cm EXHIBITIONS: Moonrise, Ballarat Fine Art Gallery, Ballarat, VIC, November 1973 - January 1974, cat. no.42 (loaned from a private collection) $70,000-90,000

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[1] ‘Moonrise’, Ballarat Fine Art Gallery, VIC, November 1973 - January 1974


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84 DAVID DAVIES (1864-1939) Day’s End oil on board signed indistinctly lower right: D. Davies titled on Ballarat Art Gallery Exhibition label verso 26 x 36cm EXHIBITIONS: Moonrise, Ballarat Fine Art Gallery, Ballarat, VIC, November 1973 - January 1974, cat. no.5 (loaned from a private collection) $8,000-12,000

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85 CLEWIN HARCOURT (1870-1965) Train Coming into the Station oil on canvas signed lower right: C. Harcourt 27 x 37cm $2,000-3,000

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75 ADRIAN FEINT (1894-1971) Landscape 1944 oil on panel signed and dated lower left: Adrian Feint/1944 44.5 x 39.5cm $6,000-8,000

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89 KENNETH MACQUEEN (1897-1960) Afternoon in the Nambour Hills watercolour signed lower right: KENNETH MACQUEEN titled verso 37 x 45.5cm $4,000-6,000

END OF COLLECTION

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C O NTE M P O

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RA RY AR T

114 (Opposite) TIM SCHULTZ (born 1960) Margravine Venus 1997 oil on canvas signed lower right: Schultz 111 x 98.5cm PROVENANCE: Lawson-Menzies, Sydney 17 November 2006, lot 2129 Private collection, Sydney $3,500-5,000

117 ANDREW SIBLEY (1933-2015) Playground No. 2 1998 oil on canvas signed, titled and dated verso inscribed verso: Sulman Prize 181.5 x 242cm PROVENANCE: BMG Art Gallery, Adelaide (label verso) Riverhouse Gallery, Brisbane 31 January 2000 Private collection, Sydney EXHIBITIONS: My Place, Gallery 101, Melbourne, August 1998 $10,000-15,000 © Andrew Sibley. Licensed by Viscopy Ltd. Australia

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49 DAVID BROMLEY (born 1960) Birds acrylic on reused wood signed lower right: BROMLEY 88 x 82cm $2,800-4,800

180 DAVID BROMLEY (born 1960) Butterflies acrylic on reused wood signed lower right: BROMLEY 82 x 86cm $2,800-4,800

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47 § JASON BENJAMIN (born 1971) Surrender (2000) oil on canvas 122 x 122cm PROVENANCE: Tim Olsen Gallery, Sydney Lawson Menzies, Sydney, 11 August 2011, lot 67 Private collection, NSW $10,000-15,000 © Jason Benjamin. Licensed by Viscopy Ltd. Australia

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179 ANDREW MCILORY (born 1966) Exhilaration 2009 oil on linen signed and titled verso 137.5 x 152.5cm $2,000-4,000

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197 GORDON BENNETT (1955-2014) Gnome 2008 plaster and acrylic ed. 19/100 signed,dated and editioned inside $800-1,200 Š Gordon Bennett. Licensed by Viscopy Ltd. Australia

195 JON CAMPBELL (born 1962) It’s a World Full of Lying Bastards 2010 enamel paint on plywood signed, titled, and dated verso 37 x 46cm (irregular) $1,400-2,400

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119 GEORGE GITTOES (born 1949) Merry Go Round 1992 oil on canvas signed and dated lower right: Gittoes/92 197.5 x 240cm PROVENANCE: Acquired directly from the artist Private collection, Melbourne $20,000-30,000 © George Gittoes. Licensed by Viscopy Ltd. Australia

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184 DAVID HOCKNEY (British, born 1937) Wind 1973 (from the Weather Series) lithograph with screenprint, ed. 92/98 signed and dated lower right: david hockney 73 editioned lower left, titled up. centre 79 x 61.5 cm $7,000-9,000

193 (Opposite) JAN NELSON (born 1955) Walking in Tall Grass: Iris 2007 oil and liquin on linen 74.5 x 57cm PROVENANCE: Anna Schwartz Gallery, Melbourne 2007 Private collection, Melbourne EXHIBITIONS: Contemporary Australia: Optimism Queensland Art Gallery of Modern Art, Brisbane 15 Nov. 2008 - 22 Feb. 2009 $16,000-22,000 © Jan Nelson. Licensed by Viscopy Ltd. Australia

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INTERNATIONAL ART

153 SCHOOL OF HYACINTHE RIGAUD Portrait of a Gentleman oil on canvas signed right hand side: Rigaud 65cm (oval) PROVENANCE: Private collection, Holland Thence by descent Private collection, Melbourne $8,000-12,000

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152 JOHN FERNELEY (British, 1782–1860) Sir Harry Goodricke Baronet 1833 oil on canvas titled on frame artist’s name and date on frame 64 x 78.5cm PROVENANCE: Col. Alec Gregory-Hood, Loxley Hall, Warwickshire UK Thence by descent $40,000-60,000 39


145 JEAN JOSEPH ENDERS (French, 1862-1936) Paris Bourse oil on board signed lower left: Jean Enders artist’s name and title inscribed verso 42 x 53.5cm $900-1,200

144 ERNEST MOULINES (French, 1870-1942) Still Life with Purple Flowers oil on canvas signed lower left: Moulines 45 x 37cm $800-1,200

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146 ALFRED DUPRE (German, 1904-1956) Kleine Sommer Landscape 1936 oil on canvas signed and dated lower left: A. Dupre/ 1936 36.5 x 52.5cm PROVENANCE: Private collection, Melbourne $1,000-1,500

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TIMELESS CLASSICS

17 ROBERT TAYLOR GHEE (1869-1951) Statues Fitzroy Gardens 1911 oil on canvas signed dated lower left: RE Taylor Ghee/11 39 x 49cm $3,000-5,000

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157 COLIN COLAHAN (1897-1987) Red Flowers oil on hessian signed lower left: Colahan 56 x 81cm PROVENANCE: The Estate of Colin Colahan Private collection, Melbourne $3,000-5,000

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134 HAROLD SEPTIMUS POWER (1878-1951) The Clydesdales watercolour signed lower left : H.S. POWER 49 x 67cm NOTES: Accompanied by 8 copper printing plates related to the work $3,000-5,000

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160 HAYWARD VEAL (1913-1968) Kitchen Shelf 1956 oil on canvas signed lower left: Veal 40 x 60cm PROVENANCE: The Piccadilly Gallery, London (label verso) Private Collection, Sydney $1,000-2,000

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133 D’ARCY DOYLE (1932-2001) Noonday Rest 1976 oil on board signed lower right: d’Arcy .W. Doyle 23.5 x 28.5cm $2,000-4,000

16 D’ARCY DOYLE (1932-2001) A Drive In the Countryside oil on canvasboard signed lower right: d’Arcy. W. Doyle 39.5 x 49.5cm $3,000-5,000

163 (Opposite) CLIFFORD DUDLEY WOOD (1905-1980) RAAF Portrait c.1943 oil on canvas signed lower left: C. DUDLEY WOOD titled verso 90.5 x 75.5cm PROVENANCE: Collection of the artist Thence by descent EXHIBITIONS: Victorian Artist Society Autumn Exhibition 1945, cat. no. 5 (label verso) $4,000-6,000

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20 IN THE STYLE OF A. H. FULLWOOD Ships on the Water oil on panel unsigned 16.5 x 53.5cm PROVENANCE: Private collection, Melbourne $1,500-2,500

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18 WILLIAM DUNN KNOX (1880-1945) Landscape oil on board in original John Thallon frame signed lower right: W. D. KNOX 33 x 44cm PROVENANCE: Private collection, Melbourne $3,000-5,000

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110 SAM BYRNE (1883-1978) Dust Storm Strikes Silver City oil on board signed lower right: Sam Byrne titled lower left 44.5 x 60cm PROVENANCE: Gallery Art Naive, Melbourne Private collection, Melbourne $4,000-6,000

109 SAM BYRNE (1883-1978) North Zinc Lakes Broken Hill oil on board signed lower right: Sam Byrne titled lower left 50 x 75cm PROVENANCE: Gallery Art Naive, Melbourne Private collection, Melbourne $4,000-6,000

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NAIVE ART

108 SAM BYRNE (1883-1978) Rabbit Plague, Rounding Up Rabbits oil on board signed lower right: Sam Byrne titled lower left 44.5 x 60cm PROVENANCE: Gallery Art Naive, Melbourne Private collection, Melbourne $4,500-6,500

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ABORIGINAL ART


60 MABEL KING (1942-2006) Gularungnardi 2005 acrylic on canvas 92.5 x 143cm PROVENANCE: Mark Norval for Mowanjum Art Studio, Derby, Northern Territory Private collection, Sydney $1,800-2,800 © Mabel King. Licensed by Viscopy Ltd. Australia

58 (Opposite) § SALLY GABORI (c.1924–2015) Dibirdibi Country 2011 acrylic on linen artist’s name, title, medium and cat. no. 6784-L-SG -0311 inscribed verso 137.5 x 61cm PROVENANCE: Tim Melville, Mornington Island Art Centre Certificate of authenticity Private collection, Melbourne $5,000-7,000 © Sally Gabori. Licensed by Viscopy Ltd. Australia

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62 CLIFFORD POSSUM TJAPALTJARRI (c. 1932-2002) Two Jungalas 2000 acrylic on canvas inscribed verso: cat. no. POLCP60 signed : CLiFFoRD PoSSUM 76 x 99cm PROVENANCE: Commissioned by Peter Los, Melbourne (copy of a letter from Peter provided detailing provenance) Private collection, Melbourne $7,000-10,000 © Clifford Possum Tjapaltjarri. Licensed by Viscopy Ltd. Australia

56 (Opposite Detail) MINNIE PWERLE (1922-2006) Bush Melon 2001 acrylic on canvas inscribed verso with Alison Kelly Gallery cat no. AKG 85 122 x 91cm PROVENANCE: Alison Kelly Gallery, Melbourne 2002 (Accompanied by a certificate of authenticity) $2,000-4,000 © Minnie Pwerle. Licensed by Viscopy Ltd. Australia

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ARTIST INDEX ARTIST UNKNOWN

151

DOYLE, D’ARCY

16, 133

ATTRIBUTED TO COLIN COLAHAN

155

DUNN, WILLIAM

18

ATTRIBUTED TO PERCY LEASON

79

DUPRE, ALFRED

ATTRIBUTED TO S.T. GILE

87

ATTRIBUTED TO TOM ROBERTS ALLCOT, JOHN AMOR, RICK

MOULINES, ERNEST

144

NELSON, JAN

193

146

NERLI, GIROLAMO

149

EADIE, ROBERT

147

NEWBERRY, JORNA

230

23

EARLES, BRUCE

246

NORTHFIELD, JAMES

166

81

EDWARDS, MCLEAN

113

OMEENYO, FIONA

233

ENDERS, JEAN JOSEPH

145

PARRY, IAN

102

ASHTON, WILL

22

FEINT, ADRIAN

AUDETTE, YVONNE

32

FERNELEY, JOHN

BARTLETT, GEOFFREY

69

FEUERRING, JUSTIN

BARTLEY, JOHN BASTIN, HENRI BECKETT, CLARICE

183

FIZELLE, RAH

106

FRANSELLA, GRAHAM

24, 25

FROST, BEN

75

PEKEL, HERMAN

152

PERCEVAL, CELIA

239, 240

PERCEVAL, JOHN

90

PICCININI, PATRICIA

46

POSSIBLE MINNIE PWERLE

247

44 42, 43 105 161 186, 187 231

POSSUM, CLIFFORD

61, 62

BELLETTE, JEAN MARY

21

GABORI, SALLY

58

POWELL, ARTHUR TED

118

BENJAMIN, JASON

47

GHEE, ROBERT TAYLOR

17

POWER,HAROLD SEPTIMUS

134

BENNETT, GORDON

197

GIARDINO, PASQUALE

51, 238

PROCTOR, THEA

29

BERGNER, YOSL

216, 226

GITTOES, GEORGE

119

PROUD, GEOFFREY

40

BERTINI, JO

121, 122

GLADWELL, SHAUN

189

PUGH, CLIFTON

97

BIRGE, LOVELL

150

BLACK, DORRIT

30

GREGORY, A.V.

206, 207

6, 8, 211, 212, 215, 222

GREGORY, INA

168, 168A, 169, 170, 171,

BLACKMAN, CHARLES

GLEESON, JAMES

3, 217

56

REA, JOEL

191, 192

REDDINGTON, CHARLES

52

REES, LLOYD

93

BOOTH, PETER

4, 5, 220

BOSTON, PAUL

185

GRIFFIN, MURRAY

158

RIVERS, R. GODFREY

BOUCHETTE, JANIK

200

GRIFFITHS, HARLEY

159

ROBERTS, AINSLIE

128

BOYD, DAVID

2, 9

HANHAM, MARK

181, 248

ROBERTS, TOM

201

142

ROSE, OSWALD

209

77

SAWREY, HUGH

13, 128A, 129

85

SCHOOL OF HYACINTHE RIGAUD

BOYD, LENORE

68

HANKE, HENRY

BOYD, PENLEIGH

26

HANSON, ALBERT

BOYNES, ROBERT BROMLEY, DAVID

190 49, 50, 112, 180, 242, 243

BROWN, VINCENT

167

BRYANS, LINA

36

BUCKMASTER, ERNEST

135, 136, 138, 139, 140,

BURGESS, ARTHUR

204, 205, 208

172, 173, 174, 175, 176

PWERLE, MINNIE

HARCOURT, CLEWIN HART, PRO

14, 15, 126, 127, 130, 131, 132

HASELL, ANTON

SHANNON, MICHAEL

HICK, JACQUELINE

125

SHARPE, WENDY

HOCKNEY, DAVID

184

SHEARD, CHARLIE

HOOD, CHERRY

BURKE, CYNTHIA

227

HUDDLESTON, GERTIE

BURTON, ALISON

245

IN THE STYLE OF A.H. FULLWOOD

BURTON, JANE

188

KEMERRE, ABIE LOY

BYRNE, SAM

67

SCHULTZ, TIM

182, 235, 236 232 20 57, 59

SIBLEY, ANDREW SONG, TAN THEAN SPOWERS, ETHEL STORRIER, TIM

86

153 114 11,12 120 48 117, 223 154 31 104, 221

107, 108, 109, 110, 111

KEMP, ROGER

95

STREETON, ARTHUR

CAMDEN, EMMA

198, 198A

KING, MABEL

60

STURGESS, R.W

28A

CAMPBELL, JON

195,196

70, 71, 72

TAHON, ANDRE

143

CANNING, CRISS

41

KNIGHT, JASPER

CASSAB, JUDY

37

LANGLOIS, CHRIS

CHAPMAN, DORA

33, 34, 35

CICCARONE, JULIA

194, 241

CLINCH, ROBERT COBURN, JOHN COLAHAN, COLIN

KLIPPEL, ROBERT

LAWRENCE, GEORGE FEATHER LINDSAY, PERCY

115, 116, 234 177

TJUNGARRAYI, GEORGE WARD TJUNGUMAYI, WILLY

92

TRISTRAM, J.W.

19

VAN, PIETER

219

LLOYD, NORMAN

203

VANDERZWEEP, ANTHONY

7, 213, 214, 220A

LONG, LEONARD

137

VEAL, HAYWARD

156, 157, 156A

COLEMAN, BILL COLQUHOUN, ALEXANDER

LONG, SYDNEY

88

101, 225

LOOBY, KEITH

178

76, 80

WAKELIN, ROLAND WALTERS, RAYMOND

LYNN, ELWYN

53

WARANGKULA, JOHNNY

COLQUHOUN, AMALIE

74

MACLEOD, EUAN

45

WEIR, BARBARA

COLQUHOUN, ARCHIBALD DOUGLAS

98

MACQUEEN, KENNETH

89

WHEELER, CHARLES

237

MADIGAN, ROSEMARY

66

WHITELEY, BRETT

CONNOLLY, CAMILLA DAVIES, DAVID DAWS, LAWRENCE DICKERSON, ROBERT DOWLING, JULIE 56

84, 202 96 1, 10, 99, 100, 103, 210, 218 123,124

MAYMURU, BOKARA MCILORY, ANDREW MIDDLETON, MAX MORRIS, NICK

226

WHITELEY, RICHARD

179

WOOD, CLIFFORD DUDLEY

38, 39, 141 244

82, 83

64 63 27, 28 148 65 160, 164, 165, 165A 78 228 54, 55 229 73 94 199, 199A 162, 163


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CONDITIONS OF BUSINESS - SUMMARY To be read in conjunction with our General Conditions of Business as displayed during the viewing and auction. Special Conditions of Sale – Jewellery Jewellery and watches offered by Leonard Joel are sometimes accompanied by an Independent valuation as stated in the catalogue. These valuations are conducted by registered valuers and are offered purely as independent opinions. Variation may be found as to the colour, clarity and size of stones described in these reports, consequently Leonard Joel does not guarantee these Independent Valuations. Where stones can be weighed accurately, weights will be provided. Weights of set stones are estimates only and are provided to the best of our technical ability. Gram weight on gold and other precious metals are also given as an approximation. Wristwatches and pocket watches are offered in there current condition and Leonard Joel does not guarantee that they are in working order. Items may be thoroughly inspected during the viewing period or by prior arrangement. GST In the event that the vendor is registered for Goods & Services Tax (GST), the invoice to the buyer will provide a separate entry for the GST which is included in the purchase price. All Leonard Joel charges for services referred to in this catalogue are exclusive of GST. Overseas buyers may be entitled to a rebate for GST charged. For further information contact: Marie McCarthy accountant@leonardjoel.com.au Admission Leonard Joel has the right at its sole discretion without assigning any reason therefore to refuse admission to the premises or attendance at any of its sales of any person. Commission (Absentee) Bids Leonard Joel will execute absentee bids when instructed. Lots will be bought as cheaply as allowed by other bids and/ or reserves. Telephone Bidding Buyers interested in bidding by telephone should contact Leonard Joel as soon as possible. Please note that telephone bidding facilities are available on a first-come, first-served basis.

Title Leonard Joel guarantees good title to all lots. Warranties and Condition Reports. Condition reports will be available for any lot upon request, subject to conditions. Estimates Estimates are a reflection of Leonard Joel’s opinion of the current market values, based on historic and current market realisations of similar lots. Estimates are inclusive of any GST, which may be applicable. Actual prices at this sale may fall short or exceed the estimates. Payment In any event accounts must be settled with Leonard Joel no later than 4pm two days after the auction. Attention is specifically drawn to condition 21 of the Buyer’s Conditions of Sale. Payment may be made by way of cheque, most credit cards, eftpos or telegraphic transfer. Please note: payments made by cheque are subject to a 5 day clearance before goods can be collected. (1.65% administration fee applies for Visa and Mastercard, 3.15% for American Express and Diners is not accepted.) Bank telegraph transfers should be directed to: Account name: Leonard Joel Pty Ltd Address: Bank West 62 Elizabeth Street Melbourne, VIC 3000 Australia BSB: 303-111 Account no: 1304963 Collection of Lots Purchased lots must be collected no later than two days after the auction; otherwise lots shall be moved to storage at the Buyer’s expense (see below). Lots are at the Buyer’s risk from the fall of the hammer. It is strongly advised that overseas and interstate purchasers and absentee bidders make their arrangements with Leonard Joel in advance of the Sale. Charges are outlined below and are quoted in Australian dollars.

Bidder Registration To recognise bidders during the sale all intending buyers are required to complete a Bidder Registration Form providing full photo identification and appropriate references if required before the Sale which will enable them to bid by way of a numbered paddle allocated to them.

Removal and Storage Any lots not collected within two days after the auction, may be stored or resold at the Buyer’s expense. Removal Charges Each lot

$55

Buyer’s Premium There will be a buyer’s premium added to all purchases. The buyer’s premium will be calculated at the rate of 24% of the hammer price on each lot. This is inclusive of GST.

Storage Charges Each lot

$11 per day

The buyer’s premium is reflected by a reduction in the Seller’s Commission and is a common practice throughout Australia and overseas. Property subject to the Artist Resale Royalty Lots with the § sign will be subject to payment of the Artist Resale Royalty in the event that the lot is sold for a hammer price of $1,000 or more. The Australian Resale Royalty is a flat rate of 5 percent (5%) levy on the hammer price (including GST). The Australian Resale Royalty is payable by the buyer in addition to the buyer’s premium plus applicable GST. Damage Any viewer who damages a Lot will be held liable for all damage caused and shall reimburse Leonard Joel for all costs and expenses relating to rectification of such damage.

Protection of Movable Cultural Heritage Act 1986 (PMCH Act). Buyers should be aware of the PMCH Act which protects Australia’s heritage of movable cultural objects and supports foreign countries’ right to protect their heritage of movable cultural objects. The PMCH Act regulates the export of nationally significant heritage objects, it is not intended to restrict normal and legitimate trade in cultural property, and does not affect an individual’s right to own or sell objects, within Australia. The PMCH Act was enacted in response to the 1970 UNESCO Convention on the Means of Prohibiting the Illicit Import, Export and Transfer of Ownership of Cultural Property. It is the responsibility of the Buyer to ensure that the export of any lots purchased are not subject to, or in breach of, this Act. Information about the PMCH Act, the Protection of Movable Cultural Heritage Regulations 1987 and the 1970 UNESCO Convention, can be found on the Department of the Environment, Water, Heritage and the Arts website at: http://www.environment.gov.au/heritage/movable/index.html

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Exporting Significant Australian Cultural Heritage The export of Australia’s significant cultural heritage is regulated under the Protection of Movable Cultural Heritage Act 1986 (PMCH Act.) It is not intended to restrict normal and legitimate trade in cultural property and does not affect an individual’s right to own or sell within Australia. The PMCH Act implements a system of export permits for certain heritage objects defined as ‘Australian protected objects’. More information is available on the Department of the Environment, Water, Heritage and the Arts’ website: http://www.arts.gov.au/movable_heritage Enquiries can be made to the Cultural Property Section at the Department of the Environment, Water, Heritage and the Arts, phone 02 6274 1810 or email movable.heritage@environment.gov.au CITES Regulations It is the buyer’s sole responsibility to comply with all export and import regulations relating to your purchases and also to obtain any relevant export and/or import licences. The refusal of any import or export licences, any delay in obtaining such licences or any limitation on your ability to export a lot shall not permit the cancellation of the sale. Please note that all lots marked with the symbol * are subject to CITES regulations when exporting these items outside of Australia. Information about these regulations may be found at www.environment.gov.au/biodiversity/trade-use/cites/index. html or may be requested from: The Director International Wildlife Trade Department of Sustainability, Environment, Water, Population and Communities GPO Box 787 CANBERRA ACT 2601 Recommended carrier for this auction International Art Services 03-9329 6262 Melbourne to Canberra, Sydney, Brisbane, Gold Coast, and Sunshine Coast (and stops in between). TRANSART- Specialist Art Transporters Local Melbourne Please contact Matt or Ben Foster for a competitive quote. P: 0417 103 494 E: info@transartaustralia.com W: www.transartaustralia.com Collection and Storage: All lots must be collected by 4pm on Thursday 23rd March 2017. All uncollected items will be removed to third party storage at the purchaser’s expense.


ABSENTEE/TELEPHONE BIDDING FORM THE FINE ART AUCTION

LJ8171

SALE DATE TUESDAY 21 MARCH AT 6.30PM | FAX ABSENTEE BIDS TO (03) 9826 4544

LOT NO.

DESCRIPTION

Sale Code

MAXIMUM BID

($Aus) ex premium & GST

Bidding number

$ $ $ $ $ $ $ $ $ $

LEONARD JOEL 333 Malvern Road, South Yarra VIC 3141 Phone: +61 (0) 3 9826 4333 info@leonardjoel.com.au www.leonardjoel.com.au ABN 27 136 908 597

LOWEST PRICE BID GUARANTEE Leonard Joel guarantees to execute absentee bids for the lowest possible price*. We do not start the bidding at your absentee bid unless there is another bid immediately below yours. *Please note that bids left on “no reserve” lots or lots where the reserve is below the low estimate will, in the absence of a higher bid, be executed at the low estimate.

Artist Resale Royalty - in addition to the buyer’s premium, lots with the § sign will be subject to payment of the Artist Resale Royalty in the event that the lot is sold for a hammer price of $1,000 or more at a flat rate of 5 percent (5%) on the hammer price (including GST).

ALL DETAILS MUST BE COMPLETED Name Address

Buyer’s Premium - a buyer’s premium of 24% (including GST) is applicable to all successful bids.

Suburb State Postcode Country

Settlement by Credit Card - unless settlement or alternative arrangements have been made, your credit card will be debited if your items are not paid for and collected by 4.30pm on Thursday following the auction. Credit card fees apply.

Telephone 1st Preference Telephone 2nd Preference Mobile

BIDDING INCREMENTS Please note bids placed out of increment will be reverted back to the proceeding bidding increment.

Email Fax

CREDIT CARD DETAILS

Mastercard

Visa

American Express

Credit Card Number Expiry Date

Your Signature

/

/

CCV

Date

/

BIDS INCREMENTS 0 to 99 $10 100 to 499 $20 500 to 999 $50 1,000 to 1,999 $100 2,000 to 4,999 $200 5,000 to 9,999 $500 10,000 to 19,999 $1,000 20,000 to 49,999 $2,000 50,000 to 99,999 $5,000 100,000 plus $10,000

/

I request Leonard Joel bid on the above lots at the relevant auction and in the event that the lot is passed in for a 48 hour period following the relevant auction up to the price given. All bids shall be treated as offers made in agreement with Leonard Joel’s General Conditions of Business. If identical bids are received for the same lot the bid received first will take precedence. By signing this form I agree that I have read and understood Leonard Joel’s conditions of sale and wish to be bound by them and hereby authorise Leonard Joel to debit my credit card for the full purchase price, including applicable credit card fees, of any lot or lots that I am successful in purchasing.

For office use only

Date Time Taken by

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Sale Room MELBOURNE 333 Malvern Road, South Yarra, Melbourne VIC 3141 Telephone: (03) 9826 4333 Facsimile: (03) 9826 4544 Interstate: 1800 264 333 SYDNEY 39 Queen Street, Woollahra, Sydney NSW 2025 Telephone: (02) 9362 9045 Facsimile: (03) 9826 4544 Interstate: 1800 264 333 web: www.leonardjoel.com.au email: info@leonardjoel.com.au e-mail all lower case firstname.surname@leonardjoel.com.au MANAGING DIRECTOR & NATIONAL HEAD OF COLLECTIONS John Albrecht BA LLB MBA

Leonard Joel Specialists SYDNEY Robert Williams, National Head of Single-Owner Collections & Sydney Office Emily Sinclair, Art Specialist Tim Nicol, Front of House Administrator ART Sophie Ullin BA Hons, National Head of Art Olivia Fuller BArtTh, Art Specialist Maggie Skelton BA, Art Specialist Lucy Foster EMA, Art Specialist Emily Sinclair, Art Specialist Daizi Zheng, Administrator Anna Maude, Art Assistant ABORIGINAL ART Sophie Ullin BA Hons, National Head of Art JEWELLERY John D’Agata F.G.A.A., National Head of Jewellery Robert Haigh F.G.A.A. Dip DT., Senior Jewellery Specialist and Resident Gemmologist and Diamond Technologist Caroline Tickner, BA Hons, F.G.A.A., Jewellery Insurance Valuations Bethany McGougan, BA Hons, MSc, Manager, Jewellery & Luxury Ophelia Lai, Jewellery Assistant Kerry Dobson, Administrator Mary Kenny BA, Dip. Ed., Consultant Henrietta Maiyah, Consultant

IN ASSOCIATION WITH

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LUXURY Bethany McGougan, BA Hons, MSc, Manager, Jewellery & Luxury CLASSIC FURNITURE & OBJECTS Chiara Curcio BA, Associate Head of Classic Furniture & Objects Trevor Fleming, BA (Asian Studies), M.Mgmt (Arts), Specialist, Japanese Art COLLECTABLES Allison Therrien, Collectables Manager & Specialist Administrator INTERIORS & FURNITURE Ryan Parle BA, Manager Jack McIlroy, Assistant Edwin Fox, Assistant MODERN DESIGN Anna Grassham BA Contemporary Arts, Specialist OBJECTS, BOOKS & COLLECTABLES Maxine Winning, Manager Elise Landry, Assistant ACCOUNTS Marie McCarthy, Chief Financial Officer Michelle Draper, Account Manager FRONT OFFICE Kim Clarke, Front of House Manager Amelia Lewis, Receptionist Phoebe Ellis, Receptionist Keryn Gilchrist, Database OPERATIONS & LOGISTICS Anthony Riepsamen, Manager COMMUNICATIONS & MARKETING Katarina Ljahovic, Manager PHOTOGRAPHY Adam Obradovic, Senior Photographer Joseph Hammond, Photographer DESIGN Maria Rossi, Finished Artist


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