The Collector's Auction by Leonard Joel

THE COLLECTOR'S AUCTION AUCTION TUESDAY 30 JUNE 2020, SYDNEY

AUCTION CATALOGUE VOLUME 13 ISSUE 8

Front Cover MARC CHAGALL (Russian/French 1887-1985) Bouquet au coq jaune, ca 1960 oil on canvas 24 x 33cm $300,000-500,000 Â© Marc Chagall/ADAGP. Copyright Agency, 2020 291 A 17TH CENTURY ITALIAN WALNUT PRIE-DIEU $1,000-2,000

Inside Cover 82 A FINE 18TH CENTURY GEORGE I PERIOD CHAIR $600-800 87 A RARE WILLIAM & MARY WALNUT MARQUETRY LONGCASE CLOCK $25,000-35,000

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THE COLLECTOR'S AUCTION AUCTION TUESDAY 30 JUNE 2020 AT 6PM, SYDNEY Please refer to our website for viewing times.

CONTACT

Hamish Clark

Madeleine Norton

Head of Sydney Office (02) 9362 9045 | 0406 867 776 hamish.clark@leonardjoel.com.au

Auction Administrator & Client Liaison (02) 9362 9045 sydney@leonardjoel.com.au

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The Collector's Auction Leonard Joel Sydney is pleased to present The Collector’s Auction on Tuesday

Following the success of The Hyde Collection Auction at Leonard Joel

the 30th of June 2020 at 6pm in Woollahra. This multi-vendor auction comprises

Sydney in December we are proud to present more from the collection

a unique selection of fine art, decorative arts, furniture and porcelain from

including an impressive collection of rare pocket watches and scent bottles,

notable private Australian collections.

clocks by respected English horologists, and fine early English walnut and mahogany furniture.

The Collector’s Auction includes an impressive selection of fine art, notably the only oil painting by Marc Chagall to be sold in Australia, Bouquet au coq jaune,

In the porcelain section of the auction Leonard Joel presents the Hailey

ca 1960; a work on paper by Lee Krasner, the wife of Jackson Pollock, whose

Collection of Royal Worcester which includes works by Davis, Baldwin and

critically acclaimed retrospective at the Barbican, London, was held last year;

Stinton; a fine collection of 18th Century Meissen; and several rare examples of

an expansive canvas by the esteemed Australian artist Wendy Sharpe, winner

Wegely porcelain, Berlin, 1751-1773.

of both the Archibald and Sulman Prizes; a dynamic composition by Britishborn Australian artist Alun Leach-Jones, featuring his signature approach to

The furniture in the auction includes three rare early to mid-16th Century Italian

abstraction; four paintings from the Thomas Kenneally Collection including

walnut coffers, acquired from Di Clemente, Florence, and a rare 17th Century

iconic Australian artists Garry Shead and David Boyd; and a fascinating

walnut prie-dieu purchased in 1987 from Csaky’s Antiques, London.

collection of paintings, drawings and personal letters by Frank Hinder, a pioneer of Australian abstract art.

Hamish Clark | Head of Leonard Joel, Sydney

THE HYDE COLLECTION LOTS 1-166

1 A J.F BAUTTE GOLD AND ENAMEL KEY WIND FULL HUNTER POCKET WATCH With enamelled fob chain, seal and enamelled breguette style key. Round black and polychrome cloisonne enamel floral decorated case. The factory engraved cuvette signed ‘J. F Bautte & Cie, Geneva’ and numbered 5374. White Roman numeral enameled dial with fitted box. Circa 1870. OTHER NOTES: Jean-Francois Bautte was an eminent watch maker in Geneva and Paris in the late 18th and 19th Centuries. $4,000-6,000 2 A J. F BAUTTE GOLD OPEN FACED ENAMEL KEY WIND WATCH Gilt cylinder movement with three-arm balance, engine turned off set steel dial with Roman numerals with outer minute border and steel moon-style hands. The champleve case decorated in a foliate design. The factory engraved cuvette signed ‘J. F. Bautte, Geneva’ and numbered 46646. Circa 1830’s. PROVENANCE: Christie’s 1979 OTHER NOTES: Jean-Francois Bautte was an eminent watch maker in Geneva & Paris, who specialised in making very thin watches. This example is just under 6mm thick. $3,000-5,000

3 AN 18CT GOLD AND ENAMEL FULL HUNTER WATCH Signed ‘P. Orr & Sons, Madras’. Swiss lever movement, 16 jewels, gilt dial with Arabic numerals, subsidiary seconds. The circular shaped case outer decorated with polychrome enamel depicting Leda and the Swan. The dial signed ‘P. Orr & Sons, Madras’. Movement signed ‘Grand Prix 1900’. The factory engraved cuvette ‘Grand Prix 1900’. Circa 1920. PROVENANCE: Sotheby’s, Melbourne, 2005 $3,000-5,000 4 A FRANCIS PERIGAL GOLD AND ENAMEL QUARTER REPEATING CYLINDER WATCH Signed on the back plate ‘Fras, Perigal London 16900’, the signature and number repeated on the dust cap. White enamel dial with Roman numerals, outer Arabic minute ring, paste set hands, the inner case pierced and engraved, numbered 16900 at the base of the pendant, hallmarked 1771, the bell scratch signed ‘Drury’ the outer case pierced at the bezels, the back centred with a sepia toned figure of Winged Victory against a pale pink ground, bordered by a green enamel wreath and further blue enamel decoration, both cases with casemaker’s initials ‘P.G’ (Peter Goujon). London, 1771. PROVENANCE: Sotheby’s, Important Clocks, Watches, Wristwatches and Barometers, London, 14 December 1995, Lot 60 OTHER NOTES: Francis Perigal Jr. was from the famous family of watchmakers, he was watchmaker to the King, 37 New Bond Street, London. $8,000-12,000

5 A JULIEN LE ROY OF PARIS GOLD AND ENAMEL VERGE WATCH The movement with five sided baluster pillars, pierced and engraved balance bridge and large silver regulator dial, white enamel dial with Roman numerals and outer Arabic minute ring. The back with a polychrome miniature of winged Jupiter abducting a maiden, the inside of the back with a landscape, the pendant stamped with the makers initials ‘AD’, surmounted by a crown. Circa 1750. PROVENANCE: Sotheby’s, The Berlin Collection, Watches, London, November 1979 OTHER NOTES: Julien Le Roy (1686-1759) was an important 18th Century Parisian clockmaker and watchmaker. He was clockmaker to King Louis XV in 1739. He worked from Rue de Harlay until his death in 1759. Examples of his work are in many major museum collections including the Victoria & Albert, London; the Louvre, Paris; and the J. Paul Getty Museum, Los Angeles. $7,000-9,000 6 A NICH LIND GILT METAL ENAMEL OPEN FACED WATCH Gilt metal plate movement, chain fusee and verge escapement. The white Roman numeral dial with Arabic numerals and seconds chapter ring, gold hands. Circular case with hinged bezel, the bezel and the back of dark blue enamel decorated with bunches of flowers. The movement signed ‘Nich Lind, London’ and numbered 1388. Circa 1780. $2,000-4,000

7 A GEORGE RITHERDON 22CT YELLOW GOLD REPOUSSE PAIR CASED WATCH Gilt metal plate movement with finely pierced and engraved balance cock and three-arm balance, silvered regulation square baluster pillars, white enamel dial with Arabic numerals and outer five minute dots, gilt hands. With a polished hinged inner case, ornately engraved in 22ct yellow gold outer repousse hinged case with a classical scene of two soldiers and two women at a table. Movement signed. Circa 1760. PROVENANCE: Bonhams, London December 2011 OTHER NOTES: George Ritherdon (1753-1783). $5,000-7,000 8 A SAM NORTHCOTE 18CT GOLD REPOUSSE VERGE PAIR CASED WATCH The gilt metal plate movement with finely pierced and engraved balance cock, silver regulation, square baluster pillars, movement signed ‘Sam Northcote, Plymouth’. The gold champleve dial with black enamel Roman numerals and a five minute chapter ring, signed ‘Northcote’, blued steel hands. The gold inner case hallmarked London 1764, maker Richard Palmer I, the outer gilt metal case with repousse decoration in high relief of a classical scene of a seated emperor receiving gifts, together with an associated 18th Century sagreen protective case decorated with gold pin work. Circa 1764. $5,000-7,000

9 AN EARDLEY NORTON GOLD REPOUSSE QUARTER REPEATING KEY WIND OPEN FACED PAIR CASED WATCH Gilt metal full plate cylinder movement with finely engraved and pierced balance cock. The movement signed ‘Eardley Norton London’ and numbered 2668. The white enamel dial with Arabic numerals, gold ‘arrow’ hands. The pierced and engraved gold inner case hallmarked London 1769. The gilt metal repousse outer case depicting a classical scene of justice. The cloth to the inside ‘To a friend’ and hand written ‘I. B. Marshall. A small token of Brotherhood T. M.’ with a black leather traveling case. Circa 1769.

10 A JOHN MULFORD (1716-1726) OR JOHN MULFORD SON (1748-1750) QUARTER REPEATING OPEN FACED KEY WIND WATCH With repousse pair case. The gilt plate movement with finely pierced and engraved balance cock and three-arm balance, silvered regulator, squared pillars. The gilt dial with black Roman numerals, blued steel hands. The dial and movement signed ‘J. Mulford London’. The gold case with pierced decoration, the outer hinged case decorated with repousse work depicting a mythological scene of two figures with an angel above the pierced border with four vignettes of putti. First half of the 18th Century.

PROVENANCE: Sotheby’s 1982

PROVENANCE: Purchased 1983 $6,000-8,000

OTHER NOTES: Eardley Norton, born 1738, Lincolnshire; working from 49 St John Street, Clerkenwell London from the mid-18th Century. He is recorded as patenting in 1771 a striking mechanism for clocks and repeating movement for watches. Member of the Clockmakers Company in 1770. $4,000-6,000

11 A GEORGE PRIOR TRIPLE CASED SILVER ND TORTOISESHELL VERGE WATCH FOR THE TURKISH MARKET Brass full plate verge movement, chain fusee, pierced and engraved balance cock, pierced hybrid pillars, silvered regulator movement signed ‘Geo Prior, London’ and numbered 34748. The plain silver inner case hallmarked London 1808 Richard James. The white enamel dial with black Turkish hour markers, black outer minute divisions with Turkish five minute markers, blued steel beetle and poker hands. Dial signed ‘George Prior, London’. A plain silver hinged case, silver and tortoiseshell outer case with stud decoration with a heavily engraved outer case decorated with traditional middle eastern designs, silver fob chain and key. Circa 1808. $2,000-4,000

12 A 17TH CENTURY CORNELIUS HARBART OPEN FACED KEY WIND SILVER PAIR CASED VERGE WATCH Gilt finished verge movement, chain fusee, pierced and engraved scroll decorated balance cock, worm and wheel set-up regulator, tulip pillars, white enamel dial with black Roman numerals, inner minute divisions, black steel hands. Plain inner silver case, the outer case of red tortoiseshell with intricate pique work in silver. The movement signed ‘Cornelius Harbart, London Bridge’. Circa 1670.

14 A LATE 17TH CENTURY MERCIER ASTRONOMICAL VERGE PAIR CASED WATCH The frosted gilt chain fusee movement with finely pierced and engraved cock and foot secured by one screw, with the tail to the edge of the top-plate, other pierced and engraved furniture containing a mythical figure as indicator for the silvered regulation disc, pierced and faceted tulip pillars with mythical fish design, the finely engraved gilt champleve dial with black enamel Roman numerals, guilded central section with a silvered disc for aspects of the moon, outer calendar chapter ring. The plain silver inner case with bullseye glass. The shagreen covered outer case with silver pin work. The movement signed ‘Franciscus Mercier’. France, circa 1680. $10,000-15,000

PROVENANCE: Gerald Marsh, Winchester, 1984 $2,000-4,000 13 A THOMAS UTTING SILVER AND TORTOISESHELL PAIR CASED WATCH Deep full plate fire gilt movement with square pillars, fusee and chain with worm and wheel barrel setup between the plates. Pierced and engraved winged cock with mask, pierced and engraved foot. Plain steel balance, silver regulator disc. Movement signed ‘Tho Utting, Yarmouth’. The silver champleve dial with Roman and Arabic numerals, signed ‘Tho Utting’, blued steel beetle and poker hands. Plain inner silver case stamped ‘WB 1645’. Fine outer case covered in tortoiseshell which is inlaid with decorate foliate designs and birds. Circa 1730. PROVENANCE: Purchased in 1980 $3,000-5,000

15 A HENRY JONES 17TH CENTURY SILVER PAIR CASED VERGE WATCH With gilt full plate movement, verge escapement, decorative pierced and floral engraved balance cock, fusse and chain, tulip pillars, movement signed ‘Hen Jones Londini’. Silver champleve dial with floral centre signed ‘Jones’, large Roman numerals with seconds chapter ring, blued steel hands, plain silver inner case, shuttered aperture to back, the associated outer leather covered case decorated with gold pin work. Circa 1690.

16 A MARKWICK MARKHAM MOONPHASE EARLY 18TH CENTURY SILVER PAIR CASED WATCH Gilt finished verge escapement, chain fusee, pierced and scroll worked balance cock, worm and wheel regulator. Pierced and decorated pillars. Movement signed ‘Markwick, London’. The engraved silver dial with recessed moonphase, Roman numerals, single blued steel hand signed ‘Markham’. Plain silver inner case stamped VF59. The red tortoiseshell outer case with intricate silver pique work featuring a scene of a house with surround borders of various symbols. Retailers: S. Freeman Watch and Clockmaker, Swinderby. Circa 1730. OTHER NOTES: Markwick Markham specialised in clocks and watches for the Turkish market and worked with Borrell up to 1813. Represented in many museum collections. $3,000-5,000

PROVENANCE: Gerald Marsh, Winchester, 1983 OTHER NOTES: Henry Jones, an outstanding watchmaker, flourishing during the last quarter of the 17th Century. He was born circa 1642 in Southampton, relocating to London in 1654. $2,000-4,000

17 A RICHARD STREET EARLY 18TH CENTURY SILVER STRIKING PAIR CASED OPEN FACE VERGE KEY WIND WATCH The deep plate gilt movement with four decorative turned pillars, fusee chain, with pierced and finely engraved balance cock, silvered regulator disk. The movement signed ‘Ric Street, London’, numbered 404. Silvered dial with black Roman numerals and five minute Arabic numeral divisions, signed ‘R. Street, London’, ornately pierced gold hands. The outer silver case with pierced scroll decoration and engraved with vignetters of animals. Circa 1700. PROVENANCE: Sotheby’s 1982 OTHER NOTES: Richard Street, working at Shoe Lane from 1687, became a warden of the watchmakers guild in 1725. Maker of a clock costing 50GBP which was presented by Sir Isaac Newton to Dr. Bently, Master of Trinity College, Cambridge, 1708. He is noted in ‘Thomas Tompion at the Dial and Three Crowns’ by Jeremy Evans. There is clear evidence that he was responsible for some of Tompions repeating watch movements. $3,000-5,000

18 A THOMAS WINDMILLS LATE 17TH CENTURY QUARTER STRIKING PAIR CASED KEY WIND OPEN FACED WATCH Deep full plate gilt movement with two tulip pillars and four decorative turned pillars, fusee and chain with worm and wheel barrel set between the plates. The pierced and engraved wing cock with pierced and engraved foot, silver regulator disc. The movement signed ‘Tho Windmills London’. The dust cap signed and numbered 6079. Silvered and engraved dial with black Roman numerals and outer Arabic minute divisions, blued steel hands. The inner case ornately engraved with scenes of everyday life, the outer case with pierced and engraved decoration, numbered 6079 and sampled with makers mark. Circa 1690. PROVENANCE: Gerald Marsh, Winchester, 1998 LITERATURE: Illustrated in “The Art of the English Watch” OTHER NOTES: Thomas Windmills, active 1686, Clockmakers Company 1695, Master 1719-32. $3,000-5,000

19 A JNO JACKSON SILVER WINDMILL VERGE PAIR CASED WATCH The full plate movement with engraved and pierced balance cock, fusee and chain, turned pillars, worm and wheel barrel set between the plates, silver regulator disc. Movement signed ‘JNO Jackson, Boston’. The polychrome dial depicting a fisherman in a windmill landscape with Arabic numerals. The plain silver inner case and outer case hallmarked London 1791. PROVENANCE: Christie’s 1980 $2,000-4,000 20 A GERRIT BRAMER, AMSTERDAM, SILVER EARLY 18TH CENTURY PAIR CASED WATCH Full plate brass movement, silver regulation, square baluster pillars, movement signed ‘Gerrit Bramer, Amsterdam’. White enamel dial with Roman arcaded chapter ring with outer five minute divisions, gilt hands, plain silver inner and outer casing. Holland, circa 1740. OTHER NOTES: Bramer was listed as working in Amsterdam between 1712-1760. $1,000-2,000

21 A LARGE CONTINENTAL GILT METAL QUARTER STRIKING OPEN FACED PAIR CASED WATCH With day, date, hour subsidiary second hand. The unsigned chain fusse movement engraved plate with pierced and engraved balance cock. White enamel dial, the gilt and silvered inner case with pierced and engraved decoration. The associated outer gilt and silvered metal case decorated with dark blue enamel and a central classical scene of a maiden in a classical landscape with a border of seed pearls. Circa 1800.

23 A GILT METAL OPEN FACED FUSEE CYLINDER MOVEMENT CLOCK WATCH Striking on bell, engraved plate with pierced and engraved balance cock, diamond enstone. Chaised and pierced outer and inner case with hack setting lever. The dust cover engraved ‘Edw Tomlin Royal Exchange, London’ and numbered 7860. White enamel dial with black Roman numerals with five minute outer ring, gold hands with gold sweep second hand. Circa 1790.

PROVENANCE: Purchased in 1998 $2,000-4,000

PROVENANCE: Purchased 1970

22 A GILT METAL ENAMEL OPEN FACED WATCH Frosted gilt plate movement with pierced and engraved balance cock. The white enamel dial with Arabic numerals and gold pierced lozenge shaped hands. The circular case with hinged bezel. The back enamelled classical scene of two women by an obelisk shaped water fountain, with the original gilt metal outer case. Both the dial and movement signed ‘Breguet, Paris’. Circa 1820. $2,000-4,000

OTHER NOTES: Edward Tomlin is recorded working at the Royal Exchange having been admitted to the Clockmakers Company 1766-1798. Examples of his clocks and watches are displayed at the Science Museum, London and the Pieping Museum, China. $2,000-4,000

24 AN EARLY 19TH CENTURY 18CT GOLD FULL HUNTER WATCH Fusee lever movement with compensated three-arm balance, signed and numbered gilt metal dust cap, enamel dial with black painted Roman numerals and outer five minuted divisions, subsidiary seconds at 6, gilt spade hands, polished and engine turned case hinged to the front with reeded band, “IMC” for McCabe himself. Dial and dust cap signed ‘Jas McCABE, Royal Exchange, LONDON’ and numbered 17158. The case hallmarked London 1838 and stamped S5. PROVENANCE: Purchased 1979 OTHER NOTES: According to P.E Hackamack in “James McCabe” AH VOIX (1977), pages 312-316, all McCabe’s highest quality watches with serial numbers greater than 8000 and stamped “IMC” on the front plate. From 1830 the punched marks on the plate are repeated on the inside of the back plate and from about 1838, the highest quality McCabe watches are punched S5 in addition to the marks on the case, the front plate and the inside of the back plate. $4,000-6,000

44 25 A 19TH CENTURY FRENCH GOLD QUARTER REPEATING MUSICAL OPEN FACED KEY WIND WATCH Gilt cylinder with plain three-arm balance, repeating on two gongs, pinned disk for music with 27 individually screwed tynes. The engine turned gilt dial with black Roman numerals, out minute truck blued steel Breguet style hands. The case with fine engine turned decoration, reeded band and bezel plunge pusher, music lever at 6, silent lever to band at 9. Circa 1810. PROVENANCE: Gerald Marsh, Winchester, 1978 $5,000-7,000 26 18CT GOLD FULL HUNTER CHRONOGRAPH WATCH Retailed by William Farmer & Co Ltd, 34 Hunter Street, Sydney. Swiss movement, white Roman numeral dial. $2,000-4,000 27 AN 18TH CENTURY GILT BRONZE CHATELAINE Profusely decorated in high relief of classical maidens, putti, scrolls and flowers, the central two pierced panel drop holding a Joseph John Josephson verge fusse repousse decorated open faced watch, elaborately pierced and engraved balance cock, plain inner case, white enamel roman numeral dial blued steel hands. The repousse decorated outer case with a central scene of a soldier, a seated woman at a table and an old man surrounded by scrolls and flowers. Movement signed ‘J. Josephson London’. Circa 1760.

28 AN 18TH CENTURY GILT BRONZE CHATELAINE Comprising of one quiver-form etcus east with two figures, scrolls and geometric design borders in high relief opening to reveal an incomplete fitted interior with two similarly decorated thimble holders and gilt metal open faced, key wind, repousse decorated pocked watch. Signed ‘Sam Smith, Liverpool’ with engraved full plate movement elaborately pierced and engraved balance cock, white enamel dial with Roman numerals and outer minute trunk. Plain gilt metal inner case, the outer case repousse decorated in a central classical scene surrounded by scrolls and flowers. All suspended on a similarly decorated gilt metal frame. England, circa 1760. LITERATURE: “Chatelaines: Utility to Glorious Extravagance” (1994) by Genevieve E. Cummins. $3,000-5,000

31 A COLLECTION OF SIX WATCH CASES AND A WATCH BELL One of the cases with gold pin work; one with silver floral overlay; one tortoiseshell and silver with pinwork; one fish skin and metal pinwork; one decorated with enamel work, butterfly and foliage; one in tortoiseshell converted to a trinket box in silvered metal; and a silvered metal bell. $500-1,000 32 A SILVER, TORTOISESHELL AND MOTHER OF PEARL PIQUE BOX The rectangular lid with silver and mother of pearl decoration of classical figures in a landscape. Naples, mid-18th Century. Length 10.5cm; Depth 3.5cm; Height 2.2cm $200-300

29 A GEORGIAN CUT STEEL CHATELAIN With a small key, two watch keys and two seals. Mid-18th Century. Length approx. 19cm $200-300

PROVENANCE: Gerald Marsh, Winchester, 2006 OTHER NOTES: John Josephson is represented in the New York University, The Denham and Feill Collections and Oldham Museum. $3,000-5,000

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30 A SWISS 18CT BALL-SHAPED PENDANT WATCH Gilt finished lever movement, white enamel dial, red and blue Arabic numerals, ball shaped case with scroll ornaments. Switzerland, circa 1900. Diameter 1.8cm $2,000-4,000

33 A FRENCH TORTOISESHELL CASED MINIATURE MUSIC BOX The plain case with a small mother of pearl oval inset to lid, the movement signed ‘P.H. PAUR’ and numbered 5389. Early 19th Century. Width 9.5cm; Depth 6cm; Height 2.7cm $300-500

38 A GEORGE III GOLD GUINEA Dated 1794. $800-1,200

34 A MINIATURE COMMEMORATIVE TORTOISESHELL MUSIC BOX The lid decorated with a battle scene commemorating the battle of Grochów, 25th February 1831. The movement stamped ‘H MG’ and numbered 2251. Width 9.5cm; Depth 6cm; Height 3.5cm $500-700

40 AN ENGLISH GOLD SOVEREIGN Dated 1900, minted in London. $500-600

35 A FRENCH 19TH CENTURY GOLD AND AGATE ETUI The hinged top with applied frieze depicting a reclining putti nestled amongst foliate border, opening to reveal a collection of small implements, the shaped mottled cream and brown agate body with applied gilding to the base. Old cut diamond set thumb piece. Height 10cm PROVENANCE: Sotheby’s, Fine Furniture and Decorative Arts, October 2010 $3,000-5,000 36 A GEORGE I GUINEA Dated 1722. $600-800 37 A VICTORIAN HALF SOVEREIGN Dated 1892. $500-700

39 A GEORGE III SOVEREIGN Dated 1817. $2,000-4,000

41 AN 18CT YELLOW GOLD ASPREY VESTA CASE The plain body with hinged lid hallmarked Chester 1906. Maker Asprey & Co. Ltd, stamped ‘ASPREY’. 3.7 x 3.6cm $700-900 42 A FRENCH GOLD AND SILVER COMBINATION SNUFF BOX AND TABLE WATCH The top with a glass inset hinged lid revealing an engraved plate set with a pocket watch movement signed ‘S. Marchant, London’. The silver sides and base with applied gold decoration of sprigs of flowers and leaves. The hinged lid to the base revealing a plain interior. $2,000-4,000 43 A GOOD VICTORIAN STERLING SILVER SNUFF BOX Rectangular with a shaped edge and decorated with scroll type borders, guilded interior. Maker Frederick Marson, Spencer Street, Birmingham. Hallmarked Birmingham 1866. 8.5 x 6 x 2cm $400-600

44 A RARE EARLY 19TH CENTURY WATCH KEY Set with two oval micro mosaic panels depicting views of Vatican City. Circa 1800. $600-800 45 A FINE EARLY 19TH CENTURY WATCH KEY With two oval panels one decorated with a classical scene of two doves in a landscape the other of a child in a landscape. Circa 1800. $400-600 46 AN EARLY 19TH CENTURY GOLD WATCH KEY One side with miniature portrait on porcelain of a woman in classical costume. $300-500 47 AN UNUSUAL EARLY 19TH CENTURY LOZENGE SHAPED WATCH KEY Set with paste with beaded silver edge. Circa 1800. $400-600 48 THREE 18TH CENTURY WATCH KEYS Classical harp design. $400-600 49 THREE EARLY 19TH CENTURY WATCH KEYS One with a hardstone cameo, one with a mother of pearl landscape miniature, the other with a carnelian intaglio seal. $400-600 50 A LARGE PINCHBECK WATCH KEY FOB One side set with carnelian, the other with agate. England, circa 1800. $400-600

51 TWO 19TH CENTURY BOAR’S HEAD DESIGN WATCH KEYS One with ratchet movement and hardstone inset. $300-400 52 FOUR VICTORIAN WATCH KEYS Two are combination watch key, pencil and toothpick, all with hardstone insets. $300-500

53 FOUR WATCH KEYS, TWO FOX HEADS AND TWO DOG PROFILES One with ratchet movement. $300-500 54 FOUR NOVELTY WATCH KEYS One compass, one 15ct gold horseshoe and two others $300-500 55 THREE VICTORIAN WATCH KEYS AND A PROPELLING PENCIL Pencil set with turquoise. Two of the watch keys in the form of propelling pencils, one as a ‘T’ bar and set with facetted red stones. $300-500

56 A GOLD 19TH CENTURY WATCH FOB With two 18th Century gold watch keys decorated with enamel. $300-500 57 AN OVAL GOLD AND CARNELIAN WATCH KEY FOB One side engraved with initials. English circa 1790. $300-500

58 AN OVALSWIVEL GOLD AND CARNELIAN WATCH KEY FOB English circa 1790. $300-500 59 THREE 19TH CENTURY WATCH KEYS One modelled as a pair of polo mallets, one plain rectangular with engraved decoration, the other of two putti profiles. $300-500 60 THREE 18CT BREQUET RATCHET WATCH KEYS France, circa 1810. $300-400

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61 THREE 18CT GOLD BREQUET RATCHET WATCH KEYS France, circa 1810. $300-400

62 THREE 19TH CENTURY WATCH KEYS Circular design floral type decoration, one with ratchet movement. $400-600

69 AN EARLY 17TH CENTURY STEEL CRANK KEY Turned shaft and ‘T’ piece, with a swivelling pierced hand. $200-300

63 THREE GOLD PLATED EARLY 19TH CENTURY WATCH KEYS With pressed and pierced decoration. $400-600

70 TWO NOVELTY WATCH KEYS One in the form of a leaping fox, the other a bear on a branch with red stone eyes. $300-500

64 TWO GOLD CANNON WATCH KEYS One stamped 15ct. $300-400

71 AN OVAL GOLD AND CARNELIAN WATCH KEY FOB With engraved initials. English circa 1790. $300-500

65 TWO GOLD PROPELLING PENCILS One with a hardstone set swivel end. Both signed ‘S. Mordan & Co.’. $300-400 66 A COLLECTION OF FIVE PINCHBECK WATCH KEY FOBS SET WITH VARIOUS HARDSTONES English circa 1800. $300-500 67 THREE 18TH CENTURY GOLD CRANK KEYS Turned shaft and ‘T’ piece, shaped handles. $300-400 68 THREE EARLY 18TH CENTURY STEEL CRANK KEYS Turned shaft and ‘T’ piece. $200-300

72 AN OVAL GOLD AND CARNELIAN WATCH KEY FOB Engraved in French. English circa 1790. $300-500 73 A COLLECTION OF TEN NOVELTY WATCH KEYS In various designs including a silver wrench, horses’s hoofs, muskets, etc. $300-500 74 FOUR NOVELTY WATCH KEYS Two pairs of scissors one with ratchet movement, one swan with ratchet movement, and one pair of cutters with ratchet movements. $300-500

75 FIVE 19TH CENTURY WATCH KEY FOBS Two pinchbeck set with agate, one pinchbeck set with carnelian; one pinchbeck set with agate on one side, a compass on the other; one 9ct yellow gold set with carnelian. $400-600 76 A PINCHBECK SEAL WITH A BLOODSTONE CARVED INTAGLIO SEAL English circa 1830. $300-500 77 A GOLD FOB WITH A CARNELIAN INSET Carved with an intaglio seal. English circa 1830. $500-700 78 TWO GOLD FOBS WITH A CARNELIAN INSET Carved with an intaglio seal. English circa 1810. $500-700 79 A FINE REGENCY MOTHER OF PEARL AND TORTOISESHELL TEA CADDY The sarcophagus shaped body with canted corners fully veneered with mother of pearl and tortoiseshell in a lozenge design. The interior containing two partly veneered tortoiseshell tea cannisters and a mixing bowl. Gold hinges and escutcheon, pressed metal ring handles and cast iron ball and claw feet. England, circa 1810. Width 31cm; Depth 15cm; Height 21.5cm $7,000-9,000

80 A DOCUMENT CABINET ON STAND IN THE MANNER OF GEORGE BULLOCK Of rare form, the cabinet and stand veneered in the finest Brazilian rosewood over mahogany. Four superbly carved and turned legs support the stand and four matching decorative supports flank the cabinet, all with elaborate stylised lotus and acanthus motifs, the legs terminating in elegant capped gilt brass balls. The two panelled front doors and table apron with pierced and carved brasswork and brass inlay. The doors open to reveal ten sliding folio drawers. The top with a pierced brass gallery, above a finely gadrooned edge. England, circa 1815. 119 x 64.5 x 48.5cm $5,000-7,000 81 A SUPERB GEORGE III DEMI LUNE SIDE TABLE In high neoclassical taste, the top with a crossbanded border in harewood, inlaid with satinwood and mahogany in ribbon, acanthus and floral motifs. The central panel inlaid with a large, elaborate anthemion motif surrounded by bold hairwood acanthus leaves, framed by a large fan-shaped panel in a satinwood and mahogany veneered whorl pattern with very fine stringing. The deep apron inlaid with garland and ribbon inked motifs above four elegant square, tapered and banded legs. Brass plaque for ‘S & H Jewell’, fine antique dealers London, to base. England, circa 1780. 114 x 54 x 79cm $5,000-7,000

82 A FINE 18TH CENTURY GEORGE I PERIOD CHAIR The frame in solid walnut, of pegged construction, with a drop-in silk covered stuffed seat. The gently cabriole shaped legs with bold shell carved knees and generous pad feet typical of the period. The back with a C-scroll top rail, above a vase shaped solid splat. ‘British Antique Dealers Association’ stamp to back rail. England, circa 1720. 99.5 x 50 x 45cm $600-800 83 AN 18TH CENTURY SHERATON PERIOD SATINWOOD VITRINE A break fronted, diamond cut glass cabinet, atop a curved glass table compartment on four finely tapered legs with a lower rear shelf and fine side stretchers. The whole finely veneered in flame satinwood with rosewood crossbanding and ebony and boxwood stringing. Lined with a superb pale green silk jacquared moiré. England, circa 1790. 123.5 x 67 x 41.5cm $5,000-7,000

84 A ROSEWOOD VENEERED REGENCY CARD TABLE With mahogany crossbanding and finely gadrooned edges. The gunbarrel pedestal with a stylised lotus motif raised on a quadraform base and scrolled feet. England, circa 1820. 70.5 x 91 x 45cm $1,000-1,500 85 A 17TH CENTURY WILLIAM AND MARY FALL FRONTED CABINET ON STAND Superbly veneered in walnut over various woods, including oak, pine and walnut. The large front panel herringbone crossbanded and veneered with repeated circular motifs and opening to reveal exquisitely oyster veneered and crossbanded drawers and compartments around a central cupboard. The cupboard containing further drawers and the top compartments with removable liners revealing hidden drawers. Retaining the original bronze hinged slide mechanism and elaborate gilt bronze handles and escutcheons. The stand with barley twist legs and a serpentine stretcher on bun feet. England, circa 1695. 159 x 108 x 51cm $6,000-8,000 86 A VERY FINE PAIR OF MATCHED REGENCY PERIOD ROSEWOOD COLLECTION CABINETS The diamond and checkerboard patterned specimen marble surfaces, elaborate gilt bronze mounts, glass doors and mirror backs on tapered legs with concave open lower shelves. One cabinet with a writing drawer. England, circa 1815. 144 x 89.2 x 39cm PROVENANCE: W.F. Bradshaw Pty Ltd., Sydney $12,000-15,000

87 A RARE WILLIAM & MARY WALNUT MARQUETRY LONGCASE CLOCK The eight day movement with anchor escapement striking brass dial and chapter ring signed ‘Morgan Herbert, London’. The case with fine walnut veneers and elaborate marquetry depicting flowers, foliage, birds around a central urn of flowers. The hood with ebonised barley twist supports, caddy top with turned ebonised finials. England, circa 1700. Height 234cm PROVENANCE: J. B. Hawkins, Cammeray, Sydney, 1972 LITERATURE: Britten’s Old Clocks and Watches and Their Makers, published London 1956, listed Morgan Herbert, Clock-Watch 1690. $25,000-35,000 88 A WILLIAM AND MARY EBONISED BRACKET CLOCK, STRIKING, WITH PULL QUARTER REPEAT BY JOHN CONSTANTIN, LONDON The repousse double basket top with D-ended handle and four foliate finials. Glazed door with applied pierced repousse brass escutcheons and mounts, silvered Roman and Arabic dial with cherub spandrels, matted centre with blued steel hands, signed ‘John Constantin, London’. The backplate engraved and signed ‘Jn Constantin, Londini, fecit.’ London, circa 1700. W20 x D16.5 x H49cm PROVENANCE: Gerald Marsh, Winchester, 1978 OTHER NOTES: Loomes writes that John Constantin had promised to join the Clockmakers Company in 1658 but failed to do so. $30,000-50,000 89 THREE TRAIN BRACKET CLOCK BY JOHNSON The 8-day three train movement with anchor escapement, quarter chiming on 8 bells, the 8 inch white enamel dial signed ‘Johnson, Grays Inn Passage’, the back plate similarly signed. Contained in a mahogany panelled broken arch case with brass inlay, with pierced engraved fretwood panels. England, circa 1800. Height 38cm $5,000-7,000

90 A GOOD EARLY 19TH CENTURY LANCET SHAPED WALNUT BRACKET CLOCK BY BARRAUD LONDON Gilt metal mounted and ebony line inlaid walnut case, the upper front section supported by columns, with lions mask side handles and red silk-lined pierced gilt metal side sound frets, on a moulded plinth base on ball feet, the 4.5 inch signed painted Roman dial with brass hands, engraved signature and decoration to back plate. Height 30cm $4,000-6,000 91 A GOOD 19TH CENTURY LANCET SHAPED MAHOGANY BRACKET CLOCK BY GRIGNON, LONDON Gilt metal mounted and ebony line inlaid mahogany case, fire gilded column supports, lion mask ring handles, red silk lined pierced gilt metal side sound frets. White Roman numeral dial with outer second ring signed ‘Grignon, London’. Circa 1810. Height 26cm $4,000-6,000

92 A RARE 18TH CENTURY EBONISED BRACKET CLOCK WITH CARILLON AND BIRD AUTOMATON Made by John Henry Borrell (1757-1840). The ebonised wood case with ornamental brass inlays, gilt applications and enamel dial. The case in the shape of a neo-Gothic arch. Beneath the dial is a double-door engraved with bird motif. Behind this a moveable bird. 8-day quarter striking three train fusee movement. Engraved back plate signed ‘J.H. Borrell, London’. This clock was probably made for the Chinese market. John Henry Borrell was a Huguenot Swiss clockmaker living in London since 1805. England, circa 1790. 91 x 24.5 x 43cm PROVENANCE: G E Marsh, Winchester, U.K. $40,000-60,000 93 A REGENCY PERIOD MAHOGANY COLLECTORS CABINET A tabletop cabinet in solid and veneered Cuban mahogany with ebony reeding and stringing, the two doors opening to reveal ten felt-lined specimen drawers with ebony button handles. England, circa 1815. 43 x 54 x 23cm $1,500-2,500 94 A GEORGIAN D-END DINING TABLE IN THREE PARTS In fine panels of solid mahogany, the central part with gatelegs and original brass strapwork to secure the two demilune ends. The deep aprons edged in boxwood and rosewood stringing. All on finely tapered square legs. England, circa 1785. 264 x 114 x 72cm $1,500-2,500 95 A GEORGE III MAHOGANY WORKTABLE The octagonal hinged cover enclosing a fitted interior. England, circa 1800. 73 x 64 x 47cm PROVENANCE: Sotheby’s, The Norman Wheeler Collection, Sydney,1994 $1,000-1,500 92

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96 A GEORGIAN BRASS MOUNTED MAHOGANY GENTLEMANâ&#x20AC;&#x2122;S DRESSING CHEST In campaign style with concealed basin holders, cupboard, drawer and removable pot compartment. English eighteenth century. 88.5 x 45 x 45cm PROVENANCE: Lawsons, Sydney, 2001 $800-1,200 97 A SUPERB 18TH CENTURY SATINWOOD GEORGE III OCCASIONAL TABLE Of oval form, with a single deep drawer on finely tapered legs retaining the original brass caps and castors. The drop-sided oval top quarter veneered around a central oval medallion, the whole veneered in the finest quality flame satinwood with rosewood crossbanding and ebony and boxwood stringing. England, circa 1785. 95 x 74.5 x 75cm $4,000-6,000 98 A GEORGIAN MAHOGANY SEWING TABLE In mahogany and mahogany veneers on pearwood, with fine tapered legs and a fitted interior cross stretcher with yellow silk pouch. England, circa 1790. 77 x 45 x 38cm $800-1,200

99 A SET OF SIX COLONIAL AUSTRALIAN REGENCY DINING CHAIRS The set comprised of four single chairs and two carvers with scrolled arms, the frames in solid Australian cedar with deeply faceted front legs and sabre shaped rear legs, pierced and acanthus carved seat rails and generous spade shaped top rails with flame mahogany veneered panels. The stuffed seats upholstered in a fine quality floral jacquared. Australia, circa 1830. 89 x 54 x 44cm $1,500-2,000 100 A GOOD PEMBROKE TYPE GEORGE III WORK TABLE The mahogany with boxwood stringing, two drawers and two false drawers with ivory knobs elegantly turned and brass mounted legs with castors and a moire silk basket with tassels. England, circa 1805. 74.5 x 81 x 47.5cm $800-1,200 101 A SHERATON TYPE SHIELD SHAPED GEORGIAN MAHOGANY DRESSING MIRROR With supports over a single drawer with ivory and brass mounts. England, circa 1790. $400-600

102 AN ANTIQUE CHINESE CARPET Of large scale, in fine open pile woolwork, predominantly woven in blues on a pale gold background. Decorated with a central medallion of two dragons surrounded by vases, flowers and folliage, and a strong border including an eternity motif. China, circa 1950. 370 x 275cm $1,000-2,000 103 ARTIST UNKNOWN (Dutch, early to mid eighteenth century) Tavern Scene oil on canvas 41.5 x 55.3cm PROVENANCE: Purchased 1984 $2,500-3,000 104 follower PHILIPS WOUWERMAN (Dutch, seventeenth century) The Hunting Party oil on board 44 x 59.2cm PROVENANCE: Viscount Harbeton Carbery, County Kildare, Ireland Lane Fine Art, London, 1983 (as Philips Wouvermans) EXHIBITIONS: Exhibited Royal Irish Institution, 1857, no.12 $5,000-7,000

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105 THOMAS ROSE MILES (British, act. 1869-1916) Rough Weather oil on canvas signed lower left, “T R Miles” 60 x 106cm $4,000-6,000 106 after GEORGE JOHANNES HOFFMAN (1833-1873) Seaside oil on board signed and dated lower right: [GJ Hoffmann] 1855 30 x 38.5cm $2,000-4,000 107 GEORGE ARMFIELD (British, 1808-1893) Barn Scene with Terriers Ratting oil on canvas 53 x 67.5cm PROVENANCE: Lane Fine Art, London, 1984. $2,000-4,000 108 A PAIR OF FINE CHINESE PORCELAIN UNDERGLAZE BLUE AND WHITE BOWLS ON STANDS With moulded and flared rims and central medallions. Qing Dynasty, Kangxi Period (1662-1722). 14.2 x 5cm $800-1,200

109 A PAIR OF FINE CHINESE PORCELAIN UNDERGLAZE BLUE AND WHITE BOWLS ON STANDS With moulded and flared rims and central medallions. Qing Dynasty, Kangxi Period (1662-1722). 14.2 x 5cm $800-1,200 110 A PAIR OF FINE CHINESE PORCELAIN UNDERGLAZE BLUE AND WHITE PLATES With moulded and flared rims and central medallions of peonies and a bird and foliate borders. Qing Dynasty, Kangxi Period (1662-1722). 21 X 2.5cm $800-1,200 111 A PAIR OF FINE CHINESE PORCELAIN UNDERGLAZE BLUE AND WHITE PLATES With moulded and flared rims and central medallions of peonies and a bird and foliate borders. Qing Dynasty, Kangxi Period (1662-1722). 21 x 2.5cm $800-1,200 112 A COLLECTION OF FIVE CHINESE LIDDED JARS Comprised of four in underglaze blue and white porcelain with floral decorations and one in green and iron brown glazes on a moulded and incised body. Late Ming Dynasty, Wanli Period (1573-1620). Various sizes $300-500

113 A PAIR OF FINE CHINESE PORCELAIN UNDERGLAZE BLUE AND WHITE PLATES With moulded and flared rims and central medallions of peonies and a bird and foliate borders. Qing Dynasty, Kangxi Period (1662-1722). 21 X 2.5cm $800-1,200 114 TWO CHINESE UNDERGLAZE BLUE AND WHITE FINE PORCELAIN TEA CUPS AND SAUCERS Of lobed and flared form with profuse decoration in panels. Qing Dynasty, Kangxi Period (1662-1722), circa 1720. Cups: 8 x 5cm, Saucers: 13.5 x 1.5cm $800-1,200 115 A SELECTION OF FIVE CHINESE UNDERGLAZE BLUE AND WHITE PORCELAIN SAUCERS With various naturalistic patterns and marks. Qing Dynasty, Kangxi Period (1662-1722). Various sizes $500-700 116 A CHINESE UNDERGLAZE BLUE AND WHITE PORCELAIN PLATE With iron brown rim and a central scene of nature with a willow tree, rock and flowers. Qing Dynasty, Qianlong Period (1736-1795), circa 1750. 27.5 x 3cm $300-500

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117 A GROUP OF FIVE CHINESE BLUE AND WHITE PORCELAIN SAUCERS One polychrome decorated plate and six ceramic blue and white spoons. Qing Dynasty (1644-1911). Various sizes $600-800 118 A PAIR OF FINE CHINESE UNDERGLAZE BLUE AND WHITE PORCELAIN DISHES Small and of lobed form, each with ten panels of figures and flowers around a central medallion of a oman in a garden setting. Qing Dynasty, Kangxi Period (1662-1722), circa 1720. 14.5 x 3cm $800-1,200 119 A CHINESE UNDERGLAZE BLUE AND WHITE PORCELAIN GINGER JAR In the ‘Prunes Blossom’ pattern. The carved rosewood lids inset with medallions of carved and pierced jade and the rosewood stands in carved and finely pierced fretwork. Early Qianlong Period (1736-95) circa 1750. 29 x 23cm $5,000-7,000

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120 A FINE PAIR OF CHINESE IMARI TYPE PLATES In dry ironed enamel with gilt highlights on an underglaze blue and white porcelain. Late Kangxi Period, (1662-1722). Diameter 23cm $1,500-2,500 121 A PAIR OF CHINESE BUDDHA LAMPS The blue and white porcelain figures on oval wooden bases with four feet with adjustable brass two light lamp fittings. Height of figures 40cm $400-600 122 A NYMPHENBURG PORCELAIN BLUE AND GILT BAVARIAN ROYAL SERVICE After a design by the Bohemian sculptor, Dominikus Auliczek. The pearl service in the Louis-Seize style. It was exclusively reserved for the Wittelsbach House as the Royal Bavarian Service until the beginning of the 20th century. In 1918 it was created for the golden wedding anniversary of King Ludwig III and Maria Theresa as a one-off production. It has miniature paintings of the most important stages of the royal couple’s life. Consisting of 4 oval-pierced fruit baskets, 2 roundpierced fruit baskets, 18 plates, 17 coffee cans and saucers. Printed factory marks. Germany, 20th century. Oval fruit baskets: 25 x 19cm, Round fruit baskets: diameter 22cm, Plates: diameter 20.5cm $4,000-6,000

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123 A COLLECTION OF FIVE PIECES OF FIRST PERIOD WORCESTER BLUE AND WHITE Including a lidded creamer decorated with the ‘three flowers’ pattern, two tea bowls decorated with the ‘zig zag fence’ pattern, a saucer in the ‘bouquets’ pattern and a teapot decorated in the ‘prunes root’ pattern. England, 18th century. Various sizes $700-900 124 A PART SET OF GEORGIAN CUT CRYSTAL Comprising of seven rummers, five smaller rummers and two decanters, both engraved with stoppers. PROVENANCE: F.R. Strange Pty Ltd., Sydney, 1972. $1,500-2,000 125 A 19TH CENTURY AGATE AND SILVER FINGER SCENT BOTTLE The faceted agate body below a silver collar and foliate embossed hinged cover, glass stopper. Circa 1850. Length 7cm $300-500

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126 FINE QUALITY FRENCH ENAMEL SCENT BOTTLE WITH GOLD MOUNTS The body decorated with scrolls and flowers in a classical style, engraved gold foot and screw stop. In original fitted case. Circa 1880. Length 8.3cm $800-1,200

129 A FRENCH CRYSTAL SCENT BOTTLE WITH GOLD MOUNTS Cut crystal body with two gold triangular corners, the shoulders, top and hinged lid in gold with engraved decoration, silver and cork stopper. Circa 1880. Length 9cm $600-800

127 A FINE 19TH CENTURY VENETIAN SCENT BOTTLE The cobalt blue enamel body decorated in the ‘Birth of Venus’, the gilt silver mounts with engraved decoration, glass stopper. 19th Century. Height 8.5cm $300-500

130 A EUROPEAN GOLD CUT CRYSTAL SCENT BOTTLE The cut crystal body above a gold turned base, gold engraved top and handle with a gold and cork stopper. Circa 1870. Height 9cm $800-1,200

128 A VICTORIAN GLASS AND GOLD MOUNTED SCENT BOTTLE The molded glass body with gold mounts engraved with decoration of scrolls and flowers, glass stopper. With original shaped leather carrying case. Early 19th Century. Height 10.5cm $500-700

131 A FINE QUALITY RARE FLORENTINE GOLD SCENT FLASK With champleve enamel decoration. The tapered hexagon body finely decorated with blue and white enamel in classical scroll designs. The gold top and pendant fitting with engraved and carved decoration. Circa 1870. Length 9.5cm $2,000-4,000

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132 A FRENCH 19TH CENTURY PORCELAIN AND SILVER GILT SCENT BOTTLE The shaped porcelain body with a central cartouche of sprays of flowers with surrounding guilded decoration of scrolls and foliage. Heavily embossed hinged silver gilt lid. Circa 1850. Length 8.2cm $400-600 133 A LATE VICTORIAN PORCELAIN SCENT FLASK WITH SILVER MOUNTS Finely painted with central panels of classical ruins and a landscape. Overall decoration in navy with gilt highlights, silver hinged top hallmarked London, 1894. Length 11.5cm $400-600 134 A ROYAL WORCESTER COMMEMORATIVE SCENT BOTTLE Produced for Queen Victoria’s jubilee in 1887, with silver plated mount in the form of a crown made by Sampson Mordan who registered the designs in 1886. $200-400

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135 A FRENCH 19TH CENTURY SILVER SCENT FLASK Profusely decorated with engraved panels in silver and gilt of flowers and scrolls bordered with raised embossed foliated borders, hinged top with glass stopper. France, circa 1850. Length 11cm $600-800 136 A FRENCH SILVER SCENT FLASK The central concave panels with engine turned decoration, heavily embossed corners in classical designs, hinged top, glass stopper. France, circa 1850. Length 10cm $500-700 137 A VICTORIAN VENETIAN GLASS SCENT BOTTLE WITH SILVER TOP The multicoloured body of ribbed design in colours green, red and yellow. Silver mounted glass stopper and screw on top. Circa 1880. Length 8.3cm $400-600 138 A VICTORIAN SCENT FLASK WITH STERLING SILVER TOP The facetted cranberry glass body speckled with gold and white flecks. The silver screw on top hallmarked London 1884. Maker Charles Mappin, Mappin Brothers, Regent Street London. Length 20cm $600-800

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139 A THOMAS WEBB CAMEO GLASS SCENT BOTTLE The cranberry glass etched in white lily of the valley with sterling silver mounts by Elkington & Co., Ltd. Hallmarked Birmingham 1890. Length 15cm $200-400 140 A VICTORIAN SPECKLED GLASS SCENT BOTTLE WITH SILVER TOP The ovoid shaped glass body with crackled finish. The hinged silver top with engraved decoration, glass stopper. Circa 1880. Length 9.2cm $300-500 141 A VICTORIAN AGATE AND SILVER GILT SCENT BOTTLE Set with two circular banded agated panels to the sides. The silver gilt mounts and hinged top finely engraved in classical scrolls and flowers. Engraved script to the base ‘Gift of Sir G. S. Mackenzie of Coul’. Circa 1830. Length 7.2cm OTHER NOTES: Sir George Mackenzie, 7th Baronet FRS, FRSS, FSA, 1780-1848, was a Scottish geologist, chemist and agricultural improver. $600-800

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142 A BLUE OVERLAID GLASS SCENT BOTTLE WITH SILVER GILT MOUNTS The glass body with blue overlaid glass highlights. The silver gilt hinged lid with impressed and engraved decoration of scrolls and flowers, glass stopper. Early 19th Century. Height 9cm $200-300 143 A VICTORIAN SILVER AND ENAMELED SCENT BOTTLE The pink enameled body decorated with a kingfisher and butterfly. A silver hinged lid, the silver mounted base inset with a mirror. 19th Century. Height 7cm $200-300 144 A TURQUOISE GLASS AND SILVER SCENT BOTTLE The faceted glass body with an ornately decorated silver hinged lid, glass stopper. Engraved ‘Gilbertson - London’. 19th Century. Height 9.5cm $150-250

145 A MEISSEN PORCELAIN PERFUME BOTTLE AND STOPPER Modelled in the form of a lady holding a dog under her left arm, in a purple striped dress and yellow bodice. Germany, 19th century. Height 8cm PROVENANCE: Sotheby’s, Decorative Arts Sale, Melbourne, 2001 $1,000-1,500 146 A MEISSEN PORCELAIN PERFUME BOTTLE AND STOPPER In the form of a spaniel standing on its hind legs. Germany, 19th century. Height 7.5cm

147 A MEISSEN SILVER GILT MOUNTED PORCELAIN SCENT BOTTLE Outside decorated perfume bottle and stopper modelled in the form of arm. The hand holding a bunch of grapes, with an orange sleeve with flowers in gilt and white cuff. Germany, 19th century. Height 8.5cm

149 A STERLING SILVER AND GUILLOCHÉ ENAMEL SCENT FLASK Circular shape engine turned body with finely enamelled flowers and leaves with a gilt shaped border, screw on top. Date mark 1911. Length 6cm $300-500

PROVENANCE: Sotheby’s, Decorative Arts, Melbourne, 2001 $1,000-1,500

150 FOUR VICTORIAN COLOURED GLASS SCENT/ SMELLING SALTS BOTTLES Three double ended; one red-double ended with gilt metal mounts, length 12.5cm. One green glass double ended with gilt metal mounts, length 11.5cm. One bristol blue glass double ended with silver and metal mounts, length 10cm. One red glass smelling salts bottle with sterling silver mounts, hallmarked Birmingham, maker C. C. May (Charles May), length 8cm. $300-500

148 TWO STERLING SILVER SCENT BOTTLES One in a ball shape with pierced silver cover decorated with two classical scenes, screw top. The other traditional moon flask design, hinged body containing a glass bottle of inexhaustible smelling salts, crown perfumery, London. The Art Nouveau decorated case hallmarked Birmingham, 1904, maker Crisford & Norris Ltd. $300-500

PROVENANCE: Sotheby’s, Decorative Arts, Melbourne, 2001 $1,000-1,500

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151 AN AMBER AND GOLD SCENT BOTTLE The simulated amber faceted body with a gilt metal base and lid, glass stopper. 19th Century. Height 7.5cm $100-200 152 TWO CIRCULAR SMALL HYALITH GLASS SCENT FLACONS WITH SILVER TOPS One in green glass with floral decoration to both sides, silver top, glass stopper. The other in purple glass, decoration to both sides, foliated embossed silver top. Circa 1880 Length 4.4cm; Length 4.8cm $300-500 153 TWO SMALL HYALITH GLASS SCENT FLACONS WITH SILVER TOPS One dark blue glass decorated with a classical urn and ruins with filigree silver shoulders and top. The other in green glass, finely decorated in panels, embossed silver top. Circa 1850. Length 8cm; Length 6.8cm $400-600 154 A COLLECTION OF FOUR 19TH CENTURY SCENT BOTTLES One millefiori glass with gold hinged top and glass stopper; one Venetian glass tapered octagonal body striped in blue pink and white, silver hinged top, glass stopper; one French with gilt metal overlay with central limoges style tablet of a courting couple; and one red glass with gilt metal filigree overlay and hinged top and glass stopper. Length 5.3cm; Length 5.8cm; Length 4.8cm; Length 7.5cm $400-600

155 A COLLECTION OF 19TH CENTURY SCENT BOTTLES Including a ruby glass and silver scent bottle, an amber glass and silver scent bottle, a miniature cut crystal scent bottle, glass scent flask, a cut crystal and brass mounted scent bottle, and a miniature micro beaded scent bottle. 19th Century. Height of largest 8cm $100-200 156 A CHINESE HARDSTONE SNUFF BOTTLE Plain bottle shape with stopper. 19th Century. $600-800 157 A CHINESE AGATE SNUFF BOTTLE Flattened ovoid shape carved with a deer and two bats beneath a pine tree, glass stopper. 19th Century. PROVENANCE: Sotheby’s, Melbourne, 2003 $800-1,200 158 TWO CHINESE AMBER SNUFF BOTTLES Each rounded rectangular form with lion mask handles. 19th century. $800-1,200 159 A CHINESE MOSS AGATE SNUFF BOTTLE Flattened ovoid form of green, beige and brown colour. Moss agate stopper. 19th Century. PROVENANCE: Sotheby’s Melbourne 2003 $700-900 160 A MALACHITE SNUFF BOTTLE Plain design with carved mask and ring handles with a coral stopper. Late Ching Period. $400-600

161 A CHINESE CORAL SNUFF BOTTLE Cylindrical shape, carved with three children on branches, carved stopper. Early 20th Century. PROVENANCE: Sotheby’s Melbourne 2003 $600-800 162 TWO CHINESE AMBER SNUFF BOTTLES One of a pod shape with pale green jade stopper, the other with stylised floral carved decoration. Chinese 19th century. $700-900 163 A CHINESE AGATE SNUFF BOTTLE Plain ovoid shape with jade stopper. 19th Century. PROVENANCE: Sotheby’s Melbourne 2003 $800-1,200 164 A CHINESE AGATE SNUFF BOTTLE Ovoid form with carved mask ring handles, rose quartz and jadeite stopper. 19th Century. PROVENANCE: Sotheby’s Melbourne 2003 $800-1,200 165 A CHINESE HARDSTONE SNUFF BOTTLE Mottled colours of brown and cream. 19th Century. Height of largest 8cm $600-800 166 TWO CHINESE AGATE SNUFF BOTTLES One carved with flowers and leaves, the other carved with a fish in relief. Late Ching Period. $500-700

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T H E H A I L E Y C O L L E C T I O N O F R O YA L W O R C E S T E R LOTS 167-211 167 AN IMPORTANT FINE PAIR OF ROYAL WORCESTER VASES AND COVERS Painted with Highland cattle in a landscape by John Stinton, printed factory marks. Shape number. H313. Circa 1910. Height 42cm $12,000-15,000 168 AN IMPORTANT RARE ROYAL WORCESTER ‘BOW’ POT POURRI AND COVER BY JOHN STINTON Painted Highland cattle in a stormy landscape and the reverse with a cloudy loche scene. Rd number 142778, shape number 1428. Date code 1905. Height 29.2cm PROVENANCE: Sotheby’s Belgravia, English Ceramics, February 1974, Lot 125 $8,000-12,000 169 A ROYAL WORCESTER TWO HANDLED VASE AND COVER BY EDWARD TOWNSEND Painted with Highland cattle in a landscape. Printed factory marks. Shape number 2701/1. Circa 1972. Height 22cm PROVENANCE: Prouds, Sydney, 1973 $900-1,200

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170 A ROYAL WORCESTER VASE BY HARRY STINTON Painted with a pair of Highland cattle in a misty mountainous landscape. Printed factory marks. Shape number 1040 G. Date code 1909. Height 13.3cm PROVENANCE: Sotheby’s Belgravia, English Ceramics, July 1978, Lot 229 $500-700 171 A ROYAL WORCESTER LIDDED POT POURRI VASE AND COVER BY HARRY STINTON Painted with Highland cattle in a landscape. Printed factory mark. Shape number 169/H. Date code 1956. Height 19.1cm PROVENANCE: Sotheby’s Belgravia, English Ceramics, October 1976, Lot 265 $800-1,200

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178 A ROYAL WORCESTER TWO HANDLED URN AND COVER BY HARRY AYRTON Painted with apples and grapes on a grassy bank, the reverse with a spray of loganberries. Printed factory marks. Shape number 2701. Circa 1970. Height 17cm PROVENANCE: Sotheby’s Belgravia, English Ceramics, January 1979, Lot 316 $800-1,200 179 A ROYAL WORCESTER VASE AND COVER BY ALAN TELFORD Painted all over with apples and grapes on a grassy bank. Printed factory marks. Shape number 2701/1. Circa 1970. Height 23cm PROVENANCE: Prouds, Sydney, 1972 $800-1,200

172 172 A ROYAL WORCESTER POT POURRI TWO HANDLED VASE AND COVER BY CHARLES H. C. BALDWIN Painted with swans in flight above grasses and gilt reeds against an azure blue ground, and a swallow on the reverse. Printed factory marks. Rd number 168915, shape number 1515. Date code 1900. Height 23.5cm PROVENANCE: Sotheby’s, Belgravia, English Ceramics, December 1976 $15,000-18,000 173 A ROYAL WORCESTER VASE BY WILLIAM JARMAN Painted with pink roses and lily of the valley. Printed factory marks. Shape number 1969. Height 33cm $1,000-1,500 174 A ROYAL WORCESTER CROWN TOPPED LIDDED POT-POURRI VASE WITH INTERIOR COVER BY REGINALD AUSTIN Painted with pink and red roses. Printed factory marks. Shape number 1286. Circa 1910. Height 25.3cm PROVENANCE: Mrs M. K. Nielsen Antiques, Seaford House, High Street, Moreton-in-Marsh, Gloucestershire, 1978. $1,200-1,800

175 A ROYAL WORCESTER CROWN TOPPED POT-POURRI VASE WITH INTERIOR COVER Painted with pink and red roses by Walter H. Austin. Printed factory marks. Shape number 1286. Date code 1919. Height 25.3cm PROVENANCE: Sotheby’s Belgravia, English Ceramics, September 1977, Lot 295. $1,200-1,800 176 A ROYAL WORCESTER VASE BY KITTY BLAKE Painted with sprays of pink and red cabbage roses. Printed factory marks. Shape number 1748. Date code 1926. Height 17.1cm PROVENANCE: Sotheby’s Belgravia, English Ceramics, June 1977, Lot 361 $300-500 177 A PAIR OF ROYAL WORCESTER VASES AND COVERS BY JOHN FREEMAN Painted with an arrangement of fruits on woodland bank. Printed factory marks. Shape number 1572. Date code 1956. Height 27.3cm PROVENANCE: One from Sotheby’s Belgravia, English Ceramics, July 1976, Lot 259 One from David Jones, Elizabeth Street, Sydney $4,000-6,000

180 A ROYAL WORCESTER POT POURRI VASE AND COVER BY ALAN TELFORD Painted with apples, grapes and leaves on a shaded woodland bank to the entire body. Printed factory marks. Shape number 2048. Circa 1968. Height 24cm PROVENANCE: Prouds, Sydney, 1969 $800-1,200 181 A ROYAL WORCESTER PIERCED VASE BY EDWARD TOWNSEND Painted with a still life of wild strawberries and cherries on a bank, set on three mask and scroll feet, the base and rim pierced. Printed factory marks. Shape number G733. Date code 1937. PROVENANCE: Sotheby’s Belgravia, English Ceramics, December 1976, Lot 172 $600-800 182 A ROYAL WORCESTER SPILL VASE BY ALAN TELFORD Painted with fruit and leaves. Circa 1970. Height 21.5cm PROVENANCE: Prouds, Sydney, 1972. $400-600

183 A PAIR OF ROYAL WORCESTER CYLINDRICAL VASES BY WILLIAM RICKETTS Painted with a still life of fruits including apples peaches and blackcurrants lying on a mossy bank, the reverse with a smaller study. Printed factory marks. Model number G. 42. Date code 1930. Height 21.6cm

189 A GRAINGER & CO. (WORCESTER) SMALL VASE BY JAMES STINTON Painted with two pheasants in a landscape, shaped and gilded border. Printed factory mark. Rd number 382440. Shape number G/1040. Circa 1891. Height 13.5cm $500-700

PROVENANCE: Sotheby’s Belgravia, English Ceramics, September 1975, Lot 161 $800-1,200

190 A PAIR OF UNUSUAL ROYAL WORCESTER VASES AND COVERS Each printed and painted with shaped panels of sprays of roses, cornflowers and grasses, enclosed by slender gilt hareball borders on an overall printed blue daisy ground, scroll handles. Printed factory marks. Shape number 2026. Rd number 327383. Date code 1901. Height 25.4cm

184 A ROYAL WORCESTER TAZZA BY JOHN FREEMAN Painted with peaches, apples, grapes and cherries on a woodland bank within a heavily gilded gadrooned rim and foot. Printed factory mark. Circa 1970. Diameter 22cm; Height 12.5cm PROVENANCE: Christie’s London, July 1978, Lot 43 $400-600 185 A ROYAL WORCESTER OVAL DISH BY THOMAS LOCKYER Painted with ripening fruits lying on a woodland bank, shaped gadroon gilt border. Printed factory marks. Shape number C55. Circa 1920. 31.5 x 19.5cm PROVENANCE: Antiques International Pty Ltd. 389 Park Street, Sydney, 1975. $400-600

PROVENANCE: Sotheby’s Belgravia, English Ceramics, July 1980, Lot 177 $700-900 191 A ROYAL WORCESTER VASE AND COVER BY RICHARD SEBRIGHT Painted with peaches and grapes within gilt floral scroll border, lion mask handles. Printed factory marks. Shape number 2305. Date code 1912. PROVENANCE: Sotheby’s Belgravia, English Ceramics, June 1979, Lot 227 $1,000-1,500

192 A ROYAL WORCESTER TWO HANDLED VASE BY FREDERICK CHIVERS Finely painted with a panel of fruit within raised gilt scrollwork and reserved on a dark blue ground. Printed factory mark, headless glaze. Shape number 1959. Rd number 304839. Date code 1901. Height 29cm $400-600 193 A ROYAL WORCESTER VASE BY WALTER SEDGLEY Finely painted with a woman feeding birds in an Italian garden setting, gilt decoration to the rim and base. Shape number 2765. Date code 1901. Height 25.4cm PROVENANCE: J. Brent Antiques, 730 Preston Old Road, Feniscowles, Blackburn UK $800-1,200 194 THREE ROYAL WORCESTER CABINET PLATES BY HARRY AYRTON, JOHN FREEMAN AND WILLIAM BAGNALL Each with a painted central medallion, one of fruit and blossom, one of summer flowers, and one of a still life of flowers on a table with a wine bottle and glass, with gilt surround and broad gilt and coloured outer band. Printed factory marks. Ayrton, 1951. Bagnall, circa 1929. Freeman, circa 1920-39. Diameter 27cm $300-500

186 A ROYAL WORCESTER CUP AND SAUCER AND PLATE BY ALBERT SHUCK (CUP), HORRICE PRICE (SAUCER) AND EDWARD TOWNSEND (PLATE) Painted with fruits and berries in a woodland bank, gilt undersides. Printed factory marks. $400-600 187 A ROYAL WORCESTER MINIATURE JUG & BASIN BY JOHN FREEMAN Painted with fruits and berries in a woodland landscape. Printed factory mark. $200-400 188 A ROYAL WORCESTER VASE BY JAMES STINTON Painted with a pheasant in a hedgrow. Printed factory marks. Shape number 1047/G. Date code 1906. Height 21.6cm PROVENANCE: 177 Sotheby’s Belgravia, English Ceramics, May 1978, Lot 262 $900-1,200 29

195 TWO ROYAL WORCESTER CABINET PLATES BY ERNEST BARKER AND PAUL STANLEY Each painted with a central medallion of summer flowers framed by a gilt border and broad gilt and blue rim. Printed factory marks. Numbers C2983 and C2742. Diameter 27cm $200-400 196 A ROYAL WORCESTER CABINET PLATE BY RAYMOND RUSHTON Painted with a scene of Windsor Castle within a shaped scalloped gilt rim. Printed factory mark. ‘Windsor Castle’ in script to reverse. Date code 1937. Diameter 26.5cm PROVENANCE: Dunbar Sloane Ltd., 32 Waring Street, Wellington, New Zealand, 1976. $200-400 197 A ROYAL WORCESTER WALL PLATE BY FRANK ROBERTS Painted with pink and red cabbage roses scattered on a woodland bank. Printed factory marks. Date code 1908. Diameter 29.9cm PROVENANCE: Sotheby’s Belgravia, English Ceramics, June 1977, Lot 353 $200-400 198 A ROYAL WORCESTER CABINET PLATE BY RICHARD SEBRIGHT Painted with peaches and grapes in a woodland bank, dark blue gilt border. Printed factory mark. Date code 1938. Diameter 23.5cm $200-400 199 A ROYAL WORCESTER PLATE BY HARRY DAVIS Painted with three Highland sheep in a misty mountainous landscape with heather in the foreground, in a blue rim, gilt border. 20th Century. Diameter 23cm PROVENANCE: Sotheby’s Belgravia, English Ceramics, March 1980, Lot 205 $800-1,200

200 A ROYAL WORCESTER SQUARE SHAPED DESSERT DISH BY ERNEST PHILLIPS Painted with a central reserve of colourful wild flowers, the crimped and scalloped edge richly decorated in dark blue with swags and bows. Printed factory mark, pattern code W6528. Date code 1903. 23 x 23cm $300-500 201 A ROYAL WORCESTER RECTANGULAR WALL PLAQUE BY EDWARD TOWNSEND Finely painted with four Highland sheep in a mountainous landscape beside a loche. Printed factory mark. Artist signature in gold to back. Circa 1975. 16.5 x 24.5cm; Gilt frame $800-1,200 202 A ROYAL WORCESTER OVAL PLAQUE BY FRANCIS CLARK Painted with plums and grapes against a shaded woodland bank. Circa 1975. Length 18.5cm PROVENANCE: Sotheby’s Belgravia, English Ceramics, July 1980, Lot 159 OTHER NOTES: Francis Clark started working at The Worcester factory in 1972. $500-700 203 A ROYAL WORCESTER CIRCULAR PLAQUE BY FRANCIS CLARK Painted with a still life of fruit on a sill, a butterfly hovering below, a landscape beyond. Dyson Perrins Museum paper label certificate of authenticity signed by Henry Sandon of The Royal Worcester Porcelain Company. Circa 1975. Diameter 29.8cm; Framed PROVENANCE: Sotheby’s Belgravia, English Ceramics, July 1980, Lot 169 $500-700 204 A PAIR OF ROYAL WORCESTER CLARET JUGS Each printed and painted with sprays of garden flowers on a shaded apricot ground, the body with gilt bands terminating in bound branch handles. Printed factory marks. Rd number 17049, shape number 1047. Date code 1902. Height 20.6cm PROVENANCE: Sotheby’s Belgravia, English Ceramics, May 1978, Lot 208 $300-500

205 A ROYAL WORCESTER “IVORY” TWO HANDLED VASE Decorated in gilt and heightened in iron-red with a loose bouquet of chrysanthemums. Printed and impressed factory marks. Shape number 982. Date 1888. Height 47cm PROVENANCE: Christie’s King Street, English and Continental Ceramics, July 1978, Lot 65 $400-600 206 A 19TH CENTURY ROYAL WORCESTER EWER Decorated with wild flowers on a blush ivory ground with gilt borders and handle. Printed factory marks. Shape number 1162. Date code for 1889. Height 25cm $300-500 207 A ROYAL WORCESTER FIGURE OF “ISIS” BY GEORGE EVANS The nature goddess sitting on rocks holding a green cloth to cover her nakedness. Printed factory marks. Impressed ‘G. Evans Sc’. Rd number 320255. Date code 1898. Height 27cm PROVENANCE: Sotheby’s Belgravia, English Ceramics, January 1979, Lot 275 $800-1,200 208 A ROYAL WORCESTER EQUESTRIAN MODEL OF A ROYAL CANADIAN MOUNTED POLICEMAN After a model by Doris Lindner, on wooden stand. Printed factory marks, facsimile signature. Number 495 out of a limited edition of 500, with certificate. Model 3805, issued 1966. Height 31.75cm PROVENANCE: Sotheby’s Belgravia, English Ceramics, September 1975, Lot 215 $400-600 209 A ROYAL WORCESTER EQUESTRIAN MODEL OF THE DUKE OF EDINBURGH PLAYING POLO After a model by Doris Lindner, on a wooden base. Printed factory marks, facsimile signature. Model 3163. Number 595 out of a limited edition of 750, with certificate. Dated 1968. Height 40cm $400-600

211

210 A ROYAL WORCESTER EQUESTRIAN MODEL OF ‘HYPERION’ THE RACE HORSE After a model by Doris Lindner, on a wooden base. Printed factory marks and facsimile signature. Number 492 of a limited edition of 500, with certificate. Model 3758, issued in 1963. Height 25.4cm $400-600

211 A RARE KERR & BINNS WORCESTER PLATE BY THOMAS BOTT Painted with the head of Medusa in profile on a deep turquoise ground, within an entwined ribbon and scroll border, the rim gilt. Impressed circular factory mark. Signed and dated in white enamel ‘T. Bott 1863’. Diameter 25.4cm PROVENANCE: Sotheby’s Belgravia, English Ceramics, June 1977, Lot 335

OTHER NOTES: In 1852 two Irish men, William Henry Kerr (1823-1879) and Richard William Binns (1819-1900), took over the management of the Chamberlain & Co. porcelain works in Seven Street Worcester. Thomas Bott was a great enameller born in Kidderminster and worked for Richardsons glass works at Wordsley in 1848 and exhibited at the Great Exhibition in 1851. Mr Binns encouraged him to Royal Worcester in 1853 where he was employed on the Shakespeare service and developed his speciality ‘Limoges Enamels’. His work obtained distinctions in a Paris Exposition Universelle in 1855 and at the London 1862 International Exhibition. He is said to have died from poisoning from licking his brushes. $2,000-4,000

212 MARC CHAGALL (Russian/French 1887-1985) Bouquet au coq jaune, ca 1960 oil on canvas signed lower centre: MARC ChAgAll; verso upper left: MARC ChAgAll 24 x 33cm PROVENANCE: Christie’s, Melbourne, 01 May 2000, lot 300 Private collection, Sydney $300,000-500,000

Bouquet au coq jaune, ca 1960, the only Marc Chagall oil to be sold at auction in Australia, returns to market with Leonard Joel, Sydney on 30th June. The joyous painting Bouquet au coq jaune, ca 1960 is definitively Marc Chagall. It reflects the personal fantasy Chagall created on his canvases. Leitmotifs of entwined lovers, floral bouquet and rooster float within a deliberately ambiguous spatial plane. The vibrant palette and expressive handling of paint demonstrate why Chagall is regarded as a master colourist. Bouquet au coq jaune, ca 1960 was likely painted towards the end of Chagall’s career, around the time he and his second wife Valentina (Vava) moved to the outskirts of Saint-Paul de Vance in 1966. Flowers filled his paintings of this period and his compositions included reference to the village and its ramparts as viewed from his home. It was during this time he painted two large murals for the lobby of the Metropolitan Opera House at Lincoln Centre in New York. Chagall cherished what he called the lumière-liberté, the light of freedom, in the French Riviera. It inspired a joyous renewal of creative possibility which Chagall expressed through a series of sumptuous floral paintings. His paintings, as in the example of Bouquet au coq jaune, ca 1960, were a celebration of life through colour and references to love. As Chagall wrote: “in our life there is a single colour, as on an artist’s palette, which provides the meaning of life and art. It is the colour of love”.

The rooster had long been a symbol in Chagall’s painting, in part referencing his personal identity and nostalgia for his peasant origins. Chagall was born in Vitebsk, Russia, of a large and poor Jewish family. From his background he acquired a repertoire of Russian-Jewish folktales and sentimental attachment to the Jewish religion and traditions. From these elements emerged his profoundly personal and poetic compositions, which were distinct in their lyricism and sentimentality from the avant-garde developments of his peers. Chagall’s artistic development was also informed by the early years he spent in Paris, where he first arrived in 1910 from St. Petersburg. He absorbed the influences of Fauvism and Cubism. Although he departed from the analytical and fragmented representation of form, the fauvist passion for colour remained with him. Chagall also synthesised Surrealism within his practice, with paintings such as Bouquet au coq jaune, ca 1960 appearing as through from a dream, a visualisation of the subconscious. As Pablo Picasso stated: “I don’t know where he gets those images from; he must have an angel in his head”. Jane Messenger Independent Writer

Â© Marc Chagall/ADAGP. Copyright Agency, 2020

213 Â© Lee Krasner/ARS. Copyright Agency, 2020

214 Â© Alun Leach-Jones/Copyright Agency, 2020

213 LEE KRASNER (American 1908-1984) Nude Study from Life, 1938 charcoal on paper signed and dated lower left: Lee Krasner 38 64 x 48cm

214 ALUN LEACH-JONES (b. 1937) The Moon Has Set acrylic on canvas signed, dated and titled on stretcher 121.5 x 152cm

PROVENANCE: Robert Miller Gallery, New York (label verso) Private collection, Sydney $40,000-60,000

PROVENANCE: Rex Irwin Gallery, Sydney (gallery label verso) $6,000-9,000

Â© Garry Shead/Copyright Agency, 2020

215 GARRY SHEAD born 1942 Bettany’s Book oil on board signed lower left: Garry Shead 35.7 x 56.8cm PROVENANCE: Gift of the Artist Thomas Keneally AO, Sydney LITERATURE: Thomas Keneally, “Bettany’s Book”, Doublebay: Sydney, 2002 $25,000-35,000

216 DAVID BOYD (1924-2011) Children Playing in the Garden oil on board signed lower left: David Boyd 45 x 49cm

216 © David Boyd/Copyright Agency, 2020

PROVENANCE: Holdsworth Galleries, Sydney (label verso) Thomas Keneally AO, Sydney $6,000-8,000 217 COLIN LANCELEY (born 1938) The Kingdom of the Snail, 1994 mixed media signed and dated verso, bottom stretcher: Lanceley 1994 titled verso centre top frame PROVENANCE: Gift of the Artist Thomas Keneally AO, Sydney $6,000-8,000 218 JOHN COBURN (1925-2006) Golden Phoenix, 1980 screenprint, ed. 22/40 signed and dated in margin lower right: Coburn ‘80 titled and editioned in margin lower left to centre 57.5 x 48cm PROVENANCE: Thomas Keneally AO, Sydney $800-1,200

217 © Colin Lanceley/Copyright Agency, 2020

219 219 WENDY SHARPE (born 1960) Models in the Studio 2002 oil on canvas signed lower right: W Sharpe signed verso on stretcher: WENDY SHARPE 170 x 137cm

221 EDITH PRITCHARD Approach to the Alter 1958 oil on canvas signed lower right: PRITCHARD signed, dated, titled verso: Edith Pritchard/ 1958 50 x 40cm

PROVENANCE: King Street Gallery, Sydney $8,000-12,000

PROVENANCE: Private collection, Sydney $1,000-2,000

220 WILLIAM ROBINSON (born 1936) William and the Goanna 1993 glazed ceramic signed and dated in glaze lower section: William Robinson/ 93 / Errol Barnes Height 73cm

222 ยง ROBERT KLIPPEL (1920-2001) Untitled 1984 watercolour, pastel on paper signed and dated verso: Robert Klippel 1984 75 x 100cm

PROVENANCE: Private collection, Sydney $10,000-15,000

PROVENANCE: Gift of the Artist; Private collection, Sydney; Leonard Joel, 26 March 2019, Sydney lot 15; Private collection, Sydney $2,000-4,000

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223 CHARLES BLACKMAN (1928-2018) Young Girl Sleeping oil on glass signed lower right: BLACKMAN 28.5 x 37cm PROVENANCE: Savill Galleries, Sydney (gallery label verso) Anthea Polson Art, Mainbeach, Queensland (gallery label verso) $3,000-5,000

224 FRANK HINDER (1960-1992) Lake Fisherman 1939 lithograph signed and dated in stone and insribed lower left: F C HINDER 39 18 x 23.5cm $400-600

225 FRANK HINDER (1960-1992) Detail for the lithograph ‘Office Staff, Canberra’ , c.1942 pencil on paper signed with monogram lower right: FCH inscribed verso lower right: Detail Office Staff, Canberra/ 2nd stone 22 x 20cm PROVENANCE: The Artist Private collection, Queensland $3,000-5,000

227

226 FRANK HINDER (1960-1992) Industrial Buildings 1965 watercolour on paper signed and dated lower right 34 x 24.5cm

227 FRANK HINDER (1960-1992) Study for Christ on the Cross, 1953 oil on board signed and dated lower right: F C HINDER 53 23.5 x 18cm

PROVENANCE: The Artist Private collection, Queensland $1,000-2,000

PROVENANCE: The Artist Private collection, Queensland OTHER NOTES: Inscribed on Cyril’s Framing Studio label verso: 2nd Prize “Blake”/ Sk for “Christ on the Cross” $4,000-6,000

228 FRANK HINDER (1960-1992) First - Egg or Bird? 1976 collage, ink on paper signed and dated lower centre: F.C.H 76 titled lower centre 19.5 x 25cm PROVENANCE: The Artist Private collection, Queensland $800-1,200

231 FRANK HINDER (1960-1992) Happy New Year Card 1982 mixed media on paper signed verso: Frank 22 x 19cm PROVENANCE: The Artist Private collection, Queensland $200-300 232 MARGEL HINDER (1906-1995) Marquette steel, paint Signed verso lower right: M HINDER 23 x 35.5 x 205cm PROVENANCE: The Artist Private collection, Queensland $800-1,200 233 FRANK HINDER (1960-1992) Study for Flight into Egypt 1951 oil on board signed and dated lower right: FC HINDER 51 18 x 24cm PROVENANCE: The Artist Private collection, Queensland $4,000-6,000 234 FRANK HINDER (1960-1992) Fantasy 1956 oil on board signed and dated lower right: ‘56/ FC HINDER 15 x 19.5cm

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229 FRANK HINDER (1960-1992) Upsidedownia Thank You Card ink, pencil, watercolour on paper signed centre bottom: Frank inscribed top left to right: Des, many thanks for the card./ Getting well? at our age it is/ hard;/ But support for the feet/ And able to speak -/ “Upsidedownia”- /A virus-full card 23.5 x 9cm PROVENANCE: Gift of the artist Private collection, Queensland $300-500

230 FRANK HINDER (1960-1992) Christmas and New Year card 1988 New Years Eve card 1984 New Years Eve card Birthday card variable PROVENANCE: The Artist Private collection, Queensland $100-200

PROVENANCE: The Artist Private collection, Queensland $3,000-5,000 235 FRANK HINDER (1960-1992) New Year’s Eve card 1978 New Year’s Eve card 1983 New Year’s Eve card 1981 Letter 1989 Letter May 1989 sizes variable PROVENANCE: The Artist Private collection, Queensland $100-200

234

236 ELAINE HAXTON (1909-1999) Coastal Scene 1987 etching, aquatint, ed. 1/12 signed and dated in margin lower right: ELAINE HAXTON 78 20 x 34.5cm

237 LLOYD REES (1895-1988) Old Medical School University of Sydney etching, ed. 68/90 signed, dated and titled in bottom margin: Lloyd Rees/ 1922-76 15 x 10cm

PROVENANCE: The Johnstone Gallery, Brisbane Private collection, Queensland $150-250

PROVENANCE: Private collection, Queensland $100-200

238 REGINALD (RAH) FIZELLE (1891-1964) landscape watercolour on paper signed lower right: R Fizelle 26 x 36.3cm $800-1,200

25 part 43

239 239 ALBERT HENRY FULLWOOD (British/Australian 1863-1930) River Bank Putney c. 1905 oil on canvas 45 x 60cm PROVENANCE: Joseph Brown Gallery (gallery label with certificate of authenticity reverso, signed by Geoffrey Barr Fullwood) Private collection, Queensland OTHER NOTES: Certificate of authenticity on reverse, signed by Geoffrey Barr Fullwood. Academy of Arts Pty. Ltd, Sydney, label verso frame $3,000-5,000

240 JOHN SKINNER PROUT (British/Australian 1805-1876) Two People Walking Over a Bridge watercolour, pencil, gouache on paper signed lower left: J S Prout 14.6 x 22cm PROVENANCE: Masterpiece Fine Art Gallery and Antiques, Hobart, 1991 (gallery label verso) Private collection, Queensland OTHER NOTES: Robin Hood rolled veneer birdseye huon pine frame $1,000-2,000

241 THE WEDDING oil on board Dutch 17th Century 29 x 36cm $6,000-8,000 242 TWO STILL LIFES OF BASKET OF FLOWERS IN THE LANDSCAPE oil on canvas Dutch, late 18th century 74.5 x 92cm $2,000-4,000 243 after CLAUDE-JOSEPH VERNET Fishing Scene oil on canvas 62 x 91cm $1,000-2,000

244 A(LEXANDER) MELVILLE (British 1823-1892) Portrait of a Queen Victoria, 1861 oil on canvas signed and dated lower right: A Melville 1861 39 x 29cm $2,000-4,000 245 PORTRAIT OF A YOUNG WOMAN pastel on paper board 64 x 47cm $1,000-2,000 246 FLORA oil on canvas European 18th-19th century Each: 33 x 28cm $1,000-1,500 247 CHARLES BLACKMAN (1928-2018) Alice in the Garden A/P, screen print on paper signed in margin lower right: Blackman 57 x 78cm

241

PROVENANCE: Private collection, Sydney $1,500-2,500 248 CHARLES BLACKMAN (1928-2018) Golden Alice 1998 A/P, screen print on paper signed in margin lower right: Blackman 82 x 57.5cm PROVENANCE: Private collection, Sydney $2,000-3,000 249 FRANCO ANSELMI (Italian 1950) L’Ora del Cocktail 2005 oil on board signed and dated verso, lower right: Franco Anselmi 05 122 x 90cm (irreg) $600-800

242 (pair)

250 ERMANNO VANNI (Italian, born 1930) Bimbo Sul Sulmuretto 1963 oil on board signed lower right: E Vanni 68 x 98cm PROVENANCE: Galleria D’Arte, Rome (gallery label verso) Private Collection, Sydney $500-700

255

251 ERMANNO VANNI (Italian born 1930) Figura oil on canvas signed lower left: E VANNI 79 x 49.5cm $400-600 252 LANCE SOLOMON (1913-1989) Grey Gum c.1945-1951 oil on canvas board 38 x 43.5cm PROVENANCE: Marodian Gallery, Brisbane Queensland Art Gallery, Brisbane, 1951-2005 (gallery deaccession label verso) Deutscher Menzies, Melbourne, 22 February 2006, lot 195 Private collection, Brisbane $600-800

253 FRANK SEYMOUR Quinces 2010, photo polymer and chine colle, ed. 10/10 Magnolia 1997, aquatint Magnolias II 1998, aquatint etching, ed 5/20 Vessels 2012, printed in colour, ed. A/P 20 x 29cm; 10 x 15cm; 19.5 x 16.5cm; 28.7 x 21cm $250-350 254 ELIANO FANTUZZI (Italian 1909-1987) Untitled (Girl in the Night with Cars) oil on canvas signed lower right: Fantuzzi 79 x 59cm $600-800 255 JASPER KNIGHT (born 1978) National Stadium Line 2008 acrylic, enamel on board signed and dated verso: 2008/ [artist’s signature]” 120.5 x 120cm PROVENANCE: Peter Walker Fine Art, Adelaide $6,000-8,000

256 JANYKA IVY NIXON c.1935-2004 Untitled 1999 acrylic on canvas inscribed verso Mankaja Arts Resource Agency catalogue number: PC 145-99 111 x 111cm PROVENANCE: Mankaja Arts Resource Agency (catalogue number verso); Private collection; Sotheby’s, Melbourne, 24 July 2007, lot 211; Private collection, Sydney $4,000-6,000 257 JACK VETTRIANO (born 1951) (At the Bar) 50.5 x 40cm signed in margin lower right: Jack Vettriano PROVENANCE: Private collection, Sydney $350-450

258

258 RAMMEY RAMSEY (born 1935) Warlawoon 2000 ochres and pigments with acrylic binder on board 81.5 x 122cm PROVENANCE: William Mora Galleries, Melbourne (gallery stamp verso) Private collection, Sydney $3,000-5,000 259 JEREMY PIERT The Annunciation Sponsored by... 2007 mixed media on canvas signed and dated verso, lower left: JP/ Jeremy Piert/2007 151 x 120cm PROVENANCE: Peter Walker Fine Art, Adelaide Private collection, Sydney $1,000-2,000

260 after PABLO PICASSO (Spanish/French 1881-1973) Lâ&#x20AC;&#x2122;Atelier de la Californie; Olga en Costume Turc 1955 Two colour lithographs (unsigned, uneditioned) dated in stone upper right 26.5 x 41.5cm; 39.5 x 25cm $400-600 261 WILLIAM MACKINNON After Rothko 2013 oil on canvas signed, dated, titled verso: William Mackinnon 2013 160 x 140cm PROVENANCE: Hugo Michel Gallery, Adelaide $8,000-12,000

262 VOLKER KUHN (German, born 1948) Homage to Modigliani mixed media, ed .32/150 signed, titled and editioned on mount 25.5 x 13.5cm PROVENANCE: Trevor Victor Harvey, Sydney $800-1,200 263 HELENE VALENTIN (French 1927-2012) Mountain and Wind, 1984 (diptych) oil on canvas signed, dated, title verso stretcher and canvas 38 x 31cm $800-1,200 264 ABSTRACT mixed media on paper signed lower right: illeg 36 x 29cm $600-800

271

265 KOSON OHARA (Japanese 1877-1945) Sparrowhawk ink and brush on paper on card 20.5 x 8.5cm PROVENANCE: Japanese Gallery, Kensington Church St., London (stamp verso backing board) $250-350 266 A 19TH CENTURY CAPO-DI-MONTE RECTANGULAR LIDDED TABLE CASKET Traditional decoration in relief of biblical inspired vignettes, with raised gold borders, gilt metal mounts with lock. Gold factory mark to base. Width 24cm; Depth 14cm; Height 12cm $200-400 267 A PAIR OF SMALL STAFFORDSHIRE SPANIELS Each with a smaller companion, traditionally decorated in red, blue and standing on a blue oval base. Height 16cm $200-400

280

268 A VIENNESE PORCELAIN CHOCOLATE POT The balister body painted with traditional figures in a landscape and sprigs of flowers. Blue underglazed Bindenschild mark to base. 1770-1810. Height 16cm $200-400 269 A PAIR OF LATE 19TH CENTURY SAMSON SHEPARD AND SHEPARDESS BOCAGE FIGURINES The figures are in Chelsea style and show a Shepard with a dog at his feet and a Shepardess with a sheep. Both standing against a tall green screen with white colour-tipped flowers. Both figures are marked with small gold anchors to the base of the tree which were frequently used by Samson circa 1880. Height 28cm $400-600

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270 A LATE 19TH CENTURY HEREND PORCELAIN CACHEPOT Basket weave, shaped wim, the body painted with sprigs and bouquets of flowers, mask handles; round tool painted factory mark. Circa 1880. Height 11cm $200-400 271 A WEGELY TEAPOT The lid and body decorated with flower blossoms in relief. The handle designed as a branch. Underglazed blue factory mark to base. Berlin, 1751-1773. Similar example: Hetjens Museum, Dusseldorf Note: Wegely factory founded by Wilhelm Casper Wegely in 1751, closed in 1757 when he became involved with the Meissen factory. Height 9cm $500-700

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272 A WEGELY DISH AND PAIR OF WEGELY TEACUPS AND SAUCERS The dish square with cut corners, the underside of the body decorated in relief of flowers and vines. Underglazed blue factory mark to base. The teacups and saucers each decorated in relief of flowers and vines, the handles designed as branches. Underglazed blue factory mark to both cup and saucer. Berlin, 1751-1757. Dish 13 x 13cm; Diameter of saucers 14.5cm; Height of teacups 5cm $500-700 273 A PAIR OF MEISSEN MOCHA CUP AND SAUCERS Decorated with applied forget-me-nots and painted with insects and flowers, both the cup and saucer standing on six naturalistic form feet. Underglazed blue crossed swords mark to base of each. Circa 1850. Diameter of saucer 14cm; Height of cup 5cm $300-500

274 A MEISSEN CHOCOLATE POT AND COVER Flower finial to the domed lid, the baluster body decorated with sprigs and bouquets of flowers and leaves. Underglazed blue crossed swords mark to base. Early 20th Century. Height 16cm $300-500 275 SIX MEISSEN PLATES With moulded ozer borders, painted sprigs of flowers. Underglazed blue crossed swords mark. Circa 1760. Diameter 24.5cm $800-1,200 276 A PAIR OF DESSERT BOWLS Shaped border painted with sprigs of flowers. Underglazed blue crossed swords mark. Late 18th Century. Diameter 23cm $100-200 274

283 OVAL FRAMED PORTRAIT OF GENERAL WILLIAM JESSER COOPE hand-coloured photolithograph British 19th century 22 x 17cm $250-350 284 AN ENGLISH REGENCY MAHOGANY BRACKET CLOCK Decorated with brass milay. The painted round dial with roman numerals and ‘R. RESTELI 25 High Street, CROYDON’. The silk lined guilded sound frets bordered in ebony. The back plate with engraved border, bell strick with original key and carrying handle on four ball feet. England, circa 1810. Height 42cm $800-1,200 285 A FRENCH STRIKING CARRIAGE CLOCK With white enamel roman numeral dial, blued steel moon hands. An 8 day movement. The enamel dial marked ‘Payne & Co. 163 New Bond St, London’. Also engraved on the back plate. With original leather travelling case and key. Height 11.5cm $400-600 286 A PAIR OF EDWARDIAN SILVER PLATED EGG TOPPERS With ring handles stamped ‘WH’, probably William Hutton & Sons Ltd., Sheffield. England, circa 1910. $80-120 284

277 A PAIR OF MEISSEN DESSERT BOWLS With moulded ozer border and painted with sprigs of flowers. Underglazed blue crossed swords mark. Circa 1730. Diameter 27.5cm $200-400 278 A PAIR OF LARGE MEISSEN SERVING DISHES Round with ozer border, painted with sprigs and bouquets of flowers. Underglazed blue crossed swords mark. Circa 1760. Diameter 34.5cm $500-700 279 A MEISSEN SERVING BOWL Moulded ozer border, painted with sprigs of flowers. Underglazed blue crossed swords mark. Circa 1760. Diameter 24.5cm; Height 5cm $200-400 50

280 A MEISSEN LIDDED TUREEN Circular, applied decoration of fruit and flowers, painted with sprigs and bouquets of flowers, cut lemon finial, vine handles. Underglazed blue crossed swords mark. ‘Marcolini Period’ 1774-1815. Diameter 23cm; Height 20cm $1,500-2,500 281 PORTRAIT OF A GENTLEMAN; PORTRAIT OF A LADY; PORTRAIT OF JULIA WEINAFF 1854 hand-coloured photolithographs on paper British 19th century $400-600 282 PAIR OF FRAMED PORTRAITS hand-coloured photolithographs on paper British 19th century 12.5 x 9cm $300-400

287 A GREEN TOOLED LEATHER COVERED CIRCULAR STRING BOX Decoration to the lid and with a compartment of scissors on the side. Stamp to base ‘The General Trading Co. (Mayfair) Ltd., Grantham Place. Park Lane. W1.’ Diameter 14cm; Height 14cm $80-120 288 A GOOD 19TH CENTURY ARMCHAIR Applied classical metal mounts, turned front legs, caned seat. Circa 1810. $100-200 289 A REGENCY PERIOD GAMES/WORK TABLE The flap top revealing a chess board. With single drawer above a pull-out work bin. On column supports, stretched base on four scroll feet. England, circa 1810. Width 54cm; Depth 38.5cm; Height 73cm $400-600

290 A REGENCY MAHOGANY SOFA TABLE The top with walnut crossbanding, two rectangular pillar side supports each with two feet terminating in brass lion claw castors. Two drawers. England, circa 1815. Width (extended) 136cm; Depth 65cm; Height 73cm $400-600 290A A 19TH CENTURY DUTCH DISPLAY CABINET With decorative floral marquetry work, moulded shaped cornice over glazed astragel door and canted corners. The interior with a fitted shaped shelf above a two door cabinet below. Netherlands, circa 1800. Width 61cm; Depth 25cm; Height 63.5cm $2,000-4,000 291 A 17TH CENTURY ITALIAN WALNUT PRIE-DIEU The rectangular hinged top with gadrooned edge above the apron and carved rosettes on turned supports. The base with a hinged lid enclosing a compartment on a platform base with gadrooned edge and molded plinth. Italy, circa 1680. Length 71cm; Width 30cm; Height 82cm PROVENANCE: Csakyâ&#x20AC;&#x2122;s Antiques, 20 Pimlico Road London The Collection of J.O Fairfax $1,000-2,000

290A 292 AN EARLY 16TH CENTURY ITALIAN CASSONE The multi-panelled walnut body with an applewood plank top supported by two plank feet with iron supports. Northern Italy, circa 1620. Width 210cm; Depth 46cm; Height 76cm $4,000-6,000

293 ITALIAN WALNUT COFFER Italian Renaissance walnut cassone low coffer, simple design with five panel front and panel sides. Two large lion front feet, wood, original patina. Tuscany, mid-16th Century. Width 184.5; Depth 60cm; Height 59cm PROVENANCE: di Clemente, Florence, Italy $1,500-2,500

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301 A FINE QUALITY WALL MOUNTED WALNUT DISPLAY CABINET The bow fronted glazed door with beveled glass and gilt metal slip, curved glass sides with applied gilt metal mounts. Adjustable glass shelves with metal hanging bracket. W116cm x D42.5cm x H57.5cm $500-700 302 A JAPANESE NUT IVORY CARVING OF A CARP Length 5.5cm $100-150 303 A COLLECTION OF ORIENTAL ITEMS A finely carved nut ivory pendant in the form of two interwinged fish; A carved Chinese jade pendant of gourds and foliage; A ming blue and white and silver pill box purchased from Charlotte Horstman Ltd, Hong Kong, 1979; and a hard stone seal. $200-400 304 A COLLECTION OF MIDDLE EASTERN STONE AND BRONZE FIGURES $100-150 305 AN ANTIQUE BRONZE FIGURAL GROUP In the form of an exotic bird surmounted by four sitting birds on perspex stand. Height 7cm $60-80 291

294 ITALIAN WALNUT COFFER Italian Renaissance walnut cassone low coffer, simple design with five panel front and panel sides. Two large lion front feet, wood, original patina. Tuscany, mid-16th Century. Width 161cm; Depth 61cm; Height 59cm PROVENANCE: di Clemente, Florence, Italy $1,500-2,500 295 A 17TH CENTURY WALNUT CASSETONE Carved column supports with the typical Renaissance method of pegging throughout, three drawers, original hardware and key, shaped brack feet. Bologna, circa 1670. Height 94cm; Width 99cm; Depth 40cm $3,000-5,000 296 ITALIAN WALNUT ARMCHAIR Northern Italy. $800-1,200

297 A PAIR OF WHITE PAINTED FRENCH ARMCHAIRS Decorated with carved flowers and scrolls, highlighted in gilt. Upholstered in cream check fabric. $400-600 298 A PAIR OF HENRI II STYLE OAK FAUTEUILS Carved with acanthus scroll feet with a revealed ‘H’ stretcher. France, circa 1860. $2,000-3,000 299 A CHINESE EXPORT TEA TABLE With cabriole legs carved with dragons. Circa, 1930. 90 x 72 x 77cm $600-800 300 A GEORGIAN WALNUT HO HO WALL MIRROR A George II mahogany and parcel gilt wall mirror with a rectangular plate within a gilt slip moulded frame with fret carved borders and pierced bird cresting. 70 x 44cm $400-600

306 A COLLECTION OF EIGHT BRONZE OPIUM WEIGHTS In the form of birds and exotic animals. $80-120 307 A BLUE AND WHITE CHINESE BOWL Diameter 24cm $80-120 308 A NANKING CARGO BLUE AND WHITE BOWL Decorated with landscape pattern. With Christie’s label to base. Diameter 15cm; Height 7cm $80-120 309 A FINE QUALITY JAPANESE SATSUMA BOWL Decorated with flowers, burgundy and gilt shaped rim. Diameter 12cm; Height 5cm $200-300

310 TWO PIECES OF JAPANESE ART POTTERY Both heavily glazed in blue, grey and brick red hues. The bowl with a circular foot supported by the drip glaze. The vase of baluster shape. Both with impressed artist’s marks. Height vase 18cm; Height bowl 12cm $300-500 311 A CHINESE POTTERY FIGURE OF A NOBLE WOMAN With a green glazed skirt and orange shawl. Height 26cm $60-80 312 A FINE CHINESE CARVED JADE BOWL ON STAND IN BOX Diameter 10cm; Height 4.5cm $100-150 313 A CHINESE HUNG NU MINIATURE TABLE Rosewood with marble insert. 19th Century. Width 25cm; Depth 12.5cm; Height 6cm PROVENANCE: R & V Tragaskis $200-300 314 A THAI BRONZE BUDDHA HEAD ON WOODEN STAND Height 11cm $100-150 315 AN EGYPTIAN POTTERY PHAROAH FIGURE ON WOODEN STAND Height 9.5cm $60-80

316 A COLLECTION OF GOUDA POTTERY A wall plaque decorated with a central stylised peacock with a surround of flowers, signed ‘Regina, WB’ and numbered 1184, diameter 24cm. Another smaller with floral decoration signed ‘Rosario’ and numbered 471, diameter 21cm. And a cup, saucer and plate of traditional foliate design with a dark border, signed ‘Rosario’ and numbered 1210 and 1080. Gouda, Holland $200-400 317 A PAIR OF GOUDA TWO HANDLED VASES Traditional floral decoration on a cream ground, black glazed fool handles and rim. Signed ‘Regina, Avisa, Gouda, Holland’ and numbered 341. Height 36cm $300-500 318 A LIMOGES ENAMEL PLAQUE Rectangular, convex, depicting trees on a riverbank, signed lower left ‘Bonhomme, LIMOGES’. France, 20th Century. Plaque size 12cm wide x 17.5cm high; Frame size 23.5cm wide x 28.5cm high $200-400 319 A ROYAL COPENHAGEN REPRODUCTION PORCELAIN PLAQUE From the original ‘Drommen om Italien: Farverne og Duftene’, 1833, by J. L. Jensen (1800-1856). Depicting a bouquet of flowers on a ledge. Limited edition 1715/7500. Plaque size 27cm wide x 21cm high; Frame size 39.5cm wide x 33.5cm high $200-400

320 A FINE BACCARAT CRYSTAL TABLE CANDELABRA Two pendant light fittings with lustre drops and a central cut crystal. Height 33cm $600-800 321 A FESTIVAL ART GLASS VASE BY OLA AND MARIE HOGLUND With circular decoration in yellow and blue. Signed in script to base ‘ O & M Hoglund ‘02’. Height 25cm $1,000-2,000 322 A “CANE” FREE BLOWN ART GLASS VASE BY OLA & MARIE HOGLUND In colours of blue and green. Signed and dated ‘O & M Hoglund America’s Cup 2003’ in script on base. Height 40cm $700-900 323 A CARLO MORETTI MURANO BLUE ART GLASS VASE Sandblasted effect to the main body of the vase with polished red rim. Signed in script to the base ‘Carlo Moretti’ with Accademia Fine Art label to base. Circa 1960. Height 28cm $600-800 324 SIX LALIQUE TUMBLERS With frosted leaf and scroll decoration. Each signed in script to base ‘Lalique France’. Height 10.5cm $100-150 325 A CIRCULAR STERLING SILVER PHOTO FRAME Hallmarked ‘Birmingham 1906’. $60-80

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322

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326 THREE ANTIQUE ENGLISH STERLING SILVER SPOONS Maker Thomas Wallis, London, 1709. Maker T & W Chawker, London, 1768. Maker unknown, London, 1769. $60-80 327 A PAIR OF ENGLISH STERLING SILVER BERRY SPOONS Maker Solomon Hougham, hallmarked London 1808. Together with a coin set toddy ladle circa 1800. $60-80 328 THREE BOXES OF DANISH SILVER AND COLOURED ENAMELED TEA SPOONS AND FORKS Two boxes of six Danish sterling silver and coloured enamel tea spoons and one box of six forks. Each stamped ‘Danish Sterling 925’. $80-120 329 FOUR SWEDISH SILVER SERVING UTENSILS Three are by Evald Nielsen. $60-80 330 A PAIR OF GEORG JENSEN & WENDEL SALAD SERVERS Sterling silver handled ‘Lily of the Valley’ pattern salad servers. Stamped ‘Georg Jensen & Wendel A/S Sterling Denmark’. Denmark, 1945 - 1951. $80-120

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331 A GEORG JENSEN STERLING SILVER CREAM LADLE Designed in 1912. Stamped ‘21 Georg Jensen Sterling Silver Denmark’. Together with a Georg Jensen ‘acorn’ pattern butter knife and a pair of sterling silver handled grape scissors. Length 12cm $100-150 332 A BRASS CARRIAGE CLOCK With ornate brass front plate with applied scroll decoration, white enamel dial with roman numerals. Height 15cm $80-120 333 A TURKISH KILIM Traditional geometric design 270 x 170cm $500-700 334 A KASHMIR WOOLLEN SILK AND COTTON CARPET 186 x 124cm PROVENANCE: M. Raza & Sons, India, 1981 $800-1,200

335 TEKKE CARPET CIRCA 1890 Turkistan 157 x 114cm PROVENANCE: I & B Perryman Oriental Carpets, Woollahra $2,000-4,000 336 A FINE TEKKE CARPET CIRCA 1890 Turkistan 103 x 94cm $1,600-2,000 337 AFSHAR CARPET CIRCA 1900 South-west Persia 173 x 123cm PROVENANCE: I & B Perryman Oriental Carpets, Woollahra $2,000-4,000 338 A SADDLE BAG AND SHOULDER BAG $200-400 339 A TURKISTAN TRIBAL CARPET Traditional tribal design 184 x 85cm $300-500 340 A PERSIAN TRIBAL STORAGE SACK $100-200

CONDITIONS OF BUSINESS - SUMMARY To be read in conjunction with our General Conditions of Business as displayed during the viewing and auction. Special Conditions of Sale – Jewellery Jewellery and watches offered by Leonard Joel are sometimes accompanied by an Independent valuation as stated in the catalogue. These valuations are conducted by registered valuers and are offered purely as independent opinions. Variation may be found as to the colour, clarity and size of stones described in these reports, consequently Leonard Joel does not guarantee these Independent Valuations. Where stones can be weighed accurately, weights will be provided. Weights of set stones are estimates only and are provided to the best of our technical ability. Gram weight on gold and other precious metals are also given as an approximation. Wristwatches and pocket watches are offered in there current condition and Leonard Joel does not guarantee that they are in working order. Items may be thoroughly inspected during the viewing period or by prior arrangement. GST In the event that the vendor is registered for Goods & Services Tax (GST), the invoice to the buyer will provide a separate entry for the GST which is included in the purchase price. All Leonard Joel charges for services referred to in this catalogue are exclusive of GST. Overseas buyers may be entitled to a rebate for GST charged. For further information contact: Marie McCarthy accounts@leonardjoel.com.au Admission Leonard Joel has the right at its sole discretion without assigning any reason therefore to refuse admission to the premises or attendance at any of its sales of any person. Commission (Absentee) Bids Leonard Joel will execute absentee bids when instructed. Lots will be bought as cheaply as allowed by other bids and/ or reserves. Telephone Bidding Buyers interested in bidding by telephone should contact Leonard Joel as soon as possible. Please note that telephone bidding facilities are available on a first-come, first-served basis. Bidder Registration To recognise bidders during the sale all intending buyers are required to complete a Bidder Registration Form providing full photo identification and appropriate references if required before the Sale which will enable them to bid by way of a numbered paddle allocated to them. Buyer’s Premium There will be a buyer’s premium added to all purchases. The buyer’s premium will be calculated at the rate of 24% of the hammer price on each lot. This is inclusive of GST. The buyer’s premium is reflected by a reduction in the Seller’s Commission and is a common practice throughout Australia and overseas. Property subject to the Artist Resale Royalty Lots with the § sign will be subject to payment of the Artist Resale Royalty in the event that the lot is sold for a hammer price of $1,000 or more. The Australian Resale Royalty is a flat rate of 5 percent (5%) levy on the hammer price (including GST). The Australian Resale Royalty is payable by the buyer in addition to the buyer’s premium plus applicable GST. Damage Any viewer who damages a Lot will be held liable for all damage caused and shall reimburse Leonard Joel for all costs and expenses relating to rectification of such damage.

Title Leonard Joel guarantees good title to all lots. Warranties and Condition Reports. Condition reports will be available for any lot upon request, subject to conditions. Estimates Estimates are a reflection of Leonard Joel’s opinion of the current market values, based on historic and current market realisations of similar lots. Estimates are inclusive of any GST, which may be applicable. Actual prices at this sale may fall short or exceed the estimates. Payment In any event accounts must be settled with Leonard Joel no later than 4pm two days after the auction. Attention is specifically drawn to condition 21 of the Buyer’s Conditions of Sale. Payment may be made by way of cheque, most credit cards, eftpos or telegraphic transfer. Please note: payments made by cheque are subject to a 5 day clearance before goods can be collected. Credit card fees may apply. Bank telegraph transfers should be directed to: Account name: Leonard Joel Pty Ltd Address: Westpac Banking Corporation 150 Collins Street Melbourne, VIC 3000 Australia BSB: 033-364 Account no: 942956 Collection of Lots Purchased lots must be collected no later than two days after the auction; otherwise lots shall be moved to storage at the Buyer’s expense (see below). Lots are at the Buyer’s risk from the fall of the hammer. It is strongly advised that overseas and interstate purchasers and absentee bidders make their arrangements with Leonard Joel in advance of the Sale. Charges are outlined below and are quoted in Australian dollars. Removal and Storage Any lots not collected within two days after the auction, may be stored or resold at the Buyer’s expense. Removal Charges Each lot

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Protection of Movable Cultural Heritage Act 1986 (PMCH Act). Buyers should be aware of the PMCH Act which protects Australia’s heritage of movable cultural objects and supports foreign countries’ right to protect their heritage of movable cultural objects. The PMCH Act regulates the export of nationally significant heritage objects, it is not intended to restrict normal and legitimate trade in cultural property, and does not affect an individual’s right to own or sell objects, within Australia. The PMCH Act was enacted in response to the 1970 UNESCO Convention on the Means of Prohibiting the Illicit Import, Export and Transfer of Ownership of Cultural Property. It is the responsibility of the Buyer to ensure that the export of any lots purchased are not subject to, or in breach of, this Act.

Information about the PMCH Act, the Protection of Movable Cultural Heritage Regulations 1987 and the 1970 UNESCO Convention, can be found on the Department of the Environment, Water, Heritage and the Arts website at: http://www.environment.gov.au/heritage/movable/index.html Exporting Significant Australian Cultural Heritage The export of Australia’s significant cultural heritage is regulated under the Protection of Movable Cultural Heritage Act 1986 (PMCH Act.) It is not intended to restrict normal and legitimate trade in cultural property and does not affect an individual’s right to own or sell within Australia. The PMCH Act implements a system of export permits for certain heritage objects defined as ‘Australian protected objects’. More information is available on the Department of the Environment, Water Heritage and the Arts’ website: http://www.arts.gov.au/movable_heritage Enquiries can be made to the Cultural Property Section at the Department of the Environment, Water, Heritage and the Arts, phone 02 6274 1810 or email movable.heritage@environment.gov.au CITES Regulations It is the buyer’s sole responsibility to comply with all export and import regulations relating to your purchases and also to obtain any relevant export and/or import licences. The refusal of any import or export licences, any delay in obtaining such licences or any limitation on your ability to export a lot shall not permit the cancellation of the sale. Please note that all lots marked with the symbol * are subject to CITES regulations when exporting these items outside of Australia. Information about these regulations may be found at www.environment.gov.au/biodiversity/trade-use/cites/index. html or may be requested from: The Director International Wildlife Trade Department of Sustainability, Environment, Water, Population and Communities GPO Box 787 CANBERRA ACT 2601 Recommended carrier for this auction Daniel Hochberg PACK & SEND Kings Cross Shop 3, 200 William St, Woolloomooloo, NSW, 2011, Australia T: (0)2 9331 2700 | F: (0)2 9331 3700 E: kingscross@packsend.com.au www.packsend.com.au/kingscross Peter Orinuela GRACE FINE ART T: 1300 766 233 | E: porinuela@grace.com.au

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PHOTOGRAPHY Adam Obradovic Henry Murphy

LUXURY John Dâ&#x20AC;&#x2122;Agata F.G.A.A., Head of Department

GRAPHIC DESIGN Maria Rossi

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4 A FRANCIS PERIGAL GOLD AND ENAMEL QUARTER REPEATING CYLINDER WATCH $8,000-12,000

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