JAN/FEB/MAR 2013
ISSUE 9
Life
When Art Colours
We meet Chevalier Paul Camilleri Cauchi
100 Years of Marching
Nadur’s landmark event
PAGE 33
DANCING FOR SURVIVAL
Safeguarding a legacy
Character / Spirit / Foundations / Inspiration / Calendar / Through the Keyhole
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EDITOR'S NOTE
ISSUE 9
new lease of life! Editor Coryse Borg Editorial Consultant Jo Caruana Publisher Gozo Tourism Association info@islandofgozo.org www.islandofgozo.org Advertising Gozo Tourism Association sales@letsgozo.com.mt Art Director John Falzon Design Keen Limited www.keen.com.mt Contributors Pia Zammit Photography George Saguna Pre-Press & Printing Progress Press
As the saying goes, ‘a new broom sweeps clean' and at Let’s Gozo we’re looking forward to making a clean sweep into 2013 – so welcome to our first issue of the year. From exciting events and interesting people, to the best ways to slot some relaxation into your life, you’ll read all about it in the pages of our January edition. This month we meet a real character – Chevalier Paul Camilleri Cauchi – who lives in Victoria but has left his mark on countless churches (and more) across the islands. This talented artist tells his story to Jo Caruana on page 6. Pia Zammit spent time with Consiglia Azzopardi, a lace specialist who is doing everything she can to promote and protect Gozo’s lace heritage. Her article is on page 16. Meanwhile, I met up with members of the Gozo Photographic Association to learn about life through the lens, and also caught up with members of il-Kummitiva, a delightful Carnival tradition that’s being kept alive by the Xaghra community. And for those of you looking for a relaxing start to the year, Jo also took a trip to the new hammam within the Kempinski resort and made a definite resolution to slot in some ‘me-time’. Find out why on page 38. So let’s embrace the excitement of the new year and make 2013 a brilliant one. Let's Gozo!
ON THE COVER
Chevalier Paul Camilleri Cauchi explains why art has coloured every aspect of his life. Photo by George Saguna
Let’s Gozo is published by the Gozo Tourism Association every two months on Sunday with an audited circulation of 39,500 copies distributed with the Sunday Times of Malta. Reproduction in whole or in part without written permission from the Publisher is prohibited. All rights reserved. Dates, information and prices quoted are believed to be correct at time of going to press but are subject to change and no responsibility is accepted for any errors or omission. Neither the editor nor publisher accept responsibility for any material submitted, whether photographic or otherwise. While we endeavour to ensure that firms and organisations mentioned are reputable, the editor can give no guarantee that they will fulfil their obligations under all circumstances. This publication is supported by the Ministry for Gozo.
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contents
January/February ‘13
42
THROUGH THE KEYHOLE A look at the latest events that have taken Gozo by storm.
06
CHARACTER:
As The Sun Colours The Flowers, So Does Art Colour Life
06
Jo Caruana meets Chev Paul Camilleri Cauchi to discover why this saying has inspired his whole life, as well as his work.
10
SPIRIT:
100 Years of Marching Nadur is getting ready for a landmark event.
16
SPIRIT:
Amazing Lace
10
Pia Zammit discovers everything she has ever wanted to know about the wonderful craft of lace-making.
22
FOUNDATIONS:
The Rebirth of a Bastion Let’s Gozo trails the painstaking – but brilliant – business of fortifying a city anew.
28
16
SPIRIT:
Capturing Gozo’s Glory Photography enthusiasts hope to put Gozo on the local and global map.
33
FLAVOURS:
Dancing for Survival Coryse Borg learns about the last surviving Carnival dance on Gozo.
38
INSPIRATION:
Relaxation Inspired By The East Jo Caruana finds a whole new way to relax, at Gozo’s first authentic Oriental Hammam.
42
22
33
CALENDAR OF EVENTS:
Just Round the Corner Get your diaries out as we chart the must-attend events of Gozo’s upcoming calendar.
www.letsgozo.com.mt 5
CHARACTER
As The Sun
Colours the Flowers, So Does Art
Colour Life The above saying is one that has inspired artist Paul Camilleri Cauchi throughout his life. Here he chats to Jo Caruana about his exciting career and highlights, from his time as a school art master to the day he handed one of his beautiful works over to the Pope. 6 Let’s Gozo January & February 2013
CHARACTER
Chev Paul Camilleri Cauchi mostly works from his Victoria studio, creating a variety of artistic works. His predominant focus is religious imagery, such as this painting below.
I'm rushing through Victoria on a busy day when I find myself in Chevalier Paul Camilleri Cauchi’s front room. Of course I’m not there by chance but to interview the well-known artist himself, and I am thrilled to be given such a lovely welcome by him and his charming wife Mary Rose, who immediately makes me feel at home and brings me a muchappreciated cup of tea. Just through the front door and already I am in awe of Paul – his artistic talent is evident in every painting and creation that lines the walls or surface of this entrance space. From vibrant canvasses that evoke the atmosphere of celebration, to the more sombre representations of religious icons, there’s a full spectrum to take in and it really is illustrative of the artist’s talents. Perhaps I should start with an introduction to Paul. Arguably a local treasure, his accolades include being given the Gieh il-Belt Victoria Award by the Victoria Local Council… Not to mention the fact he is a Knight of the Sovereign Order of St John of Jerusalem and very proud to be part of a philanthropic organisation. This honour was bestowed on him in 1979; it was originally granted to his father, and then passed to him based on his own merits. But let’s start at the very beginning: there’s no denying Paul was an artist by birth. The son of well-known statuary Wistin Camilleri, he was born in Victoria in 1940 and grew up surrounded by artistic practices and paraphernalia, something he is most grateful for. “I am definitely a product of my father,” he says with a smile, pointing to his late dad in photographs that are proudly displayed. “He was the best sculptor and statuary of his generation in Malta and Gozo, and veritable pioneer in his field. He was truly specialised in sacred
art and I was very inspired by him.” Paul’s father certainly inspired his other children too, as Paul’s siblings all carry a strong artistic gene and some of them work in the field professionally. “We all watched our dad while growing up and picked up on his talents. I spent so much time in his studio observing his designs, models and papier mache statues. It was so much fun watching him craft his creations. Today we have technical names for all the process he used, but back then he was just doing his thing. “We all learnt so much from him and he laid the groundwork for me to become the artist I am today. From my earliest memories to the work I create now, www.letsgozo.com.mt 7
CHARACTER
Paul gained notoriety painting the ceilings, domes and walls of many Maltese and Gozitan churches.
they are all somehow connected to him – even though my mum initially wanted me to take up the violin!” But while much of Paul’s artistic training came from his dad, he also took his education seriously. He studied at both St Anthony’s College and St Michael’s Training College before obtaining a diploma from the Press Art School in London and a diploma from the Accademia di Belle Arti Pietro Vannucci in Perugia. “My time in Italy was fantastic and I gained confidence in my work, especially when I got to participate in various exhibitions,” he says, adding that most of his inspiration comes from religion and nature. “Then, back in Malta, I started working as a teacher of art at both a primary and secondary level, and did so for a number of years. It was something I felt very passionate about and still do today – I always jump at the chance to meet with art students and to pass on whatever knowledge I can. “Having said that, I do believe that objective art apThe artist’s work has been so popular that pieces were even chosen to be presented to Pope John Paul II, to be kept in the Vatican museum. Paul is seen here presenting two items to the Pope, alongside his wife Mary Rose.
8 Let’s Gozo January & February 2013
preciation is lacking and fear that some information that is being conveyed to students is misleading. I’ve experienced it for myself when chatting to students and looking at their work. Sadly the information they are given lacks objectivity. Since I was little I was always taught to respect the work of others. It is a vital part of being an artist.” Perhaps it’s this attitude of respect that has seen Paul rise to the top of his game and he is arguably one of Gozo’s best-known artists. In 1973 he resigned from his role as a teacher to concentrate on his artistic projects, which included winning commissions to embellish many of Malta and Gozo’s Baroque churches. “I learnt so much about painting churches from professors GB Conti, Briffa, Caruana and Busuttil, who were leading the way at the time,” he says. “They set me on the right road and I never looked back. I even remember my first commission, which was for the chapel of the Dominican Sisters in Gharb – I was so honoured to be working on it.” Paul became very passionate about church mural paintings after that and spent countless hours working on walls and ceilings, ensuring everything was just right. “They were my canvasses and they are all unique. It’s nice to know that so many people can enjoy them while attending mass and religious events,” he says. But while these murals have dominated a huge part of Paul’s career, he never rested on his laurels when it came to producing other styles too. His home and Victoria studio are both testament to his dynamism, and his portfolio ranges from still-life and portraits to abstract and alternative styles that feel truly cutting-edge and unique. “There have been so many wonderful highlights,” he smiles humbly, looking at each artwork in turn and recalling its story and inspiration. One of them would have to be painting the dome of the Gharb Parish church. It was a personal challenge as the space isn’t divided into ribs like most churches so I had to create perfect symmetry on walls that weren’t perfect at all! I had to be unequal in order to be equal and it was a huge test – one that I look back on with pride. Meanwhile, I was also so thrilled to be chosen to present a work of mine to the late Pope John
CHARACTER
Based on his own merits, Paul inherited his father’s knighthood. He is very proud to form part of a philanthropic order.
Paul. I handed it over to him myself, and it really was a moment I will never forget.” Today, while juggling his role as a dad and granddad, Paul still works hard and produces plenty of new work. “I started so young and am very grateful to still be working today – at the ripe old age of 76! When I first started
I never stopped for a moment and was like a monkey hanging from the scaffolding in the churches so as to get the job done perfectly. Today I’m not quite as nimble but I still give it a good go! It an amazing feeling to still be able to create, achieve and give pleasure through my work, and something I hope to do for a long time still.”
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SPIRIT
marching Nadur is getting ready for a landmark event, so Pia Zammit pays a visit to find out what they’ve been up to.
10 Let’s Gozo January & February 2013
Photos: Anthony Cassar
ONE HUNDRED YEARS OF
SPIRIT
Adults and children of all ages come together to take part in the procession and mark the importance of Good Friday.
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SPIRIT
E
The statues are made from papier mache – which makes them much lighter than if they were made of wood. Their diadems and crosses are made of silver.
aster is always a busy time in every parish’s calendar, and 2013 will mark a particularly important Good Friday Procession for Nadur: they will be celebrating their 100th procession. I met up with the Reverend Canon Father Carmel Portelli to get the low down on the history of the event and to find out what we can expect on 29 March 2013. Fr Portelli has been taking care of the Good Friday activities for the last 40 years. “Every year I say that I’ll retire, but I keep on doing it,” he smiles. Good Friday processions on Gozo used to only be held in Rabat, however, in 1913, the town of Nadur held its own by carrying three statues round the town – the Ecce Homo, Our Lady of Sorrows and Kristu Mejjet. Fr Portelli tells me that, “it is possible that some form of procession used to take place prior to that though, as we have documented evidence that, in 1752, the town bought the statue of the Ecce Homo – the same one that was used in the 1913 procession. In fact, while we were restoring the Duluri (Our Lady of Sorrows) statue, we found that it was stuffed with newspapers dated back to 1863. The Kristu Mejjet was probably purchased around that year too. If these statues weren’t used in a procession prior to 1913, then they were possibly used for devotions.” The following year, in 1914, the parish set up a committee to take charge of the Good Friday procession and they commissioned Carmel Mallia, nicknamed Il-Lhudi from Hal-Luqa, to make more statues. “Initially
12 Let’s Gozo January & February 2013
statues used to be made of karta pesta (papier mache), but eventually they were carved out of wood. Some people believe that you can carve more artistic details using wood – but I can tell you that wood statues are much heavier to carry around,” he chuckles. Various repairs and updates have been made to the 300-year old parish’s contingent of statues, and around 20 years ago all the crosses and the statues’ diadems were changed to silver. For the hundredth anniversary they have big plans. “We have almost completed restoration on the Duluri statue and will also be restoring the old Vara l-Kbira (main statue). This hasn’t been taken out for at least 35 years and will finally be exhibited in 2013. We are making new clothes for the men who carry the statues – they will all be given a new, made-to-measure konfratija (cassock) and mozzetta (shoulder cape). All the statues will get new forcini (wooden forked supports which are used to help carry the statues) and we have even introduced new biblical characters who will take part in the pageant. Plus, we have issued the second edition of our publication about the history of the procession.” As far as activities are concerned, the parish has also introduced a musical programme where thoughts about the passion of Christ and poems will be read out. Additionally, every Friday throughout Lent, one of the statues will be carried through the streets and taken to different parts of the village where prayers will be said. “Oh, and this time we’ll have around 2,000 roses decorating the statues – Mary Galea and Rita Meilaq take care of this,” he continues. “We’ve been doing quite a bit of fundraising too. Usually we spend around €6,500 annually on the Good Friday procession, however for 2013 we will spend upwards of €12,000. We always raise money independently of the
SPIRIT
Artist james azzopardi during the restoration process of our lady of sorrows statue.
“Usually we spend around €6,500 every year on the Good Friday procession, however for 2013 we will spend around €12,000.”
From the dressing of the statues to the carrying of the cross, there are various roles to play and everyone has a job to do.
www.letsgozo.com.mt 13
SPIRIT
church and we have many generous benefactors who supplement our fundraising too,” he hastens to add. Originally the procession used to consist only of the statues, their bearers and some young boys wearing zimarri (cloaks) and carrying fanali (lanterns). However by 1990 the Nadur females wanted in on the action – so they were allowed to join the procession too. “The youngest participant ever was a two month old baby – his mother was the Madonna Hundreds of people take part, including 130 children. The committee is run by 25 people who start work as soon as Christmas is over.
14 Let’s Gozo January & February 2013
and the baby was of course Jesus”, Fr Portelli says with a smile. “1990 also saw the beginning of the penitence vows – where people wear chains around their ankles and follow the procession. People from all over Gozo and Malta come to Nadur to do this,” he says. The full complement of the procession now includes two bands (one from Nadur and one from neighbouring Ghajnsielem) and biblical characters from both the old and new testaments. “Around 130 children from age six take part, as do 50 Roman and Jewish soldiers, 50 biblical characters, 130 people to carry the statues and 60-odd helpers who look after the children during the procession, not to mention the horses and donkeys who also participate. It’s quite a contingent we have!” Fr Portelli says with a smile. “The Good Friday committee is made up of around 25 people and we meet every two weeks throughout the year. As well as planning the next procession we discuss fundraising, organise the sewing of costumes and maintenance of the statues. After Christmas it’s all systems go, and this time we have more work but less time as Easter comes early in 2013. Thankfully we have recruited more people to help.” The events on Good Friday start with the kissing of the cross at around 3pm. “Everyone participates in this, so those who are also taking part in the procession have to then rush to get ready to start at 6pm. The procession is back in the church by 9.30pm. Easter Saturday is then a day of much work for us. We start at 4am as the statues have to be put back into place by midday and everything cleared away. We then have a little celebration with figolli for the kids and whisky for the adults,” he says with a grin.
SPIRIT
The procession takes place between 6pm and 9.30pm on Good Friday.
“It’s very gratifying that so many people attend the Good Friday procession here in Nadur – attendance actually competes with the festa, especially if the weather is good. I think my favourite Good Friday ever was around three years ago when there was a massive power cut just as we were leaving the church. The whole village rallied round and brought
candles to light the way for the procession and someone actually sourced a generator so we’d have light in the Church on our return.” Fr Portelli is understandably very proud of Nadur’s devotion and dedication to this procession. “Maybe next year will be my last – who knows?” he concludes with a twinkle in his eye.
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SPIRIT
Lace Amazing
Pia Zammit discovers all she ever wanted to know and more about the wonderful craft of lace-making, and may actually be tempted to take it up.
16 Let’s Gozo January & February 2013
SPIRIT
Consiglia Azzopardi has made it her mission to promote the art of lace making – so much so that she is championing for a national lace museum.
CONSIGLIA AZZOPARDI IS A FORMIDABLE WOMAN AND
she’s on a mission. A mission to single-handedly document and preserve Gozo and Malta’s lace-making history. “Lace is my life, but it’s also our heritage as Gozitans. It is part of who we are and it’s in the public interest to have a Lace Museum,” she says. “It’s sorely lacking,” she vehemently adds, cementing her agenda from the get-go.
I meet Consiglia at her home in Sannat – a house lined with knick-knacks and lace-associated paraphernalia. As she clears the dining room table of books to make space for me to write, she tells me, “I inherited lace making. You see I was born in Gharb in 1946 – after the war – and even at the young age of five, I remember every woman in the village working lace.” www.letsgozo.com.mt 17
SPIRIT
“It’s in public interest to have a Lace Museum. It’s sorely lacking.” She paints the scene beautifully, “the women would sit outside and, of course, there was no traffic in those days – so there was no pollution, although it was rather dusty. They’d sit in the shade, chat and make lace to sell – it was their livelihood. “I started working lace from a very young age; we would work for a trader. He had a little shop in Gharb This intricate art can take years to master, and patterns (as below) help to create the stunning finished product (above).
18 Let’s Gozo January & February 2013
and would then pay us in supplies from the shop – clothes and sheets mainly,” she laughs. “Keep in mind that we were a farming community and so we didn’t have cash in hand. The men would work on the land and we’d supplement our income by selling our lace. Consiglia’s aunt was very accomplished at lace making and sewing, and she learnt much of the trade from her. “In those days it was taken for granted that a girl knew how to make clothes – in fact we used to learn needlework at school too,” she recalls. “But I loved lace-making more than anything else.” I asked Consiglia what would happen to the lace that they sold to the trader. “He’d mainly work it into table cloths and napkins, and then take them to Malta to sell. Most of them would be sold on abroad. It was standard practice that you worked for around three merchants who eventually started paying us in actual money – the wage wasn’t bad at all!” she chuckles. Consiglia was a rare breed as she didn’t leave school at age 12, which was the norm in those days. “I passed my exams and went to Form One in Rabat. I fared very well at school and always wanted to be a teacher. Even though I lived in a house with no books, unlike this one,” she says, gesticulating around the library-like room. “I always loved reading and writing. I’d study in winter and work for the merchants in the summer. “Then there came a turning point in my life. It happened in the summer between forms two and three, when my aunt’s friend asked me to work on one of the ‘triehi tal-knisja’ (church altar cloths) – not the main one mind you, but one of the ones they laid underneath. I worked on this all summer and, to this day, they still use it in the Gharb church. I was very proud that I was granted the honour to make it, and it was at this point that I realised I could make lace on a larger scale.” But first Consiglia had to concentrate on her studies. “I sat for 10 O’Levels and passed them all. As I was still too young to go to college, I had to take a year out. I did so much sewing, knitting and lace-making that year!” she fondly smiles. “And I also learnt how to make lace pat-
SPIRIT
Consiglia remembers the days when lace was a way of life and truly appreciated – even by royalty!
Lace is worked using bobbins and pins on a pillow, just like this one.
terns, which is a painstaking job that requires complete accuracy. I re-worked many of the old patterns which I still use to this day.” Eventually Consiglia went on to university and wrote a thesis on the history of lace-making in Gozo. She is now in the process of finalising her second thesis, which will earn her a Ph.D. “I’m not doing this because I want to be called Dr Azzopardi,” she laughs, “but because I want there to be documentation of this very important aspect of our history.” I asked her to talk me through the process of lacemaking. “Lace is worked using bobbins and pins on an
imhadda (pillow) or a trajbu (from the Maltese word tarbija which means baby), from a pattern that has been traced and stuck on the imhadda. This particular shape is unique to Malta and Gozo and it used to be made from straw. The imhadda needs to be very portable. Most people work it by leaning it against a wall and sitting up very straight – a good posture is imperative as you usually spend many hours at a time working lace. “There are stories about friends who would go swimming and take an imhadda with them, so one would swim and the other would work lace – and then they’d switch. Once you’ve got the lace-making bug, you won’t waste any opportunity to work it!” Lace making on Gozo can be traced back to 1619 in church records stating that money was spent to buy a lace ‘terha’. It was probably produced for many years before that, however this is the first recorded instance that Consiglia has found. “It has been a part of us for so long and now it’s in danger of dying out. Young people aren’t interested in handcrafts anymore unfortunately. It’s definitely flailing as an industry, but I’m fighting to revive it as a craft, as is happening in lace-making counwww.letsgozo.com.mt 19
SPIRIT
“It was standard practice that you worked for around three merchants who eventually started paying us actual money – the wage wasn’t bad at all!” tries all over the world. Countries like Spain, Belgium and Holland take it very seriously – but where is our lace museum? We need to be able to show young people how lace is made. We need to spark their interest, and a museum will not only preserve our heritage but will also help the craft survive,” she declares passionately. Consiglia has another bugbear. “Unfortunately, commercially-produced lace is not helping matters as it is marketed as hand produced and is also very expensive. Consiglia has a huge variety of items in her collection, many of them dating back several decades. She would love for them to be housed in a permanent exhibition.
20 Let’s Gozo January & February 2013
They use cheap thread that looks good initially and then falls apart once you wash it. Machines can only mass-produce lace. They can’t work symbols or coats of arms – machines can’t do work tailored for individuals. Many tourists are cheated out of their money and tricked into buying inferior lace.” After working as a primary and secondary school teacher, Consiglia went on to teach lace to teenagers at the trade school between 1978 and 1982. Today, in conjunction with the university, she gives lace-making classes in Gozo every Saturday. “These certificate courses run from October to June, and each lesson lasts around four hours. You need to follow the course for three years to be self-sufficient in the art of lacemaking. Now we also offer a Diploma Course in Lace Studies and this is held in Malta every Tuesday and Thursday evening. “All my students have been mature students and this concerns me. I wish younger people would want to learn. I’m now trying to have lace-making introduced as an extra credit at the university; maybe this will help. I want people to understand how fascinating lace can be. In fact, here’s an interesting detail: I find that Gozitans are much better at lace-making, and learn much faster than Maltese students. How interesting is that? The craft is deep-rooted in us. And here’s another: in families you will find that sisters have the same ‘tension’ in their lace-making. It’s like handwriting – an expert can recognise a person’s lacework.” As well as her teaching, Consiglia also takes care of the Lace Making Cooperative on Gozo. They have around 16 members and specialise in individual, madeto-order requests. She has also published a couple of books: Gozo Lace: ‘An Introduction to Lace Making in the Maltese Islands’ and ‘Gozo Lace: A selection of bobbin lace patterns designed by Dun Guzepp Diacono, 1847-1924’. “My aim now is to raise the standard of hand-made lace and to spread the word that lace is not the craft of the illiterate and uneducated,” she tells me earnestly. “And my ultimate dream is to create an exhibition space and show real Gozitan and Maltese lace through
SPIRIT
Aside from teaching and working on her PhD, Consiglia raises awareness through the Lace Making Cooperative on Gozo.
history. I have done so much research and managed to bring some old lace pieces that had been exported back to Gozo. These are masterpieces and the best of the best. I don’t want them to languish rolled-up in a drawer after I die. I want them documented, displayed and left for the public to enjoy. It’s in the public interest,” she re-
peats vehemently as we say goodbye. “Everyone should know about the wonders of lace-making and how it is a part of us. We can’t escape that.” For more information about the cooperative visit www.malteselace.eu
www.letsgozo.com.mt 21
FOUNDATIONS
The Rebirth of a
BASTION Pia Zammit talks to Ivana Farrugia about the painstaking – but brilliant – business of fortifying a city anew.
22 Let’s Gozo January & February 2013
FOUNDATIONS
T
he Citadel, in the heart of Rabat, towers above the capital city of Gozo, seemingly protecting and watching over the town as it goes about its daily routine. It has almost always been this way. The plateaued hilltop on which it stands is known to have been resided on since Neolithic times. It then became the island’s focal point around 1500BC during the Bronze Age – we have proof of this as there is evidence of conical
“If we had to replace every single stone which shows signs of deterioration and damage, we’d end up with a brand new Cittadella!”
www.letsgozo.com.mt 23
FOUNDATIONS
“The plateaued hilltop on which the Citadel stands has been inhabited since Neolithic times.”
The stone coat of arms, as well as the walls, are being painstakingly restored to their former glory.
pits used for the storage of wheat around this time. The spot stood, watching, through the Roman Era (218 BC – 450 AD) when the granting of Gozitan Municipium led to the development of the town Gaulos beneath the citadel, which functioned as 24 Let’s Gozo January & February 2013
an acropolis. This was followed by the Medieval Period (1090 – 1530) where it is documented as the only fortified shelter on the island. And then came the period of The Knights of St John (1530 – 1798), during which time the Citadel was besieged by the Turks and its weak medieval walls succumbed to gunpowder bombardments. Then later, in 1599 and under the direction of Engineer Giovanni Rinaldini, restructuring works started to refortify and modernise the Citadel. But the history of the Citadel you see before you today didn’t stop then. As of January 2012 works started once again, and I met up with Ivana Farrugia, chief architect within the Restoration Directorate of the Ministry for Resources and Rural Affairs, the entity which is leading the restoration project currently underway with the collaboration of the Ministry for Gozo, to find out more. She tells me that, “the present form of the perimeter enceinte is mainly a result of the incorporation of medieval stretches of fortified walls into the early 17th century designs, which were implemented by the Knights of the Order of St John of Jerusalem.”
I am curious about the stone used to construct the citadel walls. “It varies,” Ivana tells me. “A particular characteristic of the Cittadella is, for example, that the knights used local coralline limestone blocks instead of the softer globigerina blocks (tal-franka) which were more commonly used in their other sites. Over the ages, the coralline limestone deteriorated in a way which is different from the characteristic honeycombed deterioration present at other sites. “One of our concerns during the on-going restoration of the walls is to try and respect this particular characteristic of the Citadel. However, there are areas along the bastions which were built by the British during their ‘restoration interventions’. These areas are clearly distinguishable from the rest as the British used globigerina and sometimes gave a particular surface texture (tal-gidra) to the exposed face. “For our restoration we are employing the ‘replace like with like’ principle. So, for instance, if we’re carrying out stone replacement works on a stretch of wall that has the franka stone, we replace it with franka stone with the same dimensions and configuration. So, even
FLAVOURS FOUNDATIONS
The team, which includes a geologist, has been all hands on deck to replace and repair the damaged stones.
www.letsgozo.com.mt 25
FOUNDATIONS
“Dealing with the restoration of an old historic building or monument is a bit like a doctor dealing with a patient.”
though we are not using the same quarry which was used during the original construction of the Citadel (we don’t know its exact location nor is it used as a quarry today), we do try to source material which is as akin as possible in physical characteristics to the original stone we are restoring. ” Ivana tells me that, in the initial phases of the project, the team, which including a geologist, went to the local coralline limestone quarry which the contractor had identified as its supplier. “We wanted to identity the specific geological formation which would guarantee that the stone used in the restoration works was as close as possible to the stone used in the original construction.” Meanwhile, another major concern is to replace the minimum amount of stones possible. “Once you replace a stone, the ‘original’ one used by our forefathers will be lost forever,” she says. “Moreover, if we had to replace every single stone
which shows signs of deterioration and damage, we’d end up with a brand new Cittadella! “So, what we’ve done is, wherever possible, repair stones plastically. This means that the alveoli, or those depressions/holes which form because of salt crystallisation on the surface, have been filled with a lime-based mix. It is a kind of sacrificial layer which protects the original stone and which needs to be maintained over the years.” I ask her about the newer breach and whether this will be changed. “In the current project we are concentrating on the restoration of the land front bastions, the northern enceinte and the consolidation of the friable rock beneath the external enceinte, and only restoration works on the stone fabric will be carried out. However a future project, which is part of the implementation of the master plan conducted by the Ministry for Gozo, proposes to close off the breach with a glass
The current project focuses on the land front bastions, northern enceinte and the consolidation of the friable rock beneath the external enceinte.
26 Let’s Gozo January & February 2013
door on which an image of stone fabric will be projected. The glass door will then only be opened on occasions related to special festivities and church functions. The aim of this is to re-create the feeling that you are entering a fortified Citadel – something that has been somewhat lost because of the current newer breach,” she replies helpfully. Works on the project actually started back in 2008. The Restoration Directorate within the Ministry for Resources and Rural Affairs had managed to acquire funds under the EU funding programme ERDF (European and Regional Development Fund). This eventually led to the execution of the on-site restoration and rock consolidation works currently underway. Ivana tells me that, “the first phase of the project was an intensive data-collection period. You see, dealing with the restoration of an old historic building or monument is a bit like a doctor dealing with a patient – first you need to get all the background information so as to make a good diagnosis and treat your patient efficiently! We needed to know the Citadel’s history, past interventions and deterioration mechanisms affecting its fabric in order to effectively plan a restoration project and implement it.” So they got to it. First there was the execution of detailed documentation – three-dimensional and two-dimensional recording and mapping – of the entire Cittadella. Then laser scanning technology was used to create a 3D virtual model of the Citadel fortifications and the old part of Rabat. From this
FOUNDATIONS
The team carefully studied the Citadel’s history so as to choose the best methods and materials to use.
model, detail drawings on a stoneto-stone basis of the bastion walls were made and the team could then quantify the damage which needed repair and the actual planning of the restoration interventions required. “This phase, carried out between June 2009 and March 2010, led the publication of the first tender for
execution of on-site works – namely the restoration works to the Citadel Landfront Fortifications. The restoration works started in January 2011 and it is envisaged that this first tender will be completed by April this year. “We’re in the final stretch. We will soon have restored the section of
bastion wall facing the old borgo of Rabat – stretching between St Martin’s demi-bastion all the way round the curtain wall. And then it will be finalised! It’s certainly been a lot of hard work for all involved, but the results will definitely be worth it – and we’ll have a beautifully resorted gem once again!”
www.letsgozo.com.mt 27
SPIRIT
Capturing GOZO’S GLORY Coryse Borg meets two passionate photography enthusiasts who are determined to put Gozo on the local and global map as far as photography is concerned. 28 Let’s Gozo January & February 2013
SPIRIT
The Gozo Photography Association know how to make the most of the stunning spots across the island, and have held shoots in countryside, seaside, urban and residential locations.
G
ozo is beautiful. Gozo in winter is particularly beautiful and tremendously picturesque. It makes me wish I was an artist so I could paint its bright hues and capture the very essence of this island. These are my thoughts as I prepare to meet with Paul Scicluna and Anthony Grech of the Gozo Photography Association (GPA). The group essentially brings together a number of photography www.letsgozo.com.mt 29
SPIRIT
BELOW: Paul Scicluna and Anthony Vella of the Gozo Photography Association.
enthusiasts - many of whom are Gozitan – to photograph the island in all its glory. Paul laughs when I ask him how long he has been into photography, so it’s quickly clear that it is something he has loved for many years. Anthony, on the other hand, tells me he caught the photography bug after he went to a lecture by renowned photographer Kevin Casha. He admits that, now, he never leaves the house without his camera and even refers to himself as being 'at 30 Let’s Gozo January & February 2013
one with the camera'. He is a fervent believer that photography can be a form of art, and Paul agrees with him, saying that good photographs are ‘composed’ and not just ‘shot’… which makes them art. The GPA started off as an offshoot of the Malta Institute of Photography (MIPP) a couple of years ago. The founding members started meeting regularly, as well as organising photography walks (by day and night) and seminars. Lecturers from Malta also made
trips over to Gozo to impart their knowledge and discuss their experiences with the members. Everyone has been keen to lend a hand and encourage the development of this niche unit. Paul beams with pride when he says that the one thing all the group's members have in common is their willingness to learn – both from their mistakes and from each other. This is why the group also organises critique sessions where members can offer constructive criticism of the other members' works. He smiles when I ask why exactly Gozo is considered to be such a haven for photographers: "Gozo is particularly photogenic,” he says. “The island boasts so many amazing spots that are simply begging to be photographed. Some of my favourites include Dwejra and Ras il-Wardija, with Fungus Rock in the background. Plus, the Gozitan sunset is just incredible to photograph, as are the cliffs. The whole island is fascinating – it has so many different facets and layers. Sometimes we forget how gorgeous it is here. But, through our group, we are re-discovering the beauty of Gozo and I believe that is very valuable.” Through the photography walks that are frequently organised by the group, the members are also
SPIRIT
unearthing more and more 'hidden' sites and spaces, such as the locality known as Ta' Sanap. Overlooking Xlendi, this pretty spot has given them all kinds of inspiration and encouraged them to get creative. Meanwhile, the group has also ventured to Malta and recently organised a photography walk in the Three Cities. Aside from the lectures, seminars and walks, the Association also holds shoots for 'street photography' in towns and villages, as well as exhibitions. The latest one was 'Frammenti', which took place at the Citadella Arts and Crafts Centre last November, and which incorporated the works of nine photographers, seven of whom were from Gozo. The exhibition was such a success that it is being turned into an annual event. The Association was mainly set up to get Gozo photographers together to be eligible for EU funds and other benefits. "Photography is another niche market for Gozo’s tourism sector," adds Paul. "We need to start setting up courses for foreigners and
The Association hopes to hold regular exhibitions to showcase the work of its members.
encouraging them to come here to take photos. We also need to take a leaf out of the diving industry's book and turn photography into a successful venture that could benefit the island in numerous ways." Paul and Anthony encourage anyone with an interest in photography
to join the Association and participate in their many activities. More information may be obtained from their Facebook page (search for ‘Gozo Photography Association'). To become a member of the GPA, send an email to: gozophotography@ gmail.com.
sp ec ia l
www.letsgozo.com.mt 31
â‚Ź2.5 million
invested in localities through the ecoGozo schemes for Local Councils and NGOs
60% of the
energy consumed at the Ministry for Gozo premises generated from renewable sources
*217,000m2
of open spaces being given back for the enjoyment of families as parks (*equivalent to more than 28 standard football grounds)
more than 600 Gozitan businesses being advised on energy consumption, renewable energy and waste separation
sculptures being installed in public areas in Gozo
More than 4500 children involved in educational activities related to sustainable development
More than 4000 new trees planted and 5km of rubble walls restored
Nearly 8000 Naqqas u Ffranka visits to Gozitan families and
13 new
â‚Ź1,200,000
for a Centre for Research, Development and Innovation in Agriculture and the Environment
73 million litres
of water saved through cleaning of valleys and distribution of water saving kits
For a full list of ecoGozo projects, please visit
www.ecogozo.com
SPIRIT
Dancing for
Survival
Photos: Frances Busuttil / Lawrence Camilleri / Rachel Smith
Coryse Borg learns about the last surviving Carnival dance on Gozo‌ and discovers that its legacy is in danger of being lost.
www.letsgozo.com.mt 33
SPIRIT
My driving adventures on
Gozo took a surreal turn when I was on my rounds for this issue of Let’s Gozo. I decided – disastrously as it turns out – to trust my phone's GPS system to safely take me to Xaghra where I was meant to meet with Noel Theuma, the president of the Kummittiva Committee (the organising committee behind the Gozitan Carnival folk dance). However, in its infinite wisdom, instead of Xaghra, the GPS decided to direct me to Zebbug... yes Zebbug, which is pretty much in the opposite direction. Running only slightly late (as, thankfully, I am wellaware of my total lack of sense of direction and had arrived from Malta a little earlier than strictly necessary), I finally switched the phone off, swallowed my pride and asked for directions. One very kind and patient pedestrian later, I parked in front of the Nazzarenu Church Centre where I was scheduled to meet Noel, only five minutes late. The first time Noel took part in the Kummittiva, he was just four years old and played one of the two children with a perfunctory role in the folk dance. Fast forward a few years and he is now the president of the committee, as well as one of the longest-standing dancers within it. 34 Let’s Gozo January & February 2013
He reckons that he has performed the complete dance at least 18 times, starting when he was 14. He explains that, in times gone by, the troupe was strictly male. Half the men dressed up in male costumes, while the others were dressed as women (Noel himself has taken the female role three times, in fact). However, as time went by, finding enough men to take part in the dance proved harder and harder, so women were drafted in successfully. The Kummittiva is now at least 120 years old. It has not been held every single year since it first started, however it has now been held 13 years in a row. The dance is always the same one. Each year the performers start rehearsals as soon as Christmas is over. If some are completely new, of course, extra rehearsals are added to bring them up to speed. The dancers are always in pairs' with 12 pairs (24 dancers), 14 (28) or 16 (32). Tradition and the intricacies of the dance decree that there cannot be less than 12 pairs. There are actually a few married couples in the troupe and, romantically enough, the Kummittiva is where Noel met his future wife, Isabelle, 20 years ago. Apparently the love for dance runs in Noel's family – his grandfather, father, three sisters, two kids and niece have also performed in the event. His 13-year-old son, Owen, danced for the first time last year, while his sevenyear-old, Hayden, has taken the part of the little boy... just like his dad did all those years ago.
SPIRIT
The Kummitiva has been performed for at least 120 years, and for the past 13 years consecutively. In the past it was men who played all the roles, while women joined the team more recently.
The Kummittiva – which is about an hour-and-a-half long – is usually performed on Carnival Saturday in Nazzarenu Square after 7.30pm mass, and again on Sunday morning at about 10am. Noel tells me that locals do attend, but the majority of the audience is made up of Maltese and foreigners who have flocked over for the Gozitan Carnival experience. The dance is also child-friendly, so it attracts fans of all ages and is a brilliant experience for the whole family. Meanwhile, the Kummittiva dancers also take their performance to villages in Malta and have performed during activities such as Notte Bianca. Their costumes are based on the authentic clothes worn by Gozitans many years ago. Noel tells me they cost quite a lot of money; most of it collected through fund raising, although the local council does its bit to help as well. Finally on my Xaghra adventure, I get to watch a piece of the dance... not live, alas, but through a recorded DVD performance from 2009. Noel explains that the dance is divided into distinct sections; some of it comprises of the man and woman dancing together, others feature the woman in front of the man, and so on. At one point, they dance with ribbons around a maypole, intertwining to create an intricate piece of choreography (my favourite part). It’s clear that one little mistake could see the ribbons get knotted and ruin the whole thing in an instant – they have definitely rehearsed very hard to get it right.
“One mistake on the part of the dancers would mean that the ribbons they are weaving round the maypole would get knotted and spoil the whole thing!” At this point, I meet with Frances Busuttil who is a font of knowledge as far as the Kummittiva is concerned. She tells me that the dance is an eclectic mixture of various cultures, coming together to form something completely unique. The dance steps come from France and Sicily, while the music –which is always the same and played live by a band– incorporates different styles and genres, including American folk tunes. She tells me about two people who were instrumental in starting up the dance again when it had fallen into disuse a few years’ ago – Karistu Gatt, known as ‘Taz-Zikk’ and Paul Sultana ‘Tal-Kesis’. www.letsgozo.com.mt 35
SPIRIT
The Group rehearses regularly after Christmas, ensuring the intricacies of the choreography are performed without error.
Performances are held in the main square.
36 Let’s Gozo January & February 2013
SPIRIT
“… it is the only real Carnival dance in Gozo. There used to be similar dances in other villages, but they have been lost in the mists of time.” Frances is obviously very passionate about the Kummittiva. She says that it is the only real Carnival dance existent on Gozo. There used to be similar dances in other villages, but they have been lost in the mists of time, she tells me. So what's next for the Kummittiva? Well, Noel confesses that one of his greatest wishes is to take the dance to festivals abroad. As usual, money is the greatest problem, but he says he really hopes to be in a position to make this dream a reality sooner rather than later. However, he says, the more pressing issue for now is his worry that the Kummittiva might actually be lost, just like the dances in other villages were all those years ago. He frowns as he tells me that last year's dance almost didn't happen when they struggled to scrape together the required number of performers. He worries that youngsters are more interested in more 'modern' types of dance and are shying away from tradition. By way of a plea to anyone who may be interested, Noel stressed that those performing the Kummittiva don’t have to be professional dancers... but they do need
The team hope to encourage more young people to join in, so as to ensure the tradition won’t be lost.
to have a good memory (although there is a 'leader' who whistles when a new section of the dance is about to begin). Plus they don’t have to be from Xaghra. So, if you are reading this and thinking that you'd like to give it a try, take a look at their Facebook page (search for ‘Kummittiva’). You never know – a year today you might be part of something really special in Xaghra!
Xaghra Local Council
Carnival Activities: Saturday 9th February: m From 7.30p
onwards:
A varied Carnival Programme in Nazzarenu Square, Xaghra Gozo. There will be the participation of local dance companies, Carnival competitions, the traditional kukkanja game and the traditional kumittiva dance.
Sunday 10th February: Carnival Band marches by the Victory Philharmonic Society of Xaghra Gozo starting from Ta’ Kola Windmill along 8th September Avenue and ending in Victory Square.
am:
10.30
: The Carnival main programme wards in Victory Square including on on Carnival floats, local dance companies and the traditional kumittiva dance. The traditional prinjolata will be given free of charge.
no From
www.letsgozo.com.mt 37
INSPIRATION
Gold mosaics and grey marble combine for the ultimate, relaxing setting
Real Gozitan
RELAXATION… Inspired By The East Surrounded by Mother Nature in the picturesque village of San Lawrenz, Jo Caruana discovers a whole new way to relax and unwind – at Gozo’s first authentic Oriental Hammam. 38 Let’s Gozo January & February 2013
INSPIRATION
www.letsgozo.com.mt 39
INSPIRATION
I
don’t know about you, but I find Gozo very relaxing as it is. Once I’m aboard the ferry and staring out at the open sea and glimpses of green landscape, I leave the hubbub behind and concentrate on the important business of winding down. Yes, Gozo is definitely my go-to space for a much-needed chill-out. But if the general laid-back Gozo way of life still isn’t enough to entice you to switch off, the island is now home to a space that pretty much guarantees you’ll loosen up. Launched in October last year, the Kempinski Hotel San Lawrenz (a place already synonymous with the concept of relaxation) opened Gozo’s first Oriental Hammam, inspired by the theme of ‘1,001 Arabian Nights’. “Our spa has always been successful and recently won the Leading Malta Spa Resort and Leading Mediterranean Spa Resort for the fourth year running,” smiles Alexandra Schmidt, the hotel’s sales and marketing director. “But we wanted to offer something new while giving this an authentic twist, so we created a hammam. “As a rule, the Kempinski franchise always does what it can to highlight local traditions and this hammam fits right in with the history of the Maltese Islands, and especially the Arab era. After all, it was the Arabs that built the first oriental baths on the island, and the country has experienced so many different influences over the centuries that have turned it into a delightful melting pot today. So this ties in beautifully with that,
hailing local roots while offering something new and exciting to both our local and foreign clients.” The spa, which has been substantially expanded to accommodate all the new facilities and treatments, now offers the largest area of authentic facilities in the Mediterranean. Located on the ground floor of the hotel, you can feel yourself relaxing even as you approach the space – the atmosphere is calm, the staff smiling and the scent intoxicating. Within minutes I already wish I could stay all day. There’s lots to see and take in too, and it's clear that no detail has been spared – from the inviting reception to the gorgeous relaxation room (complete with a veiled bed
The treatment rooms are set around the hydrotherapy pool.
40 Let’s Gozo January & February 2013
that literally begs you to climb on and drift off to sleep). There are several other spaces, including an Exfoliation Room where guests can prepare their bodies for the treatments to come, and a hydrotherapy pool. “But the heart of the extended spa is definitely the hammam itself,” continues Alexandra, as I am shown into this white marble room – and she’s right: it is absolutely stunning. “The décor of this space was in the hands of renowned Maltese designer Carlo Schembri and one of the hotel’s owners, Dorothy Baldachino. The results are absolutely beautiful with shiny mosaic details and, of course, the heated marble.” Hammams like this one first became popular in the 15th century in the eastern world. They served as a social meeting point for the wealthy, but were also celebrated for their health benefits. “In many cultures hammams are still known as ‘secret doctors’ and are used to treat all kinds of medical conditions. The ritual helps to cleanse and detox, while purifying the body, mind and soul. Meanwhile, it allows our guests to immerse themselves in a magical world with exclusively-composed treatments, and top-quality products that make all the difference to the results.” The outcome is wonderful and works in perfect symbiosis with the Kempinski atmosphere. “So many spas are set in busy, city locations, but Gozo already lends itself
INSPIRATION
What is a Hammam?
The veiled bed in the relaxation area begs you to climb on drift off to sleep
so well to the idea of relaxation and getting away from it all – that’s what our clients love so much about coming here. “In Gozo you can see the stars, listen to the birds and walk through the countryside, and that’s very
special. It was something I noticed myself when I moved over from Hungary, and I know our guests appreciate it. Between the natural surroundings of the hotel, the many spa treatments and, now, the addition of this hammam, we
A hammam, which is also known as a Turkish bath, is the Middle Eastern variant of a steam bath. The practice originated in Arabia but became very popular in Turkey, where it is still a major part of life today. Although there are various stages to a hammam treatment, the climax occurs in the ‘hot room’, which houses a large marble belly or navel stone. Bathers can enjoy the heat while being vigorously scrubbed by an attendant using special soap. They are then rinsed and massaged to perfection!
believe we’re offering a complete package for people who want to get away from it all. After a couple of days here they feel wholly revived and rejuvenated – ready to face the hustle and bustle of the real world once again!”
Gozo consider it your home with...
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Nadur
A charming HOUSE OF CHARACTER, recently converted to a very high standard having an abundance of traditional features and all rooms surrounded by a central courtyard. Accommodation comprises an arched hallway, sitting room, combined kitchen/ dining, shower, 2 bedrooms (main en-suite), terraces, total air space and freehold. To be sold furnished and ready for habitation. Good neighbourhood and centrally positioned...
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€ 185,000
Fortunato Mizzi Street, Victoria Gozo | Tel: +356 (21) 565801 Email: contact@gozoprime.com | www.gozoprime.com www.letsgozo.com.mt 41
CALENDAR OF EVENTS
Just Round The Corner Ic –Cena Tas-Sinjur (The Last Supper) Nadur Boys Museum Section Palm Sunday (24th March ) till Good Friday (29th March) Opening Times: Sunday 24: 9am till 12 noon and 3pm till 6pm Monday 25 till Wednesday 27: 6pm till 9pm Thursday 28: 6pm till 11pm Friday 28: 9am till 3pm & 7pm till 10pm
I
n the run up to Easter, the Last Supper becomes one of the most iconic images of the season. The Last Supper, or Ic-Cena tas-Sinjur, is not just a visual display but also a living experience. Visitors can walk up to and around it, smell the food and feel like they are a part of the supper itself. This exhibition is on at the Nadur Boys’ Museum Section.
C Commemoration | E Event | M Music/Concert | F Folklore Event | P Procession | R Religious Event | S Showcase/Exhibition | T Theatre/Film
JANUARY 2013:
27
Feast of St John Bosco M
Don Bosco Oratory
Procession with the statue of St John Bosco. For more info: Don Bosco Oratory, Tel. 2155 6616, admin@ donboscogozo.org.
Don Bosco Grand Concert S
Don Bosco Oratory
For more info: Don Bosco Oratory, Tel. 21556616, admin@ donboscogozo.org
29
Ghotja ta’ Gieh il-Fontana 2012 E
Sala tal-Komunita’, Kunsill Lokali Fontana For more info: Tel. 2155 8877, fontana.lc@gov.mt
FEBRUARY 2013:
1 M
Caliente
Maxtura Hall, Marsalforn For more info: Gozo Beach Boys on Facebook.
1-18 S
Apokreas
Banca Giuratale, Independence Sqr, Victoria
Carnival Photography Exhibition by Tonio Schembri. For more info: Gozo Cultural Office, Tel. 2215 6700.
2
Inaugural Carnival Parade
Along Republic Str, Victoria With the participation of dance companies, floats, grotesque masks and local bands. For more info: Gozo Culture Office, Tel. 2215 6700.
Miss Queen Carnival Competition MBC Theatre
For more info: Nadur Local Council, Tel. 2155 8080, nadur.lc@gov.mt
3
Taz-Zejt Church Restoration – Inauguration E
Taz-Zejt Chapel
For more info: L-Gharb Local Council, Tel. 2156 0556, gharb.lc@gov.mt
Titular Feast of St Paul in Marsalforn R
Marsalforn Gozo
7
dance companies, floats, grotesque masks and local bands. For more info: Gozo Cultural Office, Tel. 2215 6700.
Pjazza Zjara tal-Madonna, Gharb
Carnival Dance Spectacle
Carnival Soirée
For more info: L-Gharb Local Council, Tel.2156 0556, gharb.lc@gov.mt.
Dance Spectacle by Gozitan Dance Schools
Carnival Enclosure, Independence Sqr, Victoria For more info: Gozo Culture Office, Tel. 2215 6700.
8-10
Xewkija Carnival
St John Baptist Square and Soil Street, Xewkija The famous and spontaneous carnival, which includes the Kukkanja, costumes and float competitions. For more info: Xewkija Local Council W: www.xewkija.gov.mt
8-12
Famous Nadur Spontaneous Carnival Nadur Centre
For more info: Rev. Canon Michael Borg, Tel. 2155 1010 / 9943 6073.
For more info: Nadur Local Council, Tel. 2155 8080, nadur.lc@gov.mt
Nadur Organised Carnival
Carnival Show
3
9
St Peter & St Paul’s Square
Carnival Enclosure, Independence Square Victoria
For more info: Nadur Local Council, Tel. 2155 8080, nadur.lc@gov.mt
With the participation of school children, dance companies, adult
42 Let’s Gozo January & February 2013
Carnival Enclosure, Independence Sqr, Victoria For more info: Gozo Cultural Office, Tel. 2215 6700.
Carnival in Xaghra with the Traditional Kumittiva
Nazzarenu Square, Xaghra For more info: Xaghra Local Council, Tel. 2156 3737, xaghra.lc@gov.mt
Carnival in Zebbug
Pjazza l-Assunta, Zebbug For more info: Zebbug Local Council, Tel. 2156 3056 / 2756 3056.
10
Entertainment by Live Band
Carnival Enclosure, Independence Sqr, Victoria For more info: Gozo Cultural Office, Tel. 2215 6700.
Carnival in Xaghra Victory Square, Xaghra
For more info: Xaghra Local Council, Tel. 2156 3737, xaghra.lc@gov.mt
Carnival Show
Carnival Enclosure, Independence Sqr, Victoria With the participation of school, children dance companies, adult dance companies, floats, grotesque masks
CALENDAR OF EVENTS
and local bands.. For more info: Gozo Cultural Office, Tel. 2215 6700.
For more info: Gozo Diocese, Tel. 2155 1211, info@gozodiocese.org
Concluding Carnival Parade
L-Imsallab fi Triqatna
12
Along Republic Street
With the participation of dance companies, floats, grotesque masks and local bands followed by a carnival show at Independence Square. For more info: Gozo Cultural office, Tel. 2215 6700.
MARCH 2013:
19 20 &
E Conference about Illegal Immigration
TBA
For more info: Xaghra Local Council, Tel. 2156 3737, xaghra.lc@gov.mt
22
P Feast of Our Lady of Sorrows
Various Villages in Gozo
23 R
St Augustine Square & streets of Victoria For more info: George Cassar, Tel. 79564401, contact@eastermalta.org
26-27 R
Il-Fidwa
Ta’ Blankas Olive Grove, Xewkija Representation of the Passion of Christ. W: www.xewkija.gov.mt
29
P Good Friday Procession
R Easter Manifestation
For more info: Xaghra Parish Office, Tel. 2155 1042, bambina8@go.net.mt
For more info: Xaghra Parish Office, Tel. 2155 1042, bambina8@go.net.mt
Good Friday Procession
Easter Manifestation
For more info: Nadur Parish Office, Tel. 21551649, jimmyxerri@tiscali.it
For more info: Nadur Parish Office, Tel 21551649, jimmyxerri@tiscali.it
P Good Friday Procession
R Easter Manifestation
For more info: Cathedral Parish Office, Tel. 21554101, gozocath@ maltanet.net
For more info: Zebbug Parish Office, Tel. 2155 4882
Main streets of Xaghra
P
Main streets of Nadur
Main streets of Victoria
28
P Good Friday Procession
Main streets of Victoria
For more info: Zebbug Parish Office, Tel. 2155 4882
P Good Friday Procession
For more info: St George Parish Office, Tel. 2155637, info@sangorg.org
31
Main streets of Zebbug
Main streets of Xaghra
R
Main streets of Nadur
Main streets of Zebbug
APRIL 2013:
27
E Xagħra Day Commemoration
TBA
For more info: Xaghra Local Council, Tel. 2156 3737, xaghra.lc@gov.mt
MGARR - GOZO: 2210 9000 / 2156 1622 / 2155 6016 www.gozochannel.com www.letsgozo.com.mt 43
ADVERTORIALS
DOLPHIN POOLS LTD Now is the time to plan on investing in a better and more enjoyable lifestyle for all the family, whilst enhancing and adding value to your property. Dolphin Pools, our Island's leading swimming pool company, can offer professional guidance, advice and assistance in making your dream come true. Whether you want to install a garden pool, indoor or rooftop pool, which are increasing in popularity, we are there to help you make the right choice at a surprisingly affordable price. Dolphin Pools – for all your pool, spas and sauna requirements, Dolphin Pools Gozo. t: 2156 6990, Malta: 2123 0855 | w: www.dolphinpools.com.mt
FRANK FORMOSA POOLS Frank Formosa has built a reputation on integrity, safety, quality and customer service. Our team has years of experience in turnkey projects, farmhouse and apartment conversions, swimming pool construction, tiling and heating, and we work with you at every stage of the project. With a focus on attention to detail, value engineering, streamlined design and a commitment to excellence, we strive to deliver on time and on budget. Frank Formosa Contractor offers his services in both Malta and Gozo. “F.M. House”, Point Street, Zebbug, Gozo. t: 2155 5099 | m: 7955 5099, 7988 8818 | e: frank.formosa@yahoo.com
IL-KARTELL RESTAURANT Since 1973, Il-Kartell Restaurant has become the venue where friends meet to enjoy fine food and wine. We offer an extensive Mediterranean and Gozitan menu at a reasonable price. Il-Kartell Restaurant, Marina Street, Marsalforn Bay, Gozo. t: 2155 6918 | m: 7900 1965 e: info@il-kartellrestaurant.com | w: www.il-kartellrestaurant.com
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Missed an issue of Let's Gozo
or looking for more information about the magazine? Head straight to www.letsgozo.com.mt where you can browse past editions, leave comments for the team and find out when the next magazine will be out. In the meantime, should you have any comments or suggestions we would love to hear them! Email the editorial team on feedback@letsgozo.com.mt. 44 Let’s Gozo January & February 2013
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COMPETITION
Winners
Christmas in Gozo by Josette Baldacchino
2012 Winners: May/June: Rainy Day in Gozo by Joe Zammit,
Spring in Gozo by Christine Farrugia
July/August: Beach Life by Mikaela Galea September/October: Festa Time by Victor B. Caruana November/December: Autumn in Gozo by Joseph Zammit
Following on from our successful competitions in past issues, this edition it’s time for you to put your mark on Let’s Gozo, with your photographs. This issue's theme is the Gozitan countryside, so join in and start snapping! Prizes are also up for grabs for the winners, including Gozo wine, restaurant vouchers and over-night stays. Visit letsgozo.com.mt for details, or submit your outdoorfocused pictures to feedback@letsgozo.com.mt. Kindly include details about where your picture was taken, and submit by the deadline 01 MARCH 2013. Please note that only pictures related to the theme will be considered. We will be uploading the winning pictures to letsgozo.com.mt.
PHOTOS: GEORGE SAGUNA
of the latest Let's Gozo competitions
NEXT
ISSUE OUT WITH THE SUNDAY TIMES ON 20 APRIL
As the sunshine peers through cracks in the clouds, we are looking forward to heading out into the countryside and making the most of the lush landscape that will prevail over the next few weeks. With that in mind, join us in our next issue for lovely long walks through the countryside and plenty of appreciation for the great outdoors!
THROUGH THE KEYHOLE
01 | Neapolitan Presepio A Neapolitan crib by Raymond Bonello and Paul Stellini, with figures sculpted by Maestri Gambardella of Naples, was exhibited in the Basilica of the Nativity of the Virgin in Xaghra.
02
Eco Christmas tree: An Eco Christmas tree made up of more than 6,000 recycled plastic bottles set up by the Teen Spirit youth group in Xaghra
03
01
Worker of the Year Award Winner 2012: Premju Haddiem tas-Sena fit-Turizmu Ghawdex 2012 award winner, Joseph Tabone
04
Worker of the Year Award Winner 2012: The seven nominees for the award.
02
03
Voci Angeliche Choir: The Voci Angeliche Choir of the Basilica of the Nativity of the Virgin of Xaghra performing during the Puer Natus Est Concert on 28 December.
04
06
San Lawrenz Pagaent: The small community of San Lawrenz reliving the greatest story ever told during the unique ‘Twieled fi Djarna’.
07
06
05
Claudia Tabone in Concert: Soprano Claudia Tabone and Harpist Jacob Portelli in a Christmas concert in San Lawrenz.
08
La Cavalcata Dei Re Magi: Held for the fourth consecutive year in Xaghra, this was a short reenactment including the Holy Family, shepherds and Three Kings.
07
09
Live Crib: A scene from the 2012 live crib organised by the Guiding Light Group in Xaghra.
46 Let’s Gozo January & February 2013
08
09
Photos: (1,2) Anthony Grech (3,4) Karl Grech (7) Noel Formosa (9) Jason Joe Farrugia (5,8) Lawrence Camilleri (6) Joseph Zammit
05
SSSSSS h... Stunning Gozo!
Small and beautiful as it is, Gozo cannot be seen in just one day. As a place to relax, ‘hang out’ and live the good life the island is unsurpassed. After you set foot on Gozo, you’ll know why you need more than just a day to savour it’s leisurely charms. The more you enjoy your visit to Gozo, the more likely you are to return, and to recommend the island to others. If you are intrigued by this beautiful island’s ability to create ‘Gozo fanatics’ like ourselves, then plan a visit. We always stay for more than just a day. It’s the secret hideaway of all Maltese. Which is why we would prefer to leave it undiscovered by you. But it’s in our nature to share the best we have with visitors.