MISCELLANEOUS Instructions for Sabotage Dimensions 21 Casa Tolo Saudade/Serenity/Eerie Gears Bas-relief American Folk Art Museum HVAC Swarm Intelligence Industrial Arts Loft lightBLOOMERS Schizo(Metr)ic Acoustic Folds Swell Blah-BlahCity Terra Insola
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INSTRUCTIONS FOR SABOTAGE Year: 2007 Instructions for what? Besides the actual parts, a scale model set includes: a carboard box, plastic frames with the pastic parts and plastic wrappers. Respectively, they shelter, organize, provide rigidity, and protect. Yet we only use the parts. Why not redefine the set then, to include all its components? In any case, their desired function is already known.
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DIMENSIONS 21 Dimensions is the annual, student produced journal of architecture at the A. Alfred Taubman College of Architecture and Urban Planning. Dimensions seeks to contribute to the critical discourse of architectural education by documenting the most compelling work produced by its students, fellows and visiting lecturers. Dimensions Twenty-One was edited by: Zain W AbuSeir Jason Dembski Kamana Dhakhwa Stephen Killion Luis Felipe Paris Caitlin A. White It was printed in an edition of 1600 copies on on 80# Anthem Matte Text paper, with a 100# Productolith Cover with Matte Laminate. It was typset in Avenir LT Std and Consola. Copyright Š 2008
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DIMENSIONS 21
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DIMENSIONS 21
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DIMENSIONS 21
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CASA TÓLÓ Location: 41° 28’ 12.90” N, 7° 49’ 59.33” W Year: 2010 Digital analysis of the residential project by Álavaro Leite Siza Viera. Animation available at: https://vimeo.com/lfparis/casatolo
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SAUDADE/ SERENITY/EERIE Year: 2010 An exploration of 3ds max and V-Ray RT as effective tools to construct real-time mood variations. By focusing on the domestic and mundane, materiality, tecture, lighning and the camera took precedence in the conveyance of the desired atmospheres. In collaboration with: Gabriel Burkett Demitra Konstantinidis Damon Lau
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GEARS Year: 2011 An exercise in measurement, through two-dimensional projections.
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BAS-RELIEF Year: 2011 An exploration in the sensorial in architectural representation. Freehand sketching , rough measuring, and photgraphic documentation served as the based for an exploration in depth conveyance. Nonetheless, these exercises seek to further engage suggestions of movement, multiple perspectives and atmosphere. These atmospheric sensations include aspects that articulate space and surface through qualities of light, texture, color, and pattern.
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Original sketch study of the bas-relief.
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Curvature and tangency analysis of the contoured basrelief.
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Final vector studies to retroactively map the reductive sculpting process..
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OVERALL HVAC SYSTEM
EXHAUST OUTSIDE AIR
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Location: York, NY, USA 5 SUPPLY New AIR FAN Type: Museum 6 FINAL FILTER Year: 2011
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HEATING & COOLING COILS
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An obituary.
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AMERICAN FOLK ART MUSEUM HVAC
EXHAUST OUTSIDE AIR
OUTSIDE AIR
Given the building’s primary function as a museum, the HVAC system’s main components were distributed around the building’s vertical perimeter. As such, the building was effectively divided into two zones: one which serves the main exhibition spaces from above, and another which serves the cellar spaces and the lobby from below.
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The system relies on Air Handling Units (AHUs) to provide the air supply which is then distributed through an ample network of ductworks throughout the building. The building has four AHUs, two pe zone, which are paired with each other.
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Indeed, one AHU processes outside air which is then distributed to the other AHU which provides the supply for their respective zone. The cellar/lobby zone in particular is further serviced by local Fan Coil Units which allow for specific air control over a diverse array of spaces. In contrast to the exhibition zone the cellar/lobby zone accounts for spaces as varied as an auditorium, mechanical rooms and the lobby itself.
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FINAL FILTER
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MASTER SLAVE Year: 2011 Explorations in Boid/Flocking/Swarm systems. Especifically, how a system with two different but interconnected populations can, by a set of established rules, control the balance, evolution and longevity of both populations. In collaboration with: Charlie Able Tianhui Shen Sydney Talcott
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MASTER SLAVE
Master agents steer towards randomlygenerated attractors. Slave agents steer towards master agents.
STEER
Cohesion is a function of average position.
COHESION
Master agents repell each other as a function wherein the strength of repulsion is inversely dependent on the distance. Slave agents have the same relationship to other slave agents.
SEPARATION
Master agents align with one another as a function of average velocity.
ALIGNMENT
Master agents steer towards trails left behind if seen within a specified field of view.
SEEK TRAILS
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Master agent. Slave agent. Attractor.
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SLAVE CREATION
Slave agents are created for each master, which they then follow. The number of slave agents per master agents is random within a range.
MASTER SWAP
If a master agent encounters another master agent with less slaves, then it must give some of its slave agents so as both reach an equal number of slave agent.
MASTER TO SLAVE
Master agents transform to slave agents when they exist for a certain amount of time with no slave agents.
SLAVE TO MASTER
Slave agents become master agents when a high population of slaves accumulates.
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Grid studies, that reveal how the spatial unification of the population results in the reduction of both populations into a dominating relationship. In other words, a master is created over a slave.
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Studies in the placement of equally sized and distribituted populations at opposing ends, results in a more balanced outcome.
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The zone of convergence becomes a space for spatial suggestion.
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INDUSTRIAL ARTS LOFT Year: 2012 In collaboration with: Gabriel Burkett Christi Farrell Margaret Zyro
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INDUSTRIAL ARTS LOFT
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3/32"=1'0" 20.03.2012 MAZ GROUND FLOOR PLAN
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ROOF: 116’-0”
LEVEL 7: 88’-0”
LEVEL 6: 74’-0”
LEVEL 5: 60’-0”
LEVEL 4: 46’-0”
LEVEL 3: 32’-0”
LEVEL 2: 18’-0”
3/32"=1'0" 10.04.2012 GDB SOUTH ELEVATION
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ROOF: 116’-0”
LEVEL 7: 88’-0”
LEVEL 6: 74’-0”
LEVEL 5: 60’-0”
LEVEL 4: 46’-0”
LEVEL 3: 32’-0”
LEVEL 2: 18’-0”
3/32"=1'0" 10.04.2012 GDB NORTH ELEVATION
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NORTH ELEVATION 3/32"=1'0"
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UNIT CONNECTION AT FLOOR PLATE 3"=1'0"
UNIT CONNECTION PLAN
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UNIT VERTICAL CONNECTION SSG 4"=1'0"
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3RD FLOOR PLAN 3/32"=1'0"
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FOOTING PLAN 3/32"=1'0"
3/32"=1'0" 10.04.2012 LFP FOOTING
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FOOTING DETAIL 1/2"=1'0"
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GROUP F
GROUP B
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NTS 08.04.2012 ADDITIONAL EXHAUST
PASSIVE AIR FLOW
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MECHANICAL SYSTEMS DIAGRAM
CAF MECHANICAL SYSTEMS DIAGRAM
M1.0
SMOKE EXHAUST
NTS
SMOKE CONTROL SYSTEM
AHU SUPPLY DUCTS RETURN DUCTS BATHROOM EXHAUST TO ROOF PLUMBING VENT METAL SHOP AND WOOD SHOP EXHAUST TO ROOF HOT WATER SUPPLY HOT WATER RETURN CHILLED WATER SUPPLY CHILLED WATER RETURN
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manifold
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heat exchanger
manifold
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heat exchanger
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manifold
manifold
heat exchanger
heat exchanger
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NTS 08.04.2012 CAF C
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MECHANICAL PLAN, TYP. 3/32” = 1’-0”
MECHANICAL PLANS
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LIGHTBLOOMERS Location: Istanbul, Turkey & Amman, Jordan Type: Public Space Installation Year: 2012 What happens when spaces seek to be empty and through their vacant nature divide populations? What happens when in order to create a viewing platform you destroy the nature and life of the place where this platform rests? What happens when neglicence becomes the norm within these spaces? lightBloomers seeks to intervene within these invisible sites - invisible in terms of both how they are utilised and of their presence in the city context. Precisely by addressing these issues as problems of visibility we intend to question the sociopolitical causes for their invisibility by augmenting their appreciation as places to be occupied as well as landmarks for the city. In collaboration with: Dogancan Demir Alejandro Stein Deniz Tuzcuoglu
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The lightBLOOMERS function at various scales. At the larger scale, through aggregation, the lightBLOOMERS create a reference visible from visual corridors within the city. On a more intimate scale, they serve a double function: a shading devide and a lighting device. They are both at once; they are only one at a time.
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SCHIZO(METR)IC Year: 2012 Schizo(metr)ic explores the idealized desire of achieving a true reflection. Through a constant analysis of surrounding geometries a trajectory is defined, after a negotiation between them, which tends towards the maintenance of a true virtual image. Augmentations, diminishments, invertions and other distortions are counteracted and constantly corrected by the resulting trajectory. Nonetheless, as corrections change the proximities to the surrounding environment, negotiations are always altering. The trajectories embody the constant conflict between the desire for true reflection and the object of reflection, and, as they initiate a vertical growth the embedded forces within the curve allow for the emergence of different levels of precision. As layered trajectories unfold on top of each other, tremors and smooth territories weave in and out of each other, creating a fragmented surface. In collaboration with: Andriana Koutalianou.
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SCHIZO(METR)IC
Curvature Radius.
Curvature Vector.
Curve Normal.
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Variations according to growth capacity.
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ACOUSTIC FOLDS Year: 2013 A wall panelling system which can variate its surface area as well as surface angles such as to allow for real-time acoustic adjustments based on the environmental sound imput and the desired effect. In collaboration with: Alexandre Malagelada Max Lauter
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ACOUSTIC FOLDS
180ยบ
135ยบ
90ยบ
45ยบ
0ยบ A simple half-cycle rotational lmovement allows for the acoustic panel to triple its surface area
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The panel adjusts ist surface area and reverberation index based on an audio imput.
Grasshopper served as tool to develop a simulation of the desired resut as well as providing the appropriate calibration for the mechanics of the prototype.
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SWELL Location: New York, NY, USA Type: Installation/ Pavillion Structure: Aluminum & Mylar Year: 2013 Swell was born out of the successful surviving variant features of the previous test prototypes. We had realized that the vertical hanging mylar cut pattern would sag and would require a higher velocity of wind than a horizontally hanging myalr pattern. A horizontally hung piece of mylar would also be able to take the form of a catenary curve, creating a pocket of volume in space. By dividing the roof surface into a 5x5 grid made from 4’x4’ inset mylar panels, we could gain a large amount of control in a contained format while still creating a whole surface topography. The structure is then a minimal aluminum frame that seeks to disappear into the background, supporting and showing off the mylar. Differing pockets would droop at differing levels, allowing a variety of lighting conditions as well as creating tactile surfaces for the viewer to interact with. In collaboration with: Laura Buck, Hank Summerfield Byron, Dan Taeyoung Lee, Haejong Lim, Akash Raju, Alejandro Stein, Maya Porath, Micah Stroup and Ray Wang.
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BLAH-BLAH CITY Location: The Bowery, New York, NY, USA Year: 2013 Participating within the Ideas Cities Festival for 2013, headed by the New Museum, the project was devised as a way to infiltrate the area and question the relationship between a physical prompt and a website as a platform for an augmented narrative. Prompts where placed in 20 different locations. In collaboration with: Eirini Anthouli Ernesto Cruz Sabrina Wirth
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TERRA INSOLA Location: Chania, Crete, Grreece Type: Installation/Film Set Structure: Steel, Ceramics & Eucaliptus Tree Year: 2013 Terra Insola is a collective enterprise of scientific storytellers, speculative archeologists, regenerative engineering, deviant-mythologists and dirty-physiologist exploring the mythic figure of Ariadne as an archetype of a modern feminist, living within a suspended time between two stages of her life, in the time between her relationships with Theseus to Dionysus, between the macho-man and the alcoholic.
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