PORTFOLIO of Archi t e c t u r e L I
A I
A N G
LI AI ANG liaiang92@gmail.com +61 4 1626 0621 E23/140 Arden St, North Melbourne 3051
WORK EXPERIENCE
LANGUAGES
2017 - 2017 STUDENT ARCHITECT ( 6 months ) Urban Creative Design Studio
English
- Architectural drafting - Production of diagrams drawing - Digital and Physical Model Making - Production of rendered and photoshoped images March 2015 INTERNSHIPS_STUDENT ARCHITECT ( 4 months ) Archint Design ( Architecture & Interior Design Firm, Penang, Malaysia ) - Architectural drafting - Involved in Concept Design and Design Development - Production of diagrams drawing - Digital and Physical Model Making - Production of rendered and photoshoped images 2014 - 2017 ASSISTANT MANAGER ( 3 years ) Fuji Teppanyaki Japanese Restaurant - Excellent experiences in teamwork & maintained good relationship - Job scopes including answering phone calls, taking order, handling cash and card payment, serving food, and bartender - The environment prepared me to have good communication skills with customer and multitasking. 2013 - 2014 SALES ASSISTANT ( 5 months ) Photo Plus, Swanston Street - Job scopes including selling accessories ie. phone cases, iPad cases, and others, filling stocks and arrange and display the stocks - Took passport photos and helped photographer in the photo studio.
EDUCATION 2015 - 2017
UNIVERSITY OF MELBOURNE Master of Architecture
2012 - 2014
UNIVERSITY OF MELBOURNE Bachelor of Environments
2010 - 2011
KBU International College AUSMAT
Mandarin Cantonese Malays Hokkien
SKILLS Teamwork Communication Skill Organisation Skill Delivery of Services Publicity & Marketing Emotional Intelligence Time Management Decision Making
PROFESSIONAL SKILLS Microsoft Offices
( Words, Excel, PowerPoint )
Adobe Indesign
EXTRACURRICULAR 2013 - 2014
PUBLICITY DIRECTOR MOMU ( Malaysian Organisation Melbourne University )
2013
MARKETING DIRECTOR GMB ( Grand Malaysian Ball Committee )
2012-2013
SENIOR EXECUTIVES ( SPORTS ) MASCA ( Malaysian Students Council of Australia, Victoria )
2009 - 2010
PRESIDENT Chinese Association Society
Adobe Photoshop Adobe Illustrator AutoCAD Rhinoceros SketchUp Revit
CONTENTS Design Thesis CBD South Station_Swanston Street
Switch Apartment 88-92 Gatehouse St, Melbourne
Switch Units 88-92 Gatehouse St, Melbourne
Money-Scraper 400 William St, Melbourne
Room For the Last Supper Juhani Pallasmaa Workshop, Melbourne University
Fragmented Box University of Melbourne Archives, Brunswick
Uncommon Ground Yarra Bend Park, Melbourne
Construction Design & Drawing Internship Project 01 Juru, Penang, Malaysia
Internship Project 02 Kulim, Kedah, Malaysia
Internship Project 03 Setiawan, Malaysia
THESIS: CBD SOUTH STATION Softwares Used : + + + +
Rhinoceros + Vray AutoCAD Adobe Photoshop Adobe Indesign
THESIS: CBD SOUTH STATION The thesis investigates the potential of phenomenological designs as the possible contributor to heal the stressed mind and improve mental health of the users in such high use and high stress environments. “ Stress is one of the major health challenges of the twenty-first century and urban living is quickly developing as a major contributor to this.”
20 % HIG HER ANXIETY
World Health Organization (2014) In a health survey report in 2014, World Health Organization has highlighted that stress is one of the major health challenges of twenty-first century and urban living is quickly developing as a major contributor to this. Living in an urban environment is long known to be a risk factor for psychiatric disorder such as major depression. In an international study, researchers at University of Heidelberg and the Douglas Mental Health University Institute at McGill University report in the journal Nature and the date suggest that city dwellers’ brains have a more sensitive, hair trigger response to stress. According to a German researcher named Mazda Adli, urban dweller has 20% higher risk for anxiety and 40% higher risk for depression. Based on the “Stress and Wellbeing Survey Melbourne 2013”, the severe level of stress and mood disorder has significant increase. The most common built environment characteristics for creating urban stress named “the stressor” are noise, fast paced walking or talking, crowd and congestion, and so on. As a result, urban stress and mental health should become one of the main concern for better future living.
40 %
H I G H E R DEPRESSION
noise
social isolation
long, unbroken, featureless facade
fast-paced lack contact with nature
lack of accessible space
congestion
THE STRESSORS
tal area of Melbourne CBD : 6.2 km2 2006 2006
2016 2016
2036 2036
67,758 67, 758
PULATION
20, 038
20,038
37,106 37, 106
NSITY / km2
3, 230
5, 985
10%
4%
~1%
Available public open space
Available public open space
Available public open space
10, 930
ATIAL
AILABLE ACE
GREE OF NTROL
10 %
4%
1%
high
low
Looking back at Melbourne CBD context, there are only limited public mind-healing place and they are generally green space which is free for public. Contrastingly, there are lots of private mind-healing space but those are place where you have to pay in order to get your mind healed. However, for public, well-being in places is more than just green spaces. According to life theory history, the quality of built environment is directly determining our life strategies and our well-being. It can promote mental health and well-being by exposing our brain to the right stimuli in a way that creates positive emotions and experiences. While looking for potential architectural investigation, human traffic been analysed within the CBD and it is not hard to realise that there is clsoe relationship with the congestion and the surrounding programs. From the anlaysis, the crowd and congestion were peak especially near to the metro station. As a result, metro station is chosen as the architectural investigation for the design thesis. Metro station is a place of civic transit and is a place deal with flow of people. Melbourne Metro estimates that there would be approximately 1.1million passenger per day within city loop in 2036. This such overflow of passengers and stressful commutes can steal time from our day, leaving us feeling stressed and negative. Therefore, the objective of this thesis investigation was to help the commuters to be mindful during the commute and invite calm and positivity into time spent travelling. These influence the experience of people who either spend time in or around it or simply pass through it.
private meditative space within CBD grid
public meditative space within CBD grid
commercials
shopping
event space
convenient store
retails
financial
restaurants
transportation
CONTEXT ANALYSIS
low ceiling height
congestion_disorder circulation
narrow, limited space
low lighting quality_fluorescent
Shadow Diagram
A metro system that delivers a high quality user experience, shapes Melbourne’s growth and identity, connects people with important destinations and is enjoyed by all of Melbourne’s residents and visitors. However, stressful commutes can increase anger, anxiety, hostility, decrease sleep and social opportunity, yet other commutes can be relaxing, active and rejuvenating.
FLAGSTAFF STATION
Tram Circulation Low Medium Medium High High
MELBOURNE STATION
2016 580,000/day
Human Circulation Peak Hour Period
Low Medium Medium High High
FLINDERS STATION
Human Circulation Non-Peak Hour Period
2036 1.1million / day
Low Medium Medium High High
Noise Diagram
DESIGN STUDY PRECEDENTS
Life Theory History
The qualities of an environment is directly determining our life strategies and our well-being. The quality of built environment can promote health and well-being by exposing our brain to the right balance of stimuli in a way that creates positive emotions and experiences
It is the particular atmosphere of a building that moves us and hence endows it with architectural quality. “ [w]e perceive atmosphere through our emotional sensibility - a form of perception that works incredibly quickly. In essence, this amounts to some form of ‘immediate appreciation, of a spontaneous emotional response. ” Peter Zumthor, 2006
?
Water Temple, Tadao Ando Tadao Ando, masterwork of choreography, designed to unfold in successive phases of different atmosphere qualities known as “the sequences of space�. Inspired by Tadao Ando, Water Temple, he created a sequence of spatial experience and enable the users to have different experience at different space. As he mentioned, makes the act of approaching and entering a space into a meaningful journey. This is thus linked to the Dynamic of visual influence where individual adjust speed when visual gains changed suddenly. this create comparison as users entering or leaving the space. You appreciate light in darkness and you sense the bigness when you entering from small entrance.
DESIGN METHODOLOGY By analysing the speed of movement and the time spent within the space, the four moments been categorised into two different groups which are MOMENTS OF MOVEMENT and MOMENT OF PAUSE and they are linked to the concept of open-monitoring meditation and concentration meditation respectively.
MOMENT OF MOVEMENT_ENTRANCE
entrance
Entrance is a space where users step in or out from the context. 1.2m/s - 1.6m/s 1 minute
MOMENT OF MOVEMENT_CONCOURSE
concourse
1.2m/s - 2.0m/s 1 - 3 minutes
Psychological Factor Speed Selection
on
Environment flows past more quickly than walking speed. People prefer to walk slower as they perceive higher visual gain
MOMENT OF PAUSE_PLAZA
plaza
0m/s - 1.0m/s 5 - 15 minutes
Emphasis created by inforcing something wanted to pay attention to.
MOMENT OF PAUSE_PLATFORM
platform
0m/s - 1.0m/s 0 - 5 minutes
The Power of Standing Still When stand still, senses tend to be enlarged and able to focus more. More sensitive and stronger impact on brain.
TRANSITION
PURE
chaotic to tranquil
colour to monochrome
view
grayness
monumental
light and shadow
HIGH VISUAL GAIN
HARMONY
Open-monitoring
Acknowledging and observing whatever happens in a relaxed way. No ‘no thoughts’- not to empty the mind, but to observe the present moment non-judgementally. Watch your thoughts, let them come and go, without reacting, judging or holding on.
Line Scale Repetition Symmetry Proximity Alignment Low Contrast
“machiya” facade A complex echoing order built up from repetitive tones at many different scales. Larger divisions established overall harmonic structure, accommodate smaller, more complex, even subversive rhythms.
FOCUS
harmony elements Harmonious elements have a logical relationship or progression where units are created using harmonious similarity, repetition, continuance, proximity, and alignment
EMPTY
large plain wall shape of opening captured alive Tunneling depth
“We are induced to stare at a blank and unattainable center, a square or circle emptied of almost all content, yet framing the most alive and vibrant sort of nothingness.”
Concentration l Mindfulness Taking moment to figure out what exactly you are feeling in that moment. Hold attention on a primary object.Pay attention is specific way, focus on present moment and concentrate on primary object. Being aware of attributes of an abject, or colour, or shape. At this stage, brain stop processing so much information and hense create sense of calm.
FOCUS
coarse materials
Material textures make strong contribution to sensory qualities of a space. Rough texture attract attention and activate eye movement. They emulate the natural aspects of the earth and make people feel more at ease, and more comfortable.
SMALLNESS
monumental scale
“We can bathe just as well under an 8-foot ceiling as we can under a 150foot ceiling. But, there’s something about 150-foot ceiling that makes a man different kind of man.” -Louis Kahn
DIAGRAM_ DESIGN CONCEPT
“Makes the act of approaching and entering a space into meaningful journey.”
Tadao Ando
Dynamic of visual influence: Individual adjust speed when visual gains changed suddenly.
street
Noise Busy
Transition
Pure
entrance
concourse
Open-monitoring
High Visual Gain
Harmony
plaza
Mindfulness Focus
Empty
platform
Mindfulness Texture
Rebirth
PROPOSED DESIGN Low : Medium : Medium High : High :
0m/s 0m/s - 1.0 m/s 1.2m/s - 1.6m/s 1.2m/s - 2.2m/s
Circulation Diagram
Low : Medium : Medium High : High :
0m/s 0m/s - 1.0 m/s 1.2m/s - 1.6m/s 1.2m/s - 2.2m/s
Speed of Movement Diagram
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Program Diagram
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entrance 1.2m/s - 1.6m/s 1 minute
MOMENT OF MOVEMENT Entrance is a space where users step in or out from the context. TRANSITION
PURE
chaotic to tranquil
colour to monochrome
view
grayness
monumental
light and shadow
City Square Entrance Plan
City Square Entrance Section 0 1 2 3
5
10
15
20
concourse 1.2m/s - 2.0m/s 1 - 3 minutes
MOMENT OF MOVEMENT Psychological Factor on Speed Selection Environment flows past more quickly than walking speed. People prefer to walk slower as they perceive higher visual gain HIGH VISUAL GAIN
HARMONY Line Scale Repetition Symmetry Proximity Alignment Low Contrast
“machiya� facade
harmony elements
A complex echoing order built up from repetitive tones at many different scales. Larger divisions established overall harmonic structure, accommodate smaller, more complex, even subversive rhythms.
Harmonious elements have a logical relationship or progression where units are created using harmonious similarity, repetition, continuance, proximity, and alignment
Concourse Plan
Concourse Section 0 1 2 3
5
10
15
20
plaza 0m/s - 1.0m/s 5 - 15 minutes
MOMENT OF PAUSE Emphasis created by inforcing something wanted to pay attention to. FOCUS
shape of opening captured alive Tunneling depth
EMPTY
large plain wall “We are induced to stare at a blank and unattainable center, a square or circle emptied of almost all content, yet framing the most alive and vibrant sort of nothingness.�
Central Plaza Plan
Central Plaza Section 0 1 2 3
5
10
15
20
platform 0m/s - 1.0m/s 0 - 5 minutes
MOMENT OF PAUSE The Power of Standing Still When stand still, senses tend to be enlarged and able to focus more. More sensitive and stronger impact on brain. FOCUS
SMALLNESS
coarse materials
monumental scale
Material textures make strong contribution to sensory qualities of a space. Rough texture attract attention and activate eye movement. They emulate the natural aspects of the earth and make people feel more at ease, and more comfortable.
“We can bathe just as well under an 8-foot ceiling as we can under a 150-foot ceiling. But, there’s something about 150-foot ceiling that makes a man different kind of man.” -Louis Kahn
Platform Plan
Platform Section 0 1 2 3
5
10
15
20
THE SWITCH APARTMENT Softwares Used : + + + +
SketchUp + Vray AutoCAD Adobe Photoshop Adobe Indesign
THE SWITCH APARTMENT
This studio allows each student to develop own individual brief for the final project and specific volume (20% below the standard volume) were given as the limiting constraint. For the past few years, the demand of home office has gradually increased where people would like to work in where they live. However, there are some issues often been faced by home-office, which are the lacking interaction between colleagues, lack of variety of office space when working at home, different preference of working habits and the most common issue is the distraction to focus on work while being at home.
home + office
As mentioned, SWITCH apartment provide you variety of spaces with different number of users for example private meeting area that could fit 4-5 people, private working space if you want to work by yourself yet enjoying outdoor breeze, semi-public co-working space for 2-4 people, informal meeting space if you simply want to have informal chat while enjoying greeneries, and last but no least your own private indoor working space inside your SWITCH unit.
“ This is an apartment for office-worker who wants their home to be a work-live apartment�
atrium
pockets
active site through public programs
vertical connection active interaction
communal space variety of space
pitch roof private semipublic
maximise view
vertical mullion
public
separate program programme identity
generous pockets with views
strong identity for home-office
䔀 䔀 吀刀 匀 䔀
䠀 匀
匀
䄀 吀刀
唀
刀
伀
刀 䔀 䔀
䠀
伀
䜀
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吀
吀䔀
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For home-office, Switch apartment provide what you want. First, introduce public programs in order to activate the site, next, encourage interaction through vertical connection, introduce various type of communal space, separate the program from public at the bottom and more private as moving up, generous pockets space (outdoor space) with views and last one has strong identity for home-office.
Site Plan
1
4
2
3
5
Ground Floor Plan
7
LEGEND
1. main entrance 2. reception desk 3. communal stairs performance space 4. restaurant cafe 5. lounge 6. meeting room 7. back entrance
6
1
2
First Floor Plan LEGEND
3
4
1
4
5
2
6
1. 2. 3. 4. 5. 6.
co-working space open working space conference room meeting room mini-co-working space conference room
3
5
6
7
Second Floor Plan LEGEND 1. 2. 3. 4. 5. 6. 7. 8.
8
apartment units outdoor space co-working space informal meeting mini-co-working space communal meeting room outdoor working space relaxing nook
3
1 2
4
5
6
Third Floor Plan LEGEND
7
1. 2. 3. 4. 5. 6. 7.
apartment units outdoor space outdoor space outdoor working mini-co-working space informal meeting space relaxing nook
E D B
A
private indoor space
B
private outdoor space
C
informal meeting space
D
informal co-working space
E
private meeting space
C
A
Section View AA
Section View BB
SWITCH UNIT
‘SWITCH’ residents celebrates the rituals of switching within homeoffice living and allowing for a change of mood.
9-4
after 4
office working
home living
ACTIVITIES
TIMES
small ‘SWITCH’ : function and mood ever-changing space 00:00 01:00 02:00 03:00 04:00 05:00 06:00 07:00 08:00 09:00 10:00 11:00 12:00 13:00 14:00 15:00 16:00 17:00 18:00 19:00 20:00 21:00 22:00 23:00
SLEEPING
OFFICE WORKING
RELAXATION MEETING
GROOMING
DINING FRIENDS COMING
entrance
MATERIAL
COLOUR PSYCHOLOGY
GROOMING
SOFT
Type A
63 m3
3500 X 7200 X 2500
HARD Type B
63 m3
3500 X 7200 X 2500
MEDIUM Type C
63 m3
5000 X 5300 X 2500
bathroom
bathroom
kitchen
client meeting private office
study nook
socialise area
sleeping space
07 : 30 am #wake up in the morning
09 : 00 am #switch to work
09 : 30 am #focus on work
12 : 30 pm #cooking lunch
10 : 30 pm #ready to sleep
07 : 30 pm #friends coming over
04 : 00 pm #switch to home
02 : 00 pm #meeting clients
THE MONEYSCRAPER Softwares Used : + + + +
Rhinoceros + Vray AutoCAD Adobe Photoshop Adobe Indesign
THE MONEYSCRAPER
The site is located at corner of William and bourke street and it is currently surrounded by tall Miesian-like skyscraper with clean and orderly repeated glass facade. The main client for the moneyscraper is the Australian Security Exchange (ASX) and the brief was to critic the economy and money through the building, at the same time challenge the typical typology of the vertical skyscraper. No matter barter system in the past or today monetary system, they are all about forces. The forces of demand and supply is what creating the economy and the economy graph. Therefore, the main design concept for the money scraper is based on the idea of forces. These are the analogy been used throughout the design process where graph and modelling clay for exterior while the paper cutting folding been explored for the internal space manipulation. Site analysis been carried out and there are few context that found interesting for example how the laneway formed throughout the loose grid in Melbourne city.
$=FORCE AUSTRALIA AUSTRALIASTOCK STOCKEXCHANGE EXCHANGEASX ASX BROKERAGE BROKERAGEFIRMS FIRMS OFFICE OFFICE RESIDENTIAL RESIDENTIALAPARTMENTS APARTMENTS SPA SPA SWIMMING SWIMMINGPOOL POOL RETAIL RETAIL RESTAURANT RESTAURANT CAFE CAFE SUPERMARKET SUPERMARKET PARKING PARKINGSPACE SPACE PLAYGROUND PLAYGROUND GARDEN GARDENPARK PARK
?
TYPICAL OFFICE CIRCULATION
NEW OFFICE CIRCULATION
Here are the diagram explaining how the final form been achieved. As starter, a typical form of skyscraper with orderly repeated structure, mullion and spandrel been used. Then I start to wonder, what if there are huge forces apply on ground and body of the tower. Like a flat ground when you push it and generate the wave further pushing the bottom of the tower and little forces push the body of tower. The general form then been generated. Indirectly, the mullion and spandrel at the edge been ununiformly distorted due to the unequal forces . Then, new forces from third direction strike the tower and thus sort of loosing the grid system of the spandrel and mullion sort of loosing the territory control and thus creating new opportunitites to the economy. For the interior, all these forces further deformed the slab.
TYPICAL PROGRAMS
NEW PROGRAMS
COLUMN + CORE
FLOOR SLAB
GLASS FACADE MULLION + SPANDREL
Move to circulation, typically, public circulation usually been limited at ground or lower level and users usually moved through elevator from floors to floors and the spaces are only repetition of floors. These typical condition lead to production of isolated individual space and this decrease the spatial interaction and value of using space has been increasingly privatized. Therefore, in this proposed design, with the new program arrangement, the public would have equal opportunities to move to higher level. Besides, the floor planes been manipulated to connect the spaces and people forming single trajectory. The flow been cut and folded and stacked connecting floor above and below and therefore, the floor plane becomes almost that of a street.
SITE PLAN
8. MAIN ENTRY B 9. RESTAURANT 10. DOWN CARPARK 11. RESTAURANT 12. RETAILS 13. SIDE ENTRANCE 14. WALL BOARD
1. 2 FLOORS BELOW 2. RAMP 3. BENCHES 4. OFFICE AREA 5. FIRE STAIRS 6. MALE TOILET 7. FEMALE TOILET
A
1. MAIN ENTRY A 2. MAIN LOBBY A 3. RECEPTION AREA 4. MALE TOILET 5. FEMALE TOILET 6. FLOOR SCREEN 7. LOBBY B
B
A
B
GROUND FLOOR PLAN
OFFICES FLOOR PLAN
8. MEETING PLACE A 9. DIRECTOR ROOM 10. BALCONY 11. MEETING PLACE B 12. OFFICE 1 FLOOR BELOW 13. BENCHES ON RAMP
1. VEGETATION AREA 2. RAMP 3. SHOPLOTS 4. CORE AREA 5. MALE TOILET 6. FEMALE TOILET
LVL 25 SKYLANE FLOOR PLAN
7. VOID A 8. VOID B 9. OBSERVATORY AREA 10. RAMP 11. VEGETATION AREA
1. BEDROOM 2. LIVING ROOM 3. KITCHEN 4. BATHROOM 5. STUDY ROOM 6. BALCONY
APARTMENTS FLOOR PLAN
NORTH ELEVATION
EAST ELEVATION
SOUTH ELEVATION
DINING & BAR MECHANICAL FLOOR
HOUSING APARTMENTS
OFFICES VENUE HALL GYMNASIUM
HOUSING APARTMENTS SKYLANES ART GALLERIES VENUE HALL RETAILS
OFFICES RETAILS
OFFICES
OFFICES RETAILS CAFES
SECTION AA
SECTION BB
ROOM FOR THE LAST SUPPER Softwares Used : + Physical Modelling
ROOM FOR THE LAST SUPPER
This is an intensive workshop with a Finland master architect, Juhani Pallasmaa. Taking biblical story of Last Supper as design brief, students were invited to explore the “emotional and experiential essence” of the event, with a distinct emphasis on the “emotional and poetic” possibilities of architectural space, by using the expressive means of space and light, materiality and time, memory and nostalgia, sorrow and ecstasy. For me, the painting conveys the sense of contradiction of atmosphere and mixed emotions: togetherness vs isolation, calm vs anxiety.By having this concept in mind, light and mist been explored and tested in order to creat the atmosphere. In this project, instead of being an observer, I am interested in bringing the audience to position themselves in the stories’ characters and feel the atmosphere themselves. The space was flooded with 300mm water level, and thus when people walking within the space, they felt disturbed and the ripples create further disturbance to the space indicating the anxiety of the Apostles. Yet as they reach the center, the light would shed on them and they would felt calm yet isolated just like Jesus.
THE FRAGMENT BOX Softwares Used : + + + +
Rhinoceros + Vray AutoCAD Adobe Photoshop Adobe Indesign
THE FRAGMENT BOX
The following brief for the University of Melbourne Archives, compiled with the assistance of Dr. Katrina Dean, the University Archivist, and the staff of the University Archives, is a minimum guide only. By all means add to it if you consider something is “missing” or is too small.The building will require specialized services, such as air conditioning, humidity control, fire protection, etc. Allow ample space for such services within ducts running throughout the building, in false ceilings, etc. Note that circulation space, including fire escape stairs, and the number and size of public toilets have not been specified. An archive is an intriguing hybrid of library, a museum and a warehouse. The objects housed in archives sometimes have unique associations, such as the typewriter owned by a famous author. While the works on paper housed in archives are usually unique, ie. drawings, diaries, letters, manuscripts, original photographs etc.
“Collecting is inherently acult of fragments , a sticking together of material bits”
An archive is made up of accumulative fragments, which combined by pieces of pieces of the history’s evidence. All these individual boxes gathered at one single place and form the history of the past. Looking at these different pieces, they remind me of the images in the site analysis. In context itself, this idea of fragmentation could be seen everywhere in different scale like the building, wall and even the road.
North Elevation
West Elevation
South Elevation
Section A Concept Diagrams
Section B
Basement L2 Archive Storage B2
First Floor
Basement L1 Archive Storage B1 Storage Room Study Space
Ground Floor
Director’s office Pantry area Staff’s toilets
Quarantine area Loading Bay Processing Area Supplies storage Archive Storage G Reception Area Locker+Cloakroom
Open Plan Office Archive Storage 1 Library+Reading Room
Gallery+Exhibition Public toilets Conference Room Internal courtyard Scholar Office Scholar Apartment Parking Space
FACADE EXPLORATION Instead of wrapping the whole facade with the geometries, the pattern acts like a ribbon wrapping the box just like a fragmented box been tied up with ribbon.
97
97
THE UNCOMMON GROUND Softwares Used : + + + + +
Rhinoceros Hand Sketch Adobe Photoshop Adobe Indesign Physical Modelling
THE UNCOMMON GROUND
Based on the sentence above, UNCOMMON GROUND is design that consists of separated individual buildings that have various relations to the ground. Design separated individual buildings for each spaces with their own experiences and characteristics. It is also designed to be easy accessible from other directions.
‘We cultivated our land, but in different way from the white man.
We live with the land and they seemed to live off it.’
A: The Aborigin Discovery Centre
It is designed based on the idea of nomad living and searching for better environment as well as their adaptability to diferent environments.
B: The Colonist Discovery Centre
It is designed based on the idea of searching for resources and stay at one place.
C: The Reconciliation Garden
The garden is to acknowledge the bitter histories and bring the message of unity. Thus, it is designed to improve the social interaction and reflection of the past, present and future.
D: Theatre space
It is designed by using light to enhance the building itself.
Site Plan
A B
C D
Top Plan
A
Top Plan
Section AA
A
Front View
w
Different types of materials have been installed in this design. However, concrete and timber are the most common materials in this design. In both gallery spaces, timber interior and concrete exterior was installed. The reason of why the timber was used as it carries the nature characteristic the most and the long horizontal shape inspired by the idea of finding memory.
B
D
A
C
Floor Plan
As for the theatre, the interior material is the concrete with timber texture while the exterior was covered with reflective metal that enable to reflect the surroundings changing seasons. Besides, the angle of the theater enable the reflective metal to reflect the other buildings as well which provide the feeling of connectedness. As for the garden, it is made up of different degrees of concrete stairs with grass cover on top. Same thing for the roof of the office as well where people can go up the stairs and rest on top of the roof covered with grass. For the bridge that connect the Aborigin Gallery and the roof of the office, glass is used at two sides.
Left View
CONSTRUCTION DESIGN & DRAWINGS FE
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C2 C2
E1 E1
LEGEND EDGE E1 BEAM 900WB175 EDGE BEAM 900WB175 PRIMARY 900WB257 PB1BEAM PRIMARY BEAM 900WB257 SECONDARY BEAM SECONDARY 700WB250 BEAM 700WB250 SB1 MEGA C1 COLUMN 2000X2000 MEGA COLUMN 2000X2000 STEEL C2 COLUMN ENCASED WITH CONCRETE STEEL COLUMN ENCASED WITH CONCRETE LOW RISE 500WC440 LOW RISE 500WC440 MID RISE 400WC361 MID RISE 400WC361 HIGH RISE 400WC212 HIGH RISE 400WC212 SKY RISE 350WC197 SKY RISE 350WC197 FEMALE F.TTOILET FEMALE TOILET MALE M.T TOILET MALE TOILET
E1
E1
SB1
F.T M.T
C2
SB1
C2
PB1
E1
C2
E1
E1
C2
PB1
E1
C2
E1
C2
E1 PB1 SB1 C1 C2 C1
SB1
PB1
LEGEND
E1
PB1
SB1
C2
SB1
J
C2
E1
C2
10
E1 E1
J
I
C1
PB1 PB1
C2
PB1
E1
9
C2 C2
IH
E1
C2
8
E1 E1
C2 C2
PB1
C2
SB1
E1
7
E1 E1
HG
C1
E1
6
GF
C1
C2
E1
LOW RISE FRAMING PLAN LOW RISE FRAMING PLAN SCALE 1: 250
E
SCALE 1: 250
F
GE
H F
I G
HJ
E
I
J
F
GE
H F
HJ
I G
J
I 5
5
6
6
7
7
8
8
8
9
9
9
9
10
10
10
10
11
11
11
11
5
5
6
6
7
7
8
MECHANICAL MECHANICAL FLOOR FRAMING PLAN SKY RISE FRAMING PLAN FLOOR FRAMING PLAN SKY RISE FRAMING PLAN SCALE 1: 500
E 6
SCALE 1: 500
SCALE 1: 500
F
GE
H F
I G
HJ
A
I
6
7
7
8
8
9
9
10
10
ROOF FRAMING PLAN ROOF FRAMING PLAN SCALE 1: 500
C
SCALE 1: 500
D
J
E
A
F
B
G
C
H
D
I
E
JF
G
K H
2
2
3
3
4
4
5
5
6
6
7
7
8
8
9
9
10
10
11
11
12
12
SCALE 1: 500
PROJECT
I
J
K
1
PODIUM FRAMING PLAN PODIUM FRAMING PLAN
SCALE 1: 500
MELBOURNE SCHOOL OF DESIGN
1
B
SCALE 1: 500
TITLE
TITLE
OVERALL SECTION OVERALL SECTION SCALE 1: 750
TEAM MEMBERS:
SCALE 1: 750
TUTOR: TEAM MEMBERS:
TUTE NO. TUTOR:
TUTE NO.
DETAIL DRAWINGS
STRIP PATTERN CARPET
8.00
FFL
LYSAGHT BONDEK BMT 0.6MM 200 CTRS
10MM THK STEEL PLATE
80X180X10 RHS STEEL MULLION
ANGLE 100X75X6 6/1.52/10MM PILKINGTON PLANAR THERMAL BREAK INTEGRAL LAMINATED INSULATION R1.0 GLASS POLYSTYRENE 80X40MM BOARD S/S CHANNEL
BOLTS PACKER 10MM100X50X2.5 THK RHS STEEL PLATE
RHS 100X50X2.5 ANGLE 100X75X6
ANGLE UPSTAND 100X75X6
ANGLE 100X75X6 RHS 50X20X2.5 10MM THK STEEL PLATE 5MM GALVANISED STEEL ROD I BEAM 180UB18 RHS 100x50x2.5 AUSTRAL PLYWOOD ARIAPLY NATURAL HOOP 600X1200X12.5
150X150X3 SHS STEEL LINTEL ANGLE 150X100X6 LAP SEAM
ANGLE 100X75X6
Angle 100x75x6 80X180X10 RHS STEEL MULLION 80X40MM STAINLESS STEEL CHANNEL
10MM THK STEEL6/1.52/10MM PLATE PILKINGTON PLANAR PRIMARY BEAM INTEGRAL LAMINATED GLASS I BEAM 180 UB 18
NEOPRENE GUIDES
CAST SPRING PLATE WITH 2 SUSPENSION PT CONNECTION CLIP
HINGED FASCIA 15MM THK TOUGHENED GLASS SLIDING DOOR 10MM DRIP
1.5MM THK S/S CLADDING SHEET
6.80
CL
AUSTRAL PlYWOOD ARIAPLY NATURAL HOOP 600x1200x12.5MM
SILICONE SEALANT NEGATIVE CEILING PERIMETER DETAIL
D6
6/1.52/10MM PILKINGD8 TON PLANAR INTEGRALSECTION A4.1.2 SCALE 1: 5 LAMINATED GLASS
ELEVATION DETAIL
A4.1.1 SCALE 1: 5
ANGLE 100x75x6
DETAIL
NOMINAL JOINT
CAST SPRING PLATE WITH 2 PT CONNECTION EMBEDDED FLANGE
SILICONE SEALANT
D3
PILKINGTON PLANAR 905J BODY
6/1.52/10MM PILKINGTON PLANAR INTEGRAL LAMINATED GLASS
PILKINGTON PLANAR 905J ROD DORMA AL401 SLIDING DOOR 80X180X10 RHS STEEL MULLION
BRUSHES
BUTT JOINT SILICONE SEALANT
D1
PLAN DETAIL
15MM THK TOUGHENED GLASS
PACKER A4.1.1 SCALE 1: 5
D7 1.5MM THK S/S CLADDING BRUSHED FINISH
80X180X10 RHS STEEL MULLION
PLAN DETAIL
6/1.52/10MM PILKINGTON PLANAR INTEGRAL LAMINATED GLASS
A4.1.1 SCALE 1: 5
BUTT JOINT
ANGLE 100X75X8 80X180X10 RHS STEEL MULLION 3MM THK S/S PLATE BRUSHED FINISH
D2 PLAN DETAIL MELBOURNE SCHOOL OF DESIGN
ABPL90118 APPLIED CONSTRUCTION SEMESTER 2, 2016- FINAL ASSIGNMENT
CAST SPRING PLATE WITH 4 PT CONNECTION
80X40MM S/S CHANNEL
NYLON GUIDE EMBEDDED FLANGE WITH S/S COVER EMBEDDED ATTACHMENT BLUESTONE 1.52MM TILESINTERLAYER HONED 600X600X60
PILKINGTON PLANAR 905J FITTING 316 GRADE S/S BRUSHED FINISH
MARBLE CALDIA TILES POLISHED 600X600X40
D4
80X40MM S/S CHANNEL
SECTION DETAIL
A4.1.2 SCALE 1: 5 6/1.52/10MM PILKINGTON PLANAR INTEGRAL LAMINATED GLASS
80X180X10 RHS STEEL MULLION SILICONE SEALANT
SCREED
1.5MM THK S/S CLADDING BOLTS BRUSHED FINISH
WATERPROOFING MEMBRANE TO AS 3740-2004
SILICONE SEALANT 80X40MM S/S CHANNEL
100X75X8 3.0MMANGLE THK S/S PLATE BRUSHED FINISH
BLUESTONE TILES HONED 600X600X60
MARBLE CALDIA TILES POLISHED 600X600X40
NEOPRENE GUIDES
D9
SECTION DETAIL
D10
A4.1.2 SCALE 1: 5
ISOMETRIC VIEW
SCREED
NOT TO SCALE
ANGLE 75X50X5
WATERPROOFING MEMBRANE TO AS3740-2004
ANGLE 100X75X8 BOLTS
SHIMS
292 EXHIBITION ST
TITLE D5 SECTION DETAIL LOBBY FACADE: A4.1.2 SCALE 1:DETAILS 5
TEAM MEMBERS:
TUTOR:
TUTE NO.
LI AI ANG
MOHD HUSSIN
08
560558
DATE:
SEMESTER 2, 2016- FINAL ASSIGNMENT MELBOURNE SCHOOL OF DESIGN
1.5MM THK BRUSHED FINISH S/S CLADDING
FLAT HEAD DYNABOLTS
PROJECT
A4.1.1 SCALEAPPLIED ABPL90118 CONSTRUCTION 1: 5
80X180X10 RHS STEEL MULLION
6MM TOUGHENED AND HEAT SOAKED OPTIWHITE GLASS OUTER LEAF
SILICONE SEALANT
1.5MM THK S/S CLADDING BRUSHED FINISH MARBLE CALDIA TILES POLISHED 600X600X40
CAST SPRING PLATE WITH 4 PT CONNECTION
10MM TOUGHENED AND HEAT SOAKED OPTIWHITE GLASS INNER LEAF
RUBBER END 1.5MM THK S/S CLADDING BRUSHED FINISH
PILKINGTON PLANAR 905J FITTING
SECTION DETAIL
A4.1.2 SCALE 1: 5
EMBEDDED ATTACHMENT
DWG NO
A5.1.2
PROJECT
TITLE
292 EXHIBITION ST
LOBBY FACADE: DETAILS
TEAM MEMBERS:
LI AI ANG
560558
TUTOR:
19 JUNE 2016
MOHD HUSSIN DATE:
TUTE NO.
08
Ro o f a n d D ra i n a g e
andard compaction
ent from moisture changes
74
75
73
L
ed steel
t pe
SF
0
15
7.
ra
-1
Pa
6. 55
0
LC
SF L
ngth ars.
-1
01
C
77
oting.
LC
76 78
ncrete cancer and cracking
h it & prevent moisture lost. 72
Connection Detail:
65
proof membrane.
l mylon fibers wick away
K
67
68
62
60
tion: igid sheet with aluminium foil di ed at both sides. ng, requires no protective clothing moisture and protects home g damp, provide reliable weather o particularly sound choice of wall
61
1
LC
69
L SF
01
L
63
: cially stiffened and treated to pro esistant insulation. to prevent heat enter and loss as e poor conductors of heat and of air or radiation through the
SF
56
64
-1
66
0
70
3.
0
K5
85
2.
C
00
LC
57
59 71
70
W1.58
53
cape the wall cavity
M2
51
o as moving joint
P11 54
M6
55
M7
SF
L
0.
00
0
58
P01
Shadowline Detailin
LC
1
00
kington low E glass)
coating with HOT DIP galvanised
Presentation
A5
47
crete aggregate content)
46
A3
48
ns flooring
er 36
and material cost 40
41
52
42
35
DA0.08
38 27
coating with HOT DIP galvanised
43
AD W0.12
ounter lateral load might not adequate for buildings dow openings
44
Breakout
20
uces the damage caused by soft ct scuff resistant surface, which ideal areas.-also fire and acoustic grade
31
Skylight Detail: 24
14
ine Sound Blanket): ducts and user-friendly insulation stic performance and reduce the etween rooms
M4
C5 34
33 32 3 37 25
m structure
21
29
19
6
17 23
dge and Suprafine XL
26
22 30 5
7
ces. 8
9 18
ilicon bonded 13
2
1
A5 10
4
o carry high loads over long spans web efficiently proportions material rom beam applications.
ot rolled for general purpose and stance and strength characteristics.
min 1:200; provide 50 X 20 overflow pop
nsion
t
, has excellent vapour f its aluminium foil surfaces,
& mechanical fastenings through top portion of ribs that can be experienced.
AD A3
51
M4
P11 M5
71
M1
M6 70
N3
0. 00 SF L
Roof and Drainage system: Gutter detail section
1
0
G
L
t
LC
1
38
0
27
C
E
6. 55 0 SF L 01 C
H
35
31
Decking Clip) and has wide cover with fewer sheets.
Q
- compatible lap joint system which allow in-plane long run roofs as the overlapping sheets simply and reliably attached without the need for traditional step joint - has deep ribs- which stronger and stiffer with better water carrying capacity
Skylight Detail:
27
24
E Fix Rafter - connected to wall plate to allow depth to formed gutter 600 x 1200 SelectoLite F Sisalation FR430 - fire retardant double sided reflective foil insulation; help insulating buildings, also dustproof layer, has excellent vapour barrier properties; effective thermal insulation material due to the high reflectivity and low emissivity of its alumin The skylight reflects the ium foil surfaces transmitting indirect na
M4
G R1.5 Insulation Blanket - act as thermal insulation which helps insulating the ceiling; easy to install as just simply rolled out
W0.12 32
ut
31
3 26 Connection
R
Detail:
Skylight Detail:
24
M4
K2
600 x 1200 SelectoLite Belle Design Skylight K4
34
32
L
SF
0
70
3.
3 26
L
The skylight reflects the sun’s rays and prevents heat penetrations while K1 transmitting indirect natural light into the building during summer; while L Columnwinter. and HollowCore Plank Connection allows solar energy penetrate and warm the building during L4
K5
C
00
LC
W
W
Bolts type: 8.8/s - high strength structural bolts
M Precast Beam and Column Detail (RC2 --> PCB2)
Clear outer dome
S
Inner dome with added insulation in polycarbonate
T
16mm THK Polycarbonate
U
M8 Trimmers - Larger than standard joist to support the opening
L1
N1
N3
N4
Timber Stud Framing
00 0 0. L 00
AD
Insulation Trimmers - Larger t Sisalation Timber Stud Framin Plasterboard lined
U
age caused by movements such as thermal expansion.
Roof Deck Shaft Finishing Trim
Colorbond Flashing
Apron Flashing - dr
Retaining Fastener Seal Tape
M4 CFC Cladding (Compressed Cement Sheet) - as exterior finish a align with the aluminium window framing; durable, high density b Insulation compressed and X sheet; suitable for wet areas and external cladding, non-combustible c Sisalation easy to work, impact resistance and immune to termite attacks, water resistant and will not rot or decay Scale 1:10 d Plasterboard lined d M5 Caulking - at the gap between the CFC cladding and the window aluminium framing U Y e Shaft Finishing Trim - as sealant joint and to prevent water, air, dust, insects enter the building structure M6 Aluminium Window Framing M8 Jamb Cover Channel - to achieve the clearance at door opening
N Column Baseplate details at Slab Edge V N1 Steel Column C1 N2 16mm THK base plate - on 10 non-shrink grout; 2M20 chemset anchors ; Base Plate for axial compression
X M5 Colorbond Flashing
N3 Grout Rebate after column erection
Y
Apron Flashing - drain water from skylight away fromN4the structure prevent to enter below roof Scale 1:10 deck Breakbuilding out top flange of the hollow and core plank and locallywater fill with concrete
Z
Retaining Fastener
a
Seal Tape
b
Insulation
c
Sisalation
d
Plasterboard lined shaft
e
Shaft Finishing Trim
Shadowline Detailing
b U c V d
- has excellent fire re
M7 Flashing
N2
M4
M7
16mm THK Polycar Seal Tape
- has excellent fire resistant properties and is visually unbreakable
W Roof Deck
M6
Retaining Fastener Inner dome with a
Ta
M3 Battened out Futing Channel - to provide gap for insulation purpose and also to provide a flatVand planar base for the CFC cladding a
M3
AD
Y
Apronouter Flashing - dr Clear dome
Z S
R d e c W e b T S X M1 Dowel Bars - connecting concrete column and the precast concrete beam Y manufactured and moulded from high quality natural rubberwhich is highly elastic and sufficiently soft to ac Neoprene Bearing Strip M2 commodate movement; able Z to absorbs and isolate energy from impact and vibrations in order to avoid dam Z
L2
R
V
M2
c
SF
Y R
Z
Steel Column C4 8mm THK end and cleat PL; 2M16 8.8/S bolts 8mm THK cap and cleat PL; 2M20 8.8/S bolts
* Nuts, Bolts, Washers are all anti-corrosion coating with hot dip galvanised.
K3
M1
1
W
Clear outer moulded insulating dome gives added heat reduction, proL3 a L4 100 x 100 x 6 Washer - could be used for adjustable flooring system motes self-cleaning, gives required water run-off when used in deck roof. X
8 2.
Clear outer dome
S Inner dome with a 600 x 1200 SelectoLite T 16mm THK Polycar K Concrete Panel / Footing Connection has excellent firethe re The -skylight reflects K1 Concrete Wall Panel transmitting indirect na U Trimmers - Larger t K2 Precast Concrete Grout Tube - enable the wall fit correctly to bars; been filled with concrete after erection to fixed the bolt position allows solar energy pe K3 N20 Dowel Bar - 800 LG; 350 min embedment into footing V Timber Stud Framin R Clear outer moulded i K4 2 pairs RB-120 “U” bars e c motes self-cleaning, g W Roof Deck K5 20mm Non-shrink Grout - “FOSROC” Combextra G.P.; between panel wall and footing b T between load-bearing members - a hydraulic cement grout, often used as a transfer medium X Colorbond Flashing S
L1 L2 L3
50
SF
allows solar energy pe
H Batten : to hold the metal cladding on position Clear outer moulded i Scale 1:5 I Sarking motes self-cleaning, g J Metal Cladding - 25mm THK, max longspan spacing @2100mm; 2-layers 0.48BMT colorbond metal cladding, silicon bonded
34
LC
Powder coated ga bead (ce O Stopping through sill claddin Steel Fascia - 1.6mm Colorbonded Zincalume Steel Fascia, Bottom Edge Lip Folded 75 more than 90o to ensure no water held- channel type stee - attached to the top hat; fabricated fascia to align with parapet or barge capping of end wall beyond. - provide a nest fin Q - act as a cover to hide the fixing space between the roof and eaves; more than just functional, it is to form a neat, attractive- minimising the ap edges between the roofing and gutter; lightweight, easy to handle and pre-painted giving it a clear advantage over wood - creates a strong s en fascia when installing compound achie Formed Concealed Eaves Gutter - 125x125 Zincalume gutter formed colorbond; Colour: Night Sky; gutter fall min 1:200; 50 X 20- can be used to c overflow pop @5000CRS to provide trim to metal deck wall cladding Wall trim - wall trim O tensile cold-formed steel); fixed through roof deck Ribs @1200CRS P Top Hats - Powdercoated Galvanished Top Hats (high - help to enhance the performance of roof to endure the repeated loadings that can be experienced. Q Shadowline stoppi Colorbond Metal Deck - Stramit Speed Deck Ultra, P Material: Zincalume; BMT: 0.48; Colour: Night Sky Powder coated ga - Advantage: visual appeal, stength, wide cover, ligh weight and outstanding wind load resistance Scale 1:5 - enable quicker installation as concealed fixed roof decking with a patented rail clip (Stramit Speed Deck Ultra through sill claddin
J
DA0.08
38
LC
-1
D
I
36
W0.12
b
Shadowline stoppi
B
A3
B
pe
-1
Wall trim - wall trim
Q
A Powder coated galvanised ms perforated metal on 30x30 SHS framing fixed back to steel support at window line and 35 through sill cladding to stud framing. Dektite or similar flashing through all penetrations to cladding. DA0.08
ra
LC
P
can slide free. Besides, how the gutter been sit and connected to the roof system is essential in preventing water entering the building. P A
15
7.
Shadowline Detailing
Gutter bracket are screwed to rater tails up high to prevent water enter the roof strucO
frame - align windows with internal plasterboard face Q36 Shadowline stopping bead to window A5
47
SF
A3
C
F
46
01
M7 Flashing
M8 Jamb Cover Chan
ture .metal It is important that gutter is placed below the roof slope line so that the roof water Wall trim - wall trim to acoustic tile edge on suspended ceiling system
P
1
D E S I G N
0. 00
58
SF L
46
P01
LC
N2
M3
Stopping bead (ceiling tile and wall plasterboard) M4 N Column Baseplate de - channel type steel casing formed from 0.40mm hot-dip galvanised N1 Steel Column C1 Roof drainage system is onesteel of the important system in the building structure in order to N2 16mm THK base pl M5the roof structure. Gutter drain is one of the signle drain roof water away from entering - provide a nest finish edge around door and windowmost openings in place system of architrares. important parts of drainage and also moisture control system. It direct roof N3 Grout Rebate M6 A5 beadafter (ce O Stopping water ceiling away from house and help to reduce the amount of rain water entering the soil - minimising the appearance of “out of align” walls and by giving the clean, straight,shadow edge after setting out top N4 -Break channel typeflang stee at the foundation and limits the soil expansion and contraction. provide a nest fin - creates a strong straight and tidy finishing edge detail. the solid metalM7perforated flange ensures great bonding to the jointing - minimising the ap D Basically, the rainwater shed by sloping roof will be caught by the gutters along the roof compound achieved. - creates a strong s eave which later gutter empty into vertical downpipes that, in turn, discharge into a dry compound achie or storm sewer system. - can be used to create a negative detail or control well joint - can be used to c 00
47
Pa
C O N S T R U C T N4 I O N
LC
P11
Shadowline Detailing
3 0 0 4 1
N3 Grout Rebate after N4 Break out top flang M5 Caulking - at the g - as seala M6 Aluminium Window
00
O
51
A B PL
M2
0
58
P01
ut
N1
M8 M7
W1.58
-1
Column Baseplate de NM3 Battened out Futing N1 CFC SteelCladding Column C1 M4 (Co N2 16mm THK base pl
O
O
Stopping bead (ceiling tile and wall plasterboard) - channel type steel casing formed from 0.40mm hot-dip galvanised steel - provide a nest finish edge around door and window openings in place of architrares. - minimising the appearance of “out of align” walls and ceiling by giving the clean, straight,shadow edge after setting - creates a strong straight and tidy finishing edge detail. the solid metal perforated flange ensures great bonding to the jointing compound achieved. - can be used to create a negative detail or control joint
P
Wall trim - wall trim to acoustic tile edge on suspended metal ceiling system
Q
P
Title Axonometric Drawing Shadowline stopping bead to window frame - align windows with internal plasterboard face
Powder coated galvanised ms perforated metal on 30x30 SHS framing fixed back to steel support at window line and through sill cladding to stud framing. Dektite or similar flashing through all penetrations to cladding.
Project
: Dandenong Education Precinct Stage 2 92-106 Princess Highway, Dandenong Architect : HayBall Architects
Q
Scale 1:10
Scale @A1 : 1: 20
Scale 1:5
Assignment : Preliminary Submission Subject : ABPL 30041 Construction Design
Skylight Detail:
600 x 1200 SelectoLite Belle Design Skylight The skylight reflects the sun’s rays and prevents heat penetrations while transmitting indirect natural light into the building during summer; while allows solar energy penetrate and warm the building during winter.
Student Name : Li Ai Ang Student No : 560558
Clear outer moulded insulating dome gives added heat reduction, promotes self-cleaning, gives required water run-off when used in deck roof. R S
W
R S
e T
b
T
c
Tutor Name : Julian Tuckett Tutorial No : Group 16 16mm THK Polycarbonate Tutorial Session : Wed 3.15-5.15pm - has excellent fire resistant properties and is visually unbreakable Clear outer dome
Inner dome with added insulation in polycarbonate
U
Trimmers - Larger than standard joist to support the opening
V
Timber Stud Framing
W Roof Deck X
Colorbond Flashing
INTERN PROJECTS 01 MS TAN RESIDENTIAL HOUSE Job Scope Field Visit
- Taking field notes and measurement for the whole building, taking photos
Drafting architectural drawings
- Building Elevations, Floor Plans, Bathrooms Plans and Elevations, Window and Door Schedules
Digital Model Making
- Rebuild the model (Sketchup) with latest design and measurement
Contacting supplier for fitting
- Calling supplier asking for product informa tion, measurement and availability
This is one of the projects that I have been involved throughout my two-months internship in Arhcint Design. It was a three-storeys bangalow located within a residential area and it was under ongoing construction during that time. The area that I have been working the most was the bathrooms. There is a total of 7 bathrooms in the building and due to some onsite issues, the bathrooms have to be knocked down and reconstruct. I was responsible in drafting the bathrooms drawings at the same time producing bathroom wares and fitting schedules.
BATHROOM WARES AND FITTING FOR MS TAN SHONG CHIN BUNGALOW WARES AND FITTING CELICO Washdown WBSECB202WW Size: 670L x 380W x 788H Color: White Rough-in: Fixed bottom 200mm, Horizontal 185mm MICCA Syphonic WBSC950019WW Size: 740L x 385W x 790H Color: White Rough-in: Fixed bottom 285mm BIDET SPRAY WBFA300943CP Handheld bidet set - chrome FERMO 2-way angle valve WBFA300931CP BASEL Semi-Recessed Basin WBSABA201WW Colour: White Size: 450L x 450W x 160H mm IRIS Basin Pillar Tap WBFA300819CP Single Lever 1/2” basin pillar tap
B1
1
B2
1
B3
-
B4
1
B5
1
B6
-
B7
-
TOTAL
BATHROOM 1 - A/V Room
Jupiter Rect. Countertop Basins Code: WBAAVS310WW 430L x 530W x 175H mm
WARES
4
Celico -Washdown
Basel Semi-Recessed Basins
Code: WBSECB...WW
Code: WBSABA201WW
Specifications COLOUR: White 670L x 380W x 788H
Specifications COLOUR: White 450L x 450W x 160H mm
Rough-in: Fixed Bottom 200mm, Horizontal 185mm WBSECB202WW -BO 6/3L WC .2
IRIS Basin Pillar Tap Code : WBFA300819CP
Specifications Single Lever 1/2” basin pillar tap
-
-
1
-
-
1
1
3
FITTING Hand Spray Bidets Code: WBFA300943CP
Specifications Handheld bidet set - chrome
FERMO 2-WAY ANGLE VALVE Code: WBFA300931CP Specification
1
1
1
1
1
1
1
7
1
1
-
1
1
-
-
4
Ferla Tall Basin Pillar Tap Code : WBFA300767CP Specifications Single Lever 1/2” basin pillar tap t
INTERN PROJECTS 02 PENFABRIC TRAINING CENTER Job Scope Schematic design and development - Design the space following the brief and develop as getting feedback from clients
Drafting architectural drawings - Building Floor Plans
Digital Model Making
- Building the model (Sketchup) with latest proposed design and materials
Surau (M)
Surau (F )
Dining Hall Kitchen
Open Terrace
UP
Training Instructor's Office
Lobby
Toilet (F)
Garden A
RECEPTION
Toilet (M)
UP
Toilet OKU
Entrance
Hostel Management Office Garden B HR Office
INTERN PROJECTS 03 SETIAWAN RESIDENTIAL HOUSE Job Scope Schematic design and development - Design the space following the brief
Drafting architectural drawings - Building Floor Plans
Digital Model Making
- Building the model (Sketchup)
THANK YOU