Lida Barou-Architectural Portfolio

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Lida Barou SELECTED WORKS 2012 . 2017


about 2

ir. Arch. Lida Barou

lida_barou@yahoo.com https://gr.linkedin.com/in/lida-barou-32683795


Lida Barou was born in Athens in 1990 and finished her studies in architecture at the University of Thessaly [Greece] in 2014. Her passion to further explore architecture in terms of construction and detailing brought her to TU Delft [The Netherlands], where she graduated in 2016 with a MSc in Building Technology. Throughout these years, her interest, slowly but steadily, has focused on exploring the relation between old and new, in the context of restoration and rehabilitation. Industrial heritage is a field she has experienced with, through competitions, academic and professional projects. Her latest research focused on exploring innovative ways to restore and highlight our cultural heritage using glass a the primary restorative material. Using a holistic approach, her research aim was to develope strategies in order to use glass in a safe and protective way against weathering of monuments, while being minimally intrusive to preserve their aesthetics. Consequently, glass is a material she has extensively studied, including prototype manufacture and validation experiments. Innovative materials, design for disassembly and connectivity are aspects of the design and construction she also enjoys to study.

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rĂŠsumĂŠ personal information 14 mar 1990 since 2014

Born in Athens . Greece Lives and works in Delft . Netherlands Greek nationality

education & training 4

sep 2014 to jun 2016

TU Delft . Faculty of Architecture and the Built Environment . NL MSc in Building Technology

sep 2007 to apr 2014

University of Thessaly . GR MArch in Architecture Engineering

work expperience aug 2016 to jan 2018

Researcher TU Delft . Faculty of Civil Engineering & Geosciences . NL

mar 2014 to jul 2014

Junior Architect Giorgos Triantafyllou + Partners . GR

feb 2012 to feb 2013

Designer Adamakis Architects & associates . GR

nov 2011 to jan 2012

Architectural internship University of Thessaly . GR

jul 2011 to aug 2011

Architectural internship Adamakis Architects & associates . GR

skills Adobe Photoshop Adobe Illustrator Adobe InDesign Adobe Premier Pro AutoCAD

English C1

GR

Greek native

FR

French B1

ES

Spanish A1

EN

Rhinoceros Grasshopper 3d Studio Max Revit laser cutting 3d printing glass casting & processing

Dutch A2

NL


exhibitions & workshops may to nov 2018

Bieannale Architettura Exhibition in Venice . Italy

jan 2018

Gevel Exhibition in Rotterdam . Netherlands

feb 2017

Bouwbeurs exhibition in Utrecht . Netherlands

jan 2017

InfraTech exhibition in Rotterdam . Netherlands

jun 2015

Oerol Festival exhibition in Terschelling . Netherlands

jun 2014

Imagine the city exhibition in Thessaloniki . Greece

jun 2011

Changing Landscapes – Mediterranean Sensitive Areas Design workshop & exhibition in Volos . Greece

may 2011

Architectural studies and architectural heritage exhibition in Athens . Greece

mar 2011

ECOWEEK 2011 URBAN COMMUNITIES + GREEN ARCHITECTURE Workshop in Thessaloniki . Greece

apr 2011

Re-use of industrial heritage exhibition in Thessaloniki . Greece

oct 2010

Industrial heritage exhibition in Volos . Greece

sep 2010

Transframing Workshop. Volos . Greece

conferences & awards may 2018

Challenging Glass Conference 6 . Speaker International Conference on the Architectural and Structural Application of Glass TU Delft . Netherlands

apr 2017

IABSE Conference Bath . Speaker ‘Creativity and Collaboration – Instilling Imagination and Innovation in Structural Design’ Bath University . United Kingdom

apr 2017

WTA-NL-VL Monumenten-Studieprijs 2017

mar 2017

WTA Monumenten Preis 2017

competitions mar 2018

Logo Against Alzheimer . CODE

feb 2016

Lighthouse Sea Hotel . YAC

sep 2012

Museum of Underwater Antiquities of Pireaus Ministry of Culture and Tourism and the Piraeus Port Authority S.A.

apr 2012

Iconic Pedestrian Bridge in Amsterdam . concours d’ architecture

jul 2011

Tourist Accomodation Prototype . arquideas FINALIST

hobbies

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index 6

p.8 Transparent Restoration Academic

p.22 Restorative Glass Professional

p.26 Re3 Glass A Reduce/Reduce/ Recycle strategy Professional

p.38 Winery at the Tatoi Estate - rehabilitation and revival of wine-growing activity Academic


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p.52 Aquaponic Integrated Façade Academic

p.60 Everest Prism Academic

p.66 LightScape Resort Competition

p.70 Rehabilitation of “Matsaggos” tobaco warehouse into University Professional


Thesis . TUDelft . Jun 2016 Supervisors . Ir. Faidra Oikonomopoulou . Ir. Telesilla Bristogianni WTA Preis 2017

WTA-NL-VL Monumenten-Studieprijs 2017

published in ArchitectuurNL 6/16 . IASBE Conference Bath 2017 report

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Transparent Restoration The common ground between restoration practices and structural glass technology is investigated, as a new design tool to highlight our built heritage; a distinguishable, yet discreet restoration approach. Transparency is introduced by means of structural glass in an attempt to reinstate the image of the monument, allowing for a simultaneous perception of both its original and ruinous state. The design focuses on a new glass faรงade, as a restoration treatment for the case study of a half-collapsed tower, located in Greece. Cast glass units are suggested in respect to the existing masonry construction techniques and the aesthetics of the original structure. In order to attain a reversible solution, as suggested by the restoration guidelines, dry connections are proposed in combination with interlocking geometries for the glass units, ensuring the overall stability.


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During the day the glass structure is obvious but allows for a certain degree of transparency and perception of the surroundings


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? RESTORATION

OR

PRESERVATION ? MATERIALS GLASS

WHY GLASS ?

DURABILITY

INDOOR COMFORT

LOAD-BEARING CAPACITY

TRANSPARENT

DISTINGUISHABLE

CONCERVATION GUIDELINES

COMPATIBILITY

REVERSIBILITY

MINIMUM INTERVENTION

CONTEMPORARY STAMP

principle


SOLUTION STRUCTURAL CONSOLIDATION OF MONUMENTS

ADAPTIVE REUSE OF MONUMENTS

EASY/FAST ASSEMBLY-DISASSEMBLY

SUSTAINABLE USE OF GLASS

OUTCOMES

INTERLOCKING UNITS

DRY ASSEMBLY

MECHANICAL - EMBEDDED CONNECTIONS

CAST GLASS + INTERLAYER

DESIGN PRINCIPLES

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WIDER SCIENTIFIC CONTRIBUTION


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Physical model . sc. 1:100


limestone-sandstone masonry

concept

collapsed SE wall + roof

fortress bastion Âą 1300 AD

stifness

new glass masonry volume

weight

original limestone masonry volume

focus area

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14

Plan

0

1

3

5


15

SE Faรงade

0

1

3

5


it

l etai it d

un

n su

Cast gla

i ng ck rl o e t s s in

Stacked

floa tg las

structure

16 Axonometric detail of the connection between the existing limestone masonry and the new glass intervention

625 mm

io n ibut Load distr

sh ap eg

ene

ration

Corner a

ss e

mb ly

125 mm

an

d


17

During the night, and under proper lighting, the glass structure highlights the outline of the remaining parts of the original monument


D1

18

D2

Section

0

1

3

5


D1

Detail of the connection between the curved float glass roof pane to the solid cast glass masonry. Special interlocking units of double height are introduced with embedded cast-in channels to allow for mechanical connection between the two different elements coming from different directions. Cast-in channels perovide tolerance during construction as well as minimum movement in order to take the displacements due to overloading and thermal expansion of materials.

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D2

Detail of the lateral anchor at the lower part of the monument. Glass and titanium interlocking units are combined with a stainless steel spring unit to anticipate horizontal dynamic loading, such as earthquakes. On the one hand the anchor is rigid enough to act against buckling, while on the other hand it allows for small movement to prevent the damage of the glass masonry.


prototype manufacture

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video


validation test in shear 17.3 kN

20000 18000

Standard force [N]

16000 14000 12000 10000 8000 6000 4000 2000 0 0

0.5

1

1.5

2

2.5

Deformation [mm]

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3TU Research . TUDelft . Aug 2016 - Jan 2017 Research Team . Ir. Faidra Oikonomopoulou . Ir. Telesilla Bristogianni . Ir. Lida Barou . Dr. Ir. Fred Veer Prof. Ir. Rob Nijsse . Prof. Ir. Rob van Hees . Dr.ir. Henk Schellen . Dr.ir. Jos van Schijndel exhibited in InfraTech & Bouwbeurs [NL]

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Restorative Glass The “transparent restoration” approach is examinedon the case of one of the olderst tower in the Netherlads: Hoeve Lichtenberg, in Maastricht. The previous restoration treatments are evident on the façade of the building, where a variety of materials are introduced (marl, brick, millstone grit, flint). A large crack on the main façade is kept together with steel beams and tension rods, which impair the aesthetic of the monument. Glass is suggested as a discreet but strong material in order to consolidate the tower by filling this gap. Following the physical zoning of the façade, three types of cast glass bricks are introduced, to form a cast glass masonry. The interlocking geometry of the glass bricks maintain the overall stability of the glass structure and consolidate the monument by counteracting the wind loads and the movement of the soil, which is responsible for the crack growht.


ZO N E

3: LOW

DENS

ZONE 2: MEDIU

ITY

M DENSITY

ZONE 1: HIGH DENSITY

Articulation of the new glass addition

23 1. Cast glass unit 2. 3D printed component 3. Steel anchor 4. Exact imprint of the historic masonry

3

1

4

2

Connection detail between the glass and historic structure


24

The principle of replacing the missing elements of a monument using interlocking cast glass units in a 1:2 scale prototype


25


4TU Research . TUDelft . Feb 2017 - Jan 2018 Research Team . Ir. Faidra Oikonomopoulou . Ir. Telesilla Bristogianni . Ir. Lida Barou . Dr. Ir. Fred Veer Prof. Ir. Rob Nijsse Prof. Ir. Rob van Hees . ir. Erwin Jacobs . Giulia Frigo . Dr. Elma Durmisevic . ir. Pieter Beurskens exhibited in TU Delft Research exhibition, Gevel 2018 [NL] & Biennale Architettura 2018 [IT]

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Re3 Glass A reduce/reuse/recycle strategy Despite the fact that glass is fully recyclable, most of the glass currently employed in buildings is neither reused nor recycled due to its perplexed disassembly and contamination from coatings and adhesives. The prevailing float glass industry does not allow for glass waste recycling due to the very high quality standards. Due to its large cross section, cast glass can tolerate a higher degree of impurities, without compromising its mechanical and physical properties, and could be the answer to re-introducing this glass waste in the supply chain. A threefold methodology and guideline is suggested for the sustainable application of structural glass in buildings according to the following steps: 1. Recycle different glass recipes in cast glass components, 2. Reduce by implementing smart geometries in the form of cavities and notches, reducing not only the required raw material but also the overall embodied energy, 3. Reuse by designing dry-assembled interlocking components which can be reconfigured many times and in different contexts before they are remelted again.


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T ype E units cast in clear and dichroic glass


strategy

The smart geometry of the cast unit ensures the required raw material needed controlling, in such way, the overall embodied energy. The size of the units is kept small [under 10kg] in order to allow for fast production [less cooling time] and easy handling during the construction.

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Different glass recipes [windows, bottles, kitchenware etc.] are melted together in cast units, which will be further used as structural components. Mixing different glass types bears higher risks if inclusions within the units. However the large crosssection allows for such imperfections

The interlocking nature of the connection between the glass elements ensures the

without compromising the quality and the

overall stability of the structure without necessitating a permanent adhesive bond.

properties of the glass.

The dry assembly suggests the use of a transparent interlayer to prevent the hard contact between the glass components and prevent the peak stress concentrations. In this way we can retrieve our glass units intact and re-assemble them in a different context, extending their lifetime.


The osteomorphic block in different alternative geometries and configurations

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typologies

Type A

Type B

Type C

Type D

Type E

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Type F1

Type F2

Different component typologies are developed and assessed in terms of mechanical interlocking capacity, mass distribution and ease of fabrication. The most promissing concept [Type A] is further tested in compression to examine the stiffness of the plastic interlayer and the post-breakage behaviour of the glass structure. The small column can withstand almost 6.5 tonnes retaining its shape even after breakage.


validation test in compression

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glass recycling tests

32 tableware lead crystal glass cast at 860"C

CRT computer screen alkali-barium silicate glass cast at 1120"C

furnace remaining soda-lime silica glass cast at 1120"C


33 beer bottle blown automated soda-lime silica glass cast at 1120"C

artifact mouth-blown soda-lime silica glass cast at 860"C

laboratory tube borosilicate glass cast at 1200"C


34

T ype D units cast in clear and colored glass


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T ype F2 units cast in colored glass ceramics


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Thesis . UTH . Mar 2014 Supervisor . K. Adamakis

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Winery at the Tatoi Estate rehabilitation and revival of the wine-growing activity

A contemporary wine production unit is established at the Tatoi Estate [Attica, Greece], as part of the rehabilitation of an entire building complex into a dynamic touristic destination. In respect of the former agricultural character of the site, the existing buildings are restored and function as exhibition halls, information centre, wine museum and accommodation centre. The winery follows the principle lines of the vineyard in a minimal intervention. The building is harmonically integrated in the landscape and offers unobstructed views to the surroundings, while the main production line is located underground. The proposal combines old and new structures into a multifunctional unit, reviving a place with great symbolic and historic embedded values.


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Aerial view of the intervention area. A path guides the visitor through the existing historic complex and the new winery to finally experience the vineyards, harmonized with the surrounding natural environment


existing buildings new additions

2 1

3

4

Old vs new

5

education recreation production

40

7

6

8

Design axes 9

1. wine museum 2. office 3. info centre 4. enological laboratory 5. parking 6. accomodation house 7. exhibition centre 8. winery 9. vineyard

Masterplan


model sc 1:250

41


educational axis

Educational axis . section wine museum

administration hall cafe

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Educational axis . entrance level plan

info centre auditorium exhibition area reading room

wine lab


Wine museum new entrance

Info centre . outdoor recreation area

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recreational axis

Recreational axis . section accomodation cenre

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observation post

Recreational axis . plan entrance level

exhibition centre


View of the winery from the main road

Observation post with view to the winery and vineyard

45


production axis

46

Section

Plan entrance level

Plan level -1


47

The winery - interior and exterior views


48

The winery


49


medium sized production

x 120

255 acr

380.000 x 0.75 ml

120 T 280.000 L

x 20

x 22

50

visitors’ circulation product’s circulation

Circulation diagram

Section detail D


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D Transverse section


SWAT Studio . TUDelft . Oct 2015 Supervisors . Ir. Maartens Meijs . Dr. ir. Peter van den Engel

52

Aquaponic Integrated Facade

A modular faรงade is designed based on the principle of circular metabolism, according to which, no materials are wasted but are fed back to the production process. An aquaponic system placed on a faรงade, could not only save space, but act as a climate filter protecting the building from the elements and regulate the indoor environment, exploiting all the benefits of a double-skin faรงade. It functions as a showcase with an educational character towards the awareness of urban farming methods.

Conceptual London city farmhouse by Catrina Stewart


principle use of gravity

1 Settling tank [solids collections & biofiltration] 2 Hydroponic Plant container [nutrient water is provided to the plants] 3 Sump tank [cleaning of the water] 4 Rearing tank [fish produce waste rich in ammonia]

53 1

2

3

4

water pump


program plant containers rearing tanks vertical shafts [piping|water supply|electricity]

54

Program

SW Faรงade


Plan level 02 . Plant containers

55

Plan level 01 . Access to rearing tanks

Plan level 00 . Rearing tanks

0

1

5

10


structure aquaponic system

operable single

plant containers & fish tanks

glazing

56

insulation

double glazing

load-bearing

precast

slabs & concrete walls

concrete cladding

load-bearing precast concrete panel

concrete


57 Wall . Slab connection

Faรงade . Slab connection

Faรงade . Wall connection

0

50

100

300


aquaponic components

plant containers

rotating system . adjustable heights . shading . max solar exposure

pvc pipe 110 x 60 x 5 mm permanent water film tube Ă˜ 10 mm transfers water from one pipe to the other by gravity

58

rearing tanks

acrylic panels 40 mm

5566*

V = 10 m3

258 kg*

* maximum capacity of the entire facade


climate study Ventilation during a summer (right) and a winter (left) day 14ďż˝

59

Ventilation during a summer (right) and a winter (left) night

62ďż˝

Closed water circulation system

Shading system


EXTREME Studio . TUDelft . Jun 2015 Supervisors . Pr. Rob Nijsse . Dr. ir. Peter van den Engel

60

Everest Prism

Between 70,000 and 100,000 visitors descend upon Mount Everest each year resulting in huge loads of waste to contaminate the water and put in danger the local communities. A self-sustained shelter is designed to house the cleaning groups of Sherpas [inhabitants with climbing skills], always in respect of the extreme climate conditions. Aspects of structure, climate and envelope are explored. A prism inspired by the tents commonly used as accomodation in such landscapes is the main design principle, taking advantage of the local energy sources to generate power and create a coherent structure integrating both technology and aesthetics.


design principles

Geometry “icosaherdron� outer area = 216.4 m2 floor area = 43 m2 volume = 273 m3 local energy sources

Cover . PTFE fiberglass membrane prefabricated & foldable structural elements

kg lightweight material

Structural frame & subframe . carbon fiber

61 easy assembly-disassembly

Interior . tent-shaped divisions zipped fabric for privacy bed

Program equipment living zone

Exploded diagram of the structure

entrance

vertical circulation through the core


Plan . Level 2

62

Plan . Level 1

Plan . Level 0

View of the interior structure and divisions


D1

structure

Corner detail of the connection between the outer skin and the frame

63

D2

Detail of the connection between the outer skin and the subframe

D3

Detail of the connection between the sandwich floor panels and the floor frame Detail of the special aluminum profile for the fabric partitions

D4

Detail of the connection between the sandwich floor panels and the floor subframe


Step 5 Step 9

Step 4

Step 8

64 Step 3

Step 7 Step 2

Step 1

Assembly order

Step 6

View of the two-level sleeping areas


climate design

Heat exchanger unit [frost protection] volume of ventilated room = 170 m3 air change rate = 1.1 h-1

18 oC

-20 oC

Water treatment unit compact smart shower | sink | toilet unit which enables the water regulation through a central pipe water purification and reuse

0 oC

WINDCELL panels A = 43.28 m2 energy production = 900kWh

Heat balanceday = 326.33 W Heat balancenight = - 736.67 W

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International Architectural Competition . YAC . Feb 2016 in collaboration with Dimitris Triantafyllou

66

LightScape Resort


The lighthouse in Capo Murro di Porco, Italy, triggers the entire landscape activating the new accomodation facilities and creating an illuminated pattern along the landscape.

67


current landscape

main axes

buildings

Design principles

68

Masterplan

Accomodation unit . Section

light path


Section

69

Detail of the light path at the edge of the cliff


Implementation Study . University of Thessaly . jan 2012 Study Group: Architects . A. Theocharopoulos, K. Progides Consultant Architect . Kostas Adamakis Associate Architects . K. Sarantis, E. Pavlou Students of the department of architecture . A. Ioannou, L. Barou Civil Engineer . G. Papanioannou Consultant Civil Engineer . A. Mystakides Associate Civil Engineer . N. Chatzinikolaou Electrician Engineer . A. Apostolou Consultant Electrician Engineer . D. Zimeris Director of the University of Thessaly Technical Service . V. Spanos Studies Manager . S. Anagnostou

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Rehabilitation of “Matsaggos” tobaco warehouse into University The proposal is based on the mild interventions’ philosophy concering historical buildings. The main preservable elevations are fully restored. A secondary steel skin is added to the elevations facing the uncovered area, which incorporates the firebreak stairwell and acts as a sunshade filter. The internal partitions are low enough to permit the optical continuity, a characteristic of an industry’s single spaced organization. The tranformation of the Matsaggos Portico and the Makedonomaxon Street for pedestrians’ use only, is significantly important for the access and the general function of the assembly. Three interior atriums provide natural lighting and ventilation to the public interior spaces. Sustainable strategies are dominant in the design from the initial concept to the final structure.


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Ground floor . Plan

Longitudinal section


2nd skin faรงade

NE Faรงade

72

SE Faรงade

Exterior view . Physical model sc. 1:100


interior

73

Cantine Detailing

Interior view . Study room

Interior view . Cantine


construction phase

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construction phase

75


competitions overview 5

ΦΩΤΟΡΕΑΛΙΣΤΙΚΕΣ ΑΠΕΙΚΟΝΙΣΕΙΣ

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Affettida

Type A - observatory cabin

Associazione Onlus per la ricerca, la diagnosi precoce e il supporto alle famiglie dei malati di Alzheimer

AD Affetti Da association

Type B - observatory apartment

virgõ Virgo constellation is giving shape to the observatory houses of Roccascalegna as a living memory of the “Jus primae noctis” law established by the Baron Corvo de Corvis in the 16th century. Obliging every newly-wed bride to spend her first night with the Baron, the law left a deep mark in the imagination of the people until the day that a young virgin gave an end to it by stabbing the Baron in the heart. The guest houses are placed according to the virgo constellation (visible when one is looking down from the castle to the north) creating a profound connnection between the memory of the past and its narrative to the present. Elevated on the level of the trees (+5m), the houses do not interfere with the natural landscape and enable the visitors to wander around the forest. In respect of the spherical shape of the stars, each house is developed around a central core, which appears bigger or smaller according to the needs of the user. The terrace of each unit serves as an open-air observation point offering unobstructed view to the celestial dome.

the pursuit of memories The logo against Alzheimer’s disease is a result of 3 design elements, intertwined in a flowing and balanced way: A+D The initials A & D (Affetti Da) give the general outline of the logo, unfolding as one single line connected in the centre with a strong bond, equivalent to this between the members of the association and the families of the patients. The result can be interpreted in 2 ways, vertically as the initials and horizontally as a brain. Brain The shape of the brain is related to the Alzheimer’s disease.

Type C - observatory house

Maze The maze, one of the most resonant archetypal symbols of humanity, does not only mimic the structure of the brain itself, but resembles the way people with dementia encounter their surroundings, the sense of being lost and in a continuous pursuit of what is missing: their memories. The inconsistent walls of the maze imply that it is in a changing status. As the maze increases with the deterioration of our health, having more and more obstacles on the way to regain our memories, it can also decrease, with the support and expertise of Affettida.

Alz h dis eim ea er’s se

90°

C M Y K 94 64 13 1

77 Type D - observatory villa


78

thank you for considering my application!


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