Lidwina Natasha Gunawan | 2017 by Lidwina Natasha Gunawan

Lidwina Natasha Gunawan | 2017

2017 /lidwina g u n a

natasha w a n /

w w w . l i d w i n a t a s h a . c o m

/lidwina g u n a

natasha w a n /

w w w . l i d w i n a t a s h a . c o m

/hello!

my experience of living in multiple cities throughout my life has helped me to form the perception of architecture in my own way. I was captivated and inspired to create the marvelous space and light for people to experience. Architecture has always been my dream since I was little and today I am bringing my dream a notch higher; I am realizing it. Keep

flipping!

Lidwina Natasha Gunawan | 2017 3

/index chicken tractor art center la madera tanadewa villa and resort sigma alpha epsilon house airfield theater underneath the gold

/ 4 - 17 18 - 25 26 - 31 32 - 39 40 - 43 44 - 47

01. CHICKEN TRACTOR ART CENTER INSTRUCTOR : Brad Hartman & Jessica Terrill STUDIO : ARCH 401 | Fall 2015 TEAM : Lidwina Natasha Gunawan & Tripti Upreti LOCATION : Des Moines, IA

Chicken tractors are mobile chicken coops that urban farmers use to let their chickens range safely. Even the most difficult land will become verdant if the chickens are allowed to be chickens on it. Put your coop down on a terrible spot of your yard and a few months later your land will be fertile and rich. We are treating this art center just like a chicken tractor, by selecting the most underdevelop neighbourhood and letting the artists to work their magic to develop the neighborhood.

Lidwina Natasha Gunawan | 2017

WATERFRONT PARK

Lidwina Natasha Gunawan | 2017

IOWA CAPITOL LAWN

RETAIL DEVELOPMENT

MARTIN LUTHER KING JR PARKWAY

SITE

Commercials Warehouses Residentials Government

DES MOINES, IOWA

TRANSITION

COMMERCIAL

Martin Luther King Jr. Parkway

Rose Manor

SE 7th St.

SE 6th St.

RESIDENTIAL

Scott Ave

DES MOINES, IOWA

1. Placing mass on the site 2. Stretching the mass for direct interaction with adjacent streets (Martin Luther King Jr. Parkway and Scott Ave) 3. Dividing the mass into two separate entities, based on programs (education and residential)

Lidwina Natasha Gunawan | 2017

g y g g n in ng ph ki tin i i w g s ra re or l g ak lo ic ed in ra og m lptu talw elry ssb tin m o rd ot rint ne in ra de co u e w a ge pa ph ce vi re p sc m je g l

SITE DEVELOPMENT

p om e ho ds k ro rag r o da st

6. Adding enter and circulation points within the complex

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5. Treating the two mass based on its function and relationship to adjacent streets

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n m or e at oo h kr kitc ev el or w ing ht r ig te fre ca

4. Adding a transition mass to tie the seperation and form a complex (gathering/gallery)

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61%

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13%

residential/ shelter

Chicken Tractor Complex

LEGEND education offices facilities gathering residential

facilitate artists

Rose Manor educate and facilitate neighborhood

19%

1 3

North Plaza

Residentials

West Plaza

Scultpure / Gathering Park

Studio Building

Parking

Gallery Building

6 5

4 Lidwina Natasha Gunawan | 2017

The gallery space was designed to be the transation piece between the neighborhood and pedestrians to the Chicken Tractor Complex. At the same time it is also designed to be the transation piece between the artist residence which able to give them a separate work-life balance.

Lidwina Natasha Gunawan | 2017

All the programs within this main building is organized based on specific needs of each studio. The secondary skin facade then also became the tool in which helping to filter the lights. They were designed to be adjustable and therefore each artist will be able to have a total control on her studio.

Lidwina Natasha Gunawan | 2017 15

75%

67%

General Studio

Metal Working Studio Painting/ Drawing Studio Classroom

63%

50%

Printmaking Studio Ceramics Studio

43%

Sculpture Studio Glassblowing Studio

38%

PhotographyStudio

Lidwina Natasha Gunawan | 2017

03. LA MADERA INSTRUCTOR : Tom Leslie & Lee Cagley STUDIO : Panama Studio | Fall 2016 TEAM : Lidwina Natasha Gunawan, Mackenzie Barton, Nate Thiese LOCATION : Panama City, Panama

As part of the redevelopment of former military sites at the east (Pacific) entrance to the Panama Canal, a developer has secured rights to a large parcel along the shoreline roughly halfway between the Puente de las Americasâ&#x20AC;&#x201D;the main vehicle crossing over the Canalâ&#x20AC;&#x201D;and the new Biomuseo (Frank Gehry and Partners, 2014). The area around the site is seeing rapid redevelopment, with a new convention center and a growing nightlife district, and the developer is seeking to appeal to both tourists and convention attendees with a hotel that includes business and meeting facilities as well as a spa complex. In keeping with regional development, the local government requires that the development achieves substantial sustainability and biodiversity goals, in addition to being a landmark for the city and nation at one of the most visible points along the Canal. To further enhance the effort of developing the Amador LA MADERA is a one stop destination for visitors who want to relax by enjoying the nature of Panama City while still being connected to business/work events. Nature is being expressed in the interior spaces of LA MADERA through Ipe wood columns and structures, which is a very sustainable choice for the environment of Panama City. Large and small events are also being accomodated comfortabaly inside the hotel. Public spaces which are located on the first and second floor of LA MADERA react to the surrounding site, while the tower relates more to the larger context of Panama City.

Lidwina Natasha Gunawan | 2017

2 SITE

AV AMADOR

IMPORTANT LANDMARKS 1. Panama Canal

BALBOA YACHT CLUB

Panama Canal played a very distinctive role in 1921 - 1940 for lumber trading.

AV AMADOR

2. Bridge of Americas An important landmark that connects the two lands together.

SITE SEA LAS PERLAS FERRY TERMINAL

PANAMA CANAL

CONFERENCE CENTER

3. Amador Causeway A very important road, allowing access between small islands.

The landmarks have similar characteristics to one another, which are long and narrow shape. [shown in opposite page]

Lidwina Natasha Gunawan | 2017

FACADE DESIGN APPROACH

Lumber being transported along the water stream.

Facade design inspired from the importance of Panama Canal as a mean of transportation system. 21

Lidwina Natasha Gunawan | 2017 FLOOR 20 FLOOR 19 23

FLOOR 3 - 18

ROOF GARDEN

FLOOR 2

LEGEND Floor 1 Floor 2 Floor 3 - 18 Floor 19 Floor 20

FLOOR 1

Lobby & Reception, Retails, Casual Dining, Bar Ballrooms, Fine Dining, Meeting Rooms Typical Tower Floor Fitness, Spa Rooftop Pool

Lidwina Natasha Gunawan | 2017

02. TANADEWA VILLA AND RESORT PRINCIPAL : Jan Steven Tjandra & Lisa Teo STUDIO : Atelier TT | Summer 2015 TEAM : Talissa Danubrata, Lidwina Natasha Gunawan, & Era Premakara LOCATION : Tanadewa, Bali, Indonesia

Tanadewa Villa and Resort is a design proposal for the land owner. Involving an intense topography and also design constraints, this project pushed the team to maximize the landuse. Atelier TT also focused on bringing a modern touch to this Bali traditional style resort. We wanted to create an ultimate experience for the guests by creating a few anchor points (pool, yoga terrace, spa, etc) and multipurpose space for the guests to use for special events and occasions, like wedding. We also created efficient program space and system for Back of House activities to even further enhance the ultimate experience for the guests.

Lidwina Natasha Gunawan | 2017

2 Lidwina Natasha Gunawan | 2017

Lidwina Natasha Gunawan | 2017

Stacking the units will help to maximize the landuse and also privacy for guests. All circulation paths are located on first level, while the villa units are located both at second level (sky villa) and ground level (pool villa). Both offer different experiences.

03. SIGMA ALPHA EPSILON HOUSE PROJECT ARCHITECT : Tom Trenelone STUDIO : HDR Intern Project TEAM : Lidwina Natasha Gunawan, Morgan Robinett, Phuong Nguyen LOCATION : Lincoln, Nebraska

The concept for the renovation of the SAE Fraternity House revolves around the three core programs for each room: Sleep, Study, and Store. With the modern collegiate student in mind, the renovation includes flexible and efficient spaces to reflect the way that student study today, all while using cost-efficient strategies and materials.

Lidwina Natasha Gunawan | 2017

L | HALLWAY | COLLAB SPACE

Lidwina Natasha Gunawan | 2017

SAE REMODEL | STAIRWAY GRAPHIC

SAE REMODEL | HALLWAY | HUSKER GRAPHIC

SAE REMODEL | HALLWAY | HUSKER GRAPHIC 3 1

6 1/2"

GYP, SMOOTH FINISH

11 3/4"

WD-1

2 x 6 STUD

2 x 6 STUD LED TAPE

LED TAPE

2 x 4 BLOCKING

1'-0"

11 3/4"

2 1/2"

OUTLET

2'-2 3/4"

OUTLET

8'-0"

LED TAPE

6'-0 1/4"

1'-0"

2 x 4 BLOCKING

2'-9 1/2"

OUTLET

WALL SECTION NORTH 1 1/2" = 1'-0"

1'-0"

OUTLET

WALL SECTION SOUTH 1 1/2" = 1'-0"

Lidwina Natasha Gunawan | 2017

The construction of the mock room was completed. It is now undergone the process of fund raising, which will help Sigma Alpha Epsilon to undergo the renovation it was needed.

Lidwina Natasha Gunawan | 2017

04. AIRFIELD THEATER INSTRUCTOR : Firat Erdim STUDIO : DSN S 546 | Spring 2017

This project is an investigation of kites as instruments of empathy with the atmosphere. A kite could be thought of as a dress – an adornment of the sky; or as an analogue of the body - with bones, skin, and muscles/tendons; as an analogue to architecture; as a sacrificial assemblage of materials given (up) to the wind, for it to inhabit and animate, as would a spirit; or, as happens with a pencil or tennis racket, a means of extending of one’s consciousness beyond the limits of one’s own skin, out into the atmosphere. To further investigate the relationship between kites and one’s body, I explored the action and reaction effect between the two. Traditionally, the kite is the dominant component; it controls one’s body movement as it flies and stabilizes. In this particular design, I wanted to changes relationship; having one’s body as the steer and alpha between the two. Thus, in this non-traditional arrangement, a twist on the connection points between kite and body is crucial.

Lidwina Natasha Gunawan | 2017

05. BENEATH THE GOLD PROJECT : Non Architecture Competition - Showing LOCATION : Grasberg Mine, Papua, Indonesia

What lies underneath the gold mine? The Grasberg mine in Papua has become one of the largest gold mine in the world ever since it was opened in 1973. However, with the gold being all depleted what does being the largest gold mine entail now? Beneath all the gold that was taken from the land reveals a deeper consequence of this thoughtless act done by humanity. This project focuses on showing how much destruction a single gold mine can do towards its surrounding environments and inhabitants. As people walk through the museum, they will encounter numbers that go from 1 till 45 to mark the number of years of the mine operation. In addition to these marking on the floor, the west wall will show the number of gold that was harvested and its value while the east show will how much damage this mine has done to its surroundings. The long path leads to a dramatic ending that will remind each visitor how a small act can have larger consequences.

Lidwina Natasha Gunawan | 2017

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