LIDWINA NATASHA GUNAWAN ARCHITECTURE & DESIGN PORTFOLIO
2
LIDWINA NATASHA GUNAWAN | ARCHITECTURE | 2017
SELECTED WORKS
01
CHICKEN TRACTOR ART CENTER
02
TANADEWA VILLA & RESORT
03
LA MADERA
04
EPICENTRUM
05
SIGMA ALPHA EPSILON HOUSE
06
THE TRANSFORMER
07
AIR PROSTHETICS
08
JAKARTA TRAFFIC WAR
[ pg. 4 - 7]
[ pg. 8 - 11]
[ pg. 12 - 21]
[ pg. 22 - 25]
[ pg. 26 - 31]
[ pg. 32 - 33]
[ pg. 34 - 35]
[ pg. 36 - 37]
01
CHICKEN TRACTOR
ART CENTER
LIDWINA NATASHA GUNAWAN | ARCHITECTURE | 2017
PROJECT INFORMATION
4
INSTRUCTOR : Brad Hartman & Jessica Terrill STUDIO : ARCH 401 | Fall 2015 TEAM : Lidwina Natasha Gunawan & Tripti Upreti LOCATION : Des Moines, IA
“What is Chicken Tractor? Chicken Tractor is an artist centric nonprofit organization located in Des Moines, Iowa. We are committed to enriching the visual arts ecosystem of our city by creating professional development opportunities for artists. Through free educational programming, art field trips, micro grants, a noncommercial gallery and, eventually, an artist residency program, we believe that we can help artists create better opportunities for their art and their careers. And that is good for everyone. Why is it called Chicken Tractor? Chicken tractors are mobile chicken coops that urban farmers use to let their chickens range safely. With open bottoms that allow the birds to peck and scratch and poop, the most difficult, errant land will become verdant if the chickens are allowed to feed on it. Put your coop down on a terrible spot of your yard, let the chickens be, well, chickens, and months later, your land will be fertile and rich. What is the long term vision of Chicken Tractor? Artists are, in many ways, just like those chickens. Over and over again, artists have gone into the cheapest, least glamorous parts of their cities out of necessity, created studios and communities and brought energy and desirability to the neighborhood. Unfortunately, when the neighborhood becomes hip, the artists are frequently priced out. Chicken Tractor would like to turn this predisposition into something positive for the artists and their city. Metaphorically, we want to plop down on a section of the arts ecosystem of Des Moines that is a bit sparse and make it rich. And we would like to do it in the areas of Des Moines that don’t have all the bells and whistles. They might even have one bell and no whistles.”
CONCEPT DEVELOPMENT Located in an under-developed neighborhood, the Roadside Settlement House had played a very significant role in impacting the community. Its role was to serve the community and prosper the neighborhood by providing various facilities such as daycare for kids, gathering space for men and women, providing shelter for the domestically abused women etc. We believe that Chicken Tractor indirectly shares the same philosophy as the settlement house, however, with a different approach. Chicken Tractor is a collaboration of various artist who help promote art and culture. Having chicken tractor in the Historic East Village would bring in development at a microscopic level. Therefore, our approach towards the site solution is to have a dialogue with the Roadside Settlement located right next to it. Our intention is to create a building that is bringing art and culture to the neighborhood, and still recognizing the rich history of Roadside Settlement.
PROGRAM DIAGRAM AND SITE SOLUTION LEGEND
y g g ng n n i ph ing e ki iti g w s ra r or l g ak lo ic ed in ra og m lptu talw elry ssb tin m o rd ot rint ne in ra de co u e w a ge pa ph ce vi re p sc m je gl
The Chicken Tractor complex itself is inspired by the existence of Rose Manor. Sharing the sama philoshophy - educate and facilitate the neighborhood - the site solution for Chicken Tractor Complex is then adjusted based on its programs. Residential located in South side therefore it will be closer to the residential area of the neighborhood. The gallery, being on the West side of the complex becomes the piece that would invite pedestrians from sidewalk into the complex and transition piece for artists who live at residential buildings to their workspaces. The biggest building,that contains most of the facilities and spaces for artists are located at the North to match the industrial/busier condition of the neighborhood.
education offices facilities gathering residential
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13%
19%
7%
residential/ shelter
THIS PAGE - TOP RENDER 1 South View RENDER 2 Hallway - Sculpture Park RENDER 3 Gallery RENDER 4 Painting Studio
Chicken Tractor Complex facilitate artists
Rose Manor educate and facilitate neighborhood
Rose Manor was a settlement building that has a really rich history, spanning over almost 100 years. The program was then shut down by government and the building stopped its operation in serving the neighborhood in 1970s.
LIDWINA NATASHA GUNAWAN | ARCHITECTURE | 2017
1
2
3
6
FLOOR PLANS The programs are fitted into the 3 different buildings. The placement of each program is considered carefully according to its needs. For instance the painting studio, which needs the most northern light, is placed
THIS PAGE - LEFT A First Floor Plan B Second Floor Plan C Thrid Floor Plan
A
B
C
THIS PAGE BOTTOM West Elevation
OPPOSITE PAGE - TOP SITE Site Plan 1 Office Building Section 2 Gallery Building Section 3 Residential Building Section THIS PAGE - MIDDLE LEFT Facade Detail RIGHT Facade Strategy
80%
75%
GLASS FACADE AND COTERN STEEL SCREEN CONNECTOR
THERMAL INSULATION GIRDER REINFORCED CONCRETE METAL DECK RECTANGULAR DUCT
General Studio
70%
67%
Metal Working Painting/Drawing
62.5% 60%
CEILING Printmaking
CORTEN STEEL LOUVERS GLAZED FACADE
50%
42.5%
Classroom
Printmaking Photography Ceramics General Studio
Lobby Staircase
Sculpture
40%
37.5%
Glassblowing 30%
Loading Dock Recording Video Editing Restroom
25%
20%
Photography
ALUMINUM MULLION 1’ CONCRETE STEEL COLUMN FOOTING
10%
0%
Storage
Proportion
*The percentages are based on the wall area
02
TANADEWA VILLA & RESORT
LIDWINA NATASHA GUNAWAN | ARCHITECTURE | 2017
PROJECT INFORMATION
8
PRINCIPAL : Jan Steven Tjandra & Lisa Teo STUDIO : Atelier TT | Summer 2015 TEAM : Talissa Danubrata, Lidwina Natasha Gunawan, & Era Premakara LOCATION : Tanadewa, Bali, Indonesia
Tanadewa Villa and Resort is a design proposal for the land owner. Involving an intense topography and also design constraints, this project pushed the team to maximize the landuse. Atelier TT also focused on bringing a modern touch to this Bali traditional style resort. We wanted to create an ultimate experience for the guests by creating a few anchor points (pool, yoga terrace, spa, etc) and multipurpose space for the guests to use for special events and occasions, like wedding. We also created efficient program space and system for Back of House activities to even further enhance the ultimate experience for the guests.
THIS PAGE - TOP Site Plan THIS PAGE - BOTTOM Section Cut
We made sure that every unit are overlooking the river view. The villa units are positioned according to the natural topography. This will also aleviate the intese topography problem.
LIDWINA NATASHA GUNAWAN | ARCHITECTURE | 2017 10
THIS PAGE - TOP View from river up the hill THIS PAGE - BOTTOM View from common pool OPPOSITE PAGE - BOTTOM 1 Pool Villa [ground level] 2 Circulation [first level] 3 Sky Villa [second level]
VILLA UNITS DEVELOPMENT
Stacking the units will help to maximize the landuse and also privacy for guests. All circulation paths are located on first level, while the villa units are located both at second level (sky villa) and ground level (pool villa). Both offer different experiences.
1
2
3
03
LA MADERA
LIDWINA NATASHA GUNAWAN | ARCHITECTURE | 2017
PROJECT INFORMATION
12
SITE RESPONSE
INSTRUCTOR : Tom Leslie & Lee Cagley STUDIO : Panama Studio | Fall 2016 TEAM : Lidwina Natasha Gunawan, Mackenzie Barton, Nate Thiese LOCATION : Panama City, Panama
As part of the redevelopment of former military sites at the east (Pacific) entrance to the Panama Canal, a developer has secured rights to a large parcel along the shoreline roughly halfway between the Puente de las Americas—the main vehicle crossing over the Canal—and the new Biomuseo (Frank Gehry and Partners, 2014). The area around the site is seeing rapid redevelopment, with a new convention center and a growing nightlife district, and the developer is seeking to appeal to both tourists and convention attendees with a hotel that includes business and meeting facilities as well as a spa complex. In keeping with regional development, the local government requires that the development achieves substantial sustainability and biodiversity goals, in addition to being a landmark for the city and nation at one of the most visible points along the Canal. To further enhance the effort of developing the Amador LA MADERA is a one stop destination for visitors who want to relax by enjoying the nature of Panama City while still being connected to business/work events. Nature is being expressed in the interior spaces of LA MADERA through Ipe wood columns and structures, which is a very sustainable choice for the environment of Panama City. Large and small events are also being accomodated comfortabaly inside the hotel. Public spaces which are located on the first and second floor of LA MADERA react to the surrounding site, while the tower relates more to the larger context of Panama City.
Easy access to Conference Center. Adding a pedestrian entrance on the East side.
Responding towards the view of Pacific Ocean and Panama City sky line.
Stretching the building to maximize the sightseeing experience for every single guest.
AV AMADOR
IMPORTANT LANDMARKS 1. Panama Canal
BALBOA YACHT CLUB
Panama Canal played a very distinctive role in 1921 - 1940 for lumber trading.
AV AMADOR
2. Bridge of Americas An important landmark that connects the two lands together.
SITE SEA LAS PERLAS FERRY TERMINAL
PANAMA CANAL
CONFERENCE CENTER
3. Amador Causeway A very important road, allowing access between small islands.
The landmarks have similar characteristics to one another, which are long and narrow shape. [shown in opposite page]
PANAMA CITY, PANAMA
1
2 SITE
Every year,
3
LIDWINA NATASHA GUNAWAN | ARCHITECTURE | 2017
FACADE DESIGN APPROACH
14
Lumber being transported along the water stream.
Facade design inspired from the importance of Panama Canal as a mean of transportation system.
MATERIALILTY
The term ipê refers to seven different tree species within the genus Tabebuia, each found in the tropical forests of Central and South America. These massive trees can reach heights of 150 feet, and are supported by a surprisingly narrow trunk. Ipê is not an evergreen, and drops its leaves before producing large clusters of beautiful flowers in colors including white, golden yellow, lavender, bright pink, and red. Habitat Ipê is found in the tropical forests of Argentina, Bolivia, Brazil, Colombia, French Guiana, Guyana, Paraguay, Peru, Suriname, Trinidad and Tobago, and Venezuela. This type of tree is often found growing on river banks, in marshes, and atop ridges. Significance to Humans Ipê is a hard and resilient wood, often used in coastal environments. Its wood is also known for its resistance to attack by both fungi and insects, and holds a Class A fire rating—the same rating given to concrete and steel. It is commonly laid down for boardwalks and home decks, marina docks, benches, and railings. The hardest ipê comes from the Tabebuia serratifolia species, which is today primarily harvested and exported from Bolivia, after having been overharvested in Brazil.
Sources Jukofsky, Diane. Encyclopedia of Rainforests. Connecticut: Oryx Press, 2002. Rainforest Relief Finca Leola -- Costa Rica Reforestation
FLOOR
COLUMN
FACADE DESIGN
LOBBY AND BALLROOM FLOOR PLAN
LIDWINA NATASHA GUNAWAN | ARCHITECTURE | 2017
14 13
7 15
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40 m
LEGEND 1 2 3 4 5
Entrance Lobby & Reception Area Main Core Casual Dining Bar
6 7 8 9 10
Retails Restroom Administration & Employee Room Kitchen Food Storage
11 12 13 14 15
Loading Dock Employee Parking Prefunction Room Ballroom Meeting Rooms
16 17 18 19 20
Fine Dining Laundry Room Storage Room VR Room Mechanical Room
THIS PAGE - TOP Lobby and Reception Area THIS PAGE - BOTTOM Fine Dining OPPOSITE PAGE - TOP Second Floor Plan OPPOSITE PAGE - BOTTOM First Floor Plan
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A
B
LIDWINA NATASHA GUNAWAN | ARCHITECTURE | 2017
A
B
C
20 m
THIS PAGE A Roof Top and Pool Floor Plan [Floor 20] B Spa and Gym Floor Plan [Floor 19]
C
C Typical Tower Floor Plan [Floor 3-18]
20
THIS PAGE South Exterior View
LIDWINA NATASHA GUNAWAN | ARCHITECTURE | 2017
04
EPICENTRUM
LIDWINA NATASHA GUNAWAN | ARCHITECTURE | 2017
PROJECT INFORMATION
22
SITE RESPONSE
INSTRUCTOR : Jungwoo Ji STUDIO : ARCH 302 | Spring 2015 TEAM : Lidwina Gunawan, & Cally Niess LOCATION : Chelsea, New York Epicentrum provides a perfect extension of the High Line Park. Its existence mimics the activities and vocabularies that are significant along the High Line Park. Series of activity pockets are created within the central circulation of this building, creating dynamic and active spaces to tend to every resident need. Through these spaces, the building is promoting the active and relaxing lifestyle, which often is lacking in New York City area distanced from Central Park. The public retains access to some of the amities of the building such as the gym, café, painting studio, and open rental spaces. Combining the social life and the prominent artistic influence of the area, nightly activities would entail painting classes paired with a glass of wine for a new experience in the city. Gradation is a projecting feature throughout our building physically with also a program basis. As the central circulation goes up, the program for each landing has more relaxed activities. Screen walls to enclose the central area will be used as a solar reflector and a physical use of gradation through color shade change. The perspective of the north wing also has a protruding façade that creates a gradient change and contrast. The Epicentrum is an apartment building for the active minded resident that is looking for new experiences, socialization, and an active lifestyle that will enhance their cultural proficiency in the City.
BRICK CURTAIN WALL
CURTAIN WALL
BRICK STEEL STONE
NOT AVAILABLE
PARKING
PARKING
PARKING
CONSTRUCTION
CHURCH
NEGATIVE SPACES
HIGHLINE STREET LEVEL
THIS PAGE - RIGHT SITE RESPONSE The Highline Traffic Flow View to Highline Natural Lighting THIS PAGE - LEFT Program Diagram around neighborhood
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East Elevation
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East 1 Elevation
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11
East East Elevation Elevation
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UP
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DN
UP
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UP
DN
15 13
UP
DN
DN
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B
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4
Level 1 1 1/8" = 1'-0"
1 South Elevation
2
Level 2
11
1
South South Elevation Elevation
South Elevation
2
Level 4B 1/8" 1' 0"
15 13
13 15
4
-
THIS PAGE - TOP 1 First Floor Plan 2 Second Floor Plan 3 Typical Residential Floor Plan
1
South Elevation
2
Level 4B 1/8" 1' 0"
THIS PAGE - BOTTOM View from the High Line
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LIDWINA NATASHA GUNAWAN | ARCHITECTURE | 2017 24
THIS PAGE - LEFT Center Space THIS PAGE - BOTTOM Program Diagram OPPOSITE PAGE - TOP Process Massing Model OPPOSITE PAGE - BOTTOM Final Model
05
SIGMA ALPHA EPSILON HOUSE
LIDWINA NATASHA GUNAWAN | ARCHITECTURE | 2017
PROJECT INFORMATION
TYPICAL FLOOR PLAN
CLIENT : Sigma Alpha Epsilon Board STUDIO : HDR Inc | Summer 2016 TEAM : Lidwina Natasha Gunawan, Morgan Robinett, Rachel Plamann, Phuong Nguyen LOCATION : Sigma Alpha Epsilon House, Lincoln, Nebraska
Bedroom
302
301
304
303
306
The concept for the renovation of the SAE Fraternity House revolves around the three core programs for each room: Sleep, Study, and Store. With the modern collegiate student in mind, the renovation includes flexible and efficient spaces to reflect the way that student study today, all while using cost-efficient strategies and materials.
Common Area
305
307 322
314
Communal Bathroom
316
320
318
309
311
SAE REMODEL | HALLWAY | HUSKER GRAPHIC 321
319
317
315
313
1
GRAPHICS AND THEME STRATEGY
PRE-EXISTING CONDITION
SAE REMODEL | DESIGN CONCEPT
2
26
To capture the spirit of University of Nebraska Lincoln and at the same SAE REMODEL | HALLWAY | HUSKERa GRAPHIC time to give the whole renovation wholistic approach, the team decided to choose UNL Huskers as the main 31 graphics and theme. This decision was also based on the site survey, in which many of the occupants decorate their rooms in UNL Huskers theme. 1
2
42
3
4
3
4
THIS PAGE - MIDDLE RIGHT Wall graphics design for hallway
5
6
THIS PAGE - BOTTOM 1 Staircase 2 Common Area 3-6 Typical Bedroom Conditions
COMMON AREA
WAY | COLLAB SPACE
THIS PAGE - LEFT & BOTTOM Common Area Rendering THIS PAGE - MIDDLE RIGHT Stairs Proposal
SAE REMODEL | STAIRWAY GRAPHIC
SAE REMODEL | HALLWAY | COLLAB SPACE
BEDROOM
FURNITURE
1
STORAGE - ALGOT SYSTEM IKEA We chose3 this system because of its flexibility11'-11" and replacability. The system allows different functions 5'-6 3/4" 6'-4 1/4" such as closet for clothings, TV stand, book storage, and even desk surface to study. Since it is meant for a long term use, the parts are easily replaced and can be purchase from IKEA for a
2
11'-11" 1'-11"
2'-9"
5'-1"
3'-3"
REMOVE TILE (TYP)
CAP EXISTING PLUMBING
A-2
A-1
A-2
14'-6"
6'-7"
REPLACE WITH WOOD CASEMENT WINDOW CLEAR VISION
5'-7"
6'-4" 20'-8 3/4"
CAP EXISTING PLUMBING
20'-9"
SAE REMODEL | ROOM |NAPPING SYSTEM
2'-11"
KEEP EXISTING REGISTER
3'-5"
3'-3 3/4"
C
28
A-2
SLEEP - CUSTOMA-4STEEL FRAME We especially designed the steel bed frame toA-4achieve the modern look and at the same time give the bed frame a little bit more durability. We REGISTER also designed custom storage space for each bed, embeded within the wood 2wall. A-4 A-2
3'-7" 2'-8"
KEEP EXISTING FRAME NEW DOOR AND HARDWARE
STUDY - HERMAN MILLER MIRA The flexibility of height and comfort are the main factor on why we chose 1 this chair. In addition, the mesh and 4color 2 very attractive and fit within A-200 are A-2 the 3modern setting of the study 3 A-300 room. 1 A-300
9'-8"
10'-11"
D
LIDWINA NATASHA GUNAWAN | ARCHITECTURE | 2017
2'-3"
A-300
A-3
5
A-20
A-2 A-4
6'-1"
6'-1"
7'-0" 13'-1"
1
2
3
REFLECTED CEILING PLAN & WALL SECTION DETAIL GENERAL NOTES ALL DIMENSIONS MUST BE FIELD VERIFIED. DEMO PLAN 1 3/8" = 1'-0"
2
6 1/2"
2 1/2"
7'-0" 13'-1"
FLOOR PLAN 3/8" = 1'-0"
GYP, SMOOTH FINISH
4"
GENERAL NOTES VINYL WALL BASE TYPICAL (VWB-1) ON ALL WALLS
GYP, SMOOTH FINISH
11'-11" WD-1
2 x 6 STUD
2 x 6 STUD LED TAPE
LED TAPE
2 x 4 BLOCKING
1'-0"
TV
2 x 4 BLOCKING
6" CAN LIGHT
+56" AFF
OUTLET
3'-10"
WD-1
11 3/4"
D
1'-0"
6'-4" 11 3/4"
5'-7"
OUTLET 8'-0"
DD
WALL WASH 3'-9"
B
GYPSUM BOARD CEILING SMOOTH FINISH
8'-0"
8'-0"
LED TAPE
5"
2'-2 3/4"
10'-7"
CEILING FAN (SEE SPECS)
3
20'-9"
C
EAST
1/2" = 1'-0"
6'-0 1/4"
1'-0"
2 x 4 BLOCKING
OUTLET IN CUBBY
OUTLET
6'-10"
LINEAR LED MAX LITE L-FORM LINEAR LED 47"
1/8" MASON
2'-9 1/2"
2x6 OUTLET OUTLET
A
2x4
BUILT IN
1'-0"
1'-0"
3'-4"
2 x 4 BLO
2x
B
4
REFLECTED CEILING PLAN 3/8" = 1'-0"
GENERAL NOTES COORDINATE SPRINKLERS WITH MEP
WALL SECTION NORTH
5
POWER AND COMMUNICATIONS PLAN 3/8" = 1'-0"
WALL SECTION SOUTH
WOOD
THIS PAGE RIGHT Construction Process BOTTOM Bedroom Rendering
LIDWINA NATASHA GUNAWAN | ARCHITECTURE | 2017
BEDROOM
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THIS PAGE LEFT Sleeping Area with Customized Bed Frame RIGHT Closet OPPOSITE PAGE Study Area
06
THE TRANSFORMER
LIDWINA NATASHA GUNAWAN | ARCHITECTURE | 2017
PROJECT INFORMATION
32
INSTRUCTOR : Cameron Campbell STUDIO : ARCH 201 | Fall 2013 TEAM : Lidwina Gunawan, Joe Patton, Joshua Kurnia, & Tressa Koukal LOCATION : Ames, IA
FLOOR PLAN
NESTING BOX DOWN
Transformer is a chicken coop that can transform according to its owner’s need. We chose the design mainly for function and wanted the owner to have a total control on the coop. To let the owener clean the coop easily, we designed the walls to be collapsible. In addition, this feature allows the coop to be store in the time it is not used.
ROOSTING AREA
Not only for the owner, the coop is also designed based on the needs of the chickens. We learned about behaviors of the chicken and strategies in which will make the chickens comfortable. We provided enough space for up to 5 chicken and therefore maximized the egg productions for the owner. We were given the opportunity to auction the final product and managed to sell it. This project was also featured in Living Country Magazine and can be found in this link (http://www. livingthecountrylife.com/animals/chickens-poultry/4-fancy-chickencoop-designs/)
CHICKEN RUN
THIS PAGE - LEFT West Elevation
COLLAPSING PROCESS
LIDWINA NATASHA GUNAWAN | ARCHITECTURE | 2017
AIR PROSTHETICS
07
BODY INTERACTION
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PROJECT INFORMATION INSTRUCTOR : Firat Erdim STUDIO : Aerostudio | Spring 2017 TEAM : Lidwina Natasha Gunawan LOCATION : Ames, IA The concept of this project is to make something that is invisible to be invisible. For this project, I chose the volume of my body as the subject. Weight of my body is divided with human body density, resulting in the volume of my body. To emphasize the idea, I blew up the size 4 times, enabling a much more interactive air prosthetics.
08
JAKARTA TRAFFIC WAR
Jakarta Traffic War is an attempt to visualize the complicated situation of Jakarta City traffic condition. There are so many layers of vehicles, situations, and traffic laws that contribute towards the chaos traffic condition in Jakarta. In order to explain and convey the situation effectively to others, I turned the data visualization into a board game. That way, players are able to understand how different vehicles have their own advantages or disadvantages throughout the day. Through hourly data collection of traffic condition in Jakarta, I am able to summarized the situation and turn it into the base of the board game. The data then was simplified into two categories: the downtown and highway towards downtown. Each color of circles represent the condition of traffic at a point of time. Activity cards are designed to further emphasize any important events and situations that contribute towards the traffic condition.
TOP Traffic Condition of Jakarta on Monday, 6 am BOTTOM Big circles and small circles for simplification of data
As an architect, it important to have the skill to communicate ideas or data to others in order to establish mutal understanding. This is the perfect exercise to improve that skill.
JAKARTA TRAFFIC WAR
RULES :
HOW TO START :
TRAFFIC CONDITION :
You cannot pass through any vehicles ahead of you, unless you are a motorcycle. Draw a card from the pile, read it aloud and follow the instructions, unless you stop at instruction ring.
1. Place the profile cards up-side-down and distribute randomly among the players. Read the rules and information for each vehicle. 2. Distribute the tokens between the players accordingly and place them on START circle.
slow
fast Downtown Jakarta
Draw a card from the pile, read it out loud and follow the instructions.
3. Throw a dice, player with highest number will start the game.
Highway towards downtown.
Bajaj shortcut can only be used by Bajaj.
Monsoon rains trigger floods in Jakarta, trapping vehicles on the road. This annual flood season usually happens in January March.
Busway can only be used by Transjakarta (bus).
3 in 1 area in Jakarta which means all cars expect public transport passing this area must have at least 3 passenger on board. Applicable on Monday - Friday 7:00 - 10:00 and 16:30 to 19:00 except public holiday.
MONDAY
You have picked up a passenger-for-hire before you enter the 3 in 1 zone without getting caught by the police. MOVE TO 8 PM.
START BUSWAY
J JA
BA
You are caught from having less than 3 passengers in your vehicle. MOVE BACK TO BEGINNING OF THE DAY.
TUESDAY
TRAFFIC JAM
The administration deemed the 3-IN-1 policy a cause of child exploitation, it should enforce the law in accordance with Article 4 of Jakarta Regulation No. 8/2007 on Public Order, instead of revoking the policy. MOVE BACK TO 6 AM ON TUESDAY.
J JA
BA
J JA BA
JA J
BUSWAY
BA
WEDNESDAY
J BAJA
BUSWAY
THURSDAY BUSWAY You are caught for taking a passenger-for-hire into your car. It is illegal for people to offer themselves as passengers-for-hire MOVE BACK TO 6 AM ON THURSDAY.
Police officer is having dinner, they do not conduct any inspection. MOVE TO THE BEGINNING OF THE NEXT DAY.
BA
FRIDAY BUSWAY
J JA
BA
J
Random inspection. MOVE 10 HOURS BACK.
J JA
BA
BAJA
J
SATURDAY J JA
BA
SUNDAY
FINISH 6:00
7:00
8:00
9:00
10:00
11:00
12:00
13:00
14:00
15:00
16:00
17:00
18:00
19:00
20:00
TRAFFIC
CARDS
Indones indepen on Aug are cele various games compet GO TO
It is time for an upgrade!
You just officer p everyth there is
SWITCH VEHICLE WITH ANY PLAYER. This card may be kept until needed.
For Jakartans, stuck in traffic is not the end of the world. Finding a secret shortcut is very common for smaller vehicles to get around the traffic jam.
JAKARTA TRAFFIC
CARDS
JAKARTA TRAFFIC
CARDS
MOVE 2 HOURS AHEAD, UNLESS YOU ARE A BUS.
MISS YOUR NEXT 2 TURNS.
BUSWAY
JAKARTA
GO BACK TO THE BEGINNING OF THE DAY.
Public protest allows people to aspire their opinions to the government. People marching down the road and block the road when this happens.
J JA
Unusual clear traffic activity. Muslim men go to Friday prayer at mosque during this time. MOVE 1 HOUR AHEAD.
BAJA
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DATA CATEGORIZATION
INSTRUCTOR : Paul Bruski STUDIO : Information Visualization | Spring 2016 TEAM : Lidwina Gunawan LOCATION : Ames, IA
3 in 1
LIDWINA NATASHA GUNAWAN | ARCHITECTURE | 2017
PROJECT INFORMATION
JAKARTA TRAFFIC
CARDS
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LIDWINA NATASHA GUNAWAN | ARCHITECTURE | 2017
LIDWINA NATASHA GUNAWAN Born and raised in Jakarta, Indonesia with a dream to become an asset for the community, I moved away from home since a really young age. At the age of 14 I pursued my education in Singapore and later moved to United States. I chose Iowa State University to complete my Bachelor of Architecture degree, along with minor in Sustainability and planned to graduate in December 2016.
lidwina.gunawan@gmail.com Ames, IA (515) 708 7694
LIDWINA NATASHA GUNAWAN | ARCHITECTURE | 2017 40
LIDWINA NATASHA GUNAWAN Iowa State University lidwina.gunawan@gmail.com 515 708 7694 221 Sheldon Ave Unit 3, Ames, IA 50014