Portfolio_LidwinaGunawan2016

Page 1

LIDWINA NATASHA GUNAWAN ARCHITECTURE PORTFOLIO


2

LIDWINA NATASHA GUNAWAN | ARCHITECTURE | 2016


SELECTED WORKS

01

CHICKEN TRACTOR ART CENTER [ pg. 4 - 7]

02

TRANSFORM ER [ pg. 8 - 9]

03

EPICENTRUM [ pg. 10 - 13]

04

TANADEWA VILLA & [ pg. 14 - 17]

RESORT


01

CHICKEN TRACTOR

ART CENTER

LIDWINA NATASHA GUNAWAN | ARCHITECTURE | 2016

PROJECT INFORMATION

4

INSTRUCTOR : Brad Hartman & Jessica Terrill STUDIO : ARCH 401 | Fall 2015 TEAM : Lidwina Natasha Gunawan & Tripti Upreti LOCATION : Des Moines, IA

“What is Chicken Tractor? Chicken Tractor is an artist centric nonprofit organization located in Des Moines, Iowa. We are committed to enriching the visual arts ecosystem of our city by creating professional development opportunities for artists. Through free educational programming, art field trips, micro grants, a noncommercial gallery and, eventually, an artist residency program, we believe that we can help artists create better opportunities for their art and their careers. And that is good for everyone. Why is it called Chicken Tractor? Chicken tractors are mobile chicken coops that urban farmers use to let their chickens range safely. With open bottoms that allow the birds to peck and scratch and poop, the most difficult, errant land will become verdant if the chickens are allowed to feed on it. Put your coop down on a terrible spot of your yard, let the chickens be, well, chickens, and months later, your land will be fertile and rich. What is the long term vision of Chicken Tractor? Artists are, in many ways, just like those chickens. Over and over again, artists have gone into the cheapest, least glamorous parts of their cities out of necessity, created studios and communities and brought energy and desirability to the neighborhood. Unfortunately, when the neighborhood becomes hip, the artists are frequently priced out. Chicken Tractor would like to turn this predisposition into something positive for the artists and their city. Metaphorically, we want to plop down on a section of the arts ecosystem of Des Moines that is a bit sparse and make it rich. And we would like to do it in the areas of Des Moines that don’t have all the bells and whistles. They might even have one bell and no whistles.” Source : chickentractorarts.org

CONCEPT DEVELOPMENT Located in an under-developed neighborhood, the Roadside Settlement House had played a very significant role in impacting the community. Its role was to serve the community and prosper the neighborhood by providing various facilities such as daycare for kids, gathering space for men and women, providing shelter for the domestically abused women etc. We believe that Chicken Tractor indirectly shares the same philosophy as the settlement house, however, with a different approach. Chicken Tractor is a collaboration of various artist who help promote art and culture. Having chicken tractor in the Historic East Village would bring in development at a microscopic level. Therefore, our approach towards the site solution is to have a dialogue with the Roadside Settlement located right next to it. Our intention is to create a building that is bringing art and culture to the neighborhood, and still recognizing the rich history of Roadside Settlement.


PROGRAM DIAGRAM AND SITE SOLUTION LEGEND

y g g ng n n i ph ing e ki iti g w s ra r or l g ak lo ic ed in ra og m lptu talw elry ssb tin m o rd ot rint ne in ra de co u e w a ge pa ph ce vi re p sc m je gl

The Chicken Tractor complex itself is inspired by the existence of Rose Manor. Sharing the sama philoshophy educate and facilitate the neighborhood - the site solution for Chicken Tractor Complex is then adjusted based on its programs. Residential located in South side therefore it will be closer to the residential area of the neighborhood. The gallery, being on the West side of the complex becomes the piece that would invite pedestrians from sidewalk into the complex and transition piece for artists who live at residential buildings to their workspaces. The biggest building,that contains most of the facilities and spaces for artists are located at the North to match the industrial/busier condition of the neighborhood.

education offices facilities gathering residential

a cl ss m om ge ro na ce fďŹ ce ma ge om te o ren es ora t ro e ti a iv nf ili e s pr co fac ďŹ l ad

in

g

t en

m en or at oo h itc kr ev el or g k ht rin ig te fre ca

w

lo

ck

w

p om e ho ds k ro rag o oo dar st

th oo yb ra sp

do

e

qu

iti

cr e

ac

sp e ur

pt

ul

sc

61%

rk

pa e

ry

lle

ga

g ra

to

l/s

ca

ni

ha

ec

m 2 it it un un m m oo oo dr dr be 1

be

13%

19%

7%

residential/ shelter

THIS PAGE - TOP RENDER 1 South View RENDER 2 Hallway - Sculpture Park RENDER 3 Gallery RENDER 4 Painting Studio

Chicken Tractor Complex facilitate artists

Rose Manor educate and facilitate neighborhood

Rose Manor was a settlement building that has a really rich history, spanning over almost 100 years. The program was then shut down by government and the building stopped its operation in serving the neighborhood in 1970s.


LIDWINA NATASHA GUNAWAN | ARCHITECTURE | 2016

1

2

3

6

FLOOR PLANS The programs are fitted into the 3 different buildings. The placement of each program is considered carefully according to its needs. For instance the painting studio, which needs the most northern light, is placed towards the north side.

THIS PAGE - LEFT A First Floor Plan B Second Floor Plan C Thrid Floor Plan

A

B

C

THIS PAGE BOTTOM West Elevation


OPPOSITE PAGE - TOP SITE Site Plan 1 Office Building Section 2 Gallery Building Section 3 Residential Building Section THIS PAGE - MIDDLE LEFT Facade Detail RIGHT Facade Strategy

80%

75%

GLASS FACADE AND COTERN STEEL SCREEN CONNECTOR

THERMAL INSULATION GIRDER REINFORCED CONCRETE METAL DECK RECTANGULAR DUCT

General Studio

70%

67%

Metal Working Painting/Drawing

62.5% 60%

CEILING Printmaking

CORTEN STEEL LOUVERS GLAZED FACADE

50%

42.5%

Classroom

Printmaking Photography Ceramics General Studio

Lobby Staircase

Sculpture

40%

37.5%

Glassblowing 30%

Loading Dock Recording Video Editing Restroom

25%

20%

Photography

ALUMINUM MULLION 1’ CONCRETE STEEL COLUMN FOOTING

10%

0%

Storage

Proportion

*The percentages are based on the wall area


02

THE TRANSFORMER

LIDWINA NATASHA GUNAWAN | ARCHITECTURE | 2016

PROJECT INFORMATION

8

INSTRUCTOR : Cameron Campbell STUDIO : ARCH 201 | Fall 2013 TEAM : Lidwina Gunawan, Joe Patton, Joshua Kurnia, & Tressa Koukal LOCATION : Ames, IA

FLOOR PLAN

NESTING BOX DOWN

Transformer is a chicken coop that can transform according to its owner’s need. We chose the design mainly for function and wanted the owner to have a total control on the coop. To let the owener clean the coop easily, we designed the walls to be collapsible. In addition, this feature allows the coop to be store in the time it is not used.

ROOSTING AREA

Not only for the owner, the coop is also designed based on the needs of the chickens. We learned about behaviors of the chicken and strategies in which will make the chickens comfortable. We provided enough space for up to 5 chicken and therefore maximized the egg productions for the owner. We were given the opportunity to auction the final product and managed to sell it. This project was also featured in Living Country Magazine and can be found in this link (http://www.livingthecountrylife. com/animals/chickens-poultry/4-fancy-chicken-coop-designs/)

CHICKEN RUN

THIS PAGE - LEFT West Elevation


COLLAPSING PROCESS


03

EPICENTRUM

LIDWINA NATASHA GUNAWAN | ARCHITECTURE | 2016

PROJECT INFORMATION

10

SITE RESPONSE

INSTRUCTOR : Jungwoo Ji STUDIO : ARCH 302 | Spring 2015 TEAM : Lidwina Gunawan, & Cally Niess LOCATION : Chelsea, New York Epicentrum provides a perfect extension of the High Line Park. Its existence mimics the activities and vocabularies that are significant along the High Line Park. Series of activity pockets are created within the central circulation of this building, creating dynamic and active spaces to tend to every resident need. Through these spaces, the building is promoting the active and relaxing lifestyle, which often is lacking in New York City area distanced from Central Park. The public retains access to some of the amities of the building such as the gym, café, painting studio, and open rental spaces. Combining the social life and the prominent artistic influence of the area, nightly activities would entail painting classes paired with a glass of wine for a new experience in the city. Gradation is a projecting feature throughout our building physically with also a program basis. As the central circulation goes up, the program for each landing has more relaxed activities. Screen walls to enclose the central area will be used as a solar reflector and a physical use of gradation through color shade change. The perspective of the north wing also has a protruding façade that creates a gradient change and contrast. The Epicentrum is an apartment building for the active minded resident that is looking for new experiences, socialization, and an active lifestyle that will enhance their cultural proficiency in the City.

BRICK CURTAIN WALL

CURTAIN WALL

BRICK STEEL STONE

NOT AVAILABLE

PARKING

PARKING

PARKING

CONSTRUCTION

CHURCH

NEGATIVE SPACES

HIGHLINE STREET LEVEL

THIS PAGE - RIGHT SITE RESPONSE The Highline Traffic Flow View to Highline Natural Lighting THIS PAGE - LEFT Program Diagram around neighborhood


-

---

5

7

6

5

5

8 9

---

6

5

6 9

9

-

-

I

-

-

H

G

-

-

-

I

H

H

G

G

F

D

D

15 13

C

C

1

1

2

2

9

--

6

-

I

-

H

G

-

F

F

5

6

--

I

1

East Elevation

-

East 1 Elevation

1

-

F

2

11

East East Elevation Elevation

1

2

UP

7

7

8

7

8

8

DN

UP

16

16

16

D

16

16

D

UP

DN

15 13

UP

DN

DN

15 13

C

12

B

12

12

B

11

A

11

11

A

-

1

2

10

-

-

C

B

12

B

12

A

11

A

11

--

-

10

4

10

4

-

--

10

4

4

Level 1 1 1/8" = 1'-0"

1 South Elevation

2

Level 2

Level 4B 1/8" 1' 0"

THIS PAGE - TOP 1 First Floor Plan 2 Second Floor Plan 3 Typical Residential Floor Plan

South Elevation

South South Elevation Elevation

2

-

1

11

1 South Elevation

15 13

13 15

2

Level 4B 1/8" 1' 0"

THIS PAGE - BOTTOM View from the High Line

10


LIDWINA NATASHA GUNAWAN | ARCHITECTURE | 2016 12

THIS PAGE - LEFT Center Space THIS PAGE - BOTTOM Program Diagram OPPOSITE PAGE - TOP Process Massing Model OPPOSITE PAGE - BOTTOM Final Model



04

TANADEWA VILLA & RESORT

LIDWINA NATASHA GUNAWAN | ARCHITECTURE | 2016

PROJECT INFORMATION

14

PRINCIPAL : Jan Steven Tjandra & Lisa Teo STUDIO : Atelier TT | Summer 2015 TEAM : Talissa Danubrata, Lidwina Natasha Gunawan, & Era Premakara LOCATION : Tanadewa, Bali, Indonesia

Tanadewa Villa and Resort is a design proposal for the land owner. Involving an intense topography and also design constraints, this project pushed the team to maximize the landuse. Atelier TT also focused on bringing a modern touch to this Bali traditional style resort. We wanted to create an ultimate experience for the guests by creating a few anchor points (pool, yoga terrace, spa, etc) and multipurpose space for the guests to use for special events and occasions, like wedding. We also created efficient program space and system for Back of House activities to even further enhance the ultimate experience for the guests.


THIS PAGE - TOP Site Plan THIS PAGE - BOTTOM Section Cut

We made sure that every unit are overlooking the river view. The villa units are positioned according to the natural topography. This will also aleviate the intese topography problem.


LIDWINA NATASHA GUNAWAN | ARCHITECTURE | 2016 16

THIS PAGE - TOP View from river up the hill THIS PAGE - BOTTOM View from common pool OPPOSITE PAGE - BOTTOM 1 Pool Villa [ground level] 2 Circulation [first level] 3 Sky Villa [second level]


VILLA UNITS DEVELOPMENT

Stacking the units will help to maximize the landuse and also privacy for guests. All circulation paths are located on first level, while the villa units are located both at second level (sky villa) and ground level (pool villa). Both offer different experiences.

1

2

3


18

LIDWINA NATASHA GUNAWAN | ARCHITECTURE | 2016


LIDWINA NATASHA GUNAWAN Born and raised in Jakarta, Indonesia with a dream to become an asset for the community, I moved away from home since a really young age. At the age of 14 I pursued my education in Singapore and later moved to United States. I chose Iowa State University to complete my Bachelor of Architecture degree, along with minor in Sustainability and planned to graduate in December 2016.

lidwina.gunawan@gmail.com Ames, IA (515) 708 7694


LIDWINA NATASHA GUNAWAN | ARCHITECTURE | 2016 20

LIDWINA NATASHA GUNAWAN Iowa State University lidwina.gunawan@gmail.com 515 708 7694 221 Sheldon Ave Unit 3, Ames, IA 50014


Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.