cover and this photo Š Manuel CS
4 簡介 INtro
6
8
時間表
工作坊
Agenda
Workshop
14
12 Miramics
Norberto Lobo
Timc Conferences
18
20
Chan Ka Keong
陳嘉強
16
我的城市 交流會
彭韞
22
26
邵彥棚 + 王萌
駐場藝術創作
Peng Yun
Dead J + Dora S
Creative Residencies
32
34
38
我的城市12
我的城市10
我的城市09
Timc 12
Timc 10
Timc 09
42
44
我的城市08
我的城市07
Timc 08
Timc 07
46 +853
+853文化協會 (+853 Association) 誕生於
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在此語境下，TIMC (This Is My City) 2013在 2006年，當時澳門正經歷開放與急速轉 澳門――一個日益備受國際關注的城 變的歷史性一刻。賭權開放，以及澳門 市――以及另一較鄉村化及邊緣化的 歷史城區獲聯合國教科文組織列入世界 葡萄牙城市Montemor-o-Novo，甚至里斯 文化遺產名錄，這兩件大事是澳門社會 本、波爾圖等地舉行。 和城市發展方面的里程碑，並推使澳 門面向世界。這兩種截然不同的力量， 繼2012年的活動後，今年重返Montemor 匯聚於此處充滿動力及急速運行的地平 這一舉動將標誌著城市的復興及鄉村地 線上，分別對經濟及文化上有顯著的影 區的再現以及城市的自我衝突，與此同 響，重塑本澳的生活方式和集體願景。 時亦在尋求創新以及探索其他種種可 能。 在此背景下，+853文化協會順勢而生， 其目標是輓救本地獨特且仍具象徵主 我們提出藝術家駐場計劃，並向不同領 義的東西，因而推行第一個理論反思 域的藝術家發出邀請，這些都指向同一 計劃，以及抵禦全球文化霸權的藝術行 目標：根據藝術類型和形式（重新）分 動。此舉之目的是要製造新的反霸權 配空間和生活時間，尋找城市生活體驗 情緒及可能性，以便讓城市體驗公共空 的新方向，並發掘藝術創作的新政治表 間新形態，同時在藝術交流聚會及城市 現形式。此倡議其實是對自由的訴求， 共性方面尋求新形式。簡單來說，就是 是表達自我以及表達渴望參與自己作品 要製造一個社群。這些意念催生了“This 的權利，即是說藝術家像對待藝術品般 Is My City”――「我的城市」計劃。此計 對待及實踐生活。當代人類的大部分生 劃已舉辦多屆，集聚了一系列圍繞空間 存狀況都已是城市生存狀況，這真的是 和時間概念的藝術實踐、反思、工作坊 我們時代的當務之急。 和討論會。就時間概念而言，不但指城 市的時間，而且指涉城市的對立面即鄉 村的時間――兩者皆建基於本地具體情 況――又或城市與鄉村時間的結合體。 此外，該計劃亦促成在這兩個類別的空 檔之間產生的專業性對話與碰撞。
The +853 Association emerges in 2006, a historic
of the cities, but also of its counterpart, the rural
moment, when the city is going through a process
areas, in its more specific and local dimension,
of opening up and speedy transformation. The
and the hybridism born of both – and the virtuoso
opening to the global world, marked by the new
dialogue produced in the interstices of these two
liberal gaming policy and the classification by
categories.
Unesco of the Historic Center of Macau as World Heritage marked two moments particularly
It is this reasoning that explains and anchors
intense in the social and urban landscape of
the edition TIMC 2013, shared by a territory with
Macau. These are two forces specially powerful
a global and intense exposure like Macau and
and, apparently, in opposition but still converging
another rural and peripheral context like the town
in the same horizon of turbulence and speed
of Montemor-o-Novo, in Portugal, or even Lisbon
which would affect the way of living and the
and Oporto.
common imaginary of the city. Following the 2012 event, the return to Montemor It is in this context that the +853 Association
this year symbolizes that rehabilitation of the
aims to rescue the local and particular
cities and the representation of the rural areas
dimensions, and still symbolic, recurring to a first
and, indeed, the urban self-conflict while looking
program of theoretical reflexion as well as to a
for a renovation and a horizon of possibilities.
praxis of resistance to the hegemony of a global culture.
The proposal of creative residencies and the invitations sent to artists from several fields
Then and now again, the purpose here is to try
points exactly to that: the (re)appropriation of the
to produce new contra-hegemonic feelings and
space and living time according to artistic models
possibilities that might give back the urban
and forms. The aim is to try new directions for the
experience new configurations of the public
living experience in the cities and, in parallel, find
sphere, while formulating new approaches in
new political forms for the artistic practices. This
terms of gatherings and commonness. In brief, to
is in itself a petition for freedom, a statement of
produce a community. Hence the justification of
the self and of the right to participation in one’s
the program “This Is My City,” which in its several
own work. This means to lead a life as if it was
editions has been putting together an array of
a work of art. That is indeed the urgency of our
artistic practices, reflexions, workshops and
times, in which the human condition has already
debates around the idea of space and time – time
become mostly an urban condition.
12月13日 — 12月18日 Dec 13 — Dec 18
聖若瑟大學 University of Saint Joseph
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工作坊 創意電子 WORKSHOP Creative Electronics
星期四, 12月19日 Thursday, Dec 19
星期六, 12月21日 Saturday, Dec 21
澳門仁慈堂婆仔屋 Albergue SCM
澳門旅遊塔會展娛樂中心 Macau Tower Convention & Entertainment Centre
18:30 MIRAMICS 展覽開幕 MIRAMICS exhibit opening
19:00
陳嘉強 Chan Ka Keong
彭韞 20:00
Peng Yun
「我的城市」交流會 以PechaKucha方式演示
20:00
TIMC CONFERENCES Powered by PECHAKUCHA
「我的城市」交流會 以PechaKucha方式演示
21:30 NORBERTO LOBO 音樂會 NORBERTO LOBO concert 22:30 NOTMYNEVADA sound and video collective
TIMC CONFERENCES Powered by PECHAKUCHA 21:30 DEAD J + DORA S 22:30 NOTMYNEVADA sound and video collective 23:00 DEAD J DJ Set
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Dec 13 — Dec 18 / University of Saint Joseph / 澳門倫敦街16號 16 Rua de Londres, Macau
延續「我的城市」的一貫作風，今年活 動亦在教育行動環節加入工作坊，以實 現“科技成就創意”的主題。活動旨在 讓參與者學會自製機件，應用於日常生 活或未來的藝術創作。作品本身亦可成 為一種藝術創作。工作坊內容涉及電 路控制（電路擾動），可編程的運行平 台和微處理器操作，如 Arduino、傳感 器、燈光及音響裝置等。課程主要對象 為年青人，同時歡迎有興趣的廣大市民 參與。工作坊致力將創意融入科技，宣 揚“自己動手創作”的概念。
Following the “This Is My City” tradition, this year’s program will include, once more, a
12 月 13 日 / 12 月 18 日 / 聖 若 瑟 大 學
Workshop, inserted on the Educational Actions chapter, giving form to the theme Creativity Through Technology. Being an intended objective to give the participants know-how and skills that will permit them to build their own gadgets to be used and incorporated on future art works, or even constitute, by itself, a form of artistic and creative expression. The Workshop will focus on the circuit manipulation (circuit bending), programmable platforms and microcontrollers such as Arduino, sensors, lights and sound devices. It is conceived, primarily, for young people although it is opened to the general public who have interest in learning new things. The Workshop will try to make the bridge between the creative and technologic worlds, having in mind the “Do It Yourself” (DIY) concept.
導師簡介
Workshop instructors
製作人、技術人員， 主張開放源代碼。現為電子 DIY，實體 運算及數位製造實驗項目開發人員。 曾任多個工作坊及項目協調員、組織 者、合作研究者。包括與葡國創新科 技團體 altLAb- Lisbon’s Hackerspace, the NearInteraction, ArticaCC, AZ Labs 合作； 於里斯本FabLab EDP的「3D打印製作學 The 習班」協助授課；與里斯本團體 Dóing – Oficina Aumentada 合作，及參與 美國三藩市自然科學博物館的「科學 探索工作室應用項目」。曾為歐洲冠 軍聯盟（慕尼黑）的 Adidas廣告活動設 計互動式解決方案；其作品曾在葡萄 牙大型科技活動 Codebits V 的遊戲競賽 Nuclear Taco Sensor Helmet Gameshow 公 開組中奪冠。實體運算服務供應商， 創意電子機構創始人。
Maurício Martins Maker of Things, Tinkerer, and Open Source advocate. works mainly as collaborative project developer focused on experimentation with DIY electronics, physical computing and digital fabrication. Has a participated in several workshops, initiatives and projects as a coordinator, organizer, collaborator and participant such as, among many others, the altLAb- Lisbon’s Hackerspace, the NearInteraction, ArticaCC, AZ Labs (Montemor-o-Novo), “Building 3D printers workshop” at FabLab EDP (Lisbon),The Dóing – Oficina Aumentada ( at the Knowledge Pavilion - Lisbon), “Tinkering Studio Implementation” (at the Exploratorium – San Francisco, USA). Has also developed interactive solutions for the Adidas advertising campaign for the League of Champions (Munich). Has Won the first prize in the public category at Codebits V with the “Nuclear Taco Sensor Helmet Gameshow” project. He is, as well, founder of Ledandchips.com- Creative Electronics, a physical computing store and service provider.
Maurício Martins
獲里斯本大學藝術學院雕塑 學位；從事及研究攝影、雕塑及場所 裝置。現任葡萄牙藝術與傳媒文化協 會美術總監，監制及編程師。曾負責 當地藝術項目Ananil及Cidade PreOcupada 編程及協調；參與當代藝術、景觀 與場景裝置工作。在Convento de S. Francisco實驗室研究造形藝術，音響裝 置創作；參與及協調舉辦多個創意項 目。 Tiago Fróis
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Tiago Fróis Has a degree in Sculpture by the Fine Arts School at the University of Lisbon. Does work and research on the fields of Photography, Sculpture and on Site Intervention. Is the artistic director, producer and programmer at the Cultural Association “ Associação Cultural de Arte e Comunicação – Oficinas do Convento” (Montemor-oNovo, Portugal) where he does work as an artistic curator, coordinator and programmer at events such as “Ananil” and Cidade PreOcupada”, and on other cycles focused on contemporary art, landscape and site intervention. He also does in lab research on plastic arts and sound devices creation at the “Convento de S. Francisco” laboratory. He participates and collaborates as a coauthor on many other creative projects.
第一日 12月13日
DAY1 Dec 13
19:30 – 23:00
19:30 – 23:00
工作坊介紹 電路擾動：利用電腦揚聲器（喇叭）， 自制聲音合成器 學生需自攜電腦揚聲器
Introduction to the Workshop.
第二日 12月14日 上午 9:30 – 12:30 製作簡單電子音響裝置。 利用壓電材料、拾音器調節聲音及震動 效果利用擺錘或簡單馬達,製作機械環 形裝置風鳴琴及風阻原理。 製作及操作鉛筆音響Drawdio；安裝電 路,做出觸動及繪圖效果。
DAY2 Dec 14
CIRCUIT BENDING, “D.I.Y. a Synthesizer From a Desktop Speaker”. Students must bring their own old desktop amplified speakers.
Morning session 9:30 – 12:30 Building simple electro-acoustic sound devices. Picking up sound and vibration with PIEZZO elements and pick-ups, making mechanical loop devices from pendulums or simple motors, wind harps and air friction. Making and manipulating DRAWDIO devices, mounting circuits for contact/ touch and drawing/painting reaction.
下午 14:30 – 20:30 ARDUINO I — 什麼是Arduino? 瞭解Arduino 底版 安裝Arduino IDE Arduino IDE入門 編寫、上傳程序 LED指示燈操作 練習：混色燈—操作以光源輸入的訊號 燈，使其發出任一顏色訊號
Afternoon session 14:30 – 20:30 ARDUINO I — What Is an Arduino? Exploring the Arduino Board. Installing the Arduino IDE. Meeting the Arduino IDE. Compiling and Uploading Programs. Working with LEDs. Exercise: COLOR MIXING LAMP produce any color with a lamp that uses light as an input.
第三日
12月16日
19:30 – 23:00
DAY3 Dec 16
ARDUINO II—練習 聲光電子琴：親手創作用音波演奏的 樂器 鍵盤樂器：奏出音樂，用鍵盤發音 利用不同工具及方法試驗、探索、奏出 創意
19:30 – 23:00 ARDUINO II- Exercises LIGHT THEREMIN create a musical instrument you play by waving your hands. KEYBOARD INSTRUMENT play music and make some noise with a keyboard. Keep experimenting and searching with tools,
第四日 12月17日
technology and creativity.
19:30 – 23:00
每位學員開始單獨製作畢業作品
DAY4 Dec 17 19:30 – 23:00
第五日 12月18日
Start building the final project, each participant
19:30 – 23:00
must build his/her own device.
完成最後作品裝置 DAY5 Dec 18 19:30 – 23:00 Finishing final projects installations and devices.
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Thursday, DEC 19 18:30 / Albergue SCM / 澳門瘋堂斜巷8號藝竹苑A3棟 Calçada da Igreja de São Lázaro, 8-A3, Macau
「實驗．線」(LinesLab) 在 Montemor-oNovo 創作的展品，源自畢焜 (Clara Brito) 和思銘諾 (Manuel Correia da Silva) 於2012年 在當地的藝術家駐場活動，而且作品意 念也呼應促成 “This Is My City”﹣「我的城 市」計劃的原始概念――即提倡在跨文 化背景下，對話與多元融合的價值觀及 願景。
星 期 四 / 12 月 19 日 / 澳 門 仁 慈 堂 婆 仔 屋
The objects produced in Montemor-o-Novo by “LinesLab” originated in Clara Brito e Manuel Correia da Silva’s 2012 artistic residence in Montemor-o-Novo, and embrace the concept that motivates “This Is My City” program –dialogue and hybridism as values and assumptions of an intercultural grammar. The idea is to build a prototype based on a model
在此作品中，設計師模仿在街市或店舖 可見的傳統中式燈飾的外形，運用更高 貴的材料，融合 Montemor 老工藝大師的 傳統工藝，重新演繹這種燈飾及建立一 個作品原型。
of a Chinese street lamp, commonly seen in
「實驗．線」製作的新作品被命名為 “Miramics”，它融合中式外形及葡國 材料和工藝於一體，作品體現了中葡文 化藝術融匯的再創造增值以及實驗精 神， 意義不凡。
Miramics, the new object produced by “LinesLab”
public spaces like markets or small commercial venues, in a reinterpretation using more noble materials as well as traditional handicraft techniques of the old Montemor craft masters.
tentatively fuses Chinese forms with Portuguese materials and techniques, projecting a final proposal with the added value of the convergence of know-hows and with its own experimentalist
photo © Rui Dias Monteiro
flair.
這個在 Montemor-o-Novo 創作的原始作品 標誌著 “Miramics” 系列的誕生，目前系 列在位於澳門婆仔屋的「實驗．線」藝 術空間有售。
The Montemor-o-Novo prototype was the starting point for the “Miramics” objects that are currently available (for sale) in the “Lines Lab” art space.
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星 期 四 / 12 月 19 日
Thursday, DEC 19 20:00 / 澳門仁慈堂婆仔屋 Albergue SCM / 澳門瘋堂斜巷8號藝竹苑A3棟 Calçada da Igreja de S. Lázaro, 8-A3, Macau
星 期 六 / 12 月 21 日
Saturday, DEC 21 20:00 / 澳門旅遊塔會展娛樂中心 Macau Tower Convention & Entertainment Centre / 澳門觀光塔 16 Largo da Torre de Macau, Macau
設計交流夜，始創於 2003 年，本為年輕設計師提供交流、聯 系及展示作品的平台。後發展為大型慶 祝活動，相關慶祝遍及全球。活動名稱 PechaKucha 是取自日語字“閒聊”的諧 音。活動以圖片演講的形式進行，規定 每位講者分享20張圖片，每張圖片展示 時限為20秒，以達言簡意賅的目的。 2010年,，「我的城市」組織人首次在 澳門舉辦 PechaKucha Night 設計交流夜 取得完滿成功，於是今年再接再勵，邀 請不同代表來小城演講。活動為期兩 日。來自各行各業，各種文化背景的講 者會與觀眾分享經驗心得，以輕鬆有趣 的方式啟發思維，引發人們思考。 PechaKucha Night
PechaKucha Night was devised in February 2003 as an event for young designers to meet, network and show their work in public. It has turned into a massive celebration, with events happening in hundreds of cities around the world. Drawing its name from the Japanese term for the sound of “chit chat”, it rests on a presentation format that is based on a simple idea: 20 images X 20 seconds. This format makes presentations concise and keeps things moving at a rapid pace. After the success of the 2010’s first ever PechaKucha Night in Macau at the This Is My City event, this year the Powered by PechaKucha conferences are back in town, and will happen on two different nights, at two different venues with two different groups of speakers. Speakers from diverse backgrounds, cultures and trades will
photo © Manuel CS
present their ideas, thoughts and experiences inviting the audience to an informal and funful, but yet constructive reflection.
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Thursday, DEC 19 21:30 / Albergue SCM /
星 期 四 / 12 澳門瘋堂斜巷8號藝竹苑A3棟 月 Calçada da Igreja de São Lázaro, 8-A3, Macau 19 日 / 澳 門 仁 慈 堂 里斯本的傑出原創音樂吉他手，作品別 Absolutely mind-blowing and prodigious 婆 樹一格，震撼人心。剛在葡萄牙著名 acoustic guitar player from Lisbon, who has 仔 唱片公司 Mbari Records 發表其第四張唱 released his fourth straight classic, ‘Mel Azul’, 屋 碟 (Mel Azul)。擁有三十一年音樂造詣， 曾鑽研如何將旋律中的悲喜融為一體（ 將作曲家 Steve Reich, Jim O’Rourke, Paulinho da Viola and Carlos Paredes 等人的樂曲風格 合併）。並加入巴西傳統音樂的豐富元 素，使其樂曲更加生動飽滿。其樂曲 無論長短都架構清晰，鋪陳有道。每個 環節的設計都獨具匠心，務求為音樂家 及觀眾帶來頂級的聽覺享受。著名結他 手 Jack Rose 和 Ben Chasny 曾對他讚賞有 加。其擁躉包括資深音樂家 Gary Lucas, Naná Vasconcelos 和已故唱作歌手 Llasa de Sela。
on crucial Portuguese label Mbari Records. His 31 years of life have been completely immersed in the most joyous of relationships with music and sound. He’s done his profound reading of the most auspicious and melancholic melodies (a place where Steve Reich, Jim O’Rourke, Paulinho da Viola and Carlos Paredes all make sense together unto one existence), has been deeply enriched by the harmonic depth & richness of the samba/bossa heritage (which he knows by heart), and his composition in both short and longerform is nothing short of remarkable – a sense of structure, narrative and storytelling complete by a total absence of any tics or theatrical antics, in which every turn is revised and remade for maximum fascination for both musician and audience. That and he has one of the best lefthands around - for a right-hand guitar player. Jack Rose and Ben Chasny said so. His fans
精選唱片目錄
include Gary Lucas, Naná Vasconcelos and the
Selected Discography
tragically defunct Llasa de Sela. We’re yet to meet
“Mel Azul” (Mbari, 2012)
a single human being who is less that astounded
“Fala Mansa” (Mbari, 2011)
by this man’s music. Living proof that the boldest
“Pata Lenta” (Mbari, 2009)
aesthetical moves are 100% compatible with
“Mudar de Bina” (Bor Land, 2007)
complete social communion.
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Saturday, DEC 21 19:00 / Macau Tower Convention & Entertainment Centre / 澳門觀光塔 16 Largo da Torre de Macau, Macau
陳嘉強 採集風速 9段錄像（每段1分36秒）/ 2012 此行我漫無目的地四處遊蕩，採集風 速，經歷一些看不見的景緻。
Chan Ka Keong Sampling Wind Speeds
星 期 四 / 12 月 21 日 / 澳 門 旅 遊 塔 會 展 娛 樂 中 心
9 Videos (1min36sec each) / 2012 I was wandering around different places in this trip, sampling the wind speed, and experiencing somewhat invisible in the scenery.
photo © Chan Ka Keong
陳嘉強 從事平面設計、錄像、攝影及 文字等多種媒介創作。自一九九九年 起，其作品於兩岸四地各城市展出，作 品曾屢獲獎項。澳門影像團體「拍板視 覺藝術團」核心成員，自二零零三年起 籌劃電影及錄像相關活動，致力推動影 像文化。電影《堂口故事》導演，電 影《堂口故事2 ﹣愛情在城》策劃人之 一。曾參與影展：「香港亞洲電影節」 (2009) 、「第十九屆金雞百花電影節」 (2010)、「澳門國際電影錄像展」 (2012) 、「第五屆北京青年電影論壇」 (2010) 等。
Chan Ka Keong works as a graphic designer, filmmaker and visual artist. His work has been exhibited in Macau, Hong Kong, China and Taiwan since 1999. His design and photography works have won numerous awards. As a core member of Macau film association “Associacão de Audio-visual CUT” since 2003, Chan is dedicated to promoting local film and video industries. He’s one of the directors in “Macau Stories”(2008), and one of the planners of “Macau Stories 2 - Love in the city”(2010) Film Festivals: “Hong Kong Asian Film Festival”(2009), “The 19th China Golden Rooster & Hundred Flowers Film Festival”(2010), “Macau International Film and Video Festival 2012”, “The 5th Chinese Film Young Generation Forum”(2010)
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彭韞 牆 這件作品以一個循環播放的錄像的形 式展示。 在城市化進程不斷加劇的今 天，各處不斷的重復上演著建構破壞， 破壞建構的情景。而身處其中的個體又 何嘗不是如此，在不斷的自我建構與推 翻，再推翻再建構中前行著。 我搭建 一面牆將自己圍起來，拆掉，再建起 來，再拆掉，再建起來…不停的重復， 沒有開始也沒有結束。此次將展示在 兩個地方拍攝的作品，一個是中國澳 門，一個是葡萄牙的 Montemor。我首先 完成了在澳門的拍攝，然後受邀於澳門 的「 +853文化協會」，在兩位設計師 的邀請下參加其在葡萄牙的“THIS IS MY CITY”的活動，前往葡萄牙中部的美麗城 市 Montemor。這兩個城市是很不同的， 澳門是一個“大城市”， 卻是一個人 口非常密集的“小城市”；而 Montemor 卻恰巧相反，這裡是一個人口約2千人 的小城鎮，人均佔地面積遠遠超過澳 門，天高地闊。 我試圖將這兩種完全 不同的地域特質在作品里呈現出來， 呈現身在其中的個體的我的不同感受。 澳門，我將作品拍攝現場，設定在一面 牆的前面，在牆的面前再搭建我的牆， 這種不斷重複，這種緊迫感是我想呈現 的。 Montemor，我將作品拍攝現場，選 在城鎮的至高點，古老城堡的旁邊，這 裡能俯瞰整個城市，藍天白雲在身後自 由飄蕩，隨著我的牆一點點的建立再一 點一 點的拆除，不斷循環，這種體驗 是與澳門完全不同的，無論是在視覺上 還是在心裡上。這件作品是我對“THIS IS MY CITY”的註釋，是一種移情與代入。
Peng Yun The Wall “This piece of work is displayed in the way of video looping. In the days of continuous acceleration of urbanization, a repetitive scenario of construction and destruction, destruction and construction plays itself out just about everywhere. An individual in such scenario cannot help but move along in the same repetitive pulsation of self-constructing and over-throwing. I build a wall around me, then break it down, build it up again, break it down again, repeating the building and breaking, no beginning and no ending. Works from two locations are shown, one from Macao in China and one from Montemor in Portugal. I rendered the shooting in Macau before being invited by the two designers from [ Cultural Association +853] to participate in the event “ This Is My City”, in the beautiful city of Montemor on the midlands of Portugal. These two cities are quite different from each other, Macao is a “big city” and at the same time a densely populated “little city”; where as Montemor is the other way around, it is a small town with about two thousand people on average, the area of land per person, over there in Montemor, exceeds by far that of over here in Macau; the sky is high and the land is broad. My attempt is to show the utterly different geographical characteristics of the two, and the different feelings that I, as an individual, got to experience. The set in Macao is in front of a wall where I build my wall, this sense of repetition and pressing is precisely what I want to show. The set in Montemor is at the very top spot of the city next to an ancient castle where the whole city is in view, white clouds floating in blue sky in the background while I build my wall,
彭韞 1982年出生於中國四川省。多媒體藝術 家，自2002年起從事藝術創作至今。中 國美術學院新媒體系碩士。四川美術學 院油畫系學士。曾任教於復旦大學上海 視覺藝術學院數字媒體專業。現居澳 門，從事藝術創作以及藝術教育。
bit by bit, and break it down, bit by bit, the never ending cycle, which is a very different experience, both visually, and psychologically. This piece of work is my interpretation of “This Is My City”, a kind of empathy and self-projection if I may”.
Saturday, DEC 21 19:00 / Macau Tower Convention & Entertainment Centre / 澳門觀光塔
photo © Manuel CS
16 Largo da Torre de Macau, Macau
星 期 四 / 12 月 21 日 / 澳 門 旅 遊 塔 會 展 娛 樂 中 心
Peng Yun
2009, she worked in Shanghai Institute of Visual
Born in SiChuan Province of China in 1982, Peng
Art, FuDan University, and taught the subject of
Yun is a multi-media artist. her works have been
“Digital Media Art and Design”. Using a variety of
exhibited in China and overseas since 2002. Peng
media, her work concerns about the authenticity
graduated in the Sichuan fine arts institute with
of individual life and the relation with the world.
a bachelor degree in Oil Painting. And in 2007
Peng Yun is currently living in Macau. She works
she obtained a master degree in New Media
in areas of visual arts, art education and fashion
Art at China Academy of Art. From year 2007 to
photography.
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Saturday, DEC 21 18:30 — 23:00 / Macau Tower Convention & Entertainment Centre / 澳門觀光塔
photo © Tiago Fróis
16 Largo da Torre de Macau, Macau
星 期 六 / 12 月 21 日 / 澳 門 旅 遊 塔 會 展 娛 樂 中 心
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DEAD J（邵彥棚）是目前中國音樂界最 令人感興趣的人物之一。在北京， 100 名DJ好手和眩目的大型迪斯科掌控著整 個電子音樂界，本土製作人已越來越 少，DEAD J無疑是其中最引人注目的一 位。 邵 彥 棚 1981 年 出 生 於 河 北 。 從 2001 年 開始，他開始了自己的電子音樂創 作 ， 2004 年 ， 他 與 山 水 唱 片 的 領 軍 人 Sulumi組成了Panda Twin進行電子音樂演 出。他們掩藏在手製熊貓面具背後，帶 來了一場場充滿活力的IDM和Break Core 演出。在此期間，邵彥棚化名為 DEAD J 在 山 水 廠 牌 發 表 了 很 多 單 曲 。 2005 年，DEAD J個人簽約“摩登天空”，決 定追求“做聰明的電子音樂”。同年， 他發行了其驚人之作《心象》。正如 名字所暗示的一樣，它以豐富的細碎 節拍和夢一般的旋律戲弄了聽者的耳 朵。2006年，DEAD J又發行了第二張專輯 《幻術》，進一步展示了與未知世界景 象融為一體的電子音樂。2007年，DEAD J 憑借《幻術》在“華語音樂傳媒大奬” 上被評為年度“最佳電子樂藝人”。 2008年，DEAD J完成了第三張個人專輯《 幻象》，再一次施展他的聲音魔術，鑒 於《心象》和《幻術》分別代表著夢幻 電子和迷人聲象，幻象考慮到的則是深 度。在充滿未來感的太空氛圍中，DEAD J不斷拉深和推進與聽眾之間的距離， 不同線索的旋律和節拍交織在一起，達 成了冷暖的立體空間概念，將他的音樂 語言推展到新的境界。 《心象》、《幻術》和《幻象》是DEAD J在專輯概念上玩的一個文字遊戲，從 一個側面也反映了DEAD J在當下時期對 個人作品的態度，它們也可以被看作是 DEAD J七年電子樂生涯的一個三部曲。 同時，DEAD J拓寬他的音樂領域，把自 己獨特的音樂理念延伸到了舞台劇和電 影音樂領域，在先鋒話劇導演孟京輝的 《鏡花水月》、《戀愛的犀牛》等劇中 擔任作曲和音樂策劃。
王萌 (aka Dora.S) 1985年出生於天津，現 生活工作於上海。 畢業於廣州美術學院 主修視覺傳達， 輔修油畫。 王萌是一個在作品風格和工作身份上極 其分裂的視覺藝術家、設計師。自幼 學習繪畫，作品涉及影像、動畫、VJ、 繪畫、設計等領域。多媒體方面，與 J合作的音視頻互 著名電子音樂人Dead 動表演《The shape of sound》近年在世界 各地大小演出數十場。與眾多品牌、 廣告公司、唱片公司、音樂人合作多 次。擔任木瑪、李泉、彭坦、春曉、 周雲蓬、小河、梁曉雪、鐘立風、旅行 團、Sulumi、mic男團、品冠、林宥嘉、林 志炫、趙傳、沙寶亮，等知名藝人、樂 隊的演唱會、音樂會舞台多媒體設計。 受邀參與國內外各大知名音樂節演出。 此外，王萌在現代話劇領域也有涉足， 曾任孟京輝導演話劇《柔軟》的舞台多 媒體製作，邵澤輝導演，韓寒小說改編 我想和這個世界談談》 的 的《1988 舞台多媒體設計，任2011法國阿威尼翁 戲劇節中國團隊“Chinese kisses”多媒體 設計等。 同時，王萌在動畫、繪畫創作等領域 也有不凡的表現，代表作有 《Back TO The Future》；為世博會英國館創作的視 覺短片《 BeBeBeBe》；受邀為 2011北京 國際青年戲劇節製作宣傳動畫《 Beijing Fringe Festival》。繪畫作品多次在《青年 視覺》、《藝術與設計》、《ILOOK》、 《1626》等國內著名藝術雜誌上發表。 王萌的藝術作品多次在世界各地著名 的先鋒藝術展展出：美國果凍時代 Jelly Generation、西班牙 MADATAC新媒體藝術 節、北京 2010大聲展、北京 789藝文 節、廣州“廢墟之後”青年藝術節等。 王萌做為80後中國新生代視覺藝術家， 與“新茶鋒潮”合作於2012年代表中國 創意人在瑞士“沃爾沃藝術現場Volvo Art Session” 進行現場繪畫創作，2010年代 表北京先鋒藝術家參與Volcom x 中國先 鋒創意人絲網印刷工作坊等各類藝術交 流活動。
王萌涉足多個截然不同的領域進行藝術 創作，雖然這些看似矛盾且分裂，但從 這些不同類型的藝術創作中都可看出藝 術家本人對於視覺藝術的執著追求與探 索。
Wang Meng (aka Dora S) graduated from Guangzhou Academy of Arts, major in Visual Communication, minor in Oil Painting. He is a multimedia artist in multiple identities. Learning painting since childhood, his works broadly cover video, animation, VJ, painting and design etc. In the aspect of multimedia art, Wang Meng cooperates with Dead J, famous electronic
DEAD J aka ShaoYanPeng is one of the most
musician of China, as his VJ. They represent
interesting character of the current Chinese
audio-visual interactive performance named
scene. In a country where the electronic scene is
‘The Shape of Sound’ touring around the world
dominated by top 100 djs and bling bling mega
in recent years. Wang Meng also worked with
discos, local producers are rare and Dead J is
leading Chinese theater director Meng Jinghui,
without a doubt one of the best amongst them.
and made numerous unique multimedia stage
Born in Hebei province in 1981, Dead J has been
designs for Meng`s most experimental and
producing music since 2001; in 2004 he and
best-selling plays, Soft (2010) for instance. In
acolyte Sulumi founded a duet called Panda Twin,
2011 France Averroes Nyon Theater Festival, he
on stage they performed ultra hyper breakcore
attended as multimedia designer in the team of
sets wearing panda masks. In the meantime,
‘Chinese Kisses’.
Dead J started to release his first singles on
Wang Meng also cooperates with different brands,
Shanshui records then in 2005, he signed on
advertising companies, record labels, well-known
Modern Sky and decided to evolve towards more
musicians and was invited to participate in many
subtle and elaborated electronic music. The
world-renowned music festivals.
same year he released “mental Imagery” which,
For animation and painting, Wang Meng’s
as the name indicates teases the listener’s
representative works include Back To The
ear with an opulence of sound fragments and
Future, visual episode BeBeBeBe for the UK
minimal melodies. In 2006, he releases “Mental
Pavillion in 2010 Shanghai World Expo, publicity
Magic” an opus that reveals a realm of minimal
animation Beijing Fringe Festival for 2011 Beijing
soundscapes which create a mysterious sonic
International Youth Drama Festival. Wang Meng’s
world. It is awarded best electronic music album
paintings have been published in many renowned
by the Chinese Music Media Award the same year.
magazines such as Vision, ILOOK, 1626, Art and
In 2008, his new album « Psychedelic elephant
Design etc. Wang Meng also attended many
» closes up the trilogy. While following the two
world well-known avant-garde art exhibitions
previous album’s dreamy and psychedelic path,
as participating artist such as Jelly Generation,
this third opus also marks a take into depth and
MADATAC New Media Art Festival, GETITLOUD Art
introspection. Dead J’s built a futuristic world, a
Exhibition etc.
kind of spatial surrounding, where melodies and
Wang Meng involves in number of diverse fields
beats merge together whilst making the listener
of art creation, although it seems contradictory
sink into a world of warm and cold fantasies.
and fission, but we can see his pursuit and
Besides his discographic activities Dead J keeps
exploration towards visual art.
on broadening his field of action, composing soundtracks for movies and experimental theatre plays such as director Menjinghui’s “Moon on the water” and “Rhinoceros in love”.
26
PORTUGAL / JAN 2014
駐場藝術創作 2012“我的城市”活動在葡萄牙完滿落 幕，而今年活動再次加入駐場藝術創作 環節。上次的活動加強了葡萄牙、澳門 和北京三地藝術界的聯系，在此基礎 上，“我的城市”將會再邀請六位來自 澳門及北京的創意工作者到葡萄牙進行 藝術交流。Montemor-o-Novo城市將會 是今次葡國藝術之旅的起點。“我的城 市”活動的宗旨，是希望透過讓藝術家 們體驗當地風土人情（人煙稀疏、寧 靜、愁緒），感受與自己城市形成的反 差（噪音、擁擠、活力等），從而創作 出能反映空間融合，又突顯各空間生活 及居住方式異同的作品。讓人思考決定 城市生活及居住模式的因素是什麼？不 同的模式又如何影響人們表達藝術的 方式？和2012年“我的城市”活動一 樣，2014年的活動亦會展出“駐場藝術 創作”的作品，以促進城市間的藝術交 流。
Creative Residencies After the success of the 2012’s edition of “This Is My City”, that took place in Montemor-o-Novo (Portugal), this year’s program will, once more, include on its actions a Creative Residency. Therefore, and within the strengthening of the liaison established, on 2012, between three diverse and contradicting universes, Montemoro-Novo, Macau and Beijing, “This Is My City” will take to Portugal a group of 6 creators , 4 Macau citizens and 2 Beijing citizens. Montemor-oNovo will constitute the starting point for a sensitive, reflective and experience collecting exploration that will happen throughout Portugal. By Exposing the creators to the existing contrasts between their home cities (crowded, intense, noisy, lively) and the place where the Creative Residency takes place( sparse, serene, silent, melancholic) its expected that the work done by them will reflect the union between diverse universes, what sets them apart and what unites them, giving way to one of the “This is My City” objectives, which is precisely the underlining of different forms of living and of occupying a city, and how these different ways of living, influence the creative and artistic forms of expression. Still, and in resemblance to what happened to the work made on 2012, it’s the intention of “This is My City” to exhibit, on its 2014 edition, the results of the Creative Residencies, fulfilling
photo © Manuel CS
another objective of this event, that is promoting the interchange of experiences and knowledge between the cities involved in this project.
創作人 生於法國巴黎的視覺 藝術家。早期分別在美國及英國居住， 以優秀的成績取得法國土魯茲高等藝術 學校藝術碩士學位。喜以城市景觀為 題材創作數位混合媒體作品。後移居亞 洲，當地的城市景觀發展為其創作帶來 啟發。現任澳門聖若瑟大學客席教授。 Yves Etienne Sonolet
Yves Etienne Sonolet Crystal Chan Wai Man 陳 LINES LAB 慧 實 DEAD J 雯 驗 邵 DORA S 28
線彥王 棚萌
陳慧雯 1986年生於澳門，曾於台灣修讀室內設 計，一年後回澳轉修酒店管理並取得 學士學位，期間曾到希臘實習半年。沒 有接受過正統藝術教育，多以旅行見聞 及際遇而受到啟發。自小偏愛繪畫人 像，認為人的五官、表情以及肢體， 是情感的延申，而人的情感是如此直 接，坦白且純粹。藝術創作包括攝影、 文字、表演。文學作品《 Inshala》獲得 2008年第三屆香港城市文學創作獎散文 組優異獎。攝影及文字作品包括與黃祺 昌於2012年合著出版攝影集《Something About》。 實驗線 於葡語國家發展業務的創意企業。紐約 時報曾刊登。該機構被英國倫敦雜誌 Monocle Magazine評為備受關注的創意企 業。總部設於澳門及葡萄牙里斯本。LL 的作品關注人類和事物的對等關係。該 機構由Manuel CS（產品設計師）和 Clara Brito（時裝設計師）領導，提供風險創 作的實驗平台。任何領域的設計師在設 計時都需承擔風險，而LL為創作提供商 業展示場所，並提供一系列的創意服 務。
The Creators
LINES LAB is a creative agency on the global
Yves Etienne Sonolet is a visual artist was born in
Lusophone universe, ranked at the Top 20 ranking
Paris, France. Having a multicultural background
by Monocle Magazine & A Must See according
he has spent his early years in the US and the
to the new York Times. Based in Macau | China
UK. He holds a Master Degree with honors in
and Lisbon | Portugal, LL is committed in full
Fine Arts from the “Ecole Supérieure des Beaux
to the equation of objects, people and events.
Arts de Toulouse”, France. Yves is interested
Headed by Manuel CS (product designer) +
in mixing digital media using urban landscape
Clara Brito (fashion designer) the LL spaces are
as theme and support. Since living in Asia his
also laboratories for the synthesis of creation
work is influenced by the organic development
and risk. To a great extent, design in all of its
of cityscapes in the region. He is now working
dimensions and, of course, in authenticity, is risk
as visiting professor at the University of Saint
taking. LL are spaces for working, commercial
Joseph in Macau China.
showcasing and provision of a range of creative services.
Crystal Chan Wai Man, born in Macau in 1986, has pursued Interior Design in Taiwan, and returned to Macau after a year. She then switched to Hotel Management and obtained a bachelor’s degree. During her studies, she worked as an intern in Greece for six months and spent time traveling countries in Europe. She has not received any formal art education but she has been inspired mostly by what she saw and experienced during her trips. She particularly loves drawing portraits because she believes the five sense organs, facial expressions and limbs of a person are the emotional extensions of that person, which are so straightforward, honest and innocent. Her art works cover photography, writing and performing. With her literary works “Inshala”, she won a merit prize under the category of essays in the 3rd Hong Kong City Literary Award 2008. Her photographic and written works included “Something About”, a collection of photographs written and published in collaboration with Wong Kei Cheong in 2012.
photo Š Manuel CS
30
32
“This Is My City”（「我的城市」）於2012
The program “This Is My City” became
年踏出了國際化的一步，亞歐大陸之間 首次互動，葡萄牙成為了最明顯的對 話溝通場地，從而復甦了葡—澳對話關 係――很大程度上澳門回歸後，本地社 區意味著與葡聯繫的缺失。
international in its 2012 edition. For the first time, a relationship between two continents was tentatively practiced, with Portugal emerging as the most obvious interlocutor context, thus recovering from the inertia that, in its first instance, the handover meant to the local
藉此，去年於葡萄牙Montemor-o-Novo的 駐場藝術創作中作為一座橋樑，性格分 明的藝術家和地區之間的對話重啟得以 實現，而澳門的作品亦被當地的Cidade PreOcupada藝術節採納。
community. The recuperation of that dialogue between distinct artists and territories was materialized, symbolically, last year, in Montemor-o-Novo, with the idea of a bridge and the inclusion of
在各種各樣豐富的活動中以及在藝術節 期間，藝術家彭韞（行為藝術表演和裝 置作品）、陳嘉強（攝影和錄像作品“ 牆 – TIMC”）以及畢焜和思銘諾（設 計作品）運用磚頭作為建造材料，亦作 為該次藝術交流活動的隱喻，呈獻了他 們的作品。“Brick by Brick”（“一塊疊一 塊”）是澳門策展人為此次藝術聚會選 擇的總標題。此外，北京VJ―― Dead J and Dora S―也參與了盛會，並於充滿鄉 村風情的Montemor播放了在首都北京拍 攝的影像，進行了表演。
Macau’s proposal in the local festival “Cidade PreOcupada”. In the diverse events and along the duration of the festival, artists Peng Yun with performance and installation, Ka Keong with photography and video production “The Wall – TIMC”, Clara Brito and Manuel Correia da Silva with design, made use of bricks as a construction material and also as a metaphor for that artistic interchange. “Brick by Brick” was the generic designation chosen by Macau curators to mark that gathering, while we should also highlight the concerts by Beijing musician Dead J and visual artist Dora S, who
photo © Manuel CS
played over images captured in the Chinese capital and screened in Montemor’s rural context.
34
Albergue Creative Lab / 澳門望德堂區瘋堂斜巷
PECHAKUCHA 2010年12月 DEC 2010 Cédric Maridet (HK.FR) James Chu (MO) José Drummond (MO.PT) Joshua Roberts (HK.US) Pakeong Serqueira (MO) Ricardo Pinto (MO.PT) Nuno Soares (MO.PT) photo © Manuel CS
Tiago Quadros & Margarida Saraiva (MO.PT) Vincente Hoi (MO) Yves Sonolet (MO.FR)
2 0 1 0 年 1 2 月
我的城市10策展團隊 意見 思銘諾
36
The Benetton Group 從八十年代起就打造 了他們舉世聞名的品牌：UNITED COLORS of BENETTON，承載了一定的人本意義， 當時世界正陷入冷戰與種族隔離的焦慮 中，顏色的存在是二元的—非黑即白， 非紅即藍。其時 Benetton在各個城市中 的廣告板上宣傳的是不同種族多元的色 彩。現在，柏林圍牆倒下了，曼德拉亦 重獲自由了，全球的注意力轉移到我們 的存在。城市大於人民，世界屬於我們 所有的人。威脅是全球性的，挑戰也是 全球性的，所以什麼是全球的顏色？ 2001年，布魯塞爾成為了歐盟的首府， 庫哈斯（Rem Koolhaas）和他的智囊團 AMO — 即大都會建築事務所OMA的一個 獨立小組 — 建議了用「條碼」來作為 歐洲的象徵，把所有歐盟成員國的國旗 聯合起來，形成一個單一卻色彩斑斕的 符號。 我們的周遭聚滿了來自世界不同角落且 背景迥異的人，把他們的工具、基礎建 設和智慧帶到城市這個有機體，為未來 發展注入各樣新思維和創意。 今年的「我的城市」主題為「綠／灰城 市」，從本地到全球的角度出發，在創 作、經濟、藝術、哲學和生態的面向展 開對話，討論我們與世界的關係。
Vasco Bismarck
兩種不同的顏色能夠使我們對同一形 象、物件產生截然不同的視覺體會。大 眾所認知的綠色通常象徵著希望與成 長，或是聯想起大自然中的復興、生育 與重生。另一方面，灰色令人容易聯想 到時間消逝，對環保人士來說，灰色含 有貶意，跟綠色相對，通常用來形容那 些喜歡花崗石、水泥和其他城市建材的 人。若把這個概念引伸到城市中放大注 視，大家看到的感覺到的，都會不一 樣。把綠與灰兩種顏色應用在都市生活 中，會引起什麼觀感變化？生活在都市 中，我們對綠和灰的感覺是什麼？這兩 種顏色是我們生活的一部分嗎？可以同 時存在嗎？其中一種顏色會否壓倒另外 一方？告訴我們你的意見吧。 畢焜 灰／綠美學 我對物件陳列非常狂熱，感興趣的並非 事物本身，而是它們之間的聯繫。在家 裡我會花時間思考這樣的事情，例如把 一本有七十年歷史，封面呈褪落綠色的 舊工具書放在冷灰色的鐵架上，又或看 看那本書跟一個有四十年久的漂亮老木 尺的組合。那些時刻，就像油畫一樣， 我可以深思每一項物件的顏色、質感、 光線、功能和幾何位置。如果要把我的 家看成城市一樣的話，我會說我的狂熱 是綠色的，因為我對事物排列的精準度 一如大自然般。我會把澳門的一些區域 定義為灰色，因為它們的髒亂，並不如 我家中的東西般井然有序。不過最叫我 驚奇的時綠跟灰皆極富美學色彩。這就 是我對灰／綠的美學觀感。
TIMC 10 CURATORIAL TEAM
associated with regeneration, fertility and rebirth
TEASER THOUGTS
for its relationship with nature. On the other hand, grey colour is usually
Manuel C S
associated with aging or the passage of time
When in the 80’s the Benetton Group launched
and used pejoratively by environmentalists
their world famous communication campaign
to describe those who like granite, concrete
underlining the human meaning of their brand
and other City materials, opposed to the term
name: UNITED COLORS of BENETTON, the world
“greens” favourably to environmentalist.
was in the turmoil of the cold war and apartheid.
Applied this colour concepts to a large and
The dual tone reality was ON. You were black or
amplified scale as a City, it can result in the
you were white, you were red or you were blue.
different perceptions one can get from what it
At that time Benetton publicized in cities around
can see and feel in it.
the world with their outdoors and mupis the
What perceptions one can tell from Green and
multicolor diversity of human kind.
Grey colours applied at an urban City life?
Nowadays the Berlin wall is down and Mandela is
Which feelings those colours give to our daily
free, the attention has shifted to a global analysis
urban life in a City? Are they a part of it? Can they
of our presence. Cities take over citizens and the
exist together? Do you feel the predominance of
planet seems to belong to all of us. The threats
one against to other?
are global, the challenges are global, and so what
Have your say. Show us your view and
are the global colors?
perspective.
In 2001, which made Brussels the de facto capital of the European Union, Rem Koolhaas and his
Clara Brito
think-tank AMO – an independent part of OMA
The aesthetics of GREY/GREEN
– suggested the development of a “Barcode” as
I have always been obsessed with the display of
a symbol of Europe. The barcode seeks to unite
Objects. I feel intrigued not so much by the things
the flags of all EU member countries into a single,
but by the way they can be related with each other.
colorful symbol.
In my house I take time to decide the manner a
Our cities are colorful places teeming with
70 years old, technical, book with a GREEN faded
people from all parts of the globe and all sorts
cover lies in the cold GREY metal shelf and its
of backgrounds. An organism equipped with the
relation with a 40 years old beautiful wood ruler.
tools, the minds and the infrastructures, for the
As if on those moments I am painting, I take into
development of new ideas and creative solutions
serious consideration each detail; color, texture,
for the future.
light, function and the geometrical position of
The GREEN / GREY CITY theme of this year’s THIS
each item.
IS MY CITY is the starting point for the discussion
Looking to my House as a CITY I tend to colorize
of the creative, economic, artistic, philosophic
my obsession as GREEN as I find in Nature a
and ecologic relation we have with the world from
similar proportion accuracy.
local to global point of view.
In some areas of Macau I define them as GREY, as they are chaotic, dirty and not obliged to the
Vasco Bismarck
same mathematical precision I use in my house.
The dichotomy between two colours can result
Nonetheless what most astonishes me is the fact
in different visual perceptions of an image, an
that I find on both an amazing aesthetic richness.
object or in the sense with get.
Those are the GREY / GREEN aesthetics.
As commonly defined, green colour mainly symbolizes hope and growth, and is regularly also
38
JUL 09 / Albergue Creative Lab / 澳門望德堂區瘋堂斜巷
城市觀光 [工作坊] CITY TOUR [work shop] by Mónica Carriço (Pek.lx)
Alice Kok (Mo)
Bert De Muynck (Pek.be)
Yve Sonolet (Mo.paris)
Nuno Soares (Mo.lx)
Gilberto Estorninho (Mo) Benjamin Hodges (Mo.usa)
現場表演（聲音及錄像）
Rita Portugal (Mo.lx)
LIVE PERFORMACE
Tiago Pereira (Mo.lx)
[sound performance and video] by DEAD J (PEK)
Afonso Pessanha (Mo.lx)
Chen Xiong Wei (Pek)
Patricia Rosário (Mo)
Cedric Maridet (Hk.fr)
photo illustration © movingcities
城市全景圓桌座談 城市全景展覽
URBAN PANORAMA ROUND TABLE
URBAN PANORAMA EXHIBITION
by Bert De Muynck (PEK.BE)
by Mónica Carriço (Pek.lx)
Nuno Soares (Mo.lx)
Bert De Muynck (Pek.be)
James Chu (Mo)
Nuno Soares (Mo.lx)
Isabel Castro (Mo.lx)
Filipa Simões (Mo.lx)
Carlos Marreiros (Mo)
Sara Pereira (Mo.lx)
Nuno Soares (Mo.lx)
Barbara Bruxo (Mo.lx) Henrique Carvalho (Mo.LX)
2 0 0 9 年 7 月
40
城市全景工作坊--「澳門建築輪廓研 究」 – 我的城市，我的輪廓 由「移動城市」[伯德孟+莫妮卡‧卡瑞 蘇] 與 Nuno Soares 聯合帶領 參與者在為期兩天的工作坊中探索了澳 門的城市景觀，檢視澳門人心目中的城 市形象與視覺素質的關係，在過程中走 遍樓頂和名勝點作實地考察，從城內解 讀澳門，特別注視城市輪廓中的三個元 素（身份、結構和意義），辨識出城中 的陸標和新建築的地貌。整個工作坊的 目的，是要藉著實驗性的研究和設計， 瞭解新的建築方法會為城市帶來哪些 可能性；另亦解讀城市的現況，投入不 同的揣摩和設計，進而改變、強化、討 論澳門的城市特徵，而大家就連串城市 輪廓的視覺變革，想出種種「假如…會 怎麼樣」的景象。城市輪廓不如大眾想 像般固定且單一，都市環境並非一個穩 定的個體，亦不可單從一個角度瞭解， 城市的形象往往取決於多重的景觀。工 作坊的成員從這小城裡各具特色的樓頂
到其他名勝點，探視澳門的都市輪廓面 貌，觀看的方式從城內出發，並非城 外，這樣如何形塑各人對城市的認知？ 特出的建築物如何支配著整個景觀，成 為一個依據點？都市設計的其中一個基 礎就是分析建築的形體結構以及其形 響。參與者認識到結構在創建城市形象 中所扮演的角色，在一番研調設計後分 享他們對澳門未來發展的預視和發現。 我的城市(TIMC) 09 I 形象 by 移動城市 如何在僅僅兩天內瞭解澳門小城和作出 對應？我們在TIMC嘗試了一個新方法： 從不同的樓頂上體會整個城市。在澳門 這個小島，遊客駐足的時間不長，而本 地人也走不遠。即使如此，小城的多元 化面貌叫人意想不到，TIMC讓大家一瞥 城中日常生活中的不同沖揱、浮華的賭 場建築結構以及其中的生命力、交通和 活動等。TIMC09是一項互動實驗：設想 城市的未來的可能性，和此地居民的現 實生活。
「…一種新的策略去 「…參與搜集城市影 閱讀這座城市以及 像的建構…」 其種種經歷…」 “...participating “...a new strategy to read the city and its experiences...”
on the construction of a collective image of the city...”
Bert De Munick, movingcities.org
Nuno Soares, Architect/Urbanist
URBAN PANORAMA WORKSHOP * Macau Skyline
a unique set of locations, from atop rooftops to
Architectural Research * This is my City, this is
other vista points, the workshop investigates
my Skyline
what a series of skylines tell about Macau’s
by MovingCities [Bert de Muynck+Mónica
urban complexion. What can be read in its
Carriço] in collaboration with Nuno Soares
horizon, not from outside the city, but from
A two-day workshop explores Macau’s urban
within, and how does this shape the
landscape by investigating the relation between
understanding of the city? How do singled-out
the visual quality and the mental image of the
architectures dominate the view and act as point
city which is held by its citizens. Using strategies
of references? The analysis and effects
of experimental and empirical field research
of physical and perceptible architectural
along Macau’s rooftops and sightseeing spots,
constructions are one of the foundations for city
a parcour will form the set-up for an intensified
design. The workshop uncovers the role of form
collaborative design workshop. By reading Macau
in the creation of the city’s image. Investigating
“from within” its territory, landmarks and new
in research and design the shifting perception of
building geographies will be identified, laying
architectural forms, the participants will bring
focus on three components of the city’s skyline
their findings and speculation in relation with the
(character, structure, and meaning). Through
future development of Macau.
research and design this workshop’s main objective is to understand the potentialities of
TIMC 09 | impression by MovingCities
bringing new types of architectural approaches
How to appropriate, understand and react upon
onto its territory, by reading and interpreting
a city in barely two days? For TIMC09 we tested a
the current state and by projecting speculative
new formula and showed the city as experienced
designs, so to transform, strengthen and discuss
from above, from different rooftops. Macau is an
its urban features. The expected outcome will be
island condition where tourists do not stay for too
a “what if” scenario based on a series of optical
long and locals do not to travel to far. Even so,
transformations of Macau’s skyline. Contrary to
it is incredibly diverse; TIMC 09 gave us the
common belief, a city does not have one fixed
opportunity to catch a glimpse of the clash
and single skyline, as the urban environment is
between daily life chaos, the slick gaming
not a stable entity that can be solely understood
structures and the life, traffic and movement in-
from one viewpoint only. A myriad of perspectives
between all of these. TIMC09 was an experiment
determines its image. By exploring Macau from
in interaction: with a possible future of the city and the reality of its residents.
「…我深愛我的城 市！我想做些事情 去改變它！…」
「…一座有潛力去重 塑自己的城市…」
“... I love my city! I want to do something to change it!...”
“...a city that has the potential to re-invent itself...”
James Chu, Artist
Bert De Munick, movingcities.org
42
MAY 08 / Albergue Creative Lab / 澳門望德堂區瘋堂斜巷
2 0 0 8 年 5 月
BUDA BOXING [music and performance] by FM3 Budda Machine (PEK)
「…十分震堪人心 的一場音樂演出！ 很好的安排，座無 虛席，並且在如此 美麗且帶有歷史味 道的地方，叫人難 忘！…」
photo © Rita Ferreira
“...an amazing gig in a strikingly beautiful vintage venue. well organised, well attended and well remembered!”...”
WALKERS, 2007 [movie] by Luis Campo Brás (LX) FAULT ME NOT, 2008 [movie] by Jordan Cheng (MO) [混音 sound beats and grooves] by DJ Bismark (MO.PORTO) Ray Grandlund (MO.TEXAS) CREATIVE LAB AND SHOP OPENING by Lineslab
「…這是我的城市， 這是我的國家…」 “...this is my city, this is my little nation...” 馬若龍，建築師
FM3 - Zhang Jian and Christiaan Virant
Carlos Marreiros, Architect
44
pthoto © Manuel CS
MAY 08 / Lines Lab
我的城市07.1
我的城市07.2
TIMC 07.1
TIMC 07.2
[混音 sound beats and grooves]
[混音 sound beats and grooves]
by DJ BISMARK (MO.OP)
by DJ BISMARK (MO.OP)
LOOPS [錄像 video]
É TARDE... IT’S LATE [錄像 video doc]
by FUSA MIRACLE (LX.MO)
by LUIS CAMPO BRÁS (LX)
X [產品設計 product design]
CUT BAGS | S.A.R. IDENTITY
by LINES LAB (MO.LX)
[產品設計 product design] by LINES LAB (MO.LX)
2 0 0 7 年 1 2 月
Rui Calรงada Bastos Mirror Suitcase Man #1, 2004 Lambda Print, 110 X 85 cm Courtesy of the artist
46
2007年06月 Jun 2007 @ MACAU TOWER_MACAU APPAREL WEEK [時裝設計 fashion] by Lines Lab (MO.LX) +853.1
[產品設計 product design] by C. Wai (MO)
2007年05月
Nuno Soares (MO.LX)
MAY 2007
João Ó (MO.LX)
@ LINES LAB
John Tsui (MO)
DERMA BAG [產品設計 product design] by
Manuel C S (MO.LX)
Lines Lab
Rui Leão (MO.LX)
THE MIRROR SUITCASE MAN [錄像 video]
Aser But (MO)
by Rui Calçada Bastos
[平面設計 graphic design] by Derek Lao (MO) Henry Chan (MO)
2007年05月
Nuno Calçada Bastos (MO.LX)
MAY 2007
[珠寶設計 jewellery design] by Karen Lee (MO)
@ BLOOM
[音樂 music] by ENSEMBLE MACAU XXI (MO)
WITER, 2003 [錄像 video] by Ulf Aminde (BRLN) SOME SPACE 1/2 [錄像 video] by Sergio Belinchon (BRLN)
+853.3
HAND JOB [錄像 video] by Herman Chong (BRLN)
澳門產品設計師
PURE LIGHT [錄像 video] by Nuno Cera (NY)
SOAR OF MACAU
TAKE OFF [錄像 video] by Noé Sendas (BRLN)
macau product designers
O FUGITIVO [錄像 video] by José Drummond (MO) PULSE [錄像 video] by Juan Rayos (SPN)
2007年10月
SOUND & VIDEO GAMBLERS @ MOULIN ROUGE
OCT 2007
DJ D’Mond (MO)
@ VENETIAN MACAO
Paulo Matosinhos (LX)
CONVENTION AND EXHIBITION CENTER
FEB, 2003 [錄像 video] by Jung-Chul Hur (BKK)
Swing Cheang (MO) Nuno Soares (MO.LX) John Tsui (MO)
+853.2
Aser But (MO)
澳門歷史城區 世界文化遺產產品時裝展
Derek Lao (MO)
HISTORIC CENTER OF MACAU
Manuel C S (MO.LX)
world heritage products fashion show
Rui Leão (MO.LX)
Henry Chan (MO)
主辦 / Main Organizer +853 文化協會/Cultural Association +853 合作機構 / Institutional Partner 澳門特別行政區政府文化局 /
Instituto
Cultural
協辦 / Co-Organizers 澳門仁慈堂婆仔屋 /
Albergue SCM
Oficinas do Convento Associação Cultural de Arte
48
e Comunicação (Montemor-o-Novo, Portugal)
聖若瑟大學 / University of Saint Joseph 澳門旅遊塔會展娛樂中心 / Macau Tower Leds & Chips
創意概念 / Original Concept 畢焜 / Clara Brito 思銘諾 / Manuel Correia da Silva Vasco Bismark
策展人 / Curators 畢焜 / Clara Brito 思銘諾 / Manuel Correia da Silva Vasco Bismark
受邀藝術家 /
Invited Artists
Catarina Lopes Alves
陳慧雯 / Crystal W M Chan 邵彥棚 / Dead J 王萌 / Dora S Hugo Pinto
陳嘉強 / Chan Ka Keong 實驗．線 / Lines Lab
刊物編輯 / MAG Editor 思銘諾 / Manuel Correia da Silva
Maurício Martins
Manuel Bravo
彭韞 /
Peng Yun
Rui Farinha
翻譯 /
Tiago Fróis
Becky Chan Wai
Yves Sanolet
陳慧雯/
Translations Crystal Wai Man Chan
PROMPT, Editorial Services
製作人員 /
Production Team
鍾思源 /
Siun Chong
監製 / Production Managers 畢焜 / Clara Brito 思銘諾 / Manuel Correia da Silva
印刷/
協製人員 /
Icon Communications
Printing
Burgundy Workshop
現場攝製/ Production Coordinators
Video Report Coverage
Vanessa Pimentel
音響 /
Manuel Bravo
Audio, Lights and Projection Equipment
Venus
協製助理 / Production Assistants 陳慧雯/ Crystal Wai Man Chan 蕭啟東 / Calvin Sio 設計 /
Communication Design
Nuno Luz
錄像宣傳監製 /
Promotion Video Director
Vanessa Pimentel
刊物文案
/
MAG Copywriter
Carlos José Picassinos
Audio and Lightning Engineering Company, Lda
主辦 / Main Organizer
贊助 /
Supporters
合作機構 / Institutional Partner
協辦 /
Co-Organizers
制作 /
Produced by
合作媒體 /
Media Partners