JOURNEY - PIPPIN DRYSDALE & YINJAA-BARNI ARTISTS

Page 1

JOURNEY PIPPIN DRYSDALE & YINJAA-BARNI ARTISTS

Linton & Kay Galleries, Perth, Australia

October 2022

JOURNEY PIPPIN DRYSDALE & YINJAA-BARNI ARTISTS

“Australia” says Pippin Drysdale, “is considered ‘young’ in many ways but the truth is that its culture is amongst the oldest in the world. I endeavour to reflect this through my three dimensional porcelain creations, each one inspired by our bare and bleak continent and the first nations that have called it home for so long.”

Pippin works intuitively, driven by her passion to create, drawing on assimilated experiences of place, topography, of remote communities, of changing light, flora or fauna, that give rise to her abstract interpretations. Her ceramics are world-renowned as reflections of the famous Kimberley and Pilbara regions, many echoing the ‘vastness’ of place while others explore the ‘smallness’ of things. “Light,” says Pippin, “can make the most imposing edifices appear soft, ghostly, fragmented. Light governs my reactions to the everyday making memories re surface, metaphorically taking me from a sunrise in the desert to early spring in the Pilbara or the majesty of our galaxy in the night sky.”

Some collections in Journey echo the topography and colours of the banded iron formations of Karijini that date back to the archaic epoch of our planet. Others result from a fleeting glimpse of a dragonfly. But in each case her response is captured on the interiors and exteriors of the collections: marbles with finely incised and coloured lines, vessels with interiors of intense colour that are hypnotic and breathtaking, perfectly describing mood, time, and memory.

For 45 years Pippin Drysdale has worked from her ordered studio in Fremantle, Western Australia, with a collaborative team, especially her thrower, Warrick Palmateer, a superb ceramic artist in his own right.

Her participation in major international art shows including TEFAF Maastricht and New York, PAD Design Fair, London, Masterpiece London Art Fair and the Salon of Art and Design, New York has brought her work to a wide number of collectors. The Duke of Devonshire has acquired significant works by Drysdale for the Chatsworth Collection, and she is represented in over 60 public and corporate collections around the world.

Drysdale is excited to exhibit with artists from Yinjaa Barni Arts, including Maudie Jerrold, Allery Sandy, Marlene Harold and Melissa Sandy.

At 79, Pippin Drysdale’s creative energy burns as brightly as ever. Each day sees her creating new works, experimenting with colours, dependent on the complexities of porcelain and the vagaries of the kiln, counting every trial a success, and still learning as much from the triumphs as the failures.

JOURNEY – OCTOBER 2022

PIPPIN DRYSDALE

Above:

Pippin Drysdale and long time thrower, Warrick Palmateer, in her ordered studio in Fremantle.

Right:

Two installations by Drysdale currently on exhibition at Chatsworth in the exhibition ‘Living With Art That We Love’, presented by the Duke and Duchess of Devonshire.

PIPPIN DRYSDALE

ABBREVIATED BIO*

Pippin Drysdale is revered as Australia’s most internationally successful ceramicist, her work held in over 60 public and corporate collections around the world and major museums including the Victoria and Albert Museum and the Chatsworth Collections, counting more than 450 exhibitions nationally and internationally and more than 60 solo shows.

1943 born Melbourne

1982 Diploma in Advanced Ceramics, Western Australian School of Art and Design

1982 Anderson Ranch, Colorado, USA studied with influential artist potters Daniel Rhodes and Toshiko Takaesu

1985 graduated with Bachelor of Art (Fine Art) (WAIT) now Curtin University

1987 2007 numerous Australia Council for the Arts grants

1992 ArtsWA Travel Grant secured study tour to Central Australia

Significant current Group Exhibitions:

2022 Living with The Art We Love, Duke and Duchess of Devonshire, The Chatsworth Collections, Derbyshire, UK;

National Touring Exhibition SIXTY: The Journal of Australian Ceramics Sixtieth Anniversary 1962 2022

Woollahra Small Sculpture Prize 2022 Sydney

Joanna Bird Contemporary Collections @ COLLECT, London, UK

Awards:

2020 Honorary Doctorate of the Arts from Curtin University

2015 State Living Treasure Award by the Western Australian Government

2011 Artsource Lifetime Achievement Award

2007 Master of Australian Craft

Drysdale has been honoured with two retrospective exhibitions at John Curtin Gallery, Lines of Sight in 2007 and Confluence in 2018

Drysdale is represented by Linton & Kay Galleries, Perth, Adrian Sassoon, London, Joanna Bird, London, Sabbia Gallery, Sydney, Australian Galleries, Melbourne and Mobilia Gallery, Cambridge, MA.

Journey is her third exhibition at Linton & Kay Galleries

* For a copy of Pippin Drysdale’s full CV, please email info@lintonandkay.com.au

Pippin Drysdale DRAGON STONE, PILBARA, EARLY SPRING COLLECTION #2131 BKA Series II & III 2022 Complete set of 6 porcelain marbles and vessels 29h – 7h cm A014 881 930 A033 A035 A034 NO. MEDIUM H D(cm) 930 Porcelain vessel incised with coloured glazes 19 15 A035 Porcelain vessel incised with coloured glazes 29 17 881 Porcelain marble 24 19 A033 Porcelain marble 8 7 A014 Porcelain marble 7 8.5 A034 Porcelain vessel incised with coloured glazes 17 15.5
1080 A031 857 866 A026 1019913 A027 NO. MEDIUM H D(cm) 1019 Porcelain marble incised lines 18 14 913 Porcelain marble 8 7.5 1080 Porcelain vessel incised lines 17.5 15 866 Porcelain vessel incised lines 27 19 857 Porcelain vessel incised lines 17 11 A027 Porcelain marble 8 9.5 A026 Porcelain vessel incised lines 13.5 10 A031 Porcelain marble 9 8 Pippin Drysdale FIRST RAINS, GEIKE GORGE COLLECTION #2119 BKA Series II & III 2022 Complete set of 8 porcelain marbles and vessels 27h – 8h cm
Pippin Drysdale BANDED IRON, KARIJINI 1 COLLECTION #2142 BKA Series III 2022 Complete set of 7 porcelain marbles and vessels 24h – 9h cm NO. MEDIUM H D(cm) 1112 Porcelain marble incised lines 9 12 1108 Porcelain vessel incised lines 20 15.5 A040 Porcelain vessel incised lines 24 17 1110 Porcelain marble incised lines 11 14.5 1107 Porcelain vessel incised lines 18.5 14 1072 Porcelain marble 10 8 1113 Porcelain marble 13.5 11 1112 1108 A040 1110 1107 1072 1113
Pippin Drysdale BANDED IRON, KARIJINI 2 COLLECTION #2125 BKA Series II & III 2022 Complete set of 7 porcelain marbles and vessels 22h – 6.5h cm NO. MEDIUM H D(cm) 1114 Porcelain marble 6.5 9.5 1109 Porcelain marble incised lines 17 16 A032 Porcelain vessel incised lines 22 17 1106 Porcelain vessel incised lines 20.5 15 969 Porcelain marble incised lines 22 13 1111 Porcelain marble incised lines 9.5 14 1124 Porcelain marble 12.5 9 1114 1109 A032 1106 969 1111 1124
918 A036 A038 A039 A037 1016 Pippin Drysdale SUNRISE OVER THE OLGAS COLLECTION #2136 BKA Series II & III 2022 Complete set of 6 porcelain marbles and vessels 26h – 8h cm NO. MEDIUM H D(cm) 918 Porcelain marble 8.5 7 A036 Porcelain vessel incised lines 8 9 A038 Porcelain vessel incised lines 18 17 A039 Porcelain vessel incised lines 26 24 A037 Porcelain marble incised lines 18 9.5 1016 Porcelain vessel incised lines 13.5 16
1070 A016 A030 Pippin Drysdale PLEIADES CLUSTER IN THE DARKLING SKY COLLECTION #2113 BKA Series II & III 2022 Complete set of 7 porcelain marbles and vessels 29h – 7h cm NO. MEDIUM H D(cm) 1070 Porcelain marble incised lines 11.5 10 A016 Porcelain marble 8 8 A030 Porcelain vessel incised lines 19 15 992 Porcelain vessel incised lines 29 20 981 Porcelain marble incised lines 24 14 A028 Porcelain marble 8.5 8.5 A029 Porcelain vessel incised lines 12 12 992 981 A028 A029
Pippin Drysdale RED DRAGONFLY COLLECTION #2129 BKA Series II & III 2022 Complete set of 7 porcelain marbles and vessels 23h – 7h cm NO. MEDIUM H D(cm) 977 Porcelain marble 9 8 A025 Porcelain marble 11 9 941 Porcelain vessel incised lines 19 15 A023 Porcelain vessel incised lines 23 14.5 1081 Porcelain vessel incised lines 13.5 13 A024 Porcelain vessel incised lines 8.5 8.5 1082 Porcelain marble 7 11 977 A025 941 A023 1081 A024 1082
A044 A045 A043 825 A042 A041 886 927 Pippin Drysdale LITTLE GEMS COLLECTION #2144 BKA Series II & III 2022 Complete set of 8 porcelain marbles and vessels 9.5h – 7h cm NO. MEDIUM H D(cm) A044 Porcelain vessel incised lines 8 8 A045 Porcelain vessel incised lines 7.5 10 A043 Porcelain vessel incised lines 8 8.5 825 Porcelain marble 7 6 A042 Porcelain vessel incised lines 8 9 A041 Porcelain vessel incised lines 9.5 11 886 Porcelain marble 8 8 927 Porcelain marble 7 6
Pippin Drysdale WANING SKY BKA Series II & III 2022 Pippin Drysdale JINGLE TREE BKA Series II & III 2022 1084 946 NO. MEDIUM H D(cm) 1084 Porcelain vessel incised lines 25.5 22 946 Porcelain vessel incised lines with coloured glazes 23 21.5

Pippin Drysdale

TRACINGS OF TIME BKA Series II & III 2022 NO. MEDIUM H D(cm) A044 Porcelain platter incised lines 12 52 A044

YINJAA-BARNI ARTISTS

Yinjaa-Barni Art is a not-for-profit Aboriginal Corporation based in Roebourne, working as a collective of Aboriginal artists who predominantly belong to the Yindjibarndi language group. The Yinjaa-Barni artists are known for their deeply personal works of collective memory, rendering the wildflowers, river systems and landforms of their country onto canvas. “Yinjaa Barni is working together, doing things together, you know, it doesn’t matter who you are, where you come from, at least your heart is in painting, and working together. We like to keep that spirit going, YinjaaBarni, you know and it’s always working together.” Allery Sandy, artist

Maudie Jerrold

Language: Yindjibarndi Country: Millstream Tablelands

A Yindjibarndi elder and founding member of one of the region's first art groups, Bujinhurrba, Maudie Jerrold is part of the backbone of Pilbara Aboriginal art. Born in Hooley Creek near Wittenoom and raised in Roebourne, Maudie has witnessed and helped guide her community through dramatic lifestyle changes.

Maudie's colourful and intricately patterned artwork relates to the landscapes of Yindjibarndi and Ngarluma Country of the Pilbara, paying specific attention to the flora of the area and often depicting plants or flowers that have a medicinal or ceremonial purpose.

Language: Yindjibarndi Country: Millstream Tablelands

“According to Yindjibarndi law, in the beginning the sky was very low. When the creation spirits, Marrga (The Spirit God of The Land), arose from the ground they raised the sky and the world out of the ocean. This creation story is called Ngurra Nyujunnggamu (When the World was Soft). The Marrga (The Spirit God of The Land) gave names and form to the country and then to all the birds and animals. Finally, they created the Ngardangarli (Aboriginal people). This is a dreamtime story handed down by our ancestors.”

Marlene Harold, artist

YINJAA-BARNI ARTISTS

YINJAA-BARNI ARTISTS

Language: Yindjibarndi Country: Millstream Tablelands

An accomplished painter, educator, performer and community leader, Allery Sandy is a Yindjibarndi artist from Roebourne. Her distinguishing aerial perspectives typically celebrate the wildflowers, creeks, rivers, and bush foods of her Country.

Allery's artworks build on underpainting with sponge and brush work, creating a layer of fine dot work, and crafting a sense of movement and depth of field on the canvas.

Allery Sandy

Language: Yindjibarndi Country: Millstream Tablelands

“My story of Becoming One has the most meaning to me. My Mum was indigenous, my Dad is white. I don’t agree with the constant ripping apart of the two cultures. Because I indeed believe that they work together well. We both need each other to work in this world of ours. I also paint about my Country, about the wildflowers that suffocate the Country in a beautiful way, and I paint about things that have deeper meaning for me. My arts centre is my home away from home. Surrounded by family. We thrive on each other. I think that's one of the reasons we keep going. That's why we're strong, as artists, because we help one another through.”

Melissa Sandy is a Yindjibarndi artist who was born in Port Hedland and is based in Roebourne. Melissa's mother's Country surrounds the Millstream Tablelands, while her father hails from Adelaide.

Melissa Sandy

Sandy HIDDEN CREEKS

Allery
Acrylic/texture on canvas 116 x 179 cm

Marlene Harold IN THE BEGINNING WHEN THE WORLD WAS SOFT

(A, B & C) Acrylic on canvas 188 x 43 cm

Allery Sandy MARNI

Acrylic/texture on canvas 116 x 179 cm

Sandy

Allery
PILBARA CREEKS Acrylic/texture on canvas 116 x 198 cm

Maudie Jerrold

COSSACK TIDAL FLOWS

Acrylic on canvas 120 x 180 cm

Maudie Jerrold

THE SEAGULLS AND CORMACK BIRDS Acrylic on canvas 117 x 178 cm

Melissa

Sandy BECOMING ONE (a) Acrylic on canvas 91 x 182 cm

Melissa

Sandy BECOMING ONE (b) Acrylic on canvas 91 x 182 cm

Melissa

Sandy BECOMING ONE (c) Acrylic on canvas 91 x 182 cm
Linton & Kay Galleries respectfully acknowledges the past and present traditional owners of the land on which these artworks are exhibited, the Wadjuk Noongar Aboriginal people. Drysdale ceramics photo credit: Robert Frith, Acorn Photo For all enquiries: Linton and Kay Galleries 299 Railway Road Subiaco WA 6008 +61 8 9388 3300 info@lintonandkay.com.au www.lintonandkay.com.au

Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.