Lions Daily News 2016 Isuue 7 Friday June 24

ENTERTAINMENT June 23-24

LIONS DAILY NEWS 2016 IN PRINT AND ONLINE

FRIDAY / JUNE 24 / 2016

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PUBLISHED BY BOUTIQUE EDITIONS

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CONGRATULATIONS to the J. Walter Thompson Amsterdam team for their success at the 2016 Cannes Lions Festival for their work on The Next Rembrandt

AWARDS:

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2 Grand Prix 3 1 6 3 10

Gold Lions Innovation Lion Silver Lions Bronze Lions Shortlists

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ENTERTAINMENT June 23-24

LIONS DAILY NEWS 2016 IN PRINT AND ONLINE

FRIDAY / JUNE 24 / 2016

WWW.LIONSDAILYNEWS.COM

PUBLISHED BY BOUTIQUE EDITIONS

CURTAIN UP ON LIONS ENTERTAINMENT

A SELECTION OF TODAY’S SEMINARS

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11:00 PUBLICIS GROUPE BEYOND THE BIG SCREEN: THE FUTURE OF STORYTELLING IN HOLLYWOOD 12.00 THE CANNES DEBATE WITH BAN KI-MOON, SECRETARY-GENERAL OF THE UNITED NATIONS

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13.15 72ANDSUNNY MASCULINITY TODAY: THE DRAMATIC SHIFT AND THE NEW NORMAL 14.15 ISOBAR AND UNIQLO ISOBAR PRESENTS ‘ICONS OF CREATIVITY’ WITH UNIQLO’S JOHN C JAY 15.15 BBDO HOW TO DO TERRIBLE WORK (DEBUSSY) 16.15 CANNES LIONS THE LION OF ST MARK INTERVIEW: MARCELLO SERPA (DEBUSSY)

A SELECTION OF TOMORROW’S EVENTS 11.00 DIGITASLBI THE FUTURE IS REBELLION (DEBUSSY) 11.45 M&C SAATCHI LIONS LIVE: MISFITS AND MADMEN (DEBUSSY) 12.30 BENSIMON BYRNE HOW RISK-TAKING ADS HELPED JUSTIN TRUDEAU BECOME PRIME MINISTER (DEBUSSY) 13.15 CUMMINS&PARTNERS IF BATMAN WAS AN ADMAN: WHY YOUR WEAKNESSES ARE YOUR GREATEST STRENGTHS (DEBUSSY) 14.00 MULLENLOWE GROUP THE DISRUPTIVE POWER OF SOFT POWER (DEBUSSY) 14.45 FORSMAN & BODENFORS WHO NEEDS CREATIVE DIRECTORS ANYWAY? (DEBUSSY) 15.30 CANNES LIONS CANNES LIONS 2016: THE CANNES LIONHEART AWARD INTERVIEW WITH BLAKE MYCOSKIE (DEBUSSY) 19.00 AWARDS SHOW INTEGRATED, TITANIUM, FILM CRAFT AND FILM LIONS AWARDS CEREMONY ALL SEMINARS AND EVENTS ARE IN THE LUMIÈRE THEATRE UNLESS OTHERWISE STATED

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Advertising’s ‘Big Six’ find Common Ground at Lions IN AN unprecedented step for

the global communications industry, the world’s biggest advertising and marketing groups will today put aside their differences at the Cannes Lions Festival to launch a pioneering initiative in support of the Sustainable Development Goals

(SDGs) adopted at the United Nations last year.

At the instigation of UN SecretaryGeneral Ban Ki-moon, the chief executives of Dentsu, Havas, IPG, Omnicom, Publicis and WPP will join him on stage after he finishes speaking at the Cannes Debate – traditionally a session

hosted annually by Sir Martin Sorrell – which takes place at noon in the Palais des Festivals.

United in front of their industry peers, the industry’s six most influential figures will pledge their shared commitment to deploying the power of the creative industries to TURN TO P.4

‘No algorithm’ for great content IF YOU want to learn about the

future of entertainment, you could do much worse than listen to one of its veterans — Les Moonves, CBS president and CEO. Speaking to MediaLink chairman and CEO Michael Kassan in the opening session of the first-ever Lions Entertainment, the head of the pioneering $14bn broadcaster and content creator provided an insightful assessment into how his company is making more money, despite the ongoing impact of digital disruption.

At the heart of Moonves’ strategy is an absolute belief in the impor-

Inside

CBS’ LES MOONVES

tance of content — and his own ability to identify and support a great television show. “We have a lot of data and it would be stupid not to use it,” he said. “But there is no algorithm for content. Don’t give me a number and say this show should be on the air. I don’t believe it. When you do that, my skillset is gone.”

This is not to say that Moonves is resistant to change — he just needs to be convinced it is change for the better. Speaking about CBS’ new premium paid-for OTT service, CBS All Access, which c o s t s $ 5 . 9 9 a TURN TO P.4

IONS

Entertainment, the latest addition to the Cannes Lions family of events, launched yesterday morning. Designed to encourage a deeper conversation around creativity in music, sport, TV, film and gaming, it has seen an influx of top talent share insights and ideas across three stages in Palais II. Stars on show include Channing Tatum, Mark Ronson and Martin Campbell.

Unveiling the event, Cannes Lions CEO Phil Thomas said: “In recent years, we’ve had a number of entertainment companies coming to Cannes Lions. Last year, we realised how seriously they were taking it as a platform for talking to brands so we decided to launch Lions Entertainment. We’ve been delighted with the level of engagement from the entertainment industry, which is evident in the range of companies and individuals involved with the new event.”

His comments were endorsed

by Jennifer Breithaupt, managing director of media, advertising and global entertainment at Citi, the event’s headline sponsor.

“We’re so excited to be part of this new event,” she said.

“As a brand, entertainment is critical to us because it allows us to reach and connect with consumers around the world.

We hope to be inspired by this year’s Lions Entertainment.”

The event kicked off with an insightful conversation between MediaLink CEO Michael Kassan and CBS Corporation CEO Les Moonves, one of the most far-sighted executives in the modern media business.

Moonves set the tone for the two-day event by declaring that Cannes Lions is “important for anyone in creativity, media, technology, brands and communication.

Everyone you TURN TO P.4

NEWS / THE LION OF ST. MARK / FILM SHORTLIST / FILM CRAFT SHORTLIST / TITANIUM SHORTLIST / INTEGRATED SHORTLIST / FOCUS ON SPAIN / FOCUS ON HUNGARY / FOCUS ON COMMERCIALS / FOCUS ON THE CARIBBEAN / SCREENINGS SCHEDULE

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Meet Inarritu and be ‘inspired by him’

ALEJANDRO GONZÁLEZ IÑÁRRITU: “DEALING WITH STUFF”

INTRODUCING Alejandro González Iñárritu to the Ogilvy & Inspire session yesterday, Tham Khai Meng, co-chairman and worldwide chief creative officer of Ogilvy & Mather admitted to being short of superlatives when it came to talking about the multi-award-winning film director. “’Superlative’, ‘immense’,

‘magisterial’ all seem a bit short of the mark when discussing Alejandro’s work,” he said. “But during an event where great ideas are the main currency, what we really have to do is to allow ourselves to be inspired by him, and admit the poverty of our own ideas in comparison to his. A measure of his talent is that he has won 14

Lions including a Titanium and a Grand Prix — and he didn’t even know until he arrived here this week.”

Talking about The Revenant — the frontier western starring Leonardo DiCaprio, which won the Mexican director his second Oscar in a row — Inarritu said that the film had caused him multiple problems, many of which he could not prepare for, since they involved working around nature and the weather.

“They were things we simply had to deal with because they were part of the look that I wanted to achieve,” he said.

“And then there were the fight scenes with lots of actors, which presented their own set of challenges. Basically, we were dealing with different stuff every single day, such as how to shoot a person on a horse. A horse is very big, so do you pull back?

But if you do and you do a close-up on the actor, all you see is their head bobbing up and down.”

HASBRO’S STEPHEN DAVIS (LEFT) WITH MACHINIMA’S CHAD GUTSTEIN

TRANSFORMERS REMIXED AND RE-IMAGINED

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HE FIRST-ever

public screening of clips from Transformers: Combiner Wars, the new digital-only series based on Hasbro’s iconic shape-shifting toys, was unveiled yesterday at Lions Entertainment.

The clips were from the first

part of the trilogy being produced by Machinima, the digital entertainment network aimed at video gamers, for Hasbro. It is scheduled to debut this summer on the US mobilefirst platform Go90.

“Transformers has a rich history, so we wanted to do something disruptive,” said Stephen Davis, Hasbro’s chief content officer. “Machinima was the perfect partner for us to extend that storytelling.”

Why P&G needed a word with itself T E C H N O L O G Y allows brands to do some amazing things, said Procter & Gamble (P&G) chief brand officer Marc Pritchard in his Cannes Lions session, Raising The Creative Bar. “But it’s also bringing some awful guests to the party in the shape of unwanted and uninspiring advertising.”

P&G used to be as guilty as anyone, Pritchard admitted, but decided to do something about it. “We took a look at ourselves and asked why we had fallen into the same trap as others. And we realised it was because we were creating more and more ads to try to

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cut through in the digital age.

But all we were doing was adding to the noise.”

So P&G decided to raise the bar on creativity by adopting a new three-pronged strategy that would be the key to all its brand communications.

“We focused on expressing the brand as a creative canvas; we placed greater emphasis on elevating the craft; and we embraced creativity as the human endeavour that it is,” Pritchard said.

The result of this emphasis on creativity has been a transformation in the business performance of leading P&G brands, including Pantene,

P&G’S MARC PRITCHARD

Tide, Ariel, Secret, SK-II and Always. “With a lot of our recent work, we have changed the conversation around our brands and driven their popularity to new levels,” Pritchard said. “We don’t accept mediocrity any more.”

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LIONS DAILY NEWS

See It Be It… Done It P

ARTICIPANTS in the Cannes Lions See It Be It female creative leadership programme celebrated the end of the four-day event on Wednesday night. Fourteen “high-potential creative women” joined this year’s initiative, invited to Cannes Lions for an exclusive programme of talks, jury room access and mentoring. The programme was set up three years ago in response to “the dramatic lack of female creative leaders attending Cannes”, said See It Be It Ambassador for 2016, Sarah Watson, chief strategy officer, BBH New York. “Access and exposure are a huge part of the path to leadership. If you can’t ‘see’ the sort of leader that you might become, the less likely you are to ‘be it’. The programme puts 14 handpicked future leaders, from all over the world and the industry, right into the powerful epicentre of the Cannes experience.” She added: “It is the very best of Cannes laid on exclusively for those who the industry needs most.” When the initiative began in 2014, a handful of delegates were picked through word-of-mouth; but in its first three years it has developed considerably.

“This year we had 500 applicants from all over the world,” Watson said. “The lack of female creative leadership has become much more widely acknowledged, and it is now about the speed of action and change. The See It Be It class of 2016 are only 14 but with the power of the very best of Cannes behind them, their impact will reverberate around the world.”

The See It Be It participants demonstrate their intent at a reception marking the end of the 2016 initiative. Pictured: Sarah Watson, BBH New York (left); Lucy-Anne Ronayne, Havas London; Diana Triana, JWT Colombia; Lauren Smith, TBWA\Media Arts Lab, US; Ulrike Plotniece, DDB Latvia; Carrie Dunn, 72andsunny; Natasha Romariz Maasri, O&M Brazil; Marina Cuesta, Dieste, US; and Scarlett Montanaro, Anologfolk, UK

ADVERTISING’S ‘BIG SIX’ FIND COMMON GROUND AT LIONS CONTINUED...

help address the world’s most pressing problems.

The new initiative, which is called Common Ground, will begin with a global advertising campaign, with space donated by key business and thought-leadership publications. Following the Cannes Lions International Festival of Creativity, each group will focus on amplifying a specific area of the SDGs over the

BAN KI-MOON

coming year.

Ban Ki-moon urged competing firms from other sectors to follow suit and make their own Common Ground commitments to supporting the SDGs. “Common Ground is breaking ground,” he said,

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speaking ahead of The Cannes Debate. “This initiative is not only about the advertising industry’s considerable influence in promoting the Sustainable Development Goals around the world. By putting aside their differences, these companies are also setting a powerful example for others to follow.”

In addition to the ad campaign, the ‘Big Six’ advertising and marketing ser vices groups have agreed to provide a development fund for each of the winning ideas in the Cannes Young Lions competition, which this year is devoted solely to the SDGs. These funds will be used to develop the concepts and give them the strongest possible chance of being put into practice. This is the first time the Young Lions have been given a development fund. The Big Six will also encourage other industries to find their own Common Ground.

In a joint statement, Tadashi Ishii, CEO and president of Dentsu; Yannick Bolloré, chairman and CEO of Havas; Michael Roth, chairman and

CEO of IPG; John Wren, president and CEO of Omnicom; Maurice Lévy, chairman and CEO of Publicis Groupe; and Sir Martin Sorrell, founder and CEO of WPP, said: “The Common Ground initiative recognises that the global issues the UN has identified transcend commercial rivalry.

By working in partnership to support the Sustainable Development Goals, we want to demonstrate that even fierce competitors can set aside their differences in order to serve a wider common interest. We hope others in and beyond our own business decide to do the same.”

‘NO ALGORITHM’ FOR GREAT CONTENT CONTINUED...

month, he said: “When [my team] first suggested it to me, I was Dr No. I gave them 10 reasons why it wasn’t a good idea.

But they came back with reasons why I was wrong. So now we have an extraordinary product that will showcase original series, including Star Trek.”

One of biggest reasons why Moonves would have been wary of launching an SVOD-style

CURTAIN UP ON LIONS ENTERTAINMENT CONTINUED...

LES MOONVES WITH MICHAEL KASSAN

service is the reaction of advertisers, which account for 50% of the company’s revenues.

However, he said it is crucial for everyone to embrace change: “It behoves us to work hand in hand with advertisers. But they have to change, as we have had to change. My sense is that advertisers realise this is a great new world and are adapting for all of the available platforms.”

Moonves told Lions Entertainment delegates that the TV business is adapting well to the new media landscape. He also used his session to take a swipe at the ailing movie business: “We’re kicking the film industry’s butts big time. People have been underestimating TV for decades, but we are still thriving.”

need to talk to is in Cannes this week, so I’m honoured to be here.”

The event played host to some of the international media industry’s major players — but also some of its great disruptors. On the Inspiration Stage, Hulu CEO Mike Hopkins shared the spotlight with the multitalented Mindy Kaling, with the two of them discussing the migration of Kaling’s show, The Mindy Project, from broadcast television to streaming. ZEFR, meanwhile, hosted a session during which it discussed the growing cultural significance of YouTubers.

Other companies to feature at the event included Spotify, Activision Blizzard, Sony Music, Vivendi, FremantleMedia, Maker Studios, Shazam, Mastercard and Coca-Cola.

The latter hosted a session called A Story About Survival: Content Collisions To Stay Relevant, in which Emmanuel Seuge, senior vice-president of content, talked about the different way his company is approaching the creative process.

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Vice’s advice: put trust in the next generation but don’t fear tradition Snapped

TRUST your interns if you want to build something new and unique. This was the main message from Vice founder and CEO Shane Smith at yesterday’s seminar, Making Content We Care About. The Vice-hosted session also featured filmmaker and Viceland co-president Spike Jonze.

“Every 10 years, we hand the company over to the next generation, because it means that you get something different,” Smith said. “But it also means that they don’t have muc h exper ience, which is where Spike comes in. He’s like a f inishing school for film craft, and he’s prepared to sit with these young people and help them with the scripts, the editing and all that stuff.”

Ironically, when Vice first started making TV news for young people, it was told by everyone that the young

SHANE SMITH

aren’t interested in news.

“So we started making news in our own style,” Smith said. “Then all those same

people could talk about was what we were wearing or our tattoos or that they didn’t like the hipster angle

or our attitude. But what they were missing was that what we were doing was a sort of de-stratification of the status quo. That, and the fact that we proved that young people do watch the news if you do it right.”

He admitted, however, that when Vice first started making TV content “it wasn’t visually riveting, because we were magazine people.

So we had a lot to learn.”

But that does not mean that Vice does not play by the rules when they are relevant: “We use traditional storytelling when the topic or situation demands it,” Jonze said. “But for a show like Munchies with Action Bronson, it really doesn’t need that sort of treatment.

In fact, even the editing is done in a way that suits Action’s tone and style rather than in an orthodox manner.”

Tatum takes friendly route to market

CHANNING TATUM: ‘I LOVE STORYTELLING’

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A-LIST movie actor Channing Tatum joins a trail of celebrities with the imminent launch of his own vodka brand. But, as he told delegates on Thursday, he has created an alternative identity that resonates with his own values, rather than “power and celebrity”.

The result of Tatum’s passion project is Born And Bred, a home-crafted vodka made from Idaho potatoes and the glacial waters of the Grand Teton mountains, and bred by Grand Teton Distillery. It launches in Europe next month.

“When Channing brought this to us we quickly realised that we were in a crowded market,” said Larry Vincent, chief branding officer of United Talent Agency. “Our mission was to stay authentic to Tatum’s vision and tell a less formal story of a drink that friends could share

together. It wasn’t a brand for contrived environments.”

Vincent said that the whiskey brands, such as Jack Daniel’s, are much more successful at harnessing the power of storytelling to create a strong brand attachment than vodka brands.

Hands-on in the creative process, Tatum created a strapline for Born And Bred — ‘Cross my heart and hope for mischief’ — and selected the jackalope, a mythical animal of North American folklore, to represent the product.

“I wanted our storytelling to represent what I do,” Tatum said. “I go to the woods and friend’s houses — I’m not really in the clubs. And I love storytelling. So, for me, it was about creating an identifiable world. I want to do this differently and create a community of real friends.”

YOUTUBE launches its Brand Partner Program to train ad agencies and their clients on how to use its digital tools to create high-end video content.

Kelly Merryman, vicepresident of YouTube content partnerships, said: “Watching videos is the number-three thing we do after work and sleep. We’ll be able to train agencies on the fundamentals of video production to crack the top-10 videos [in terms of views and subscriptions].”

Snapped

MIRNA Bucevic, producer and head of RED Production’s Zagreb office, is in Cannes to promote Croatia as a country “with Mediterranean hedonism but Germanic efficiencies”.

She said: “We have a beautiful country with professional crews, a variety of actors, and great production values on a reasonable budget. We’ve been involved in advertising production and post-production in Central and South-East Europe since 2003, but we are keen to attract more film productions with Croatia’s 20% incentive.”

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How Droga became Plank’s knight in shining armour

UNDER ARMOUR’S KEVIN PLANK (LEFT) WITH DROGA5’S DAVID DROGA

YOU’VE seen its award-winning ad featuring the kickboxing supermodel Gisele Bündchen, which was part of the trailer for the Matt Damon movie The Martian. And it is here at the Cannes Lions International Festival of Creativity to tell us: “Brands, brands, brands; everything comes down to brands.”

The company is Under Armour (UA), arguably the most innovative sports-apparel brand on the market. Everyone from athletes to entertainment celebrities want to be seen wearing its tech-centric sports gear. But founder and CEO Kevin Plank disclosed yesterday that, without advertising and a very trusted agency, his company

would not be where it is today: a former start-up that is on track to be a $5bn company by the end of this year.

Plank and David Droga, creative chairman and founder of Droga5 — UA’s global agency of record — were on stage to discuss how the client/agency dynamic is key to any growing global business.

“A brand’s mission is to give you things you never thought you needed and, once you have them, you wonder how you ever lived without them,” Plank said. “Brands have to be part of your business. You can’t be creative just for the sake of it.

The most important thing is how to articulate and execute that message.”

He added that Droga5’s efforts to understand the UA brand has been essential to the company’s growth.

Explaining why his agency enjoyed working with UA, Droga said: “How many brands have a point of view that authentically goes all the way through its products?”

But the real hard work began the moment UA entrusted Droga5 with its brand’s future, he added: “The most intimidating thing a client can do is to trust its agency. But I personally like that pressure. As the agency, when someone gives you that leeway, make sure you do the right thing by them.”

Comedy isn’t always a laugh THERE IS always a risk when you give three talented comedians a topic to talk about that they will digress. So it was with McCann Worldgroup and The Paley Center for Media’s session Creativity Is The Only Way To Survive, which featured Rashida Jones, Keegan-Michael Key and Rob Delaney.

But while the session did not exactly deliver against its title, it more than made up for this with a series of frank and amusing insights into the nature of creativity and comedy. One big discussion point was how to get the balance right between your personal vision and the audience’s expectations. Jones, known for Parks And Recreation, said there is such a demand for content that it is sometimes

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difficult to keep sight of where your creativity springs from: “So I really believe in having a safe place where you can just go and be creative, where you play and be dumb and don’t worry about the outcome.”

Key, star of the Comedy Central sketch series Key & Peele, agreed, but stressed the importance of also having a sounding board — friends or colleagues who can tell you “when what you are doing is too esoteric”.

This segued into a debate about the importance of owning your creativity, but being able to listen. Delaney said: “With Catastrophe [the Channel 4 UK sitcom that Delaney co-creates with Sharon Horgan], I had this fear of becoming this walled off-guy who wouldn’t listen. So

KEEGAN-MICHAEL KEY

I’m a real believer in humility.”

The debate then turned to an insightful discussion about diversity, with Key saying diversity leads to more layered sto-

RASHIDA JONES

ries. “We’re all wearing blinders of bias that we don’t know we are wearing,” he said. “That’s why we need to hire people from different cultures.”

SAATCHI & SAATCHI’S NEW DIRECTORS’ SHOWCASE 2016

SHOWCASE AUDIENCE GETS LIVE TURING TEST

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NARRATOR in an endless corridor introduced the impending, inseparable nature of art and artificial intelligence (AI) in Saatchi & Saatchi’s New Directors’ Showcase (NDS) yesterday.

The NDS reel concealed one ‘homespun’ AI film among the selection of new ground-breaking talent.

Challenging the audience to guess the ‘imposter’ in a version of a Turing Test, Saatchi posed an uncomfortable question: what if machines could do with creativity what you could do? Nineteen directors were featured on the reel, including Uri Lotan and Yoav Shtibelman’s cartoon world for Jane Bordeaux’s track Ma’agalim, Jake Dypka’s Embarrassed collaboration with UK poet Hollie McNish about the daily battle for breastfeeding mothers and Studio Smack’s official music video for De Staat’s Witch Doctor.

The AI-directed film was revealed online as M83 Go following the NDS. The music video was psychedelic in style and featured holographic effects. “We wanted to see if AI has the power to reach our creative standards,” said Saatchi’s Andy Gulliman, the NDS creator and producer. “I don’t want people to feel threatened but rather to look together at how we might work with AI and be supported by innovation.”

Saatchi’s bold AI experiment brought together the tech and creative talent of Team One and Zoic Labs. Fittingly, the AI film debuted on the birthday of AI pioneer Alan Turing, who once said: “Those who can imagine anything, can create the impossible.”

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REVEALING THE TRUTH

BLACKWOODSEVEN.COM COPENHAGEN · MUNICH · LOS ANGELES · NEW YORK · LONDON · BARCELONA

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‘INVESTING WORKS. YOU CAN’T CUT YOUR WAY TO PROSPERITY’ IN THE countdown to today’s EU referendum result, WPP founder and CEO Sir Martin Sorrell was prepared to stick his neck out (“and probably get my head chopped off…”) that the Remain campaign would win the day.

“My view is that we’ll see a small majority for Remain — I’ll take a guess and say about 53% to 47%,” he said. “But it’s been a very difficult campaign and there’s been no killer proponent one way or the other; no killer debate or killer series of facts. I think Remain, which I favour personally, has focused too much on the economy rather than the emotional issues of sovereignty and immigration, which Leave has exploited mercilessly.”

As a second-generation immigrant — his grandparents came to the UK from Eastern Europe — Sorrell is a strong believer in the positive impact of immigration on innovation and entrepreneurialism: “Immigrants add to the economy. I don’t believe they detract from it. And I don’t believe isolationism works: it’s better to be inside the tent than outside it. Britain in Europe is going to grow faster than Britain outside Europe, and not just in the short or medium term. I think that’s a definite.”

Back at the Lions and today is a ground-breaking one on the Cannes stage. Sorrell is participating in one of the week’s centrepiece events, The Cannes Debate, which this year brings together the advertising industry’s Big Six at the invitation of UN Secretary-General Ban Ki-moon to pledge their collective support for sustainable development goals (see front page).

Despite strong currency headwinds and a low-growth, cost-focused advertising market, WPP turned

in another record-breaking performance in 2015, posting pre-tax profits of £1.49bn, up 2.8% on 2014. So how did they do it?

“With difficulty,” Sorrell admitted.

“I don’t want to be negative, but it’s a world that’s not growing as fast as people would like. It’s a world where there’s very little inflation and limited pricing power for clients and therefore a focus on costs. It’s a world where there are disruptors, where there are zero-based cost budgeters, where there are activist investors.

And it’s a world where the average life expectancy of a CEO is about six or seven years and a CMO three or four years, which means you almost have a political cycle, with people making decisions based on how long their view is. So yes, it’s a difficult environment.”

Citing the 2016 BrandZ report into the world’s top-100 most valuable brands, which WPP and the Financial Times have compiled for the last 11 years, Sorrell said it is clear that “companies that innovate and invest in brands grow their top line faster. So investing works and shows that you can’t cut your way to prosperity. What really makes the difference in the longer term is investing in innovation.”

WPP’s response has been to identify “those parts of the world geographically and functionally” that have been expanding the furthest and fastest. Geographically, the Next Eleven economies, which are

“growing faster than the mature markets of the US and Western Europe”, are a focus. On the functional side, WPP’s media and digital businesses have been the strongest performers.

While Sorrell is not expecting much to change in 2016, he also sees no real cause for pessimism: “The fundamental [global] economy is growing at about 3.0%-3.5%, which is a slight tightening from what we’ve

seen, and I think it will continue at that rate. I see no reason for an upside breakout, but nor do I see any reason for a downside breakout, meaning a recession.”

And he is also prepared to stick his neck out on another political cliff-hanger — the US election. He is putting his money on Clinton: “The most powerful thing about Hilary is that she’d be the first female US president. That will get women’s votes.”

Sir Martin Sorrell

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FRIDAY / JUNE 24 / 2016

NEWS

‘NO ONE-SIZE-FITS-ALL MODEL FOR BRANDED ENTERTAINMENT’ Branded entertainment is a big talking point at this year’s Cannes Lions International Festival of Creativity. And so it should be, writes DAMIEN MARCHI, global head of content at Havas Media Group — branded content is a relatively new area and few brands have cracked it THE CANNES Lions is launching a new Entertainment Lions category and a programme of events to discuss how brands can produce “unskippable creativity”. This comes after the Branded Content Lions were scrapped following their failure to produce any Grand Prix winners for two years in a row. The Festival guide says: “The marketing communications industry has a real problem creating branded entertainment that anyone wants to watch.” It’s true. Too many brands are looking for shortterm solutions: tie-ups with YouTube “influencers” that do little to build brand value in the long-term, celebrities who are used for instant gain and poor-quality content created in disconnected silos. Brands have to move on from simply focusing on influencers and celebrities and embrace a more rounded approach to entertainment. The good news is that marketers are starting to understand the enormity of the challenges they face in creating branded entertainment that audiences want to watch. Lego and Red Bull have been doing it well for years. Recently, PepsiCo, Mondelez and Marriott Hotels made huge commitments by launching their own in-house content studios. Marriott’s Two Bellmen movie — produced in-house — comes to mind. The commitment Marriott is making to content marketing shows a concerted attempt to combine audience-pleasing entertainment with global brand promotion. To create high-quality entertainment, brands need to consider their consumers’ lives, interests and passion points,

and to offer them things they care about. If I as a brand bring you what you need or want by informing you or entertaining you, then you will engage with me in return. That’s true for any relationship and its true for content marketing too. But developing a content strategy takes time and commitment. It requires effort and dedication to understand the stories that your brand should tell and should not tell, to find the angle through which your brand should try to express itself and to discover the topics and themes it should try to own. At Havas Media Group, we tell brands they have to become masters in three areas: 1. Everything related to owned content and platforms where the brand is talking about itself, such as website, social platforms and product packaging. This is an area that is usually managed by the marketing team.

2. Listening to consumers, engaging in conversations with them and curating those

conversations. This is managed by the PR, or social or digital departments.

3. Working with third parties to create content partnerships, whether for print, TV, film, music or native advertising on digital. This is the work of the media team.

A successful content strategy creates synergies between these three areas. So when brands

11

create a piece of content on their own platform, it needs to be a compelling enough story to provoke a third party to carry on the conversation and consumers to engage with it.

Agencies are working to help clients get to grips with this approach to branded entertainment and to find the best ways forward on what is likely to become the best way of engaging with consumers. One question is whether clients want to internalise or externalise production.

There will be no one-size-fits-all model for creating branded entertainment. Each brand will need to find the way of working that suits its own internal structure and objectives. The role of media agencies will be crucial. Every content strategy involves great creativity and equally brilliant media placement and planning. My background is in content production and marketing for FremantleMedia, working on franchises such as The X Factor, Got Talent and Idols, as well as original digital content (including launching SortedFood, the world’s second-most successful YouTube cooking channel after Jamie Oliver). I’ve seen what it takes to produce great content. Now marketers have the task of creating fantastic, crowd-pleasing entertainment that gets audiences rewarding their brands with approval and respect. That will give the Cannes crowd something to talk about and ensure the Entertainment Lions find campaigns worthy of the Grand Prix for years to come.

Damien Marchi:

“TOO MANY BRANDS ARE LOOKING FOR SHORT-TERM SOLUTIONS” D7 11+D.indd 11

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THE TEAM FROM STARCOM MEDIAVEST GROUP MILAN CELEBRATING THEIR MEDIA GOLD LION FOR ‘THE DILEMMA’, A HEINEKEN CAMPAIGN

THE INNOVATION GRAND PRIX WENT TO THE GOOGLE DEEPMIND PROJECT, DESCRIBED AS ‘ASTONISHING’

BY THE JURY. GOOGLE’S MATT BRITTIN PICKED UP THE AWARD.

ING’S ‘THE NEXT REMBRANDT’ HAS PICKED UP THREE GOLD LIONS ALREADY, AND LAST NIGHT ALSO WON TWO GRANDS PRIX FOR J. WALTER THOMPSON AMSTERDAM IN THE CYBER AND CREATIVE DATA CATEGORIES

Winners

Meet the

THE WEDNESDAY NIGHT AWARDS CEREMONY WAS KICKED OFF BY CANNES LIONS CHAIRMAN TERRY SAVAGE WHO SAID: “WE’VE SEEN GREAT SPEAKERS, GREAT WORK AND ATTENDED A FEW GREAT PARTIES, ALL PART OF THE LIONS EXPERIENCE. BUT JUST AS IMPORTANT ARE THE PASSION, THE INSPIRATION AND THE TAKE-OUT THAT ONLY AN EVENT OF THIS SCALE CAN OFFER”

EUGENE CHEONG AND PHACHARANATH FROM OGILVY & MATHER BANGKOK CELEBRATE THE MEDIA GOLD LION FOR THE AMAZING PETA CAMPAIGN ‘BEHIND THE LEATHER’

JOSH DIMARCANTONIO (LEFT) AND CHRIS RAIH OF THE US’ ZAMBEZI VENICE WITH THEIR MOBILE GOLD LION FOR STANCE’S STAR WARS SOCKS CAMPAIGN ‘SHOP WITH THE FORCE’

‘JUSTINO’, THE CAMPAIGN AND CHARACTER CREATED BY LEO BURNETT MADRID FOR THE CHRISTMAS LOTTERY WON HEARTS ALL OVER THE WORLD, AS WELL AS A CYBER GRAND PRIX

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ADI KADUSSI FROM ISRAEL’S CIRC MEDTECH WITH INNOVATION JURY PRESIDENT EMAD TAHTOUH AND HER GOLD LION FOR PREPEX, A NONSURGICAL MALE CIRCUMCISION DEVICE FOR HIV PREVENTION

THE TEAM FROM PAGES BBDO IN THE DOMINICAN REPUBLIC WITH THEIR MEDIA GOLD LION FOR THE POWERFUL LA SIRENA CAMPAIGN ‘END THE SILENCE’

THE TEAM FROM MARURI GREY IN ECUADOR WON TWO CREATIVE DATA GOLD LIONS. ONE FOR MABE’S ‘GASCALE’ AND THE OTHER FOR NATIONAL STATISTICS INSTITUTE’S ‘LIVE LOGO’

MEDIA PERSONALITY OF THE YEAR SHANE SMITH, FOUNDER OF VICE, ADMITTED TO BEING A LIFE-LONG FAN OF ADVERTISING AND HAVING BEEN BLOWN AWAY BY THE QUALITY OF THIS YEAR’S WORK

THE TEAM FROM T BRAND STUDIO WITH THE MOBILE GRAND PRIX FOR THE NEW YORK TIMES VIRTUAL REALITY CAMPAIGN

ANDREW LITTLE (LEFT) AND MICHAEL BARNFIELD OF DDB SYDNEY WITH JURY PRESIDENT MALCOLM POYNTON AND THEIR MOBILE GOLD LION FOR THE SYDNEY OPERA HOUSE CAMPAIGN ‘#COMEONIN’

THE TEAM FROM CHEIL SPAIN WON A MOBILE GOLD FOR THEIR SAMSUNG GALAXY S7 CAMPAIGN ‘SAMSUNG BLIND CAP’

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NEWS

FRIDAY / JUNE 24 / 2016

LIONS DAILY NEWS

YOU’VE GOT TO BE IN THE MOOD FOR IT

A

AXE’S RIK STRUBEL AND 72ANDSUNNY’S STEPHANIE FEENEY

MODEL AND SOCIAL ACTIVIST SHAUN ROSS

Model and activist Shaun Ross helps Axe to re-find its magic FASHION icon and social activist Shaun Ross is the new face of Axe’s global ‘Find Your Magic’ campaign. The exclusive partnership between the male-grooming brand and the world’s first male albino model was announced today following the launch of Axe’s radical new repositioning.

“The campaign is about celebrating individuality,” said Rik Strubel, Axe Global vice-president. “If you feel great in your

skin, you win. Shaun’s courageous attitude and achievements prove that guys are the best, most successful versions of themselves when they find and embrace what makes them unique.”

Strubel said that, after 20 or so years, it was clear The Axe Effect strategy had to mature as it was losing its relevance, appealing to an increasingly younger demographic. “Our ads have traditionally shown women

chasing the men who use our products,” he said. “Although our message was about boosting confidence, it was also about male conquest. Sex is so much of a commodity now in our instant world with digital hook-up services like Tinder. We wanted to distance ourselves from that and explore attractiveness in terms of embracing the power within oneself.”

72andSunny’s director of strategy, Stephanie Feeney, said it

is humbling for brands when audiences start to tune out.

“We have often talked about gender as a duality,” she said.

“It’s time for brands and marketers to have a conversation about male identity and better understand the changing role of men.”

Shaun Ross is speaking at 72andSunny’s keynote this afternoon, entitled Masculinity Today: The Dramatic Shift And The New Normal.

Dress better while getting better

STEVE MIDTTUN: “LOOK GOOD WHILE RECOVERING”

US-BASED Redwave is in Cannes to tell brand-owners in the fashion and consumerhealth sectors that its “recovery-wear” technology is the future of clothing.

The company has invented a technology that can be infused directly into fabrics to manu-

D7 14+D.indd 14

facture clothing that is not only comfortable to wear, but that is also able to accelerate the rate at which the body recovers from injury.

Redwave president and founder Steven Midttun says the tech’s application has been so impressive that his company

has clinched an agreement with Under Armour, arguably one of the biggest direct investors in sports-wearable tech today.

“Whether you’re a professional athlete, an amateur running in a 5K marathon or just a weekend warrior, if the

body has broken down and you’re suffering from chronic pain, you can still look good while recovering,” Midttun said.

The far-infrared (FIR) technology used in Redwave clothing is mixed with bioceramic material, which is known for its therapeutic benefits when used in hip-replacement surgery and dental implants. By infusing that combination into a fabric’s ink, the resulting garment is able enhance the recovery process.

Pending the appropriate regulatory approvals, Redwave’s future plans include incorporating its technology into bedding products, such as mattresses.

CCORDING to Carat Global chief strategy officer Sanjay Nazerali, we too easily forget the importance of context. “ “Context makes content meaningful,” he said.

“For example, I don’t love chocolate all the time. There are certain times of day when I enjoy it. So how can a marketing person determine when the right moment is to try to sell me some?”

Mood plays a significant role in creating context, but knowing what mood someone is in has, until recently, been pretty much impossible to second guess. Now, however, Spotify allows us to tune in to what a person is listening to. “And that, broadly speaking, can also give us an idea of what mood the listener is in,” Nazerali said. “At the least, it’s considerably more useful to a marketer than the six emoticons on Facebook.”

He added: “We already know what our brands mean, but the point at which that meaning is relevant to consumers is the tricky part. Being able to match your brand to the mood of the consumer is very powerful. As Kinsey so rightly said: ‘Marketing’s ask is to reach people at the moment of maximum influence’.”

CARAT GLOBAL’S SANJAY NAZERALI

24/06/2016 3:16 PM

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k or W e ‘ ThALWAYS LIONS DAILY NEWS

FRIDAY / JUNE 24 / 2016

LION OF ST. MARK

17

COMES FIRST’ Cannes Lions International Festival of Creativity announced in February that it will honour Marcello Serpa with the Lion Of St. Mark at this year’s Festival. The award will be the 161st time Serpa has been recognised in Cannes. GARY SMITH reports

M

ARCELLO Serpa has created numerous award winning campaigns for both Brazilian and international clients. He is Brazil’s most honoured art director, with 160 Cannes Festival Lions in his trophy cabinet — including Latin America’s first-ever Grand Prix, for the Guarana campaign in 1993. He has served on juries four times, twice as president, and during his time at AlmapBBDO the company won Agency Of The Year three times.

After success at GGK, DPZ and DM9, Serpa moved to AlmapBBDO in 1993, where together with José Luiz Madeira, they brought the agency out of deep decline and built it into one of the most successful agencies in Sao Paulo. Over two decades later, Serpa is recognised as the most awarded art director in Brazil, and his Grand Prix-winning work has included the 1993 print campaign for Guarana and the 2010 print campaign for Billboard, ‘Britney’, ‘Eminem’, ‘Marilyn’, ‘Bono’ and ‘Amy’.

When Serpa and Madeira left Almap last year, BBDO Worldwide president and CEO Andrew Robertson said: “It is simply impossible to overstate the impact and contribution that Marcello and José Luiz have had on the advertising business in Brazil, across the world, and for BBDO worldwide.” Serpa will be presented with the Lion Of St. Mark during the awards ceremony on Saturday, but many in the industry are wondering what his intentions are after that. “I’ve always

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been a surfer, so I’m going to spend a year in Hawaii riding the waves, as well as doing some painting and design work, then we’ll see what comes along after that,” he said.

Commenting on the award, Serpa admitted to having been “very surprised” by the announcement. “Of course I’m extremely happy to have been honoured in this way. I didn’t expect to receive what is, without doubt, the biggest award in the industry,” he said. “It’s like the Rock & Roll Hall Of Fame x 10, and I guess it’s as much a recognition of our contribution to the wider industry as for the work.”

Looking back across his career, Serpa said that winning his first Lion was just as much of a surprise as being awarded the Lion Of St. Mark. “The first time I won a Lion was just a massive shock, it came out of nowhere. I was 29 years-old and all I knew was that I had done the best I could, then suddenly I’m being praised by industry figures all over the world.”

Despite such an exceptional and awardstudded track record, Serpa has some clear favourites: “I’m very proud of the ‘Double Checked’ campaign for Volkswagen — where the two ticks form the VW logo — that was a very special one for me. And I’m also particularly proud to have been associated with the campaigns for Havaianas, partly because the work was good, but also because we played a part in turning a very local brand into a global one.“ So, even though he is not currently actively involved in the industry that he clearly loves, what advice would he give

Marcello Serpa in 2008, when Almap BBDO was among the 10 most awarded agencies. Photo: Lions Daily News/360Medias

to a young creative? “It’s such a very different industry to the one that I joined,” he says. “Mainly in terms of the amount of tools that are available.

Today’s creatives have a huge canvas with an amazing amount of possibilities open to them. But it’s important to stay true to the work, because that always comes first. The canvas is for later, when you’ve taken care of the important stuff.”

23/06/2016 9:37 PM

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LIONS DAILY NEWS

FRIDAY / JUNE 24 / 2016

SHORTLIST

19

FILM SAVOURY FOODS A01/012 WIENER STAMPEDE • HEINZ • HEINZ CONDIMENTS (KETCHUP VARIETY, MUSTARD, BBQ SAUCE) • ENT./AG. DAVID, MIAMI • PROD. CO. BISCUIT FILMWORKS LOS ANGELES / CUT + RUN, SANTA MONICA / THE MILL, LOS ANGELES

USA

A01/018 THE RING • POT NOODLE • BRAND • ENT./AG. LUCKY GENERALS, LONDON • PROD. CO. BLINK PRODUCTIONS LONDON

UNITED KINGDOM

A01/020 FOOD FOR MEN • STRYHNS • STRYHNS LIVERPATÉ • ENT./AG. M2FILM, ÅRHUS / ANEW, COPENHAGEN • PROD. CO. M2FILM ÅRHUS

DENMARK

SWEET FOODS & SNACKS A02/006 MARILYN • MARS CHOCOLATE NORTH AMERICA • SNICKERS • ENT./AG. BBDO, NEW YORK • PROD. CO. O POSITIVE NEW YORK

USA

A02/013 FIGURE DRAWING • MARS CHOCOLATE NORTH AMERICA • SNICKERS CRISPER • ENT./AG. BBDO, NEW YORK • PROD. CO. SMITH AND JONES LONDON

USA

A02/014 CURFEW • MARS CHOCOLATE NORTH AMERICA • SNICKERS CRISPER • ENT./AG. BBDO, NEW YORK • PROD. CO. SMITH AND JONES LONDON

USA

A02/015 ULTRASOUND • DORITOS • DORITOS • ENT./AG. CUMMINS & PARTNERS , MELBOURNE • PROD. CO. MR SMITH MELBOURNE / METHOD STUDIOS, MELBOURNE

AUSTRALIA

A02/025 CAFETERIA • GRANDMA’S COOKIES • GRANDMA’S COOKIES • ENT./AG. GOODBY SILVERSTEIN & PART., SAN FRANCIS. • PROD. CO. HUNGRY MAN LA / HUTCHCO TECHNOLOGIES, LOS ANGELES / ONE UNION RECORDING, SAN FRANCIS. / THEME CLOUD, BLUFFTON

USA

A02/026 BREAK ROOM • GRANDMA’S COOKIES • GRANDMA’S COOKIES • ENT./AG. GOODBY SILVERSTEIN & PART., SAN FRANCIS. • PROD. CO. HUNGRY MAN LA / HUTCHCO TECHNOLOGIES, LOS ANGELES / ONE UNION RECORDING, SAN FRANCIS. / THEME CLOUD, BLUFFTON

USA

A02/036 UNFAMOUS • MARS CHOCOLATE NORTH AMERICA • SNICKERS BITES • ENT./AG. BBDO, NEW YORK • PROD. CO. O POSITIVE NEW YORK / WORLD WAR SEVEN, LOS ANGELES

USA

A02/044 OJIGI • AKAGI NYUGYO CO. • ICE POPS “GARIGARIKUN” • ENT./AG. DENTSU INC. KANSAI, OSAKA • MED. AG. DENTSU EAST JAPAN, TOKYO • PROD. CO. HARUKIKAKU TOKYO

JAPAN

A02/047 PORTRAIT • WILLIAM WRIGLEY JR. COMPANY • SKITTLES • ENT./AG. DDB CHICAGO • PROD. CO. BISCUIT FILMWORKS LOS ANGELES / WHITEHOUSE POST, CHICAGO / MPC LA, SANTA MONICA

USA

A02/057 LINEUP • CON AGRA • SLIM JIM • ENT./AG. DDB SAN FRANCIS. • MED. AG. SPARK, CHICAGO • PROD. CO. RADICAL MEDIA SANTA MONICA

USA

ALCOHOLIC DRINKS A03/024 TRIP • AB INBEV • ANDES BEER • ENT./AG. DEL CAMPO SAATCHI & SAATCHI, BUENOS AIRES • PROD. CO. LANDIA BUENOS AIRES / TDL, BUENOS AIRES / PENTIMENTO COLOR GRADING, BUENOS AIRES

ARGENTINA

A03/025 PARTY • AB INBEV • ANDES BEER • ENT./AG. DEL CAMPO SAATCHI & SAATCHI, BUENOS AIRES • PROD. CO. LANDIA BUENOS AIRES / TDL, BUENOS AIRES / PENTIMENTO COLOR GRADING, BUENOS AIRES

ARGENTINA

A03/030 THE RIGHT PATH TV • DIAGEO • GUINNESS • ENT./AG. AMVBBDO, LONDON • PROD. CO. STINK LONDON

UNITED KINGDOM

A03/031 NEVER ALONE TV • DIAGEO • GUINNESS • ENT./AG. AMVBBDO, LONDON • PROD. CO. STINK LONDON

UNITED KINGDOM

A03/032 BUD LIGHT PARTY • ANHEUSER BUSCH INBEV • BUD LIGHT • ENT./AG. WIEDEN+KENNEDY, NEW YORK • PROD. CO. CAVIAR LOS ANGELES A03/051 THE CHORUS • HEINEKEN • BEER • ENT./AG. PUBLICIS ITALY, MILAN • MED. AG. STARCOM MEDIAVEST GROUP, AMSTERDAM • PROD. CO. PARTIZAN PARIS

USA ITALY

NON-ALCOHOLIC DRINKS A04/004 PUPPYMONKEYBABY • PEPSICO • MOUNTAIN DEW KICKSTART • ENT./AG. BBDO, NEW YORK • PROD. CO. SMITH AND JONES LONDON

USA

A04/047 TELEGRAPH • DR PEPPER SNAPPLE GROUP • SNAPPLE • ENT./AG. DEUTSCH LA • PROD. CO. HUNGRY MAN LOS ANGELES / MPC LA, SANTA MONICA / A52, SANTA MONICA / 740 SOUND DESIGN , LOS ANGELES

USA

A04/048 BEES • DR PEPPER SNAPPLE GROUP • SNAPPLE • ENT./AG. DEUTSCH LA • PROD. CO. HUNGRY MAN LOS ANGELES / MPC LA, SANTA MONICA / A52, SANTA MONICA / 740 SOUND DESIGN , LOS ANGELES

USA

A04/049 KING OF HEARTS • DR PEPPER SNAPPLE GROUP • SNAPPLE • ENT./AG. DEUTSCH LA • PROD. CO. HUNGRY MAN LOS ANGELES / MPC LA, SANTA MONICA / A52, SANTA MONICA / 740 SOUND DESIGN , LOS ANGELES

USA

COSMETICS & TOILETRIES A05/008 FIND YOUR MAGIC • AXE • MALE GROOMING • ENT./AG. 72ANDSUNNY AMSTERDAM • PROD. CO. DIVISION PARIS

THE NETHERLANDS

A05/019 AND SO IT BEGINS • OLD SPICE • MEN’S BODY CARE • ENT./AG. WIEDEN+KENNEDY, PORTLAND • PROD. CO. MJZ LOS ANGELES / THE MILL, LOS ANGELES

USA

A05/020 CHECKMATE • OLD SPICE • MEN’S BODY CARE • ENT./AG. WIEDEN+KENNEDY, PORTLAND • PROD. CO. MJZ LOS ANGELES / THE MILL, LOS ANGELES

USA

A05/021 TRUCE • OLD SPICE • MEN’S BODY CARE • ENT./AG. WIEDEN+KENNEDY, PORTLAND • PROD. CO. MJZ LOS ANGELES / THE MILL, LOS ANGELES

USA

A05/022 ROCKET CAR • OLD SPICE • MEN’S BODY CARE • ENT./AG. WIEDEN+KENNEDY, PORTLAND • PROD. CO. BISCUIT FILMWORKS LOS ANGELES / THE MILL, LOS ANGELES / REVOLVER/WILL O’ROURKE, SYDNEY / LIME STUDIOS, SANTA MONICA

USA

A05/023 WHALE • OLD SPICE • MEN’S BODY CARE • ENT./AG. WIEDEN+KENNEDY, PORTLAND • PROD. CO. BISCUIT FILMWORKS LOS ANGELES / THE MILL, LOS ANGELES / REVOLVER/WILL O’ROURKE, SYDNEY / LIME STUDIOS, SANTA MONICA A05/026 NOT JUST A PRETTY HAIRSTYLE • UNILEVER • AXE • ENT./AG. PONCE , BUENOS AIRES • PROD. CO. PRIMO BUENOS AIRES / ICONOCLAST, PARIS A05/029 #DADDO • PANTENE • PANTENE HAIR CARE • ENT./AG. GREY NEW YORK • MED. AG. STARCOM MEDIAVEST GROUP, NEW YORK • PROD. CO. COMMUNITY FILMS CULVER CITY

USA ARGENTINA USA

HEALTHCARE & PHARMACY A06/011 ENVY • SVENSON • HAIR TREATMENT CLINIC • ENT./AG. TAPSA | Y&R, MADRID • PROD. CO. LEE FILMS MADRID

SPAIN

A06/023 BREAK UP • SAVANT • FABROGESIC • ENT./AG. J. WALTER THOMPSON ARGENTINA, BUENOS AIRES • PROD. CO. NUNCHAKU CINE BUENOS AIRES

ARGENTINA

A06/024 MOVING • SAVANT • FABROGESIC • ENT./AG. J. WALTER THOMPSON ARGENTINA, BUENOS AIRES • PROD. CO. NUNCHAKU CINE BUENOS AIRES

ARGENTINA

ENT./AG. : ENTRANT AGENCY MED. AG. : MEDIA AGENCY PROD. CO. : PRODUCTION COMPANY

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20

FILM SHORTLIST

FRIDAY / JUNE 24 / 2016

LIONS DAILY NEWS

MISCELLANEOUS A07/002 BARBIE: IMAGINE THE POSSIBILITIES • MATTEL • BARBIE • ENT./AG. BBDO SAN FRANCIS. • MED. AG. STARCOM, CHICAGO • PROD. CO. SLIM PICTURES VENICE

USA

CLOTHING, FOOTWEAR & ACCESSORIES A08/002 I HAVE SEEN • GANT • GANT • ENT./AG. BETC, PARIS / ALTER EGO, TORONTO • PROD. CO. BANDITS PARIS / SAINTS EDITORIAL, TORONTO A08/006 WANT IT MORE • ASICS • SPORTSWEAR • ENT./AG. 180 AMSTERDAM, AMSTERDAM

FRANCE THE NETHERLANDS

A08/015 UNDER ARMOUR FLASH • UNDER ARMOUR • UNDER ARMOUR • ENT./AG. DROGA5, NEW YORK

USA

A08/017 SNOW DAY • NIKE • CLOTHING, FOOTWEAR AND ACCESSORIES • ENT./AG. WIEDEN+KENNEDY, PORTLAND • PROD. CO. BISCUIT FILMWORKS LOS ANGELES / THE MISSION, VENICE / JOINT EDITORIAL, PORTLAND

USA

A08/020 TALCUM • PACIFIC BRANDS UNDERWEAR GROUP AUSTRALIA • BONDS • ENT./AG. CLEMENGER BBDO MELBOURNE • PROD. CO. GUILTY CONTENT MELBOURNE

AUSTRALIA

A08/021 TRIM • PACIFIC BRANDS UNDERWEAR GROUP AUSTRALIA • BONDS • ENT./AG. CLEMENGER BBDO MELBOURNE • PROD. CO. GUILTY CONTENT MELBOURNE

AUSTRALIA

A08/022 SHOWER • PACIFIC BRANDS UNDERWEAR GROUP AUSTRALIA • BONDS • ENT./AG. CLEMENGER BBDO MELBOURNE • PROD. CO. GUILTY CONTENT MELBOURNE

AUSTRALIA

A08/023 FASHION TO BE FREE • DAVID DELFIN • DAVIDELFIN • ENT./AG. DDB SPAIN, MADRID • PROD. CO. GARLIC TV MADRID

SPAIN

A08/032 SHORT A GUY • NIKE • CLOTHING… • ENT./AG. WIEDEN+KENNEDY, PORTLAND • PROD. CO. IMPERIALWOODPECKER S. MONICA/JOINT EDITORIAL, PORTLAND/SAINTS LAVISUAL EFFECTS, CA/CY 3, S. MONICA/BARKING OWL, LA/LIME ST., S. MONICA/WORK EDIT., CULVER CITY

USA

A08/034 THE CONDUCTOR • NIKE • NIKE • ENT./AG. ANONYMOUS CONTENT, CULVER CITY / WIEDEN+KENNEDY, PORTLAND • PROD. CO. ANONYMOUS CONTENT CULVER CITY

USA

A08/038 LAST • NIKE • CLOTHING, FOOTWEAR AND ACCESSORIES • ENT./AG. WIEDEN+KENNEDY, PORTLAND • MED. AG. MINDSHARE, PORTLAND • PROD. CO. PARK PICTURES SANTA MONICA / A52, SANTA MONICA / WALKER, LOS ANGELES / ELEVEN SOUND, SANTA MONICA

USA

HOUSEHOLD GOODS, HOME APPLIANCES & FURNISHINGS A09/003 THE MECHANIC • RECKITT BENCKISER/ CILLIT BANG • CILLIT BANG • ENT./AG. BETC, PARIS • PROD. CO. PARTIZAN PARIS

FRANCE

A09/017 FREE THE KIDS • UNILEVER • PERSIL / OMO • ENT./AG. MULLENLOWE GROUP, LONDON • MED. AG. MINDSHARE, LONDON • PROD. CO. RSA FILMS LONDON

UNITED KINGDOM

A09/020 MONSTER STAINS • UNILEVER • PERSIL • ENT./AG. OGILVY & MATHER LONDON • MED. AG. MINDSHARE, LONDON • PROD. CO. AARDMAN ANIMATIONS BRISTOL / KODE MEDIA, LONDON

UNITED KINGDOM

A09/023 DADS#SHARETHELOAD FILM (120 SECS) • PROCTER & GAMBLE INDIA • ARIEL MATIC • ENT./AG. BBDO INDIA, MUMBAI • PROD. CO. RED ICE FILMS MUMBAI

INDIA

A09/028 CIRCLE • HENKEL • LOCTITE • ENT./AG. HEIMAT, BERLIN • PROD. CO. MARKENFILM BERLIN

GERMANY

A09/029 CONFERENCE • HENKEL • LOCTITE • ENT./AG. HEIMAT, BERLIN • PROD. CO. MARKENFILM BERLIN

GERMANY

A09/032 FIREFLY MAN • INDEPENDENT INCUBATOR • OCEDEL • ENT./AG. NITTO, TOKYO / DRILL, TOKYO • PROD. CO. GEEK PICTURES TOKYO

JAPAN

CONSUMER ELECTRONICS & TECHNOLOGY A10/001 FINGERPRINTS • GOOGLE ANDROID • ANDROID • ENT./AG. DROGA5, NEW YORK • PROD. CO. RESET SANTA MONICA / NEXUS PRODUCTIONS, LONDON

USA

A10/002 MONOTUNE • GOOGLE ANDROID • ANDROID • ENT./AG. DROGA5, NEW YORK • PROD. CO. RESET SANTA MONICA / NEXUS PRODUCTIONS, LONDON

USA

A10/007 THE STONE • CANAL+ • CANAL+ • ENT./AG. BETC, PARIS • PROD. CO. PARTIZAN PARIS / ROYAL POST, PARIS / MATHEMATIC, PARIS / TRAILER MEDIA, LONDON

FRANCE

A10/029 WATER • SAMSUNG • ELECTRONICS • ENT./AG. WIEDEN+KENNEDY, PORTLAND • PROD. CO. EPOCH FILMS LOS ANGELES, CA / ROCK PAPER SCISSORS, SANTA MONICA / THE MILL, LOS ANGELES

USA

A10/052 BY HERBERT S. • APPLE • IPHONE 6 • ENT./AG. TBWA\MEDIA ARTS LAB, LOS ANGELES • MED. AG. OMD, NEW YORK

USA

CARS & AUTOMOTIVE PRODUCTS & SERVICES A11/010 SWEARING KIDS • DAIMLER AG, SMART MBD • SMART FORFOUR • ENT./AG. BBDO GROUP GERMANY, BERLIN • PROD. CO. ANORAK BERLIN

GERMANY

A11/011 SHOCK • DAIMLER AG, SMART • SMART 453 FORFOUR • ENT./AG. BBDO GROUP GERMANY, BERLIN • PROD. CO. ANORAK BERLIN

GERMANY

A11/050 THETEST•ACURA•ACURAAUTOMOBILE SAFETY• ENT./AG. MULLENLOWE U.S.,ELSEGUNDO • MED.AG.MULLENLOWE… • PROD.CO. MULLENLOWE U.S.ELSEGUNDO/THE CORNER SHOP,S.MONICA/WORK EDITORIAL,CULVER CITY/ELECTRICTHEATRE COLLECTIVE,S.MONICA/740 SOUND DESIGN ,LA

USA

A11/051 PORTRAITS • FIAT CHRYSLER AUTOMOBILES • JEEP • ENT./AG. IRIS, NEW YORK • PROD. CO. CUTTING ROOM NEW YORK / LIGHT OF DAY, NEW YORK / NICE SHOES, NEW YORK

USA

A11/065 SHOULDERS OF GIANTS • NISSAN NORTH AMERICA • NISSAN TITAN • ENT./AG. TBWA\CHIAT\DAY, LA • PROD. CO. SMUGGLER LA, CA/ROCK PAPER SCISSORS, S. MONICA / A52, S. MONICA / MPC LA, S. MONICA / STIMMUNG, S. MONICA / BARKING OWL, LA / MARGARITA MIX, LA, CA

USA

A11/070 OPENING DOORS • VOLKSWAGEN DO BRASIL • HANDS-FREE OPEN TRUNK • ENT./AG. ALMAPBBDO, SÃO PAULO • MED. AG. ALMAPBBDO, SÃO PAULO • PROD. CO. PARANOID BR SÃO PAULO

BRAZIL

A11/085 STEPPING • HONDA • HONDA HR-V • ENT./AG. MCGARRYBOWEN, LONDON • PROD. CO. SOMESUCH LONDON

UNITED KINGDOM

A11/096 CO-WORKER • DAIMLER • MERCEDES-BENZ • ENT./AG. BBDO MEXICO • PROD. CO. CATATONIA MEXICO CITY

MEXICO

A11/097 SON’S FRIEND • DAIMLER • MERCEDES-BENZ • ENT./AG. BBDO MEXICO • PROD. CO. CATATONIA MEXICO CITY

MEXICO

A11/099 COMMANDER • AUDI OF AMERICA • R8 • ENT./AG. VENABLES BELL & PARTNERS, SAN FRANCIS. • MED. AG. MEDIACOM, LOS ANGELES • PROD. CO. MJZ LOS ANGELES / FINAL CUT, LOS ANGELES / THE MILL, LOS ANGELES

USA

A11/106 THE LONGEST CHASE • TOYOTA MOTOR SALES, USA • PRIUS • ENT./AG. SAATCHI… LA • MED. AG. SAATCHI… LA • PROD. CO. SAATCHI… LA /PARK PIC./EXILE/A52/MPC S. MONICA/SOUNDTREE MUSIC, LONDON/ELASTIC, S. MONICA/SKYWALKER SOUND, NICASIO/LIME ST., S. MONICA USA A11/120 PAPER–60 • AMERIAN HONDA MOTOR CO. • HONDA • ENT./AG. RPA, SANTA MONICA • PROD. CO. RESENT CONTENT SANTA MONICA / ROCK PAPER SCISSORS, SANTA MONICA / A52 VFX, LOS ANGELES / FACTORY , LONDON / LIME STUDIOS, SANTA MONICA USA ENT./AG. : ENTRANT AGENCY MED. AG. : MEDIA AGENCY PROD. CO. : PRODUCTION COMPANY

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RETAIL & E-COMMERCE A12/005 CLIFF • LETGO • LETGO APP • ENT./AG. CP+B, MIAMI • PROD. CO. BISCUIT FILMWORKS LOS ANGELES

USA

A12/006 ESCAPE, • LETGO • LETGO APP • ENT./AG. CP+B, MIAMI • PROD. CO. BISCUIT FILMWORKS LOS ANGELES

USA

A12/007 SPACE • LETGO • LETGO APP • ENT./AG. CP+B, MIAMI • PROD. CO. BISCUIT FILMWORKS LOS ANGELES

USA

A12/008 THE MAN ON THE MOON • JOHN LEWIS • JOHN LEWIS • ENT./AG. ADAM&EVEDDB, LONDON • MED. AG. MANNING GOTTLIEB OMD, LONDON • PROD. CO. SOMESUCH LONDON A12/009 FLY YOUR OWN WAY • FOOT LOCKER • FOOT LOCKER • ENT./AG. BBDO, NEW YORK • PROD. CO. O POSITIVE NEW YORK A12/015 SLEEPOVER • KOHL’S • KOHL’S • ENT./AG. ANOMALY, NEW YORK • PROD. CO. PARK PICTURES NEW YORK A12/022 A KIND DRONE (TVC) • ENIGMO • BUYMA • ENT./AG. DENTSU INC, TOKYO / DRILL, TOKYO • PROD. CO. GEEK PICTURES TOKYO A12/114 25,915 DAYS • REEBOK • REEBOK • ENT./AG. VENABLES BELL & PARTNERS, SAN FRANCIS. • PROD. CO. EPOCH FILMS LOS ANGELES, CA / ROCK PAPER SCISSORS, SANTA MONICA / THERAPY STUDIOS, LOS ANGELES

UNITED KINGDOM USA USA JAPAN USA

A12/115 SPARE THE ACT- LAPTOP • DIXONS CARPHONE • CURRYS PC WORLD • ENT./AG. AMVBBDO, LONDON • PROD. CO. O POSITIVE NEW YORK

UNITED KINGDOM

A12/116 SPARE THE ACT- NESPRESSO • DIXONS CARPHONE • CURRYS PC WORLD • ENT./AG. AMVBBDO, LONDON • PROD. CO. O POSITIVE NEW YORK

UNITED KINGDOM

A12/117 SPARE THE ACT- COOKER • DIXONS CARPHONE • CURRYS PC WORLD • ENT./AG. AMVBBDO, LONDON • PROD. CO. O POSITIVE NEW YORK

UNITED KINGDOM

A12/118 SPARE THE ACT- TV • DIXONS CARPHONE • CURRYS PC WORLD • ENT./AG. AMVBBDO, LONDON • PROD. CO. O POSITIVE NEW YORK

UNITED KINGDOM

A12/119 SPARE THE ACT- CHROMECAST • DIXONS CARPHONE • CURRYS PC WORLD • ENT./AG. AMVBBDO, LONDON • PROD. CO. O POSITIVE NEW YORK

UNITED KINGDOM

RESTAURANTS & FAST FOOD CHAINS A13/014 RHYTHM OF THE NIGHT • MCDONALD’S • WE ARE AWAKE • ENT./AG. LEO BURNETT LONDON A13/037 THE MOUTH BOGGLES • DOMINO’S • DOMINO’S PIZZA • ENT./AG. IRIS WORLDWIDE, LONDON • MED. AG. ARENA MEDIA, LONDON • PROD. CO. BIG BUOY LONDON / CUT + RUN , LONDON / GRAND CENTRAL SOUND STUDIOS, LONDON / SOMESUCH, LONDON A13/051 COLLISIONS • HEART IBIZA • RESTAURANT THAT JOINS GASTRONOMY, MUSIC AND ART • ENT./AG. VCCP SPAIN, MADRID • PROD. CO. ATTIC FILMS MADRID

UNITED KINGDOM UNITED KINGDOM SPAIN

TRAVEL & TRANSPORT A14/003 HIDDEN POWERS OF ARTO SMEDS • HSL • HSL • ENT./AG. 358, HELSINKI • PROD. CO. DIRECTORS GUILD HELSINKI A14/004 IN LAWS • VIRGIN TRAINS • VIRGIN TRAINS • ENT./AG. RATTLING STICK, LONDON / KROW COMMUNICATIONS, LONDON • PROD. CO. RATTLING STICK LONDON A14/032 MAN • THOMAS COOK • HOLIDAY PACKAGES FOR SENIOR CITIZENS • ENT./AG. LAW & KENNETH SAATCHI & SAATCHI , MUMBAI • PROD. CO. LAW & KENNETH SAATCHI & SAATCHI MUMBAI / LIGHTBOX FILMS, MUMBAI A14/038 OFFICE • KAYAK EUROPE • TRAVEL/TOURISM • ENT./AG. JUNG VON MATT, BERLIN / JUNG VON MATT, HAMBURG • PROD. CO. IT’S US MEDIA BERLIN A14/064 BORDERS 1 • AEROMÉXICO • AIRLINE • ENT./AG. OGILVY & MATHER, MEXICO CITY • PROD. CO. OGILVY & MATHER MEXICO CITY

FINLAND UNITED KINGDOM INDIA GERMANY MEXICO

ENT./AG. : ENTRANT AGENCY MED. AG. : MEDIA AGENCY PROD. CO. : PRODUCTION COMPANY

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ENTERTAINMENT & LEISURE A15/003 ART MUSEUM KONSTRUKTIV “SECOND CHANCE” • ART MUSEUM KONSTRUKTIV, ZÜRICH • ART MUSEUM KONSTRUKTIV IN ZÜRICH…• ENT./AG. RUF LANZ, ZÜRICH • PROD. CO. STORIES ZURICH

SWITZERLAND

A15/056 SUPER BOWL BABIES CHOIR • NATIONAL FOOTBALL LEAGUE • SUPER BOWL 50 • ENT./AG. GREY NEW YORK • PROD. CO. TOWNHOUSE 23 NEW YORK / PARK PICTURES, NEW YORK / EXILE, SANTA MONICA / HUMAN, NEW YORK

USA

A15/059 STAPLES • NEW YORK LOTTERY • NEW YORK LOTTERY • ENT./AG. MCCANN NEW YORK • PROD. CO. O POSITIVE NEW YORK / POMANN SOUND, NEW YORK / MACKENZIE CUTLER, NEW YORK

USA

A15/060 WINE BATH • NEW YORK LOTTERY • NEW YORK LOTTERY • ENT./AG. MCCANN NEW YORK • PROD. CO. O POSITIVE NEW YORK / POMANN SOUND, NEW YORK / MACKENZIE CUTLER, NEW YORK A15/064 JUSTINO • LOTERÊAS Y APUESTAS DEL ESTADO • CHRISTMAS LOTTERY • ENT./AG. LEO BURNETT , MADRID • PROD. CO. PASSION PICTURES LONDON / BLUR PRODUCCIONES, MADRID / MILFORD FILM & ANIMATION, STOCKHOLM A15/070 ANAGRAM CHRISTMAS • MATTEL • SCRABBLE • ENT./AG. LOLA MULLENLOWE, MADRID • PROD. CO. CANADA BARCELONA A15/073 LILY & THE SNOWMAN • CINEPLEX • CINEPLEX • ENT./AG. ZULU ALPHA KILO, TORONTO • MED. AG. PHD, TORONTO, ON • PROD. CO. HORNET NEW YORK

USA SPAIN SPAIN CANADA

MEDIA & PUBLICATIONS A16/005 THE FAN • CANAL+ • CANAL+ • ENT./AG. BETC, PARIS • PROD. CO. CONTROL FILMS PARIS / LGM, PARIS A16/046 LANG LANG PLAYS THE F.A.Z. • FRANKFURTER ALLGEMEINE ZEITUNG • FR • ENT./AG. SCHOLZ & FRIENDS, BERLIN • PROD. CO. BIGFISH FILMPRODUKTION BERLIN

FRANCE GERMANY

A16/047 LOVER • AGEA • IECO • ENT./AG. J. WALTER THOMPSON ARGENTINA, BUENOS AIRES • PROD. CO. ARGENTINACINE BUENOS AIRES

ARGENTINA

A16/048 CLOSET • AGEA • IECO • ENT./AG. J. WALTER THOMPSON ARGENTINA, BUENOS AIRES • PROD. CO. ARGENTINACINE BUENOS AIRES

ARGENTINA

A16/051 SWIMMING POOL • VIACOM • PARAMOUNT CHANNEL • ENT./AG. GREY ARGENTINA, BUENOS AIRES • PROD. CO. ARGENTINA CINE BUENOS AIRES

ARGENTINA

A16/052 ACTORS • VIACOM • PARAMOUNT CHANNEL • ENT./AG. GREY ARGENTINA, BUENOS AIRES • PROD. CO. ARGENTINACINE BUENOS AIRES

ARGENTINA

A16/075 SPRAY • LIBERO • FOOTBALL MAGAZINE • ENT./AG. LOLA MULLENLOWE, MADRID • PROD. CO. TESAURO MADRID / HIJOS, MADRID / SERENA, MADRID A16/100 TRUMP • TYC SPORTS • TYC SPORTS / AMERICAN CUP • ENT./AG. MERCADO MCCANN, BUENOS AIRES

SPAIN ARGENTINA

A16/136 THE STAKEOUT • CANAL DIGITAL • CANAL DIGITAL – SATELLITE TV PROVIDER • ENT./AG. TBWA\STOCKHOLM • PROD. CO. BACON FILM STOCKHOLM

SWEDEN

A16/137 THE BOYSCOUTS • CANAL DIGITAL • CANAL DIGITAL – SATELLITE TV PROVIDER • ENT./AG. TBWA\STOCKHOLM • PROD. CO. BACON FILM STOCKHOLM

SWEDEN

FINANCIAL PRODUCTS & SERVICES A17/011 TINY DANCER • JOHN LEWIS INSURANCE • PREMIER HOME INSURANCE • ENT./AG. ADAM&EVEDDB, LONDON • MED. AG. MANNING GOTTLIEB OMD, LONDON • PROD. CO. BLINK PRODUCTIONS LONDON A17/012 NEVER A SELLOUT • TURBOTAX • FINANCIAL PRODUCT • ENT./AG. WIEDEN+KENNEDY, PORTLAND • PROD. CO. BISCUIT FILMWORKS LOS ANGELES

UNITED KINGDOM USA

A17/050 THE SWIM • KLARNA • FINANCIAL PRODUCTS & SERVICES • ENT./AG. DDB STOCKHOLM • MED. AG. OMD, STOCKHOLM

SWEDEN

A17/051 THE FISH • KLARNA • FINANCIAL PRODUCTS & SERVICES • ENT./AG. DDB STOCKHOLM • MED. AG. OMD, STOCKHOLM

SWEDEN

A17/058 POCKET MONEY — EQUAL FUTURE • ANZ • ANZ BANK • ENT./AG. TBWA MELBOURNE • MED. AG. PHD, MELBOURNE • PROD. CO. TBWA MELBOURNE A17/073 LIFT • HSBC • COMMERCIAL BANKING • ENT./AG. GREY LONDON • MED. AG. MINDSHARE, LONDON • PROD. CO. INDEPENDENT LONDON / THE MILL , LONDON / 750MPH, LONDON

AUSTRALIA UNITED KINGDOM

ENT./AG. : ENTRANT AGENCY MED. AG. : MEDIA AGENCY PROD. CO. : PRODUCTION COMPANY

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FINANCIAL PRODUCTS & SERVICES A17/077 CHECK • GEICO • GEICO AUTO INSURANCE • ENT./AG. HUNGRY MAN, LOS ANGELES / THE MARTIN AGENCY, RICHMOND • PROD. CO. HUNGRY MAN LOS ANGELES

USA

A17/078 REUNION • GEICO • GEICO AUTO INSURANCE • ENT./AG. HUNGRY MAN, LOS ANGELES / THE MARTIN AGENCY, RICHMOND • PROD. CO. HUNGRY MAN LOS ANGELES

USA

A17/079 FISHERMAN • GEICO • GEICO AUTO INSURANCE • ENT./AG. HUNGRY MAN, LOS ANGELES / THE MARTIN AGENCY, RICHMOND • PROD. CO. HUNGRY MAN LOS ANGELES

USA

A17/080 DIRECTIONS • GEICO • GEICO AUTO INSURANCE • ENT./AG. HUNGRY MAN, LOS ANGELES / THE MARTIN AGENCY, RICHMOND • PROD. CO. HUNGRY MAN LOS ANGELES

USA

A17/091 WHISPER • GEICO • INSURANCE • ENT./AG. THE MARTIN AGENCY, RICHMOND / THE MARTIN AGENCY, NEW YORK • PROD. CO. HUNGRY MAN NEW YORK / ROCK PAPER SCISSORS, NEW YORK / MPC, NEW YORK / RAINMAKER STUDIOS, RICHMOND

USA

A17/092 SPY • GEICO • INSURANCE • ENT./AG. THE MARTIN AGENCY, RICHMOND / THE MARTIN AGENCY, NEW YORK • PROD. CO. HUNGRY MAN NEW YORK / ROCK PAPER SCISSORS, NEW YORK / MPC, NEW YORK / RAINMAKER STUDIOS, RICHMOND

USA

A17/093 COUNTDOWN • GEICO • INSURANCE • ENT./AG. THE MARTIN AGENCY, RICHMOND / THE MARTIN AGENCY, NEW YORK • PROD. CO. HUNGRY MAN NEW YORK / ROCK PAPER SCISSORS, NEW YORK / MPC, NEW YORK / RAINMAKER STUDIOS, RICHMOND

USA

A17/103 CBA RAPPER • CENTRAAL BEHEER • INSURANCE • ENT./AG. DDB & TRIBAL WORLDWIDE AMSTERDAM • PROD. CO. IN CASE OF FIRE AMSTERDAM

THE NETHERLANDS

A17/116 FLEXTACULAR • GEICO • INSURANCE • ENT./AG. THE MARTIN AGENCY, RICHMOND • PROD. CO. DUMMY. VENICE / ARCADE EDIT, SANTA MONICA / RUNNING WITH SCISSORS, RICHMOND / THE MILL, NEW YORK / RAINMAKER STUDIOS, RICHMOND

USA

A17/124 FLEXTACULAR • GEICO • CAR INSURANCE • ENT./AG. DUMMY FILMS, LOS ANGELES / THE MARTIN AGENCY, RICHMOND

USA

BUSINESS PRODUCTS & SERVICES A18/009 A GIANT’S STORY • AMBUJA • AMBUJA CEMENT • ENT./AG. PUBLICIS COMMUNICATIONS, MUMBAI

INDIA

A18/035 CALM ATTACK • STAPLES • OFFICE SUPPLIES • ENT./AG. DAVID, BUENOS AIRES • MED. AG. INNOVATION MEDIA, BUENOS AIRES • PROD. CO. REBOLUCION BUENOS AIRES / MYM, BUENOS AIRES

ARGENTINA

COMMERCIAL PUBLIC SERVICES A19/021 OUTSIDE MAN • ARENALINGUA • ARENALINGUA • ENT./AG. JUNG VON MATT, HAMBURG • PROD. CO. ELEMENT E FILMPRODUKTION HAMBURG A19/025 VERISIMILITUDE AT NOON • DU TELECOM • TELECOMMUNICATIONS • ENT./AG. LEO BURNETT DUBAI • MED. AG. LEO BURNETT DUBAI • PROD. CO. GOOD PEOPLE BEIRUT

GERMANY UNITED ARAB EMIRATES

A19/027 DENG ADUT • UNIVERSITY OF WESTERN SYDNEY • EDUCATION • ENT./AG. FINCH, SYDNEY / VCD + WE.COLLECTIVE, SYDNEY • PROD. CO. FINCH SYDNEY

AUSTRALIA

A19/046 CONVERSATION • TELECOM PERSONAL • PERSONAL • ENT./AG. PONCE , BUENOS AIRES • PROD. CO. LA DOBLE A BUENOS AIRES

ARGENTINA

CORPORATE IMAGE & SPONSORSHIP A20/013 DEAR PEYTON • GATORADE • GATORADE • ENT./AG. TBWA\CHIAT\DAY, LOS ANGELES • PROD. CO. SMUGGLER LOS ANGELES, CA

USA

A20/025 STRONG • PROCTER & GAMBLE • HOUSEHOLD PRODUCTS • ENT./AG. WIEDEN+KENNEDY, PORTLAND • PROD. CO. RATTLING STICK SANTA MONICA

USA

A20/027 I AM YOUR FAN • SPECIAL OLYMPICS • SPECIAL OLYMPICS • ENT./AG. Y&R MEXICO, MEXICO CITY • PROD. CO. CENTRAL FILMS MEXICO CITY / APOLLO STUDIOS, MONTRÉAL / CLUSTER STUDIO, MEXICO CITY

MEXICO

A20/031 600 POUNDS • SPECIAL OLYMPICS • NON-PROFIT • ENT./AG. GREY CANADA, TORONTO • PROD. CO. UNTITLED FILMS TORONTO

CANADA

A20/046 ATM DAD • CCTV.COM • PUBLIC AWARENESS • ENT./AG. CHEIL, BEIJING

CHINA

A20/052 GENDER VIOLENCE • HEINEKEN MEXICO • TECATE BEER • ENT./AG. NOMADES, MEXICO CITY • PROD. CO. CENTRAL FILMS MEXICO CITY

MEXICO

PUBLIC HEALTH & SAFETY A21/005 BREATHE • SCOTTISH FIRE & RESCUE SERVICE • FIRE SAFETY • ENT./AG. THE UNION, EDINBURGH • PROD. CO. M2 FILMS EDINBURGH

UNITED KINGDOM

A21/011 SHOCKWAVE (ONDE DE CHOC) • DÉLÉGATION À LA SÉCURITÉ ET À LA CIRCULATION ROUTIÉRES • FRENCH ROAD SAFETY • ENT./AG. LA CHOSE, PARIS • PROD. CO. QUAD PRODUCTIONS CLICHY

FRANCE

A21/012 LOSS OF CONTROL (PERTE DE CONTRÔLE) • DÉLÉGATION À LA SÉCURITÉ ET À LA CIRCULATION ROUTIÉRES • FRENCH ROAD SAFETY • ENT./AG. LA CHOSE, PARIS • PROD. CO. QUAD PRODUCTIONS CLICHY

FRANCE

A21/024 THERE’S NO ONE SOMEONE WON’T MISS • TRANSPORTACCIDENT COMMISSION VICTORIA • TRANSPORTACCIDENT COMMISSION • ENT./AG. CLEMENGER BBDO MELBOURNE • PROD. CO. REVOLVER/WILL O’ROURKE SYDNEY/BUTCHERY/FLAGSTAFF ST., MELBOURNE A21/030 #UNPOPULAR BUT ALIVE BRENDAN • DEPARTMENT FOR TRANSPORT • THINK! DRINK DRIVE • ENT./AG. AMVBBDO, LONDON • MED. AG. CARAT, LONDON • PROD. CO. SMUGGLER LONDON

AUSTRALIA UNITED KINGDOM

A21/035 PREMONITION • CRUZ ROJA ARGENTINA • FIRST AID COURSES • ENT./AG. DHÉLET Y&R LATAM, BUENOS AIRES • PROD. CO. ORUGA CINE BUENOS AIRES

ARGENTINA

PUBLIC SECTOR & AWARENESS MESSAGES A22/019 DOMESTIC VIOLENCE • FRANCE 5 • MEDIA • ENT./AG. PUBLICIS CONSEIL, PARIS

FRANCE

A22/022 UNFAIR NEWS PAY GAP • AAUW • PAY GAP • ENT./AG. Y&R, SAN JUAN • PROD. CO. PARANA FILMS LOS ANGELES

PUERTO RICO

A22/039 DEVICES • UNITED COMMUNITIES OF SAN ANTONIO • CYBERBULLYING AWARENESS • ENT./AG. SHOOTERS FILMS, SAN ANTONIO • PROD. CO. SHOOTERS FILMS SAN ANTONIO

USA

CHARITIES & APPEALS A23/018 #THEMANWHODIEDTHEMOST • AGENCE DE LA BIOMÉDECINE • ORGAN DONATION • ENT./AG. DDB PARIS • PROD. CO. WANDA PRODUCTIONS SAINT-DENIS LA PLAINE CEDEX / THE, PARIS

FRANCE

A23/019 #MAKEACHILDCRY • DOCTORS OF THE WORLD • DOCTORS OF THE WORLD • ENT./AG. DDB PARIS • PROD. CO. MAGALI FILMS PARIS / STUDIO 5, PARIS

FRANCE

A23/046 #NOEXCUSES • DOCTORS OF THE WORLD • DOCTORS OF THE WORLD • ENT./AG. DDB PARIS • PROD. CO. STINKDIGITAL PARIS / STUDIO 5, PARIS

FRANCE

A23/047 THE RESCUE • FUNDACION ARGENTINA DE TRASPLANTE HEPATICO • FOUNDATION • ENT./AG. DDB BUENOS AIRES • MED. AG. OMD ARGENTINA, BUENOS AIRES • PROD. CO. SALADO BUENOS AIRES

ARGENTINA

A23/050 THE MISSION • FUNDACIÓN PERUANA DE CÇNCER • COLECTA ANUAL • ENT./AG. FAHRENHEIT DDB, LIMA

PERU

FOOD & DRINKS B01/014 MUSIC VIDEO • MARS CHOCOLATE NORTH AMERICA • TWIX • ENT./AG. BBDO, NEW YORK • PROD. CO. VANISHING ANGLE LOS ANGELES / DECON, NEW YORK

USA

B01/018 THE 92ND FLOOR: CRYSTAL PEPSI RETURNS • PEPSICO. • CRYSTAL PEPSI • ENT./AG. THE BARBARIAN GROUP, NEW YORK • PROD. CO. HUNGRY MAN NEW YORK

USA

B01/019 THE FAIREST NIGHT OF ALL • AB INBEV • ANDES BEER • ENT./AG. DEL CAMPO SAATCHI & SAATCHI, BUENOS AIRES • PROD. CO. AGOSTO BUENOS AIRES / CHE REVOLUTION POST, BUENOS AIRES / SUPERCHARANGO, BUENOS AIRES B01/037 MENTORS • PERFETTI VAN MELLE • MENTOS • ENT./AG. BBH, LONDON • PROD. CO. THE MILL LONDON

ARGENTINA UNITED KINGDOM

B01/041 SHUCHU REGAIN: THE EXTREME MINUET WORLD’S FASTEST ORCHESTRA • SUNTORY • SHUCHU REGAIN • ENT./AG. PARTY, TOKYO • PROD. CO. KICHI TOKYO / TAIYOKIKAKU, TOKYO / P.I.C.S, TOKYO B01/053 SHOCK TOP - BIG GAME AD REVIEW WITH T.J. MILLER: A PERFECTLY UNFILTERED PAIRING • AB INBEV • SHOCK TOP • ENT./AG. ANOMALY, TORONTO, ON • MED. AG. MEDIACOM, NY • PROD. CO. ANONYMOUS CONTENT CULVER CITY / SCHOOL EDITING, TORONTO

JAPAN CANADA

B01/075 NOT COMING SOON • REMY MARTIN • LOUIS XIII • ENT./AG. FRED & FARID, NEW YORK • MED. AG. FRED & FARID, NEW YORK • PROD. CO. FRED & FARID NEW YORK

USA

B01/078 UNMATCHED • GATORADE • GATORADE • ENT./AG. TBWA\CHIAT\DAY, LA/VML, KANSAS CITY • MED. AG. OMD, CHICAGO • PROD. CO. MANDALAY SPORTS MEDIA STUDIO CITY/VENICE BEACH EDIT. LA/MPC LA, SANTA MONICA/LIME STUDIOS, SANTA MONICA/BARKING OWN SOUND, LA USA ENT./AG. : ENTRANT AGENCY MED. AG. : MEDIA AGENCY PROD. CO. : PRODUCTION COMPANY

PUBLISHER RICHARD WOOLLEY EDITOR IN CHIEF JULIAN NEWBY MANAGING EDITOR DEBBIE LINCOLN SUB EDITOR JO STEPHENS REPORTERS ANDY FRY - EMELIA JONES - JULIANA KORANTENG GARY SMITH LIONSDAILYNEWS.COM/SOCIAL MEDIA SUNNIE, HARRIET/STUDIOA PHOTOGRAPHERS YANN COATSALIOU - MICHEL JOHNER LAYOUT DESIGN A NOIR - T: +33 (0)1 48 06 22 22 AGENCE@ANOIR.FR ARNAUD PAIKINE - VALERIE MERSIER - CHRISTIAN ZIVOJINOVIC SYSTEMS CO-ORDINATION EURODOC, SOPHIA ANTIPOLIS - T: +33 (0)4 93 00 80 00 CANNES LIONS DAILY NEWS/ EDITORIAL T: 04 92 59 00 30 ADVERTISING IN CANNES 04 92 59 00 25 - JODLIN@BOUTIQUEEDITIONS.COM JERRY ODLIN +44 77 6886 0417 - LISA RAY +44 77 98 662 955 - NICKI WEBBER +1 912 308 6967 ADVERTISING PRODUCTION ROGER HALL PRINTER RICCOBONO OFFSET PRESSE, LE MUY GREEN PUBLISHING THE PAPER USED BY BOUTIQUE EDITIONS IS A NATURAL, RECYCLABLE PRODUCT MADE FROM WOOD GROWN IN SUSTAINABLE FORESTS. THE MANUFACTURING PROCESS CONFORMS TO THE ENVIRONMENTAL REGULATIONS OF THE COUNTRY OF ORIGIN PUBLISHED BY BOUTIQUE EDITIONS LTD - 117 WATERLOO ROAD - LONDON SE1 8UL - T: +44 20 7902 1942 © 2016 CANNES LIONS

ENT./AG. : ENTRANT AGENCY MED. AG. : MEDIA AGENCY PROD. CO. : PRODUCTION COMPANY

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FAST MOVING CONSUMER GOODS B02/013 THE STORY OF PHILIPPE • REMED PHARMA • CONDOM • ENT./AG. BBDO BELGIUM, BRUSSELS • MED. AG. BBDO BELGIUM, BRUSSELS • PROD. CO. BBDO BELGIUM BRUSSELS B02/017 ACT OF LOVE • SAGAMI RUBBER INDUSTRIES CO. • SAGAMI ORIGINAL • ENT./AG. PROJECTOR, NEW YORK / PROJECTOR, TOKYO / ROCK’N ROLL JAPAN, TOKYO • PROD. CO. ROCK’N ROLL JAPAN TOKYO / STINK, LONDON B02/019 HEARTS ALIGNED • MARS PETCARE AUSTRALIA • PEDIGREE • ENT./AG. CLEMENGER BBDO MELBOURNE • PROD. CO. FINCH MELBOURNE B02/028 BLOOD • SCA • LIBRESSE/ BODY FORM • ENT./AG. AMVBBDO, LONDON • PROD. CO. STINK LONDON

BELGIUM USA AUSTRALIA UNITED KINGDOM

DURABLE CONSUMER GOODS B03/001 THE BOYS ‘IMPACT’ • PACIFIC BRANDS UNDERWEAR GROUP AUSTRALIA • BONDS • ENT./AG. CLEMENGER BBDO MELBOURNE • PROD. CO. GUILTY CONTENT MELBOURNE B03/005 THE MIRACLE OF MULBERRY • MULBERRY • MULBERRY • ENT./AG. ADAM&EVEDDB, LONDON • MED. AG. MEC UK, LONDON • PROD. CO. OUTSIDER LONDON

AUSTRALIA UNITED KINGDOM

B03/038 THE RUNDEAD • BROOKS SPORTS • FOOTWEAR • ENT./AG. LEO BURNETT CHICAGO • PROD. CO. FURLINED SANTA MONICA / HUMAN, SANTA MONICA

USA

B03/060 UNDER ARMOUR USA WOMENS GYMNASTICS • UNDER ARMOUR • UNDER ARMOUR • ENT./AG. DROGA5, NEW YORK • PROD. CO. EPOCH FILMS NEW YORK

USA

B03/061 UNDER ARMOUR PHELPS • UNDER ARMOUR • UNDER ARMOUR • ENT./AG. DROGA5, NEW YORK • PROD. CO. EPOCH FILMS NEW YORK

USA

CARS & AUTOMOTIVE PRODUCTS & SERVICES B04/004 THE REVERSED TRAILER • HARALD A. MØLLER/ VOLKSWAGEN NORWAY • VOLKSWAGEN TRAILER ASSIST • ENT./AG. TRY, OSLO • MED. AG. MEDIACOM, OSLO • PROD. CO. BACON OSL OSLO

NORWAY

B04/007 MOST OPEN TEST DRIVE • DAIMLER AG, SMART • SMART FORTWO CABRIO 453 • ENT./AG. BBDO GROUP GERMANY, BERLIN • PROD. CO. MARKENFILM CROSSING HAMBURG

GERMANY

B04/010 #SMARTEFFECT • MERCEDES-BENZ PORTUGAL • SMART FORTWO • ENT./AG. BBDO PORTUGAL, LISBON • MED. AG. COMON.PT, LISBON • PROD. CO. JACK THE MAKER LISBON / WONDR, LISBON / PIX MIX, LISBON

PORTUGAL

B04/071 PAPER • AMERIAN HONDA MOTOR CO. • HONDA • ENT./AG. RPA, SANTA MONICA • PROD. CO. RESET SANTA MONICA / ROCK PAPER SCISSORS, SANTA MONICA / A52, SANTA MONICA / FACTORY , LONDON / VIVID MARKETING, SMYRNA

USA

RETAIL, E-COMMERCE, RESTAURANTS & FAST FOOD CHAINS B05/003 ESSENTIALS FOR EVERYONE • H&M • H&M • ENT./AG. ADAM&EVEDDB, LONDON • PROD. CO. SONNY LONDON

UNITED KINGDOM

B05/004 SHOPLIFTERS • HARVEY NICHOLS • LOYALTY APP • ENT./AG. ADAM&EVEDDB, LONDON • MED. AG. ZENITHOPTIMEDIA, LONDON • PROD. CO. BLINK PRODUCTIONS LONDON / CAIN & ABEL, LONDON / THE MILL , LONDON

UNITED KINGDOM

B05/032 MOG’S CALAMITY • SAINSBURY’S • SUPERMARKET • ENT./AG. AMVBBDO, LONDON • PROD. CO. OUTSIDER LONDON

UNITED KINGDOM

B05/034 WHOPPER SIGN • BURGER KING • FAST FOOD RESTAURANT • ENT./AG. DAVID, MIAMI • PROD. CO. BULLITT LOS ANGELES B05/036 GIFT FACE • HARVEY NICHOLS • HARVEY NICHOLS DEPARTMENT STORE • ENT./AG. SCOUNDREL, SYDNEY / ADAM&EVEDDB, LONDON • PROD. CO. BLINK PRODUCTIONS LONDON / WHITEHOUSE POST, LONDON / MPC, LONDON / SIREN, LONDON / FACTORY , LONDON B05/043 SPARE THE ACT- LAPTOP • DIXONS CARPHONE • CURRYS PC WORLD • ENT./AG. AMVBBDO, LONDON • PROD. CO. O POSITIVE NEW YORK

USA AUSTRALIA UNITED KINGDOM

TRAVEL, TRANSPORT & LEISURE B06/025 DOPPELGÄNGER TOURISTS • MEXICAN TOURISM BOARD • MEXICO AS A TOURISTIC DESTINATION • ENT./AG. LAPIZ , CHICAGO

USA

B06/031 SUPER BOWL BABIES CHOIR LONGFORM • NFL • NFL • ENT./AG. GREY NEW YORK • PROD. CO. TOWNHOUSE 23 NEW YORK / PARK PICTURES, NEW YORK / EXILE, SANTA MONICA / HUMAN, NEW YORK

USA

B06/038 DREAM ADVENTURES FILM • EXPEDIA • TRAVEL • ENT./AG. 180LA, SANTA MONICA • PROD. CO. WAYS & MEANS LOS ANGELES

USA

ENT./AG. : ENTRANT AGENCY MED. AG. : MEDIA AGENCY PROD. CO. : PRODUCTION COMPANY

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MEDIA & PUBLICATIONS B07/044 THE RAT • NETFLIX • NETFLIX • ENT./AG. TBWA\CHIAT\DAY, LOS ANGELES • PROD. CO. FURLINED SANTA MONICA / CUT + RUN, SANTA MONICA / FRAMESTORE , LOS ANGELES / COMPANY 3, SANTA MONICA / STIMMUNG, SANTA MONICA / ELEVEN SOUND, SANTA MONICA

USA

B07/049 THE DISPLACED • THE NEW YORK TIMES • NYT VR • ENT./AG. VRSE.WORKS, LOS ANGELES • PROD. CO. VRSE.WORKS LOS ANGELES

USA

B07/050 WALKING NEW YORK • THE NEW YORK TIMES • THE NEW YORK TIMES MAGAZINE • ENT./AG. VRSE.WORKS, LOS ANGELES • MED. AG. THE NEW YORK TIMES, NEW YORK • PROD. CO. VRSE.WORKS LOS ANGELES

USA

FINANCIAL PRODUCTS & SERVICES B08/050 LAKE • GEICO • INSURANCE • ENT./AG. THE MARTIN AGENCY, RICHMOND • MED. AG. HORIZON MEDIA, NEW YORK • PROD. CO. FURLINED NEW YORK / CUT+RUN, NEW YORK / MPC, NEW YORK / BLACK IRIS MUSIC, RICHMOND / RAINMAKER STUDIOS, RICHMOND

USA

B08/051 HIKE • GEICO • INSURANCE • ENT./AG. THE MARTIN AGENCY, RICHMOND • MED. AG. HORIZON MEDIA, NEW YORK • PROD. CO. FURLINED NEW YORK / CUT+RUN, NEW YORK / MPC, NEW YORK / BLACK IRIS MUSIC, RICHMOND / RAINMAKER STUDIOS, RICHMOND

USA

B08/052 FOREST • GEICO • INSURANCE • ENT./AG. THE MARTIN AGENCY, RICHMOND • MED. AG. HORIZON MEDIA, NEW YORK • PROD. CO. FURLINED NEW YORK / CUT+RUN, NEW YORK / MPC, NEW YORK / BLACK IRIS MUSIC, RICHMOND / RAINMAKER STUDIOS, RICHMOND

USA

B08/053 GOING UP • GEICO • INSURANCE • ENT./AG. THE MARTIN AGENCY, RICHMOND • MED. AG. HORIZON MEDIA, NEW YORK • PROD. CO. FURLINED NEW YORK / CUT+RUN, NEW YORK / MPC, NEW YORK / BLACK IRIS MUSIC, RICHMOND / RAINMAKER STUDIOS, RICHMOND

USA

BUSINESS PRODUCTS & SERVICES B09/042 ENDLESS POSSIBILITIES • GETTY IMAGES • GETTY IMAGES • ENT./AG. ALMAPBBDO, SÃO PAULO • MED. AG. ALMAPBBDO, SÃO PAULO • PROD. CO. VETOR ZERO SÃO PAULO

BRAZIL

CORPORATE IMAGE & SPONSORSHIP B11/003 CLOSE THE LOOP • H&M • CLOTHING, FOOTWEAR & ACCESSORIES • ENT./AG. FORSMAN & BODENFORS, GOTHENBURG / H&M, STOCKHOLM • PROD. CO. CALLBOY STOCKHOLM

SWEDEN

B11/004 CLOSE TO HOME • AT&T • AT&T • ENT./AG. BBDO, NEW YORK • PROD. CO. ANONYMOUS CONTENT CULVER CITY

USA

PUBLIC HEALTH & SAFETY B12/009 TEXTING VS. DRIVING • CLIENT • NATIONAL DISTRACTED DRIVING MONTH • ENT./AG. MULLENLOWE, BOSTON • PROD. CO. STATION FILM NEW YORK CITY, NY

USA

B12/013 QUAND L’AMOUR SERA MORT • DÉLÉGATION À LA SÉCURITÉ ROUTIÉRE (DSCR) • ROAD SAFETY • ENT./AG. MLS GROUP - PUBLICIS CONSULTANTS, PARIS / OBVIOUS, PARIS • PROD. CO. OBVIOUS PARIS

FRANCE

B12/017 MANBOOBS • MACMA • BREAST CANCER AWARENESS • ENT./AG. DAVID, BUENOS AIRES • PROD. CO. LANDIA BUENOS AIRES

ARGENTINA

PUBLIC SECTOR & AWARENESS MESSAGES B13/005 THE REAL 10 • AAUW • AAUW / • ENT./AG. RETHINK, TORONTO

CANADA

B13/007 DEARDADDY • CARE NORWAY • DOMESTIC VIOLENCE AWARENESS • ENT./AG. SCHJAERVEN REKLAMEBYRÅ, OSLO • PROD. CO. TANGRYSTAN OSLO

NORWAY

B13/034 UNACCEPTABLE ACCEPTANCE LETTERS • HUNTING GROUND • HUNTING GROUND • ENT./AG. GOODBY SILVERSTEIN & PART., S. FRANCIS. • PROD. CO. PRETTYBIRD CULVER CITY/CUT + RUN,/SPY, S. FRANCIS./YESSIAN,VENICE/1 UNION RECORD., S. FRANCIS./ELEVEL FILMS, S. FRANCIS.USA B13/035 MS. ROBERT’S UNACCEPTABLE ACCEPTANCE LETTER • HUNTING GROUND • HUNTING GROUND • ENT./AG. GOODBY SILVERSTEIN… S. FRANCIS. • PROD. CO. PRETTYBIRD CULVER C./CUT + RUN/SPY/YESSIAN,VENICE/1 UNION RECORD., S. FRANCIS./ELEVEL FILMS, S. FRANCIS.

USA

B13/039 GIRLS CAN’T CODE • GIRLS WHO CODE • NON-PROFIT • ENT./AG. MCCANN NEW YORK • PROD. CO. TOOL NEW YORK CITY, NY

USA

B13/046 WAVES OF GRACE • THE UNITED NATIONS • THE UNITED NATIONS • ENT./AG. VRSE.WORKS, LOS ANGELES • PROD. CO. VRSE.WORKS LOS ANGELES

USA

ENT./AG. : ENTRANT AGENCY MED. AG. : MEDIA AGENCY PROD. CO. : PRODUCTION COMPANY

SOUTH AFRICA OFFICE Metal Lane, 4 Kloof Street, Cape Town, 8001 T: +27 21 424 9999 F: +27 21 424 9998 M: +27 83 635 9699 AMERICA OFFICE 507 N. Almont Drive, Los Angeles, CA, 90048, USA T: +1 310 273 9693 F: +1 310 273 9698 M: +1 213 675 5411

Your gateway to filming in Africa, the continent with the most spectacular locations on Earth! info@afsproductions.com

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CHARITIES & APPEALS B14/003 WAITING LINES • RE-BORN TO BE ALIVE • ORGAN DONATION • ENT./AG. DUVAL GUILLAUME, ANTWERP • PROD. CO. GERONIMO ANTWERP / ASP FILM PROUCTIONS, HOFSTADE

BELGIUM

B14/034 JUST ANOTHER DAY • SICK KIDS • HEALTH • ENT./AG. J. WALTER THOMPSON CANADA, TORONTO

CANADA

B14/055 HOW TO GET PERFECT RED LIPS • MAKE LOVE NOT SCARS • ACID ATTACK • ENT./AG. OGILVY & MATHER MUMBAI • PROD. CO. OGILVY & MATHER MUMBAI

INDIA

B14/056 HOW TO APPLY EYELINER • MAKE LOVE NOT SCARS • ACID ATTACK • ENT./AG. OGILVY & MATHER MUMBAI • PROD. CO. OGILVY & MATHER MUMBAI

INDIA

B14/059 THE LANGUAGE BARRIER • RØDE KORS (THE NORWEGIAN RED CROSS) • CHARITY • ENT./AG. TRY, OSLO • PROD. CO. FANTEFILM OSLO

NORWAY

B14/066 DUTY OF CARE • WAR CHILD • PROTECTING CHILDREN IN WAR • ENT./AG. OGILVYONE LONDON / TOAD, LONDON • PROD. CO. H&O LONDON

UNITED KINGDOM

VIRAL FILM C01/005 #COVERTHEATHLETE • COVERTHEATHLETE.COM • #COVERTHEATHLETE • ENT./AG. JOHN ST., TORONTO • PROD. CO. RELISH EDITING TORONTO / TENDRIL DESIGN + ANIMATION, TORONTO / GRAYSON MATTHEWS, TORONTO

CANADA

C01/010 LOOK WHO’S DRIVING • VOLVO TRUCKS • VOLVO FMX • ENT./AG. FORSMAN & BODENFORS, GOTHENBURG • MED. AG. BE ON, STOCKHOLM • PROD. CO. NEW LAND STOCKHOLM

SWEDEN

C01/018 IMAGINE THE POSSIBILITIES • MATTEL • BARBIE • ENT./AG. BBDO SAN FRANCIS. • MED. AG. STARCOM, CHICAGO • PROD. CO. SLIM PICTURES VENICE

USA

C01/034 HOME FOR CHRISTMAS • EDEKA ZENTRALE & CO. KG • EDEKA • ENT./AG. JUNG VON MATT, HAMBURG • PROD. CO. TEMPOMEDIA HAMBURG

GERMANY

C01/051 HIGH SCHOOL GIRL? • SHISEIDO CO., • SHISEIDO’S PRODUCTS (MAJOLICA MAJORCA / INTEGRATE) • ENT./AG. WATTS OF TOKYO / SHISEIDO CO., LTD., TOKYO • PROD. CO. WATTS OF TOKYO / MOLICULE MOCO, KANAGAWA / SPEC, TOKYO / DEFENSE, TOKYO

JAPAN

C01/084 THE DILEMMA • HEINEKEN • HEINEKEN • ENT./AG. PUBLICIS ITALY, MILAN • MED. AG. STARCOM MEDIAVEST GROUP, MILAN • PROD. CO. BEDESCHI FILM MILAN

ITALY

C01/096 ACTORS • UVK • MOVIE THEATERS • ENT./AG. Y&R, LIMA • PROD. CO. REBECA LIMA

PERU

C01/101 MADDEN: THE MOVIE • EA SPORTS • MADDEN NFL 16 • ENT./AG. HEAT, SAN FRANCIS. • PROD. CO. HUNGRY MAN LOS ANGELES

USA

C01/113 UNIVERSAL RIDE ALONG 2/CONAN REMOTE • UNIVERSAL STUDIOS • RIDE ALONG 2 • ENT./AG. TURNER BROADCASTING, NEW YORK / CONACO, BURBANK • MED. AG. UNIVERSAL MCCANN LOS ANGELES, LOS ANGELES • PROD. CO. CONACO BURBANK

USA

PRIVATE SCREENS & EVENTS D02/002 JANE ST. • JOHN ST. • JOHN ST. • ENT./AG. JOHN ST., TORONTO • PROD. CO. SOFT CITIZEN TORONTO / AIRCASTLE PRODUCTION, TORONTO / RELISH EDITING, TORONTO / TENDRIL DESIGN + ANIMATION, TORONTO / ALTER EGO, TORONTO / GRAYSON MATTHEWS, TORONTO CANADA PERSONAL SCREENS D03/004 CELEBRITY TANTRUM • SAMSUNG AUSTRALIAN= • SAMSUNG TAB S2 • ENT./AG. LEO BURNETT SYDNEY • MED. AG. STARCOM MEDIAVEST GROUP, SYDNEY • PROD. CO. MINDS EYE LONDON / FILAMENT POST PRODUCTION, LONDON

AUSTRALIA

MICRO-FILM D04/042 NIKE - SMALL SIDED - NIKE FOOTBALL VINE • NIKE • NIKE FOOTBALL • ENT./AG. ICONOCLAST, CULVER CITY / WIEDEN+KENNEDY, PORTLAND • PROD. CO. ICONOCLAST CULVER CITY

USA

SHORT NON-FICTION FILM (UNDER 10 MINUTES) E01/007 PLAY MY TWEET • FOOT LOCKER • FOOT LOCKER • ENT./AG. BBDO, NEW YORK • PROD. CO. THE KITCHEN @ BBDO NEW YORK

USA

E01/016 EUROPEAN BIKE STEALING CHAMPIONSHIP 2015 • _KODA AUTO A.S. • WE LOVE CYCLING • ENT./AG. MUSTARD, PRAGUE • MED. AG. MUSTARD, PRAGUE • PROD. CO. MUSTARD PRAGUE E01/045 DRONE 100 • INTEL • INTEL DRONE TECHNOLOGY • ENT./AG. VIMBY, VAN NUYS / INTEL, SANTA CLARA • PROD. CO. VIMBY VAN NUYS

CZECH REPUBLIC USA

E01/056 NEVER ALONE • DIAGEO • GUINNESS • ENT./AG. AMVBBDO, LONDON • PROD. CO. TUBBY BROTHER LONDON

UNITED KINGDOM

LONG NON-FICTION FILM (OVER 10 MINUTES) E02/004 COCAINENOMICS • NETFLIX • NARCOS • ENT./AG. WSJ. CUSTOM STUDIOS, NEW YORK • MED. AG. WSJ. CUSTOM STUDIOS, NEW YORK • PROD. CO. WSJ. CUSTOM STUDIOS NEW YORK

USA

E02/011 SONS OF VIKRANT • BAJAJ • BAJAJ AUTOMOBILES • ENT./AG. LEO BURNETT INDIA, MUMBAI

INDIA

E02/019 UNFORGOTTEN • ILLINOIS COUNCIL AGAINST HANDGUN VIOLENCE • ANTI HANDGUN VIOLENCE • ENT./AG. FCB CHICAGO • PROD. CO. LORD + THOMAS CHICAGO

USA

NON-FICTION SERIES E03/005 LEVI’S® PRESENTS THE 501® JEAN: STORIES OF AN ORIGINAL • LEVI’S • LEVI’S 501® JEAN • ENT./AG. WAYS & MEANS, LOS ANGELES / IMPRINT PROJECTS, LOS ANGELES • PROD. CO. WAYS & MEANS LOS ANGELES

USA

E03/017 UNFAIRY TALES SERIES • UNICEF • HUMANITARIAN AID • ENT./AG. 180LA • PROD. CO. HOUSE OF COLORS S. PAULO/CONSULADO, S. PAOLO/BUBBA’S CHOP SHOP, BURBANK/GILLES & CECILIE, LONDON/MEDIAMONKS,VENICE/CIRCLE OF SOUND, PACIFIC PALISADES/THERAPY ST., LA USA E03/025 UNCHARTED: THE POWER OF DREAMS • AMERICAN HONDA MOTOR CO. • HONDA STAGE • ENT./AG. WOVEN DIGITAL, CULVER CITY • MED. AG. WOVEN DIGITAL, CULVER CITY • PROD. CO. WOVEN DIGITAL CULVER CITY

USA

SHORT FICTION FILM (UNDER 10 MINUTES) E04/002 BECOMING BECKHAM • H&M • H&M • ENT./AG. ADAM&EVEDDB, LONDON • PROD. CO. SONNY LONDON

UNITED KINGDOM

E04/007 THE RIGHT STUFF • 20TH CENTURY FOX • THE MARTIAN • ENT./AG. 3AM, NEW YORK / 3AM, CULVER CITY / RSA FILMS, LOS ANGELES • PROD. CO. 3AM CULVER CITY / RSA FILMS, LOS ANGELES

USA

ENT./AG. : ENTRANT AGENCY MED. AG. : MEDIA AGENCY PROD. CO. : PRODUCTION COMPANY

we hustle with Alison Ellard / Executive Producer alison@winkfilms.tv www.winkfilms.tv +27 21 434 4971

South African Production Service

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SHORT FICTION FILM (UNDER 10 MINUTES) E04/028 DADS #SHARETHELOAD (60 SECS) • PROCTER & GAMBLE INDIA • ARIEL MATIC • ENT./AG. BBDO INDIA, MUMBAI • PROD. CO. RED ICE FILMS MUMBAI

INDIA

E04/039 TOYOTA FUELED BY EVERYTHING (BACK TO THE FUTURE) • TOYOTA • MIRAI • ENT./AG. DROGA5, NEW YORK • PROD. CO. CAVIAR LOS ANGELES

USA

LONG FICTION FILM (OVER 10 MINUTES) E05/006 GENTLEMAN’S WAGER II • JOHNNIE WALKER - DIAGEO • JOHNNIE WALKER BLUE LABEL • ENT./AG. RSA FILMS, LOS ANGELES / ANOMALY, NEW YORK / ANOMALY, AMSTERDAM • PROD. CO. RSA FILMS LOS ANGELES

USA

FICTION FILM SERIES E06/006 SNACK TIME CASE STUDY • MILK WEST • MILK • ENT./AG. DDB CANADA, VANCOUVER • MED. AG. OMD CANADA, VANCOUVER • PROD. CO. WAVE PRODUCTIONS VANCOUVER / YETI FARM CREATIVE, KELOWNA

CANADA

E06/007 THE TOUGH SELL • VOLKSWAGEN AUSTRALIA • GOLF • ENT./AG. DDB, SYDNEY • MED. AG. DDB, SYDNEY • PROD. CO. ROBBER’S DOG SYDNEY / THE EDITORS, SYDNEY

AUSTRALIA

E06/009 NIKEWOMEN : MARGOT VS LILY • NIKE • CLOTHING, FOOTWEAR AND ACCESSORIES • ENT./AG. WIEDEN+KENNEDY, PORTLAND • MED. AG. MINDSHARE, PORTLAND

USA

MUSIC VIDEO E07/015 OK GO — UPSIDE DOWN & INSIDE OUT • S7 AIRLINES • S7 AIRLINES • ENT./AG. TUTKOVBUDKOV, VOLGOGRAD • PROD. CO. BOB INDUSTRIES SANTA MONICA / PROFILM, MOSCOW E07/018 VOODOO IN MY BLOOD • VIGIN RECORDS • MASSIVE ATTACK FT. YOUNG FATHERS • ENT./AG. RATTLING STICK, LONDON • PROD. CO. RATTLING STICK LONDON

RUSSIA UNITED KINGDOM

E07/024 TARGET CREATES FIRST EVER LIVE MUSIC VIDEO WITH GWEN STEFANI • TARGET • RETAIL • ENT./AG. DEUTSCH LA • MED. AG. 360I, CHICAGO • PROD. CO. WONDROS LOS ANGELES E07/026 WIDE OPEN • VIRGIN EMI RECORDS • THE CHEMICAL BROTHERS • ENT./AG. OUTSIDER, LONDON • PROD. CO. OUTSIDER LONDON

USA UNITED KINGDOM

USE OF TV/CINEMA FILM F01/012 GUN CRAZY • STATES UNITED TO PREVENT GUN VIOLENCE • SENSIBLE GUN LAWS • ENT./AG. GREY NEW YORK • MED. AG. GREY NEW YORK • PROD. CO. SUPPLY & DEMAND NEW YORK / UPPERCUT, NEW YORK

USA

F01/020 HOUSE OF CARDS - FU 2016 • NETFLIX • HOUSE OF CARDS • ENT./AG. BBH NEW YORK • MED. AG. NETFLIX, LOS ANGELES • PROD. CO. RESET SANTA MONICA / THE MILL, NEW YORK / EXILE, SANTA MONICA / BIRDS + STONE, LOS ANGELES / SOUND LOUNGE, NEW YORK

USA

USE OF ONLINE FILM F02/002 PREROLL PETITIONS • PUBLICIS CANADA • PREROLL PETITION • ENT./AG. PUBLICIS CANADA, TORONTO F02/018 SEARCH RACISM. FIND TRUTH. • REFUGEES WELCOME • NPO • ENT./AG. FCB ZÜRICH • PROD. CO. FCB ZÜRICH F02/029 DON’T LOOK AWAY • USHER • INTERACTIVE MUSIC VIDEO • ENT./AG. AKQA, SÃO PAULO F02/031 SOUND OF CHANGE – SUPPORTING BUSKERS BEYOND THE STREETS • SOUND OF CHANGE • MUSIC LABEL SOUND OF CHANGE • ENT./AG. POSSIBLE, SEATTLE F02/041 THE FASTEST SOAP • PROXIMUS • MOBILE NETWORK • ENT./AG. BBDO BELGIUM, BRUSSELS • MED. AG. BBDO BELGIUM, BRUSSELS • PROD. CO. CAVIAR BRUSSELS

CANADA SWITZERLAND BRAZIL USA BELGIUM

USE OF OTHER FILM CONTENT F03/005 IN-A-SNAP • LOWE’S • LOWE’S • ENT./AG. BBDO, NEW YORK • MED. AG. OMD WORD, NEW YORK • PROD. CO. HUMBLE NEW YORK

USA

ENT./AG. : ENTRANT AGENCY MED. AG. : MEDIA AGENCY PROD. CO. : PRODUCTION COMPANY

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DURING CANNES LIONS WE WILL TURN YOUR SOCIAL MEDIA VIDEOS INTO UNIQUE MOVIES. Watch the videos at f ilmmebrazil.com or visit Filmbrazil at the Gray D'Albion Hotel (AZUR Room)

PROMOTED BY:

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FILM CRAFT DIRECTION A01/012 FEVICOL - DAHI HANDI • PIDILITE INDUSTRIES • ADHESIVES • ENT./AG. CORCOISE FILMS, MUMBAI / OGILVY & MATHER MUMBAI • PROD. CO. CORCOISE FILMS MUMBAI A01/015 PAPER • AMERIAN HONDA MOTOR CO. • HONDA • ENT./AG. RPA, SANTA MONICA • PROD. CO. RESET SANTA MONICA / ROCK PAPER SCISSORS, SANTA MONICA / A52, SANTA MONICA / FACTORY , LONDON A01/018 BECOMING BECKHAM • H&M • H&M • ENT./AG. ADAM&EVEDDB, LONDON • PROD. CO. SONNY LONDON A01/019 TINY DANCER • JOHN LEWIS INSURANCE • PREMIER HOME INSURANCE • ENT./AG. ADAM&EVEDDB, LONDON • MED. AG. MANNING GOTTLIEB OMD, LONDON • PROD. CO. BLINK PRODUCTIONS LONDON A01/020 THE MAN ON THE MOON • JOHN LEWIS • JOHN LEWIS • ENT./AG. ADAM&EVEDDB, LONDON • MED. AG. MANNING GOTTLIEB OMD, LONDON • PROD. CO. SOMESUCH LONDON A01/022 CLOSE TO HOME • AT&T • AT&T • ENT./AG. BBDO, NEW YORK • PROD. CO. ANONYMOUS CONTENT CULVER CITY A01/066 UNDER ARMOUR RULE YOURSELF • UNDER ARMOUR • UNDER ARMOUR • ENT./AG. DROGA5, NEW YORK • PROD. CO. RESET SANTA MONICA A01/081 HOME FOR CHRISTMAS • EDEKA ZENTRALE & CO. KG • EDEKA • ENT./AG. JUNG VON MATT, HAMBURG • PROD. CO. TEMPOMEDIA HAMBURG A01/082 CILLIT BANG ‘THE MECHANIC’ • CILLIT BANG • CILLIT BANG’S CLEANING PRODUCTS. • ENT./AG. PARTIZAN, PARIS / BETC, PARIS • PROD. CO. PARTIZAN PARIS / ROYAL POST, PARIS A01/083 AMBUJA KHALI • AMBUJA CEMENT • AMBUJA CEMENT • ENT./AG. EARLY MAN FILMS, MUMBAI / PUBLICIS AMBIENCE, MUMBAI • MED. AG. PUBLICIS AMBIENCE, MUMBAI • PROD. CO. EARLY MAN FILMS MUMBAI A01/088 VOODOO IN MY BLOOD • VIRGIN RECORDS • MASSIVE ATTACK FT. YOUNG FATHERS • ENT./AG. RATTLING STICK, LONDON • PROD. CO. RATTLING STICK LONDON A01/091 FRONT SEAT • KOHL’S • KOHL’S • ENT./AG. PARK PICTURES, NEW YORK / ANOMALY, NEW YORK • PROD. CO. PARK PICTURES NEW YORK A01/093 MOVIE NIGHT • KOHL’S • KOHL’S • ENT./AG. PARK PICTURES, NEW YORK / ANOMALY, NEW YORK • PROD. CO. PARK PICTURES NEW YORK A01/112 ULTIMATE DEATH SCENE • SEA SHEPHERD AUSTRALIA • ANTI WHALING • ENT./AG. THE WORKS SYDNEY • PROD. CO. TAXI FILM SYDNEY A01/120 FLETCHER’S DRIVE • AT&T - IT CAN WAIT • ITCANWAIT.COM • ENT./AG. SMUGGLER, NEW YORK / ESPN , NEW YORK • PROD. CO. SMUGGLER NEW YORK A01/137 YOU’RE ALIVE • HORNBACH • DIY HOME IMPROVEMENT SUPERSTORES • ENT./AG. HEIMAT, BERLIN • PROD. CO. PARTIZAN BERLIN A01/154 NSPCC - ASTRONAUT • NSPCC • CHARITY • ENT./AG. KNUCKLEHEAD, LONDON / LEO BURNETT LONDON • PROD. CO. KNUCKLEHEAD LONDON A01/157 SPARE THE ACT- LAPTOP • DIXONS CARPHONE • CURRYS PC WORLD • ENT./AG. AMVBBDO, LONDON • PROD. CO. O POSITIVE NEW YORK A01/158 MOG’S CALAMITY • SAINSBURY’S • SUPERMARKET • ENT./AG. AMVBBDO, LONDON • PROD. CO. OUTSIDER LONDON A01/204 HENNESSY THE PICCARDS • HENNESSY / LVMH • HENNESSY • ENT./AG. DROGA5, NEW YORK / MOET HENNESSY USA, NEW YORK • PROD. CO. SOMESUCH LONDON / ANONYMOUS CONTENT, CULVER CITY / MILL+, NEW YORK A01/241 WATERFALL • CHANNEL 4 • CHANNEL 4 • ENT./AG. ACADEMY FILMS, LONDON • PROD. CO. ACADEMY FILMS LONDON A01/242 SHAMAN • CHANNEL 4 • CHANNEL 4 • ENT./AG. ACADEMY FILMS, LONDON • PROD. CO. ACADEMY FILMS LONDON A01/243 DETONATION • CHANNEL 4 • CHANNEL 4 • ENT./AG. ACADEMY FILMS, LONDON • PROD. CO. ACADEMY FILMS LONDON A01/244 BLOCK TESTING • CHANNEL 4 • CHANNEL 4 • ENT./AG. ACADEMY FILMS, LONDON • PROD. CO. ACADEMY FILMS LONDON A01/255 JUSTINO • LOTERÍAS Y APUESTAS DEL ESTADO • CHRISTMAS LOTTERY • ENT./AG. LEO BURNETT , MADRID • PROD. CO. PASSION PICTURES LONDON / BLUR PRODUCCIONES, MADRID / MILFORD FILM & ANIMATION, STOCKHOLM A01/291 KLARNA -FISH • KLARNA • KLARNA • ENT./AG. MJZ LONDON / DDB STOCKHOLM • PROD. CO. MJZ LONDON A01/292 KLARNA - CHEESE • KLARNA • KLARNA • ENT./AG. MJZ LONDON / DDB STOCKHOLM • PROD. CO. MJZ LONDON A01/306 KIDS • MERCEDES-BENZ • SMART FORFOUR • ENT./AG. RADICAL MEDIA, NEW YORK / BBDO GROUP GERMANY, BERLIN • PROD. CO. RADICAL MEDIA NEW YORK A01/320 PARALLEL LIVES • THE PRINCE’S TRUST • THE PRINCE’S TRUST • ENT./AG. SMUGGLER, LONDON / CHI & PARTNERS, LONDON • PROD. CO. SMUGGLER LONDON A01/359 SEIZE GLORY • CALL OF DUTY • CALL OF DUTY • ENT./AG. HUNGRY MAN, LOS ANGELES / 72ANDSUNNY, PLAYA VISTA • PROD. CO. HUNGRY MAN LOS ANGELES A01/378 UNDER ARMOUR USA WOMENS GYMNASTICS • UNDER ARMOUR • UNDER ARMOUR • ENT./AG. DROGA5, NEW YORK • PROD. CO. EPOCH FILMS NEW YORK A01/379 UNDER ARMOUR PHELPS • UNDER ARMOUR • UNDER ARMOUR • ENT./AG. DROGA5, NEW YORK • PROD. CO. EPOCH FILMS NEW YORK A01/403 ONE MORE DAY • ONEMOREDAY.TODAY • GUN CONTROL PSA • ENT./AG. STATION FILM, NEW YORK CITY, NY • MED. AG. STATION FILM, NEW YORK CITY, NY • PROD. CO. STATION FILM NEW YORK CITY, NY A01/410 IF YOUR MONEY CAME EASY • CORONATION FUND MANAGERS • FINANCIAL • ENT./AG. NET#WORK BBDO, JOHANNESBURG • PROD. CO. STAR FILMS JOHANNESBURG A01/415 STRONG • PROCTER & GAMBLE • PROCTER & GAMBLE • ENT./AG. RATTLING STICK, SANTA MONICA / WIEDEN+KENNEDY, PORTLAND • PROD. CO. RATTLING STICK SANTA MONICA A01/420 NEVER ALONE • DIAGEO • GUINNESS- RUGBY WORLD CUP SPONSER • ENT./AG. STINK, LONDON / AMVBBDO, LONDON • PROD. CO. STINK LONDON A01/429 LIFT • HSBC • HSBC BANKING • ENT./AG. INDEPENDENT, LONDON / GREY LONDON • PROD. CO. INDEPENDENT LONDON

INDIA USA UNITED KINGDOM UNITED KINGDOM UNITED KINGDOM USA USA GERMANY FRANCE INDIA UNITED KINGDOM USA USA AUSTRALIA USA GERMANY UNITED KINGDOM UNITED KINGDOM UNITED KINGDOM USA UNITED KINGDOM UNITED KINGDOM UNITED KINGDOM UNITED KINGDOM SPAIN UNITED KINGDOM UNITED KINGDOM USA UNITED KINGDOM USA USA USA USA SOUTH AFRICA USA UNITED KINGDOM UNITED KINGDOM

SCRIPT A02/002 ODE TO SOHO • BRITISH FASHION COUNCIL • LONDON FASHION WEEK • ENT./AG. BBH, LONDON • PROD. CO. BLACK SHEEP STUDIOS LONDON UNITED KINGDOM A02/003 THE BOYS ‘IMPACT’ • PACIFIC BRANDS UNDERWEAR GROUP AUSTRALIA • BONDS • ENT./AG. CLEMENGER BBDO MELBOURNE • PROD. CO. GUILTY CONTENT MELBOURNE AUSTRALIA A02/004 THE BOYS ‘SWIM’ • PACIFIC BRANDS UNDERWEAR GROUP AUSTRALIA • BONDS • ENT./AG. CLEMENGER BBDO MELBOURNE • PROD. CO. GUILTY CONTENT MELBOURNE AUSTRALIA A02/005 THE BOYS ‘CYCLE’ • PACIFIC BRANDS UNDERWEAR GROUP AUSTRALIA • BONDS • ENT./AG. CLEMENGER BBDO MELBOURNE • PROD. CO. GUILTY CONTENT MELBOURNE AUSTRALIA A02/026 SHOCKWAVE (ONDE DE CHOC) • DÉLÉGATION À LA SÉCURITÉ ET À LA CIRCULATION ROUTIÉRES • FRENCH ROAD SAFETY • ENT./AG. LA CHOSE, PARIS • PROD. CO. QUAD PRODUCTIONS CLICHY FRANCE A02/060 DEARDADDY • CARE NORWAY • DOMESTIC VIOLENCE AWARENESS • ENT./AG. SCHJAERVEN REKLAMEBYRÅ, OSLO • PROD. CO. TANGRYSTAN OSLO NORWAY A02/070 FLETCHER’S DRIVE • AT&T - IT CAN WAIT • ITCANWAIT.COM • ENT./AG. SMUGGLER, NEW YORK / ESPN , NEW YORK • PROD. CO. SMUGGLER NEW YORK USA A02/080 INNOCENCE EN DANGER - THE WITNESS • INNOCENCE EN DANGER • INNOCENCE EN DANGER • ENT./AG. TROOPERS FILM, PARIS / ROSAPARK, PARIS • PROD. CO. TROOPERS FILM PARIS FRANCE A02/085 SPARE THE ACT- LAPTOP • DIXONS CARPHONE • CURRYS PC WORLD • ENT./AG. AMVBBDO, LONDON • PROD. CO. O POSITIVE NEW YORK UNITED KINGDOM A02/086 MOG’S CALAMITY • SAINSBURY’S • SUPERMARKET • ENT./AG. AMVBBDO, LONDON • PROD. CO. OUTSIDER LONDON UNITED KINGDOM A02/130 JUSTINO • LOTERÍAS Y APUESTAS DEL ESTADO • CHRISTMAS LOTTERY • ENT./AG. LEO BURNETT , MADRID • PROD. CO. PASSION PICTURES LONDON / BLUR PRODUCCIONES, MADRID / MILFORD FILM & ANIMATION, STOCKHOLM SPAIN A02/146 PARKINSON’S NSW- THE LUCKY ONES • PARKINSON’S NSW • PARKINSON’S DISEASE • ENT./AG. J. WALTER THOMPSON, SYDNEY • PROD. CO. WE ARE CONTENT SYDNEY AUSTRALIA A02/151 DADS#SHARETHELOAD • PROCTER & GAMBLE INDIA • ARIEL MATIC • ENT./AG. BBDO INDIA, MUMBAI • PROD. CO. RED ICE FILMS MUMBAI INDIA A02/182 LOVING EYES-TOYOTA SAFETY SENSE • TOYOTA MARKETING JAPAN CORPORATION • COMPANY • ENT./AG. SIX, TOKYO / HAKUHODO, TOKYO / HAKUHODO CREATIVE VOX, TOKYO • PROD. CO. AOI PRO TOKYO JAPAN A02/185 THE RIP, ARTBREAKS • ABC • BRAND • ENT./AG. MARCEL SYDNEY, WALSH BAY • MED. AG. ABC, SYDNEY • PROD. CO. HECKLER SYDNEY / SAM I AM, SYDNEY AUSTRALIA A02/194 FIREFLY MAN • INDEPENDENT INCUBATOR • OCEDEL • ENT./AG. NITTO, TOKYO / DRILL, TOKYO • PROD. CO. GEEK PICTURES TOKYO JAPAN A02/199 MOM TALK • QUARTER LIFE POETRY • QUARTER LIFE POETRY BOOK • ENT./AG. QUARTER LIFE POETRY, SANTA MONICA • PROD. CO. QUARTER LIFE POETRY SANTA MONICA USA A02/210 LOOKING BACK • CLARK STREET BRIDGE • WRITING SCHOOL • ENT./AG. FCB CHICAGO • PROD. CO. LORD + THOMAS CHICAGO USA A02/219 GIRLS CAN’T CODE • GIRLS WHO CODE • NON-PROFIT • ENT./AG. MCCANN NEW YORK • PROD. CO. TOOL NEW YORK CITY, NY USA A02/241 SIMPLY PUT • ANHEUSER–BUSCH INBEV • BUDWEISER • ENT./AG. ANOMALY, NEW YORK • MED. AG. MEDIACOM, NEW YORK • PROD. CO. ANONYMOUS CONTENT NEW YORK USA A02/247 LAST • NIKE • CLOTHING, FOOTWEAR AND ACCESSORIES • ENT./AG. WIEDEN+KENNEDY, PORTLAND • MED. AG. MINDSHARE, PORTLAND • PROD. CO. PARK PICTURES SANTA MONICA / A52, SANTA MONICA / WALKER, LOS ANGELES / ELEVEN SOUND, SANTA MONICA USA A02/252 RUBBER BOY • PETRONAS • PETRONAS • ENT./AG. LEO BURNETT MALAYSIA, KUALA LUMPUR • PROD. CO. RESERVOIR WORLD KUALA LUMPUR MALAYSIA A02/253 GAME OF BALLS • BLUE BALL FOUNDATION • TESTICULAR CANCER AWARENESS • ENT./AG. M&C SAATCHI, SYDNEY AUSTRALIA CASTING A03/006 TINY DANCER • JOHN LEWIS INSURANCE • PREMIER HOME INSURANCE • ENT./AG. ADAM&EVEDDB, LONDON • MED. AG. MANNING GOTTLIEB OMD, LONDON • PROD. CO. BLINK PRODUCTIONS LONDON A03/009 1000 YEARS OF LESS ORDINARY • BROWN-FORMAN • FINLANDIA VODKA • ENT./AG. WIEDEN+KENNEDY, LONDON • PROD. CO. KNUCKLEHEAD LONDON A03/030 HOME FOR CHRISTMAS • EDEKA ZENTRALE & CO. KG • EDEKA • ENT./AG. JUNG VON MATT, HAMBURG • PROD. CO. TEMPOMEDIA HAMBURG A03/032 ULTIMATE DEATH SCENE • SEA SHEPHERD AUSTRALIA • ANTI WHALING • ENT./AG. THE WORKS SYDNEY • PROD. CO. TAXI FILM SYDNEY A03/034 IMAGINE THE POSSIBILITIES • MATTEL • BARBIE • ENT./AG. BBDO SAN FRANCISCO • MED. AG. STARCOM, CHICAGO • PROD. CO. SLIM PICTURES VENICE A03/046 RESTRICTED BLING • T-MOBILE • T-MOBILE’S NETWORK • ENT./AG. PUBLICIS SEATTLE • PROD. CO. PRETTYBIRD CULVER CITY / ARCADE EDIT, SANTA MONICA A03/047 DENG ADUT • UNIVERSITY OF WESTERN SYDNEY • EDUCATION • ENT./AG. FINCH, SYDNEY / VCD + WE.COLLECTIVE, SYDNEY • PROD. CO. FINCH SYDNEY A03/049 FLETCHER’S DRIVE • AT&T - IT CAN WAIT • ITCANWAIT.COM • ENT./AG. SMUGGLER, NEW YORK / ESPN , NEW YORK • PROD. CO. SMUGGLER NEW YORK A03/061 SPARE THE ACT- NESPRESSO • DIXONS CARPHONE • CURRYS PC WORLD • ENT./AG. AMVBBDO, LONDON • PROD. CO. O POSITIVE NEW YORK A03/081 STRONG • PROCTER & GAMBLE • HOUSEHOLD PRODUCTS • ENT./AG. WIEDEN+KENNEDY, PORTLAND • PROD. CO. RATTLING STICK SANTA MONICA

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FILM CRAFT SHORTLIST

LIONS DAILY NEWS

CASTING A03/085 ONLY ORDINARY BY NAME • HEINEKEN UK • JOHN SMITH’S • ENT./AG. SOMESUCH, LONDON / ADAM&EVEDDB, LONDON • PROD. CO. SOMESUCH LONDON A03/137 LIFT • HSBC • COMMERCIAL BANKING • ENT./AG. GREY LONDON • MED. AG. MINDSHARE, LONDON • PROD. CO. INDEPENDENT LONDON / THE MILL , LONDON / 750MPH, LONDON A03/148 FIREFLY MAN • INDEPENDENT INCUBATOR • OCEDEL • ENT./AG. NITTO, TOKYO / DRILL, TOKYO • PROD. CO. GEEK PICTURES TOKYO A03/151 BREATHLESS CHOIR • PHILIPS • SIMPLYGO MINI • ENT./AG. OGILVY & MATHER LONDON • MED. AG. CARAT, LONDON • PROD. CO. TOOL SANTA MONICA / UNIVERSAL PRODUCTION PARTNERS, PRAGUE A03/176 POCKET MONEY — EQUAL FUTURE • ANZ • ANZ BANK • ENT./AG. TBWA MELBOURNE • MED. AG. PHD, MELBOURNE • PROD. CO. TBWA MELBOURNE A03/202 LIFEBUOY HELP A CHILD REACH 5 - CHAMKI • UNILEVER • LIFEBUOY HANDWASH • ENT./AG. OFFROAD FILMS, MUMBAI / MULLENLOWE LINTAS GROUP INDIA, MUMBAI • PROD. CO. OFFROAD FILMS MUMBAI A03/221 LAST • NIKE • NIKE • ENT./AG. PARK PICTURES, NEW YORK / WIEDEN+KENNEDY, PORTLAND • PROD. CO. PARK PICTURES NEW YORK

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PRODUCTION DESIGN / ART DIRECTION A04/005 SWEDISH NATIONAL RADIO • SWEDISH NATIONAL RADIO • SWEDISH NATIONAL RADIO • ENT./AG. CP+B, STOCKHOLM • PROD. CO. INDIO STOCKHOLM A04/008 FEVICOL - DAHI HANDI • CORCOISE FILMS • ADHESIVES • ENT./AG. CORCOISE FILMS, MUMBAI / OGILVY & MATHER MUMBAI • PROD. CO. CORCOISE FILMS MUMBAI A04/015 THE WORLD OF AUTISM • AUTISM SPEAKS • AUTISM SPEAKS • ENT./AG. BBDO, NEW YORK • PROD. CO. LOBO SÃO PAULO A04/019 SHOCKWAVE (ONDE DE CHOC) • DÉLÉGATION À LA SÉCURITÉ ET À LA CIRCULATION ROUTIÉRES • FRENCH ROAD SAFETY • ENT./AG. LA CHOSE, PARIS • PROD. CO. QUAD PRODUCTIONS CLICHY A04/020 LOSS OF CONTROL (PERTE DE CONTRÔLE) • DÉLÉGATION À LA SÉCURITÉ ET À LA CIRCULATION ROUTIÉRES • FRENCH ROAD SAFETY • ENT./AG. LA CHOSE, PARIS • PROD. CO. QUAD PRODUCTIONS CLICHY A04/027 CHANNEL 4 REBRAND • CHANNEL 4 • CHANNEL 4 REBRAND • ENT./AG. 4CREATIVE, LONDON • MED. AG. 4CREATIVE, LONDON • PROD. CO. 4CREATIVE LONDON A04/040 THE MAN ON THE MOON • JOHN LEWIS • JOHN LEWIS • ENT./AG. ADAM&EVEDDB, LONDON • MED. AG. MANNING GOTTLIEB OMD, LONDON • PROD. CO. SOMESUCH LONDON A04/055 BOND MOMENTS • GILLETTE • GILLETTE & SPECTRE • ENT./AG. SMUGGLER, NEW YORK / GREY NEW YORK • PROD. CO. SMUGGLER NEW YORK A04/061 HISTORY OF SOUND • APPLE • APPLE MUSIC • ENT./AG. TBWA\MEDIA ARTS LAB, LOS ANGELES • MED. AG. OMD, NEW YORK • PROD. CO. STINK LOS ANGELES A04/067 WORLD OF PLAY • LG • LG G5 • ENT./AG. MJZ, LOS ANGELES / ENERGY BBDO, CHICAGO • PROD. CO. MJZ LOS ANGELES A04/068 AND SO IT BEGINS • OLD SPICE • OLD SPICE • ENT./AG. MJZ, LOS ANGELES / WIEDEN+KENNEDY, PORTLAND • PROD. CO. MJZ LOS ANGELES A04/081 THE CHEESE • KLARNA • FINANCIAL PRODUCTS & SERVICES • ENT./AG. DDB STOCKHOLM • MED. AG. OMD, STOCKHOLM A04/082 THE SWIM • KLARNA • FINANCIAL PRODUCTS & SERVICES • ENT./AG. DDB STOCKHOLM • MED. AG. OMD, STOCKHOLM A04/083 THE FISH • KLARNA • FINANCIAL PRODUCTS & SERVICES • ENT./AG. DDB STOCKHOLM • MED. AG. OMD, STOCKHOLM A04/091 HENNESSY THE PICCARDS • HENNESSY / LVMH • HENNESSY • ENT./AG. DROGA5, NEW YORK / MOET HENNESSY USA, NEW YORK • PROD. CO. SOMESUCH LONDON / ANONYMOUS CONTENT, CULVER CITY / MILL+, NEW YORK A04/101 KALEIDOSCOPE • RED BULL MEDIA HOUSE • RED BULL • ENT./AG. RSA FILMS, LONDON / RED BULL MEDIA, LONDON • MED. AG. RED BULL MEDIA, LONDON • PROD. CO. RSA FILMS LONDON A04/107 A DIFFERENT PARIS • AIRBNB • AIRBNB • ENT./AG. TBWA\SINGAPORE • PROD. CO. SIXTOES TV SINGAPORE / PHOTOPLAY FILMS, SYDNEY / CUTTING EDGE, SYDNEY / SONG ZU SINGAPORE, SINGAPORE A04/114 JUSTINO • LOTERÍAS Y APUESTAS DEL ESTADO • CHRISTMAS LOTTERY • ENT./AG. LEO BURNETT , MADRID • PROD. CO. PASSION PICTURES LONDON / BLUR PRODUCCIONES, MADRID / MILFORD FILM & ANIMATION, STOCKHOLM A04/142 PARALLEL LIVES • THE PRINCE’S TRUST • THE PRINCE’S TRUST • ENT./AG. SMUGGLER, LONDON / CHI & PARTNERS, LONDON • PROD. CO. SMUGGLER LONDON A04/144 OFFICE • SAMSUNG ELECTRONICS AMERICA • GALAXY S6 • ENT./AG. 72ANDSUNNY, NEW YORK / PUNCHDRUNK, LONDON • MED. AG. STARCOM MEDIAVEST GROUP, NEW YORK • PROD. CO. ICONOCLAST CULVER CITY A04/159 ART OF TIME • SEIKO HOLDINGS CORPORATION • BRAND • ENT./AG. DENTSU INC, TOKYO • MED. AG. ISOBAR, TOKYO • PROD. CO. AOI PRO TOKYO A04/179 FLETCHER’S DRIVE • AT&T - IT CAN WAIT • ITCANWAIT.COM • ENT./AG. SMUGGLER, NEW YORK / ESPN , NEW YORK • PROD. CO. SMUGGLER NEW YORK A04/182 THE WORLD’S FIRST KAWAII (CUTE) MISO SOUP • MARUKOME • THE WORLD’S FIRST KAWAII (CUTE) MISO SOUP • ENT./AG. TOHOKUSHINSHA FILM CORPORATION, TOKYO / DENTSU INC, TOKYO A04/209 UPSIDE DOWN & INSIDE OUT (MUSIC VIDEO) • S7 / OK GO • S7 AIRLINES • ENT./AG. BOB INDUSTRIES, SANTA MONICA / TUTKOVBUDKOV, VOLGOGRAD • PROD. CO. BOB INDUSTRIES SANTA MONICA / PRO FILMS, MOSCOW A04/212 I HAVE SEEN • GANT • GANT SHIRTMAKERS • ENT./AG. BANDITS, PARIS / BETC, PARIS • PROD. CO. BANDITS PARIS

SWEDEN INDIA USA FRANCE FRANCE UNITED KINGDOM UNITED KINGDOM USA USA USA USA SWEDEN SWEDEN SWEDEN USA UNITED KINGDOM SINGAPORE SPAIN UNITED KINGDOM USA JAPAN USA JAPAN USA FRANCE

CINEMATOGRAPHY A05/011 CLOSE TO HOME • AT&T • AT&T • ENT./AG. BBDO, NEW YORK • PROD. CO. ANONYMOUS CONTENT CULVER CITY USA A05/028 UNDER ARMOUR RULE YOURSELF • UNDER ARMOUR • UNDER ARMOUR • ENT./AG. DROGA5, NEW YORK • PROD. CO. RESET SANTA MONICA USA A05/032 SAMSUNG CYCLING - WE ARE GREATER THAN I - LES DOMESTIQUES • SAMSUNG • SAMSUNG GALAXY • ENT./AG. 72ANDSUNNY AMSTERDAM • PROD. CO. KNUCKLEHEAD LONDON THE NETHERLANDS A05/033 SAMSUNG SURF - WE ARE GREATER THAN I - WITHOUT YOU I’M NOTHING • SAMSUNG • SAMSUNG GALAXY • ENT./AG. 72ANDSUNNY AMSTERDAM • PROD. CO. STINK LONDON THE NETHERLANDS A05/070 HISTORY OF SOUND • APPLE • APPLE MUSIC • ENT./AG. TBWA\MEDIA ARTS LAB, LOS ANGELES • MED. AG. OMD, NEW YORK • PROD. CO. STINK LOS ANGELES USA A05/093 HENNESSY THE PICCARDS • HENNESSY / LVMH • HENNESSY • ENT./AG. DROGA5, NEW YORK / MOET HENNESSY USA, NEW YORK • PROD. CO. SOMESUCH LONDON / ANONYMOUS CONTENT, CULVER CITY / MILL+, NEW YORK USA A05/141 TREASURE TODAY • MEMORIESLAB • MEMORIESLAB • ENT./AG. FRED & FARID SHANGHAI • MED. AG. FRED & FARID SHANGHAI • PROD. CO. FRED & FARID SHANGHAI CHINA A05/147 PARALLEL LIVES • THE PRINCE’S TRUST • THE PRINCE’S TRUST • ENT./AG. SMUGGLER, LONDON / CHI & PARTNERS, LONDON • PROD. CO. SMUGGLER LONDON UNITED KINGDOM A05/148 SHOULDERS OF GIANTS • NISSAN NTH AMERICA • NISSAN TITAN • ENT./AG. TBWA\CHIAT\DAY, LA • PROD. CO. SMUGGLER LA, CA / ROCK PAPER SCISSORS, S. MONICA/A52, S. MONICA/MPC LA, S. MONICA/STIMMUNG, S. MONICA/BARKING OWL, LA/ MARGARITA MIX, LA, CA USA A05/155 RAINMAKER • AUDI • AUDI • ENT./AG. THJNK, HAMBURG • PROD. CO. THE GANG BARCELONA GERMANY A05/157 ASTRONAUT • NSPCC • NSPCC • ENT./AG. LEO BURNETT LONDON • PROD. CO. KNUCKLEHEAD LONDON UNITED KINGDOM A05/164 SHARK DANCER • HUAWEI • MATE S • ENT./AG. OGILVY & MATHER SHANGHAI • PROD. CO. RSA FILMS LONDON CHINA A05/165 TRANSGENDER AMAZON EVE FOR EQUAL PAY DAY • EQUAL PAY DAY • EQUAL PAY DAY • ENT./AG. MORTIERBRIGADE, BRUSSELS • PROD. CO. CZAR BRUSSELS BELGIUM A05/183 OUT THERE • CANADA GOOSE • OUTDOOR APPAREL • ENT./AG. CAA MARKETING, LA/CANADA GOOSE,TORONTO • PROD. CO. SAVILLE PROD. LA, CA/CHEROKEE FILMS,AUCKLAND/SPOTWELDERS, LA/MPC LA/SKYWALKER SOUND, NICASIO/CO3, S. MONICA, CA/RUMOR MILL, NY USA A05/184 UNDER ARMOUR USA WOMENS GYMNASTICS • UNDER ARMOUR • UNDER ARMOUR • ENT./AG. DROGA5, NEW YORK • PROD. CO. EPOCH FILMS NEW YORK USA A05/185 UNDER ARMOUR PHELPS • UNDER ARMOUR • UNDER ARMOUR • ENT./AG. DROGA5, NEW YORK • PROD. CO. EPOCH FILMS NEW YORK USA A05/203 BLOOD • SCA • LIBRESSE: WOMENS SANITARY PRODUCTS • ENT./AG. STINK, LONDON / AMVBBDO, LONDON • PROD. CO. STINK LONDON UNITED KINGDOM A05/218 MAN ON THE MOON • JOHN LEWIS • JOHN LEWIS CHRISTMAS 2015 • ENT./AG. SOMESUCH, LONDON / ADAM&EVEDDB, LONDON • PROD. CO. SOMESUCH LONDON UNITED KINGDOM EDITING A06/010 CLOSE TO HOME • AT&T • AT&T • ENT./AG. BBDO, NEW YORK • PROD. CO. ANONYMOUS CONTENT CULVER CITY A06/024 THE CHASE • NIKE • NIKE GOLF • ENT./AG. ROCK PAPER SCISSORS, LOS ANGELES, CA / WIEDEN+KENNEDY, PORTLAND • PROD. CO. ROCK PAPER SCISSORS SANTA MONICA A06/026 UNDER ARMOUR RULE YOURSELF • UNDER ARMOUR • UNDER ARMOUR • ENT./AG. DROGA5, NEW YORK • PROD. CO. RESET SANTA MONICA A06/028 LEBRON UNINTERRUPTED • SAMSUNG • SAMSUNG VR • ENT./AG. BISCUIT FILMWORKS, LOS ANGELES / 72ANDSUNNY, PLAYA VISTA • PROD. CO. BISCUIT FILMWORKS LOS ANGELES A06/057 ALIVE INSIDE • DIAGEO • GUINNESS • ENT./AG. AMVBBDO, LONDON • PROD. CO. NEXUS PRODUCTIONS LONDON A06/061 WORLD OF PLAY • LG • LG G5 • ENT./AG. MJZ, LOS ANGELES / ENERGY BBDO, CHICAGO • PROD. CO. MJZ LOS ANGELES A06/065 SONY TKO • STINKDIGITAL • SONY ACTION CAM • ENT./AG. BIG CHOP, LONDON / STINK, LONDON • PROD. CO. BIG CHOP LONDON / SPINDLE PRODUCTIONS, NORWICH A06/067 STRONG • PROCTER & GAMBLE • HOUSEHOLD PRODUCTS • ENT./AG. WIEDEN+KENNEDY, PORTLAND • PROD. CO. RATTLING STICK SANTA MONICA A06/079 HISTORY OF SOUND • APPLE • APPLE MUSIC • ENT./AG. EXILE, SANTA MONICA / TBWA\MEDIA ARTS LAB, LOS ANGELES • PROD. CO. STINK LOS ANGELES / EXILE, SANTA MONICA A06/094 WORLD RECYCLE WEEK • H&M • CLOTHING • ENT./AG. FORSMAN & BODENFORS, GOTHENBURG • PROD. CO. INDIO STOCKHOLM A06/109 IT’S IN OUR BLOOD • NASCAR • MOTOR SPORTS/AUTO RACING • ENT./AG. OGILVY & MATHER, NEW YORK • PROD. CO. REPUBLIC CONTENT SOUTH PASADENA A06/129 THE HEART • VISA • VISA OLYMPICS SPONSORSHIP • ENT./AG. SAATCHI & SAATCHI, LONDON • PROD. CO. MJZ LONDON / WAVE STUDIOS, LONDON A06/130 LOVING EYES-TOYOTA SAFETY SENSE • TOYOTA MARKETING JAPAN CORPORATION • COMPANY • ENT./AG. SIX, TOKYO / HAKUHODO, TOKYO / HAKUHODO CREATIVE VOX, TOKYO • PROD. CO. AOI PRO TOKYO A06/138 ENDLESS POSSIBILITIES • GETTY IMAGES • GETTY IMAGES • ENT./AG. ALMAPBBDO, SÃO PAULO • MED. AG. ALMAPBBDO, SÃO PAULO • PROD. CO. VETOR ZERO SÃO PAULO A06/151 UNDER ARMOUR USA WOMENS GYMNASTICS • UNDER ARMOUR • UNDER ARMOUR • ENT./AG. DROGA5, NEW YORK • PROD. CO. EPOCH FILMS NEW YORK A06/152 UNDER ARMOUR PHELPS • UNDER ARMOUR • UNDER ARMOUR • ENT./AG. DROGA5, NEW YORK • PROD. CO. EPOCH FILMS NEW YORK A06/161 SHORT A GUY • NIKE • GEAR UP • ENT./AG. WORK EDITORIAL, LONDON / WIEDEN+KENNEDY, PORTLAND • PROD. CO. WORK EDITORIAL LONDON / WIEDEN+KENNEDY, PORTLAND A06/165 FLETCHER’S DRIVE • ESPN/AT&T • ESPN/AT&T • ENT./AG. WORK EDITORIAL, NEW YORK / ESPN CREATIVE WORKS, NEW YORK • MED. AG. ESPN CREATIVE WORKS, NEW YORK • PROD. CO. ESPN CREATIVE WORKS NEW YORK A06/167 MOG’S CHRISTMAS CALAMITY • SAINSBURY’S • SUPERMARKET • ENT./AG. WORK EDITORIAL, LONDON / AMVBBDO, LONDON • PROD. CO. WORK EDITORIAL LONDON / OUTSIDER, LONDON A06/191 BLOOD • SCA • LIBRESSE: WOMENS SANITARY PRODUCTS • ENT./AG. STINK, LONDON / AMVBBDO, LONDON • PROD. CO. STINK LONDON USE OF ORIGINAL MUSIC A07/011 YOUR FUTURE IS NOT MINE • ADIDAS • ADIDAS ORIGINALS • ENT./AG. SQUEAK E CLEAN PRODUCTIONS, LOS ANGELES / JOHANNES LEONARDO, NEW YORK • PROD. CO. RSA FILMS LOS ANGELES A07/051 ENVY • SVENSON • HAIR TREATMENT CLINIC • ENT./AG. TAPSA | Y&R, MADRID • PROD. CO. LEE FILMS MADRID A07/060 WORLD RECYCLE WEEK • H&M • CLOTHING • ENT./AG. FORSMAN & BODENFORS, GOTHENBURG • PROD. CO. INDIO STOCKHOLM A07/064 HOUSE MAID • KATAOKA&CO.,LTD • VAN HOUTEN COCOA • ENT./AG. AOI PRO, TOKYO / TOKYU AGENCY, TOKYO • PROD. CO. AOI PRO TOKYO A07/077 AIN’T CUTE • PEA • INSTITUCIONAL • ENT./AG. LEO BURNETT TAILOR MADE, SÃO PAULO • PROD. CO. SPRAY FILMES SÃO PAULO

USA USA USA USA UNITED KINGDOM USA UNITED KINGDOM USA USA SWEDEN USA UNITED KINGDOM JAPAN BRAZIL USA USA UNITED KINGDOM USA UNITED KINGDOM UNITED KINGDOM USA SPAIN SWEDEN JAPAN BRAZIL

ENT./AG. : ENTRANT AGENCY MED. AG. : MEDIA AGENCY PROD. CO. : PRODUCTION COMPANY

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A07/085 LOVING EYES-TOYOTA SAFETY SENSE • TOYOTA MARKETING JAPAN CORPORATION • COMPANY • ENT./AG. SIX, TOKYO / HAKUHODO, TOKYO / HAKUHODO CREATIVE VOX, TOKYO • PROD. CO. AOI PRO TOKYO JAPAN A07/103 BIGGER THAN US • HARMAN INTERNATIONAL/ JBL • JBL HEADPHONES • ENT./AG. AMUSEMENT PARK ENTERTAINMENT, LOS ANGELES • MED. AG. AMUSEMENT PARK ENTERTAINMENT, LOS ANGELES • PROD. CO. AMUSEMENT PARK ENTERTAINMENT LOS ANGELES USA A07/108 POOL KID • THOMAS COOK • TRAVEL/PACKAGE HOLIDAY • ENT./AG. ALBION LONDON, LONDON • PROD. CO. THE SWEET SHOP LONDON / THE MILL , LONDON / TEN THREE, LONDON / 750MPH, LONDON / EARWORM MUSIC, LONDON UNITED KINGDOM USE OF LICENSED / ADAPTED MUSIC A08/004 SWEDISH NATIONAL RADIO • SWEDISH NATIONAL RADIO • SWEDISH NATIONAL RADIO • ENT./AG. CP+B, STOCKHOLM • PROD. CO. INDIO STOCKHOLM SWEDEN A08/005 AWAKEN YOUR FORCE • HP • X360, TABLETS • ENT./AG. 180LA, SANTA MONICA • MED. AG. 180LA, SANTA MONICA • PROD. CO. PARK PICTURES NEW YORK USA A08/006 JANE • HP • SPROUT • ENT./AG. 180LA, SANTA MONICA • PROD. CO. PARK PICTURES SANTA MONICA / AGORAPHONE, BROOKLYN USA A08/007 MORE THAN BRAINS • UNIVERSITY OF PHOENIX • EDUCATION • ENT./AG. 180LA, SANTA MONICA • PROD. CO. THE CORNER SHOP SANTA MONICA / WALKER, LOS ANGELES USA A08/018 EXTRA GUM SARAH & JUAN • WRIGLEY, A SUBSIDIARY OF MARSORPORATED • EXTRA GUM • ENT./AG. ENERGY BBDO, CHICAGO • PROD. CO. RATTLING STICK SANTA MONICA USA A08/021 UNDER ARMOUR RULE YOURSELF • UNDER ARMOUR • UNDER ARMOUR • ENT./AG. DROGA5, NEW YORK • PROD. CO. RESET SANTA MONICA USA A08/022 WHEN WE BELIEVE WE CAN • COMMONWEALTH BANK • BANK • ENT./AG. GOODOIL FILMS, SYDNEY / M&C SAATCHI, SYDNEY • PROD. CO. GOODOIL FILMS SYDNEY AUSTRALIA A08/030 THE FADING SYMPHONY • MOTOR NEURONE DISEASE AUSTRALIA • MOTOR NEURONE DISEASE • ENT./AG. THE WORKS SYDNEY • PROD. CO. PHOTOPLAY FILMS SYDNEY AUSTRALIA A08/037 SHOPLIFTERS • HARVEY NICHOLS • LOYALTY APP • ENT./AG. ADAM&EVEDDB, LONDON • MED. AG. ZENITHOPTIMEDIA, LONDON • PROD. CO. BLINK PRODUCTIONS LONDON / CAIN & ABEL, LONDON / THE MILL , LONDON UNITED KINGDOM A08/074 BREATHLESS CHOIR • PHILIPS • SIMPLYGO MINI • ENT./AG. OGILVY & MATHER LONDON • MED. AG. CARAT, LONDON • PROD. CO. TOOL SANTA MONICA / UNIVERSAL PRODUCTION PARTNERS, PRAGUE UNITED KINGDOM A08/083 NEVERENDING STORY • SPOTIFY • SPOTIFY • ENT./AG. WIEDEN+KENNEDY, NEW YORK • PROD. CO. ANONYMOUS CONTENT NEW YORK USA A08/112 SAMSUNG X LEBRON - LET’S GO TO WORK • SAMSUNG ELECTRONICS AMERICA • GEAR VR HEADSET • ENT./AG. 72ANDSUNNY, NEW YORK • PROD. CO. BISCUIT FILMWORKS LOS ANGELES USA A08/113 COMPTON • THE GRAMMYS • THE 58TH GRAMMY AWARDS • ENT./AG. TBWA\CHIAT\DAY, LOS ANGELES • MED. AG. THE RECORDING ACADEMY, LOS ANGELES • PROD. CO. TBWA\CHIAT\DAY LOS ANGELES USA A08/117 SUPER BOWL BABIES CHOIR • NATIONAL FOOTBALL LEAGUE • SUPER BOWL 50 • ENT./AG. GREY NEW YORK • PROD. CO. TOWNHOUSE 23 NEW YORK / PARK PICTURES, NEW YORK / EXILE, SANTA MONICA / HUMAN, NEW YORK USA A08/121 SPARK BRILLIANCE • NIKE • NIKE FOOTBALL • ENT./AG. WIEDEN+KENNEDY AMSTERDAM • PROD. CO. DIVISION PARIS / GRAND CENTRAL SOUND STUDIOS, LONDON / GLASSWORKS , AMSTERDAM / ED BANGER RECORDS, PARIS THE NETHERLANDS A08/137 WIENER STAMPEDE • HEINZ • HEINZ CONDIMENTS (KETCHUP VARIETY, MUSTARD, BBQ SAUCE) • ENT./AG. DAVID, MIAMI • PROD. CO. BISCUIT FILMWORKS LOS ANGELES / CUT + RUN, SANTA MONICA / THE MILL, LOS ANGELES USA A08/146 UNDER ARMOUR USA WOMENS GYMNASTICS • UNDER ARMOUR • UNDER ARMOUR • ENT./AG. DROGA5, NEW YORK • PROD. CO. EPOCH FILMS NEW YORK USA A08/147 UNDER ARMOUR PHELPS • UNDER ARMOUR • UNDER ARMOUR • ENT./AG. DROGA5, NEW YORK • PROD. CO. EPOCH FILMS NEW YORK USA A08/155 BORN IN BRISTOL • TENNESSEE DEPARTMENT OF TOURISM DEVELOPMENT • TOURISM • ENT./AG. VML, KANSAS CITY • MED. AG. VML, KANSAS CITY • PROD. CO. PLAN A FILMS ASHVILLE USA A08/158 LAST • NIKE • CLOTHING, FOOTWEAR AND ACCESSORIES • ENT./AG. WIEDEN+KENNEDY, PORTLAND • MED. AG. MINDSHARE, PORTLAND • PROD. CO. PARK PICTURES SANTA MONICA / A52, SANTA MONICA / WALKER, LOS ANGELES / ELEVEN SOUND, SANTA MONICA USA A08/166 JOHN LEWIS CHRISTMAS 2015 - THE MAN ON THE MOON • JOHN LEWIS • N/A • ENT./AG. LELAND MUSIC/ADAM&EVEDDB, LONDON • MED. AG. MANNING GOTTLIEB OMD, LONDON • PROD. CO. SOMESUCH/TRIM EDITING , LONDON / THE MILL , LONDON / FACTORY , LONDON UK A08/174 DEVICES • UNITED COMMUNITIES OF SAN ANTONIO • CYBERBULLYING AWARENESS • ENT./AG. SHOOTERS FILMS, SAN ANTONIO • PROD. CO. SHOOTERS FILMS SAN ANTONIO USA A08/176 PROJECT LITERACY • PEARSON • PROJECT LITERACY • ENT./AG. FCB INFERNO, LONDON • MED. AG. INITIATIVE, LONDON • PROD. CO. 1STAVEMACHINE LONDON UNITED KINGDOM A08/177 NOT JUST A PRETTY HAIRSTYLE • UNILEVER • AXE • ENT./AG. PONCE , BUENOS AIRES • PROD. CO. PRIMO BUENOS AIRES / ICONOCLAST, PARIS ARGENTINA SOUND DESIGN A09/019 UNDER ARMOUR RULE YOURSELF • UNDER ARMOUR • UNDER ARMOUR • ENT./AG. DROGA5, NEW YORK • PROD. CO. RESET SANTA MONICA A09/030 TELL THE WORLD • DELTA • DELTA AIR LINES • ENT./AG. SMUGGLER, NEW YORK / WIEDEN+KENNEDY, NEW YORK • PROD. CO. SMUGGLER NEW YORK A09/031 TAKE OFF: WHY WE GO • DELTA • DELTA AIR LINES • ENT./AG. SMUGGLER, NEW YORK / WIEDEN+KENNEDY, NEW YORK • PROD. CO. SMUGGLER NEW YORK A09/035 PAPER • HONDA • HONDA • ENT./AG. FACTORY , LONDON / RPA, SANTA MONICA • PROD. CO. FACTORY LONDON A09/037 IGNITION • HONDA • HONDA • ENT./AG. FACTORY , LONDON / WIEDEN+KENNEDY, LONDON • PROD. CO. FACTORY LONDON A09/043 HENNESSY THE PICCARDS • HENNESSY / LVMH • HENNESSY • ENT./AG. DROGA5, NEW YORK / MOET HENNESSY USA, NEW YORK • PROD. CO. SOMESUCH LONDON / ANONYMOUS CONTENT, CULVER CITY / MILL+, NEW YORK A09/051 SHUCHU REGAIN: THE EXTREME MINUET WORLD’S FASTEST ORCHESTRA • SUNTORY • SHUCHU REGAIN • ENT./AG. PARTY, TOKYO • PROD. CO. KICHI TOKYO / TAIYOKIKAKU, TOKYO / P.I.C.S, TOKYO A09/058 DARK TO LIGHT • MARS PETCARE • PEDIGREE • ENT./AG. BBDO, NEW YORK • PROD. CO. PUBLIC RECORD BROOKLYN A09/088 SMIRNOFF - CHRIS LONGFORM • DIAGEO • ICE ELECTRIC FLAVORS • ENT./AG. 72ANDSUNNY, NEW YORK • PROD. CO. EPOCH FILMS NEW YORK A09/091 UNDER ARMOUR PHELPS • UNDER ARMOUR • UNDER ARMOUR • ENT./AG. DROGA5, NEW YORK • PROD. CO. EPOCH FILMS NEW YORK

USA USA USA UNITED KINGDOM UNITED KINGDOM USA JAPAN USA USA USA

ANIMATION A10/006 PAPER • AMERIAN HONDA MOTOR CO. • HONDA • ENT./AG. RPA, SANTA MONICA • PROD. CO. RESET SANTA MONICA / ROCK PAPER SCISSORS, SANTA MONICA / A52, SANTA MONICA / FACTORY , LONDON A10/008 MALAK AND THE BOAT • UNICEF • HUMANITARIAN AID • ENT./AG. 180LA, SANTA MONICA • MED. AG. 180LA, SANTA MONICA • PROD. CO. HOUSE OF COLORS SAO PAULO A10/011 THE WORLD OF AUTISM • AUTISM SPEAKS • AUTISM SPEAKS • ENT./AG. BBDO, NEW YORK • PROD. CO. LOBO SÃO PAULO A10/023 SHOPLIFTERS • HARVEY NICHOLS • LOYALTY APP • ENT./AG. ADAM&EVEDDB, LONDON • MED. AG. ZENITHOPTIMEDIA, LONDON • PROD. CO. BLINK PRODUCTIONS LONDON / CAIN & ABEL, LONDON / THE MILL , LONDON A10/039 MOG’S CALAMITY • SAINSBURY’S • SUPERMARKET • ENT./AG. AMVBBDO, LONDON • PROD. CO. OUTSIDER LONDON A10/045 A DIFFERENT PARIS • AIRBNB • AIRBNB • ENT./AG. TBWA\SINGAPORE • PROD. CO. SIXTOES TV SINGAPORE / PHOTOPLAY FILMS, SYDNEY / CUTTING EDGE, SYDNEY / SONG ZU SINGAPORE, SINGAPORE A10/047 MONSTER STAINS • UNILEVER • PERSIL • ENT./AG. OGILVY & MATHER LONDON • MED. AG. MINDSHARE, LONDON • PROD. CO. AARDMAN ANIMATIONS BRISTOL / KODE MEDIA, LONDON A10/049 JUSTINO • LOTERÍAS Y APUESTAS DEL ESTADO • CHRISTMAS LOTTERY • ENT./AG. LEO BURNETT , MADRID • PROD. CO. PASSION PICTURES LONDON / BLUR PRODUCCIONES, MADRID / MILFORD FILM & ANIMATION, STOCKHOLM A10/051 THE LETTER • OTTO (GMBH & CO. KG) • OTTO.DE • ENT./AG. HEIMAT, BERLIN • PROD. CO. STINK BERLIN / PSYOP, NEW YORK A10/058 ITV KNITTED AD BREAK • ITV • ITV • ENT./AG. ITV CREATIVE, LONDON • MED. AG. ITV CREATIVE, LONDON • PROD. CO. ITV CREATIVE LONDON A10/076 SSE ‘PIER’ • ADAM&EVEDDB • SSE • ENT./AG. THE MILL , LONDON / ADAM&EVEDDB, LONDON • PROD. CO. ACADEMY FILMS LONDON A10/077 KLARNA - FISH • KLARNA • KLARNA • ENT./AG. MJZ LONDON / DDB STOCKHOLM • PROD. CO. MJZ LONDON A10/079 KLARNA - SWIM • KLARNA • KLARNA • ENT./AG. MJZ LONDON / DDB STOCKHOLM • PROD. CO. MJZ LONDON A10/083 DOORS • ALCOHOLICS ANONYMOUS • ALCOHOLICS ANONYMOUS • ENT./AG. BUCK DESIGN, NEW YORK • MED. AG. ALCOHOLICS ANONYMOUS WORLD SERVICES, NEW YORK • PROD. CO. BUCK DESIGN NEW YORK

USA USA USA UNITED KINGDOM UNITED KINGDOM SINGAPORE UNITED KINGDOM SPAIN GERMANY UNITED KINGDOM UNITED KINGDOM UNITED KINGDOM UNITED KINGDOM USA

VISUAL EFFECTS A11/008 CALL OF DUTY: BLACK OPS 3 SEIZE GLORY • ACTIVISION • CALL OF DUTY: BLACK OPS 3 VIDEO GAME • ENT./AG. MPC LA, SANTA MONICA / 72ANDSUNNY, PLAYA VISTA • PROD. CO. MPC LA SANTA MONICA / HUNGRY MAN, LOS ANGELES USA A11/010 CANAL+ THE STONE • CANAL+ • DECODER CUBE S • ENT./AG. MATHEMATIC, PARIS / BETC, PARIS • PROD. CO. PARTIZAN PARIS FRANCE A11/011 UNDER ARMOUR RULE YOURSELF • UNDER ARMOUR • UNDER ARMOUR • ENT./AG. DROGA5, NEW YORK • PROD. CO. RESET SANTA MONICA USA A11/018 THE RETURN • SONY • PLAYSTATION • ENT./AG. BBH NEW YORK • MED. AG. CARAT, NEW YORK • PROD. CO. PARK PICTURES NEW YORK / EXILE, SANTA MONICA / SONIC UNION, NEW YORK / THE MILL, NEW YORK USA A11/024 SHOCKWAVE (ONDE DE CHOC) • ROAD SAFETY • ROAD SAFETY • ENT./AG. QUAD PRODUCTIONS, CLICHY / LA CHOSE, PARIS • PROD. CO. QUAD PRODUCTIONS CLICHY / FIX STUDIO, CLICHY FRANCE A11/025 LOSS OF CONTROL (PERTE DE CONTRÔLE) • ROAD SAFETY • ROAD SAFETY • ENT./AG. QUAD PRODUCTIONS, CLICHY / LA CHOSE, PARIS • PROD. CO. QUAD PRODUCTIONS CLICHY / FIX STUDIO, CLICHY FRANCE A11/038 HENNESSY THE PICCARDS • HENNESSY / LVMH • HENNESSY • ENT./AG. DROGA5, NEW YORK / MOET HENNESSY USA, NEW YORK • PROD. CO. SOMESUCH LONDON / ANONYMOUS CONTENT, CULVER CITY / MILL+, NEW YORK USA A11/045 NEVER TOO NEXT • KOHLER • KOHLER • ENT./AG. MJZ, LOS ANGELES / DDB, CHICAGO • PROD. CO. MJZ LOS ANGELES USA A11/060 CHEMICAL BROTHERS ‘WIDE OPEN’ • VIRGIN RECORDS • CHEMICAL BROTHERS • ENT./AG. THE MILL , LONDON / OUTSIDER, LONDON • PROD. CO. OUTSIDER LONDON UNITED KINGDOM A11/061 SKY ‘Q’ • SKY • SKY Q FLUID VIEWING • ENT./AG. THE MILL , LONDON / BRITISH SKY BROADCASTING, LONDON • PROD. CO. BROTHERS AND SISTERS LONDON / BISCUIT FILMWORKS, LONDON UNITED KINGDOM A11/062 SSE ‘PIER’ • ADAM&EVEDDB • SSE • ENT./AG. THE MILL , LONDON / ADAM&EVEDDB, LONDON • PROD. CO. ACADEMY FILMS LONDON UNITED KINGDOM UNITED KINGDOM A11/077 ANGRY BIRDS ‘ANGRY BIRDS 2 LAUNCH FILM’ • ANGRY BIRDS • ANGRY BIRDS • ENT./AG. THE MILL , LONDON / WIEDEN+KENNEDY, LONDON • PROD. CO. RIFF RAFF LONDON A11/082 HALO 5: GUARDIANS “A HERO FALLS” 1:30 • MICROSOFT XBOX • “HALO 5: GUARDIANS” VIDEO GAME • ENT./AG. METHOD STUDIOS, NEW YORK / TWOFIFTEENMCCANN, SAN FRANCISCO / MICROSOFT, REDMOND • PROD. CO. FURLINED NEW YORK USA A11/087 KLARNA - FISH • KLARNA • KLARNA • ENT./AG. MJZ LONDON / DDB STOCKHOLM • PROD. CO. MJZ LONDON UNITED KINGDOM ACHIEVEMENT IN PRODUCTION A12/042 HIGH SCHOOL GIRL? • SHISEIDO CO., • SHISEIDO’S PRODUCTS (MAJOLICA MAJORCA / INTEGRATE) • ENT./AG. WATTS OF TOKYO / SHISEIDO CO., LTD., TOKYO • PROD. CO. WATTS OF TOKYO / MOLICULE MOCO, KANAGAWA / SPEC, TOKYO / DEFENSE, TOKYO JAPAN A12/050 LOOK WHO’S DRIVING • VOLVO TRUCKS • VOLVO FMX • ENT./AG. FORSMAN & BODENFORS, GOTHENBURG • MED. AG. BE ON, STOCKHOLM • PROD. CO. NEW LAND STOCKHOLM SWEDEN A12/053 T.O BY LIPTON - A REVOLUTION IN FLAVOUR • UNILEVER, LIPTON • T.O BY LIPTON • ENT./AG. TRIBAL WORLDWIDE , LONDON • PROD. CO. ROGUE LONDON / THE MILL , LONDON UNITED KINGDOM A12/056 PARKINSON’S NSW- THE LUCKY ONES • PARKINSON’S NSW • PARKINSON’S DISEASE • ENT./AG. J. WALTER THOMPSON, SYDNEY • PROD. CO. WE ARE CONTENT SYDNEY AUSTRALIA A12/091 TARGET CREATES FIRST EVER LIVE MUSIC VIDEO WITH GWEN STEFANI • TARGET • RETAIL • ENT./AG. DEUTSCH LA • MED. AG. 360I, CHICAGO • PROD. CO. WONDROS LOS ANGELES USA A12/101 OK GO — UPSIDE DOWN & INSIDE OUT • S7 AIRLINES • S7 AIRLINES • ENT./AG. TUTKOVBUDKOV, VOLGOGRAD / OK GO, NEW YORK • PROD. CO. PROFILM MOSCOW / BOB INDUSTRIES, SANTA MONIC RUSSIA

ENT./AG. : ENTRANT AGENCY MED. AG. : MEDIA AGENCY PROD. CO. : PRODUCTION COMPANY

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SHORTLIST

TITANIUM TITANIUM A01/005 BREWTROLEUM • HEINEKEN NEW ZEALAND • DB EXPORT • ENT./AG. COLENSO BBDO, AUCKLAND • PROD. CO. COLENSO BBDO AUCKLAND

NEW ZEALAND

A01/009 THE FAIREST NIGHT OF ALL • AB INBEV • ANDES BEER • ENT./AG. DEL CAMPO SAATCHI & SAATCHI, BUENOS AIRES • PROD. CO. AGOSTO BUENOS AIRES / CHE REVOLUTION POST, BUENOS AIRES / SUPERCHARANGO, BUENOS AIRES

ARGENTINA

A01/019 DREAMS OF DALÍ • THE DALÍ MUSEUM • THE DALÍ MUSEUM • ENT./AG. GOODBY SILVERSTEIN & PARTNERS, SAN FRANCISCO • PROD. CO. GOODBY SILVERSTEIN & PARTNERS SAN FRANCISCO

USA

A01/024 #OPTOUTSIDE • REI • REI • ENT./AG. VENABLES BELL & PARTNERS, SAN FRANCISCO • MED. AG. STARCOM MEDIAVEST GROUP, CHICAGO • PROD. CO. TOOL SANTA MONICA / HUTCHCO TECHNOLOGIES, LOS ANGELES / BRICKYARD VFX, LA, CA / NORTH KINGDOM, STOCKHOLM

USA

A01/031 HOUSE OF CARDS - FU 2016 • NETFLIX • HOUSE OF CARDS • ENT./AG. BBH NEW YORK • MED. AG. NETFLIX, LOS ANGELES • PROD. CO. RESET SANTA MONICA / THE MILL, NEW YORK / EXILE, SANTA MONICA / BIRDS + STONE, LOS ANGELES / SOUND LOUNGE, NEW YORK

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INTEGRATED INTEGRATED CAMPAIGN A01/005 BREWTROLEUM • HEINEKEN NEW ZEALAND • DB EXPORT • ENT./AG. COLENSO BBDO, AUCKLAND • PROD. CO. COLENSO BBDO AUCKLAND A01/010 THE MAN ON THE MOON • JOHN LEWIS • JOHN LEWIS • ENT./AG. ADAM&EVEDDB, LONDON / MANNING GOTTLIEB OMD, LONDON • MED. AG. MANNING GOTTLIEB OMD, LONDON • PROD. CO. SOMESUCH LONDON

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A01/048 HOUSE OF CARDS - FU 2016 • NETFLIX • HOUSE OF CARDS • ENT./AG. BBH NEW YORK • MED. AG. NETFLIX, LOS ANGELES • PROD. CO. RESET SANTA MONICA / THE MILL, NEW YORK / EXILE, SANTA MONICA / BIRDS + STONE, LOS ANGELES / SOUND LOUNGE, NEW YORK

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A01/061 SURVIVAL BILLBOARD • MICROSOFT • XBOX / TOMB RAIDER • ENT./AG. MCCANN LONDON • MED. AG. DENTSU AEGIS NETWORK, LONDON

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A01/081 SUGAR DETOX • INTERMARCHÉ • INTERMARCHÉ • ENT./AG. MARCEL, PARIS • MED. AG. ZENITH OPTIMEDIA, LEVALLOIS PERRET CEDEX • PROD. CO. KUEST PROD PARIS / CINQ ETOILES, PARIS A01/089 FREE THE KIDS • UNILEVER • PERSIL / OMO • ENT./AG. MULLENLOWE GROUP, LONDON • MED. AG. MINDSHARE, LONDON • PROD. CO. RSA FILMS LONDON

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A01/094 WHOPPER SIGN • BURGER KING • FAST FOOD RESTAURANT • ENT./AG. DAVID, MIAMI • PROD. CO. BULLITT LOS ANGELES

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A01/103 THIS BIKE HAS MS • MS AUSTRALIA • MS • ENT./AG. GREY MELBOURNE • MED. AG. GREY MELBOURNE • PROD. CO. GREY MELBOURNE / GLASSCASE PRODUCTIONS, MELBOURNE / RISK SOUND, MELBOURNE / METHOD STUDIOS, MELBOURNE A01/117 MCWHOPPER • BURGER KING • MCWHOPPER • ENT./AG. Y&R NZ, AUCKLAND / Y&R MEDIA NZ , AUCKLAND / Y&R DIGITAL NZ, AUCKLAND / DAVID, MIAMI • MED. AG. Y&R MEDIA NZ , AUCKLAND • PROD. CO. FLYING FISH AUCKLAND A01/128 THE BOYS • PACIFIC BRANDS UNDERWEAR GROUP AUSTRALIA • BONDS • ENT./AG. CLEMENGER BBDO MELBOURNE • PROD. CO. GUILTY CONTENT MELBOURNE

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A01/131 ENDLESS POSSIBILITIES • GETTY IMAGES • GETTY IMAGES • ENT./AG. ALMAPBBDO, SÃO PAULO • MED. AG. ALMAPBBDO, SÃO PAULO • PROD. CO. VETOR ZERO SÃO PAULO

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A01/146 SLOW DOWN GPS • IF INSURANCE • INSURANCE • ENT./AG. FORSMAN & BODENFORS, GOTHENBURG • MED. AG. OMD, STOCKHOLM • PROD. CO. BACON FILM STOCKHOLM

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A01/151 JUSTINO • LOTERÍAS Y APUESTAS DEL ESTADO • CHRISTMAS LOTTERY • ENT./AG. LEO BURNETT , MADRID • PROD. CO. PASSION PICTURES LONDON / BLUR PRODUCCIONES, MADRID / MILFORD FILM & ANIMATION, STOCKHOLM A01/163 IT CAN WAIT • AT&T • AT&T • ENT./AG. BBDO, NEW YORK • MED. AG. MEC, NEW YORK • PROD. CO. ANONYMOUS CONTENT CULVER CITY A01/176 DADS#SHARETHELOAD (INTEGRATED) • PROCTER & GAMBLE INDIA • ARIEL MATIC • ENT./AG. BBDO INDIA, MUMBAI • PROD. CO. RED ICE FILMS MUMBAI A01/213 SHOPLIFTERS • HARVEY NICHOLS • LOYALTY APP • ENT./AG. ADAM&EVEDDB, LONDON • PROD. CO. BLINK PRODUCTIONS LONDON / THE MILL , LONDON / CAIN & ABEL, LONDON A01/217 THE NAKED UTE • VOLKSWAGEN AUSTRALIA • AMAROK • ENT./AG. DDB, SYDNEY • MED. AG. DDB, SYDNEY • PROD. CO. REVOLVER/WILL O’ROURKE SYDNEY / THE GLUE SOCIETY, SYDNEY A01/232 CRACKER CUTTER • MONDELÉZ INTERNATIONAL • RITZ CRACKERS • ENT./AG. FCB, TORONTO

SPAIN USA INDIA UNITED KINGDOM AUSTRALIA CANADA

A01/246 UNACCEPTABLE ACCEPTANCE LETTERS • HUNTING GROUND • HUNTING GROUND • ENT./AG. GOODBY SILVERSTEIN… S. FRANCIS.• PROD. CO. PRETTYBIRD CULVER CITY/CUT + RUN/SPY, S. FRANCIS./ YESSIAN,VENICE/ONE UNION RECORD., S. FRANCIS./ELEVEL FILMS, S. FRANCIS. USA A01/249 500 YEARS OF STORIES • TATE • BP DISPLAYS AT TATE BRITAIN • ENT./AG. GREY LONDON

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ENT./AG. : ENTRANT AGENCY MED. AG. : MEDIA AGENCY PROD. CO. : PRODUCTION COMPANY

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FOCUS ON SPAIN

FRIDAY / JUNE 24 / 2016

LIONS DAILY NEWS

Christy Turlington for Missoni

s k oo L d oo G THE

Spain can offer almost any look – desert, coastline, forest, countryside, mountains, industrial and urban. Add to that the fact that overall budgets are 20-30% lower than in most of Europe, and business has been rising dramatically over the last two years. GARY SMITH reports

T

ONI SCHULZ, executive

producer at Barcelona-based Mamma Team, confirms that business is booming.

“Generally right now it’s very good indeed with around 80% of our work coming from Germany, which of course means that we end up doing a lot of car commercials,” he says.

Barcelona has been a popular urban location for car commercials, and is well known for its ease of shooting and easy-to-acquire permits, but things are changing: “There was a time when a downtown area of the city known as El

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Born was extremely popular for car shoots, because it’s compact, central and charming — but it was happening too often, and there was a revolt among the locals. So now shoots there are limited to two per month to cut down on the disruption, and frankly we never use that part of town. We tend to prefer the office-to-coast look or a beautiful house.”

One of Schulz’s favourite spots of the last few months was a car shoot in Barcelona that demanded an extra special effort: “It was a five-day shoot for the Kia Niro Hybrid, but in order to

avoid the typical ‘car in Barcelona’ look we carried out extensive location scouting beforehand, plus we wanted to show that the car fits into any environment.” The shoot involved blocking the Via Laietana, a main artery that runs down to the sea, with the car being driven down the street accompanied by a van with a Russian Arm mounted on it. “You have to get up very early and even then you don’t have much time,” Schulz adds. “But I love that street, we also used it for an Audi Quattro ad where we employed 30 blockers to stop people walking on the pavement. The whole scene was utterly deserted apart from the car.”

Philip Bolus, CEO and executive producer at Barcelona-based Goodgate Productions agrees with Schulz: “2015 was our busiest year ever with a total of 42 shoots, and 2016 has continued in

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www.goodgate.tv

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much the same way,” he says.

“Normally in a good year we’d expect to be involved in around 35 shoots, so clearly 2015 was exceptional.” The abundance of top-flight footballers in Spain’s La Liga means that brands like Nike, Adidas and Samsung visit the country regularly: ”There’s regular demand for access to names like Messi and Cristiano Ronaldo to appear in major campaigns, but clients have to realise that there are huge demands on their time, so they are not easy to pin down, and they are likely to change their schedule even when there is a crew of 120 people waiting for them,” Bolus says.

Alongside the amazing footballing talent, Spain also has some of the very best horse people in the world. “We were filming a spot for BMW in Almeria with horses, and the handlers were truly astonishing,” Bolus adds. “It’s not surprising that they are so in-demand for both commercials and feature films.

Another major positive of shooting here is that the talent is very flexible about buy-outs, much more so than in many countries, and generally the country really is cost-effective. We have offices in Chile and Argentina, so we’re often asked to provide costings for the same shoot in Spain and in South America, but it’s often Spain that gets the nod.

We are also currently seeing US shoots coming back here now that the euro is weaker against the dollar.”

The Mendips Corporation is also based in Barcelona but executive producer Mario Reinach also offers production services in Italy and Bulgaria: “I’m Italian so that connection is a natural one for the company, but we chose to open an office in Sofia because the value for money is amazing, roughly 20% cheaper than Spain. Plus we are a boutique company which makes it easier to keep our prices down generally.”

Recent shoots include spots for five new Nissan models that were shot all over Spain: “The majority of our current work is car spots coming in from Japan, France, Italy and the US,” he says. “We also did a really enjoyable shoot for the Honda Africa Twin ‘adventure-class’ motorbike, which was an 18-day job with five days in Barcelona, 10 days in the rest of Spain and finally three days in Morocco. Even though some shoots are preferring to stay in Europe rather

FRIDAY / JUNE 24 / 2016

Top: The unspoilt Catalan coastal village of Cadaques Bottom: Anaga Park on Santa Cruz de Tenerife

Gadi Cimand: IT’S OUR BEST YEAR EVER IN TERMS OF QUANTITY AND QUALITY AND ALSO THE SHEER VARIETY OF WORK”

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than crossing the Mediterranean to North Africa, you simply cannot beat the dunes in the Sahara desert. Because we were shooting in the middle of nowhere, we hired a plane and took everything with us. It all went very smoothly and was a really satisfying job.” Another favourite job was Orangina’s Tora campaign shot in Cadaques: “The spot really looks like it was filmed in an Italian fishing village, but it was done just an hour from Barcelona,” he adds.

Way down south in the Canary Islands, business is also very good indeed. “It’s our best year ever in terms of quantity and quality and also the sheer variety of work,” says Gadi Cimand, executive producer at Canary Productions. “We’ve just been doing an episode of Survivor,

LIONS DAILY NEWS

there’s a Jaguar shoot that we’ve been working on for the last four months which combines multiple locations, and three different car models, and we also recently worked on fashion shoots for Calzedonia and Missoni. The Missoni shoot featured Christy Turlington and was shot by Viviane Sassen.”

One aspect of shooting on the Canary Islands that is not often talked about is the quality of the talent, and the passion of the locals: “We were working on a spot for Suzuki which was very complex and involved multiple locations. most of which were in Santa Cruz — where they recently shot the latest Bourne film — these are areas that are often very crowded,” he says. “We were working mainly at night and the locals really don’t mind, they are so into it all and

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LIONS DAILY NEWS

FRIDAY / JUNE 24 / 2016

love having crews and lights around.

And the extras are really something here. We’ve had so many positive comments about the local talent.”

Boudika Productions executive producer Izaskun Montilla agrees that this is a good time for the islands’ production sector: “In fact it’s been good for a few years,” she says. “One of our recent jobs for Vodafone was particularly interesting because we only had 10 days notice to get all the scouting done and the permits, and then the creative was constantly evolving as we were shooting, which presents major logistical challenges.”

The final version of the spot featured a beach and lots of sea sports such as wind-surfing and jet-skiing: “We have a huge range of beaches here, with a variety of positions relative to the sun, some with palm trees, some with just rocks and some with mountains directly behind, plus we have white sand, and volcanic beaches with black sand. I particularly like the black sand because it creates a contrast with the white foam of the waves, and if you then put a strong colour on top of that it’s very striking.” Other recent shoots include Italian triathlon brand Arena, and shooting some jungle scenes for the

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Top: Teide National Park provides striking natural contrasts Bottom: The unpredictable Vodafone shoot

FOCUS ON SPAIN

Spanish film Oro, by award-winning director Agustin Diaz Yanes. “We shot several jungle scenes in Anaga and in the Barranco de Badajoz ravine on Tenerife, both of them places where you can really create a tropical look.”

Michael Friedl of Seven Islands Film has just finished a job for Paramount television which involved a crew and cast of 200: “We were shooting some scenes for Berlin Station, a new series for the Epix Channel staring Richard Armitage and Michelle Forbes,” he says. “It was a really big job for us. We

Philip Bolus “THERE’S REGULAR

DEMAND FOR ACCESS TO NAMES LIKE MESSI AND CRISTIANO RONALDO TO APPEAR IN MAJOR CAMPAIGNS”

43

spent five days shooting a series of inserts for various episodes on Fuerteventura and Las Palmas. We created a South American-looking location, then an Arabic scene and also a concentration camp. They needed a waterfall and the only one that falls all year round is on Las Palmas, but it’s a mere 30-minute flight away from Fuerteventura. Generally were really impressed by how close all these different looks are to each other.”

Alongside the proximity, shooting is all year round: “We have an office in Barcelona which is busy from April to September, and the work there is growing every year, but on the Canaries we just don’t have a winter as such, the temperature at Christmas is the equivalent of a typical spring temperature in Southern Europe,” he says. “We regard ourselves as Canary Islands specialists, and we love the fact that the tax rebates and incentives are really helping to grow the business.

One thing I’m very proud of is that the German and Spanish mentalities are quite different and 70% of our work comes from Germany, but when you understand both mindsets you can create something very special by combining the best of both.”

23/06/2016 9:46 PM

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FOCUS ON HUNGARY

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on i t c a r tt A THE BIG

Hungary is one of the world’s top production locations.

Recent projects include Ridley Scott’s blockbuster The Martian, BBC period drama The Last Kingdom, and a string of TV commercials for agencies and brands from Western Europe, the US, India and Asia-Pacific. So what’s the big attraction? ANDY FRY finds out

L

OOKING back at Hungary’s

development into a world-class production hub, Zita Kisgergely, a producer at sister companies PPM (commercials) and Flatpack Films (feature films), says the story began in the 1990s with the arrival of the commercials producers “who were really excited to see a totally fresh area open up behind the Eastern European wall. After that, feature films like Munich came here and really changed the way people looked at Hungary. Companies including Mid Atlantic Films and Pioneer Productions had a key role in bringing high-profile productions here and they continue to be important players.”

Kisgergely says Hungary further enhanced its appeal with the introduction of an attractive film and TV tax rebate in the middle of the last decade. Subsequently increased to 25% in 2014 (with the potential to rise to 30% in certain scenarios), it is regarded as one of the best incentives in Europe and has played a major part in winning work from Hollywood. “As far as I know, only Belgium offers something similar in Europe,” she adds.

While the tax credit has been crucial in winning work, there are other factors that have underpinned the country’s success as a production hub, according to Abel Koves, a producer with Budapest-based production services

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company Film Positive. “Locations and studios are some of the biggest attractions,” he says, “and there is also a great balance between quality and costs.

Our crews are used to international productions, speak great English and are considered to be hard working, reliable and creative.”

In terms of locations, the jewel in the crown is capital city Budapest, which offers a mix of baroque, classical and art-nouveau architecture. Beautiful in its own right, the city also appeals to international producers because it makes a perfect double for other European cities, says Csanad Darvas, a producer at another production-services company, Orchestra: “Hungary’s eclectic architectural heritage means we can do Paris, Berlin, Vienna, Prague or a generic European location very easily — and much more with some set dressing.”

‘The Glow’ campaign for Mumbai producer Curious

Abel Koves: “OUR CREWS ARE USED TO

INTERNATIONAL PRODUCTIONS, SPEAK GREAT ENGLISH AND ARE CONSIDERED TO BE HARD WORKING, RELIABLE AND CREATIVE”

In fact, Darvas is probably underselling Budapest’s versatility, the city having also doubled for the likes of Moscow, Monte Carlo and Italy in recent times.

Big-budget productions to have taken advantage of Budapest’s chameleon-like qualities include Tinker Tailor Soldier Spy (doubling as London), The Borgias (as Italy), A Good Day To Die Hard (as Moscow) and Bel Ami (as Paris).

Not to be overlooked either are Hungary’s internal locations, Darvas adds: “We have empty hospitals, castles and many more buildings ready to shoot. Also, a good number of homes are basically ready to shoot without much need for set dressing.” If set dressing is required, however, it is not a problem because Hungarians have been building great sets since before the Second World War. “Our set-construction crews usually work on at least one Hollywood film each year, and they are very up to the task,” Darvas says. “It’s the same for crews. Most crew members who work on international commercials also spend time on huge feature productions, and are up to international standards.”

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Hungary is also home to a wide array of forests, rivers, lakes, mountains, vineyards, agricultural fields and beautiful towns, Kisgergely adds. “And if you absolutely can’t find what you’re looking for, it’s possible to cross the border to countries like Austria, Romania or Croatia.” A three-hour drive, for example, could get you to Transylvania — or to the Croatian coast, which has been used recently in the HBO epic Game Of Thrones.

As for facilities, Koves highlights the state-of-the-art studios run by Origo Film Group and Korda. “Korda’s underwater tank is only equalled by Pinewood London,” she says. “And there are quite a few smaller studios as well.”

Koves says there is a good mix of feature films, TV series and commercials coming into Hungary. TVCs are not covered by the incentive, “but with costs 25%-30% lower than Western Europe, Hungary is still attractive”, he adds.

Proof of this claim is the number of high-profile jobs that appear on production showreels. Pioneer, mentioned above, has been involved in

Csanad Darvas: “WE

HAVE HAD JOBS FROM SOUTH KOREA AND REQUESTS FROM CHINA AND AUSTRALIA. THEY ALL COME IN SEARCH OF THE EUROPEAN LOOK”

campaigns from brands including Adidas, Porsche, Audi, Virgin Atlantic and Southern Comfort, while recent Film Positive assignments include TVCs for Xbox, Sky Movies UK and Taco Bell.

“We are also a trusted P&G partner, working for local and international P&G agencies. The latest P&G job, a spectacular Ariel TVC, is coming soon,” Koves says.

At Orchestra, Darvas cites “a Monte Carlo ad, shot in two days, which was selected as the best romantic TVC shot in Budapest in 2015, and another ad for Cadbury Glow chocolate”. ‘The Glow’ production is a classic example of what Hungary is capable of, he adds, “because we basically took over the main square of a small town in southern Hungary”. The campaign was for Mumbai producer Curious and involved importing a Ferris wheel from the UK and shutting down the entire square for three days. “It was a challenge to keep every part of it under control, especially as the locals wanted a ride on the wheel,” he says. “This job couldn’t have been done anywhere else.”

In terms of production nuts and bolts,

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Hungary has a four-season weather system, with April to October the best months for filmmakers (unless you want white winters or the autumn fall). Koves says that the permitting system is “okay”.

He adds: “You usually need six working days, but expect more if you need to close

LIONS DAILY NEWS

or divert traffic.”

The situation with equipment is also pretty straightforward. “Kit is fine,” Koves says.

“We have all the generally needed equipment and what we do not have in Budapest — like Russian arms or certain Panavision lenses — can easily be brought

MADE IN HUNGARY THE BORGIAS: This Canadian/Irish/ Hungarian co-pro for Showtime used Hungary to double as Italy. A renaissance set was built at Korda Studios, portraying locations such as the Vatican and Florence.

Renaissance-style gates, courtyards, alleyways, interiors, cells and a piazza are still available on the backlot.

GUINNESS: London-based agency Abbott Mead Vickers BBDO and production company Infinity went to Hungary to shoot a Rugby World Cup TVC for Guinness.

Directed by Tom Hooper, the ad took four days to shoot and involved 370 people.

Serviced by Pioneer, the locations included Varpalota.

THE LAST KINGDOM: This BBC drama, based on a series of novels by Bernard Cornwell, is set during the Viking invasion of England in the 9th century.

Although some of the series was shot in the UK, the production also came to Hungary in 2014/2015. It is not the first swords-andshield period drama to have been based in the country. Pillars Of The Earth and World Without End also used Hungary to replicate UK scenery.

SPECTRAL: Mid Atlantic Films has been instrumental in bringing productions such as The Borgias, Hercules and The Martian to Hungary. Most recently, it facilitated the production of feature film Spectral, about a special-ops team dispatched to fight supernatural beings. Origo Film Group and Korda Studios were both involved in the production, which also shot in nearby Slovakia.

SPY: This Melissa McCarthy/Jude Law comedy film visited Hungary in 2014 for two key reasons: tax incentives and Budapest’s ability to double for other cities.

The action ranges from Washington DC to Paris to Rome but, for the most part, it was filmed against the backdrop of Budapest’s superb architecture, with locations including the Hungarian State Opera House and Ferenciek Square. Other locations included Lake Balaton, situated 135 km south west of Budapest, which was used to double as the Black Sea. TATA SKY: PPM serviced a TVC for Curious described as India’s longest-ever commercial (3.5 minutes). Created for DTH platform Tata Sky, it focused on a group of prisoners trying to escape from prison while the guards are distracted by an India-Pakistan cricket match. Curious considered several locations, including Alcatraz in San Francisco, but the need for flexible shooting times led them Budapest’s Kozma prison and Komarom Castle on the Slovakian border.

VIRGIN ATLANTIC — ‘THE IDEA’: Rogue Films came to Hungary in 2015 to shoot a 90-second commercial for adam&eveDDB client Virgin Atlantic.

Serviced by Pioneer, the TVC used a clever mix of studio construction and locations to create a fast-paced story that had a touch of the Guy Ritchie about it.

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FRIDAY / JUNE 24 / 2016

in on request. But all these are brought in on a regular basis. Rental companies include ARRI so, even if the equipment is booked, they can bring in necessary stuff very easily from other places.”

Travel in general is also straightforward, Darvas says: “There are direct [and low cost] flights from EU cities. Then you have the same legislation, no visas and an excellent transport network.”

As to the origin of Hungary’s commercials work, Western Europe is an important but by no means the only source of jobs.

Zita Kisgergely:

“THERE’S NOWHERE IN THE REGION THAT COMPARES TO BUDAPEST. IT HAS SUCH A RANGE OF TEXTURES AND COLOURS THAT IT’S LIKE A MOVIE SET” “We have had many jobs coming from India,” Darvas says. “This year the rupee is a bit down, so they are less likely to arrive. But we have also had some jobs from South Korea and requests from China and Australia. They all come in search of the European look.”

Kisgergely says PPM does a lot of commercials work for Korean companies, such as Samsung and Hyundai. It has also recently completed a major piece of work for watch/ fountain pen brand Mont Blanc starring Hugh Jackman. The Australian star is clearly a fan of Budapest, having previously visited it for a Lipton Ice Tea TVC by production company Gorgeous.

On the feature film side, meanwhile, Kisgergely agrees with Darvas that Indian producers are big fans of Hungary: “We have just finished working on an Indian feature film that lasted for a few months and also involved shooting in Austria and Croatia.”

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D7 HUNGARY+D.indd 47

FOCUS ON HUNGARY

47

THE STUDIOS KORDA STUDIOS: Located 30 km (18.6 miles) west of Budapest in the wine-making village of Etyek, Korda has six state-of-the-art sound stages, including one of the biggest in the world, with an area of 64,000 sq ft (5,945 sq m) and a net buildable height of 65 feet (20 metres). Korda also has extensive production accommodation/offices, warehouse and workshop areas, a huge water tank and a large amount of backlot space. Some of this space is empty so it can be used for set construction. There are also 10 ha (24.7 acres) of backlot sets featuring New York, renaissance and medieval architecture.

ORIGO FILM GROUP: Formerly known as Raleigh Studios, this is a nine-studio complex based north-east of Budapest. Its biggest stage is 47,000 sq ft, but there are a number of other spaces in the 12,000-28,000 sq ft range. A one-stop shop, it also offers production services, post-production and equipment rental on site. It can also advise on financing and locations. Recent projects include A Good Day To Die Hard, Hercules and Inferno. Origo has an alliance with Bavaria Film Group in Germany to share film-production services.

One challenge with being so successful is that the demand for crew can be high in Hungary — a situation that also occurs in other popular production hubs such as the UK. “But this isn’t really a problem,” Kisgergely says, “because we are able to bring in talented crew from neighbouring countries like Croatia and Austria. Hungary has become a kind of production hub for the wider region.”

One obvious question is why commercials producers keep coming back to Hungary when they are not eligible for the film and TV tax incentive.

MAFILM STUDIOS: Located 22 km from Budapest, Mafilm is a state-owned complex with a long and prestigious history of film production. Recently re-opened, it has three main stages, the largest of which is 19,000 sq ft. Movies made at Mafilm in recent years include Eragon, I Spy, Cyrano, Napoleon and Being Julia.

STERN STUDIOS: Stern, located 10 km from Budapest, has been attracting foreign productions for the last decade. It has two main stages — one of 23,000 sq ft, the other of 16,000 sq ft — and has hosted productions including Eichmann, Titanic (mini-series), The Lady Vanishes, Krod Mandoon and Dracula. In addition to its stages, Stern’s facilities include offices, dressing rooms and workshops.

ASTRA FILMSTUDIOS: Located 24 km from Budapest, Astra offers a decent alternative to some of the busy movie studios. It has four stages, ranging in size from 5,000 sq ft to 26,000 sq ft.

Why not go to other, cheaper countries in the region? “If you have a small campaign, then there is an argument for going somewhere cheaper like Romania,” Kisgergely says. “But there is nowhere in the region that compares to Budapest. It’s twice as big as any other city and has an incredible mix of old and contemporary architecture. There is such a range of textures and colours that it’s like a movie set. Maybe it won’t stay like this for ever, but for now there is a value to producers in every light fitting, every tile…”

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23/06/2016 6:23 PM

LIONS DAILY NEWS

FRIDAY / JUNE 24 / 2016

FOCUS ON COMMERCIALS

49

IT’S NOT ALL ABOUT THE TV producers are having a great time right now, with a growing number of countries offering financial incentives for production. It’s not so for commercials producers, although ANDY FRY found a few places that are offering help

Y

OU WON’T find commercials incentives in production hubs like the UK, Canada, Australia, South Africa or New Zealand. For the most part, the priority for commercials producers is to go in search of countries or regions where the locations are amazing and production costs are low — East Europe, Spain or Morocco, for example. But it’s clear that tax incentives could sway commercial producers in some situations. So a growing number of territories have started offering them in an attempt to get an edge over rivals. In the competitive East European market, for example, Serbia’s new 20% incentive, which launched in April 2016, covers all manner of production formats including commercials — with a minimum local spend of €100,000.

Southeast Asian country Malaysia offers a 30% tax rebate that covers a wide array of productions including TV commercials.

It’s a similar story with Abu Dhabi, which is using the incentive as a way to win work from its neighbouring Emirate of Dubai.

Less well-known examples of countries that offer commercials incentives are Trinidad and Tobago, where the T&T Film Commission has a Production Expenditure Rebate Programme that provides rebates up to 55% for expenditures on qualifying local labour and 35% on other local expenditures.

Also worth checking out is Fiji, says Nic Leggett, executive producer at Welcome Fiji. “We are a production service company operating in Fiji that predominately services high-end TVC clients,” he says. ”We have a cash rebate for TVC production of 47%. We accessed this rebate on behalf of a major Canadian Client. The rebate is

D7 INCENTIVE+D.indd 49

y e Mon

based on qualifying spend in Fiji through a Fiji bank account. Recently the Fiji Government paid out close to FJD500,000 [$275,000] for this client. Fiji is not only about tropical waters, blue skies and white sand beaches but so much more. We replicated Montreal with the help of green screen.”

The issue of commercials incentives is also of interest to commercials producers based in the US. Here, the battle is between states wanting to win work from each other.

New York State, for example, has been going after production work aggressively in recent years. As part of that strategy it runs The New York State Commercial Tax Credit Programme, which provides incentives to qualified production companies that are principally engaged in and control the production of qualified commercials in NYS. Credits of up to $7m a year can be allocated to encourage companies to produce commercials in NYS and help create and maintain jobs.

The $7m a year consists of: shooting commercials downstate ($3m), shooting

Fiji has a cash rebate for TVC production of 47%

upstate ($3m), and those demonstrating incremental “growth” in commercial production ($1m.) A credit of up to 20% of qualified production costs incurred in NYS for “growth” in commercial production above a base period may be earned.

Additional credits of 5% of qualified costs may also be available.

Other states with incentives applicable to commercials include Colorado ($250,000 minimum local spend, 50% of workforce needs to be Colorado residents), Hawaii ($200,000 minimum spend), Mississippi ($50,000 minimum local spend, 20% of workforce from Mississippi) and North Carolina — which set its incentive fund at $30m a year in late 2015. The NC scheme caps feature film contributions at $5m and commercials at $250,000. There are also incentives in Florida, Kentucky, Minnesota, New Mexico, Pennsylvania and Texas.

“THE PRIORITY FOR COMMERCIALS IS TO GO TO COUNTRIES OR REGIONS WHERE THE LOCATIONS ARE AMAZING AND PRODUCTION COSTS ARE LOW”

23/06/2016 9:52 PM

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FOCUS ON THE CARIBBEAN

FRIDAY / JUNE 24 / 2016

LIONS DAILY NEWS

Shooting in Antigua for Next UK

e s i d a r a P

SHOOTING IN

With its dreamy beaches, verdant vegetation, colourful architecture and dynamic population, it’s easy to see why the Caribbean is such a popular location for commercials producers. But the key question is not so much whether to go, but where to go. ANDY FRY reports

T

HE REGION known as the Caribbean is made up of more than 700 islands, which run from the Southern tip of the US to the Northern coast of Venezuela. These are controlled by around 30 states or dependencies.

Several of these 30 offer a high standard of support to visiting producers. But there are key differentiators worth keeping in mind before you book your flights. Puerto Rico and the US Virgin Islands (USVI), for example, make much of their close ties with the US. They are both

D7 CARIBBEAN+D.indd 50

“unincorporated territories” of the US, which means they enjoy many benefits and protections available on the mainland, including US labour, safety and minimum wage laws, US intellectual property and banking protection and US dollar currency. USVI film chief Luana Wheatley’s tagline is: “Why leave the US to film in the Caribbean? Producers who visit the USVI can find exotic locations but are able to enjoy the familiarity and security of the US.” Of all the characteristics that have made the USVI so popular for commercials and

stills shoots, it is the beaches that have attracted the most attention.

Director Tom Kuntz of MJZ, who shot the iconic Lions Grand Prix-winning ‘The Man Your Man Could Smell Like’ spots for Old Spice, recently filmed the ‘Hannah And Her Horse’ series of commercials for DirecTV there, choosing a beach well known for its stills shoots. The spots feature sports illustrated model and TV personality Hannah Davis, who is a native of the USVI. “We chose Lindquist Beach because it has that quaint, remote feeling and that sort of calm, blue water that we all associate with swimsuit-model shoots.

Plus it felt genuinely remote and untouched,” Kuntz says. “And on top of that, the fact that it’s close to New York City [four hours by plane] is convenient and adds to the attraction of the USVI.” The islands have been used many times for

23/06/2016 9:58 PM

LIONS DAILY NEWS

FRIDAY / JUNE 24 / 2016

commercials, stills shoots, reality TV, travel shows and documentaries, plus some feature films — including 1994’s The Shawshank Redemption. Other commercials shot there include T Rowe Price, Pottery Barn Kids, Nordstrom, Seagram, Izod, Alloy Apparel and Princess Cruises.

As Wheatley says, there is a wide choice of locations on the islands: “Greece, Key West, Brazil, Mexico, Afghanistan, uninhabited islands and vast farmed estates, are just some of the unexpected looks available in the US Virgin Islands.”

The US influence in Puerto Rico and the USVI extends to the quality of the crews, which are conversant in English and Spanish. There are also incentives in both locations. In the case of the USVI, the incentive scheme is new and applies to commercials producers. Subject to a minimum spend of $250,000, “we’re offering up to a 17% transferable tax credit and up to a 29% cash rebate. That’s 46% for producers who meet key criteria.”

Wheatley adds: “We are looking forward to the incentives allowing us to work with more productions. Anyone can benefit as long as they meet the criteria. Local lawyers and our Economic Development Authority can help facilitate the application process. It’s important to point out that the incentives apply to the music industry as well.”

The British Virgin Islands (BVI) have been welcoming productions for over two decades. “Through these productions we have established a set of location service providers who can co-ordinate the crews and production services you need per island and location,” says Clive McCoy, head of the BVI Film Commission. “In the event that we may be short on crew, we

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FOCUS ON THE CARIBBEAN

work closely with crew from the USVI, which is only 55 minutes away by ferry.”

The region is film-friendly, especially when projects offer significant promotional value to the islands. And the BVI Film Commission also provides assistance with obtaining work permits so the process is easy. “We assist with obtaining special rates on accommodations and other services. The BVI also offer different forms of incentives for productions hosted on the island. It ranges from assistance with work permits, clearances, negotiating special rates on accommodations, boats, and ground transportation. It is not a one-size-fits-all model but we work closely with each production company to ensure it works within their budgets.”

Commercials shot in the BVI include The Johnny Walker Blue Label ‘Gentleman’s Wager’ commercial. “Billabong also used our locations for their 2016 women’s line; Bulouva Watches and Aveda Skin Care also captured content here for their brand.

The United States is our largest market,” McCoy says.

Jamaica, the third largest island in the region, doesn’t boast such strong links to the US. But its unique look makes it a popular destination for producers. A key attraction is that it has the full range of Caribbean-style geography — mountains, forests, plantations, caves, cliffs and beaches. This is reinforced by Kingston, Jamaica’s vibrant capital city with its mix of colourful markets, Spanish colonial and Georgian architecture. Many commercials and feature films have shot there and the island has the region’s oldest Film Commission, which has existed since 1984, which means permitting is relatively straightforward. The

51

commission estimates that around 150 productions are shot on the island every year, ranging from features to music videos. This has created a healthy crew and equipment infrastructure.

Other Caribbean locations where producers can be assured of good infrastructure include The Bahamas, part of the British Commonwealth. Although it doesn’t have a formal connection with the US, the fact that it is just a 55-minute flight from Florida and a two-and-a-half-hour flight from New York makes it an easy trip for producers. Movie projects to have visited in recent years include an episode of the Pirates Of The Caribbean franchise and Casino Royale, while TV and commercials producers are regular visitors to the Bahamas, which has around a dozen inhabited islands. Because the Bahamas is the ultimate in Caribbean cool, it is especially popular for fashion shoots, with Elle magazine a recent visitor.

The status of the Dominican Republic (TDR) has also been enhanced in recent years by the arrival of Pinewood Studios.

With around six-to-10 feature films a year being produced in TDR it’s no surprise that the country has also built up one of the best production services sectors in the region. TDR also has a 25% tax credit.

Although it doesn’t extend to commercial productions, it does at least help sustain the wider production infrastructure.

Siesta in the Grenadines

As a general rule, the depth of production talent and infrastructure is better the closer you are to the US. But it’s worth noting that some of the islands at the far end of the chain from Miami are also popular, well-organised locations.

Barbados, the most easterly island in the Caribbean, is famous for its white sand beaches, turquoise water and coral reef

23/06/2016 9:58 PM

THE BEAUTY SHOTS YOU EXPECT, WITH THE DIVERSITY OF LOCATIONS YOU DON’T. Filming in the U.S. Virgin Islands is one unbelievable shot after another. You’ll find a diversity of locations from rural farmland, lush rain forest and rolling hills to quaint European towns, cosmopolitan settings and colorful Caribbean architecture. Not

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23/06/2016 6:23 PM

LIONS DAILY NEWS

FRIDAY / JUNE 24 / 2016

FOCUS ON THE CARIBBEAN

53

though they would of course be an option for producers and clients coming here from France.”

Shooting in Tobago for Travel Channel

— which makes it popular for underwater photography. An affluent part of the Caribbean, it also boasts luxury villas, golf courses, tropical gardens, colonial architecture and plantation houses.

Also at this far end of the Caribbean is the two-island nation of Trinidad and Tobago. The country’s economy is largely based around oil and gas exports, but it is looking to diversify into areas such as tourism and media. To this end, it has introduced an industry cash rebate of up to 50% for expenditure on qualifying local labour and 35% on other local expenditures — applicable to film, TV and commercials. Add to that a strong production base and good infrastructure (courtesy of the oil and gas business), the country is well-placed to attract new production clients.

For producers in search of an unexplored gem or a unique look, kit can be flown in from Miami or one of the main production hubs in the region itself. The colourful island of Curacao, for example, has hosted productions — but talent would mostly need to be brought in. The same is true for Dominica, which has a spectacular array of locations — including the second largest boiling lake in the world. It also has a beautiful French quarter in capital Roseau and is known for underwater photography.

Other locations that really need to be explored by producers include St Vincent & The Grenadines which offer lush mountain peaks, volcano, blacksand beaches, fishing villages, turquoise lagoons and coral reefs. St Kitts & Nevis offer rainforest covered volcanic peaks, sugarcane plantations and forts, and white sand beaches

D7 CARIBBEAN+D.indd 53

perfect for underwater photography. St Lucia’s highlights include its two spectacular mountainous volcanic plugs known as Pitons.

The most obvious way to get the best out of the region is to talk to the experts. Louise Sandiford of Caribbean Crews came to the Caribbean around 25 years ago. “We’ve serviced productions across a lot of islands in the Lesser Antilles [the Southern stretch of the Caribbean] and they all have very different looks. So when a producer sends us a storyboard we can usually tell pretty quickly which island is best depending on whether they want beaches, coral, forests, hills, waterfalls, a specific kind of architecture — or a combination of the above.”

She has also built up a network of location scouts/production services partners across some of the key islands in the Lesser Antilles. “So if a request comes in we can get people to take pictures and offer clients options. We’re very collaborative.”

Key business sectors that visit the region include fashion, holidays and airlines, Sandiford says. And in her experience, most of them go home happy: “The usual approach would be to bring all the key equipment in from Miami, rather than source it piecemeal across the region — so that provides a level of comfort. And the hotels are excellent and the people friendly. So it’s a great experience.”

One of the most captivating things about the region is the colonial impact: “The islands were fought over by European nations for centuries,” Sandiford says, “and that has left its mark in terms of the look, the culture, the cuisine and the language. This makes the region very exciting for producers. We tend not to shoot in the French-speaking islands,

Cuba has been opening up rapidly in recent times. A big part of the country’s appeal is capital city Havana’s run down colonial looks, which combine evocatively with Americana throwbacks. However the Cuba Film Commission says there’s a lot more to attract producers including the country’s nine UNESCO World Heritage sites, over 200 beaches and coffee, cocoa, sugarcane and tobacco plantations. Although the country has yet to introduce a film industry tax incentive, a combination of low production costs and bottled up demand has seen Michael Bay’s new Transformers movie and Fast & Furious 8 both include Cuba in their production schedule. The first US film to shoot in Cuba following a thawing of relationships between the two countries was Bob Yari’s Papa: Hemingway In Cuba, which visited in 2014. One of the more surprising stories of the Caribbean is how good it is at doubling for other parts of the world.

Perhaps this point gets overlooked because the region is so beautiful in its own right, but numerous states and dependencies seize on this point as an asset. Cuba’s Film Commission promotes Havana’s Chinatown and a Russian Orthodox Cathedral; and Viñales with its lush green tobacco fields, limestone cliffs and caves, which “looks like it could be north Thailand”.

Cuba isn’t the only place to claim a similarity to Asia. Jamaicans say that their Rio Grande meanders like the Mekong Delta, which means it can be used to double as Southeast Asia. Trinidad and Tobago can double for Vietnam and India.

Puerto Rico has a particularly good track record, having featured as Kuwait, Bolivia, Colombia, Brazil, Miami, Cuba and Spain among others. The US Virgin Islands’ farms, forests, hills and European-style towns have doubled for Greece, Mexico and Afghanistan. The area is great for “generic” doubling, too, says Sandiford.

“Our jobs don’t usually ask for the Caribbean to be some other specific part of the world. But it’s great for clients whose jobs require an unidentified white sand and blue-water backdrop.”

It’s worth checking out the timing of the hurricane season in the region before planning a shoot. And at the time of writing the other issue to be conscious of is the spread of Zika, which has reached the region. Female producers and talent should seek travel guidance before setting out.

23/06/2016 9:59 PM

Lions Screening schedule Debussy Theatre

Screening Theatre 1

FILM SHORTLIST

FOOD & DRINKS

B02

FAST MOVING CONSUMER GOODS

B03 B04 B05

DURABLE CONSUMER GOODS CARS & AUTOMOTIVE PRODUCTS & SERVICES RETAIL, E-COMMERCE, RESTAURANTS & FAST FOOD CHAINS

B06

TRAVEL, TRANSPORT & LEISURE

B07

MEDIA & PUBLICATIONS

B08 B09 B11

FINANCIAL PRODUCTS & SERVICES BUSINESS PRODUCTS & SERVICES CORPORATE IMAGE & SPONSORSHIP

B12

PUBLIC HEALTH & SAFETY

B13

PUBLIC SECTOR & AWARENESS MESSAGES

B14

CHARITIES & APPEALS

C01

VIRAL FILM

E01 E04

SHORT NON-FICTION FILM (UNDER 10 MINUTES) SHORT FICTION FILM (UNDER 10 MINUTES)

08:00 - 08:30

08:30 - 09:00

A01

SAVOURY FOODS

A02

SWEET FOODS & SNACKS

A03

ALCOHOLIC DRINKS

A04

NON-ALCOHOLIC DRINKS

A05

COSMETICS & TOILETRIES HEALTHCARE & PHARMACY MISCELLANEOUS

A07 A08 A09 09:30 - 10:15

A10 A11 A12 A13 A14

10:15 - 10:45

A15 A16

12:45 - 13:45

A17 A18

E07

MUSIC VIDEO

D02

PRIVATE SCREENS & EVENTS

D03

PERSONAL SCREENS

A20

D04

MICRO-FILM

A21

F01

USE OF TV/CINEMA FILM

A22

F02

USE OF ONLINE FILM

F03

USE OF OTHER FILM CONTENT

13:45 - 14:00 14:00 - 14:15

A19

A23 B01 B02 B03 B04 B05 B06 B07

E03 E04 E05

CLOTHING, FOOTWEAR & 08:30 - 09:00 ACCESSORIES HOUSEHOLD GOODS, HOME APPLIANCES & FURNISHINGS CONSUMER ELECTRONICS & TECHNOLOGY CARS & AUTOMOTIVE PRODUCTS & SERVICES RETAIL & E-COMMERCE RESTAURANTS & FAST FOOD CHAINS

09:00 - 09:30

TRAVEL & TRANSPORT ENTERTAINMENT & LEISURE MEDIA & PUBLICATIONS

09:30 - 10:00

FINANCIAL PRODUCTS 10:00 - 10:45 & SERVICES BUSINESS PRODUCTS & SERVICES COMMERCIAL PUBLIC SERVICES CORPORATE IMAGE & SPONSORSHIP PUBLIC HEALTH & SAFETY PUBLIC SECTOR & AWARENESS MESSAGES CHARITIES & APPEALS FOOD & DRINKS 10:00 - 10:30 FAST MOVING CONSUMER GOODS DURABLE CONSUMER GOODS CARS & AUTOMOTIVE PRODUCTS & SERVICES RETAIL, E-COMMERCE, RESTAURANTS & FAST FOOD CHAINS TRAVEL, TRANSPORT & LEISURE MEDIA & PUBLICATIONS

10:30 - 11:00

B13

NON-FICTION SERIES SHORT FICTION FILM (UNDER 10 MINUTES) LONG FICTION FILM (OVER 10 MINUTES) FICTION FILM SERIES MUSIC VIDEO

D02

PRIVATE SCREENS & EVENTS

D03

PERSONAL SCREENS

D04

MICRO-FILM

F01

USE OF TV/CINEMA FILM

F02

USE OF ONLINE FILM

F03

USE OF OTHER FILM CONTENT

A01

SAVOURY FOODS

A02

SWEET FOODS & SNACKS

A03

ALCOHOLIC DRINKS

A04

12:45 - 13:45

13:45 - 14:45 14:45 - 15:15

15:15 - 16:15

16:15 - 16:30

08:00 - 20:00

TITANIUM

08:00 - 08:55

INTEGRATED

08:55 - 09:50

TITANIUM

09:50 - 10:45

INTEGRATED

10:45 - 11:40

TITANIUM

11:40 - 12:35

INTEGRATED

12:35 - 13:30

TITANIUM

13:30 - 14:25

INTEGRATED

14:25 - 15:20

TITANIUM

15:20 - 16:15

INTEGRATED

16:15 - 17:10

TITANIUM

17:10 - 18:05

INTEGRATED

18:05 - 19:00

TITANIUM

19:00 - 19:55

Screen 2

FILM CRAFT SHORTLIST 08:00 - 20:00

A01

DIRECTION

08:00 - 09:10

A02

SCRIPT

09:10 - 10:00

A03

CASTING

10:00 - 10:40

NON-ALCOHOLIC DRINKS

A04

PRODUCTION DESIGN / ART 10:40 - 11:30 DIRECTION

A05

COSMETICS & TOILETRIES

A05

CINEMATOGRAPHY

11:30 - 12:00

A06

HEALTHCARE & PHARMACY

A06

EDITING

12:00 - 12:40

A07

MISCELLANEOUS

A07

USE OF ORIGINAL MUSIC

12:40 - 13:00

A08

USE OF LICENSED / ADAPTED MUSIC

13:00 - 14:35

A09

SOUND DESIGN

14:35 - 14:55

A10

ANIMATION

14:55 - 15:20

A11

VISUAL EFFECTS

15:20 - 15:40

A12

ACHIEVEMENT IN PRODUCTION

15:40 - 15:55

A01

DIRECTION

15:55 - 17:05

SCRIPT

17:05 - 18:00

A08 A09 A10 A11

16:30 - 17:00

CLOTHING, FOOTWEAR 17:00 - 17:30 & ACCESSORIES HOUSEHOLD GOODS, HOME APPLIANCES & FURNISHINGS CONSUMER ELECTRONICS & TECHNOLOGY CARS & AUTOMOTIVE PRODUCTS & SERVICES

17:30 - 18:00

A12

RETAIL & E-COMMERCE

A02

A13

RESTAURANTS & FAST FOOD CHAINS

A03

CASTING

18:00 - 18:35

A04

PRODUCTION DESIGN / ART DIRECTION

18:35 - 19:30

A14

TRAVEL & TRANSPORT

A15

ENTERTAINMENT & LEISURE

A16

MEDIA & PUBLICATIONS

A18

VIRAL FILM

B12

SHORT NON-FICTION FILM (UNDER 10 MINUTES) LONG NON-FICTION FILM (OVER 10 MINUTES)

E07

11:00 - 11:30

C01

B11

E06

A17

B14

B09

E01 E02

FINANCIAL PRODUCTS 11:30 - 12:15 & SERVICES BUSINESS PRODUCTS & SERVICES CORPORATE IMAGE & SPONSORSHIP PUBLIC HEALTH & SAFETY PUBLIC SECTOR & AWARENESS MESSAGES CHARITIES & APPEALS

B08

D7-54-55-screening+A.indd 54

08:00 - 08:30

SHORTLIST

12:45 - 20:00

08:00 - 12:45

A06

09:00 - 09:30

Screening Theatre 2

FILM SHORTLIST

08:00 - 14:15

B01

FRIDAY 24 JUNE

A19 A20

FINANCIAL PRODUCTS & SERVICES BUSINESS PRODUCTS & SERVICES COMMERCIAL PUBLIC SERVICES CORPORATE IMAGE & SPONSORSHIP

A21

PUBLIC HEALTH & SAFETY

A22

PUBLIC SECTOR & AWARENESS MESSAGES

A23

CHARITIES & APPEALS

18:00 - 18:30

18:30 - 19:15

12:15 - 12:45

24/06/2016 12:03 AM

Lions Screening schedule Theatre 1

Screening Theatre 2

FILM SHORTLIST B01

FOOD & DRINKS

B02

FAST MOVING CONSUMER GOODS

B03 B04 B05

B06 B07 B08 B09 B11

DURABLE CONSUMER GOODS CARS & AUTOMOTIVE PRODUCTS & SERVICES RETAIL, E-COMMERCE, RESTAURANTS & FAST FOOD CHAINS TRAVEL, TRANSPORT & LEISURE

13:15 - 16:30

08:00 - 08:30

SHORT FICTION FILM 13:15 - 13:45 (UNDER 10 MINUTES) LONG FICTION FILM (OVER 10 MINUTES)

E05 08:30 - 09:00

09:30 - 10:00

MEDIA & PUBLICATIONS FINANCIAL PRODUCTS & SERVICES BUSINESS PRODUCTS & SERVICES CORPORATE IMAGE & SPONSORSHIP

10:00 - 10:45

08:55 - 09:50

A07

USE OF ORIGINAL MUSIC

08:40 - 09:00

TITANIUM

09:50 - 10:45

A08

09:00 - 10:35

INTEGRATED

10:45 - 11:40

USE OF LICENSED / ADAPTED MUSIC

TITANIUM

11:40 - 12:35

A09

SOUND DESIGN

10:35 - 10:55

INTEGRATED

12:35 - 13:30

A10

ANIMATION

10:55 - 11:20

A11

VISUAL EFFECTS

11:20 - 11:40

A12

ACHIEVEMENT IN PRODUCTION

11:40 - 11:55

13:30 - 14:25

D03

PERSONAL SCREENS

INTEGRATED

14:25 - 15:20

D04

MICRO-FILM

TITANIUM

15:20 - 16:15

A01

DIRECTION

11:55 - 13:50

F01

USE OF TV/CINEMA FILM

A02

SCRIPT

13:50 - 14:45

F02

USE OF ONLINE FILM

A03

CASTING

14:45 - 15:45

F03

USE OF OTHER FILM CONTENT

A01

SAVOURY FOODS

A04

PRODUCTION DESIGN / ART DIRECTION

15:45 - 16:30

A02

SWEET FOODS & SNACKS

A03

ALCOHOLIC DRINKS

A04

NON-ALCOHOLIC DRINKS COSMETICS & TOILETRIES HEALTHCARE & PHARMACY

B14

CHARITIES & APPEALS

MISCELLANEOUS

C01

VIRAL FILM

D7-54-55-screening+A.indd 55

INTEGRATED

TITANIUM

A07

12:15 - 13:15

08:00 - 08:40

PRIVATE SCREENS & EVENTS 14:45 - 15:00

A06

NON-FICTION SERIES

EDITING

D02

PUBLIC SECTOR & AWARENESS MESSAGES

E03

A06

MUSIC VIDEO

B13

E02

08:00 - 16:30

08:00 - 08:55

E07

PUBLIC HEALTH & SAFETY

SHORT NON-FICTION FILM 11:15 - 12:15 (UNDER 10 MINUTES) LONG NON-FICTION FILM (OVER 10 MINUTES)

08:00 - 16:15

TITANIUM

FICTION FILM SERIES

B12

E01

FILM CRAFT SHORTLIST

E06

A05

10:45 - 11:15

Screen 2

SHORTLIST

08:00 - 13:15

E04

SATURDAY 25 JUNE

A08 A09 A10

13:45 - 14:45

15:00 - 15:30

CLOTHING, FOOTWEAR 15:30 - 16:00 & ACCESSORIES HOUSEHOLD GOODS, HOME APPLIANCES & FURNISHINGS CONSUMER ELECTRONICS & TECHNOLOGY

A11

CARS & AUTOMOTIVE PRODUCTS & SERVICES

A12

RETAIL & E-COMMERCE

A13

RESTAURANTS & FAST FOOD CHAINS

16:00 - 16:30

24/06/2016 12:03 AM

D7-4deCouv.indd 3

23/06/2016 7:33 PM

HOW TO DO TERRIBLE WORK

Friday 24 June 15:15 – 16:00

Debussy Theatre

Bruce McColl, Global Chief Marketing Officer – Mars & David Lubars, Chief Creative Officer – BDDO Worldwide D7-4deCouv.indd 4

23/06/2016 7:33 PM