LISA BIELAWA
Double Violin Concerto for the Boston Modern Orchestra Project with Colin Jacobsen and Carla Kihlstedt
2008 with text by Goethe, translated by Walter Kaufmann
Commissioned by BMOP and Premiere: The Campaign for New Works, Frederica and James R. Rosenfield, James Barnett and Carolyn Haynes, and the Radcliffe Institute for Advanced Study. Composed in Residence at the Radcliffe Institute. Š2008 by Lisa Bielawa
LISA BIELAWA Double Violin Concerto I. Portico II. Song III. Play Within a Play TRANSPOSED SCORE Duration c. 24:00
Instrumentation Two Solo Violins 2 Flutes (Fl.2=Picc.) 2 Oboes (Ob.2=Engl. Hn.) 2 Bassoons 2 Horns in F 2 Trumpets in C Trombone Accordion Strings
p.1 p.11 p.34
TEXT for II. Song from Goethe’s Faust Translated by Walter Kaufmann You know, the stage… Lets each do what he wants to do; Tonight, therefore, I say to you, Do not spare our machinery, Employ the sun and moon, do not hold back! Use all the stars we have in stock; Of water, fire, walls of rock, And beasts and birds there is no lack. Leave the great world, let it run riot, And let us stay where it is quiet. It’s something that has long been done, To fashion little worlds within the bigger one. Used by permission of David Kaufmann, trustee of the Estate of Walter Kaufmann.
Performance Notes Ornamentation and the Ornament Library This symbol †is found in the solo violin parts in all three movements, and in the accordion and principal cello parts in movement III. It always accompanies a bracket-indicated passage, like this: â€
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#! !
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This notation indicates that the player may ornament the bracketed section, using elements from the attached Ornament Library, and adapting them if necessary to include the versions of the neighbor notes that appear in parentheses. The embellishments in the Ornament Library range from very simple to very florid. Some of them can be altered to fit into various diatonic or modal contexts (in which case any accidentals that appear in the Library are in parentheses), and others are more strictly defined (in which case the accidentals appear without parentheses). Material from the Ornament Library may also be used in the Cadenza in Movement III, pg. 76. E-String Violin In Movement II, Carla plays an alternate violin strung entirely with E strings and tuned to the following pitches: IV
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Double Violin Concerto for Colin, Carla, Gil and BMOP
TRANSPOSED SCORE
Lisa Bielawa 2008
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f open
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3
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4 # $# $# $((
,
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4
+
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0 &# ff
+
0
Tempo II
unis. con sord.
,
ff
3
+
I
div.
3
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ff
(
4 + # # #2 # $#2 $6# 6 # 6 ff 4 $# 6# &# # # &# ' + '
3
molto rit.
4
( 4 % $ # (
% # #
3
f
+
0
3
f
+
ff
ff
3
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3
p
,
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3 0 # # !1
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3
ff
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4 # $62# $6# (
3
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,
"
C Tpt. 2
ff
,
+
# $# # #
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Tempo II
1 !
f
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C Tpt. 1
I
(
,
62 6 6 $2# 2# &2# 2# #2 # 2# 2# * ,
(
,
f
f
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3
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Tbn.
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accel.
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4 $-
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,
"
Ob. 2
molto rit.
p
dolce
+
,
+
,
4 (
+
,
,
4 (
+
,
,
(
sffz
4 (
sffz
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3
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1 !
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con sord.
p dolce
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.
1 ! 1 !
10
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78
Fl. 1
Fl. 2
Vln. I
! 1 3 " ! # $# $# # $# # ( " !1 *
Vln. II
poco a poco dim.
dolce
3
82
Fl.
3 p dolce
Vc.
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p
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3
,
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p sul tasto
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sul tasto div.
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3
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.
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Poco Meno Mosso
,
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3
3
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,
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3
sul tasto
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Fl. 2
J
poco rit.
ppp
3
Poco Meno Mosso
mp
# $# $# # $# # (
$#$#&# (
poco a poco dim.
# # # !1 (#
.
Vla.
(
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,
"
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J
poco rit.
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! Vln. I "
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+
ppp
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3
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3
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con sord.
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#
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3
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+
3
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3
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&#
poco a poco dim.
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.1 Vc. " !+
3
# # # # $# # #
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pp delicate 3
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. !1 (
Vla.
(
3
p
# # # #$# # !! (
#
pp delicate
p 3
con sord.
(
3
$#$# &# $# $# #
1+ "" !
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+
* 3
3
,
3
,,
4 * 4 #### 3
n
, ,
11
II. Song *N.B. - Carla uses E-string violin for this movement (see Performance Notes) text by Goethe, trans. Walter Kaufmann
! ! Piccolo " !
! "" !
Flute 1
Accordion
h=66 Floating
#
#
$
#
$
! "!
#
,! !
#
%& p calmly
+
* '&
%&
* %&
3:2
3:2
3:2
%'
3:2
'% ( % ) '
3:2
#
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)%& * '&
' ) %&
3:2
3:2
3:2
3:2
3:2
3:2
3:2
* '% * % * ' )%' ) %
% )'
3:2
p calmly
' *%&
)'&
3:2
'
3:2
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+
) '&
3:2
%
p calmly
% $%
$
%&
' (%&
#
'
#
! !- & & '& ''& ')' ''' ')' ''' ')' ''' ')' ''' ')' ''' ')' ''' ')' ''' ')' '''' ' ' (' ' '''' ' ' (' ' '''' ' ' (' ' '''' '' Carla (violin) " ! (' ' " ad lib. sul pont.
mp
sul pont.
! ! "!
Violin I
h=66 Floating
! "" !
Violin II
#
senza sord. 1st stand only
#
#
** .' p
sul pont.
** .'
senza sord. 1st stand only
#
repeat as desired. do not align with each other.
.'
.'
repeat as desired. do not align with each other.
p
( ! %% Picc. " %& % 5
Fl. 1
Accord.
""
#
"
%% %%
,
! Colin "
#
#
#
+
#
#
#
+
#
#
#
#
#
#
# con sord.
'
mf Carla (vln)
+
''
" " (' ' mf
''
''
''' ')'
''
''
''''
''
''
''' ')'
' '
''
' ' (' '
''
''
''' ')'
''
''
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''
''' ')'
sul pont.
' '
''
''
''' ')'
sul pont.
' ' (' '
''
''
''
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''
''
''' ')'
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''
' ' (' '
''
''
''
ord.
''
''
''
''' ')' ''' ')' ''' ')' ' ord.
III 4
' '
A
12
! Colin " 9
Carla (vln)
"
%& %
( '&
) '&
'&
( '&
( '&
) %&
%%
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3
3
2
3
3
2
2
1
A # #
" "
# # #
! Fl. 1 "
#
#
+
#
#
+
Obs.
""
! Hns. "
#
""
#
"
#
C Tpts.
Accord.
#
,
! Colin "
$
( '&
+
(%& (%
0 0
harmon mute
pp
(%% %%
) '&
) '&
( ' (' % )' )' % 3 mf
((%%
'% (' %
pp distant
#
#
p & *'
ff play either note as desired. do not align with each other.
ff p senza sord.
ff
p
ff
& '
& '
ff
p
play either note as desired. do not align with each other.
+
%% %%
pp
muted
ff
play either note as desired. do not align with each other.
%%
pp
#
# ( '&
#
"
(%%
(' % '%
& '
& '
p
#
(
*&) ' p
tutti ord.
#
#
13
tutti ord.
#
/
Vla.
2
p
! Vln. I " Vln. II
'&
%%
remove mutes
+
% %% %
+ $
p
% (%% %
$
#
+
+ +
% +% % (% (%
*' % (' 1%
pp
mf
$
+
*'' %% mf
' 2
m
''
ad lib sul pont. & '& ''& '(' & && ) ' ' ' ' ) ' ) ' ( ' ) ' ) ' '' ' (' '& ''' ')' ' ' ' ' ''' ')' ' ' (' ' ''' ')' ' '' ')' ''' ')' ''' '')' ''' ')' ''' ')' ''' ')' '(' Carla (vln) " (' " 2
2
3
3
mf
! "
#
#
Vln. II
"
#
#
Vla.
"
#
#
#
#
Vln. I
Vc.
"
,
/
#
# (0 pp senza sord.
(0
pp
#
#
17
Accord.
" 4 1 + (' 4 , ' 1 + '5
$
#
$
#
13
B p M
#
f
#
5' '3 1 $
' '
#
&& ! '' '' '' '' '' ' '' ' ' '' ' ' ' ' ' ' '' '' ' Colin " ' ' ' '' '''' '' '' '' '' '' ' '
Carla (vln)
#
"
Carla (vox)
""
ord.
(' '
''' ')'
' ' (' '
''' ')' ''' ')' ''' ')'
'molto % vib. ( ' % '% '%
(
#)
(
#
f
solo
* 'molto % vib. ' % '% '%
c. q=96
f
/
#
#
Vc.
,
#
#
Db.
,
#
#
Vla.
"
#
21
" % pp +m , 0 (0
! Colin " Carla (vox)
''' ')'
B
)
You
''''
''' ')'
0
know
' ' ('
'
''' ')'
'
''
'
''''
'&
p
f
'
'
(' '
''
#
# solo c. q=96
''''
''' ')'
'
'
''
'% '%
+
$
+
$
f
'molto % vib. '% # #
f
& *%%
#
#
#
#
#
#
#
#
''
%
" %
#
#
''
''
''
' '
(' '
$
p
n
0 0 ''
#
#
p
! Hns. " "
Accord.
' ' (' '
solo c. q=96
"
Vln. II
''''
%
$
' '' '
mp
! Vln. I "
(
''' ')'
#
mp mf
'
''
''
'' +
%
''
'' '
&&& &&& '' '' '' '' ' ' ' '' ' ' ' *' ' ' '' ' ' ' '' '' ' ' ' ' ' ' ' IV
'
%
*' ' *'
3
'
'
%
& '& ''& ')' & & & ''' ')' ''' ')' ''' ')' ''' ')' ' ' ' ' ''' ')' ' ' ' ' ''' ')' ' ' ' ' ''' ')' ' ' '''' ' ' (' ' '''' ' ' (' ' Carla (vln) " (' ' " the
stage
Lets
each
do
what he
Vla.
! "/
(
#)
#
wants
to
do.
1
3
#
#
14
! %% Hns. " % % 25
Colin
('
""
#
$
6 *%
+
1 '3 *%%
p
mf mp calmly
#
# f
mp
%+ +% % % , 7
%
m
M
%
'%
! '' ' ', " *' ' ' ' ' ' ' ' ' ' *'' %%
' ''' ')' ' ' ' ' ''' "" ' f
! '% " '%
c. q=96
M
(' (' ' '
(' (' ' ' ' mf
''
#
"
'% '%
'
)%
3
3
%
)'%
remove mute
+
*% %
' *%
3
('
%%
3
remove mute
+
3
' )%' *%
3
3
*'
*%% %%
+
3
#
''
''
'
'
' ''
'
''
'
''''
#
'
' ',
#
')' ('& ('& & '& ''& ')' ' ' ''' ')' ' (' ''' ')' ' ' ''' ' ' ' ' ' ' ' '
'
*'' %% (' (' ' ' '
''
''
''
#)
#
#
(
#)
#
#
+
$
#
#
+
$
#
#
f
,
Vc.
#
'&
p
Db.
"
,
#
'
p
f
f
''
'
'
'
')' ' (' ''' ')' ' ' ''' ')' ' ' ' ' ' '
(
'% '%
''
#
mf
f
Vln. II
''
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)%
4 ' 1 $ '5
''
#
3
mp calmly
'% '%
c. q=96
%
'
3
mp calmly
$
" %
Carla (vox)
Vln. I
%
"
f
Carla (vln)
6 '
#
+
"
Accord.
#
#
C Tpt. 1
C Tpt. 2
'' 1 3
! + " 29
Picc.
*'
"
C Tpt. 2
"
' *'
(' )'
3
+
*'
%%
''
p
''
a'2
*3'
'
*'
%% %% p
'6
a'2
'6
3
mf
'6 '
' *'
+ +
(' ('
('
a'2
'6
a'2
7% '888888888888888 use F key
+
%% p
+
#
+
#
#
,
"
#
#
,
,
#
#
#
'+ ''
mute off
'
#
" " " (' '
$
+ 3
+
*' *' mf
' (' m
f
repeat as desired. do not align with other winds.
.
. . . . . .
.
. . .
f
.
.
.
.
.
"bonk" w/ hand on mouthpiece (approx. timing)
f
"bonk" w/ hand on mouthpiece
1
4 (.
.
+
1
4 .
.
+
*'9
'9
'9
4 ' 5
1
+
improvise staccato notes/gestures using these pitches
+
ff
%% %%
+%
+ #
double on voice if desired
('9
'9
'9
4 (' 5
1
+
%% [%%
'9
(' ('
mp cantabile
mp
#
' '' ' )' ' '' ' )' ' '' ' )' ' '' '' )' ' '' ' )' ' '' ' )' ' '' ' )' ' sul pont.
7% - 8888888888888 use D# key
"bonk" w/ hand on mouthpiece (approx. timing)
f
%% %%
or
mp
%%
3
3
repeat as desired. do not align with other winds.
mp
7% '888888888888888
p
'6
+
mp
#
+
7%' 88888888888888
mp
"
+
7 '88888888888888888888888888888888888888888 ' %
#
3
mf
C
repeat either or both as desired. do not align with other winds.
#
, +
! Colin "
Carla (vln)
f
3
, $
Carla (vox)
' '
mf
" $
Accord.
)'
mf
! Hns. " + C Tpt. 1
'*'
$
3
"
Ob. 2
Tbn.
*'
3
" +
Ob. 1
*'
mf
" +
Fl. 1
Bsns.
'
3
7' 8888888888888888888888888888888888888888 ' %
15
ord.
III 4
%% Ah
& (' ('
mp
(' ' '& ''& '& )'& ' & )' ' '' ' )' (' ' ' ' 4
4
3
3
16
! " 32
Picc.
Fl. 1
"
Ob. 1
"
Ob. 2
""
C Tpt. 1
!, .
"
#
.
, .
C Tpt. 2
Tbn.
#
. .
#
.
.
mp
.
,
7' 8888888888888888888888888 '*' ' % +
#
. . .. .. . . . .
.
. . . . . .
.
f
.
.
mp
f
.
.
.
.
"
mp
.
.
"
mp
#
#
4 1 + (.
4 1 + .
#
#
#
4 (' 1 + 5
4 ' 1 + 5
#
"
Accord.
,
' ! ' Colin "
)' )'
(' ('
(' ('
)% )%
% %
'
)'
('
('
)%
%
"
Carla (vox)
' Carla (vln) " (' " 2
! Vln. I " "
Vln. II
/
Vla.
Vc.
"
,
''' ')' )' 3
' ' (' 3
#
''' ')' (' 2
' (')'
tutti
*&) ' p
#
tutti
#
tutti
#
2
& ' p
"
& " (' p
%%
' '
(' ('
(' ('
)' )'
)' )'
+
#
''' ')' ' ''' ')' ' ''' ')' ' ' ''' ')' ' ''' '(' )' )')''' ')' )' ' '' ' (' ' '' ' (' (' '' ' 1
& ' ff
ff
p
& *' p
& '
& ' p
%% %% ]
ff
p
ff
p
& '
2
play either note as desired. do not align with each other.
ff play either note as desired. do not align with each other.
ff play either note as desired. do not align with each other.
ff
ff
& ' p
play any note as desired. do not align with each other.
ff
2
3
2
3
17
! Picc. " 36
Fl. 1
#
$
#
"
'9 3
+
mf
#
$
+
! Hns. " $ "
( %& (%
% %
take mutes
Accord.
#
#
,
#
f
mp
'9 3
mf
1
((%%
1
'9
1
#
'% '%
%%
'' )' '
' ' ' ' (' ' 5
'
' ' ' ' (' (' ' '
' )' ' ' '
5
$
+
'
5
0
Ah
sul pont.
mf
'' )' ' '' ' )' ' '' ' )' ' '' ' )' ' ''
f
sul pont.
#
#
first 2 stands
** .'
.'
#
#
repeat as desired. do not align with each other.
p sul pont.
""
1
$
#
& & '& ''& ' )' ' '' ' )' ' '' ' )' ' '' ' )' ' '' ' )' ' '' '''' ' ' (' ' Carla (vln) " (' ' "
Vln. II
'9 3
$
+
$
#
bow as needed
1
ff
#
"
! "
'9
'9 3
#
mf
Vln. I
+
f
! ( ' (' % Colin " )' )' % 3
Carla (vox)
1
$
p
#
'9
7% ' 88888888888888888888888888888888888888
""
"
1
mp
#
Ob. 2
'9
7%'88888888888888888888888888888888888888
#
"
Ob. 1
1
first 2 stands
** .' p
.'
repeat as desired. do not align with each other.
18 39 ! )'9 Picc. " 3
"
Fl. 1
"
Ob. 1
Ob. 2
1
'9 1
+
/ *7% 88888888888888888888888
7%' 88888888888888888888888
#
1
'( ' )' '*' ' 3 "
Accord.
3
,
"
mp
- 888888888888888888888888888888888 *7% %
$ '9
1
' ' ' '*' ' 5
+
3
(%
$
#
'9 1 '9 1 '9 1 '9 1
'9 1 '9 1 '9 1 + 3
#
0
%%
*' % mf
%gliss. mp
(%
(%
%
%
1%
+
+
0
mp
#
' )7% % 88888888888888888888888888888888
$
('
+
+
#
' '*' '
D
#
mp
' *' (' )'
%gliss.
'9 1 '9 1 '9 1 + 3
+
use E key
#
' ! Colin "
Carla (vox)
'9 1 '9 1 '9 1 '9 1 ' 888888888888888888888888888888888 )7% %
'9 1
+
1
$
mp
'9 "" 3
'9
', '
*'' %%
(' (' 1 + 3
('
+
M 4 (' (' 1 + 2 5'
mp
$
sul tasto
(' (' ' ' ' f
'
mp
''
mp
''
''
''
''
'
'
'
f
' ' %
To - night,
'' )' ''' ')' ''' ')' ' '' ' )' ''' '')' ''' ')' ''' ')' ''' ')' ''' '')' ''' ')' ''' ')' ''' ')' (' (' ''' ')' ' ' ''' ')' ' ' ' ' ' ' Carla (vln) " " ord.
mp
first stand only sul pont.
! **.% Vla. "
mf
,
Vc.
.% #
D
repeat as desired. do not align with each other.
#
#
'&
p
Db.
"
,
#
#
#
'
p
# +
$
f
+ f
$
19
! ' " 43
Picc.
Fl. 1
Accord.
""
#
"
"
Carla (vox)
Carla (vln)
Vc.
( :%
3
:'
""
(:'
(:'
' 3 ) :'
mp
'
3
':'
( ''
'' ) :'' ) ''
( :''3
( :''
( :''
''
) ''
3
3
ord.
'
('
(' '
'
''' ' )'
''
!, "
pp
%% %% 0
''
sul tasto
'
'
'
'
' '' ' )'
#
' ''
%%
pp
pp M
#
'' ' '
%%
)' 3
3
( :'
3
3
,
! Colin "
):' 3
':
'
' ' +
)'
'''' '
''' ')' there
' ' (' '
+
#
+
#
+
#
0 ord.
'
''''
'
'
''''
'
'
''''
'
''''
''' ')'
' ' (' '
''' ')'
''''
''' ')'
''
'
'' %
-
fore
#
#
' '
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pp
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31
!, ! " < 109
Bsn. 1
!, ! Tbn. " <
Colin
#
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#
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(
Tbn.
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Carla (vox)
mf
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!, ! " <
done
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f
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To fash - ion lit - tle
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mp mp
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worlds with - in
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Bsn. 1
Colin
Carla (vox)
Carla (vln)
#
#
#
#
# +
+
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#
4 1 '9
#
#
#
#
#
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optional: join Carla on vocal part, staggering breaths to end
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32
M
! C Tpt. 1 "
#
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#
129
C Tpt. 2
Tbn.
Colin
"
! "
1
4 '9
4 '9
pp
1
1
1
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; '9 '9 ; ; ' ' ' ' '
p
poco a poco cresc.
= '9 '9 ; ; '9 '9 ; ; '9 p '9 '9 1 1 4 3 3 '9 p
'9 ; ; '9 '9 ; ; '9 *'9 '9 1 1 3 3 poco a poco cresc.
poco a poco cresc.
' ' ' ' ' ' ' ' ' '
' ' (' ' ' ' ' ' ' '
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"
%
%
%
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,
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3
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1
4 '9 pp
+
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,
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.' sul pont.
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1
1
! ' )' Colin " '
'
C Tpt. 1
C Tpt. 2
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Carla (vox)
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mp
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3
3
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9 " '3
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C Tpt. 2
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34
Accordion
III. Play Within a Play
#
c. q=80 Very Freely, Recit-like
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q. =60
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q. =60
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67 8
C
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67 8
#
#
/ / / / (999 (9 (999 (9 (999 (9 (999 (9
p delicately solo jeté
67 / / / / 8 (999 (9 (999 (9 (999 (9 (999 (9
#
p delicately
(
! " 45
Colin
Carla
Vln. I
Vln. II
#
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sim.
senza sord.
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senza sord.
#
solo jeté
mp
tutti (jeté) / / / / :8 / / / / / / / / & (999 (9 (999 (9 (999 (9 (999 (9 & ( ( ( ( ( ( & ( ( &() % ( ( (0 ( (0 ( (0 p delicately solo jeté
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sim.
tutti (jeté)
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Vla.
5
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mp
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38
! : '% Colin " 8
poco a poco accel.
49
Carla
'† %
: "" 8 O
! : ord. Vln. I " 8 *(. ord. : Vln. II " 8 (.
(% (%
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poco a poco accel.
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ord. 5 :8 +( .
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%: " 8
#
53
D
(9 (. 0
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/ (9 / (9
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=72
D
67 "" 8
mp
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mf
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With Anticipation q.
mp
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p
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% 67 8
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p
p
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39
#
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57
Accord.
#
! $% Colin " "" O
#
mp
%
Carla
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poco a poco accel.
#
: 8
#
#
: 8
#
poco a poco accel.
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R
1 %& 2222222222% ( ( &( % &( ( ( ( % 4:3
mf dolce
! sim. / / / / ord. / Vln. II " &( ( ( ( ( ( ( ( *( ( ( . 9 . mp
poco a poco accel.
5 &( (/ ( (/ ( (/ ( (/ *( (/ ( . 9 . ord.
Vla.
mp
/ (9 (.
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Vc.
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%
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5:3
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f
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mf
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sim.
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Colin
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! Vln. I " Vln. II
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Vc.
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Steady but Serene q.
67 ,% 8 67 8
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mp dolce
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mp
E
Steady but Serene q.
< &( 67 &$ % 8 &( (
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=80
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sub. pp dolce
/ ( &(
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67 &$ % 8
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67 detachĂŠ 8 ( (0 ( (0 ( (0 ( (0
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%
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67 arco $% 8
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67 arco 8 $%
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sub. pp dolce solo
p
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pp dolce
pp dolce
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40
! 6; Picc. " 8 66
#
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p
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69
! ! Picc. " 8 232
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70
! Picc. " 240
"
Fl. 1
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Ob. 1
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Eng. Hn.
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71
! Picc. " 249
"
Fl. 1
Hn. 1
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72
! Fl. 1 " 258
Fl. 2
Ob. 1
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mp
# )
; )% 8 &( ; )% 8 &(
(%
tutti
*( % *( %
( (
(% (%
; 8 ; 8 ; 8
& ( ( & ( ( ( ( (9 ( &(
; (% 8
( ! +' 8
; (% 8
( ! *' 8
(
(%
! &( 8 &'
; (% 8
(
(%
! &' &( 8
; (% 8
(
(%
! &( 8
#
; )% 8
V9 . ! 8
( &( &( &(
+( % *( % *( % *( % *( %
(
(%
f cantabile
9 .. ! ( ( ( +.( ; 8 8 f cantabile
! ((( ; 8 9 . . +(. 8 f cantabile
V ! 8
#
; 8
! 8
#
; 8
V
9 ( ! ( ( ( +( ; 8 8
(
(%
(
*+(( %%
&( ! ' ( 8
(
(%
! ( 8
(
(%
div.
; 8
f cantabile 9 .. ! ( ( ( +.( ; 8 8
&( ( ( ) ) 0 9 9 ( (( ( ( ( 0 &( ( ( &( ( ( (
( ( (. + .(
f cantabile
( ! ; 8 (9 ( ( +( 8 f cantabile
f cantabile
mutes off
#
! *' ( 8
f cantabile
; 8 ; 8 ; 8
73
! ; Fl. 1 " 8 268
Fl. 2
Ob. 1
Ob. 2
(%
; (% "8 " ;8
! ; Hn. 1 " 8
; "8
)%
#
)%
#
)%
#
#
Tbn.
%; " 8
#
#
; "8
#
Colin
Carla
Vln. I
Vln. II
Vla.
Vc.
%%% $ &(( M 4 % mf ' &( 4(
#
! ; % "8 )
.9 - (0 (
; % "" 8 )
9 - (0
mf rustic a'2 open
9 - (0
4( (
ff rustic
(9 . (9 .
4 4 ( &((( (( 0
#
(
# mutes off
#
#
#
)
#
! 8
#
; 8
#
mf cantabile
! 8
#
( ( ( ( +( ( ( ( +( ( + ( * ( ( ! + ' 8
( +( ( ( (9 +(
( (
(
( +( ( ( (9 +(
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(
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#
(
; 8
(%
# )
(9 !8 +(9 .( .( .( ;8 *( +( ( (9 0
f
(9 !8 &(9 ( 0
f
.( ; &( - .( 0 8
(9 ! +(9 .( .( .( ; ( +( ( (9 0 8 8
f
f rustic
( ;8 ( - .( 0 ( ; ( - .( 0 8
! 8
#
; 8
#
#
#
! 8
#
; 8
#
#
#
! 8
#
; 8
#
#
#
! 8
#
; 8
#
( ( ( ( +( ( ( ( +( (
#
senza sord.
(%
f
f senza sord. f
; 8
#
)
(%
(%
#
(9 !8 (9 ( 0 f open 9 9 - (0 !8 (0 (
( (
)%
#
f mutes off
4 &( ( ( ( ( ( ( ( ( ( ( % (% (
#
; 8
senza sord.
f
; 8
#
(
/ ( ( ( ( / ( ( (
#
! 8
( (
(% (%
! 8
#
f
#
non div. senza sord.
)
( +( ( ( (9 +(
(
#
#
f
4( 4( ( ( 0
4 / ( - &( ( ( ( ( ( ( ( ( ( &( ( ( ( ( ( ( ( ( ( (% ( (% ( mp mutes off
(%
(%
(
mf rustic
M
( 4(
( ( (
5 ;8 (*( (+( ( ( (+( % 4
% ; (% Cb. " 8
mf rustic a'2 open
non div.
" ;8 ( %
%; 8
+4(( (
(( 4(
( ( (
( mutes off 0 -
3 - (9 /
#
ff rustic
.9 - (0 (
! ; (% "8
/ &((( 4 / ( 4(
a'23 / - (9
mf rustic a'2
)%
# a'2
#
)%
#
" ;8
%; 8
f
#
#
(%
f
#
C Tpt. 2
#
f
mf
#
Accord.
mf
mf
" ;8
C Tpt. 1
+( ( +( ( ( ( ( ( ( ( ( ( (%
( &( ( ( ( ( ( ( ( &( ( ( (
#
(
f
(&( ( ( ( &( ( ( ( ( ( (%
)
(
mf
-
)%
(
; " 8 (%
( (( ((((((( (( (
#
(
(%
%; Bsns. " 8
Hn. 2
(
#
! + ( * ( ( 8 +'
; bow as needed 8 (%
! senza sord. ; bow as needed 8 +' 8 (% bow as needed
( ( ( ( +( ( ( ( +( ( +( *( ( !8 +'
; (% 8
(
(%
(
! 8
#
; 8
(
(%
(
! 8
#
; 8
+( %
bow as needed
#
74
W
Fl. 1
! ' 8
; 8
a'2
"
#
#
! 8
#
; 8
#
a'2
"
#
#
! ' 8
; (% 8
"
#
#
! +' 8
; (% 8
% "
%
mf
mf
. " *(
. " (
#
! 8
#
; 8
#
"
% .(
.( ( 0 0 -
! "
; (% 8 mp
.( .( .( ( &' 0 - !8
#
""
; (% 8
! 8
#
#
! 8
#
mp
# #
; 8
(%
(
! 8
; 8 %
" %
(%
(
! 8
; 8 %
(
! 8
; % 8
! 8
; 8
5
Vla.
"
%
% %
(% (%
(
%
mf
#
C *( %
) (
- (/ !8 +( ( ( 9 9
#
+( (9
! +' 8
+( ! 0 - ) 8
+(
(
(
- +(9
(
/ ( - !8 +'
; 8 ; 8 ; 8 ; 8
mp
#
(
! 8
#
; 8
! 8
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; 8
(
(%
(%
(
(%
( ) 0
)
#
! 8
#
; 8
#
#
! 8
#
; 8
! ) 8
( ( (+( ;8
! ) 8
; (+(+(+( 8 ; 8
p
p
)
#
! " %
Vln. II
(
#
; 8
+(
mf
mf
mp
.( .( .( ( - ! ' 8 0
/ +( ) (%
-
#
.( ( 0 0
(
- +(9 ( (/
; )% 8
; (% 8
/ (9 (9
#
; 8
+( %
-
mp
! 8
#
/ +( )
+ (9 + ( - 0 +( ( (
#
.( .( .( ( - ! 8 0 . +( ( ( ( .( .( +(. ( ( (9 ! +' " 8
mp
(
#
.( ( 0 0
mp
( +(9
1.
9 9 ! +( . . . . " ( ( ( ( ( +( ( ( ( !8 ( ( *( ( ;8 (%
C Tpt. 2
Vc.
(
#
C Tpt. 1
Vln. I
(
(%
; 8
; 8
Hn. 2
Carla
(%
! ' 8
#
Bsn. 1
Colin
(
! 8
Ob. 2
Tbn.
(%
#
Ob. 1
Hn. 1
(
#
Fl. 2
Bsn. 2
(%
! " 275
W
)% )%
W
( +(+( ( (
f playful
+ ( +(+(+( f playful
+(
C (
! ' 8
(
(( +(+(
(3
(((
3(( +( (
3 ( 3 (
; 8
(%
(
(%
(
! ' 8
(%
mp
(
(%
)
! 8
#
; 8
(%
(
#
! 8
#
; 8
)
#
! 8
#
; 8
mp
mp
(%
mp
75
282 ! ; (% Fl. 1 " 8
)
Fl. 2
; (% "8
)
#
Ob. 1
" ;8 +(.
/ / +(. ( -
#
)%
" ;8 (%
)
(
(%
Ob. 2
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
C Tpt. 1
+( %
solo
( &( ( (
mp
% ; (% " 8
(
p
#
Vln. I
Vla.
Vc.
(%
! 8
+(
+4'
(%
(
; (% 8
(
; 8
! 4' 8
#
solo (9 ( &( &( ; &( - *(/ !8 8 mp
; (% 8
4 ! ' 8
+(
p
&( ( 0 (
#
#
(%
(
(%
(
(%
(
(%
)
(
(%
(
p
(%
(. & (. .( & ( ( 0 - ! 8
#
; 8
#
#
#
! 8
#
; 8
#
#
#
! 8
#
; 8
#
#
#
+( %
(
(%
(
C (%
(
(%
C (
p
; " 8 )%
C +(
C +( %
(
(%
C +(
! 8
#
; 8
#
#
#
; % "" 8 (
)
(%
(
(%
(
! 8
#
; 8
#
#
#
! ) 8
( +(+( (
/. /(. + ( /(. +( ( +(+( ( ( + ( + ( ; ( ( ((( ((( 8
( ( ! ; ( * ( 3 &( ( ( ( ( ( ( 0 ) Colin " 8 Carla
(
p
* (9 - 0
% ; )% 8
! ; "8
(%
(( ((( ( (3 (+(+( (
mf
/3. +(
p
( *( ( ( *(*( ( ; +( ) 3 ( ( * ( 0 "" 8
)
#
! 8
#
; 8
#
#
#
! ; (% "8
#
#
! 8
#
; 8
#
#
#
)
5 ;8
#
#
#
! +' 8
; (% 8
(
(%
(
(%
(
%; " 8
#
#
#
! +' 8
; (% 8
(
(%
(
(%
(
p
p
76
X CADENZA Play 2-4x (cue off Carla)*
x only ! % 1st (% ( % Fl. 2 " 289
% (% "" %
to Eng. Hn. 1st x only
Ob. 2
(
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
Soloists: Use elements from Ornament Library and/or other thematic material from the piece for cadenza. Sections between brackets are suggestions only.
X CADENZA Play 2-4x (cue off Carla)*
+/, always hand off cadenza with this gesture. ! %+ ( / # % ( (( Colin " Carla
% % "" % ) O &+&+& & &
&&
mf
&&
X CADENZA Play 2-4x (cue off Carla)*
Vln. I
! % (% " %
(
(%
bow as needed
&&
& +&
#
#
) % & &+&+& & (% (
(
#
/&. + & /(. + & & /. & +& +& *& & & +&+& & & +&+& & & +&+& & + & + & & & & &&& & &R( 0) p
(%
(%
(
(%
(
(%
(
(
( &(&( ( 0
pp
*( % " %%
Vln. II
(
bow as needed
% 5 %% &( pp
Vla.
% %% &( % Vc. "
(%
(
(%
(
(%
(
(% (
(%
&(% (
(
(%
&(% (
&(
(
(%
(
(
(%
(
(%
(
(%
&222222222 /. 1& %& 2222222222222222222222222222 % & & & & & & & 1& % & & & & & && & O ! & && && & & % & && Colin " +/, always hand off cadenza + ( with this gesture. / # ((( Carla " " mf
Vln. I
! (% " *( % pp
"
Vln. II
5 &(
Vla.
Vc.
"
%
% &( %
5
#
#
#
/ &&-
#
#
#
#
#
#
#
& & % & & && &
&&-/
&& % & &
& & &&
(+( (4(+( ( +( ( ( ( ( %% (+( (4(+( (
mf
bend
(
(%
( (% (
(%
(
(%
(
(
(% (
(%
(
(%
( (% (
(%
(
(%
(
(
(% &(
&(%
( (
(% (%
( (
(
/(.
- (/
(% &(%
(
)%
*LAST TIME ONLY
(% ( (% (
. +/( + ( & R ( ( %% (( p
(
(
(%
#
(
297
(
mp
( &( &( ( % ( % % 0 (%
mp
#
#
#
#
#
#
#
#
(
%%
%% &( % %%
&( %
( # ( (
77
+/, accel. ! +( / + ( ( 4 ( + ( ( + ( ( ( +( (4(+( ( +( ( ( ( ( ( ( ( ( ( ( ( Colin " 306
mf
Carla
Vln. I
bend
+( +( (4(+( ( +( ( ( ( ( ( +( (4(+( ( +( ( ( (/ "" ( ( ( ( (
! (% " "
Vln. II
% 5 (
Vla.
( #
(%
% ( &(
Vc.
&(% % (% &(
Cb.
%
"
#
(
accel.
(%
+( ( (( ( mf
)%
# ( (
/ - ( ( +( (
(%
mf
(
(%
#
( #
# #
Y
q=156 Delirious
( ( +( ( ( ( +( ( ( ( ( ! +( ( ( ( ; -0 8 8
)%
ff
#
( ( + ( ( ( ( .( (. + .( ( ( .( + .( .( ( ( 0-
)
Y
f
( ( +( ( ( ( ( .( +.( ( ( .( +(. ( ( (/ . .
( ( ( ( (0 ( ( ! ( ( ( ; 0 8 8
ff
q=156 Delirious
#
#
! 8
#
; 8
#
#
! 8
#
; 8
#
#
! 8
#
; 8
(
#
! 8
#
; 8
(
#
! 8
#
; 8
f
# #
)
#
)
#
#
/ ( ( .( (. .
/ (. (. ( ( (/ (. (. (% . . ff
f
/ (. (. (. (
f
#
/ (. (. ( ( (/ (. (. (% . . ff
(
! ; *( Colin " 8 316
+ ( ( ( + ( ( ( ( ( ( + ( ( ( ( + ( ( * ( ( ( ( ( ( ( ( + ( ( ( ( ( * ( ( ( ( ( ( ( ( ( &/(. ( ( ( 0 ! ; ; ( 0 (3 ( !8 8 8 8
&( ; ( (( Carla " 8 "
( ( (( ( 0
( ( ( ! &( 0 8
((
/. +( *( ( +( ( (+( ( ( +(+( + ( ( + ( ( + ( ( ( ( + ( ( + ( ( * ( + ( ; ! ; 3 ( ( 8 8 8 (
78
! Hns. "
#
#
"
#
#
"
#
#
#
#
325
C Tpt. 1
C Tpt. 2
Tbn.
"
%
! 8 ! 8 ! 8 ! 8
#
#
#
#
#
#
#
#
+/, ! ((( Colin "
+ ( ( ( ( ( +( &( ( ( ( ( ( ( ( ( &( ! *(0 (% 8 ( /. +( *( ( ( ( +( +( ( ( *( +( *( ( &( ( &( ( ! ( Carla " 8 " * (0 ( % ( (
! Vln. I "
#
#
"
#
#
%
#
#
Vln. II
Vc.
"
! 8
#
#
! 8
#
#
! 8
#
#
Z
#
; 8
.( .( &( ( ; &( % .. 8
f
3 &( % &( %
#
p
(
; / &(. (. *(. &(. 8 *( &( ( f &( ( ;8 &( % &(
#
# #
; )% 8 ; )% 8
Z
.( ( &( ( ; &( % 8
( ( - 0
(
ff
; / &(. ( *( &( 8 ( &( ( ff
&(. 4 ff
( 4
; &( % 8 4
f
&( ( (
f
&( ( (
- (0 (
&(
&( % &( % p
p
(% (%
)%
#
f
Z
#
( (
# ( (
( ( ( (
)
mf
# &( p
&( ( (
(%
; 8
#
! .( .( &( ( ; 8 .. 8
#
&( ( (
(%
! 8
! 8 &( ( *( &( .... mf ! &( ( 8 mf
( ! 8
&( ff
((
; 8 ; 8 ; 8
( ! ( &( ( ; 8 8 ff
! .( ( &( ( ; 8 8
# )
f
! ; 8 &( ( *( &( 8 . f
&(
! &' 8 f
; 8
79
AA
! ; Ob. 1 " 8
#
; "8
#
#
#
#
%; 8
#
#
#
#
#
. ; ( &(0 ( ( - *.( (. ( ( &(0 ( ( , ! 0 0
%; " 8
#
#
#
#
#
/ / ; ! ( &( ( (/ -& ( ( ( *( &( ( (/ , . . . mf
334
Eng. Hn.
Bsn. 1
Bsn. 2
C Tpt. 1
C Tpt. 2
Tbn.
Accord.
Vla.
Vc.
Cb.
mp
& (9 ( & (9 ( (9 ( & (9 ( 0 ; ) ( ! ( (( ( ( ((' mp
mf
)
#
#
#
#
; !
#
#
" ;8 *( %
)
#
#
#
#
; !
#
#
&(
#
#
#
#
; !
#
#
%; " 8 &( %
#
" ;8
#
#
#
%; 8
#
#
#
(
; ( "" 8
&( ( 0 ( &( 0
! ; % Vln. I " 8 &( Vln. II
)%
#
e=e Poco Piu Mosso
! ; % " 8 &(
! ; Colin " 8
Carla
#
poco accel.
& (9 & ( (9 & ( (9 ( / (9 & ( (9 ( / - 0 ( ( ( !; ( ( (( 0 ( ( ( (%
(
( ( ( &( ( ( ( &( &( / 0 ( (( 0
/ ( -
3
poco accel.
(%
3
3
(
p
3
&( %
(
#
# &( #
&4( %
# 3
(&( ( (% ( 4 4 f
ff
# 4(
#
&4( % 4(
#
(
mp
/ ( ( &(&( ( (/ ( 3
#
( #
*( ( ( ( ( ( *( 0 0
#
#
#
#
; '% !
e=e Poco Piu Mosso
'
'%
#
AA
; '% !0
' #
e=e Poco Piu Mosso
p
' 0
'% 0
' 0
; ! 0'%
' 0
'% 0
' 0
p
. / ; .? / ! ( &( ( (/- *( ( ( ( &( ( (/- *( ( ( ( ( mf
(
3
AA
; !
# poco accel.
% ; (% 8 %; " 8
& ( & 4( ( &( 4( ( & 4( ( &( ( ( ( 4( ( ( ( & 4( ( &( ( ( ( / ; - 0 ( (% ! 4 mp mf m % 4( ( ( ( ( ( 4( ( ( ( m4( ( ( ( ( ( 4( ( % '% % ; # ! % 4( ( ( 4( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( (0 (
( ( &( ( ( ( *( ( ( ( ( 0 0 0 &(
; " 8 *(+ ( ( (&( (*(+(*( ( ( % 5 ;8
)%
. / ; .? / +(+( ( ! ( &( ( (/ -& ( ( - *( &( ( (/ - ( ( mf 9 &(< ( ( &(? & (0 < (( ; ,% & ( ) 0 0! mf
mp
80
! Ob. 1 " '
)
,
#
#
#
" '
)
,
#
#
#
341
Eng. Hn.
% )
Bsn. 1
Bsn. 2
"
&(9 ( p
&( ( (
%
#
! ( - *( ( Hns. " +( ( +( .9 mp C Tpt. 1
Tbn.
"
Colin
Vln. I
)
, &(9 ( mp
, &( ( ( /, * ((
"
#
#
%
#
#
#
)
%
, #
) (9 (
( (.
(9 ( (9 ( ( ( ( ( ( mp
,
,
(9 ( ( ( ( ( ( 9 &(
,
)
#
,
/ (9 - ( ( ( (. . mf .(9 ( & ( * ( & .( 0 mf
(. +(. .( & (.
/ , (9 - ( ( ( . .(9 *( &( *( 0 , -
#
#
#
#
#
#
)
,
#
#
#
! ' " 00
)
,
#
#
#
" 0' 0
)
,
#
#
#
Vla.
Vc.
"
3 5 (9 ( &( (
3 /( 9 ( ( ( ( ( &( (
/ ( ,
(9 (3 (
9 % ( 3 *( +( (
9 *( - &( &( ( ( 3 ( +( 0 (
*( , 0
(3
%
&(
&( (
(9 (
( ( 0
(9 & ( 0 &( (
(9 (
( ( 0
(9
( &(
(9 ( 0 ( (
9 ( ( - ( ( +( ( (3 (
9 *( &( ( &( ( 3 *( &( 0 (
(9 (
mf
#
! ' ""
Vln. II
Cb.
( & (.
/( * (( & (( & ((. (.( +(.9 *(( + (( .
" '
Accord.
(9 (
( ( 0
(9 ( 0 ( (
( ( - ( ( ( +( ( * ( *( (+ ( + ( * ( 0 (9 (
( ( 0
&(9 0
81
! Ob. 1 " ( .9 ( ( 345
/, (
mf
#
.9 / " +( - ( +( *( (9/ - )
Eng. Hn.
mf
9 % ) &( ( &( (
Bsn. 1
Bsn. 2
Hn. 1
Accord.
"
%
& (.
,
#
"
#
#
Carla
,
Vc.
"
(
(9 (
( (
/ /- ) (9 (9 4
,%
#
(( ) )
#
- &(/ ( 4 mp
)
spicc.
&( 4
& (9 (
)
open
(
-
(
4(
(9 (
- -
((
- -
( (9 0
(
# - / ( &( 4
,
&( ( (
(9 ( / ((
# - (/ 4(
,
4 - &(9 (9 - ) 0 0
,
- &(9 &( 0 &( ( mp
#
#
& 4(
,
- / ( 4(
BB
33
? ( *( ( ( ( ( ( - ( ( ( ( (9 (9 *( (9 (9 - (/ ( (*( ( (9 (9 ( - ( (+(+( ( +(9 (9 *(+(9 (9 *( - &( &( ( (9 (9 9 9 (9 (9 9 9 (9 (9 0 (9 (9 (9 (9 (9 (9 (9 (9 f spicc. 9 9 9 9 (9 (9 3 3 &(&(9 (9 ( (9 (9 &( - (? ( ( ( & ( ( &(&(9 (9 &( - *( ( *(+( ( ( ( *( (9 (9 ( - ( ( ( & ( ( - &( ( ( 9 9 9 9 9 9 9 9 9 9 0 (( (( (( 0 (( (( (9 (9 (9 (9
( - .( .( .( 0
'%
+ (9 * ( + ( * ( . . .( 0 - &( &( (3
'%
,
mp
)
mp
Cb.
9 - (0
-
#
f
! (9 (3 *( ( Vla. 5
%
( ( )
,
p
! , " ""
( &(
&(9 (
,
! ""
% ,
Colin
(9 (
- (/ (/ - ) 9 49 p
,
BB
#
% &(&( (
(9 ( / (9 (
(9 &( 0 &(9 (
(9 (
BB
# 9 - (0
(9 (. )
(
p
)
(9 (
(9 (
#
&( &( (9 ( - 9 & (9 (
(( 9 (9 ( ,
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