Lamentations for a City by Lisa Bielawa

LISA BIELAWA

Lamentations for a City for chorus and English horn

commissioned by and dedicated to Cerddorion, Kristina Boerger, conductor Texts from the Lamentations of Jeremiah, RSV duration c. 12:00

SCORE IN C ÂŠ2004 Lisa Bielawa

LISA BIELAWA

Lamentations for a City Text A reading from the Lamentations of Jeremiah the Prophet: ALEPH (1:1) How lonely sits the city That was full of people! How like a widow has she become, She that was great among the nations! She that was a princess among the cities Has become a vassal. BETH (1:2) She weeps bitterly in the night, Tears on her cheeks; Among all her lovers She has none to comfort her; All her friends have dealt treacherously with her. They have become her enemies. DALETH (1:4) The roads to Zion mourn, For none come to the appointed feasts; All her gates are desolate, Her priests groan; Her maidens have been dragged away, And she herself suffers bitterly. ZAYIN (1:7) Jerusalem remembers in the days of her affliction and bitterness All the precious things that were hers from days of oldâ&#x20AC;Ś ALEPH (4:1) How the gold has grown dim, How the pure gold is changed! The holy stones lie scattered At the head of every street. YOD (2:10) The elders of the daughter of Zion Sit on the ground in silence; They have cast dust on their heads And put on sackcloth; The maidens of Jerusalem Have bowed their heads to the ground. KAPH (2:11) My eyes are spent with weeping; My soul is in tumult; My heart is poured out in grief Because of the destruction of the daughter of my people. MEM (2:13) What can I say to you, to what compare you, O daughter of Jerusalem? What can I liken to you, that I may comfort you, O virgin daughter of Zion? For vast as the sea is your ruin; Who can restore you?

Performance Notes ADDITIONAL TEXTS IN BOXES: Additional texts from current news sources appear throughout the piece in the ‘boxed’ sections. These texts are culled and paraphrased from a wide variety of news sources on the web, and they refer to current conditions in cities worldwide, including but not limited to modern-day Jerusalem. When singing these collaged texts in the sections with boxes, sing at a moderate speech tempo, neither rushing nor dragging in response to other musical events happening around you. Choose any of the phrases in the box, and sing them in any order for the full indicated duration, pausing naturally between phrases for breath. Entrances and cut-offs of boxed text sections may be very loose. Once you see the cue to stop singing boxed phrases, finish the phrase you are singing, without hurrying, then continue to the next event when ready. SOLO BOXES: All solo phrases in boxes should be sung or played repeatedly for the duration of the arrow-indicated time. The conductor will act as timekeeper during these real-time sections (such as rehearsal letters A and C). At the cue for the end of the section, finish your boxed phrase without hurrying, then stop. If you have a “LAST TIME” notated at the end of the section with a fermata on the last note, you will hold your last note into the next section. If a section holds a note into a solo boxed section (as in measure 4), the conductor will cue the cutoff of this note after the soloists have begun singing their boxed phrases. ENGLISH HORN TIMBRAL TRILLS: The key trills that appear in the score should be oscillations between two colorings/fingerings of the written pitch.

Lamentations for a City Lamentations of Jeremiah, RSV

F & œ

Lisa Bielawa

As if spoken

Soprano 1

F & œ

Soprano 2

F & bœ

Alto 1

F & bœ

Alto 2

4 A2

B solo

œ #œ

read - ing from the Lam - en

œ- ˙

ta- tions

b œ- œ œ

PBass solo 1 ? œ ˙ #œ #œ

P Bass solo 2 bœ nœ œ w

U n˙ et:

œ œ œ

œ- b œ œ

b œ- ˙

ta- tions

œ œ bœ

b œ- œ œ

U œ bœ ˙

œ- b ˙

œ œ œ

b œ- b œ œ

ta- tions

Je - re - mi - ah the proph

et:

U b˙ et:

et:

U !

!!!!!!!!!!!!!!!!!!!

?! & !

bœ

LAST TIME:

!!!!!!!!!!

P Bass solo 3 #œ ˙

nœ

!!!!!!!!!!!!!!!!

LAST TIME:

bw P plaintive

U œw

ALEPH

A LEPH

E. Hn.

Je - re - mi - ah the proph

# œ- ˙

ALEPH

B solo

U œ bœ ˙

Enter in order as indicated. Repeat boxed phrase A c. 30" SOLOISTS: freely for duration of "A", pausing 2-4" in between.

A - LEPH

B solo

œ œ bœ

bœ w

!!!!!!!!!! b w

bœ w

SOPRANOS & ALTOS: Sing any of the phrases in the box in any order on any one of the pitches indicated, in speech rhythm. Pause briefly in between. When you reach the cue to stop, finish your phrase before stopping.

U !

5 S

" & bW !!!!!!!!!!!!!!!!!!!!!!!!!!!! bW W "no information about his condition is available" "he said such meetings are commonplace" "then they sent a tape that was supposed to contain their demands" "even in cases where the cause was known, records sometimes don't specify" "they offer moral support but no military training"

? bw

(solo)

E. Hn.

tutti

U !

F declarative œ ˙ ˙ nœ œ ˙ How lone - ly

sits the cit - y

How lone - ly

sits the cit - y

U !

c. 10"

œ œ nœ œ œ ˙

That was full of peo - ple!

œ œ nœ œ œ ˙

That was full of peo - ple!

( )

"he also urged national restraint" "he urged them to show love and respect for foreigners" "as the initial investigation showed" "both buses departed from the central bus station in the city"

& bW !!!!!!! bW W U V ! ? U !

c. 10"

U !

c. 10"

˙ nœ œ ˙

c. 10"

" !!!!!!!!!!!!!!!!!!! nn#W W W

c. 10"

F declarative œ ˙

U !

c. 10"

How like

U !

œ nœ œ nœ

wid - ow

has

she

be - come,

wid - ow

has

she

be - come,

-2-

U !

c. 5"

U !

c. 5"

œ œ

she that was

œ œ

she that was

U !

7 S

W W

W & W W W !!!!!!!!!!!!!!!! (finish phrase then join in on "Ah") fœ œ œ œ œ V

U !

c. 3"

f great am - ong the na - tions! ? œ œ œ œ œ ˙

œ œ œ œ #˙

U !

c. 3"

q»•¢ 5 &4 œ

E. Hn.

has

be - come,

has

œ V 45 ?5 œ 4 5 & 4

be - come

has

5 &4 œ

has

5 &4 ˙ & 45 œ

has

œ œ

be - come,

œ œ

prin - cess

am - ong the cit - ies

˙ œ.

bœ

vas -

bœ

vas -

be - come

n˙

vas -

P ˙.

sal.

- sal.

a vas -

#˙

œ. f

œ œ œ -3-

P ˙.

sal.

P ˙.

sal.

j œ ‰ Œ

œ œ

5 4

P œ bœ œ œ ˙.

be - come

P œ #œ ˙.

5 4

vas - sal.

œ J

œ œ ˙P

œ J

˙. œ

She that was a

be - come

˙ #œ #œ œ ˙

am - ong the cit - ies

be - come

prin - cess

œ. œ

˙ #œ #œ œ #˙

She that was a

œ œ œ œ

great am - ong the na - tions!

"the central bus station in the city" "they were also aboard the plane" "records sometimes don't specify" "higher authorities were aware of abuses"

œ œ

Enter in order as indicated. Repeat boxed phrase C c. 30" SOLOISTS: freely for duration of "C", pausing 2-4" in between.

P dolce

& ! 12

S1 solo

S2 solo

A solo

Treble solo 1

œ œ #œ œ œ #œ #˙

U œ œ #œ œ œ #œ #˙ !!!!! LAST TIME:

P dolce Treble solo 2 œ #œ œ ˙ & ! !!!!!!!!!!!!!!!!!! Treble solo 3 BETH P dolce & œ œ œ n œ œ ˙ ˙ !!!!!!!!!!!!!!!!!!!!!!! BETH

P dolce 12 & w

BETH

E. Hn.

nœ

q»•¢ Sorrowful

p 2 & 4 #œ 13

Fœ 2 plaintive #œ &4 In

p 2 #œ &4

the

œ œ œ 3

She weeps bit - ter - ly

2 & 4 13

E. Hn.

#œ

the

!!!!!!!!!!!!!!!!! w

LAST TIME:

#˙

night,

œ #œ œ J

#˙

the night,

night,

œ.

nœ

3 4 œ.

F ‰ #œ

4 #œ œ 4

3 4 œ.

F ‰ #œ

4 # œœ- œ 4 4 # œœ œ 4 -

4 4

‰ œœ œ -

3 4 œ.

3 4 ˙.

nœ

-4-

U nœ œ

Tears

‰ #œ

Tears

on her cheeks;

42 2 4 42 42

‰ œJ

plaintive

Œ Œ

A-

17 S1

& &

œ #œ œ œ œ œ œ. J

P & #œ

She

P# œ V

She

P#She œ V ? 17

E. Hn.

mong all

P & #œ

She

of her lov - ers

#˙

has

F #˙

œ ˙

bœ

œ ˙

nœ

She has none

F #œ

none

F˙

none

Fœ

none,

rit.

She has none

nœ

bœ none

bœ

com

bœ

com

bœ œ

to com

none to com

bœ

nœ

-5-

œ p

bœ.

œ -

fort

p œ

p j œ œ

her.

fort her.

fort

her.

b œ ˙˙ .

com - fort

p j Œ œ œ - fort her. p œ ˙ -

œ.

F bœ -

her.

q»¶™ F plaintive Œ & œ œ œ œ #œ All her friends have dealt F plaintive V Œ œ œ œ œ #œ 20

All her friends have dealt

V˙

œ bœ œ œ œ 3

Œ Ó ‰

They have be - come her en-em - ies.

treach - er - ous - ly with her.

" ww

T2 & B1: Sing any of the phrases in the box in any order on the pitches indicated. Pause briefly in between.

" b ˙˙

œ #œ

All her friends have dealt

A1 solo

T2 solo

B solo

E. Hn.

DAL - ETH

w P

bœ œ ˙

They have be - come her en-em - ies.

˙˙

"they can be held indefinitely" "they were aware of abuses" "they take all necessary measures" "they observed a minute's silence"

p b ww

˙˙ Ó

œ bœ œ œ œ Œ Ó ‰ œ

œ œ

treach - er - ous - ly with her.

œ bœ œ œ #œ

They have be - come her en-em - ies.

& !

4 !!!!!!!!!!!!!!!!!!! 4 U !

Tenor or Baritone solo 1

! P w

4 4

U !

œ #œ nœ œ nœ DAL - ETH Tenor or Baritone solo 2 P œ ?! ! V!

Alto solo

œ œ

E c. 30" SOLOISTS repeat phrases as before

&Ó P œ &

œ bœ œ œ #œ

"they observed a minute's silence" "refusing to cooperate for fear of their lives" "refusing for years to cooperate" "have been there for months without being charged"

F plaintive ?Œ œ œ œ 24

œ bœ œ œ #œ

œ œ

œ bœ œ œ œ Œ Ó ‰ œ

treach - er - ous - ly with her.

4 !!!!!!!!!!!!!!!!!!! 4

œ #œ œ œ #œ #˙

œ #œ œ œ U #œ #˙

LAST TIME:

!!!!!!! U !

DAL - ETH

nœ

DAL - ETH

4 4 4 4

4 !!!!!!!!!!!!!!!!!!!!!!! 4 -6-

q»•¢ Ominous f F 4 Ó ‰ # œ œ œ # œ-œ œ &4 F

25 S

4 &4 Ó 4 V4 Ó

? 4 ˙. 4

F ‰ #œ

The roads to

F ‰ #œ

E. Hn.

œ œ

The roads to

& 44

p & # # ww # w

˙. > Zi - on mourn, f # œ- œ >˙ .

Zi - on mourn,

˙˙ ˙

#˙.

feasts.

F ˙

F ? ˙

Ó Ó

ww w

f #˙ Œ œ œ

˙.

For

none

œ-

# œ-

˙. -

come

# œ-

˙- .

For

#œ

none

For

none come.

tutti

f # œ-

come

All her

œ nœ n˙.

nœ > f

All her

œ ˙ >œ f

œ œœ >

œ- œ- œ-

œ-

P ww w

ww w

˙˙ ˙

# œ-

# œ- Ó

"He hasn't spoken since" "He visited the center" "He urged them to show love & respect" "Hundreds of armed fighters"

œ #œ œ œ œ Ó 3

gates are des - ol - ate,

œ.

to the ap - point - ed

gates are des - ol - ate,

Œ f œ œ #˙

œ œ œ œ œ 3

˙- .

"He said such meetings are commonplace" "He vowed to take revenge for Thursday's killings" "He announced instead that he was firing all his ministers" "He tried to return but was not allowed in"

E. Hn.

# œ-

none come.

ww Pw

Œ !

"fighting broke out around 5" "for sure there will be retaliation" "found in the car" "further to the South"

SOPRANOS & ALTOS sing boxed phrases as in "B"

Œ œ

Zi - on mourn,

œ œ # œ-œ œ

The roads to

(solo)

>. ˙

‰ Ó

-7-

Œ ‰ œJ

priests groan;

her

priests groan;

Œ ‰ œ J ˙

# œ-

her

# œ- Ó

œ œ ˙ >

f & w 34

(finish phrase then join in on "Her")

Her

& w

(finish phrase then join in on "Her")

œ-3

-œ

maid - ens have been

œ-

˙-

œ-

˙-

Her

maid - ens have been

& w &

V Ó

Œ #œ

? Ó

Œ #œ

Her

& Œ

œ-

œ œ ˙ ƒ>

4 nœ &4 37

P 4 ˙. &4

self

œ-

4 & 4 nœ P œ 4 V4

self

‰

œ.

œ3

bœ œ

suf - fers

suf - fers bit - ter - ly.

F 4 Œ ‰ j œ œ œ 4

way,

# œ- 45 n œ 45

ƒ> œ

œ ˙

dragged

a - way,

" bœ bœ bœ œ œ

the

night

œ˙ b œ

bit - ter - ly in the

bœ bœ bœ œ œ

the

bit - ter - ly in the

w Ó

! -8-

and she her -

4 4 4 4

suf - fers

œ œ nœ œ bœ.

4 4

œ nœ ˙ > dragged a - way,

# -œ 5 # ˙ . 4

4 4

dragged a - way,

bœ bœ

5 4

maid - ens have been dragged

suf - fers bit - ter - ly.

P 4 . & 4 b˙

5 4

œ-

œ- # œ- # œ-

and she her -

5 4 b œœ œ ˙ . >

F ‰ œJ œ œ 44

œ ˙

dragged a - way,

maid - ens have been dragged

œ œ nœ œ bœ.

She

# œ- # œ-3 # -œ ‹ œ-

E. Hn.

5 >œ 4 #œ

˙-

maid - ens have been

Her

# œ-

night

œ˙ b œ

! p

˙ .n ˙

night

˙ b. ˙

night

ww ! !

G c. 30" 41

B solo

& w PBass solo 1 ? œ ˙ #œ #œ P

ZA - YIN

? !

Bass solo 2

B solo

U !

bœ

˙ nœ œ

ZA-YIN

? !

Bass solo 3

˙ !!!!!!!!!!!!!!!!!!! U LAST TIME: !!!!!!!!!!! b œ n œ œ w

w #œ

ZA-YIN

ZA - YIN

& !

!!!!!!!!!!!!!!!!!

E. Hn.

bw P

bœ w

!!!!!!!!!! b w

U !

" #W W W !! ! !!

"relations between the two countries are so close" "they routinely share classified information" "they can be held indefinitely if considered a security threat" "a danger looms that he could be held responsible"

& U !

c. 10"

V ? w 42

E. Hn.

bœ w

" SOPRANOS & ALTOS sing boxed phrases as in "B" & bW !!!!!!!!!!!!!!!!!!!!! bW W 42

LAST TIME:

U !

c. 10"

F œ œ œ nœ œ ˙ F

U ˙ !

c. 5"

Jer- u - sa- lem re- mem-bers

œ œ œ nœ œ ˙ U !

U ˙ !

c. 5"

Jer- u - sa- lem re- mem-bers

-9-

"heightened regional tensions" "raising the specter of a raid" "before the woman reported him" "the harsh criticism he received"

œ œ

˙ nœ œ œ œ œ œ œ œ ˙

in the days of her af - flic- tion and bit-ter-ness

œ œ

˙ nœ œ œ œ ˙ œ œ œ œ

in the days of her af - flic- tion and bit-ter-ness

( ) &(# W !!!! W W) U V !

œ œ œ

? U!

c. 3"

E. Hn.

the

pre - cious things that were hers

Days

old.

#œ

A - LEPH

œ œ ˙

the P How tutti 4 œ #œ œ œ &4

4 & 4 #œ p & 44 48

E. Hn.

How

˙.

n ˙.

#œ

the

4 !!!!!!!!!!!!!!!!! 4

How the gold has grown

4 !!!!!!!!!!!!!!!!!!!!! 4

Treble solo 2

q»•¢ Contemplative

tutti

4 !!!!!!!!!!!!!!!!!!!!!!!!! 4

A- LEPH

p tutti 4 & 4 #œ

˙.

All

F ˙ & nœ ˙

#˙

old.

ÓF

4f œ 4 ˙

of old

A- LEPH

& w F

œ 44 # ˙

Days

œ œ œ

Days

Treble solo 3

old.

pre - cious things that were hers

œ w

&˙

Days of old

˙˙ ..

the

47 Treble solo 1

& F

œ. #œ œ

Days

! œ

4f˙ 4

4 f œ. 4 #œ ˙.

n ˙˙

All

I c. 30" S solo

W W W

& #W W W !!!! c. 3"

q»•¢ f 4 4 ˙˙

#˙

gold

œ œ. J

#˙

Phow the pure gold has changed, ‰ # œ œ œ # œ-œ œ ˙

œ nœ nœ œ. - 10 -

#˙.

‰ # œ œ œ # œœ œ how the pure

œ nœ ˙

how the pure

gold,

gold has changed,

4 4

P ‰ #œ œ œ

dim,

gold

U œ œ

!!!!!!!!!!!!!!! w

LAST TIME:

‰ œ nœ œ

The

Œ Œ

œ #œ & 51

hol - y stones

p & #œ

plie & #œ V V

p#lieœ

54 T2

B solo

Vw ?

scat - ter'd

œ- # œ .

œ- œ .

scat - ter'd

œ ˙

bœ

œ ˙

nœ

bœ

at the head

F #˙

at the head

F #œ

F˙

Fœ

the

nœ

the

nœ

ev'

bœ

bœ œ

- ry

the

head of ev' -

F bœ

street.

bœ ˙.

ev' - ry street.

Tenor or Baritone solo 1

YOD

F Ó

œœ

#œ œ

œ œ nœ ˙

Tenor or Baritone solo 2

YOD

4 !!!!!!!!!!!!!!!!!! 4 4 !!!!!!!!!!!!!!!!!! 4

4 b œ b w !!!!!!!!!!!!!!!!!!!!!!!!! 4

Bass solo

YOD

& ! 54

E. Hn.

p j Œ œ œ - ry street. p œ ˙

œ. -

ev' - ry street.

bœ œ

bœ

p œ œ œ

head of ev' -

street.

bœ

head

p ˙

c. 30"

F ?

lie

scat - ter'd

& œ K

-œ œ.

œ- œ .

lie

œ- # œ .

scat - ter'd

p#lieœ

scat - ter'd

E. Hn.

LAST TIME:

œ w

!!!!!!!!!!!!!

- 11 -

œ œ

4 4

4 &4 55

q»¶™

# ww

# 4 &4 w bw

P 4 ‰ jœ V4 œ œ #œ œ ? 44 ‰P j œ œ œ #œ œ The el - ders

& 44

The el - ders

E. Hn.

59 S

& & ˙˙ .. V

? 59

E. Hn.

œ bœ œ œ œ œ Œ

˙.

" ‰ #œ

! Œ ! ! !

daugh - ter of Zi - on

œ bœ œ œ œ œ Œ 3

of the

sit on the

‰œ œ œ

sit on the

œ œ œ-œ œ œ

˙.

" ‰ # œ œ œ œ-œ œ œ ˙ . on their heads "They have cast dust # œ- œ œ # ˙ . ‰ #œ œ œ œ They have cast dust on their heads

They have cast dust on their heads " #œ œ œ #˙. ‰ # œ œ œ œThey have cast dust on their heads

œ bœ œ

p #œ #œ œ œ œ

and put on sack-cloth;

œ.

‰ Œ

ground in sil - ence.

pand put on sack-cloth; Œ ‰ # œ œ œ œœ œ ˙ pand put on sack-cloth; #œ œ ˙ Œ ‰#œ œ œ œ Œ ‰

ground in sil - ence.

p Œ ‰ # œ œ œ œœ œ

Œ nœ œ. œ œ p

- 12 -

œ bœ œ

‰œ œ œ

daugh - ter of Zi - on

˙˙ ..

Sil - ence.

of the

p b œœ

˙˙

"security forces" "sending smoke" "sirens went off" "soldiers escaping"

"these comments are a basis for mutiny" "security forces will conduct multiple arrests" "sending a huge column of smoke up into the air" "a soldier must fulfill orders"

poco rit.

nœ P

P Œ # œ 46

PThe 6 Œ œ 4 œ

˙ œ. œ n˙.

Ó Ó

The

6 4 6 4 6 4

6 #œ &4

˙.

œ œ

maid - ens

6 & 4 # œœ # œœ œ œœ œœ œœ œœ ˙˙ œ 3

maid - ens

6 & 4 64

E. Hn.

of Jer - u

sa - lem

œ- n œ- œ œ n œ-

have

4 #œ 4# œ

œ œ

4 #œ 4 œ

œ #œ

heads to

4 4

nœ

bowed their

have

bowed their

#œ

œ œ

the

œ œ

the

œ-

n œ-

heads to 3

# #w # w

œ œ

# ground. œ #w ˙ œ œ . ground.

ground.

œ n˙. "

Freely, as if improvised

(key trill) Ÿ~~~~~~~~~~~~~~~~~~~~~~~ œ œ bœ œ œ w }œ &w #œ œ #œ #œ nœ nœ œ œ nœ œ F

Ÿ~~~~~~~~~~~~~~~~~~~~~~ w }œ

E. Hn.

& œ bœ bœ œ bœ œ œ bœ bœ

&Ó 73

E. Hn.

œ #œ œ #œ #œ nœ œ nœ #œ œ

œ œ#œ œ œ œ œ nœ œ œ

œœœ œ bœ œ nœ œ

‰

œ- n œ- - œ- -œ # œ- œ- œ- - Ó œ œ œ-

f #œ œ œ nœ œ œ

j #œ #œ.

j œ œ. f

œœœ

nœ #œ œ #œ #œ nœ œ nœ #œ œ œ

- 13 -

˙ }œ œ œ#œ œ œ œ

‰

œ N

j #œ # œ- - œp

Ÿ~~~~~~~

w p

j #œ nœ # œ- - œ- p

q»¢•

j œ

# still, steady Œ & ˙ bœ œ My eyes # still, steady &Œ ˙ bœ œ My eyes # still, steady VŒ ˙ œ w 79

n˙

still, steady ? Œ#˙ œ w 79

E. Hn.

n˙

eyes

œœ bœœ œ

#œ œ#œ

83 S

& nw

weep

& nw nw

weep

V nw ?

weep

E. Hn.

œ #œ œ #œ #œ nœ 9:8

$ F

spent

b n ˙˙ .. b˙.

b ˙˙

spent

b˙ b˙ with p b˙

are

spent

with

bœ œ œ

poco a poco cresc.

are

œ nœ #œ œ œ

b˙

Ÿ~~~~~ ˙ }œ œ bœ bœ œ bœ n œ œ œ œbœbœ #œnœnœœ

17:8

P #˙

P #˙ ˙ - ing. P ˙ -

#œ œ

ing.

œ nœ

˙ ˙

œœœ

$ r œ œ.

- 14 -

b˙

are

poco a poco cresc.

15:8

n˙.

bœ œ

poco a poco cresc.

œ bœ œ nœ

Ÿ~~~~~ ˙ }œ œœœœ

6 4 # ˙˙

with

œ œ nœ œ œ œ #œ œ œ nœ œ œ J

heart

˙˙

heart

˙ ˙

n ˙˙

heart

#˙

heart

6 4 #˙ ˙ 46 ˙ 46 # ˙˙ 46

$ r #œ. #œ f

˙ #˙

˙˙

n˙ n˙

‰ j b œœ nœ b œn œƒ

4 4 4 4 44 44 44

Ï 4 œäœ &4

ä œœ

86 S1

tum

ult.

Ï 4bœ &4 œ â

œœ â

tum - ult.

Ï 4 & 4 b œœ â

œœ â

tum - ult.

Ï 4 &4

œœ â tum

Ï 4 j V4 œ â tum Ï ?4 œ 4 â

E. Hn.

œ â

˙˙ ..

"because of the destruction" "the soldiers felt their lives were at risk" "no crime goes unpunished" "I don't know why this happened to us" "you traitor, stop pretending and wait"

˙˙ .. f

˙˙ ..

˙˙ .. ƒ j œ bœ bœ

- ult.

œ â

f b ww

heart

œ bœ

is poured out

˙.

"the destruction of the daughter of my people" "leave them out of this ugly game" "sending a huge column of smoke into the air" "the retaliation will be justified" "hundreds of armed fighters are ready"

b ww "because of the destruction" "for sure there will be retaliation" "a soldier must fulfill orders" "explosives were found in the car" "I don't want to describe what I saw"

"the destruction of the daughter of my people" "refusing for years to cooperate" "witnesses refusing for fear of their lives" "they are ready for future attacks" "I don't want to describe what I saw"

œ bœ ˙ ƒ œ b œ b œ œ œ œ bœ œ

grief.

tum - ult.

4 & 4 œ 86

œœ â ult.

f ww

÷.

(multiphonic on C)

- 15 -

ƒ * P 4 & WW !!!!!!!!!!!!!!!! ÷ !!!!!!!!!! 4 _ P

c. 15"

88 S1

"I don't know why this happened" "I don't want to describe what I saw"

ƒ * P 4 & WW !!!!!!!!!!!!!!!! ÷ !!!!!!!!!! 4 _ "I don't know why this happened" "I don't want to describe what I saw"

CT 1 solo

CT 2 solo

ƒ * P4 & W !!!!!!!!!!!!!!! _ ÷ !!!!!!!!!! 4 W ƒ

œ œ œ bœ n˙

Countertenor solo 1

My heart is poured out

in grief

" 4 !!!!!!!!!!!!!!!! 4

ƒ Countertenor solo 2b œ n ˙ b œ œ œ œ œ

& V

bœ œ

"I don't know why this happened" "I don't want to describe what I saw"

" 4 !!!!!!!!!!! 4

My heart is poured out in grief.

ƒ *÷

P 4 !!!!!!!!!!! 4 "I don't know why this happened" "I don't want to describe what I saw"

E. Hn.

œbœbœœbœ ƒ

˙ ÷ œ œbœbœ œ œnœ œ œ œ œ bœ (add multiphonic optional)

!!!!!!!!!!!!!!! w f

LAST TIME:

* Sing text on any note within indicated range.

- 16 -

q»¶™ Reticent

" (finish last phrase then join in on hum) 4 U w w &4 w 89

" (finish last phrase then join in on hum) 4 U w w &4 w MM

4 V4

U ! -

U !

?4 4 ? 44

4 U & 4 w P

U !

E. Hn.

bœ œ œ Ó

bœ œ œ Ó can I say

What

can I say

for you,

œ ‰ Œ Ó J

& w

˙.

œ œ b œ œ œœ œ n œ œ

MEM

j ‰ œ œ Ó for you,

j Œ‰ j ‰ b œ V œ œ bœ Œ Œ œ

you,

? ‰ bœ œ Œ ‰ œ bœ Œ Œ œ J J ? ‰ œj Œ ‰ j œ Œ Œ œ œ œ To what

com - pare

you,

To what

com - pare

you,

P " œ œ ˙. œ # œœ œ œ b œ n œ

daughter of Jer - u

of Jer - u

! ! !

- 17 -

sa - lem-mm

Œ Œ Œ

! !

" P œ œ n œœ œœ œœ œœ œœ .. œœ œ œ ˙ . J O daughter of Jer - u - sa - lem-mm P " œ œ b œ œœ œœ œœ œœ œ n œ œ œ ˙ .

com - pare

œ J

œ.

MEM

for you,

can I say

œ œ œ Ó

œw œ . J

j ‰ bœ œ Ó -

What

p gently œ Œ Ó

˙.

To what

‰ b œJ œ Ó

What p gently bœ Œ Ó

& w

p gently bœ Œ Ó

˙.

& w 94

2 4 ˙

3 4

2 4 ˙

3 4

2 4 ˙

3 4

P j b œ Œ œ œ 42 œ b œ ‰ œ 43

P b œ Œ œ œ 42 œ b œ ‰ œ 43 J What can I

lik - en

P j œ Œ œ œ 42 œ œ ‰ œ 43 What can I

lik - en

What can I

lik - en

& 43 ˙

that I may

3 &4 Œ & 43

that I may

V 43 ˙

that I may

? 43 œ . ? 43 ˙

that I may

F ‰ j œ bœ œ

& Œ

& œ-

F ‰ b œj œ œ

& Œ

F ‰ b œj œ œ

that I may

‰ œJ ˙

œ b œ œ- b œ œ ˙

What can

V œ- b ˙ ? Œ

‰ j œ bœ œ

j ‰ bœ œ œ œ œ bœ ˙ What can

that I may

‰ b œj œ œ

lik - en to you,

‰ b œj œ œ œ- œ b œ ˙

œ- b ˙

that I may

lik - en to you,

pare you,

‰ œ œ bœ J

‰ b œj œ œ œ œ b œ ˙ -

& œ- b ˙ V Œ

that I may

What can

pare you,

‰ b œj œ œ

lik - en to you,

poco a poco accel.

Œ n œ-

‰ œJ

that I may

œ bœ

What can

-œ œ ˙

say for you,

‰ œ œ bœ J

com - fort you,

n œ- b œ

What can

say for you,

j ‰ bœ œ œ

com - fort you,

œ- b œ

What can

œ- b œ

œ-

com - fort you,

n œ- b œ ˙

œ bœ O

that I may

‰ b œj œ œ

œ- b œ ˙

com - fort you,

- 18 -

that I may

vir - gin - daugh - ter of Zi

bœ

cresc.

com - fort you,

‰ b œj œ

say for you,

ä b œœ œœ œœ- œœ- œœ- œœ

‰ b œj œ œ

œ- b œ ˙

to what com -

cresc.

com - fort you,

to what com -

œ ˙

‰ b œj œ

to what com -

œ- b œ ˙

com - fort you,

say for you,

‰ b œj œ œ What can

j bœ œ

‰

œ- b œ ˙

com - fort you,

to what com -

‰ b œj œ œ n œ b œ ˙ -

lik - en to you,

pare you,

that I may

com - fort you,

pare you,

that I may

com - fort you,

you,

103

that I may

com - fort you,

F j bœ œ œ œ bœ ˙ -

you,

F j bœ œ œ œ bœ ˙ -

3 V 4 œ.

you,

F ‰ œ œ bœ J

com - fort you,

F ‰ b œj œ œ n œ b œ ˙ -

you,

Compassionate

œ œ b œ Fn œ- œ ˙ J

3 & 4 œ. 99

œœ œ-œ œ-œ œ-œ œœ â 3

vir - gin daugh - ter of Zi

bœ

cresc.

œ b œ-

œ-œ œ-œ œœ â 3

vir - gin daugh - ter of Zi

œ- b œ

b œ-

œ- b œ- œœ â daugh - ter of Zi 3

cresc.

com - fort you,

œ- b œ

com - fort you,

q»•¢ 107 ƒ & . ˙ on?

˙.

on?

˙.

ƒ & . ˙

molto rit.

4 4

Œ What can I lik- en3 to you, Œ ‰ Forj vast as the 4 V b œ œ œ œ- œ b ˙b œ œ œ œ- b œ˙ œ œ œ- œ œ b œ˙ œ œ œ- œ b œ b œ œ œ œ 4 ‰J Œ to what com-pare you, that I may com-fort you, For vast as the What can I say for you

Œ What can I lik- en3 to you, Œ ‰ For vast as the 4 V b œ œ œ œ œ b ˙b œ œ œ œ b œ˙ œ œ œ- œ œ b œ˙ œ œ œ œ b œ b œj œ œ œ 4 ‰J Œ What can I say for you,

? ? ?

to what com-pare

bœ œ œ œ œ b˙ -

(a few low basses)

b˙. >

For

that I may com-fort you, For vast as the

bœ œ œ œ œ œ b˙ 3

‰ b œj œ œ œ- b ˙

What can I say for you,

you,

to what com-pare you,

b˙. >

vast

‰ b œj œ œ 44 œ

4 bœ œ œ œ œ bœ œ œ œ œ 4 -

What can I liken to you,

For vast as the

that I may com-fort you, For vast as the

b˙. >

the

- 19 -

b˙ >

sea

4 4

4 &4 Ó 112

q»§§

4 &4 Ó

f 4 V4 ˙ . f 4 V4 ˙ . sea

œ œœ is your F Œ œ œ is your F œ œ

˙˙

Fis your ru œ œ ˙

?4f 4 w

sea

is your

b b ˙˙

in;

˙˙ ..

in;

˙.

in;

˙.

‰ œJ # œ f

œ nœ œ bœ œ bœ œ œ œ œ œb˙ œ b œ n œ œœ

in;

4 & 4 112

E. Hn.

sea

115

œ œ bœ œnœ#œ 9

& $ 115

E. Hn.

‰ b œj œ P

rubato

" Œ " Œ

˙.

tutti

" Œ

" Œ !

" Œ Œ ŒŒ œ bœ œ œ bœ Who can re - store you? " Œ Œ ŒÓ bœ œ bœ bœ can re - store "Who œ Œ Œ œ œ œ ŒŒ œ

# œœnœbœbœ œ $nœbœ bœ bœ b œ b œ b œ b œj b œ . p F F

Who

- 20 -

œ.

U ! U ! U !

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~ molto rit. (slowing) U j j j j ‰ j n œ . }œ w œ œœ œœ œœ œ nœ J J J J p can re - store

you?