CONTENT VERTICAL TRANSITION _ 4 6 8 10 12 34 36
• • • • • •
Vertical relationship The new local Ephemeral Urbanism Design Interventions Program Research Site Analysis - Prelim
TURNING CIRCLE PRECINCT _ 40 40 • Context Research 42 • Site Analysis
DESIGN PROPOSAL _ 48
50 • Vertical theatre 66 • Art Residence program 70 • The Third space
PRECEDENTS _ 94
PROJECT 1
VERTICAL TRANSITIONS
EXPLORATION OF 3 PROVOCATIONS ABOUT VERTICALITY: VERTICAL RELATI
IONSHIP, THE NEW LOCAL, EPHEMERAL URBANISM AND DESIGN INTERVENTIONS
In the first 6 weeks of the semester, we explored concept of Vertical Transition and Transformation through a series of design provocations through research, documentation, observation, mapping , drawing, model making and analysis. The design explorations are developed based on 3 main ideas: • VERTICAL RELATIONSHIP (understanding of verticality and where the design can inhabit a vertical space, programs and supports to encourage vertical rather than horizontal movement / engagement) • THE NEW LOCAL (possibilities to build social and creative networks and nodes at the micro level in the city, ways to enable or support local activities, ways to engage and develop new community through designs) • EPHEMERAL URBANISM (Short term tactics that leads to long term design strategies with significant impact to the urban designs) The design process works have led to my research about types of programs (art performance and creative production) that I would like to focus on the second project which will take place at Turning Circle Precinct (Foxton Lane).
5
Mid Semester Summary
3 Provocations and design explorations
1. Vertical Relationship
2. The Ne
• Vertical spaces that have been used as a way to allow more audience to have full panoramic view of a performance stage. (Opera theatre). • Reverse the relationship between the performer and the artists. • Small alley, lane way forming slow life styles compared to larger street. • Vertical as perspective, occupation of empty spaces above ground level.
• Temporal public art ins cultural / performing ev • The relationship betwe and the ground levels higher levels to connec to the lower ground) • The local relationship w building: Allow a mix o private creative busine spaces within the sam mixed level. Adding sh spaces
Metropolitan Opera House Theatre NYC, 20th century
Theatre Workshop, Sao Pa Edson Elito
ew Local
stallation, vents een the street (Open spaces on ct the buildings
within one of different ess and public me building at a hared community
aulo - Lina Bo Bardi &
3. Ephemeral Urbanism • Temporary tactics and short term interventions that lead to long term design strategy • The use of scaffolding structure • Ephemeral outdoor furniture set up. • Short term festive events
Assemble - Newcastle Stage at Horst Art & Music 7
Research: Urban context Case Study - Superblock - Barcelona - Spain
Diagram 1 : Relationship with the streets
Precedent Superblock - Barcelona, Spain
Diagram 2 : local relationship vertically within a building
Restricting car access to the street, allowing more space for foot path and access through street. Further development of this idea involve development public transport network to allow more access to site. • Increase frequency of public transport (more tram routes). Variety of routes per transport types • Providing access to near by car park spaces but not within the super block models.
Car traveling and parking zone / must be outside of the block
Study the use of empty space between buildings Lane way
Study the relationship between the use of public space on the street and surrounding buildings How are ground level occupied?
Natural elements and the impact on occupations of the new local: Weather, seasons, daylight
y
Study of vertical relationship existed within the same buildings/ between tenants and how difierent levels are occupied
Study the relationship between difierent buildings in the vicinity. What do you see out side of the window
Design Interventions
3 Provocations and design explorations
Vertical Relationship • Theatrical designs: exchanging the relationship between the audience and the performers • Flexible space that can be transformed for different uses at different times
The New
• The local relationship w building: Allow a mix o private creative busine spaces within the sam mixed level. Adding sh spaces
Residential area Residential area
Car Park 170 Russell Street, 3000 Creative studio
Public Gallery Creative studio
Public Gallery Shop Playground
Exchange between the stage & the audience
Hypothetical di group of buildin
w Local
Ephemeral Urbanism
within one of different ess and public me building at a hared community
• Creating large public spaces for different types of activities from the public • Temporary structures of festival/ public art that occupy larger spaces on the street (walkway, square)
Residential area
Creative studio
Urban context
Public Gallery
Restaurant
Exhibition
Public space to display Creative work
iagram of mixed resident types/ different ng occupants
Festival ideas 11
Vertical Relationship Establishing new relationship outside of ordinary boundaries
Precedent
Idea
Vertical Village - OMA/ Ole Scheeren Singapore (2013)
Stacking up built forms that create inhabited bridges between vertical unit.
Design Invention 1
Front view
Side view from one of the floor
View upwards from ground level 13
Turning Circle Project - Site visit Slowness of small alley Lane way
Lane way / Alley, Spaces between buildings
Design Invention 2 Idea Alleys/ small lane ways of in between high rise buildings that embraces slowness of urban city lifestyles.
15
Vertical relationship Density vs Stages (Switching the roles of audience & performer)
Precedent
Idea
Metropolitan Opera House Theatre NYC, 20th century
Vertical spaces have been used to as a form to have more audience getting great view of the stage. There are existing public spaces within the CBD such as car parks have been constructed with the similar structure of not completely being covered with facades. Mpavilion 2020 has used multiple abandoned public spaces (car park, existed amphitheater ).
Car Park 170 Russell Street, 3000
Design Invention 3
17
Vertical relationship - The Stage and the Audience Opera House - (Switching the roles of audience & performer)
Ideas - Indoor theatre Conceptual ideas for a hypothetical stage designs where the stage are stacked up, audience and performance are allowed to switch places based on the program • different type stage designs (layering, staging) • ability to transfer seating space between different performing act through staircases • different experience (performance type based on different stages) • when not used for performance, can be dismantled (using temporary object)
exchange b etween the stage & the audie
exchan ge the stag between e & the audienc
Design Invention 3
ence
ce
19
Relationship between the streets and ground levels Small lane way
Idea
Community & Relationship type: To create the impression Lane ways have been of the lifestyle within used as a short cut the lane way: for some people to go • Allow Shop/ through a quicker path. restaurant / cafe They also have the placing chair and characteristic if there table setting outdoor exhibits the opportunity • Adding more lights for more frequency that helps traffic flowing through • For the small lane these paths, in addition way, allow open to the main street. entrance of the lane way to be opened and be interactive with people walking by (instead of current closed structure) • Each lane way can have different theme/ collaborate of the theme on a precinct level.
Precedent
street food shop in Japan and China
Design Invention 4
21
Vertical relationship + The New Local Occupation small lane way and the space above the ground
15 Queen St Lane
Design Invention 5 Idea The occupation of vertical spaces are filled with installations of lighting, which mainly to create safe environment for these small areas at night, allowing more people going through the space at different time of the day.
23
The new local + Vertical relationship People in the shop are watchers: sitting areas - roof top
Idea Moving the seating areas for public spaces to roof top for events, function but also creates a human surveillance watching over the small lane way all the time.
View toward the small alley
Axo view
The view from the
Design Invention 6
View toward the small alley
e roof top toward the lane way 25
Vertical Relationship + The new local within one building Allowing a mix of creative business and public access space
Precedent
Idea Allow a mix of different private creative business and public spaces within the same building at a mixed level. Encourage the public access to visit (view creative production) during certain time period. Foster the existing relationship of different occupants within a building
Superlofts - Marc Koehler Architects - Study model copy
Hypothetical diagram types/ different group occupants
Design Invention 7
Residential area Residential area Residential area Creative studio
Creative studio Public Gallery Public Gallery Creative studio Restaurant Public Gallery
Exhibition Shop
Playground
of mixed resident of building
Public space to display Creative work
Different colour blocks showings mixture of public spaces (gallery, commercial spaces) and enclosed business model (creative production). People can walk pass by these creative studios and will have chance to visit creative production spaces during certain hours.
27
Ephemeral Urbanism - Short term Strategies The use of ordinary object - re-purpose Idea Everyday objects: • Utilising ordinary objects such as milk crates, timber pallets to create temporary seating area. • Also can use to block traffic Scaffolding as vertical design spaces (exhibition) • create new experience of pedestrian walking underneath by adding installation art (rather than walking pass by a construction site) • scaffolding structure putting up vertically as the theatre stage (view from above the ground)
Scaffolding with added element Scaffolding with decorative elem
Temporal arrangement allow more possibility of use for these intervention at different time at a space. Testing possibility of materiality and additional uses • Amphitheatre • community garden
Testing different arrangement o
Community garden ideas
Testing different colour arrangem
t of stair case that allow people to walk up ments
Design Invention 8
Public playground
of milk create that create different seating types
ment of milk create
Vertical structure
29
Ephemeral Urbanism + The new local + Vertical relationship The use of ordinary object - re-purpose - Occupying vertical spaces
Idea Using the short term strategy to occupy lane ways , which are known for slowness lifestyle compared to fast paced of the urban space. • Outdoor seating space, being safe from the street (with timber pallet fences • Even allowing occupation of more people based on the vertical spaces built from scaffolding structure. • Walkable street in the middle
Program Public events, street festival, outdoor movie theatre
Design Invention 9
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Ephemeral Urbanism + The new local + Vertical relationship Urban temporal play ground - rearrangement for different programs
Idea • Creating large public spaces for different types of activities from the public • Temporary structures of festival/ public art that occupy larger spaces on the street (walkway, square)
Program adding activities for large empty areas of the street
Design Invention 10
Public art/ Installation
33
Program research
Ambitions for creative/ art productions within the design
Design direction
City of Melbourne Creative Strategy
Ambition to create a space for the creative practices: • Artists (space to perform/ display/talk/ work on site) • neighbourhood residents (public space, park) • Students (space to have classes on site) • Supports and connections to the existing creative programs by the City of Melbourne (Immigration Museum, Melbourne Festivals...)
Art Infrastructure Framework - goals: 1. Secure commitment for the delivery of three arts hubs that include mid-sized performance spaces and community arts spaces. 2. To significantly increase the number of creative spaces within the municipality. 3. Advocate to create and incorporate live/ work spaces within the city. 4. Advocate to support the provision of more affordable housing for artists, as per the city’s housing strategy. 5. To ensure the integration of embedded public art projects in new public and private developments.
Art Creative Program precedents Testing Ground
Arts House
2013
2021
Testing Ground - Website
Testing Ground is an infrastructure for creative practice supporting experimentation and interdisciplinary practice across art, performance design and education. Programmed through simple application processes, Testing Grounds is a place where people at all stages of practice can test, develop and share their work.
The Arts House - Website
Arts House is a space for Research, Create and Present performing art. RESEARCH is their laboratory stream: artists conduct experiments and explore new ideas. CREATE is where ideas are transformed into practice. We run two streams, calling for new projects once a year. PRESENT is how they share new contemporary art with the community.
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Site Analysis - Foxton Lane
Sit eV
isi
Powercor Building
iew
V
to
m
eu
us
M
Secure Car Park
Fo xt on
Ta v
ist oc
kP
l
Ln
Reed House has 3 private parking spaces. => Ideas transforming parking spaces into to workshop, creative production studio. / access to Foxton Lane
Source : Melbourne Open Data, Realestate Commercial, Google Maps
11
Reed House
Holyman’ House
Reed House
t:
Secure Car P
Park
11 Tavistock Pl - 2018-2020 (Source Google Map)
November 2018
Temporary construction steel frame structure was built to facilitate construction at Tavistock Pl. There are also examples of steel frame balcony extension exhibited in this lane way
November 2020
6 levels, commercial, 315 parking spaces, maximum height 1.9m
Idea => Car park window facing Immigration Museum can be ultilised as facade for public seating area
37
Site Analysis - Foxton Lane Reed House: 8-12 Market Street 3 private parking spaces (available for rental by negotiation) Low level of accessibility
Existing facade opportunity for Window range looking toward Foxton Lane Opportunity for fire escape staircases
Proposed open facade
Floor plan is open space
For rent (advertised on April 2021)
Considering temporary structure for vertical relationship
Converting basement of Reed House for studio space of creative practice. View toward Southbank Yarra River
Secure Car Park: 315 Parking spaces For Commercial Use. High level of Accessibility
e conditions: r open spaces.
Remaining parking spaces
Arrangement of parking space that enable vacant spot next to the facade facing Foxton Lane
Proposed front space of car park with no Parking slots (for temporary events)
39
PROJECT 2 In the second half of the semester, we will take our processes, approaches and the design outcomes regarding vertical transition and transformation discovered from Project 1 then test them through a design project within Foxton Lane - Turning Circle Precinct. In this project, I will discuss site analysis, research context regarding creative productions with a design direction driven from Project 1 (art performance and art production). The final design outcomes include 3 major interventions: • Vertical Park: a flexible infrastructure that accommodate public park (extension of W Hotel Market Street Park) and amphitheatre for public performances • Art Residence Program: Infrastructure taking place at basement of Reed House • The Third Space: vertical infrastructure hosting educational programs including public talks by Immigration Museum and site excursion for RMIT University students. The roof top allows public access without booking These interventions links through a series of staircases attached to Reed House that links intervention 1 +3, as well as the car park thresholds by removing perforated windows , turning these into folding doors
URBAN ASSEMBLAGE
3 1
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CR 2 A rt Re si
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Yarra R
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INTRODUCE SITE - TURNING CIRCLE PRECINCT
Co
llin
sS t
Fli
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N 43
The Greenline Project
Immigration Museum
Banana Alley
Enterprize Park
t St rke a M
Yarra R
iver
South Bank
Art Precinct
INTRODUCE SITE - TURNING CIRCLE PRECINCT
Collins Arch
Co
llin
sS t
Foxton Lane
Fli
nd
er sS t
N Flinders St
45
People Involved: Performing Artist (local artists), set designers and stage designers, music producers, local community and patrons with booked tickets (or free events)
1 Public performances: Suitable for performing program types: Music festival, talk, Public exhibition,Projection (duration around 1 hours) Where: Amphitheatre Allowing more audience
Artist producing works/ contributing to the design of the public performance intervention
igra
Imm
m
useu
M tion
Where: Sheltered space with windows allowing public pedestrians, visitors to observe art making process
2 Art Residency: Short-term lease to local,emerging artists with the practice of making as the art. Or Space to exhibit art produce by local artist
People: Emerging artist, City Council (providing art funding, public pedestrian)
SITE PLAN AND PROGRAM OVERVIEW *These events can be linked as parts of the sames program or are independent
Alternative venue for public events at smaller scale. Links in theme
3 Booked space: Outdoor Venue available to different stakeholders to use: - Class excursions - Public talks/ program by Immigration Museum / The Greenline Project etc. - Can be transform to outdoor public space when not in use
e
ed
Where: View towards Yarra River, linking to the Greenline project
People: Educations, schools museum visitors, local community public pedestrian
Artist produce works to be displayed at the booked spaces/ hosting talk/ discussion about their works
N
, 47
1
Po w
erC
or
Bu
Vertical Park Space for public events (linking to Market Street): for residents more visible and allow easy public access
Stair Hou conn at a
ild
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2 Art Residency
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Monthly art r program, link
N
rcases attached to Reed use and footpath create nection between (1) + (3) all levels
3
The Third Space Vertical structure (link to Yarra River) : more hidden space but allow more engagement with educational program: • booked spaces for university site excursion (on site learning class) • booked venue for Melbourne city program (public talk), Immigration Museum, The Greenline Project
residency k to 1 + 3
Se Flin
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rs St E
ntr a
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et
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49
Intervention 1: Vertical Park / Theatre
Con • pu • Fe • An in st
Ba
se
St
CAR to th
The and pub the
nvertible structure for: ublic space (free entry) estival / events nd to accommodate other design nterventions (the use of mesh and scaffolding tructures
Ad bri ditio dg na l sc es a
ffo ld
ing
ark lP
e: ca od Ver ti m r y Da tdoo Ou
Ep
Str u
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Fes Fes tiva tiv l m al / od ev e: en ts / ve
r ti
ca
l th
me
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ch
air
set up
ea
tre
R PARK and the staircase at back end leading he other 2 interventions.
importance of car park being opened up d that the whole car park is the existing blic space that can be incorporated within navigation of the design. 51
Public Space Convertible structure for: • public space (free entry) • Add-on (removable) scaffolding bridges to create multiple levels of out parks (which will be stored at Intervention 2 when removed off site) • Furnitures /seating options are ephemeral Program Time Table: • Free entry • Occupied by residents of the neighbourhood as outdoor park
Ad bri ditio dg na l sc es a
ffo ld
ing
53
Outdoor Park mode (Part A)
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Festival Program Program / Timetable: • Melbourne Music Week • Melbourne Fashion Week, • Melbourne Symphony Orchestra • M Pavilion
Festival mode: • Remove scaffolding bridges • Amphitheatre structures with skylight in the middle, • Performing /festival events Program Timetable: • Night time (cooperate with festival event management to workout time table) • During day, the space still can be used as public park • Duration: 1-4 months (depends on the program periods)
Ep
he
me
ral
ch
air
set up
57
Festival Program
59
Connection to existing Car Park
Entering the Vertical Park via Car Park’s Facade
View towards footpath and stair cases in between Intervention 1 & 3
61
Connection to existing Car Park
1.a 1.b
N
Section 1.a Designs Option 1 : Day time activities
63
Connection to existing Car Park
1.a 1.b
N
Section 1.b Designs Option 1 : Day time activities
65
Intervention 2: Art Residence Program
Program /Time table: • Duration 1 month • Flexible working hours, mostly during working hours
Proposed Artists:
Abbey Rich - Sculpture - W Development at Testing G 2021
The space proposes art residence program for emerging artists who would like to work on site and produce artworks which can be exhibited as ceiling hung installations, participating a public speaking events.
Alex Walker - Work in development, Installation Testing Ground 2021
The interior is divided into the front space as lounge areas for the public and the back of house design as working spaces. Glass and transparent materials are used as window allow the public to learn about art making process, also encourage the conversation between artist and the public about creative production on site.
Reed House Basement Reed House: 8-12 Market Street 3 private parking spaces (available for rental by negotiation) Low level of accessibility
Secure Car Park
Work in Ground
at
67
Empty space (Dimension W2.5m x D4.5m) Available for storage of intervention 1’s additional bridges
2.5
m
m
2.3
m
4.5
7.6
m
The above interior is constructed based on the assumption that available interior width of the basement is 7.6 m
3.8 5
m
Space for art residence program (dimensions at W3.85 x D4.5m)
Front space as public lounge for public visitors to watch art making process
69
Intervention 3: The Third Space
Program /Time table: • public speaking events (booking) • educational activities (booking) • free public space (free entry) Focus on educational programs, learning activities, especially this view look out Yarra River /looking toward the history of Melbourne Provide bird view to other surrounding projects and areas including : The Greenline project, Enterprize Park, Yarra River, South Bank, NGV and the Art Precinct` Car park as the important factors for the vertical (removing the perforated steel screen facade to allow entrance from the car park to the sitting area. Increase engagement between the public patrons with the program
ce from Entran rk Car Pa
Transit ion Interve from ntion 1
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Entrance by Elevators
Elevation
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Ro of top
sit
tin
n
ga
tra en
rea
ga
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n
Elevator
Ro of top
ug
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rp
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Bo
Na
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Sp
ac
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ac
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ati
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lym
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use
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The Third Space Intervention 3
Ca
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Fa c
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User: Group: Immigration Museum ( events host by the immigration museum including talk about the history of Melbourne that allow visitors looking directly to Yarra River. The Greenline project RMIT Class excursion Residents of the neighbourhood and open to public. Rationale for the design: Car park as public open space (easy to access on a at different time. Attaching to the car park facade as these facade allow the transition between the inside of the car park to the design. (movement/ interaction)
Se
e Str s er
re
cu
r Ca
rk Pa
et
d
Flin
75
Ground Level + Level 1
t In
sta
lla
Level 3
tio
n
Elevator
Ar
Level 2
Programs:
Testing Ground - RMIT ID Continuously Under Construction
Yogabean for kids - Mpavillion 2019
Level 1: booked spaces for public talks • hosted by the immigration museum/ the greenline project/ • class excursion for RMIT uni students (for example) • on site learning activities • Collaborate with other art/ creative programs by City of Melbourne such as MPavillion. Level 1 is more opened for public space : Ephemeral arrangement of furnitures and equipment to fit different types of activities and group size Light well at the back end allows light to travel down to the alley. The skylight display public art sculptures by artists from art residence program.
Ground Level: • Allow pedestrian access through Foxton Lane • Elevators to get access to Level 1, 2, 3. • Ramp for accessibility access Level 1: booked spaces for public talk (hosted by the immigration museum/ the greenline project/ class excursion for RMIT uni students Level 1 is more opened for public space
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Ground Level + Level 1
Level 2
Level 3
Programs:
Testing Ground - RMIT ID Continuously Under Construction
Yogabean for kids - Mpavillion 2019
Level 2 is more private, also can be converted to working space for artist or privately booked classes (small scale). Alternative options for art residency program when Intervention 2 space is not available.
Level 1: booked spaces for public talks hosted by the immigration museum/ the greenline project/ class excursion for RMIT uni students (for example) on site learning activities Collaborate with other art/ creative programs by City of Melbourne such as MPavillion. Light well at the back end allows light to travel down to the alley. The skylight display public art sculptures by artists from art residence program.
79
Overview from Flinders Street
Level 2 - Art residence work space / Private booking space
Level 1 - Public booking space - Public talk event
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Ground Level + Level 1
Level 2
Level 3
Precedents:
NYC - The High Line
Level 3 is available for public access without booking, outdoor roof top park, looking out to Yarra River at the visitors’ own pace. This can be a smaller events for roof top bar and celebrations The back of level 3 (optional) can be used as outdoor lounge/ waiting room during performances’ intervals/ breaks.
Level 2 is more private, also can be converted to working space for artist or privately booked classes (small scale). Alternative options for art residency program when Intervention 2 space is not available.
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Connection to existing Car Park
3.a
3.b
N Section 3a
85
Connection to existing Car Park
3.a
3.b
N Section 3b
87
View of Level 2+3 from Flinders Street
Level 3 - Rooftop Ga
arden / public lounge
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Entering The Third Space - rooftop garden via car park facades
Connections betwe Space) are staircase Park
een Intervention 1 (Vertical Park) and Intervention 3 (The Third es attached to Reed House, footpath and through the Car
91
Design Overview
N
93
PRECEDENTS 1. Assemble Studio - Bell Square Pavilion 2. Assemble Art & Music
- Newcastle Stage at Horst
3. The Arts House: https://www.artshouse. com.au/
4. Collins Arch : https://www.dezeen.
14. Testing Ground - RMIT ID Continuously Under Construction
15. Siblings Architecture - Rodda Lane:
http://siblingarchitecture.com/projects / rodda-lane/
16. Siblings Architecture - Over Obelisk :
com/2020/10/18/collins-arch-woodsbagot-shop-architects-melbourne/
https://architectureau.com/articles/publicart-melbourne-biennial-lab-programlaunched/#img=3
5. City of Melbourne Creative Strategy
17. Superlofts - Marc Koehler Architects
2018-2028: https://www.melbourne. vic.gov.au/arts-and-culture/strategiessupport/Pages/creative-strategy-2018-28. aspx
6. The High Line NYC : https://ny.curbed. com/2019/5/7/18525802/high-line-newyork-park-guide-entrances-map
7. Immigration Museum: https:// museumsvictoria.com.au/ immigrationmuseum/
8. Fairfield - Melbourne Summer Series Melbourne Music Week: https://mmw. melbourne.vic.gov.au/about/
9. Melbourne Music Week Kubik Sheds -2011
10. Melbourne Open Data -
18. Superblock - Barcelona, Spain 19. The Greenline Project: https://
participate.melbourne.vic.gov.au/city-riverstrategy/draft-strategy-overview
20. Theatre Workshop, Sao Paulo - Lina Bo Bardi & Edson Elito
21. Vertical Village - OMA/ Ole Scheeren Singapore (2013)
22. Weitzman, E. (2006) Lethal Theory 23. Barthes, R (1997) The Eiffel Tower 24. Debord, G-E (1956) Theory of the Dérive
Building and property information: https://data. melbourne.vic.gov.au/
25. William Whyte film: Social Life of Small
11. Metropolitan Opera House Theatre
Great American Cities (Chapter 2)
NYC, 20th century
12. MPavilion: https://mpavilion.org/ 13. Testing Ground: https://www.testinggrounds.com.au/
Urban Spaces
26. Jane Jacob - The Death and Life of 27. Yoann Bourgeois - Vertical stage/ dance performance
Page 04
Metropolitan Opera House Theatre NYC, 20th century
Page 04
Theatre Workshop, Sao Paulo Lina Bo Bardi & Edson Elito
Page 04
Assemble - Newcastle Stage at Horst Art & Music
Page 05
Superblock Barcelona, Spain
Page 07
Vertical Village - OMA/ Ole Scheeren Singapore (2013)
Page 14
Superloft - Marc Koehler Architects
Page 18
City of Melbourne - Creative Strategy 2018-2028
Page 18
Testing Ground
Page 18
The Arts House
Page 23
Immigration Museum
Page 23
Collins Arch
Page 23
The Green Line Project
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SSEMBLAGE
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