EFG London Jazz Festival 2014 Concert Hall Programme

Concert Hall Programme Free

14–23 November 2014 efglondonjazzfestival.org.uk

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WELCOME

OVER 350 PERFORMANCES TAKING PLACE IN MORE THAN 60 VENUES: THE PAST, PRESENT AND FUTURE OF JAZZ

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ITY-WISE AND CITY-WIDE – the 2014 EFG London Jazz Festival sets off on a global journey that brings 10 days of jazz in all its myriad forms, and from all corners of the planet. Crossing generations and cultures, this is a jazz festival that brings together the artists who have shaped the music with the new talent that represents its future – and reaches out to audiences throughout London.

Alongside celebrations of the 75th year of that most iconic of jazz labels, Blue Note, and a focus on a 50-year story of jazz and South Africa, there are also heartfelt tributes to some of the artists who have defined jazz in the UK: John Stevens, Lindsay Cooper and Coleridge Goode, who reaches his century this year.

Senior jazz citizens such as Randy Weston and Kenny Barron continue to play at the height of their powers, rubbing shoulders with the next generation. Kris Bowers and JD Allen from the United States; Europeans Ibrahim Maalouf, Marcin Masecki and Hedvig Mollestad; and from this country Roller Trio, Trish Clowes and the Chaos Collective are all representative of a jazz scene that’s full of massive promise for the continuing evolution of this most inclusive and forward-looking of musics.

And, of course, these are only the tip of a very big iceberg. There’s much, much more filling the city’s clubs and concert halls with live music – including 21 newly commissioned pieces of music – films, workshops and a wide range of events for young people, talks and panel sessions.

You can read all about it here, and on the Festival’s website www.efglondonjazzfestival.org.uk.

A very warm welcome from the EFG London Jazz Festival team.

Serious For the latest news about all Serious-produced shows, please visit www.serious.org.uk

© 2014. Published on behalf of the EFG London Jazz Festival by Think, The Pall Mall Deposit, 124-128 Barlby Road, London W10 6BL 020 8962 3020 www.thinkpublishing.co.uk

IN THIS GUIDE 5

75 years of Blue Note

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20 years of freedom

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The role of improvisation

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Britain’s got talent

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Clubs programme

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All eyes on surprise

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Academic energy

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Playtime

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Festival listings

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Q&A Trish Clowes (above left) represents the new generation at the Festival, which also looks back at 75 years of Blue Note and freedom-fighting South African musicians such as Abdullah Ibrahim (below)

Account director Polly Arnold Senior account manager Marsha Jackson Deputy editor James Pulford Managing editor Rica Dearman

EFG London Jazz Festival would like to thank the Wyndeham Group, printing partner of Think Publishing, for their sponsorship of this publication.

Art director Darren Endicott Senior designer Finn Lewis Designer Alix Thomasi Cover illustration New Future Graphic

BN_LonJazzFest_Ad*.qxp_Layout 1 17/10/2014 11:12 Page 1

WIN A LIMITED EDITION BLUE NOTE RECORDS 75th ANNIVERSARY POSTER Each poster features classic Blue Note album artwork.

Hand numbered, very limited, not available for individual purchase and printed on 170gsm, A1 (4’ X 3’) paper (see left) Every day, we will be picking five lucky Blue Note winners during the EFG London Jazz Festival (14th – 23rd Nov 2014) Just TWEET #londonbluenote75 with your favourite Blue Note artist, album, track or a picture of an LP/CD sleeve and be in with the chance to receive this beautiful large print Prize sent to UK postal addresses only. Other T&Cs apply.

Please visit www.decca.com/londonbluenote75 for further details

jazz_london_deezer_88x113mm_HD.pdf

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03/10/2014

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Celebrating 75 years of

BLUE NOTE IS LOVED, revered, respected and recognised as one of the most important record labels in the history of popular music. Founded in 1939 by Alfred Lion, who arrived in America a few years earlier, having fled the Nazi regime in his native Germany,

Blue Note founder Francis Wolff (left) was partnered by Alfred Lion, who took many of the label’s sleeve shots

Blue Note has blazed a trail of innovation in both music and design. For many, its catalogue of great albums is the holy grail of jazz.

75 YEARS OF BLUE NOTE RECORDS

RICHARD HAVERS APPLAUDS THE ENDURING LEGACY OF THE LABEL THAT GAVE THE WORLD ALBERT AMMONS, THELONIOUS MONK, SONNY ROLLINS AND MANY MORE

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RECORDS

EFG LONDON JAZZ FESTIVAL

BLUE NOTE

It all began when Alfred Lion went to the Spirituals to Swing concert at Carnegie Hall, where he saw Albert Ammons and Meade Lux Lewis play fantastic blues piano. A few weeks later,

75 YEARS OF BLUE NOTE RECORDS EFG LONDON JAZZ FESTIVAL

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Recording moved to the studio of Rudy Van Gelder (left) in 1953; Art Blakey (right) joined the line-up shortly after Thelonious Monk

in January 1939, Lion booked a studio.

He agreed to pay Ammons and Lewis for their time and took along a bottle of whiskey to lubricate the pianists’ fingers.

Later, while listening back to the 19 sides in his apartment, Lion knew the music deserved a wider audience: “I decided to make some pressings and go into the music business.”

The first 78rpm singles by Lewis and Ammons came out in March 1939 and sold for $1.50 each.

Musical manifesto

Another key figure in launching the label was Max Margulis, a writer and voice coach.

Lion understood the importance of marketing and, in May 1939, Margulis wrote the label’s manifesto.

Its message remains a guiding principle for Don Was, the label’s current president: “Blue Note Records are designed to serve the uncompromising expressions of hot jazz or swing. Direct and honest hot jazz is a way of feeling – a musical and social manifestation, and Blue Note Records are concerned with identifying

Blue Note’s illustrious back catalogue will be celebrated with a series of events at the Barbican and Southbank Centre (opposite)

its impulse, not its sensational and commercial adornments.”

In 1947, Lion and Francis Wolff met Thelonious Monk, who recorded his first sides as a leader for Blue Note.

Wolff was another exile from Germany.

He became Lion’s partner and took the evocative photographs that graced so many of the Blue Note albums.

A few months later Art Blakey and his Jazz Messengers made their first Blue Note recording. Before long, other bopsters joined the label: Howard McGhee, Fats Navarro, Bud Powell, Wynton Kelly and Miles Davis, along with Horace Silver and the brilliant Clifford Brown.

By mid-1953 Blue Note began to use Rudy Van Gelder’s studio in Hackensack, New Jersey. This was a key step in making Blue Note recordings sound so good.

Jimmy Smith marked a bold and idiosyncratic change of direction

Throughout the rest of the 1950s the list of Blue Note artists was consistently impressive: Lou Donaldson, JJ Johnson, Sonny Rollins, Kenny Burrell, Hank Mobley, Curtis Fuller and John Coltrane, whose one Blue Note album, Blue Train, is one of his finest. By the early 1960s they were joined by The Three Sounds, Cannonball Adderley, Dizzy Reece, Jackie McLean, Freddie Hubbard, Stanley Turrentine, Dexter Gordon, Tina Brooks and Grant Green.

Lion’s unique combination of intuition, consideration, single-mindedness and, most of all, his innate sense of class, resulted in Blue Note releasing some of the greatest jazz records ever made. Jimmy Smith blazed an idiosyncratic trail and, alongside musicians of the calibre of Lee Morgan, Herbie Hancock, Joe Henderson, Wayne Shorter, Eric Dolphy, Andrew Hill, Tony Williams, Don Cherry, Larry Young and Ornette Coleman, the pantheon of Blue Note jazz was added to immeasurably.

In May 1966, Liberty Records purchased Lion’s

During the early 1980s, after a hiatus when Blue Note lay dormant, the label was resurrected. Bobby McFerrin and US3, with their sampling of Thelonious Monk, Donald Byrd, Art Blakey and Horace Silver, helped jazz to reach a whole new market. During the label’s seventh decade, along came Norah Jones.

Some claimed it wasn’t jazz at all, but does it really matter? Her debut won eight Grammy Awards and marked a shift in emphasis for Blue Note Records.

By the second decade of the 21st century, under Don Was’s leadership, Blue Note has entered a new era of “uncompromising expression” The variety and integrity of the music is testament to Was’s creative strategy.

Any label that can comfortably release Robert Glasper, José James, Jason Moran, Gregory Porter, Wayne Shorter, Bobby Hutcherson, Rosanne Cash and Derrick Hodge alongside one another has to be taken seriously.

If “uncompromising expression” needs further definition, here it is: “Just do it. You don’t have to describe it,” says Was. “It’s a great contribution to society to make great records.”

And that’s exactly what Blue Note has done for 75 years.

Can you dig it?

Norah Jones brought a new audience to Blue Note

When and where Don’t miss these events inspired by Blue Note’s celebrated back catalogue.

Details of all performances can be found at www.efglondonjazzfestival.org.uk The Connection (screening preceded by Nathaniel Facey performance) SUNDAY 16 NOVEMBER Barbican, Cinema 1, 3pm Nathaniel Facey SUNDAY 16 NOVEMBER Barbican FreeStage 5.30pm FREE Marcus Miller + Tony Remy’s Stolen Clones FRIDAY 21 NOVEMBER Southbank Centre, Royal Festival Hall, 7.30pm Blue Note at 75 – Don Was meets Richard Havers SATURDAY 22 NOVEMBER Southbank Centre, Level 5 Function Room, 6pm FREE Celebrating 75 years of Blue Note: Robert Glasper & Jason Moran, and Robert Glasper with Ambrose Akinmusire, Derrick Hodge, Kendrick Scott, Lionel Loueke and Marcus Strickland SATURDAY 22 NOVEMBER Southbank Centre, Royal Festival Hall, 7.30pm

Charles Lloyd – Wild Man Suite + Joe Lovano, and Dave Douglas: Sound Prints SUNDAY 23 NOVEMBER Barbican, 7.30pm

75 YEARS OF BLUE NOTE RECORDS

New dawn

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Richard Havers is the author of Uncompromising Expression: The Finest in Jazz Since 1939 , published by Thames & Hudson

EFG LONDON JAZZ FESTIVAL

26-year-old record label, but Lion struggled to get to grips with the big company ethos and retired.

By 1970 Blue Note and jazz in general was finding it tough. Donald Byrd, who had been with the label since 1956, began taking his music in a new direction.

While some audiences didn’t like it, there was definitely public acceptance.

In a similar vein, Bobbi Humphrey, Ronnie Laws and Marlena Shaw made records that sold well enough to make the charts, and many records from this era inspired the Acid Jazz and hip-hop movements that followed.

20 SERIOUS TRUST EFG LONDON JAZZ FESTIVAL

JOHN CUMMING LOOKS AT THE SOUTH AFRICAN MUSICIANS WHO SHARED THE COUNTRY’S VIBRANT JAZZ SCENE WITH THE REST OF THE WORLD FIFTY YEARS AGO, following a journey from their homeland to the Antibes Jazz Festival, Chris McGregor’s Blue Notes landed at Ronnie Scott’s. Their arrival gave London a very early taste of the vibrant, passionate jazz that had evolved over many years in their native South Africa.

As a mixed-race band – Chris McGregor was white, the others black – they were subject to police harassment in early1960s South Africa to such an extent that by 1964 their only option was to travel to Europe. The core band, comprising Chris McGregor, Mongezi Feza, Dudu Pukwana, Johnny Dyani and Louis Moholo-Moholo, mostly settled in London. Slowly and surely they became a crucial force in the capital’s jazz scene, a hugely creative melting pot closely linked to the burgeoning European jazz community.

Travels and travails

Abdullah Ibrahim’s performance will coincide with his 80th birthday (Photo: David Sinclair)

A few years earlier, the young Dollar Brand, later to become Abdullah Ibrahim, travelled to Europe as part of the South African musical King Kong. At a club in Switzerland, Duke Ellington happened to be in the audience. Ellington became a mentor to Ibrahim, negotiating his first recording and encouraging him to journey to the US. Ibrahim travelled widely, eventually returning to South Africa where he composed Mannenberg, a recording that became the unofficial anthem for black South Africans in the

South African pianist Bokani Dyer will perform at the Vortex on 14 November

Louis Moholo-Moholo plays with the Dedication Orchestra on 15 November

EFG LONDON JAZZ FESTIVAL

The performance brings together many of the UK musicians who played with, and were touched and inspired by, the community of exiled South Africans.

A new generation

Alongside these two landmarks, the Festival is also working with the Vortex Jazz Club to bring the outstanding young pianist Bokani Dyer back to London – positive proof that a whole new generation is emerging from a country where music is an essential part of life. Claude Deppa’s latest band and Gareth Lockrane’s re-imagining of the music of Bheki Mseleku, another South African to inspire the UK scene, provide further opportunities to experience the continuing musical journey.

With 2014 marking the 20th anniversary of the end of apartheid, it is an appropriate occasion to be reminded of the years that South African artists in exile created music that had a global resonance and music that contributed in no small part to the success of the anti-apartheid movement.

When and where There are plenty of South African treats at this year’s Festival. Full details of all shows can be found at www.efglondonjazzfestival.org.uk Bokani Dyer FRIDAY 14 NOVEMBER Vortex, 8.30pm South Africa 20 years on and the legacy of The Blue Notes SATURDAY 15 NOVEMBER Southbank Centre, Front Room, 12.45pm and 3.30pm FREE Dedication Orchestra SATURDAY 15 NOVEMBER Southbank Centre, Queen Elizabeth Hall, 2pm Abdullah Ibrahim – Ekaya + New Trio SATURDAY 15 NOVEMBER Southbank Centre, Royal Festival Hall, 7.30pm

Gareth Lockrane Big Band plays Bheki Mseleku SUNDAY 16 NOVEMBER Forge, 7pm Claude Deppa SATURDAY 22 NOVEMBER Southbank Centre, Clore Ballroom, 6.15pm FREE

BLUE NOTES’ CONTRIBUTION HONOURED

On 21 September 2007 President Thabo Mbeki officially recognised the Blue Notes’ contribution to South African music by awarding the group the National Order of Ikhamanga in Silver. The citation for the award stated: “Blue Notes goes back to a golden age in South Africa’s musical history. The multiracial band’s eclectic and uniquely South African rendition of jazz made them a noteworthy jazz band in the international halls of fame. They were once one of the most popular jazz bands in the country, often defying the tyrannical race laws of the country in order to perform.”

Events organised as part of the South African Season in the United Kingdom. The South Africa-United Kingdom Seasons 2014 and 2015 is a partnership between the Department of Arts and Culture, South Africa and the British Council.

20 YEARS OF FREEDOM

struggle against apartheid. Over the years, Ibrahim’s command of heartstopping melodies and the uplifting rhythms of his country have touched a worldwide audience. This year, his Festival appearance on Saturday 15 November celebrates his 80th birthday, proving Ibrahim to be an artist who retains a creative impetus that belies his years.

Back in 1970s London, Chris McGregor formed the Brotherhood of Breath – a free-wheeling big band that combined the maelstrom of free jazz with the danceable grooves of township jazz. Their impact extended into many spin-off bands, documented

by Ogun Records, the record company founded by Hazel and Harry Miller – another fine South African musician who settled in London in exile. The Dedication Orchestra continues this tradition on Saturday 15 November, featuring a 25-piece roller coaster of a big band fired by the dynamic drumming of the only surviving Blue Notes member, Louis Moholo-Moholo.

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“SOUTH AFRICAN ARTISTS IN EXILE CREATED MUSIC THAT HAD A GLOBAL RESONANCE”

THE ROLE OF IMPROVISATION IN EDUCATION 10 EFG LONDON JAZZ FESTIVAL

FROM TALKS TO WORKSHOPS TO PERFORMANCES, THE EFG LONDON JAZZ FESTIVAL GIVES ARTISTS AND AUDIENCES ALIKE THE PERFECT CHANCE TO PUSH BOUNDARIES AND TRY NEW THINGS

IMPROVISATION A way of life

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MPROVISATION. IT’S THE root of all music – and nowhere is this more noticeable than in jazz.

While other genres don’t often show the composer at work, the joy of jazz for many is in being able to witness musical ideas develop on stage in real-time.

Unsurprisingly, improvisation is a key theme of the Festival’s Learning & Participation programme. The aim is to engage people of all ages and musical abilities because, for us, improvisation is more than just a musical skill. It’s a way of life.

This view was shared by the late John Stevens, acclaimed drummer and co-founder of Community Music, whose legacy is celebrated with a series of

events on Saturday 22 November. His long-term collaborator, Maggie Nicols, will lead an introductory session on John’s seminal improvisation handbook Search and Reflect. The session will provide a safe space for musicians to challenge their practice and unpick the fundamentals of improvisation.

As Stevens wrote in Search and Reflect: “One function of the workshop pieces is to encourage confidence and independence in the participants, showing that everyone can have a creative role in the music.”

We’re also thrilled to be working with Keith Tippett, one of the UK’s most remarkable pianists. Tippett will host a day-long introduction to free jazz for adult instrumentalists at the Festival.

Keith Tippett will hold an introduction to free jazz on Sunday 16 November

When and where Improv: Thames and the Trio FRIDAY 14 NOVEMBER, Rich Mix, 1pm FREE Alexander Hawkins and Marcin Masecki FRIDAY 14 NOVEMBER Southbank Centre, Purcell Room, 10pm

Kenny Barron and Dave Holland + Jeremy M ­ onteiro Trio FRIDAY 21 NOVEMBER Southbank Centre, Queen Elizabeth Hall, 7.30pm

Search and Reflect: with Maggie Nicols SATURDAY 22 NOVEMBER Southbank Centre, Foyer Spaces, 10.30am Improvisation and action – the legacy of John Stevens SATURDAY 22 NOVEMBER Southbank Centre, Purcell Room, 2pm FREE John Stevens – a celebration SATURDAY 22 NOVEMBER Southbank Centre, Queen Elizabeth Hall, 7.30pm Regina Carter masterclass SUNDAY 23 NOVEMBER Southbank Centre, Foyer Spaces, 2pm

These projects at the EFG London Jazz Festival are just a snapshot of the Learning & Participation work Serious delivers all year round. To find out more, visit www.serious.org.uk/about/ learning-participation

Mwamba/Kane/ Blackmore perform at Rich Mix on Friday 14 November

NEW MUSIC COMMISSIONS

Keith Tippett: An introduction to free jazz SUNDAY 16 NOVEMBER Southbank Centre, Foyer Spaces, 10am

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Reflecting on the importance of letting loose, Tippett says: “The ability to improvise enables one to be a creator, as well as a curator.” Those attending the event will have the opportunity to sit with Tippett and jump into a world of free improvisation.

Learning how to improvise is essentially learning to communicate effectively by expressing ideas and thoughts on a number of levels.

This shared ability to communicate, regardless of borders and language, can be seen in fantastic collaborations right across the Festival, from Alexander Hawkins and Marcin Masecki’s new piano duo to Kenny Barron and Dave Holland.

The culture of creative collaboration is also reflected through our programme of schools concerts. In partnership with the Wigmore Hall, we are bringing together three musicians from different musical cultures with improvisation in common: Kuljit Bhamra (tabla), Allocha Thevenet (guitar) and Andy Sheppard (saxophone). They will be performing for an audience of 11- to 16-year-olds, bringing to life elements of the curriculum being taught in schools.

Placing inspirational artists among young musicians is a catalyst for creativity at all levels. This ranges from those first experiences of music with our Jazz for Toddlers programme (turn to page 20 for more on this) to actively inspiring the next generation of professional musicians through masterclasses at London’s conservatoires, led by artists such as Kris Bowers and Ambrose Akinmusire.

At secondary school level, we’re running a series of intensive workshops in Tower Hamlets with Corey Mwamba (vibes), Dave Kane (bass) and Josh Blackmore (drums). The workshops will aim to develop the improvisation and composition skills of 11- to 14-year-olds, which will culminate in a performance at Rich Mix on Friday 14 November.

A series of events on Saturday 22 November will celebrate the legacy of acclaimed drummer John Stevens

Jazz workshops for young players Southbank Centre, Foyer Spaces Dave Kane, Saturday 15 November, 11am Peter Edwards, Sunday 16 November, 11am Tobias Preisig, Sunday 16 November, 1pm Ollie Howell, Saturday 22 November, 11am Yazz Ahmed, Sunday 23 November, 11am

EFG LONDON JAZZ FESTIVAL

Let loose at our events focussing on the art of improvisation. Full details of all talks and workshops can be found at www.efglondonjazzfestival.org.uk

BRITISH TALENT AND PRS FOR MUSIC 12 EFG LONDON JAZZ FESTIVAL

Britain’s got TALENT BBC RADIO 3’S ALYN SHIPTON CELEBRATES THE HOME-GROWN TALENT AT THIS YEAR’S EFG LONDON JAZZ FESTIVAL

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T’S SAFE TO SAY 2014 has been a good year for British jazz. Alongside the festivities in honour of PRS for Music’s centenary, this year’s EFG London Jazz Festival boasts a plethora of British talent.

With compositions inspired by the greats of the past and instrumentalists breaking new ground, British artists have a dominating presence, showcasing our rich history in the genre and an exciting future ahead.

There was a time when British jazz suffered from a massive inferiority complex.

When Sir John Dankworth was at the Royal Academy of Music in the 1940s, he had to keep his passion for playing jazz saxophone quiet in case he was thrown off the classical clarinet course! What a contrast to this year, when the accomplished Royal Academy of Music Big Band appears in its own Southbank Centre concert with composer and pianist Nikki Iles.

The 1960s was the decade when UK musicians seized the initiative and started to make music that was no longer in thrall to the United States. It was music that could stand on its own two feet – unquestionably jazz, but with a British accent. Michael Garrick’s first folk tune-inspired album, Graham Collier’s paean of praise for the Barley Mow village pub and Stan Tracey’s Under Milk Wood were all examples of music that took its inspiration from this side of the Atlantic.

Pianist Keith Tippett, who fronts a day of free playing Yazz Ahmed explores her Arab roots, continuing a tradition of cultural cross-fertilisation pioneered by John McLaughlin

at the Festival, was part of that movement, first with his sextet and later with his colossal big band, Centipede. Meanwhile, John Surman, who first came to fame in the 1960s with Mike Westbrook, celebrates his 70th birthday with a Kings Place residency.

Bobby Wellins, whose 1960s Culloden Moor Suite has just been re-recorded, makes a guest appearance at Mark Lockheart’s Movers and Shakers concert – a gig that explores the art of the British jazz group and forms part of PRS for Music’s centenary programme. Liam Noble, Jason Yarde and Laura Jurd, among others, join Lockheart to look back across the years.

Two of the main headliners of this year’s Festival were also caught up in the scene of the late 1960s, which radically changed the UK jazz landscape: guitarist John McLaughlin, and drummer-vocalist-composer and man-aboutmusic Robert Wyatt. McLaughlin brought the hard-edged sounds of jazz rock to the international community, emerging from the Soho club scene via the revolutionary Graham Bond Organisation.

Meanwhile, Wyatt’s Canterbury colleagues mixed psychedelic rock with jazz and improvised lyrics on every subject under the sun.

From Benjamin Britten to Sir Paul McCartney, Queen to Emeli Sandé, PRS for Music members are some of the most influential and popular songwriters of all time.

Working in 150 territories

Since 1914 PRS for Music has supported and become a voice for music and music creators.

PRS FOR MUSIC BY NUMBERS 100,000 members in the UK

Celebrating 100 years

concert as part of PRS for Music’s centenary.

Elsewhere, Laura Pianist Zakian sings Songs for Nikki Iles Modern Lovers and free will play alongside vocalist Maggie Nicols Royal runs workshops exploring the Academy the pioneering work of of Music improvisational drummer Big Band John Stevens and the ideas in his book, Search and Reflect. Stevens’ musical legacy is also highlighted in a concert

Ian Shaw will celebrate 100 years of British Song

featuring a bill that reads like a Who’s Who of British jazz, including Anita Wardell, Annie Whitehead, Steve Beresford and Courtney Pine.

There are voices aplenty in Robert Mitchell’s Invocation – the London premiere of a piece for two choirs and his own quartet, Panacea.

Amid a number of Festival commissions, there is new work from Trish Clowes, a BBC Radio 3 Young Generation artist, and from saxophonist Tori Freestone and her trio.

Tori Freestone Meanwhile, for his Audience will perform new work with her trio Commission, saxophonist Phil Meadows will take ideas from the public and magically transform them into new music for his own group and the Engines Orchestra. Meadows was a finalist in the Musicians’ Company’s 2014 Young Jazz Musician award. He will join fellow finalists Nadim Teimoori, Tom Green, Sam James, Moses Boyd and Misha Mullov-Abbado for a celebratory concert.

On the subject of young musicians, it’s worth checking out 15-year-old Asha Parkinson with her band, Out of the Loop. The band met through the National Youth Jazz Orchestra, which will itself share a double bill with its German counterpart, BuJazzO. All in all, British jazz has well and truly come in from the cold.

BRITISH TALENT AND PRS FOR MUSIC

Provides business and communities with access to 10 million songs

Phil Meadows will join this year’s other Musicians’ Company Young Jazz Musician of the Year finalists

Robert Mitchell will debut Invocation with two choirs, a string section and his quartet

2 million members worldwide

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PRS for Music champions the importance of copyright to protect and support the UK music industry, representing songwriters, composers and music publishers.

EFG LONDON JAZZ FESTIVAL

Britain’s rich multicultural fabric is well reflected in jazz and, in addition to PRS for Music’s own centenary festivities, the EFG London Jazz Festival celebrates the 100th birthday of Jamaican-born jazz legend Coleridge Goode. Goode has made music in the UK since the 1930s, alongside the likes of George Shearing, Stéphane Grappelli, Joe Harriott and Michael Garrick. Bassist Gary Crosby, who presents this concert, has made a name for himself in jazz education and development with his organisation, Tomorrow’s Warriors, whose Young Artist Development Programme has been instrumental in securing spots at the Festival for young ensembles such as Ezra Collective and Nérija, both of which play the Southbank Centre’s Front Room.

Other cultural connections come from trumpeter Yazz Ahmed, whose album, Finding My Way Home, explored her Arab heritage and made a huge splash.

She brings her music to both concert and workshop settings.

One particular strength of British jazz is its tradition of jazz singing. As well as the Jazz Voice showcase directed by trumpeter-turned-maestro Guy Barker, which spans the generations from young singer Emma Smith to master vocalist Georgie Fame, there’s an unparalleled range of vocal talent to hear this year.

Juliet Kelly inspires the singers of the future in her family jazz event, while Ian Shaw celebrates 100 years of British Song in his Queen Elizabeth Hall

OUT OF THE CONCERT HALLS, INTO THE CLUBS

OUT OF THE CONCERT HALLS, INTO THE CLUBS

EFG LONDON JAZZ FESTIVAL

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AMY PEARCE, FROM SERIOUS, SHEDS LIGHT ON THE UNIQUE INTIMACY OF THE CLUB SCENE

Saxophone Summit at 606

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HE FIRST TIME I went to a jazz gig in London, Irakere brought the house down at Ronnie Scott’s with the help of Arturo Sandoval’s screaming trumpet. The club was heaving, the band marching round the audience and the intimacy and immediacy of the club environment was obvious.

Alongside the concert hall gigs, the club experience is a key part of the Festival – shining a light on venues that present jazz throughout the year, welcoming new bands

alongside returning artists presenting new projects. The clubs’ differing approaches help define who they are and reflect four key strands that run throughout the Festival.

Breaking barriers

One of the strengths of the Festival has always been its ability to embrace the broadest definition of jazz and the variety of venue partners reflects this.

Forging the identity of a club is crucial to its success – the need to understand who you are and who your audience is.

Over the course of the Festival, you can experience improvisation at the Vortex Jazz Club and Cafe OTO, fine British artists at 606 and The Spice of Life, swinging vocal work at PizzaExpress, US heavyweights at Ronnie Scott’s, and the ever-dangerous term ‘world jazz’ at Rich Mix. Jazz isn’t limited to, or defined by, any of these phrases or forms – it embraces them all.

London roots

As much as the EFG London Jazz Festival is about being a Festival and

Creators and curators

All the Festival venues are spaces in which the artists meet the audience.

As well as performers, artists also take the role as programmers – as curators of strands, such as Julie Kjaer’s programme with Servant Jazz Quarters highlighting the wealth of female

It’s essential that jazz retains its place within London’s most prestigious concert halls, but the vibrancy of the scene will only be maintained by the huge wealth of music presented in clubs, of all types, right across the city. It’s where the music gets shaped and changed, where generations of musicians mix and match, and where the audience gets up close and personal with the heart of the music.

Sitting, having a pint in the top room of a pub, dancing your socks off, dressing up for a night out – there’s something in this jazz thing for everyone.

OUT OF THE CONCERT HALLS, INTO THE CLUBS

I am passionate about jazz, yet lots of my friends are still cautious – from Mr “it will all just sound squeaky bonk” to Mrs “I hate Michael Bublé – I hate jazz”. Viewed as a potentially vast new audience, our challenge is to respond to the fact people like to experience jazz in different settings.

instrumentalists, or Tom Millar at the Green Note and George Crowley’s regular Monday night at The Oxford, introducing groups that really fire them up.

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Reaching out

Standing venues take the music back to its dance band roots without alienating younger audiences more familiar with dance music or indie rock than jazz. From The Bad Plus at Village Underground to Kris Bowers at XOYO via the Sonic Navigation night at Cargo and Submotion Orchestra at The Forum, these clubs allow jazz to reach a different audience again.

EFG LONDON JAZZ FESTIVAL

being jazz, it also embraces London as a whole. Jazz can be found on your doorstep without demanding a pilgrimage to Soho or the Southbank.

From Way Out West at The Bull’s Head in Barnes, via Hideaway in Streatham and The Crypt in Camberwell to the West Ham Arch 1, E17 at The Salisbury and Mau Mau Bar in Ladbroke Grove, jazz can be found in all corners of the city.

EFG LONDON JAZZ FESTIVAL

16

NEW MUSIC COMMISSIONS

All eyes on SURPRISE

THE RICH LEGACY OF LAST YEAR’S COMMISSIONS PROGRAMME PROVES THE IMPORTANCE OF NEW MUSIC AT THE EFG LONDON JAZZ FESTIVAL

J

AZZ, LIKE ANY art form worth its salt, keeps moving forward. The dynamics between improvisation and structure, groove and melody, tradition and the undiscovered, all lie at the heart of the music. Jazz’s continuing evolution is crucially dependent on what Whitney Balliett called The Sound of Surprise: the ability to create new sounds and new energy that reflect and challenge a rich tradition.

Commissioning work is key when it comes to creating new sounds. It’s not just about the art of the composer, though the history of jazz composition is a rich and wildly varied journey, from Jelly Roll Morton, Duke Ellington, Thelonious Monk or Charles Mingus to Carla Bley, Wayne Shorter, George Russell and Maria Schneider.

Commissions also bring to light the fireworks that come from two or more musicians meeting for the first time, creating magic on the spot from the

simplest of materials. That magic can come from a new generation of artists deriving inspiration from the past while using the language of today’s myriad sources and technologies to create the music of the future.

Voyage of discovery

Festivals offer the ideal platform for new work. At the EFG London Jazz Festival, it’s part of our DNA. The sheer range of music that emerged from our programme of 21 commissions for our 21st birthday last year was a revelation, even to us. Those commissions demonstrated that the movers and shakers in jazz not only start off with an energy and curiosity, but also that they keep it going throughout their careers.

It was apparent in everything from the meticulously crafted melodies of Carla Bley to the consummate big band writing of Stan Sulzmann, via the iconoclastic vision of Chris Sharkey, the multiple layers of

Nik Bärtsch’s zen funk and the Armenian fusion of Tigran Hamasyan.

With five decades of composers and creators taking us into new territory, we’re sure this year’s commissions will prove equally exciting. It’s all about what’s new, be it Trish Clowes and Guy Barker writing for the BBC Concert Orchestra or established internationals from Marcus Miller and John Surman to Marilyn Mazur and Regina Carter.

It’s Jeremy Monteiro and Laura Macdonald finding fresh inspiration from the jazz tradition, Jean Toussaint bringing his own adventure to the classic jazz quartet and Nathaniel Facey reacting as an artist of today to two seminal Blue Note records – sounds that took music to new places back in 1964.

It’s fearless experimentalists such as David Toop and The Bad Plus.

It’s a cross-section of today’s Brits such as Yazz Ahmed, Phil Meadows, Elliot Galvin, Peter Edwards and Tori Freestone, and artists who approach

jazz from different corners such as Arun Ghosh and Genevieve Lacey.

It’s Alexander Hawkins re-imagining the music of Louis Moholo-Moholo for the Dedication Orchestra.

DONATE ONLINE AT www.efglondonjazzfestival.org.uk/ support-us or contact us on 020 7324 1880 The Commissions Programme is supported by Alexander Landia and Serious Trust donors

“The breadth and variety of artists creating work for this year’s EFG London Jazz Festival’s Commissions Programme represents the dynamic state of jazz music today. Providing these opportunities to artists ensures the music continues to thrive – and I am delighted to be supporting this exciting programme of new music.”

ALEXANDER LANDIA, COMMISSIONS PROGRAMME SUPPORTER

Black Eyewear, a luxury brand inspired by jazz culture, supports the commission by Peter Edwards

John Surman’s commission is supported by the Britten-Pears Foundation

Serious Trust Ltd is registered as a company limited by guarantee in England and Wales no.

07883912.

Registered charity no. 1145535.

B L AC K E YE WE AR IS A PROU D S P ON SOR OF TH E 2014 E FG LONDON JA Z Z FE S TIVAL AND SUPP OR T S TH E COM MIS SION BY PIANIS T PE TE R E DWAR DS

Pictured: Michael League (Snarky Puppy) Credit: Diamond Dixon

B L AC K E YE WE AR . COM

@londonjazzfest

/londonjazzfestival

NEW MUSIC COMMISSIONS

Dedication Orchestra’s commission is supported by an anonymous donor

17

Our Commissions Programme is a celebration of the breadth and imagination that inhabits the British and international jazz scene.

Serious Trust supporters play a huge part in making the programme possible. It’s just one of the areas of work that we have an ongoing commitment to support with your help. Through Serious Trust, your support underpins key areas of work that ensure the quality, range and breadth of programming you’ve come to expect from the EFG London Jazz Festival.

Whether it’s new music commissions, developing emerging artists or engaging audiences in learning and participation, we believe music transcends cultures, generations and barriers. It’s a powerful language for all and a key to unlocking potential.

Each year, the Festival relies on the support of individuals and other funders to make this work possible – please support the EFG London Jazz Festival today.

EFG LONDON JAZZ FESTIVAL

New music matters

SUPPORT THE FESTIVAL

ACADEMIC ENERGY 18 EFG LONDON JAZZ FESTIVAL

Academic ENERGY

GEORGE McKAY, EFG LONDON JAZZ FESTIVAL’S FIRST PROFESSOR IN RESIDENCE, DRAWS BACK THE CURTAIN ON THE FESTIVAL’S STIMULATING TALKS PROGRAMME

P

LEASED TO MEET you.

I’m delighted to be the first Professor in Residence at the EFG London Jazz Festival.

In addition to my role as Professor of Media Studies at the University of East Anglia, I’m currently an Arts & Humanities Research Council (AHRC) Leadership Fellow for one of its priority areas, the Connected Communities programme.

My books include Radical Gardening (2011), Shakin’ All Over: Popular Music & Disability (2013) and a collection called The Pop Festival (2015). But you’ll

probably be most interested in Circular Breathing: The Cultural Politics of Jazz In Britain (2005), a book about the development of jazz, free improvisation, political campaigns, New Orleans-style marching bands and questions of race and gender in this music of ‘liberation’.

I’ve also recently written a chapter on the neglected 1950s Trinidadian pianist Winnie Atwell, in Black British Jazz: Routes, Ownership and Performance (2014) by Jason Toynbee, Catherine Tackley and Mark Doffman.

One of my focuses in terms of Connected Communities is the idea of festival – how the

Professor George McKay has published several books on popular music, media and politics

density and intensity of cultural activity transforms its environment (whether that’s tents and soundsystems in a field, or trumpets in a city street), and the impact this has on the local population and audiences.

But why should the EFG London Jazz Festival appoint a Professor in Residence now? There’s been an explosion of interest in what’s being called New Jazz Studies from UK academics over the past decade. In terms of British jazz, academic books by Catherine Tackley, Hilary Moore and myself, have all explored the contribution of the UK to jazz development and history. Jazz Research Journal, edited by Tackley and Tony Whyton, publishes quality research by international scholars, and new Routledge series, Transnational Jazz Studies, is edited by Whyton and Nick Gebhardt.

There have also been notable major research projects, like Rhythm Changes: (EU-funded, led from Salford University) and What Is Black British Jazz?

Full details of all talks can be found at www.efglondonjazzfestival.org.uk South Africa 20 years on and the legacy of the Blue Notes SATURDAY 15 NOVEMBER Southbank Centre, Front Room, 12.45pm & 3.30pm Knife in the Water (discussion prior to screening) SATURDAY 15 NOVEMBER Barbican Cinema, 3pm Way in to the Way Out: Arun Ghosh and Zoe Rahman (Part 1) SATURDAY 15 NOVEMBER Southbank Centre, Front Room, 4.30pm Jazz Record Requests with Alyn Shipton SUNDAY 16 NOVEMBER Barbican, FreeStage, 2pm Way in to the Way Out: Arun Ghosh and Zoe Rahman (Part 2) SUNDAY 16 NOVEMBER Southbank Centre, Front Room, 4.30pm The Art and the Value of Commissioning New Music: Trish Clowes and Guy Barker TUESDAY 18 NOVEMBER Southbank Centre, Queen Elizabeth Hall, 6pm Jazz Rants: The Jazz Industry and the Creative Economy WEDNESDAY 19 NOVEMBER Club Inégales, 7pm Hear Me Talkin’ To Ya: Stefano Bollani THURSDAY 20 NOVEMBER Barbican, 6.30pm Hear Me Talkin’ To Ya: Kenny Barron and Dave Holland FRIDAY 21 NOVEMBER Southbank Centre, Queen Elizabeth Hall, 6.30pm Improvisation and Action: the Legacy of John Stevens SATURDAY 22 NOVEMBER Southbank Centre, Front Room, 2pm

George McKay has written about the legendary 1950s Trinidadian pianist Winnie Atwell

The space is the place: The art of programming SATURDAY 22 NOVEMBER Barbican, Fountain Room, 5.30pm Blue Note at 75: Don Was meets Richard Havers SATURDAY 22 NOVEMBER Southbank Centre, Level 5 Function Room, 6pm Jazz and Gender SUNDAY 23 NOVEMBER Southbank Centre, Front Room, 12.45pm

ACADEMIC ENERGY

to bring some of this academic energy and insight around jazz to festival-goers.

We’ve built on the work we did last year, when we marked the EFG London Jazz Festival’s 21st birthday with a day of talks at the Royal Festival Hall, and curated a programme of discussions around questions of politics, power and history. For a genre of music that talks a lot about freedom, these are key questions to debate.

We’re bringing together academics, critics and musicians to unpack these ideas and explore the roles that jazz musicians, activists and cultural workers in Britain have had in making their musical and political mark.

Please join us – we look forward to seeing you there.

ALL OF THE EVENTS IN OUR TALKS PROGRAMME ARE FREE

19

(AHRC; Open University). And AHRC currently funds PhD student Alison Eales, who is looking at the 25-year history of the Glasgow Jazz Festival, co-supervised by the Festival and Glasgow University.

On YouTube, you can watch a great film made this year about researching jazz festivals: Tom Perchard of Goldsmiths was awarded an AHRC Early Career Fellowship for a project entitled Jazz in France, 1934–75. At the moment, my university is also in the process of appointing a one-year AHRC postdoctoral research assistant working across London and Cheltenham jazz festivals, looking at their impact and value. So, working with the EFG London Jazz Festival team, we thought it would be a good idea to try

When and where

EFG LONDON JAZZ FESTIVAL

“THERE’S BEEN AN EXPLOSION OF INTEREST IN WHAT’S BEING CALLED THE NEW JAZZ STUDIES FROM UK ACADEMICS OVER THE PAST DECADE”

EFG LONDON JAZZ FESTIVAL

20 PLAYTIME

Playtime NOW IN ITS SIXTH YEAR, JAZZ FOR TODDLERS IS ONE OF THE EFG LONDON JAZZ FESTIVAL HIGHLIGHTS – FOR LITTLE ONES AND PARENTS ALIKE

F

ROM ITS BIRTH IN 2009, Jazz for Toddlers has grown into an indispensable part of our Get Involved programme, with different artists showcasing their brand of jazz for the most junior of audiences.

This year, pioneering tuba player Oren Marshall and Ghanaian-born percussionist Afla Sackey will be encouraging participants to get physical and vocal with jazz rhythms and melodies.

Aimed at two- to five-year-olds, Jazz for Toddlers is perfect for parents and carers who want to feed curious minds and open ears using different styles of jazz.

Jazz for Toddlers is sowing the seeds for audiences of the future while providing great fun for audiences of today.

When and where For older siblings: At the time of going to press, all the Jazz for Toddlers events were SOLD OUT. However, there are still some tickets available for our family-friendly matinees, aimed at children aged five plus and their families. For full details, see www.efglondonjazzfestival.org.uk Supersonics SATURDAY 15 NOVEMBER Southbank Centre, Purcell Room, 2pm Marilyn Mazur SUNDAY 16 NOVEMBER Southbank Centre, Purcell Room, 2pm Family Jazz All-stars with Juliet Kelly SUNDAY 23 NOVEMBER Southbank Centre, Purcell Room, 2pm Catapluf’s Musical Journey SUNDAY 23 NOVEMBER artsdepot, 11am & 2pm

Jazz For Toddlers was a real hit last year

Young and old enjoy improvising at Jazz For Toddlers

What did last year’s participants have to say?

“It was a fantastic introduction to jazz and was pitched perfectly for this age group – and great for adults, too! Really unpatronising, refreshing and serious about music” “It’s the best music workshop I’ve ever been to. The performers were great players, worked really well with the kids, and the music and content was perfectly pitched” “There was a lovely atmosphere and a collective feeling of appreciation”

JAZZ FOR TODDLERS IS SOWING THE SEEDS FOR AUDIENCES OF THE FUTURE WHILE PROVIDING GREAT FUN FOR AUDIENCES OF TODAY

Jazz IN THE

– THE STORY CONTINUES

IRELAND CHRISTINE TOBIN LAUREN KINSELLA

GERMANY BUJAZZO HYPERACTIVE KID PETER BROTZMANN STROBES & SHIVER

BELGIUM JEF NEVE

SPAIN CHANO DOMINGUEZ NIÑO JOSELE RAUL FERNANDEZ MIRO SILVIA PEREZ CRUZ

DENMARK GIRLS IN AIRPORTS MARILYN MAZUR

FRANCE BALLAKÉ SISSOKO CHASSOL EMILE PARISIEN HENRI TEXIER IBRAHIM MAALOUF KASSE MADY DIABATE L’HIJÂZ’CAR NICOLE PEREZ PAPANOSH SHAKESPEARE SONGS VINCENT SEGAL WILD CARD

POLAND ALICE ZAWADZKI A TRIBUTE TO JAREK ŚMIETANA LESZEK MOŻDŻER MARCIN MASECKI MICHAŁ URBANIAK SEAN NOONAN’S STRING QUARTET SYLWIA BIALAS TOMASZ STAŃKO

SWITZERLAND ANDREAS SCHAERER LUCAS NIGGLI PLAISTOW RUSCONI TOBIAS PREISIG ITALY FRANCO D’ANDREA MEZZOTONO PIERS FACCINI STEFANO BOLLANI TOMMASO STARACE VINICIO CAPOSSELA

The EFG London Jazz Festival is proud to be a member of the Europe Jazz Network and the International Jazz Festivals Organization

SERIOUS TRUST

THE NETHERLANDS BOI AKIH CACTUS TRUCK CELANO/BAGGIANI GROUP ESTAFEST GUUS JANSSEN

SWEDEN DAN BERGLUND EMILIA MARTENSSON LARS DANIELSSON WILDBIRD & PEACEDRUMS

21

The EFG London Jazz Festival continues to be fascinated by the energy of the European jazz scene – a heady melting pot of cultures and transnational collaboration, often with invaluable information and support from our partners across the continent, hitting the UK for the first time. The 2014 Festival is no exception, with multiple artists from each of France, the Netherlands, Norway, Poland and Switzerland alongside key players from Belgium, Denmark, Italy, Spain, Sweden and Germany.

Music that crosses genres, generations and gender, and ranges from delicate acoustic interplay to electronic noise and jazz metal…

EFG LONDON JAZZ FESTIVAL

New Europe

NORWAY BERGEN BIG BAND BUGGE WESSELTOFT HÅKON STENE HEDVIG MOLLESTAD JAN GARBAREK KARIN KROG SIGBJØRN APELAND SUPERSONICS

barbican.org.uk Sun 22 March

Produced by the Barbican in association with Serious

Strata East hosted by Gilles Peterson The story of the label that changed 70s jazz, feat. founders Charles Tolliver and Stanley Cowell plus special guests, including soul diva Jean Carne.

Sat 11 Apr

David Sanborn Band

+ John Scofield and Jon Cleary A brand new Sandorn electric band opposite New Orleans-inspired pianist/ singer Cleary and guitar hero Scofield.

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L O hi ook T T L gh o I as ond lig ut CK o p o h fo E th f th ick n J ts o r th TS lis ro e p ed az f th e tin ug er by z F e gs ho for so est EF pa ut m m iv G ge the ers e al s ,

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Please don't film, photograph or record the concerts, and especially, please don't disturb people around you or block their view. Latecomers will be admitted on applause. All listings information is correct at time of going to press.

Friday 14 November

RACHAEL COHEN 1pm

Barbican

EFG LONDON JAZZ FESTIVAL

24

LISTINGS

Arranger/conductor Alto 2 Martin Williams Guy Barker Vocals Dee Dee Bridgewater Emma Smith Sachal Georgie Fame Jacob Banks Jacqui Dankworth Kurt Elling Natalie Williams Vula Malinga

Tenor 1 Graeme Blevins Tenor 2 Paul Booth

Trumpets Nathan Bray Tom Rees-Roberts Rob Greenwood Martin Shaw

Piano Dave Newton

Trombones Barnaby Dickinson Alistair White

Bass Chris Hill

Alto 1 Sam Mayne

Mark Lewandowski (double bass) Jim Bashford (drums)

Rachael Cohen (alto saxophone) Phil Robson (guitar)

JAZZ VOICE 7.30pm

Bass Trombone Mark Frost

Southbank Centre/Royal Festival Hall Foyer

Baritone Alan Barnes Horns Dave Lee Jim Rattigan

Guitar Mitch Dalton

Drums Ralph Salmins Percussion Paul Clarvis

Harp Helen Tunstall Violins Sonia Slany Julian Tear Lucy Waterhouse Harriet Davies Alison Dods Jonathon Truscott Warren Zeilinski Neil McTaggart Simon Smith Anna Szabo Christina Emmanuel Ellen Blair Yu Yasuoko-Finch Clare Connors Violas Stephen Steve Tees George Robertson Elisa Bergersen Rachel Byrt Cellos Nick Holland Joely Koos Katherine Jenkinson Tony Woollard

Barbican FreeStage GEORGE MONTAGUE 6pm George Montague (vocals/piano/guitar/ukulele)

Harry Sutton (bass) Tom Hooper (drums)

Southbank Centre/Royal Festival Hall IBEYI 7.30pm Lisa-Kaindé Diaz (vocals) Naomi Diaz (vocals)

INTERVAL

ANGELIQUE KIDJO Angélique Kidjo (vocals) Ben Zwerin (bass) Dominic James (guitar) Magatte Sow (percussion) Yayo Serka (drums) with special guests ASA & The Mike King Choir

Southbank Centre/ Queen Elizabeth Hall

Branford Marsalis (saxophone) Joey Calderazzo (piano) Eric Revis (bass) Evan Sherman (drums)

BRANFORD MARSALIS QUARTET 7.30pm & 10pm

Southbank Centre/Purcell Room JOHN BUTCHER AND MARK SANDERS: Tarab Cuts 7.45pm John Butcher (tenor/soprano saxophone)

Mark Sanders (drums)

ALEXANDER HAWKINS AND MARCIN MASECKI 10pm Alexander Hawkins (piano)

Marcin Masecki (piano)

Southbank Centre/Front Room PETER EDWARDS TRIO 5.30pm & 9pm Peter Edwards (piano) Rob Anstey (bass)

Ed Richardson (drums)

Cadogan Hall RICHARD PITE PRESENTS Benny Goodman and Glenn Miller at Carnegie Hall 7.30pm Pete Long (musical director/clarinet) Enrico Tomasso (trumpet/vocals guest) Charles Mutter (violin) Georgina Jackson (trumpet) George Hogg (trumpet) Nathan Bray (trumpet) Chris Dean (trombone/vocals) Callum Au (trombone)

Andy Flaxman (trombone) Peter Ripper (saxophone) Nigel Hailwood (saxophone) Dean Masser (saxophone) Robert Fowler (saxophone) Bunny Thompson (piano) Martin Wheatley (guitar) Joe Pettitt (bass/guitar) Richard Pite (drums) Anthony Kerr (vibraphone/drums)

Kings Place/Hall 1

John Surman (baritone saxophone) Genevieve Lacey (recorders) Chris Lawrence (bass)

JOHN SURMAN 7.30pm

INTERVAL

TRANS4MATION STRINGS Rita Manning (violin) Patrick Kiernan (violin)

Bill Hawkes (viola) Nick Cooper (cello)

Southbank Centre/Royal Festival Hall

Temple Church Jan Garbarek (saxophone) David James Rogers Covey-Crump Steven Harrold Gordon Jones

JAN GARBAREK AND THE HILLIARD ENSEMBLE 7.30pm

ABDULLAH IBRAHIM – NEW TRIO 7.30pm Abdullah Ibrahim (piano) Cleave Guyton (clarinet/flute) Noah Jackson (cello/bass)

ABDULLAH IBRAHIM – EKAYA

Saturday 15 November

Abdullah Ibrahim (piano) Cleave Guyton (alto saxophone/flute) Lance Bryant (tenor saxophone)

Barbican

Marshall McDonald (baritone saxophone) Andrae Murchison (trombone) Noah Jackson (bass/cello) Will Terrill (drums)

Brendan Reilly (vocals/piano) Gwilym Simcock (piano)

DEDICATION ORCHESTRA 2pm

DR. JOHN

INTERVAL

Dr. John (vocals/piano/ guitar) and Sarah Morrow (music director/trombone) Bobby Floyd (organ) Dave Yoke (guitar) Dwight Bailey (bass)

Shannon Powell (drums) Carleen Anderson (vocals) Byron Wallen (trumpet) Kevin Robinson (trumpet) Ian Kirkham (saxophone) Patrick Clahar (saxophone) Tony Kofi (saxophone)

Barbican FreeStage E17 LARGE ENSEMBLE 2pm Brigitte Beraha (vocals) Jez Franks (guitar) Dave Manington (bass) Nick Smalley (drums) Hugh Pascall (trumpet) Robbie Robson (trumpet) Tom Allan (trumpet) Carlos Lopez-Real (alto saxophone/flute/clarinet)

Rachel Musson (tenor saxophone) Josh Kemp (tenor saxophone) Mick Foster (baritone saxophone/bass clarinet) John Turville (piano/director)

CELANO/BAGGIANI GROUP 3.30pm Marcos Baggiani (drums) Joachim Badenhorst (tenor saxophone/clarinet)

Guillermo Celano (guitar) Clemens van der Feen (double bass)

André Pousaz (bass) Michi Stulz (drums)

LAURA MACDONALD AND DAVID BERKMAN 7.30pm Laura MacDonald (saxophone) David Berkman (piano)

INTERVAL

DEE DEE BRIDGEWATER Dee Dee Bridgewater (vocals) Theo Croker (trumpet) Irwin Hall (saxophone)

Michael King (piano) Eric Wheeler (double bass) Kassa Overall (drums)

WAY IN TO THE WAY OUT: PART 1 4.30pm Arun Ghosh (clarinet) Zoe Rahman (piano)

PAPANOSH 6.15pm

BRASS MASK 6.30pm Tom Challenger (leader/ saxophone/clarinet) Dan Nicholls (keyboard) John Blease (drums) Theon Cross (tuba)

Neil Metcalfe (flute) Henry Lowther (trumpet) Chris Batchelor (trumpet) Jim Dvorak (trumpet) Mark Charig (tenor horn) Dave Amis (trombone) Annie Whitehead (trombone) Fayyaz Virji (trombone) Alan Tomlinson (trombone) Dave Powell (tuba) Julie Tippetts (vocals) Maggie Nicols (vocals) Cleveland Watkiss (vocals) David Serame (vocals) Steve Beresford (director)

Southbank Centre/Front Room

TOBIAS PREISIG 5pm Tobias Preisig (violin) Stefan Aeby (piano)

Louis Moholo-Moholo (drums) Keith Tippett (piano) John Edwards (double bass) Evan Parker (tenor saxophone) Mark Lockheart (tenor saxophone) Ray Warleigh (alto saxophone) Jason Yarde (alto saxophone) Julian Argüelles (soprano saxophone) Chris Biscoe (baritone saxophone)

Nathaniel Cross (trombone) George Crowley (tenor saxophone/clarinet) Alex Bonney (trumpet) Rory Simmons (trumpet)

Roy Nathanson (vocals/saxophone) Raphaël Quenehen (saxophone) Quentin Ghomari (trumpet)

Fidel Fourneyron (trombone) Sébastien Palis (keyboards) Thibault Cellier (double bass) Jérémie Piazza (drums)

LISTINGS

Southbank Centre/Queen Elizabeth Hall

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BRENDAN REILLY 7.30pm

EFG LONDON JAZZ FESTIVAL

INTERVAL

Saturday

Southbank Centre/Purcell Room SUPERSONICS 2pm Petter Frost Fadnes (saxophone)

Chris Sharkey (guitar) Ståle Birkeland (drums)

Dag Arnesen (piano) Ole Thomsen (guitar) Magne Thormodsæter (double bass) Frank Jacobsen (drums) Ivar Kolve (vibraphone) Stein Inge Brækhus (percussion)

Svein Giske (trumpet) Tancred Heyerdahl Husø (trumpet) Viggo Vea (trombone) Øyvind Hage (trombone) Pål Roseth (trombone) Kjell Erik Husom (bass trombone)

THE HOT SARDINES 7.45pm & 10pm

LISTINGS

Southbank Centre/Clore Ballroom

26

Evan “Sugar” Crane (bass/sousaphone) Nick Myers (saxophone/clarinet) Alex Raderman (drums/percussion)

JAZZ LINE-UP 2pm

EFG LONDON JAZZ FESTIVAL

Evan “Bibs” Palazzo (piano) Miz Elizabeth (vocals/washboard) “Fast Eddy” Francisco (tap) Jason Prover (trumpet) Mike Sailors (trumpet)

CHRISTINE TOBIN QUARTET

HOT TICKET Phil Meadows recommends: John Surman + Trans4mation Strings at Kings Place, Friday 14 November “John Surman is a master of his art form and this is going to be a truly memorable evening!”

Christine Tobin (vocals) Ross Stanley (piano) Phil Robson (guitar) Dave Whitford (double bass) Adriano Adewale (percussion)

JEF NEVE 8pm Jef Neve (piano)

INTERVAL

RUSCONI: HISTORY, SUGAR, DREAM Claudio Strüby (drums/percussion)

Stefan Rusconi (piano) Fabian Gisler (double bass/guitar)

Sunday 16 November Barbican SAM AMIDON 7.30pm

OLLIE HOWELL QUINTET Ollie Howell (drums/composer) Max Luthert (double bass) Matt Robinson (piano) Duncan Eagles (tenor saxophone) Mark Perry (trumpet)

HOT TICKET Alexander Hawkins recommends: The Dedication Orchestra, Saturday 15 November “Listening to Bra Louis power a big band is simply one of the most beautiful sounds in the whole of music.”

THE BLUE NOTES Bokani Dyer (piano) Percy Persglove (trumpet) Shabaka Hutchings (tenor saxophone)

Kings Place/Hall 2

Soweto Kinch (alto saxophone) Mark Sanders (drums)

Sam Amidon (vocals/guitar/banjo)

Shahzad Ismaily (bass) Chris Vatalaro (drums)

INTERVAL

BILL FRISELL: GUITAR IN THE SPACE AGE Bill Frisell (guitar) Greg Leisz (guitar)

Tony Scherr (bass) Kenny Wollesen (drums)

Barbican FreeStage JAZZ RECORD REQUESTS 2pm with John Surman and Kevin Hamilton

KEVIN MACKENZIE & STEVE HAMILTON 4pm

Kings Place/Hall 1

Kevin MacKenzie (guitar)

JOHN SURMAN 7.30pm John Surman (saxophone)

BERGEN BIG BAND Martin Hathaway (alto saxophone) Jan Kåre Hystad (alto saxophone) Ole Jakob Hystad (tenor saxophone)

Karin Krog (vocals))

INTERVAL Zoltan Vincze (tenor saxophone) Vidar Johansen (bass clarinet/baritone saxophone) Martin Winter (trumpet) Are Ovesen (trumpet)

Steve Hamilton (piano)

NATHANIEL FACEY 5.30pm Nathaniel Facey (alto saxophone) Steve Fishwick (trumpet)

Elliot Galvin (piano) Fergus Ireland (double bass) Lewis Wright (drums)

Southbank Centre/Royal Festival Hall PIERS FACCINI AND VINCENT SEGAL 7.30pm Piers Faccini (vocals/guitar)

Vincent Segal (cello)

VINICIO CAPOSSELA

INTERVAL

Temple Church Mauro Ottolini (trombone) Glauco Zuppiroli (double bass) Zeno De Rossi (drums)

Vinicio Capossela (vocals/piano/guitar) Alessandro Asso Stefana (guitar/banjo) Vincenzo Vasi (theremin/percussion)

Jan Garbarek (saxophone) David James Rogers Covey-Crump Steven Harrold Gordon Jones

JAN GARBAREK AND THE HILLIARD ENSEMBLE 7.30pm

CHASSOL 8pm Christophe Chassol (keyboards)

Lawrence Clais (drums)

Southbank Centre/Purcell Room Marilyn Mazur (percussion)

Southbank Centre/Queen Elizabeth Hall JD ALLEN 7.30pm

TORI FREESTONE TRIO 7.45pm Tori Freestone (tenor saxophone) Dave Manington (double bass) James Maddren (drums)

INTERVAL

HENRI TEXIER – THE HOPE QUARTET Henri Texier (double bass) François Corneloup (baritone saxophone)

Sébastien Texier (alto saxophone) Louis Moutin (drums)

Southbank Centre/Clore Ballroom NEXT GENERATION TAKES OVER 11am Junior Jazz, Julian Joseph Jazz Academy, National Youth Jazz Orchestra of Scotland, National Youth Jazz

Ronnie’s Big Band in a Day, Royal Academy of Music Collective, Royal Welsh College of Music and Drama

Southbank Centre/Front Room WAY IN TO THE WAY OUT: PART 2 4.30pm Arun Ghosh (clarinet)

Zoe Rahman (piano)

LOCUS 6.15pm Leah Gough-Cooper (alto saxophone) Kim Macari (trumpet) Riley Stone-Lonergan (tenor saxophone)

Sam Leak (piano) Tom Wheatley (bass) Jay Davis (drums

Sam Wanamaker Playhouse SHAKESPEARE SONGS 2.30pm Andy Sheppard (saxophone) Guillaume de Chassy (piano)

Christophe Marguet (drums)

Jonathan Barber (drums)

LISTINGS

JD Allen (saxophone) Alexander Claffy (bass)

INTERVAL

RANDY WESTON AND BILLY HARPER Randy Weston (piano)

27

MARILYN MAZUR – FAMILY FRIENDLY MATINEE 2pm

Monday 17 November

EFG LONDON JAZZ FESTIVAL

Southbank Centre/Queen Elizabeth Hall

Billy Harper (saxophone)

Southbank Centre/Purcell Room STUART McCALLUM 7.45pm Stuart McCallum (guitar)

INTERVAL

MARILYN MAZUR, SPIRIT CAVE

HOT TICKET Laura Macdonald recommends: The Bad Plus, Monday 17 November “These guys are completely innovative, exciting and inspirational to listen to, watch and work with!”

Eivind Aarset Marilyn Mazur (percussion) (guitar/electronics) Jan Bang (electronics) Nils Petter Molvaer (trumpet)

Southbank Centre/Front Room TRINITY LABAN CONTEMPORARY JAZZ ENSEMBLE 6pm

Lily Carassik (trumpet) Harrison Cole (trumpet) Tim Wearden (trumpet) Rosie Turton (trombone) Nick Armstrong (trombone) Reiss Beckles (alto saxophone) Ruben Fox (tenor saxophone) Arnaud Guichard (baritone saxophone) Mick Foster (baritone saxophone)

Daniel Casimir (double bass) Oliver Sarkar-Samuels (drums) Louis Archer (tenor/soprano saxophone) George Winstone (alto saxophone) Joe Armon-Jones (keyboard) Daniel Smith (guitar) Arthur O’Hara (electric bass) Jake Long (drums)

Sam Wanamaker Playhouse FLAMENCO JAZZ 7.30pm Chano Domínguez (piano)

Niño Josele (guitar)

Tuesday 18 November

Cadogan Hall

Southbank Centre/Queen Elizabeth Hall

RICHARD PITE PRESENTS NEWPORT JAZZ FESTIVAL CELEBRATION 7.30pm

Clark Rundell (conductor) Guy Barker (conductor)

Sara Mohr-Pietsch (presenter)

TRISH CLOWES QUINTET 7.30pm

EFG LONDON JAZZ FESTIVAL

28

LISTINGS

Trish Clowes (saxophone) Gwilym Simcock (piano) Mike Walker (guitar) Calum Gourlay (double bass)

James Maddren (drums) Norma Winstone (guest vocals)

INTERVAL

BBC CONCERT ORCHESTRA 1st violins Charles Mutter Rebecca Turner Peter Bussereau Chereene Allen Helena Casey Lucy Hartley Rustom Pomeroy Harriet Davies Debbie Preece 2nd violins Michael Gray Marcus Broome Daniel Mullin Sarah Freestone Anna Ritchie Emil Chakalov Sheila Law Violas Timothy Welch Robin Del Mar Nigel Goodwin Helen Knief

Double bass Stacey-Ann Miller Albert Dennis Peter Devlin Richard Pryce

Horns Stephen Bell Tom Rumsby Mark Johnson David Wythe

Flutes Ileana Ruhemann Joanna Marsh

Trumpets Catherine Moore David McCallum John Blackshaw

Oboes Chris Cowie Victoria Walpole Cor Anglais Victoria Walpole Clarinets Michael Pearce Derek Hannigan

Bass trombone John Higginbotham Tuba David Powell

Southbank Centre/Front Room STOOP QUINTET 6pm

Bassoons Margaret Pollock Jane Sibley

Percussion Alasdair Malloy Stephen Whibley

Sam Miles (tenor/soprano saxophone) Alex Munk (guitar) Flo Moore (double bass) Dave Smyth (drums)

ARIFA 7.45pm

Produced by Kazum!

Southbank Centre/ Front Room PATCHWORK PROJECT

HOT TICKET Natalie Maddix recommends: Kris Bowers + Peter Edwards, Wednesday 19 November “Hip-hop brought me to Kris Bowers and jazz made me stay. Pairing him with Peter Edwards was a great touch – Peter’s a brilliant pianist.”

Wednesday 19 November

Timpani Bill Lockhart

Southbank Centre/ Purcell Room

Paul Nathaniel (saxophone) James Pearson (piano) Joe Pettitt (bass) Richard Pite (drums) Anthony Kerr (vibraphone/percussion)

Trombones Mike Lloyd Carol Jarvis

Bass clarinet Derek Hannigan

Cellos Benjamin Hughes Katharine O’Kane Contrabassoon Jane Sibley Matthew Lee Karen Stephenson Rosie Banks Rowena Calvert

6pm

Pete Long (musical director) Enrico Tomasso (trumpet/vocals) Iain Mackenzie (vocals) Georgina Jackson (vocals) Tom “Spats” Langham (vocals/guitar) Ryan Quigley (trumpet) George Hogg (trumpet) Mike Davies (trumpet) Callum Au (trombone) Ian Bateman (trombone) Andy Flaxman (trombone) Dean Masser (saxophone) Peter Ripper (saxophone) Simon Marsh (saxophone) Mike Hall (saxophone)

Harp Andrew Knight

Alex Simu (saxophone/ clarinet/electronics) Franz von Chossy (piano) Michalis Cholevas (tarhu/ney) Sjahin During (percussion) Paul Booth (saxophone/flute/piano) Victoria Newton (vocals) Giorgio Serci (guitar) Davide Mantovani (bass) Ernesto Simpson (drums) Satin Singh (percussion)

(Programmed and produced by Young & Serious) Jonathan Brigg (piano/composer)

Cadogan Hall JANE MONHEIT: HELLO BLUEBIRD 7.30pm Jane Monheit (vocals) Michael Kanan (piano)

Neal Miner (bass) Rick Montalbano (drums)

Southbank Centre/ Queen Elizabeth Hall NATIVE DANCER 7.30pm Sam Crowe (keyboards) Frida Touray (vocals) Josh Arcoleo (saxophone)

Jonathan Harvey (bass) Davide De Rose (drums)

IBRAHIM MAALOUF – ILLUSIONS François Delporte (electric guitar) Youenn Le Cam (biniou/flute/trumpet) Yann Martin (trumpet) Martin Saccardy (trumpet)

Thursday 20 November Barbican STEFANO BOLLANI AND HAMILTON DE HOLANDA 7.30pm

Southbank Centre/Purcell Room NYJO AND BUJAZZO 7.45pm Mark Armstrong (artistic director) Rosie Stano (flute) Jim Gold (saxophone) Sam Glaser (saxophone) Riley Stone-Lonergan (saxophone) David Healey (saxophone) Jessamy Holder (saxophone) James Davison (trumpet) Darren Moore (trumpet) Tom Dennis (trumpet) James Copus (trumpet) Alistair Martin (trumpet) Anna Drysdale (horn) Owen Dawson (trombone) Ed Parr (trombone) Chris Valentine (trombone) Maddie Dowdeswell (trombone) James Buckle (trombone) Rupert Cox (piano) Rob Luft (guitar) Joe Downard (bass) David Dyson (drums) Max Mills (percussion)

Jiggs Whigham (director) Felix Blum (trumpet) Konstantin Döben (trumpet) Jakob Helling (trumpet) Lorenzo Ludemann (trumpet) Benny Troschel (trumpet) Matthias Wagemann (trombone) Sebastian Stanko (trombone) Frederick Absalon (trombone) Jakob Grimm (trombone) Max Boehm (alto saxophone) Jonas Engel (alto saxophone) Jonas Brinckmann (baritone saxophone) Florian Boos (tenor saxophone) Marc Doffey (tenor saxophone) Nicolai Amrehn (double bass) Bertram Burkert (guitar) Felix Römer (piano) Tom Friedrich (drums) Elina Viluma (soprano vocals) Lydia Schiller (soprano vocals) Laura Totenhagen (alto vocals) Valentin Merk (tenor vocals) Peter Stanowsky (bass vocals)

Ibrahim Maalouf plays at the Queen Elizabeth Hall

TOMASZ STANKO NEW YORK QUARTET Tomasz Stańko (trumpet) David Virelles (piano)

Thomas Morgan (bass) Gerald Cleaver (drums)

Barbican FreeStage

LISTINGS

BUJAZZO

INTERVAL

29

NYJO

Stefano Bollani (piano) Hamilton de Holanda (bandolim)

EFG LONDON JAZZ FESTIVAL

Ibrahim Maalouf (lead trumpet) Laurent David (electric bass) Stéphane Galland (drums) Frank Woeste (Fender Rhodes/keyboards)

L’HIJÂZ’CAR 6pm Grégory Dargent (oud/director) Nicolas Beck (tarhu)

Jean-Louis Marchand (bass clarinet) Vincent Posty (double bass) Etienne Gruel (percussion)

Southbank Centre/Royal Festival Hall HEDVIG MOLLESTAD TRIO 7.30pm Hevig Mollestad (guitar) Ellen Brekken (bass)

Ivar Bjørnstad (drums)

INTERVAL

JOHN McLAUGHLIN AND THE 4TH DIMENSION John McLaughlin (guitar) Gary Husband (keyboard/drums)

Etienne Mbappe (bass) Ranjit Barot (drums)

Southbank Centre/Queen Elizabeth Hall IAN SHAW: 100 YEARS OF BRITISH SONG 7.30pm Ian Shaw (piano) Barry Green (piano) Mick Hutton (bass) Dave Ohm (drums) Claude Deppa (trumpet) Plus vocalists: Ben Cox Claire Martin Elaine Delmar Georgia Mancio Judith Owen Kathryn Williams Natalie Williams Yvette Riby-Williams

HOT TICKET Dave Morecroft recommends: Girls In Airports, Saturday 22 November “I performed alongside these guys at 12 Points Festival in Portugal a couple of years back and they have a great vibe on stage.”

Southbank Centre/Front Room NERIJA 6pm Rosie Turton (trombone) Shirley Tetteh (guitar) Inga Eichler (double bass) Lizy Exell (drums)

Cassie Kinoshi (alto saxophone) Nubya Garcia (tenor saxophone) Sheila Maurice-Grey (trumpet)

EFG LONDON JAZZ FESTIVAL

30 LISTINGS

Southbank Centre/Purcell Room MOVERS AND SHAKERS 7.45pm Mark Lockheart (saxophone) Jason Yarde (saxophone) Laura Jurd (trumpet) Liam Noble (piano) Jasper Hoiby (bass) Tim Giles (drums)

Norma Winstone (vocals) Bobby Wellins (saxophone)

SOPHIA MARSHALL 7.30pm Sarah Marshall (vocals) Andy Jenkinson (keyboards)

FRAZEY FORD Craig McCaul (electric guitar) Leon Power (drums)

Kings Place/Hall 1 CHUCHO VALDÉS 7.30pm Chucho Valdés (piano)

Wigmore Hall GOLDBERG VARIATIONS/ VARIATIONS 7.30pm

LINDSAY COOPER CELEBRATION; HENRY COW, NEWS FROM BABEL, MUSIC FOR FILMS, OH MOSCOW 7.30pm John Greaves (bass/piano/vocals) Tim Hodkingson (organ/piano/saxophone/ clarinet/Hawaiian guitar) Fred Frith (guitar/bass/ xylophone/piano) Chris Cutler (drums) Michel Berckmans

(bassoon/oboe) Dagmar Krause (vocals) Sally Potter (vocals) Phil Minton (vocals) Veryan Weston (piano) Alfred Harth (saxophone/brass) Zeena Parkins (harp/piano) Annemarie Roelofs (trombone/ violin)

Barbican FreeStage ESTAFEST 6pm Mete Erker (soprano/tenor saxophone/bass clarinet)

Southbank Centre/Royal Festival Hall TONY REMY’S STOLEN CLONES 7.30PM

INTERVAL Frazey Ford (vocals/guitar) Darren Parris (bass)

Barbican

Anton Goudsmit (guitar) Oene van Geel (viola/cajon) Jeroen van Vliet (piano)

Cadogan Hall Sophia Marshall (vocals/guitar)

Friday 21 November

HOT TICKET Mark Lockheart recommends: John Stevens – a celebration, Saturday 22 November “John Stevens’ open and radical approach to improvised jazz music influenced my generation enormously – I’m really excited to see this gig.”

Dan Tepfer (piano) John McLaughlin and The 4th Dimension will perform at the Royal Festival Hall

Tony Remy (guitar) Anders Olinder (keyboard)

MARCUS MILLER

Nick Cohen (bass) Mark Mondesir (drums)

INTERVAL

Marcus Miller (bass) Adam Agati (guitar) Alex Han (saxophone) Lee Hogans (trumpet) Brett Williams (keyboard)

Louis Cato (drums) Guimba Kouyaté (guitar) Cherif Soumano (kora) Adama Dembélé (percussion)

Southbank Centre/Royal Festival Hall Foyer ROBBIE HARVEY 1pm Robbie Harvey (trombone) Alex Garnett (tenor saxophone)

Leon Greening (piano) Adam King (bass) Ed Richardson (drums)

Southbank Centre/Queen Elizabeth Hall JEREMY MONTEIRO TRIO 7.30pm Jeremy Monteiro (piano) Calum Gourlay (double bass)

Hong Chanutr Techatana-nan (drums)

INTERVAL

KENNY BARRON AND DAVE HOLLAND Kenny Barron (piano)

Dave Holland (bass)

Saturday 22 November Barbican

Bugge Wesseltoft (piano) Henrik Schwarz (electronics)

Dan Berglund (bass)

INTERVAL

LAU Don’t miss the Lindsay Cooper Celebration at the Barbican

Marcus Miller plays the Royal Festival Hall

Omar Puente (violin) Gary Crosby (double bass) Byron Wallen (trumpet) Aleksandra Topczewska (alto saxophone) Alex Ho (piano) Shirley Tetteh (guitar)

Moses Boyd (drums) Panellists: Kevin Le Gendre Alyn Shipton Roger Cotterrell Colleen McIntyre

Southbank Centre/Front Room EZRA COLLECTIVE 5.30pm Joe Armon-Jones (piano) TJ Koleoso (bass) Femi Koleoso (drums)

Dylan Jones (trumpet) James Mollison (tenor saxophone)

Cadogan Hall SIRKIS/BIALAS QUARTET 7.30pm

Sylwia Bialas (vocals) Asaf Sirkis (drums) Patrick Bettison (bass/harmonica) Frank Harrison (piano)

HOT TICKET Juliet Kelly recommends: Adriano Adewale: Catapluf’s Musical Journey, Sunday 23 November “It’s a show featuring saucepans, water, drums and music made using the body – it’s going to be a lot of fun!”

INTERVAL

LESZEK MOŻDŻER TRIO Leszek Możdżer (piano) Lars Danielsson (bass)

Zohar Fresco (percussion)

ELYSIAN QUARTET Emma Smith (violin) Jennymay Logan (violin)

Vince Sipprell (viola) Laura Moody (cello)

Barbican FreeStage BOI AKIH 3pm Monica Akihary (vocals/guitar) Niels Brouwer

(guitar/electronics) Wolter Wierbos (trombone) Marcos Baggiani (drums)

GUUS JANSSEN 4.30pm Guus Janssen (piano)

Jason Yarde (saxophone)

GIRLS IN AIRPORTS 6pm Martin Stender (saxophone) Lars Greve (saxophone/clarinet)

Mathias Holm (keyboard) Victor Dybbroe (percussion) Mads Forsby (drums)

Southbank Centre/ Royal Festival Hall BLUE NOTE RECORDS AT 75 CELEBRATION 7.30pm Robert Glasper (piano)

Jason Moran (piano)

INTERVAL Robert Glasper (piano) Ambrose Akinmusire (trumpet) Marcus Strickland

(saxophone) Lionel Loueke (guitar) Derrick Hodge (bass) Kendrick Scott (drums)

Southbank Centre/Purcell Room JOHN STEVENS – A CELEBRATION 7.30pm

Kings Place/Hall 1 CHUCHO VALDÉS 7.30pm Chucho Valdés (piano)

Anita Wardell (vocals) Annie Whitehead (trombone) Byron Wallen (trumpet) Gary Crosby (bass) Mark Sanders (drums)

Nick Stephens (bass) Louis Moholo-Moholo (drums) Courtney Pine (saxophone) Maggie Nicols (vocals)

LISTINGS

COLERIDGE GOODE: A CELEBRATION 7.45pm

Kris Drever (guitar/vocals) Aidan O’Rourke (fiddle)

31

Southbank Centre/Purcell Room

Martin Green (accordion/electronics)

EFG LONDON JAZZ FESTIVAL

BUGGE WESSELTOFT AND HENRIK SCHWARZ AND DAN BERGLUND 7.30pm

Southbank Centre/Clore Ballroom WORLD SERVICE PROJECT 2pm Dave Morecroft (keyboard) Tim Ower (saxophone) Raphael Clarkson (trombone)

Conor Chaplin (bass) Liam Waugh (drums)

LISTINGS 32 EFG LONDON JAZZ FESTIVAL

Chris Spedding (guitar/vocals) Mick Hutton (double bass) Sam Glasson (drums)

CLAUDE DEPPA 6.15pm Claude Deppa (trumpet) Pierre Chabrèle (trombone) Mervyn Africa (piano)

Andre Mathurin (bass) Ian Grant (drums)

Southbank Centre/Queen Elizabeth Hall NIKKI ILES AND ROYAL ACADEMY OF MUSIC BIG BAND 2pm Nikki Iles (composer/piano) Sam Glaser (alto saxophone) Kim Gold (alto saxophone) Tom Ridout (tenor saxophone) Tom Barford (tenor saxophone) Greg Barker (baritone saxophone/bass clarinet) Louis Dowdeswell (trumpet) James Copus (trumpet)

CHUCHO VALDÉS 7.30pm Chucho Valdés (piano)

PHIL MEADOWS GROUP 3pm Olie Brice (bass) Mark Whitlam (drums)

CHARLOTTE GLASSON 5pm Charlotte Glasson (saxophone/flute/violin) Mark Bassey (trombone)

Charnett Moffett (double bass)

Kings Place/Hall 2

NICK MALCOLM 3.30pm Nick Malcolm (trumpet) Alexander Hawkins (piano)

CHARNETT MOFFETT

Alistair Martin (trumpet) Tom Gardener (trumpet) Owen Dawson (trombone) Oliver Martin (trombone) Elliot Pooley (trombone) Courtney Brown (trombone) Miriam Ast (vocals) Rob Luft (guitar) Alex Dale (double bass) Marc Michel (drums)

Phil Meadows (composer/saxophone) Laura Jurd (trumpet) Elliot Galvin

(piano/keyboard) Conor Chaplin (double bass/electric bass) Simon Roth (percussion)

ENGINES ORCHESTRA Matt Roberts (conductor) Jim Davison (trumpet) Eddie Morgan (french horn) James Buckle (bass trombone) Jennah Smart (flute) Rob Cope (clarinet/flute) Gennie Joy (bass clarinet/clarinet) Tori Handsley (harp) Emily Davis (1st violin) Tom Aldren (1st violin)

Alice Zawadzki (1st violin/vocals) Katherine Waller (1st violin) Minn Majoe (2nd violin) Kirsty Lovie (2nd violin) Claire Sledd (2nd violin) Connie Chatwin (2nd violin) Matt Maguire (viola) Joe Fisher (viola) George White (viola) Zosia Jagodzinska (cello) Gregor Riddell (cello)

JAMES MAINWARING 7.30pm James Mainwaring (saxophone)

INTERVAL

JOHN ESCREET John Escreet (piano) John Hebert (bass)

Tyshawn Sorey (percussion)

YAZZ AHMED 7.45pm Naadia Sheriff (keyboard) Dudley Phillips (bass guitar) Martin France (drums) Corrina Silvester (percussion)

Yazz Ahmed (trumpet/ flugelhorn/composer) George Crowley (bass clarinet)

Sunday 23 November

INTERVAL

REGINA CARTER

Barbican

Regina Carter (violin) Will Holshouser (accordion) Marvin Sewell (guitar)

Chris Lightcap (bass) Alvester Garnett (drums)

Kings Place/Hall 1 JEAN TOUSSAINT QUARTET 3pm Jean Toussaint (saxophone) Andrew McCormack (piano)

Daniel Casimir (double bass) Troy Miller (drums)

INTERVAL

JOE LOVANO AND DAVE DOUGLAS: SOUND PRINTS 7.30pm Joe Lovano (saxophone) Dave Douglas (trumpet) Lawrence Fields (piano) Linda Oh (bass) Joey Baron (drums)

Joe Lovano

INTERVAL

CHARLES LLOYD: WILD MAN SUITE Charles Lloyd (saxophone/flute/taragato) Gerald Clayton (piano) Joe Sanders (bass)

Eric Harland (drums/percussion/vocals) Socratis Sinopoulos (lyra) Miklos Lukacs (cimbalom)

Simon Roth (drums)

ROBERT MITCHELL: INVOCATION 2pm AVONBOURNE SCHOOL YOUTH CHORUS HAREWOOD SCHOOL YOUTH CHORUS BOURNEMOUTH SYMPHONY CHORUS Gavin Carr (chorusmaster)

Oran Etkin (clarinet) Federico Casagrande (guitar)

ROLLER TRIO James Mainwaring (tenor saxophone/ electronics) Luke Wynter (guitar) Luke Reddin-Williams (drums)

HOT TICKET Arun Ghosh recommends: Yazz Ahmed, Saturday 22 November “Yazz is a fine trumpet player with a wonderfully creative personality. Her new commission for EFG LJF will be fascinating.”

Southbank Centre/Front Room CHELSEA CARMICHAEL QUARTET 2pm Chelsea Carmichael (saxophone) Arthur O’Hara (bass)

Daniel Smith (guitar) Ed Harley (drums)

BALUJI SHRIVASTAV/DEIRDRE CARTWRIGHT ENSEMBLE 3pm Baluji Shrivastav (sitar) Deirdre Cartwright (guitar) Alison Rayner (bass)

Linda Shanovitch (vocals/percussion) Ilias Khan (tabla)

ROZ HARDING’S WAVE 4pm Roz Harding (alto saxophone)

Southbank Centre/Purcell Room FAMILY JAZZ ALL STARS FEAT. JULIET KELLY 2pm Juliet Kelly (vocals) Tony Kofi (saxophone) Kate Williams (piano)

Linda Oh (bass) Jeff Ballard (drums)

Ben Hazleton (bass) Cosimo Keita (drums)

Mike Outwram (guitar) Jim Bashford (drums)

ARQ 6pm Alison Rayner (composer/bass) Diane McLoughlin (saxophone)

Deirdre Cartwright (guitar) Steve Lodder (piano) Buster Birch (drums)

LISTINGS

Alex Roth (guitar) Mick Foster (bass saxophone) Corrie Dick (drums)

Southbank Centre/Queen Elizabeth Hall

GOLDSMITHS [BIG] STRING Julian Ferraretto (director) Shirley Smart (leader)

Dave O’Brien (keyboards) Jason Simpson (bass) Olly Blackman (drums)

33

Joe Webb (keyboard) Matt Robinson (piano) Conor Chaplin (bass) Felix Higginbottom (percussion)

LAURA JURD’S HUMAN SPIRIT 6.30pm

ROBERT MITCHELL’s PANACEA Robert Mitchell (piano/composer and leader) Deborah Jordan (vocals) Tom Mason (bass) Eugene Skeef (narration/percussion) Laurie Lowe (drums)

Cath Roberts (alto saxophone/composer) Tom Ward (tenor saxophone) Henry Spencer (trumpet) Magnus Dearness (trombone)

ORAN ETKIN

CORRIE DICK BAND 5pm

Laura Jurd (trumpet) Lauren Kinsella (vocals) Chris Batchelor (trumpet) Colm O’Hara (trombone)

QUADRACERATOPS

EFG LONDON JAZZ FESTIVAL

Corrie Dick (drums) Simon Roth (drums)

ELLIOT GALVIN TRIO 3.30pm

Corrie Dick (drums) Alice Zawadzki (vocals) Laura Jurd (trumpet) Joe Wright (saxophone) George Crowley (saxophone)

Makan Tounkara (ngoni) Lansiné Kouyaté (balafon)

JAZZ IN THE ROUND 2pm

BLUE-EYED HAWK 2pm

Elliot Galvin (piano) Tom McCredie (bass)

Kasse Mady Diabaté (vocals) Ballaké Sissoko (kora)

Southbank Centre/Clore Ballroom

Barbican FreeStage Lauren Kinsella (vocals) Laura Jurd (trumpet) Alex Roth (guitar)

KASSE MADY DIABATE 7.45pm

34 FEMALE JAZZ LEGENDS EFG LONDON JAZZ FESTIVAL

Kathy Stobart made me SANDY BOYCE TALKS TO EFG LONDON JAZZ FESTIVAL PROGRAMMER AMY PEARCE ABOUT THE JAZZ MAESTRO WHO INSPIRED HER

K

ATHY STOBART WAS my first inspiration and teacher, although I once had to admit to Andy Sheppard that I had a photo of him on my wall when I was 10.

Kathy was passionate about standing up for yourself and forging your own path, but she was also big on loyalty to your fellow musicians – she worked with Humphrey Lyttelton for 30 years.

When I first joined the Festival, I spotted that Kathy had played back in its early days. Female instrumentalists have always been a key part of the programme.

The year I joined, Annie Whitehead played seven or eight shows across the Festival. This year she’ll be performing again, as part of the John Stevens celebration on Saturday 22 November.

There is a wealth of young British female composers and instrumentalists attracting international recognition

and, as always, their shows are spread right across the Festival.

These range from concerts with Trish Clowes, Laura Macdonald and Yazz Ahmed to the strands programmed by Cath Roberts and Dee Byrne as part of LUME’s series at Long White Cloud.

And that’s to say nothing of Julie Kjaer’s programme with Servant Jazz Quarters, and the work of Deirdre Cartwright and Alison Rayner, who are celebrating 25 years of Blow the Fuse.

I wonder if our Professor in Residence (see page 18) can explain the renewed prominence of great female instrumentalists – perhaps it’s because they never really went away!

I hope you enjoy this year’s Festival and Kathy, wherever you are, I hope you have a great time too.

Kathy Stobart died on 5 July 2014.

Kathy Stobart’s legacy will continue with a great line-up of female instrumentalists at this year’s Festival

Sponsors & Supporters

The Festival would like to thank its headline sponsor for its crucial support of the overall programme, and Arts Council England, which has supported the Festival since it began in 1992.

The Festival is only possible as a result of the support of our many partners and we would like to thank the following:

In addition to the organisations listed above, we would also like to thank the following for their support of the Festival:

We would like to thank the following organisations:

would like to thank the following for their support:

Alexander Landia, Aspect Charitable Trust, Jeremy and Kim White Foundation, Mactaggart Third Fund, Ann Grant, Martin and Diana Muirhead, Britten–Pears Foundation, Sir Vernon Ellis, Sandra Pepera, an anonymous donor, and Serious Trust appeal donors.

We would also like to acknowledge our partners who are presenting work across the Festival:

Blow The Fuse, Chaos Collective, Eat Your Own Ears, E17 Jazz Collective, F-IRE Collective, Hampstead Arts Festival, //hcmf, Jazz Re:Freshed, Italian Cultural Institute, Kapa Productions, Kazum!, Loop Collective, Lume, Mopomoso, Morley College, Mwalimu Express, Paul Pace, Peter Conway, Peter Weigold, ReRecords, Richard Pite, Somethin’Else, Soundcrash, Tomorrow’s Warriors, Way Out West, Worshipful Company of Musicians, YaD Arts

The Festival is proud to be a member of the Europe Jazz Network, the International Jazz Festivals Organization and the Jazz Promotion Network

efglondonjazzfestival.org.uk/efgexcellenceseries

Friday 14 – Sunday 23 November

The EFG Excellence Series is a programme of world-class performances from some of the leading lights in jazz.

J AZ Z V O I C E BAR BICAN , F RI D AY 1 4 N OV EM BE R T OU (and broadcast BBC Radio 3) L D on S Olive

JAN G ARBARE K AN D THE H ILL IARD E N S E MB L E T E MP L E CH U RCH, F R ID AY 1 4 UT AND S UN D O L D1 6ON OV E M B ER S AY

ABDULLAH IBRAHIM S O U T HBA NK C EN T R E RO YA L F E S TI VA L H AL L SAT U RD AY 1 5 N OV E M B E R

K E NNY BAR R O N & D AVE HO L LAN D + JE RE MY MO N T EI R O SOUT H BANK C EN TR E / QU E E N ELIZABETH HALL, FRIDAY 21 NOVEMBER

CE LE BRATING 75 Y E AR S O F B LUE NO T E RE C O RD S S OU T H BANK C EN TR E R O YAL FE S TIVA L HA L L SATU RD AY 2 2 NOV E M B E R

The Festival’s opening night gala, packed with a glittering array of vocal talent including Dee Dee Bridgewater, Emma Smith, Georgie Fame, Jacob Banks, Kurt Elling, Sachal and Vula Malinga and a 40-piece orchestra arranged, scored and conducted by Guy Barker.

The combination of Garbarek’s soaring saxophone and the sheer beauty of the Hilliard Ensemble’s voices play their last ever London concerts together in the remarkable acousticof the tiny Temple Church behind Fleet Street.

The charismatic South African pianist brings together the infectious township jazz of his septet Ekaya and the first British concert by his storming new trio with Cleave Guyton (reeds) and cellist Noah Jackson.

Leading Singapore-based pianist Jeremy Monteiro opens the show for this special pairing: legendary bass player Dave Holland is joined by the jazz master pianist Kenny Barron.

Jason Moran and Robert Glasper’s playful piano duets open the show. The second half sees Robert Glasper joined by a line-up drawn from the current Blue Note roster, with trumpeter Ambrose Akinmusire, bassist Derrick Hodge, drummer Kendrick Scott, guitarist Lionel Loueke and saxophonist Marcus Strickland, in a sextet of mouth-watering potential.

EFG Private Bank Limited, Leconfield House, Curzon Street, London W1J 5JB, T + 44 20 7491 9111. EFG Private Bank Limited is authorised by the Prudential Regulation Authority and regulated by the Financial Conduct Authority and the Prudential Regulation Authority. EFG Private Bank Limited is a member of the London Stock Exchange. Registered in England and Wales no. 2321802. Registered office as above. Member of EFG International. www.efginternational.com