The Lookout: A Journal of Undergraduate Research at ECU, Issue 7

Page 46

The Lookout

Volume 7 Issue 1 | 2019

Rhiannon and Aine: Goddesses of the Ancient Celts Alexandra Franklin Introduction In comparison with many other cultures, the

being the goddess of magick, fertility, rebirth,

ancient Celts had their own pantheon of god-

wisdom, beauty, poetry, and artistic inspiration

desses and gods and, like these other cultures,

as well as the wind, gates, horseshoes, and

the Celtic deities regularly intermingled with

the number seven (Goddess Rhiannon). Her

the human race. While having the fallible

“themes” include leadership, communication,

tendencies of both their contemporaries and

movement, rest, and ghosts (Shaw). Despite

the human race, the Celtic deities possessed

Rhiannon’s association with fertility, she is

a wide range of powers from the realistic to

also worshipped as a goddess of the Other-

the fantastical and also regularly intermingled

world, a goddess of death, and a “bringer of

with an array of fantastical creatures, such as

dreams (Shaw).” The name Rhiannon means

faeries. Historical texts and archaeological

“Night Queen” and, like many other Celtic

evidence has provided us with a knowledge of

deities, it is thought that Rhiannon may be re-

these deities as well as evidence of their wor-

constructed from another, much older goddess

ship - a worship that is slowly being revived

by the name of Rigantona (Shaw). As a god-

in our modern world through the emergence

dess, she is believed to be a merge between the

of Wicca and other spiritual practices. Of all

Gaulish horse goddess Epona, the Irish horse

the deities, both god and goddess, in the Celtic

goddess Macha, and Matrona, the great mother

pantheon, Rhiannon and Aine are two of the

(Goddess Rhiannon). Rhiannon is described

most well-known, the former known as “The

as a beautiful young woman in a golden dress

Night Queen” and the latter considered to be

who rides upon a pale white horse with a calm

“The Queen of Faeries.”

expression upon her face. The white mare that she rides upon and its swift capacity is

Who was Rhiannon?

believed to represent her as a lunar goddess

The Celtic goddess Rhiannon was born during

(Rhiannon). She is often surrounded by ani-

the first rise of the moon and is predominantly

mals, particularly songbirds whose music can

worshipped as the goddess of the moon and the

awaken spirits and put mortals into a deep

queen of night (Shaw). She is also hailed as

sleep (Rhiannon). The main source of informa-

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