October 28, 2023 • Dallas, Texas
COVER
120 FRANK TENNEY JOHNSON (1874-1939)
The Lawless Frontier 1930 oil on canvas, 25 x 30.25 inches
$250,000 - $300,000
81 JOSEPH HENRY SHARP (1859-1953)
Crow Camp Near Custer Battlefield, Montana c. 1908-09 oil on cedar cigar box lid, 5.5 x 8.5 inches
$70,000-$90,000
178 JULIAN ONDERDONK (1882-1922)
Twilight in the Hills, Blue-Bonnets 1918 oil on canvasboard, 8 x 10 inches
$80,000 - $120,000
SCHEDULE OF EVENTS
All Lone Star Art Auction events will be held at the Renaissance Dallas, a Marriott Bonvoy Hotel, located at 2222 N. Stemmons Freeway in Dallas, Texas on Friday, October 27 and Saturday, October 28, 2023.
New in 2023, All Auction Events are Open and Complimentary to Auction Attendee Registrants.
FRIDAY, OCTOBER 27, 2023
10:00am-5:00pm CT, Auction Registration, Grand Foyer
10:00am-5:00pm CT, Auction Art Preview, Grand Ballroom
5:30-9:00pm CT, Lone Star Art Auction Patron’s Cocktail Reception and Dinner, Grand Ballroom
SATURDAY, OCTOBER 28, 2023
10:00am-12:00pm CT, Auction Registration, Grand Foyer
10:00am-12:00pm CT, Auction Art Preview and Breakfast, Grand Ballroom
12:00-5:00pm CT, Live Auction, Grand Ballroom
12:00-6:00pm CT, Auction Check-Out, Grand Foyer
SUNDAY, OCTOBER 29, 2023
9:00-11:00 am CT, Auction Check-Out, Grand Foyer
CONTACT
Phone: 469.608.7600
Douglas Center Tower, 8333 Douglas Ave., Suite 360
Dallas, Texas 75225
Email: info@lsartauction.com
Website: lsartauction.com
Presented by Great American West and Phil Berkebile, Jr.
Enough Till Spring 1994 oil on canvas, 30 x 50 inches
$175,000-$225,000
190 G. HARVEY (1933-2017)
RESERVATIONs
Renaissance Dallas Hotel
2222 North Stemmons Freeway
Dallas, Texas 75207
For hotel room reservations, go to 2023 AUCTION HOTEL ACCOMODATIONS at lsartauction.com, or call 214.631.2222. Special auction room rates will be available through October 5, 2023, and are subject to availability.
BIDDING
The Lone Star Art Auction offers multiple ways for patrons to bid including attendee, telephone, absentee and online bidding. Registration for all forms of auction bidding is available on the auction website at lsartauction.com.
Telephone and Absentee registrations must be submitted by 5:00 pm CT on October 27, 2023.
Online Bidding options: lsartauction.com bidsquare.com liveauctioneers.com
Auction results will be available on November 1, 2023 at lsartauction.com
auctioneer: Jason Brooks, Texas License No. 16216
KEITH
The Charolais Calf, 2006
oil on board
12 x 9 inches
signed lower left: K. Christie
PROVENANCE
Private Collection, Houston, Texas
$1,000-$1,500
CLYDE
Never Summer (Walden, CO)
oil on board 8 x 10 inches
signed lower left: C. Aspevig
PROVENANCE
Private Collection, Dallas, Texas
$1,500-$2,500
Cheyenne
gouache on paper 4 x 6 inches
signed lower left: Michael Coleman
PROVENANCE
Private Collection, Dallas, Texas
$1,000-$2,000
4
DON CROWLEY (1926 - 2019)
Lakota Treasure oil on board 20 x 16 inches
signed lower right: Don Crowley CA
PROVENANCE
Private Collection, Houston, Texas
$3,000-$5,000
5
DON CROWLEY (1926 - 2019)
Kaibab Child
oil on board 10 x 8 inches
signed lower right: Don Crowley
PROVENANCE
Private Collection, Houston, Texas
$1,000-$1,500
6
JONI FALK (b. 1933)
Snow Shadows and Oven Smoke oil on board 10 x 8 inches
signed lower right: Joni Falk AWA
PROVENANCE
Private Collection, La Jolla, California
$2,000-$3,000
7
JONI FALK (b. 1933)
Winter Serenity oil on board 7 x 12 inches
signed lower right: Joni Falk AWA
PROVENANCE
Private Collection, Houston, Texas
$2,000-$3,000
8 JOHN
On the Plaza oil on board 24 x 18 inches signed lower left: John Franklin
PROVENANCE Private Collection, Norman, Oklahoma
$2,000-$3,000
on panel 36 x 36 inches signed lower left: J
PROVENANCE Private Collection, La Jolla, California
$2,000-$3,000
Long
oil on board
20 x 30 inches
signed
PROVENANCE
Private Collection, Norman, Oklahoma
$2,000-$3,000
11
First Watch
oil on canvas
12 x 18 inches
signed lower right: George Molnar
PROVENANCE
Private Collection, Dallas, Texas
$1,000-$2,000
12
THOMAS MORAN (1837 - 1926)
Plowing a Field etching on paper
4.875 x 7.875 inches
signed in pencil lower right: Moran signed in plate upper left: Moran
PROVENANCE
Private Collection, Dallas, Texas
$2,000-$3,000
13
BILL OWEN (1942 - 2013)
Takin’ the Jerk, 1978
bronze, 8/25 20 x 16 x 22 inches
inscribed: 8/25 Bill Owen CA 1978
Phippen Bronze
PROVENANCE
Private Collection, Norman, Oklahoma
$3,000-$5,000
14
BILL OWEN (1942 - 2013)
CO Bar Bull and Book, 1982
bronze, 38/100
5 x 12.25 x 7 inches
inscribed: Bill Owen CA 1982 38/100
PROVENANCE
Private Collection, Norman, Oklahoma
$1,000-$2,000
BURT PROCTOR (1901 - 1980)
Navajo Woman
oil on board
16 x 12 inches
signed lower right: Burt Proctor
PROVENANCE
Private Collection, Houston, Texas
$3,000-$5,000
16
BILL SHADDIX (b. 1931)
October Moon
oil on canvas
36 x 30 inches
signed lower left: Bill Shaddix
PROVENANCE
Private Collection, Dallas, Texas
$2,000-$4,000
17
WILLIAM SHEPHERD (b. 1943)
Wild West Show oil on board 24.5 x 34.25 inches
signed lower left: W.S.
PROVENANCE
Private Collection, Houston, Texas
$3,000-$5,000
18
DON SPAULDING (b. 1926)
The End of the Campaign, 1979
oil on board 20 x 30 inches
signed lower right: Don Spaulding 79
PROVENANCE
Private Collection, Houston, Texas
$5,000-$7,000
19
DON SPAULDING (b. 1926)
Making A Stand, 1986
oil on board
12 x 9 inches
signed lower right: Don Spaulding 1986
EXHIBITION
Thomas Gilcrease Museum, Tulsa, Oklahoma
PROVENANCE
Private Collection, Houston, Texas
$1,000-$1,500
20
WILLIAM WHITAKER (1943 - 2018)
Comanche Dress, 1975
oil on board 24 x 18 inches
signed lower left: W. Whitaker 1975
PROVENANCE
Private Collection, Norman, Oklahoma
$3,000-$5,000
21
JIM CARSON (b. 1942)
The Army of Santa Anna oil on canvas 34 x 54 inches
PROVENANCE
Private Collection, Needham, Massachusetts
$8,000-$12,000
22
JIM CARSON (b. 1942)
Crockett’s Prayer, 2005 oil on canvas 15 x 12 inches
signed lower right: Carson 2005
PROVENANCE
Private Collection, Dallas, Texas
$1,000-$2,000
Fall of the Alamo, 1985
watercolor on paper
11.5 x 13.5 inches
PROVENANCE Private Collection, Needham, Massachusetts
$3,000-$4,000 24
bronze, 10/24
22.5 x 17 x 11.5 inches
inscribed: Fritz White 10/24 CA
PROVENANCE
Private Collection, Needham, Massachusetts
$2,500-$3,500
NELSON BOREN (b. 1952)
Spur watercolor on paper
33.5 x 81.5 inches
signed lower right: Nelson Boren
PROVENANCE
Private Collection, Dallas, Texas
$6,000-$8,000
4th of July in Papalote, 1993
watercolor on paper
48.25 x 40.75 inches
signed lower right: Nelson Boren
PROVENANCE
Private Collection, Dallas, Texas
$5,000-$7,000
PROVENANCE
Private Collection, Dallas, Texas
$6,000-$8,000
28
NELSON BOREN (b. 1952)
Cowboy and Cowgirl watercolor on paper
19 x 39 inches
signed lower right: Nelson Boren
PROVENANCE Private Collection, Dallas, Texas
$3,000-$5,000
29
NELSON BOREN (b. 1952)
Red Scarf, Back Pocket watercolor on paper
13.5 x 10.5 inches
signed lower left: Nelson Boren
PROVENANCE
Private Collection, Dallas, Texas
$1,000-$1,500
PROVENANCE Private
$5,000-$7,000
PROVENANCE
Private
$5,000-$7,000
32
PROVENANCE
Private Collection, Dallas, Texas
$5,000-$7,000
33
PROVENANCE
Private Collection, Dallas, Texas
$5,000-$7,000
Cowboy on Horse in Winter oil on canvas
34 x 46 inches
signed lower left: George Molnar
PROVENANCE
Private Collection, Dallas, Texas
$5,000-$7,000 35
Young and Innocent oil on canvas
17 x 26 inches
signed lower left: George Molnar
PROVENANCE
Private Collection, Dallas, Texas
$2,000-$4,000
37
MARTIN GRELLE (b. 1954)
Cheyenne Maiden oil on canvas 24 x 18 inches
signed lower left: Martin Grelle
PROVENANCE
Private Collection, Dallas, Texas $9,000-$12,000
38
MORGAN WEISTLING (b. 1964)
Alice oil on canvas 36 x 25 inches
signed lower left: Morgan Weistling
PROVENANCE
Private Collection, Houston, Texas
$20,000-$30,000
JERRY DANIEL (1939 - 2018)
Bison IV, 1998
welded steel wire
17 x 25.5 x 9 inches
Best of Show winner at the 1996 Texas Sculpture Association’s National Show. Bison IV by Denton, Texas sculptor Jerry Daniel, is a one-of-a-kind, accurate figurative model of the king of the plains. The medium is a welded steel frame with black steel wire that lays perfectly around the beast’s shoulders, representing the animal’s shaggy ebony mane.
PROVENANCE
Private Collection, Bartonville, Texas
$12,000-$15,000
NOCONA BURGESS (b. 1969)
Quanah Parker - Culture Clash
acrylic on canvas
60 x 48 inches
signed lower left: Nocona Burgess
Nocona Burgess is a member of the Comanche Nation of Oklahoma and he is the great-great-grandson of one of the most revered Native American leaders, Chief Quanah Parker. His paintings inspire and educate through their unusual techniques and positive dialogues between past and present.
PROVENANCE
Private Collection, Dallas, Texas
$10,000-$15,000
41
R.
Red Horses oil on masonite 24 x 24 inches signed lower left: R. Tom Gilleon
PROVENANCE Private Collection, Dallas, Texas
$9,000-$12,000
42
R.
Red Bears oil on board 12 x 12 inches signed lower right: R. Tom Gilleon
PROVENANCE Private Collection, Dallas, Texas
$5,000-$7,000
LOGAN MAXWELL HAGEGE (b. 1980)
Old Corral at Vermilion Cliffs, 2022
oil on linen
30 x 30 inches
signed lower left: LMH
The subject of this compelling oil painting is that of old corrals down the road from the artist’s painting cabin at the base of the Vermilion Cliffs in Arizona that have been weathered by decades of rain, wind, snow and extreme heat.
PROVENANCE
Private Collection, Dallas, Texas
$40,000-$60,000
PROVENANCE
$30,000-$40,000
47
BILL SCHENCK (b. 1947)
Destination Unknown, 2015
oil on canvas
25 x 50 inches
signed lower right: Schenck 15
PROVENANCE
Private Collection, Dallas, Texas
$10,000-$15,000
48
KIM DOUGLAS WIGGINS (b. 1960)
Springtime Near Santa Fe, 2020 oil on board 16 x 20 inches
signed verso: Kim Douglas Wiggins, Santa Fe, NM
PROVENANCE
Private Collection, Warrenton, Virginia
$10,000-$15,000
49
ED MELL (b. 1942)
Jack Knife
bronze, V/X 14.25 x 12.25 x 4.5 inches
inscribed: Ed Mell V/X
PROVENANCE
Private Collection, Dallas, Texas
$12,000-$15,000
ANDY WARHOL (1928 - 1987)
General Custer (F.& S. II.379), 1986
screenprint in colors on Lenox Museum Board, 81/250 36 x 36 inches
signed lower left: 81/250 Andy Warhol
chop mark lower right
verso: artist’s copyright ink stamp, Publisher Gaultney-Klineman Art, New York ink stamp.
General Custer is one of ten prints in Andy Warhol’s 1986 Cowboys and Indians series. The portfolio explores the relationship between the media’s romanticized take on the Great American West and its duplicitous effect on correctly understanding history. General Custer was a commander of the Union Army during the American Civil War and fought against Indigenous Americans during the American Indian Wars. He died at the Battle of the Little Bighorn at the hand of Sioux leader Sitting Bull and his Plains Indians army.
PROVENANCE
Private Collection, Dallas, Texas
$90,000-$120,000
ANDY WARHOL (1928 - 1987)
Sitting Bull (F.& S. IIIA.70), 1986
screenprint in colors on Lenox Museum Board
36 x 36 inches
chop mark lower left
verso: The Estate of Andy Warhol ink stamp; Authorized by the Andy Warhol Foundation for the Visual Arts ink stamp numbered UP 100.190
As a fitting counterpoint to Warhol’s General Custer, Sitting Bull originates from the artist’s Cowboys & Indians series from 1986. Although printed for the series, it was not published in the portfolio. Sitting Bull is Warhol’s homage to the leader of the Lakota, whose resistance against the violation of sovereignty by white settlers mounted an overwhelmingly successful defense at the Battle of the Little Bighorn in 1876. This battle for Native American territory is also known as “Custer’s Last Stand,” a reference to the colossal defeat suffered by the U.S. Army, led by Custer.
PROVENANCE
Private Collection, Dallas, Texas
$70,000-$90,000
EXHIBITION
PROVENANCE
$10,000-$15,000
PROVENANCE
$10,000-$15,000
54
DAN BODELSON (b. 1949)
Mid Day Sun
oil on canvas
30 x 48 inches
signed lower right: Dan Bodelson
PROVENANCE
Private Collection, Dallas, Texas
$8,000-$12,000
55
ROSS STEFAN (1934 - 1999)
Sonora Rancho
oil on canvas
20 x 24 inches
signed lower left: Ross Stefan
PROVENANCE
Private Collection, Virginia, Minnesota
$3,000-$5,000
36
PROVENANCE
Private Collection, Plano, Texas
$50,000-$70,000
Trading between early settlers of the American West and Native Americans was not only a practical way to secure wanted or needed items, but also allowed for a dialogue between both parties helping to promote friendly coexistence. In this major painting by Jim Norton, the practice of trading is documented in a masterful and beautiful manner.
24
signed
PROVENANCE
Private Collection, Bentonville, Arkansas
$15,000-$25,000
58
BRUCE CHEEVER (b. 1958)
Dancing with the Devil oil on board 29 x 25 inches signed lower left: Bruce Cheever
PROVENANCE
Private Collection, Houston, Texas
$9,000-$12,000
59
JASON RICH (b. 1970)
Among the Aspens, 2018 oil on board 49 x 28.5 inches signed lower left: J. Rich CA
EXHIBITION
National Cowboy & Western Heritage Museum CAA Exhibition and Sale
PROVENANCE
Private Collection, Dallas, Texas
$9,000-$12,000
60
GARY LAWRENCE NIBLETT (b. 1943)
Trailing the Rockies
oil on canvas 40 x 30 inches
signed lower right: CA Gary Niblett
PROVENANCE
Private Collection, Dallas, Texas
$6,000-$8,000
GARY LAWRENCE NIBLETT (b. 1943)
Ridin’ the Winter Rim
oil on canvas
22 x 28 inches
signed lower right: Gary Niblett CA
PROVENANCE
Private Collection, Dallas, Texas
$3,000-$5,000
62
DON OELZE (b. 1965)
Indians and Waterfall oil on canvas
38 x 26 inches
signed lower left: Oelze
PROVENANCE
Private Collection, Dallas, Texas
$9,000-$12,000
63
PAUL CALLE (1928 - 2010)
To Be Free To Fly, 1976
pencil on paper
20 x 29 inches
signed lower right: Paul Calle 1976
PROVENANCE
Private Collection, Weatherford, Texas
$7,000-$10,000
65
Partners, 1995
colored pencil on paper 11.75 x 16.25 inches
signed lower right: C L Ballantyne ‘95
“The idea of portraying cowboy kids and animals has been, and will continue to be, a favorite of mine. My daughter Hannah, and Smudge, one of our barn cats, are good partners: independent, yet very loving” said the artist. This painting was the cover art for the September/October 1996 issue of Art of the West Magazine.
PROVENANCE
Private Collection, La Jolla, California
$15,000-$20,000
Making Friends
colored pencil on paper 10.25 x 16 inches
signed lower left: C L Ballantyne
EXHIBITION
National Cowboy Hall of Fame Prix de West Invitational
PROVENANCE
Private Collection, La Jolla, California
$12,000-$15,000
66
CARRIE FOGWELL
BALLANTYNE (b. 1956)
Watching For His Window, 2021
graphite on paper
17.5 x 17 inches
signed lower right: C L Ballantyne
EXHIBITION
National Cowboy Hall of Fame Prix de West Invitational
PROVENANCE
Private Collection, Bentonville, Arkansas
$6,000-$9,000
67
CYRUS AFSARY (b. 1940)
Taos Pueblo
oil on canvas
20 x 30 inches
signed lower right: Cyrus Afsary
PROVENANCE
Private Collection, La Jolla, California
$6,000-$9,000
68
Hopi Dancer, 1980
oil on linen 24 x 26 inches
signed lower right: Wm Acheff 1980
PROVENANCE Private Collection, La Jolla, California
$8,000-$12,000
69
Cavalry Officer, 1989
oil on masonite 12 x 16 inches
signed lower right: Bama ‘89
PROVENANCE Private Collection, La Jolla, California
$9,000-$12,000
71
ELBRIDGE AYER BURBANK (1858 - 1949)
Shield, Sioux, 1899
oil on canvas
13 x 9 inches
titled upper right: Shield Sioux signed lower left: E.A. Burbank. Pine Ridge, S.D. dated lower right: 1899
70
ELBRIDGE AYER BURBANK (1858 - 1949)
Oraibi, Ariz. 1902
oil on linen
22.75 x 14 inches inscribed lower left: Oraibi, Ariz. 1902 signed lower right: E.A. Burbank.
PROVENANCE
Private Collection, San Antonio, Texas
$7,000-$10,000
72
ELBRIDGE AYER BURBANK (1858 - 1949)
Chief Red Cloud, Sioux, 1899
oil on canvas laid on board 12 x 10 inches titled and dated upper left: Chief Red-Cloud. Sioux. 1899. signed lower left: E.A. Burbank Pine. Ridge S.D.
PROVENANCE
Private Collection, San Antonio, Texas
$6,000-$9,000
EXHIBITION
The Taft Museum, Cincinnati, Ohio
PROVENANCE
Private Collection, San Antonio, Texas
$6,000-$9,000
ELBRIDGE AYER BURBANK (1858 - 1949)
Chief Naiche, Apache, 1899
oil on canvas laid on board 12 x 10 inches
titled and dated upper left: Chief Naiche. Apache. 1899. signed lower left: E.A. Burbank. inscribed lower right: FT.SILL. O.T.
PROVENANCE
Private Collection, San Antonio, Texas
$6,000-$9,000
74
ELBRIDGE AYER BURBANK (1858 - 1949)
Chief Joseph, Nez Perces, 1898
oil on canvas laid on board
11.5 x 9.5 inches
titled and dated upper left: Chief Joseph. Nez Perces. 1898. signed and dated lower center: E.A. Burbank. Nes. Pilen. Washington 1898
PROVENANCE
Private Collection, San Antonio, Texas
$6,000-$9,000
75
ELBRIDGE AYER BURBANK (1858 - 1949)
Sanchez San Carlos, Apache, 1900
conte crayon on paper 13.25 x 10.25 inches
titled and dated upper left: Sanchez San. Carlos Apache. 1900. signed lower right: E.A. Burbank
PROVENANCE
Private Collection, San Antonio, Texas
$2,500-$3,500
End
of the Trail
bronze, 22
34.5 x 30.5 x 9 inches
inscribed: JE Fraser SU22
stamped: Cast 96
PROVENANCE
Private Collection, Dallas, Texas
$15,000-$20,000
James Earle Fraser created the original version of End of the Trail in 1894, and he subsequently produced numerous replicas in both plaster and bronze. In it, the sculpture depicts a weary Native American man, wearing only the remains of a blanket and carrying a spear. He is hanging limp as he and his weary horse with swollen eyes comes to the edge of the Pacific Ocean. This iconic image represented the changing American West and was meant by the artist to be a critique of the United States Government. This exceptional posthumous casting was produced in very limited quantities circa 1970’s from an original mold by Syracuse University in Syracuse, New York, which was bequeathed the artist’s estate.
EDWARD SHERIFF CURTIS (1868 - 1952)
The North American Indian, Plates from the Southwest Portfolios (Folio size with 36 Plates and Octavo size with 75 Plates), c. 1980
leather portfolios with photogravures on archival paper, A.P. 3/12 produced by The Classic Gravure Corporation 24 x 20 and 14 x 12 inches (portfolios) signed in pencil lower right (each gravure): A.P. 3/12
The Classic Gravure Corporation (CGC), Santa Fe, New Mexico was established in the late 1970’s to purchase the original 2220 copper plates used to produce The North American Indian by Edward Sheriff Curtis. The intent of CGC was to produce a continuation of 228 abridged/edited sets to compliment the original 272 of 500 previously and originally issued. Printed in Santa Fe, New Mexico circa 1980 by master printer Deli Sacilotto who was hired by CGC to print the limited edition. Only the finest materials were used including handmade Italian Fabrianon archival paper, full leather portfolio cases, and fine linen coverings. Curtis’s daughters, Florence Curtis Graybill and Billy Curtis Ingram visited Santa Fe and passionately endorsed the CGC project. The portfolios are the finest Curtis photogravures produced posthumously. CGC was only able to complete 99 Southwest and 20 Plains portfolios in two sizes (folio and octavo) falling far short of the 228 intended portfolios. The portfolios offered here are especially rare and unique in that they are also Artists Proofs with less than twelve produced.
PROVENANCE
Private Collection, Corpus Christi, Texas
$15,000-$25,000
EDWARD SHERIFF CURTIS (1868 - 1952)
The North American Indian, Plates from the Plains Portfolios (Folio size with 36 Plates and Octavo size with 75 Plates), c. 1980
leather portfolios with photogravures on archival paper, A.P. 3/12 produced by The Classic Gravure Corporation 24 x 20 and 14 x 12 inches (portfolios) signed in pencil lower right (each gravure): A.P. 3/12
PROVENANCE
Private Collection, Corpus Christi, Texas
$15,000-$25,000
CHARLES SCHREYVOGEL (1861 - 1912)
The Last Drop, 1903
bronze, No. 57
12 x 18.5 x 5 inches
inscribed: Copyrighted 1903 by Chas Schreyvogel with foundry mark No. 57 underneath
Charles Schreyvogel primarily produced paintings throughout his career, The Last Drop was among only three works the artist executed in bronze. This model was the second sculpture he produced among the grouping and still remains today one the artist’s most enduring images. With it, he depicts a cavalryman’s devotion to his steed, as he allows the horse to drink his last drop of water from his hat. The Last Drop was originally created as the model for a painting of the same subject. This exceptional example is marked No. 57 under the base.
PROVENANCE
Private Collection, Dallas, Texas
$90,000-$120,000
A masterpiece painted by one of the premier members of The Taos Society of Artists is a contemplative and dramatically lit example demonstrating the artist’s virtuoso skill. Per Sharp’s contemporary, artist Ernest Blumenschein, “He will go down in history with Russell and Remington and the few early artists of Indian life.” Evening Council allows the viewer the privileged glimpse of the serene, beautiful, and traditional life. Pictured
PROVENANCE
Private Collection, Houston, Texas
$150,000-$200,000
JOSEPH HENRY SHARP (1859 - 1953)
Crow Camp Near Custer Battlefield, Montana, c. 1908-09
oil on cedar cigar box lid
5.5 x 8.5 inches
signed lower right: J. H Sharp
The artist’s fascination and familiarity with the Crow and other indigenous people in Montana is well documented in numerous paintings including this example. Crow Camp Near Custer Battlefield, Montana beautifuly depicts a snapshot into the past by the Taos Society master.
PROVENANCE
Private Collection, Houston, Texas
$70,000-$90,000
JOSEPH HENRY SHARP (1859 - 1953)
San Geronimo - Taos
oil on canvas
16 x 20 inches
signed lower right: J H Sharp
The San Geronimo Church at the Taos Pueblo was featured in several paintings by Joseph Sharp due to its central importance to life and culture of the Pueblo residents. In this example by the artist, the Church is quiet with a lone dog holding guard. Pictured on page 279 of the J.H. Sharp book titled Teepee Smoke by Forrest Fenn.
PROVENANCE
Private Collection, Houston, Texas
$60,000-$90,000
LEON GASPARD (1882 - 1964)
L’ Ours Russe (A La Foire)
oil on canvas
23.25 x 30 inches
signed lower right: L Shulman Gaspard (indecipherable)
The Russian-born artist moved to Taos, New Mexico in 1919 and he and his wife made it their permanent home in 1924. The subjects for his paintings were cultures from many lands combining clear, bright colors associated with impressionism and the influences of more modern and interpretive representation. This vibrant example has brilliant colors and is filled with movement.
PROVENANCE
Private Collection, Houston, Texas
$150,000-$250,000
PROVENANCE
Private
$40,000-$60,000
OSCAR BERNINGHAUS (1874 - 1952)
A Camp in the Aspen Forest, 1926
oil on board 20 x 16 inches
signed lower right: O. E. Berninghaus Taos. 26
PROVENANCE
Private Collection, Houston, Texas
$150,000-$200,000
As a prominent member of The Taos Society of Artists, Berninghaus focused his attention to depicting Native American life and the surroundings of northern New Mexico. Adept at both figurative as well as landscape painting, he often incorporated both in his most celebrated work. A Camp in the Aspen Forest is a great example of his skill at combining the two with a peaceful campsite setting, at the entrance to an almost surrealistic aspen grove with vibrant yellow fall foliage.
As a prominent member of The Taos Society of Artists, Berninghaus focused his attention to depicting Native American life and the surroundings of northern New Mexico. Adept at both figurative as well as landscape painting, he often incorporated both in his most celebrated work. A Camp in the Aspen Forest is a great example of his skill at combining the two with a peaceful campsite setting, at the entrance to an almost surrealistic aspen grove with vibrant yellow fall foliage.
86
GERALD IRA DIAMOND CASSIDY (1869 - 1934)
Acoma Water Carrier
oil on canvas
31.75 x 25.5 inches
signed lower left: Gerald Cassidy
PROVENANCE
Private Collection, Dallas, Texas
$20,000-$30,000
87
OLAF CARL SELTZER (1877 - 1957)
War Party, 1906
gouache on paper
21 x 13 inches
signed lower right: O. Seltzer. 1906
PROVENANCE
Private Collection, La Jolla, California
$15,000-$20,000
The Greeter - Black Moccasin, Hidatsa Chief, 2006
bronze, 29/35 23 x 20 x 11 inches
inscribed: John Coleman CA 2006 29/35
PROVENANCE
Private Collection, Dallas, Texas
$15,000-$25,000
JOHN
Crazy Horse, 2023
bronze, 7/20 30 x 21 x 12 inches
inscribed: John Coleman CA 2023 7/20 Crazy Horse
John Coleman is the preeminent sculptor of his generation, a fellow member of the National Sculpture Society, and an emeritus member of the prestigious Cowboy Artists of America. His work, which also includes drawings and paintings, most often depicts Native Americans of the old West as subjects. Crazy Horse is one of his most recent bronzes and the edition of 20 released earlier this year was immediately sold out.
PROVENANCE
Private Collection, Fredericksburg, Texas
$20,000-$30,000
PROVENANCE Private
$4,000-$6,000
PROVENANCE Private Collection, La
$6,000-$8,000
PROVENANCE
$12,000-$16,000
MELVIN CHARLES WARREN (1920 - 1995)
Snow on the Bosque, 1975
oil on linen
24 x 36 inches
signed lower left: Melvin C. Warren CA 1975
Melvin Warren was asked to join the prestigious Cowboy Artists of America in 1968 and during his membership tenure he garnered numerous awards as both a painter and sculptor. He specialized in depicting scenes of the heroic West and gained his perspective from his early experiences of ranch life. Considered by many as one the best Western artists of the late 20th century, his avid collectors included former Texas governor John Connally and president Lyndon Baines Johnson who hung several of the artist’s pantings in the White House. Snow on the Bosque is a masterful winterscape depicting working cowboys in the North Central Texas county in which the artist and his family lived.
PROVENANCE
Private Collection, Houston, Texas
$50,000-$75,000
MELVIN CHARLES WARREN (1920 - 1995)
Stop at the Old Place, 1983
oil on canvas
20 x 30 inches
signed lower left: Mel Warren CA 1983
PROVENANCE
Private Collection, Dallas, Texas
$30,000-$40,000
MELVIN CHARLES WARREN (1920 - 1995)
Run for the Rio Grande, 1967
bronze, 7/20
20 x 24 x 7 inches
inscribed: Melvin C. Warren CA 1967 7/20
PROVENANCE
Private Collection, Austin, Texas
$4,000-$6,000
96
MELVIN CHARLES WARREN (1920 - 1995)
Texas Rangers on Patrol, 1972
bronze, 26/150
12 x 22 x 7 inches
inscribed: Melvin C. Warren CA 1972 26/150
PROVENANCE
Private Collection, Dallas, Texas
$3,000-$5,000
TOM LOVELL (1909 - 1997)
The Friendly Willows, 1988
oil on canvas 22 x 38 inches
signed lower right: Tom Lovell NAWA 1988
It is a cold day on the frozen prairie, and danger is close at hand. A Sioux hunter and his young son grip their weapons and hide quietly behind a low stand of willows. Four Crow warriors, blood enemies of the Sioux, ride by in snowy silence. The odds are stacked in favor of the Crows. A master work by one of the finest Western painters of his generation. Pictured on page 32 of the book titled The Art of Tom Lovell An Invitation to History published in 1993.
EXHIBITION
National Cowboy Hall of Fame and Western Heritage Center, Oklahoma City, Oklahoma
PROVENANCE
Private Collection, Houston, Texas
$140,000-$190,000
PROVENANCE
99 TOM LOVELL (1909 - 1997)
Four Times to the Sun, 1981
charcoal on paper
35 x 26 inches
signed lower right: Tom Lovell 1981
PROVENANCE
Private Collection, Amarillo, Texas
$10,000-$15,000
100
The Pony Express, 1967
bronze, 9 17.75 x 21.75 x 13.5 inches
inscribed: 9. Harry Jackson 1967
PROVENANCE
Private Collection, Dallas, Texas
$15,000-$25,000
101
HARRY ANDREW JACKSON (1924 - 2011)
Pony Express, II, 1980
bronze, PEII 12P 13 x 16 x 9 inches
inscribed: Harry Jackson 1980 PEII 12P
PROVENANCE
Private Collection, Dallas, Texas
$8,000-$12,000
102
HARRY ANDREW JACKSON (1924 - 2011)
Safe and Sound, 1982
bronze, SAS 4
19.5 x 21.5 x 9.5 inches
inscribed: Harry Jackson 1982 SAS 4
PROVENANCE
Private Collection, Southlake, Texas
$5,000-$7,000
103
MARTIN GRELLE (b. 1954)
Provider, 2006
oil on linen
40 x 30 inches
signed lower right: Martin Grelle CA 2006
Texas artist Martin Grelle was invited to join the prestigious Cowboy Artists of America in 1995 and since that time has been one of the most awarded members of the organization. These awards include twice winning the Prix de West Purchase Award at the National Cowboy and Western Heritage Museum in Oklahoma City. In Provider, the artist skillfully portrays a Crow brave in a winter setting returning to camp with much needed game for his tribe.
PROVENANCE
Private Collection, Dallas, Texas
$60,000-$90,000
104
MARTIN GRELLE (b. 1954)
Flurries, 2012
oil on linen 28 x 28 inches signed lower left: Martin Grelle CA 2012
PROVENANCE Private Collection, Plano, Texas
$35,000-$45,000
105
MARTIN GRELLE (b. 1954)
Neils Creek Crossing, 2013
oil on canvas 24 x 24 inches signed lower right: Martin Grelle CA 2013
PROVENANCE Private Collection, Plano, Texas
$25,000-$35,000
106
MARTIN GRELLE (b. 1954)
Stop at the Old Place, 1991
oil on canvas
30 x 40 inches
signed lower right: Martin Grelle 1991
PROVENANCE
Private Collection, Amarillo, Texas
$25,000-$35,000
107
MARTIN GRELLE (b. 1954)
The Long Winter, 2006
oil on canvas
12 x 9 inches
signed lower left: Martin Grelle 06 CA
PROVENANCE
Private Collection, Dallas, Texas
$15,000-$20,000
PROVENANCE
109
BILL NEBEKER (b. 1942)
The Eyes of Texas, 2011
bronze, 9/30
31 x 16.5 x 10 5 inches
inscribed: Bill Nebeker CA 2011 9/30
The legendary Texas Rangers date back to 1823, when Stephen F. Austin called for ten men to protect new Texas settlers from Native American raids. By 1835, the Rangers were required to supply their own horses, saddles and firearms. The Texas Ranger represented by the artist in The Eyes of Texas is circa 1870 carrying a 1/2 seat, double rigging saddle with a Cheyenne roll, and his Henry rifle. Fans of Larry McMurtry’s Western novel Lonesome Dove will appreciate the Ranger’s close resemblance to Captain Augustus “Gus” McCrae played by actor Robert Duvall in the 1989 Lonesome Dove TV miniseries.
PROVENANCE
Private Collection, Austin, Texas
$15,000-$25,000
110
BILL NEBEKER (b. 1942)
The Price of Freedom, 1986
bronze, 5/25
20.5 x 16 x 18 inches
inscribed: Bill Nebeker CA 1986 5/25
PROVENANCE
Private Collection, McKinney, Texas
$7,000-$10,000
JASON SCULL (b. 1958)
John Coffee “Jack” Hays, 2002 with Framed Portrait by Matthew Brady, 1858
bronze, 16/18 30 x 18 x 9 inches inscribed on base: Jason Scull 2002 16 of 18
John Coffee “Jack” Hays was arguably the greatest Texas Ranger of all time and the most famous and feared fighter in Texas Ranger history. The Comanches named him “man-it-is-very-bad-luckto-get-in-fight-with-because-devilshelp-him” which was one word in the Comanche language. The Europeans shortened it to “Devil Jack”. The original casting of this bronze is a 16 ft. tall monument on the grounds of the Hays County Courthouse in San Marcos, Texas. This is casting #16 which was actually the last cast made prior to the mold being broken. Included with this lot is a custom framed print of the original 1858 Matthew Brady portrait of Col. Hayes.
PROVENANCE
Private Collection, Austin, Texas
$15,000-$25,000
113
PROVENANCE
Private Collection, Bentonville, Arkansas
$12,000-$16,000
112
Texas Longhorn,
oil on canvas
12 x 24 inches
signed lower right: Ken Carlson
PROVENANCE
Private Collection, Amarillo, Texas
$10,000-$15,000
PROVENANCE
$7,000-$9,000
The Cattle Industry of Texas and Adjacent Territory Historical and Biographical 1895
book, First Edition
12.5 x 10.5 x 2.5 inches
Published in 1895 by Woodward & Tiernan Printing Co., Saint Louis, Missouri, this compendium of Texas cattle and cattlemen is considered one of the rarest of Texas books. Conceived as a biographical dictionary to be sold primarily to the 449 Texas cattlemen whose biographies appeared in it, the final published book contained so much value on the cattle industry that it has become a classic in its field. The other half of the 743 page volume, written by James Cox, provides one of the two or three best contemporary accounts of the history of the Texas cattle trade. One of the ‘big four’ cattle books, and after Freeman’s Prose and Poetry, the most important. The book contains a wealth of information, and is a cornerstone in any range library. It is believed that very few of these books still exist.
PROVENANCE
Private
$6,000-$10,000
116
ROBERT PUMMILL (b. 1936)
40 Years A-Looking, 1980
oil on board 18 x 24 inches
signed lower left: Pummill 80
PROVENANCE
Private Collection, McKinney, Texas $6,000-$9,000
117
ROBERT PUMMILL (b. 1936)
The Stray Man, 1984
oil on canvas 20 x 30 inches
signed lower right: Pummill 84
PROVENANCE
Private Collection, McKinney, Texas $8,000-$12,000
118
bronze, 9/30
32 x 40 x 15 inches
inscribed: D. S. Rogers ‘00 9/30
PROVENANCE
Private Collection, Dallas, Texas
$8,000-$12,000
119
FREDERIC SACKRIDER REMINGTON
(1861 - 1909)
On the Way to the Platte [or]
Fitzpatrick and the Wagon Train, 1890
ink wash on paper
16.5 x 11.5 inches
signed lower right: Frederic Remington
PROVENANCE
Private Collection, Bentonville, Arkansas
$30,000-$50,000
Frederic Remington is considered to be one of the most successful and most famous Western American artists. He began his artistic career as a successful illustrator for major publications and then evolved into a sculptor and fine artist. His paintings and bronzes depict the American West in his own unique style that was extremely well received by the American public if not by critics. On the Way to the Platte is a wonderful example of his skill honed as an illustrator and it is included in the Frederic Remington Catalogue Raisonné as number 1083.
PROVENANCE
Private Collection, Dallas, Texas
$250,000-$300,000
Considered a Master Painter of the Old West and the Father of Western Moonlight Painting, Frank Tenney Johnson was influenced by his artist peers of the time including Frederic Remington and Charles Marion Russell. Beginning in New York as an illustrator for numerous national magazines as well as for the Western novels of Zane Grey, Johnson eventually got a taste of the West joining Russell on a sketching expedition to the Blackfoot Reservation in Montana. Later in his career he moved to Alhambra, California where he shared a studio with Clyde Forsythe. At this point, his easel paintings became more popular than his illustrations so he concentrated on that medium, painting cowboys and Native Americans. Together, Johnson and Forsythe exhibited in the Biltmore Salon at the Biltmore Hotel in Los Angeles, California. Known mainly for his moonlight painting technique, he was also adept at painting compelling daytime scenes in a style utilizing knives, fingers, and brushes. The Lawless Frontier painted by the artist in 1930 is a testament to his remarkable skill as a painter. A rare daytime action scene by the artist, this incredible and new to the market painting, was purchased directly from the Biltmore Art Gallery circa 1930 and has been in the same family since that time.
oil on canvas 16 x 12 inches
signed
PROVENANCE
Private Collection, Dallas, Texas
$90,000-$120,000
Night Sentinel [or] The Warrior, painted in 1931, is an excellent example of the artist’s well recognized Moonlight Painting Technique. In this beautiful painting, the Native American brave is sitting on his white horse under the stars in the moonlight contemplating what comes next. Any significant Western art collection would be incomplete without a Frank Tenney Johnson nocturne.
HOWARD A. TERPNING (b. 1927)
Proud Men, 2000
oil on board
12 x 13 inches
signed lower left: Terpning 2000 CA
Howard Terpning is a classically trained illustrator and painter and is universally considered the most important American Western artist living today. His representational paintings of the American West and the Plains Indians are not realism in minute detail for its own sake, without regard to the context of light and the subject’s character. His palette is typically restrained in order to ensure that narrative is the first impression imparted upon the viewer. Proud Men was selected as the front cover artwork for Don Hedgpeth’s book Howard Terpning Spirit of the Plains People published in 2001 and was described within as follows: “They Followed the warrior’s way, proud prairie horsemen with an appetite for honor and the visceral thrill of danger. They looked death in the face and fought on, emboldened by bravery and the armor of their medicine. They rode for revenge but would fight for no other reason than to plumb the depth of their courage.” In addition to the front jacket cover, Proud Men is also illustrated on page 103.
PROVENANCE
Private Collection, Houston, Texas
$150,000-$200,000
CLARK HULINGS (1922 - 2011)
The Valencia Flower Market, 1968
oil on canvas
31 x 47 inches
signed lower right center: Hulings 1968
Clark Hulings was one of the leading American realist painters in the 20th century. His subject matter inhabited a wide variety of countries including the United States, Mexico, France, Italy and Spain. The artist was classically trained and he initially pursued a career as a portraitist in Louisiana, followed by freelance illustration in New York. By the early 1960’s, he devoted himself to easel paintings. Among his signature subjects are complex Mexican and European market scenes. The Valencia Flower Market is an exceptional example of one his trademark subjects and considered one of his best works.
PROVENANCE
Private Collection, Houston, Texas
$50,000-$75,000
124
RAY SWANSON (1937 - 2004)
Dressed Up For Pow-Wow, 1981
oil on board
38 x 32 inches
signed lower right: Ray Swanson 81
EXHIBITION
South Texas Institute for the Arts, Corpus Christi, Texas
PROVENANCE
Private Collection, Dallas, Texas
$15,000-$25,000
125
OLAF CARL WIEGHORST (1899 - 1988)
Indian Scout, 1958
oil on board 14 x 12 inches
signed lower left: O Wieghorst
PROVENANCE
Private Collection, Bentonville, Arkansas
$9,000-$12,000
126
OLAF CARL WIEGHORST (1899 - 1988)
Vaquero
pen, ink and watercolor on paper 10.25 x 7.75 inches
signed lower left: O Wieghorst
PROVENANCE
Private Collection, Rockwall, Texas
$4,000-$6,000
127
DAVE McGARY (1958 - 2013)
In Victory I Stand, (Masterwork), 2001
bronze, 8/40
40 x 17 x 21 inches
inscribed: Dave McGary 2001 8/40
PROVENANCE
Private Collection, Dallas, Texas
$12,000-$18,000
128
DAVE McGARY (1958 - 2013)
Strikes with Thunder, (Masterwork), 1989
bronze, 22/30
32 x 22 x 18 inches
inscribed: Dave McGary 1989 22/30
PROVENANCE
Private Collection, Dallas, Texas
$12,000-$18,000
129
DAVE McGARY (1958 - 2013)
Crow King, 2004
bronze (piece unique)
22.5 x 30.5 x 14.5 inches
inscribed on wood base: “Crow King” Dave McGary
PROVENANCE
Private Collection, Oklahoma City, Oklahoma
$9,000-$12,000
130
DAVE McGARY (1958 - 2013)
Not Afraid of Pawnee, (Maquette), 1996
bronze, 38/50 22 x 18 x 9 inches
inscribed: Dave McGary 1996 38/50
PROVENANCE
Private Collection, Oklahoma City, Oklahoma
$9,000-$12,000
132
Bear Tracks, (Bust), 1994
bronze, edition of 75 28 x 22 x 12 inches
inscribed
Dave McGary
PROVENANCE
Private Collection, Oklahoma City, Oklahoma
$5,000-$8,000
131
DAVE McGARY (1958 - 2013)
Short Bull, (Maquette), 1993
bronze, 46/50 28 x 11 x 7 inches
inscribed: Dave McGary 1993 46/50
PROVENANCE
Private Collection, Dallas, Texas
$9,000-$12,000
133
DAVE McGARY (1958 - 2013)
Retired with Honors, (Bust), 1990
bronze, 71/75
12 x 10 x 5 inches
inscribed: Dave McGary 71/75
PROVENANCE
Private Collection, Oklahoma City, Oklahoma
$3,000-$5,000
134
DAVE McGARY (1958 - 2013)
The Gatekeeper, (Bust), 2006
bronze, 16/50
15.5 x 21 x 30 inches
inscribed: Dave McGary 16/50
PROVENANCE
Private Collection, Oklahoma City, Oklahoma
$3,000-$5,000
The Returning War Party, 1977
oil on board 20 x 36 inches signed lower right: McCarthy CA 77
PROVENANCE
Private Collection, Weatherford, Texas
$30,000-$40,000
136
R. BROWNELL McGREW (1916 - 1994)
Under Agathlan
oil on board 40 x 30 inches
signed lower left: R. Brownell McGrew
EXHIBITION
Leanin’ Tree Museum of Western and Wildlife Art, Thomas Gilcrease Museum, Tulsa, Oklahoma
PROVENANCE
Private Collection, Houston, Texas
$35,000-$55,000
137
R.S. RIDDICK (b. 1952)
Keeper of the Pipe, 2006
oil on canvas 24 x 32 inches
signed lower right: R. Riddick CA 2006
PROVENANCE
Private Collection, La Jolla, California
$8,000-$12,000
138
KENNETH PAULING RILEY (1919 - 2015)
Dance of the Eagle acrylic on board 5.25 x 4.125 inches
signed lower right: Kenneth Riley
PROVENANCE
Private Collection, Rockwall, Texas
$5,000-$7,000
139
ROY ANDERSEN (1930 - 2019)
Watchful Brave oil on panel 7 x 4.875 inches
signed lower right: Roy Andersen CA
PROVENANCE
Private Collection, McKinney, Texas
$2,000-$3,000
140
ROY ANDERSEN (1930 - 2019)
Indian on White Horse oil on panel 7 x 4.875 inches
signed lower right: Roy Andersen CA
PROVENANCE
Private Collection, McKinney, Texas
$2,000-$3,000
141
JOHN FORD CLYMER (1907 - 1989)
Summer Shadows
oil on board
8 x 10 inches
signed lower right: John Clymer
PROVENANCE
Private Collection, Houston, Texas
$15,000-$20,000
142
JOHN FORD CLYMER (1907 - 1989)
The Christmas Tree
oil on board 8 x 10 inches
signed lower right: John Clymer
PROVENANCE
Private Collection, Dallas, Texas
$6,000-$8,000
143
ROBERT LOUGHEED (1910 - 1982)
Lexington Mare
oil on board
16.25 x 20.25 inches
signed lower right: Robert Lougheed
PROVENANCE
Private Collection, Fairview, Texas
$5,000-$7,000
144
DALE FORD (b. 1934)
Concord Stagecoach mixed media 18.25 x 30 inches
PROVENANCE Private Collection, La Jolla, California
$4,000-$6,000
145
GRANT SPEED (1930 - 2011)
Twisters and Outlaws, 1981
bronze, 4/30
27.25 x 20 x 12.5 inches
inscribed: G Speed 1981 CA 4/30
PROVENANCE
Private Collection, Dallas, Texas
$3,000-$5,000
146
GRANT SPEED (1930 - 2011)
Almost Home From the War, 1977
bronze, 14/30
12 x 12 x 8 inches
inscribed: UG Speed 1977 CA 14-30
PROVENANCE
Private Collection, Fort Worth, Texas
$2,000-$3,000
147
GRANT SPEED (1930 - 2011)
One Who Lived To Tell It, 1977
bronze, 22/30
13.5 x 9 x 9 inches
inscribed: UG Speed 1977 CA 22-30
PROVENANCE
Private Collection, Fort Worth, Texas
$2,000-$3,000
148
BOB SCRIVER (1914 - 1999)
National Finals, 1972
bronze
22.25 x 18 x 13.5 inches
inscribed: Bob Scriver 1972
“National Finals”
PROVENANCE
Private Collection, Dallas, Texas
$5,000-$7,000
BIRGER SANDZEN (1871 - 1954)
Dry Creek, (Wild Horse Creek, Graham County, Kansas), 1915
oil on canvas
24 x 36 inches
signed lower right: Birger Sandzen
This beautiful painting by the artist painted in 1915 depicts a scene from one of Sandzen’s favored sites for landscape painting, Wild Horse Creek in Graham County, Kansas. The artist’s in-laws had a farm there in the northwestern region of Kansas, and from 1906 onward, the Sandzen family enjoyed visiting for extended periods of time in the summer. Dry Creek is listed in the Sandzen card catalog as #159 at the Birger Sandzen Memorial Gallery in Lindsborg, Kansas.
PROVENANCE
Private Collection, Dallas, Texas
$45,000-$65,000
150
BIRGER SANDZEN (1871 -1954)
Autumn Chord, Smoky Hill River, Kansas, 1952
oil on board
22 x 28 inches
signed lower left center: Birger Sandzen
Birger Sandzen painted this same scene multiple times but this example painted in 1952 is one of the largest. The Smoky Hill River ran from Colorado through the Great Plains and central Kansas near the artist’s home of Lindsborg and he took inspiration from the seasonal changes it exhibited. Autumn Chord, Smoky Hill River, Kansas is recorded in the Sandzen card file as #2725 at the Birger Sandzen Memorial Gallery in Lindsborg, Kansas.
PROVENANCE
Private Collection, Dallas, Texas
$35,000-$55,000
151
PETER HURD (1904 - 1984)
La Sierra Sacramento Vista de La Luz
watercolor and gouache on paper
22 x 28.5 inches
signed lower left: Peter Hurd
PROVENANCE
Private Collection, Fredericksburg, Texas
$12,000-$15,000
152
GERARD CURTIS DELANO (1890 - 1972)
Warriors on the Move oil on canvas
20 x 24 inches
signed lower right: G. Delano
PROVENANCE
Private Collection, Bentonville, Arkansas
$8,000-$12,000
153
LOUISA McELWAIN (1953 - 2013)
Rain Approaching Alcalde
oil on canvas
20.25 x 30.25 inches
signed lower right: McElwain
PROVENANCE
Private Collection, Tallahassee, Florida
$6,000-$8,000
154
ANCEL E. NUNN (1928 - 1999)
Wasp Nest, 1972
oil on board
23.875 x 16 inches
signed lower left: Ancel E Nunn 1972
PROVENANCE
Private Collection, Dallas, Texas
$5,000-$8,000
155
ARTHELLO BECK, JR.
(1941 - 2004)
Sunday Afternoon Commute, 2003
oil on canvas
24 x 36 inches
signed lower right: Arthello Beck Jr. 03
Arthello Beck, Jr. was an important Dallas artist and the first African American to own and operate an art gallery in the city. He graduated from Dallas’ Lincoln High School where he received his only art training and is considered self-taught. To continue his learning journey, he used the Dallas Public Library as a way to learn more about art. He never read an art book but instead looked at the pictures. He opened an art gallery in Oak Cliff, Texas, in 1973, where along with his own paintings, he displayed paintings and sculptures by other artists, especially African American artists from the Dallas area. Beck also sold paintings at the State Fair of Texas for over thirty years. Collectors of his work include former Dallas Cowboy Calvin Hill and his son and former NBA player Grant Hill. In Sunday Afternoon Commute, Beck paints the historic and ancestral Dallas home of J.L. Turner, Sr., one of, if not the first African American, with a law degree to practice law in Texas.
PROVENANCE
Private Collection, Duncanville, Texas
$8,000-$12,000
156
ARTHELLO BECK, JR.
(1941 - 2004)
Arkansas Farm, 1978
oil on canvas
24 x 36 inches
signed lower right: Arthello Beck Jr. ‘78
PROVENANCE
Private Collection, Duncanville, Texas
$6,000-$9,000
GUY CARLETON WIGGINS (1883 - 1962)
The Wall Street District Winter (Old Trinity Church), 1961
oil on canvas
30 x 25 inches
signed lower right: Guy Wiggins
Guy Wiggins is best known for his impressionistic snow scenes of New York in the 1920’s. This example titled The Wall Street District Winter is an exceptional, larger example with many of the most desired elements including Wall Street, buses, taxi cabs, New Yorkers going about their business, American flags, and the prerequisite falling snow. Making this painting extra special and rare is the full view of the Old Trinity Church. This painting is included in the Virtual Catalogue Raisonné for the Complete Works by Guy Carlton Wiggins
#GW001323
PROVENANCE
Private Collection, Dallas, Texas
$100,000-$150,000
158
GUY CARLETON WIGGINS (1883 - 1962)
Winter at the Plaza, 1952
oil on canvasboard
12 x 16 inches
signed lower left: Guy Wiggins
PROVENANCE
Private Collection, Corpus Christi, Texas
$10,000-$15,000
159
GUY CARLETON WIGGINS (1883 - 1962)
Hanson Cab at the Plaza, Christmas, 1950
oil on canvasboard
12 x 16 inches
signed lower left: Guy Wiggins
PROVENANCE
Private Collection, Dallas, Texas
$10,000-$15,000
160
GRANDMA MOSES (1860 - 1961)
We Have All Gone Sledding, 1943
oil with glitter on pressed board 8 x 14 inches
signed lower center: Moses.
PROVENANCE
Private Collection, Dallas, Texas
$25,000-$35,000
Anna Mary Robertson better known as Grandma Moses was an American folk artists whose paintings are time capsules, colorful narrative landscapes brimming with anecdotal vignettes about the joys of a way of life now lost. Her paintings were cumulative, without linear perspective, and need to be read as the eye wanders over the landscape adding up details. In We Have All Gone Sledding painted by the artist in 1943, she depicts a winter scene presumably at Christmas time with nine happy people enjoying a horse drawn sleigh ride. Accompanying this lot is a hand written letter from Moses gifting the painting to Ms. Cora B. Wilbur, New York, NY. This painting is included in the Grandma Moses Catalogue Raisonné #326 at the Kallir Research Institute, New York, NY.
161
WOLF KAHN (1927 - 2020)
From the W. Brattleboro Parking Lot #4, 1979 oil on canvas 28 x 40 inches
signed lower center right: W Kahn
PROVENANCE
Private Collection, Fredericksburg, Texas
$20,000-$30,000
162
JOHANN BERTHELSEN (1883 - 1972)
Fifth Avenue in Winter (Washington Square)
oil on canvas
16 x 20 inches
signed lower right: Johann Berthelsen
PROVENANCE
Private Collection, Dallas, Texas
$3,000-$5,000
163
EUGENE GALIEN-LALOUE (1854 - 1941)
Elegantes sur les Grands Boulevards Parisiens
watercolor on paper
15.5 x 21.5 inches
signed lower left: E. Galien-Laloue
PROVENANCE
Private Collection, Dallas, Texas
$20,000-$35,000
ALEXANDER PHIMISTER PROCTOR (1862 - 1950)
Stalking Panther
bronze
10 x 38 x 6.5 inches
inscribed: A Phimister Proctor 1891-1892 JNO Williams. Inc Bronze Foundry. N.Y. Copyright
Alexander Phimister Proctor was an American artist recognized as one of the nation’s foremost sculptors. He was classically trained and studied in New York and Paris. His sculpting interest was primarily centered around capturing animals in action and that, coupled with his interest in all things Native American, parlayed into a long, and successful career. Proctor considered Stalking Panther his first “real bronze” and counted as “almost a masterpiece” by Chicago sculptor and historian Lorado Taft. One was presented to President Theodore Roosevelt in 1909 by his so-called Tennis Cabinet. The striding panther is a powerful work and exemplifies the anatomical knowledge of and research by its creator.
PROVENANCE
Private Collection, Dallas, Texas
$45,000-$55,000
WILLIAM AIKEN WALKER (1838 - 1921)
The Cotton Plantation, 1881
oil on canvas
22 x 36 inches
signed lower right: W Walker. 1881
William Aiken Walker was an American artist best known for his genre paintings of African American sharecroppers in the post-reconstruction era of the American South. The Cotton Plantation completed in 1881, is considered to be one of the artist’s finest paintings. In it, he paints a very detailed snapshot of a southern plantation as sharecroppers work the cotton fields. The Cotton Plantation is a very important and historic work that would enhance any prominent American art collection.
PROVENANCE
Private Collection, Dallas, Texas
$300,000-$400,000
166
WILLIAM AIKEN WALKER (1838 - 1921)
Picking Cotton Near the Robinson Brickworks, c. 1885
oil on board
6 x 12 inches
signed lower left: W A Walker
EXHIBITION
Louisiana State Museum
PROVENANCE
Private Collection, Dallas, Texas
$10,000-$15,000
167 (left)
WILLIAM AIKEN WALKER (1838 - 1921)
Cotton Field Worker
oil on board
8 x 4 inches
signed lower left: W A Walker
PROVENANCE
Private Collection, Dallas, Texas
$4,000-$6,000
168 (right)
WILLIAM AIKEN WALKER (1838 - 1921)
Farm Worker
oil on board
8.5 x 4.5 inches
signed lower left: W A Walker
PROVENANCE
Private Collection, Dallas, Texas
$4,000-$6,000
169
EDOUARD LEON CORTES (1882 - 1969)
Theatre de Varietes, c. 1905
oil on canvas
20 x 26 inches
signed lower right: Edouard Cortes
PROVENANCE
Private Collection, Amarillo, Texas
$25,000-$35,000
170
EDOUARD LEON CORTES (1882 - 1969)
Place de la Madeleine in Winter, c. 1908
oil on canvas
13 x 18 inches
signed lower right: Edouard Cortes
PROVENANCE
Private Collection, Amarillo, Texas
$20,000-$30,000
171
WALTER MATIA (b. 1953)
The Old Guard, 2012
bronze, 6/24
12.5 x 19.5 x 5.5 inches
inscribed: Matia 2012 6/24
PROVENANCE
Private Collection, McKinney, Texas
$5,000-$7,000
172
WALTER MATIA (b. 1953)
Pointer and Setter
bronze, 26/48
9 x 6 x 5 inches
inscribed (both): Matia 26/48
PROVENANCE
Private Collection, McKinney, Texas
$3,000-$5,000
173
RICHARD EVETT BISHOP (1887 - 1975)
Returning Home (Ruddy Duck)
oil on canvas
24.25 x 27.25 inches
signed lower right: Richard E. Bishop
PROVENANCE
Private Collection, Cave Creek, Arizona
$10,000-$15,000
174
RICHARD EVETT BISHOP (1887 - 1975)
Timberdoodle (Woodcock)
oil on board
24.25 x 27.25 inches
signed lower right: Richard E. Bishop
PROVENANCE
Private Collection, Cave Creek, Arizona
$10,000-$15,000
Little Sandy
oil on canvas 25 x 30 inches
signed lower left: Reveau Bassett
Reveau Mott Bassett was a popular wildlife artist born in Dallas who had formal art training at the Art Students League in New York where he was a pupil of Joseph Pennell, William Robinson Leigh and Boardman Robinson. He also studied at the National Academy of Design and in Texas under Frank Reaugh, often referred to as the Dean of Texas artists. Bassett was especially known for his beautiful waterfowl paintings depicting marsh scenes at Little Sandy, a National Wildlife Refuge in East Texas.
PROVENANCE
Private Collection, Dallas, Texas
$25,000-$35,000
176
Cape Buffalo, 1986
oil on canvas
24 x 36 inches
signed lower right: Michael Schreck 1986
PROVENANCE
Private Collection, Dallas, Texas
$3,000-$,5000
177
JIM HUTT
Setter
oil on canvas
24 x 30 inches
signed lower left: Jim Hutt
PROVENANCE
Private Collection, Dallas, Texas
$2,000-$4,000
JULIAN
Twilight in the Hills, Blue-Bonnets, 1918
oil on canvasboard
8 x 10 inches
signed
Julian Onderdonk is considered by collectors and art scholars to be one of the finest painters from the state of Texas. He is renowned for his impressionistic style of painting landscapes, especially those of the Texas Hill Country, with his bluebonnet paintings in particular being highly coveted. Twilight in the Hills, Blue-Bonnets painted by the artist in 1918, the prime of Onderdonk’s career, is an exceptional example of his very best work.
PROVENANCE
Private Collection, Dallas, Texas
$80,000-$120,000
PROVENANCE
Private Collection, Lexington, Kentucky
$35,000-$45,000
180
JOSE VIVES-ATSARA (1919 - 2004)
Springtime, Texas, 1971
oil on canvas
30 x 48 inches
signed lower right: Vives-Atsara
PROVENANCE Private Collection, Salem, Oregon
$25,000-$35,000
181
JOSE VIVES-ATSARA (1919 - 2004)
The Guadalupe River, Texas, 1974
oil on canvas
16 x 20 inches
signed lower right: Vives-Atsara
PROVENANCE Private Collection, Salem, Oregon
$8,000-$12,000
PORFIRIO SALINAS (1910 - 1973)
Hill Country Bluebonnets, 1960
oil on canvas
24 x 36 inches
signed lower left: Porfirio Salinas 1960
PROVENANCE
Private Collection, Fredericksburg, Texas
$30,000-$40,000
183
24
signed
PROVENANCE
Private Collection, Sugar Land, Texas
$25,000-$35,000
184
12
PROVENANCE
Private Collection, Dallas, Texas
$9,000-$12,000
WILLIAM SLAUGHTER (1923 - 2003)
Texas Bluebonnet Vista
oil on canvas
36 x 60 inches
signed lower left: W A. Slaughter
William Slaughter was a Texas artist whose landscapes, especially those containing Texas bluebonnets, are hightly sought after. Texas Bluebonnet Vista is possibly the largest Texas Hill Country landscape the artist ever painted and also considered by many to be his very best work. This painting not only contains his trademark bluebonnets, it also depicts a Texas ranch with rustic out-buildings, cattle and an incredibly beautiful Hill Country vista.
PROVENANCE
Private Collection, Dallas, Texas
$35,000-$45,000
PROVENANCE
$8,000-$12,000
187
PROVENANCE
Private Collection, Dallas, Texas
$100,000-$200,000
For the last ten years, Kyle Polzin has been at the top of the list as one of the most coveted Western artists working today. His still life paintings are unlike any other and his ability to bring life to inanimate objects coupled with his mastery of lighting and reflection drives the demand by serious art collectors. Keeper of the Plains is a Native American headdress painting completed by the artist in 2020. An interesting fact about this incredible painting is that the artist made the headdress himself which included staining white turkey feathers to create eagle feathers as well as hand sewing each individual bead onto the headdress band. Polzin headdress paintings are exceedingly rare with only three others known, two of which hold the artist’s top two auction sales records.
188
KYLE POLZIN (b. 1974)
Awaiting Her Beloved, 2013 oil on canvas 30 x 39 inches signed lower right: Polzin
Awaiting Her Beloved is another great example of the artist’s ability to paint a compilation of items, in this case, Native American objects, which makes one surmise that mother and her infant daughter are off somewhere in camp but certainly soon to return.
PROVENANCE
Private Collection, Plano, Texas
$80,000-$120,000
189
KYLE POLZIN (b. 1974)
War Whistle oil on canvas 21 x 7 inches signed lower left: Polzin
PROVENANCE
Private Collection, Dallas, Texas
$15,000-$20,000
190
G. HARVEY (1933 - 2017)
Enough Till Spring, 1994
oil on canvas
30 x 50 inches
signed lower right: G. Harvey
Enough Till Spring painted by the iconic Texas artist in 1994 is an impressive and especially moody example of his work portraying Western life in a small Texas town at the begining of the 20th century. Cowboys riding down a snow covered Main Street just after sunset most likely headed back to the ranch stirs a feeling of the West in all of us. The artist’s trademark use of light is very well on display along with his inclusion of an early automobile signifying that change is coming.
PROVENANCE
Private Collection, Dallas, Texas
$175,000-$225,000
PROVENANCE
Private Collection, Dallas, Texas
$70,000-$90,000
PROVENANCE
$20,000-$30,000
G.
Making A Good Spring, 1984
oil on canvas
24 x 40 inches
signed lower right: G. Harvey 1984
According to the artist, Making A Good Spring refers to the complex relationship that exists between the cattleman, the weather and the land in West Texas. In this painting completed in 1984, the artist depicts the historic Spade Ranch in West Texas. The Spade is a typical working ranch. No glamour, no Marlboro men, just a good crew of cowhands who take on the challenges of ranching despite the most extreme weather conditions that Mother Nature can inflict. The Spade was one of G. Harvey’s favorite locations for subject matter to paint and he made two or three trips there per year, usually in the spring or winter months.
PROVENANCE
Private Collection, Dallas, Texas
$90,000-$120,000
194
G. HARVEY (1933 - 2017)
Wishing for Spring, 1995
oil on canvas
12 x 9 inches signed lower right: G. Harvey
PROVENANCE Private Collection, Dallas, Texas
$20,000-$30,000
195
G. HARVEY (1933 - 2017)
Doc’s Rig, 1975
oil on canvas
24 x 30 inches signed lower right: G. Harvey 1975
PROVENANCE Private Collection, Salem, Oregon
$25,000-$35,000
196
PAUL MANN (b. 1955)
Surprise Encounter, 2005
oil on canvas 24 x 36 inches
signed lower left: Paul Mann
PROVENANCE
Private Collection, La Jolla, California
$3,000-$5,000
197
HOWARD ROGERS (b. 1932)
Robin oil on canvas 24 x 36 inches
signed lower right: H Rogers
PROVENANCE
Private Collection, Amarillo, Texas
$2,000-$4,000
198
JAMES BOREN (1921 - 1990)
El Burro Blanco, 1972
watercolor on paper 14 x 21 inches
signed lower right: James Boren 1972 CA
PROVENANCE
Private Collection, La Jolla, California
$3,000-$5,000
199
GUADALUPE APODACA (b. 1941)
Apache Lookout
oil on canvas
40 x 40 inches
signed lower left: Guadalupe Apodaca
PROVENANCE Private Collection, Dallas, Texas
$3,000-$5,000
200
JOE GRANDEE (b. 1929)
Sweet Water After Spring Rains, 1979
oil on canvas
24 x 36 inches
signed lower left: Joe Grandee 79
PROVENANCE
Private Collection, Dallas, Texas
$3,000-$5,000
201
CARL
Indian Chief on Horseback bronze
24 x 21 x 10.5 inches
inscribed: C Kauba
PROVENANCE Private Collection, Dallas, Texas
$4,000-$6,000
Girls Night Out
bronze, 14/35 16.75 x 20 x 11 inches
inscribed: 14/35 D. Copenhaver Fellows
PROVENANCE
Private Collection, Southlake, Texas
$3,000-$5,000
Flying Leather
bronze, AP 1 30 x 36 x 30 inches
inscribed: Mehl Lawson CA, AP 1, “Flying Leather”
PROVENANCE Private Collection, La Jolla, California
$6,000-$9,000
204
KARIN HOLLEBEKE (b. 1950)
Packing the Mule oil on canvas 24 x 36 inches
signed lower right: K. Hollebeke
PROVENANCE
Private Collection, Duncanville, Texas
$1,500-$2,500
205
GARY ROBERTS (b. 1953)
All is Well oil on canvas 20 x 16 inches
signed lower right: Gary Lynn Roberts
PROVENANCE
Private Collection, Dallas, Texas
$2,500-$3,500
206
JOE BEELER (1931 - 2006)
Morning Surprise oil on canvas 16 x 28 inches
signed lower right: Joe Beeler
PROVENANCE
Private Collection, Prosper, Texas
$2,000-$5,000
207
JOE BEELER (1931 - 2006)
Mountain Man and Beaver
bronze, 11/30
6 x 7.75 x 8.25 inches
inscribed: Joe Beeler CA 11 of 30
PROVENANCE
Private Collection, Prosper, Texas
$2,000-$3,000
208
JOE BEELER (1931 - 2006)
Appeal to the Spirit
bronze, 5/30
7.75 x 7.25 x 4.5 inches
inscribed: Joe Beeler CA 5/30
PROVENANCE
Private Collection, Prosper, Texas
$1,000-$1,500
209
JOE BEELER (1931 - 2006)
Buffalo Skull and Prairie Dog
bronze, 28/30
2 x 9.5 x 6 inches
inscribed: Joe Beeler CA 28/30
PROVENANCE
Private Collection, Prosper, Texas
$1,000-$1,500
210
JOE BEELER (1931 - 2006)
Gold Medallion
14K (54.5 grams) yellow gold
2 inches (diameter)
inscribed: Joe Beeler
According to close associates of Joe Beeler, only two of these gold medallions were cast. One for the artist’s wife and one for the best man at his wedding. A rare piece that Beeler collectors should appreciate.
PROVENANCE
Private Collection, Prosper, Texas
$2,500-$3,500
211
WILLIAM SLAUGHTER (1923 - 2003)
Hill Country Autumn oil on canvas
24 x 48 inches
signed lower center left: W.A. Slaughter
PROVENANCE
Private Collection, Dallas, Texas
$6,000-$9,000
212
WILLIAM SLAUGHTER (1923 - 2003)
Hill Country Bluebonnets oil on canvas
12 x 16 inches
signed lower right: W.A. Slaughter
PROVENANCE
Private Collection, Duncanville, Texas
$2,500-$3,500
213
WILLIAM SLAUGHTER (1923 - 2003)
Fall Hill Country Landscape
oil on canvas 16 x 20 inches
signed lower left: W.A. Slaughter
PROVENANCE
Private Collection, Farmers Branch, Texas
$2,000-$3,000
214
WILLIAM SLAUGHTER (1923 - 2003)
Fall - Hill Country, 1972
oil on canvas 11 x 14 inches
signed lower left: W. A. Slaughter ‘72
PROVENANCE
Private Collection, Duncanville, Texas
$1,500-$2,500
215
WILLIAM SLAUGHTER (1923 - 2003)
Hill Country - Summer, 1973
oil on canvas 11 x 14 inches
signed lower right: W.A. Slaughter ‘73
PROVENANCE
Private Collection, Duncanville, Texas
$1,500-$2,500
216
RAMON KELLEY (b. 1939)
Brass and Roses oil on canvas
11.5 x 17.5 inches
signed lower left: Ramon OPA
PROVENANCE Private Collection, Tallahassee, Florida
$3,000-$5,000
217
KARL THOMAS (b. 1948)
Grand Canyon Winter oil on canvas
36 x 54 inches
signed lower right: Karl Thomas
PROVENANCE
Private Collection, Dallas, Texas
$3,000-$5,000
218
signed
PROVENANCE Private Collection, Dallas, Texas
$5,000-$7,000
ACHEFF, WILLIAM
Hopi Dancer, 68
AFSARY, CYRUS
Taos Pueblo, 67
ANDERSEN, ROY
Indian on White Horse, 140
Watchful Brave, 139
APODACA GUADALUPE
Apache Lookout, 199
ASPEVIG CLYDE
Never Summer (Walden, CO), 1
BALLANTYNE CARRIE FOGWELL
Making Friends, 65 Partners, 64
Watching For His Window, 66
BAMA, JAMES
Cavalry Officer, 69
BASSETT, REVEAU MOTT
Little Sandy, 175
BECK, JR., ARTHELLO
Arkansas Farm, 156
Sunday Afternoon Commute, 155
BEELER, JOE
Appeal to the Spirit, 208
Buffalo Skull and Prairie Dog, 209
Gold Medallion, 210
Morning Surprise, 206
Mountain Man and Beaver, 207
BERNINGHAUS OSCAR
A Camp in the Aspen Forest, 85
BERTHELSEN JOHANN
Fifth Avenue in Winter (Washington Square), 162
BISHOP, RICHARD EVETT
Returning Home (Ruddy Duck), 173
Timberdoodle (Woodcock), 174
BLACK, LAVERNE NELSON
Autumn at Taos Pueblo, 84
BODELSON, DAN
Mid Day Sun, 54
BOREN, JAMES
El Burro Blanco, 198
BOREN, NELSON
4th of July in Papalote, 26
Cowboy and Cowgirl, 28
Hat, Boots and Spurs, 27
Red Scarf, Back Pocket, 29 Spur, 25
BOWMAN ERIC
A Walk in the Woods, 45
BROWNING TOM
Spring Crossing, 52
Winter Camp, 53
BURBANK ELBRIDGE AYER
Chief Joseph, Nez Perces, 74
Chief Naiche, Apache, 73
Chief Red Cloud, Sioux, 72
Oraibi, Ariz., 70
Sanchez San Carlos, Apache, 75 Shield, Sioux, 71
BURGESS, NOCONA
Quanah Parker - Culture Clash, 40
CALLE, PAUL
To Be Free To Fly, 63
CARLSON, KEN
Texas Longhorn, 112
CARSON, JIM
The Army of Santa Anna, 21 Crockett’s Prayer, 22
CASSIDY GERALD IRA DIAMOND
Acoma Water Carrier, 86
CHEEVER BRUCE
Dancing with the Devil, 58
CHRISTIE KEITH
The Charolais Calf, 2
CLYMER JOHN FORD
The Christmas Tree, 142 Summer Shadows, 141
COLEMAN JOHN
Big Soldier, 90
Crazy Horse, 88
The Greeter - Black Moccasin, Hidatsa Chief, 89 Little Pueblo Girl, 91
COLEMAN, MICHAEL
Cheyenne Camp, 3
CORTES, EDOUARD LEON
Place de la Madeleine in Winter, 170 Theatre de Varietes, 169
COX, JAMES
The Cattle Industry of Texas and Adjacent Territory Historical and Biographical 1895, 115
CROWLEY, DON
Kaibab Child, 5 Lakota Treasure, 4
CURTIS, EDWARD SHERIFF
The North American Indian, Plates from the Plains Portfolios, 78
The North American Indian, Plates from the Southwest Portfolios, 77
DANIEL, JERRY
Bison IV, 39
DELANO, GERARD CURTIS
Warriors on the Move, 152
FALK, JONI
Snow Shadows and Oven Smoke, 6 Winter Serenity, 7
FELLOWS DEBORAH
Girls Night Out, 203
FORD DALE
Concord Stagecoach, 144
FRANKLIN, JOHN
On the Plaza, 8
FRASER, JAMES EARLE
End of the Trail, 76
GALIEN-LALOUE, EUGENE
Elegantes sur les Grands Boulevards Parisiens, 163
GASPARD, LEON
L’ Ours Russe (A La Foire), 83
GILLEON, R TOM
Red Bears, 42
Red Horses, 41
GRANDEE JOE
Sweet Water After Spring Rains, 200
GREENE BRUCE R
A One Man Outfit, 108
GRELLE MARTIN
Cheyenne Maiden, 37
Flurries, 104
The Long Winter, 107
Neils Creek Crossing, 105
Provider, 103
Rest Stop, 36
Stop at the Old Place, 106
GRIMM, BRIAN
Dust on the Old Trail, 113
HAGEGE, LOGAN MAXWELL
Against a Blue Sky, 44
Old Corral at Vermilion Cliffs, 43
HARVEY G.
Doc’s Rig, 195
Enough Till Spring, 190
Making A Good Spring, 193
Powell Street Trolley San Francisco, 192
Touches of Spring - Boston
Commons, 191
Wishing for Spring, 194
HOLLEBEKE KARIN
Packing the Mule, 204
HULINGS CLARK
The Valencia Flower Market, 123
HURD PETER
La Sierra Sacramento Vista de La Luz, 151
HUTT JIM
Setter, 177
JACKSON HARRY ANDREW
The Pony Express, 100
Pony Express, II, 101
Safe and Sound, 102
JOHNSON, FRANK TENNEY
The Lawless Frontier, 120 Night Sentinel (The Warrior), 121
KAHN WOLF
From the W. Brattleboro Parking Lot #4, 161
KAUBA, CARL
Indian Chief on Horseback, 201
KELLEY, RAMON
Brass and Roses, 216
KNAUF, J E
Spot Light, 9
KUNSTLER, MORTON
Fall of the Alamo, 23
LAWSON, MEHL
Flying Leather, 202
LOUGHEED, ROBERT
Lexington Mare, 143
LOVELL, TOM
Even Trade, 98
Four Times to the Sun, 99
The Friendly Willows, 97
MANN, PAUL
Surprise Encounter, 196
MATIA, WALTER
The Old Guard, 171
Pointer and Setter, 172
MCCANN, GERALD
Long Trail, 10
MCCARTHY, FRANK C
The Returning War Party, 135
MCELWAIN, LOUISA
Rain Approaching Alcalde, 153
MCGARY, DAVE
Bear Tracks, (Bust), 132
Crow King, 129
The Gatekeeper, (Bust), 134
In Victory I Stand, (Masterwork), 127
Not Afraid of Pawnee, (Maquette), 130
Retired with Honors, (Bust), 133
Short Bull, (Maquette), 131
Strikes with Thunder, (Masterwork), 128
MCGREW, R BROWNELL
Under Agathlan, 136
MELL, ED
Jack Knife, 49
MOLNAR, GEORGE
Cowboy and Calf, 33
Cowboy on Horse in Winter, 34
First Watch, 11
New Friends, 31
The Sentinel, 32
Young and Innocent, 35
MORAN THOMAS
Plowing a Field, 12
MOSES GRANDMA
We Have All Gone Sledding, 160
NEBEKER BILL
The Eyes of Texas, 109
The Price of Freedom, 110
NIBLETT, GARY LAWRENCE
Ridin’ the Winter Rim, 61 Trailing the Rockies, 60
NORTON, JIM
A Warm Fire on a Chilly Day, 57 Trading on the High Plain, 56
NUNN ANCEL E.
Wasp Nest, 154
OELZE DON
Indians and Waterfall, 62
ONDERDONK JULIAN
Twilight in the Hills, Blue-Bonnets, 178
OWEN BILL
CO Bar Bull and Book, 14
Takin’ the Jerk, 13
POLZIN, KYLE
Awaiting Her Beloved, 188
Keeper of the Plains, 187 War Whistle, 189
PROCTOR, ALEXANDER PHIMISTER
Stalking Panther, 164
PROCTOR, BURT
Navajo Woman, 15
PUMMILL, ROBERT
40 Years A-Looking, 116
The Stray Man, 117
REESE WILLIAM F.
Chisholm Trail, 114
REMINGTON FREDERIC SACKRIDER
On the Way to the Platte, 119
REYNOLDS JAMES ELWOOD
Bluffin’, 92
RICH JASON
Among the Aspens, 59
RIDDICK R S
Keeper of the Pipe, 137
RILEY KENNETH PAULING
Dance of the Eagle, 138
ROBERTS GARY
All is Well, 205
ROBINSON JAMES
Spring Bonnets, 186
ROGERS HOWARD
Robin, 197
ROGERS SCOTT
High Tailin’, 118
ROHRIG MARK
Before the Sun Awakens, 30
SALINAS PORFIRIO
Hill Country Bluebonnets, 182
SANDZEN, BIRGER
Autumn Chord, Smoky Hill River, Kansas, 150
Dry Creek, (Wild Horse Creek, Graham County, Kansas), 149
SCHENCK, BILL
Destination Unknown, 47
SCHRECK, MICHAEL
Cape Buffalo, 176
SCHREYVOGEL, CHARLES
The Last Drop, 79
SCRIVER, BOB National Finals, 148
SCULL, JASON
John Coffee “Jack” Hays, 2002 with Framed Portrait by Matthew Brady, 111
SELTZER OLAF CARL
War Party, 87
SHADDIX BILL
October Moon, 16
SHARP JOSEPH HENRY
Crow Camp Near Custer Battlefield, Montana, 81 Evening Council, 80 San Geronimo - Taos, 82
SHEPHERD WILLIAM
Wild West Show, 17
SLAUGHTER WILLIAM
Fall - Hill Country, 214
Fall Hill Country Landscape, 213 Hill Country Autumn, 211 Hill Country Bluebonnets, 212 Hill Country - Summer, 215 Texas Bluebonnet Vista, 185
SOLLIDAY TIM
Frontier Scout, 46
SPAULDING DON
The End of the Campaign, 18 Making A Stand, 19
SPEED, GRANT
Almost Home From the War, 146 One Who Lived To Tell It, 147 Twisters and Outlaws, 145
STEFAN ROSS
Sonora Rancho, 55
SWANSON RAY
Dressed Up For Pow-Wow, 124
TERPNING, HOWARD A.
Proud Men, 122
THOMAS KARL
Grand Canyon Winter, 217
VIVES-ATSARA JOSE
The Guadalupe River, Texas, 181 Springtime, Texas, 180
WALKER, WILLIAM AIKEN Cotton Field Worker, 167
The Cotton Plantation, 165 Farm Worker, 168 Picking Cotton Near the Robinson Brickworks, 166
WALTERS, CURT
Autumn’s First Brights, 218
WARHOL, ANDY
General Custer (F.& S. II.379), 50 Sitting Bull (F.& S. IIIA.70), 51
WARREN, MELVIN CHARLES
Run for the Rio Grande, 95 Snow on the Bosque, 93 Stop at the Old Place, 94
Texas Rangers on Patrol, 96
WEISTLING, MORGAN
Alice, 38
WHITAKER, WILLIAM Comanche Dress, 20
WHITE, FRITZ
And Crockett Finally Fell, 24
WIEGHORST, OLAF CARL Indian Scout, 125 Vaquero, 126
WIGGINS GUY CARLETON
Hanson Cab at the Plaza, Christmas, 159
The Wall Street District Winter (Old Trinity Church), 157
Winter at the Plaza, 158
WIGGINS, KIM DOUGLAS
Springtime Near Santa Fe, 48
WOOD ROBERT WILLIAM
Hill Country Bluebonnets, 179 Spring Bluebonnets, 184
Texas Bluebonnets, 183
Auctioneer and Auction:
This Auction is presented by Lone Star Art Auction, a d/b/a/ of Great American West, LLC (“Auctioneer”). The Auction is conducted under these Terms and Conditions and applicable state and local law. Announcements and corrections from the podium and those made through the Terms and Conditions appearing on the Internet at www. lsartauction.com supersede those in the printed catalog. Auctioneer Jason Brooks, State of Texas License Number 16216, will preside over the Auction.
Buyer’s Premium:
All bids are subject to a Buyer’s Premium which is in addition to the placed successful bid otherwise defined as the Hammer Price. Following is the Buyer’s Premium Schedule for the Auction: 20% for Live In-Person Bidding, Telephone Bidding, and Absentee or Proxy Bidding. 20% for Online Bidding on the Auction website at www.lsartauction.com. 25% for Online Bidding on Bidsquare and LiveAuctioneers.
Bidders:
1. Any person participating or registering for the Auction agrees to be bound by and accepts these Terms and Conditions (“Bidder(s)”).
2. All Bidders must meet Auctioneer’s qualifications to bid. Any Bidder who is not a client in good standing of the Auctioneer may be disqualified at Auctioneer’s sole option and will not be awarded lots. Such determination may be made by Auctioneer in its sole and unlimited discretion, at any time prior to, during, or even after the close of the Auction. Auctioneer reserves the right to exclude any person from the auction.
3. If an entity places a bid, then the person executing the bid on behalf of the entity agrees to personally guarantee payment for any successful bid.
Credit:
In order to place bids, Bidders who have not established credit with the Auctioneer must either furnish satisfactory credit information (including two collectibles-related business references) or supply valid credit card information along with a social security number, well in advance of the Auction. Bidders should preregister at least two business days before the start of the Auction (exclusive of holidays or weekends) to allow adequate time to contact references. Credit will be granted at the discretion of Auctioneer. Additionally, Bidders who have not previously established credit or who wish to bid in excess of their established credit history may be required to provide their social security number or the last four digits thereof so a credit check may be performed prior to Auctioneer’s acceptance of a bid. Check writing privileges and immediate delivery of merchandise may also be determined by pre-approval of credit based on a combination of criteria: Auctioneer history, related industry references, bank verification, a credit bureau report and/or a personal guarantee for a corporate or partnership entity in advance of the auction venue.
Bidding Options:
1. Presentment of Bids: Non-Internet bids (including but not limited to podium, phone, and mail bids) are treated similar to floor bids in that they must be on-increment or at a half increment (called a cut bid). Any podium, phone, or mail bids that do not conform to a full or half increment will be rounded up to the nearest full or half increment and this revised amount will be considered your high bid.
2. Auctioneer’s Execution of Certain Bids. Auctioneer cannot be responsible for your errors in bidding, so carefully check that every bid is entered correctly. When identical mail bids are submitted, preference is given to the first received. To ensure the greatest accuracy, your written bids should be entered on the standard printed bid sheet and be received at Auctioneer’s place of business at least two business days before the Auction start. Auctioneer is not responsible for executing mail bids received on or after the day the first lot is sold, nor Internet bids submitted after the published closing time; nor is Auctioneer responsible for proper execution of
bids submitted by telephone, mail, e-mail, Internet, or in person once the Auction begins. Bids placed electronically via the Internet may not be withdrawn until your written request is received and acknowledged by Auctioneer. Such requests must state the reason and may constitute grounds for withdrawal of bidding privileges. Lots won by mail Bidders will not be delivered at the Auction unless prearranged.
3. Caveat as to Bid Increments. Bid increments (over the current bid level) determine the lowest amount you may bid on a particular lot. Bids greater than one increment over the current bid can be any whole dollar amount. It is possible under several circumstances for winning bids to be between increments, sometimes only $1 above the previous increment. Bids will be accepted in whole dollar amounts only. No “buy” or “unlimited” bids will be accepted.
The following chart governs current bidding increments.
Current Bid Increment:
Under $2,000 $100
$2,000 – $5,000 $250
$5,000 – $10,000 $500
$10,000 – $20,000 $1,000
$20,000 – $50,000 $2,500
$50,000 – $100,000 $5,000
Over $100,000 $10,000
4. If Auctioneer calls for a full increment, a bidder may request Auctioneer to accept a bid at half of the increment (“Cut Bid”) only once per lot. After offering a Cut Bid, bidders may continue to participate only at full increments. If the Auctioneer solicits bids other than the expected increment, these bids will not be considered Cut Bids.
Conducting the Auction:
1. The highest qualified Bidder recognized by the Auctioneer shall be the Buyer. In the event of a tie bid, the earliest bid received or recognized wins. In the event of any dispute between any Bidders at an Auction, Auctioneer may at his sole discretion reoffer the lot. Auctioneer’s decision and declaration of the winning Bidder shall be final and binding upon all Bidders. Bids properly offered, whether by floor Bidder or other means of bidding, may on occasion be missed or go unrecognized; in such cases, the Auctioneer may declare the recognized bid accepted as the winning bid, regardless of whether a competing bid may have been higher. Auctioneer reserves the right after the hammer falls to accept bids and reopen bidding for bids placed through the Internet or otherwise.
2. Auctioneer reserves the right to refuse to honor any bid or to limit the amount of any bid, in its sole discretion. A bid is considered not made in “Good Faith” when made by an insolvent or irresponsible person, a person under the age of eighteen, or is not supported by satisfactory credit, collectibles references, or otherwise. Regardless of the disclosure of his identity, any bid by a consignor or his agent on a lot consigned by him is deemed to be made in “Good Faith.” Any person apparently appearing on the OFAC list is not eligible to bid.
3. Nominal Bids. The Auctioneer in its sole discretion may reject nominal bids, small opening bids, or very nominal advances. If a lot bearing estimates fails to open for 40–60% of the low estimate, the Auctioneer may pass the item or may place a protective bid on behalf of the consignor.
4. Lots bearing bidding estimates shall open at Auctioneer’s discretion (approximately 50%-60% of the low estimate). In the event that no bid meets or exceeds that opening amount, the lot shall pass as unsold.
5. All items are to be purchased per lot as numerically indicated and no lots will be broken. Auctioneer reserves the right to withdraw, prior to the close, any lots from the Auction.
6. Auctioneer reserves the right to rescind the sale in the event of nonpayment, breach of a warranty, disputed ownership, auctioneer’s
clerical error or omission in exercising bids and reserves, or for any other reason and in Auctioneer’s sole discretion. In cases of nonpayment, Auctioneer’s election to void a sale does not relieve the Bidder from their obligation to pay Auctioneer its fees (seller’s and buyer’s premiums) and any other damages or expenses pertaining to the lot.
7. Auctioneer occasionally experiences Internet and/or Server service outages, and Auctioneer periodically schedules system downtime for maintenance and other purposes, during which Bidders cannot participate or place bids. If such outages occur, we may at our discretion extend bidding for the Auction. Bidders unable to place their Bids through the Internet are directed to contact the Auctioneer at (214) 730-0939.
8. The Auctioneer, its affiliates, or their employees consign items to be sold in the Auction and may bid on those lots or any other lots. Auctioneer or affiliates expressly reserve the right to modify any such bids at any time prior to the hammer based upon data made known to the Auctioneer or its affiliates. The Auctioneer may extend advances, guarantees, or loans to certain consignors.
9. The Auctioneer has the right to sell certain unsold items after the close of the Auction. Such lots shall be considered sold during the Auction and all these Terms and Conditions shall apply to such sales including but not limited to the Buyer’s Premium, return rights, and disclaimers.
Payment:
1. All sales are strictly in United States dollars and accepted methods of payment include personal checks, commercial checks, and bank wire, and are subject to all reporting requirements. Authorized MasterCard, Visa and Discover credit card payments are accepted but are limited to a maximum total of $10,000.00 U.S. dollars for the auction. These credit cards are also accepted with the convenience fee charge of 3.0% added to the total purchase amount (hammer price plus Buyer’s premium). All deliveries are subject to good funds; funds being received in Auctioneer’s account before delivery of the Purchases; and all payments are subject to a clearing period. Auctioneer reserves the right to determine if a check constitutes “good funds”: checks drawn on a U.S. bank are subject to a ten business day hold, and thirty days when drawn on an international bank. Clients with prearranged credit status may receive immediate credit for payments via eCheck, personal, or corporate checks. All others will be subject to a hold of five (5) days, or more, for the funds to clear prior to releasing merchandise.
2. Payment is due upon closing of the Auction session, or upon presentment of an invoice. Invoices will be emailed to all successful online bidders by October 31, 2023. Auctioneer reserves the right to void an invoice if payment in full is not received within seven (7) days after the close of the Auction. In cases of nonpayment, Auctioneer’s election to void a sale does not relieve the Bidder from their obligation to pay Auctioneer its fees (seller’s and buyer’s premiums) on the lot and any other damages pertaining to the lot or Auctioneer, at its option, may charge a twenty (20%) restock fee on the amount of the purchase and offset the restock fee against any monies paid to the Auctioneer or against any of the purchaser’s properties held by the Auctioneer.
3. Lots delivered to you, or your representative, are subject to all applicable state and local taxes, unless appropriate permits are on file with Auctioneer. Bidder agrees to pay Auctioneer the actual amount of tax due in the event that sales tax is not properly collected due to 1) an expired, inaccurate, or inappropriate tax certificate or declaration, 2) an incorrect interpretation of the applicable statute, 3) or any other reason. The appropriate form or certificate must be on file at and verified by Auctioneer five (5) days prior to Auction, or tax must be paid; only if such form or certificate is received by Auctioneer within four (4) days after the Auction can a refund of tax paid be made.
4. In the event that a Bidder’s payment is dishonored upon presentment(s), Bidder shall pay the maximum statutory processing fee set by applicable state law. If you attempt to pay via eCheck and your
financial institution denies this transfer from your bank account, or the payment cannot be completed using the selected funding source, you agree to complete payment using another acceptable form of payment.
5. If any Auction invoice submitted by Auctioneer is not paid in full when due, the unpaid balance will bear interest at the highest rate permitted by law from the date of invoice until paid. Any invoice not paid when due will bear a three percent (3%) late fee on the invoice amount. If the Auctioneer refers any invoice to an attorney for collection, the buyer agrees to pay attorney’s fees, court costs, and other collection costs incurred by Auctioneer.
6. In the event a successful Bidder fails to pay any amounts due, Auctioneer reserves the right to sell the lot(s) securing the invoice to any under-bidders in the Auction that the lot(s) appeared, or at subsequent private or public sale, or re-list the lot(s) in a future auction conducted by Auctioneer. A defaulting Bidder agrees to pay for the reasonable costs of resale (including a 20% seller’s commission, if consigned to an auction conducted by Auctioneer). The defaulting Bidder is liable to pay any difference between his total original invoice for the lot(s), plus any applicable interest, and the net proceeds for the lot(s) if sold at private sale or the subsequent hammer price of the lot(s) less the 20% seller’s commission, if sold at an Auctioneer’s auction.
7. Auctioneer reserves the right to require payment in full in good funds before delivery of the merchandise.
8. Auctioneer shall have a lien against the merchandise purchased by the buyer to secure payment of the Auction invoice. Auctioneer is further granted a lien and the right to retain possession of any other property of the buyer then held by the Auctioneer or its affiliates to secure payment of any Auction invoice or any other amounts due the Auctioneer or affiliates from the buyer. With respect to these lien rights, Auctioneer shall have all the rights of a secured creditor under Article 9 of the Texas Uniform Commercial Code, including but not limited to the right of sale (including a 20% seller’s commission, if consigned to an auction conducted by Auctioneer). In addition, with respect to payment of the Auction invoice(s), the buyer waives all rights of offset he might otherwise have against the Auctioneer and the consignor of the merchandise included on the invoice. If a Bidder owes Auctioneer or its affiliates on any account, Auctioneer and its affiliates shall have the right to offset such unpaid account by any credit balance due Bidder, and it may secure by possessory lien any unpaid amount by any of the Bidder’s property in their possession.
9. Title shall not pass to the successful Bidder until all invoices are paid in full. It is the responsibility of the buyer to provide adequate insurance coverage for the items once they have been delivered to a common carrier or third-party shipper.
Delivery, Shipping and Handling Charges:
1. Buyer is liable for shipping, handling, registration, and renewal fees, if any. Lots won will be shipped in a commercially reasonable time after payment in good funds for the merchandise and the shipping fees are received or credit extended, except when thirdparty shipment occurs. Buyer agrees that Service and Handling charges related to shipping items which are not prepaid, may be charged to the credit card on file with Auctioneer.
2. Successful international Bidders shall provide written shipping instructions, including specified customs declarations, to the Auctioneer for any lots to be delivered outside of the United States. NOTE: Declaration value shall be the item’(s) hammer price together with its buyer’s premium and Auctioneer shall use the correct harmonized code for the lot. Domestic Buyers on lots designated for third-party shipment must designate the common carrier, accept risk of loss, and prepay shipping costs.
3. All shipping charges will be borne by the successful Bidder. On all domestic shipments, any risk of loss during shipment will be borne by the Auctioneer until the shipping carrier’s confirmation of delivery to the address of record in Auctioneer’s file (carrier’s confirmation is conclusive to prove delivery to Bidder; if the client
has a Signature release on file with the carrier, the package is considered delivered without Signature) or delivery by the Auctioneer to Bidder’s selected third-party shipper. On all foreign shipments, any risk of loss during shipment will be borne by the Bidder following Auctioneer’s delivery to the Bidder’s designated common carrier or third-party shipper.
4. Due to the nature of some items sold, it shall be the responsibility for the successful Bidder to arrange pick-up and shipping through third parties as to such items Auctioneer shall have no liability. Failure to pick-up or arrange shipping in a timely fashion (within ten days) shall subject Lots to storage and moving charges, including a $100 administration fee plus $10 daily storage for larger items and $5.00 daily for smaller items (storage fee per item) after 35 days. In the event the Lot is not removed within ninety days, the Lot may be offered for sale to recover any past due storage or moving fees, including a 20% Seller’s Commission.
5. Auctioneer shall not be liable for any loss caused by or resulting from: a. Seizure or destruction under quarantine or Customs regulation, or confiscation by order of any Government or public authority, or risks of contraband or illegal transportation of trade, or b. Breakage of statuary, marble, and similar fragile articles.
6. Any request for shipping verification for undelivered packages must be made within 30 days of shipment by Auctioneer.
Cataloging, Warranties and Disclaimers:
1. NO WARRANTY, WHETHER EXPRESSED OR IMPLIED, IS MADE WITH RESPECT TO ANY DESCRIPTION CONTAINED IN THIS AUCTION OR ANY SECOND OPINE. Any description of the items or second opine contained in this Auction is for the sole purpose of identifying the items for those Bidders who do not have the opportunity to view the lots prior to bidding, and no description of items has been made part of the basis of the bargain or has created any express warranty that the goods would conform to any description made by Auctioneer. Color variations can be expected in any electronic or printed imaging and are not grounds for the return of any lot. NOTE: Auctioneer may have express written warranties and you are referred to those specific terms and conditions.
2. Auctioneer is selling only such right or title to the items being sold as Auctioneer may have by virtue of consignment agreements on the date of auction and disclaims any warranty of title to the Property. Auctioneer disclaims any warranty of merchantability or fitness for any purposes. All images, descriptions, sales data, and archival records are the exclusive property of Auctioneer, and may be used by Auctioneer for advertising, promotion, archival records, and any other uses deemed appropriate.
3. Auctioneer disclaims all liability for damages, consequential or otherwise, arising out of or in connection with the sale of any Property by Auctioneer to Bidder. No third party may rely on any benefit of these Terms and Conditions and any rights, if any, established hereunder are personal to the Bidder and may not be assigned. Any statement made by the Auctioneer is an opinion and does not constitute a warranty or representation. No employee of Auctioneer may alter these Terms and Conditions, and, unless signed by a principal of Auctioneer, any such alteration is null and void.
4. Auctioneer shall not be liable for breakage of glass or damage to frames (patent or latent); such defects, in any event, shall not be a basis for any claim for return or reduction in purchase price.
Release:
In consideration of participation in the Auction and the placing of a bid, Bidder expressly releases Auctioneer, its officers, directors and employees, its affiliates, and its outside experts that provide second opines, from any and all claims, cause of action, chose of action, whether at law or equity or any arbitration or mediation rights existing under the rules of any professional society or affiliation based upon the assigned description, or a derivative theory, breach of warranty express or implied, representation or other matter set forth within these Terms and Conditions or otherwise. In the event of a claim, Bidder agrees that
such rights and privileges conferred therein are strictly construed as specifically declared herein, e.g., authenticity, typographical error, etc. and are the exclusive remedy. Bidder, by non-compliance to these express terms of a granted remedy, shall waive any claim against Auctioneer.
Dispute Resolution and Arbitration Provision:
1. By placing a bid or otherwise participating in the auction, Bidder accepts these Terms and Conditions, and specifically agrees to the dispute resolution provided herein. Consumer disputes shall be resolved through court litigation which has an exclusive Dallas, Texas venue clause and jury waiver. Non-consumer dispute shall be determined in binding arbitration which arbitration replaces the right to go to court, including the right to a jury trial.
2. Auctioneer in no event shall be responsible for consequential damages, incidental damages, compensatory damages, or any other damages arising or claimed to be arising from the auction of any lot. In the event that Auctioneer cannot deliver the lot or subsequently it is established that the lot lacks title, or other transfer or condition issue is claimed, in such cases the sole remedy shall be limited to rescission of sale and refund of the amount paid by Bidder; in no case shall Auctioneer’s maximum liability exceed the high bid on that lot, which bid shall be deemed for all purposes the value of the lot. After one year has elapsed, Auctioneer’s maximum liability shall be limited to any commissions and fees Auctioneer earned on that lot.
3. In the event of an attribution error, Auctioneer may at its sole discretion, correct the error on the Internet, or, if discovered at a later date, to refund the buyer’s purchase price without further obligation.
4. Exclusive Dispute Resolution Process: All claims, disputes, or controversies in connection with, relating to and /or arising out of your Participation in the Auction or purchase of any lot, any interpretation of the Terms and Conditions or any amendments thereto, any description of any lot or condition report, any damage to any lot, any alleged verbal modification of any term of sale or condition report or description and/or any purported settlement whether asserted in contract, tort, under Federal or State statute or regulation or any claim made by you of a lot or your Participation in the auction involving the auction or a specific lot involving a warranty or representation of a consignor or other person or entity including Auctioneer { which claim you consent to be made a party} (collectively, “Claim”) shall be exclusively heard by, and the claimant (or respondent as the case may be) and Auctioneer each consent to the Claim being presented in a confidential binding arbitration before a single arbitrator administrated by and conducted under the rules of, the American Arbitration Association. The locale for all such arbitrations shall be Dallas, Texas. The arbitrator’s award may be enforced in any court of competent jurisdiction. If a Claim involves a consumer, exclusive subject matter jurisdiction for the Claim is in the State District Courts of Dallas County, Texas, and the consumer consents to subject matter and in persona jurisdiction; further CONSUMER EXPRESSLY WAIVES ANY RIGHT TO TRIAL BY JURY. A consumer may elect arbitration as specified above. Any claim involving the purchase or sale of numismatic or related items may be submitted through binding PNG arbitration. Any Claim must be brought within two (2) years of the alleged breach, default or misrepresentation or the Claim is waived. Exemplary or punitive damages are not permitted and are waived. A Claim is not subject to class certification. Nothing herein shall be construed to extend the time of return or conditions and restrictions for return. This Agreement and any Claim shall be determined and construed under Texas law. The prevailing party (a party that is awarded substantial and material relief on its damage claim based on damages sought vs. awarded or the successful defense of a Claim based on damages sought vs. awarded) may be awarded its reasonable attorneys’ fees and costs.
5. No claims of any kind can be considered after the settlements have been made with the consignors. Any dispute after the settlement date is strictly between the Bidder and consignor without involvement or responsibility of the Auctioneer.
6. In consideration of their participation in or application for the Auction, a person or entity (whether the successful Bidder, a Bidder, a purchaser and/or other Auction participant or registrant) agrees that all disputes in any way relating to, arising under, connected with, or incidental to these Terms and Conditions and purchases, or default in payment thereof, shall be arbitrated pursuant to the arbitration provision. In the event that any matter including actions to compel arbitration, construe the agreement, actions in aid or arbitration or otherwise needs to be litigated, such litigation shall be exclusively in the Courts of the State of Texas, in Dallas County, Texas, and if necessary, the corresponding appellate courts. For such actions, the successful Bidder, purchaser, or Auction participant also expressly submits himself to the personal jurisdiction of the State of Texas.
7. These Terms and Conditions provide specific remedies for occurrences in the auction and delivery process. Where such remedies are afforded, they shall be interpreted strictly. Bidder agrees that any claim shall utilize such remedies; Bidder making a claim in excess of those remedies provided in these Terms and Conditions agrees that in no case whatsoever shall Auctioneer’s maximum liability exceed the high bid on that lot, which bid shall be deemed for all purposes the value of the lot.
Miscellaneous:
1. Agreements between Bidders and consignors to effectuate a non-sale of an item at Auction, inhibit bidding on a consigned item to enter into a private sale agreement for said item, or to utilize the Auctioneer’s Auction to obtain sales for non-selling consigned items subsequent to the Auction, are strictly prohibited. If a
subsequent sale of a previously consigned item occurs in violation of this provision, Auctioneer reserves the right to charge Bidder the applicable Buyer’s Premium and consignor a Seller’s Commission as determined for each auction venue and by the terms of the seller’s agreement.
2. Acceptance of these Terms and Conditions qualifies Bidder as a client who has consented to be contacted by Auctioneer in the future. In conformity with “do-not-call” regulations promulgated by the Federal or State regulatory agencies, participation by the Bidder is affirmative consent to being contacted at the phone number shown in his application and this consent shall remain in effect until it is revoked in writing. Auctioneer may from time-to-time contact Bidder concerning sale, purchase, and auction opportunities available through Auctioneer and its affiliates and subsidiaries.
3. Rules of Construction: Auctioneer presents properties in a number of collectible fields, and as such, specific venues have promulgated supplemental Terms and Conditions.
4. Nothing herein shall be construed to waive the general Terms and Conditions by these additional rules and shall be construed to give force and effect to the rules in their entirety.
Store Notice:
Notice as to an Auction in Texas. In compliance with TDLR rule 67.100(c) (1), notice is hereby provided that this auction is covered by a Recovery Fund administered by the Texas Department of Licensing and Regulation, P.O. Box 12157, Austin, Texas 78711 (512) 463-6599. Any complaints may be directed to the same address.
Auction Coordinator & Registrar: Lindsey Lutz
Catalogue Design: WinshipPhillips
Photography: Roy Richardson
97 TOM LOVELL (1909-1997)
The Friendly Willows 1988 oil on canvas, 22 x 38 inches
$140,000-$190,000
BACK COVER
122 HOWARD A. TERPNING (b. 1927)
Proud Men 2000 oil on board, 12 x 13 inches
$150,000-$200,000
