SCHEDULE OF EVENTS
All Lone Star Art Auction events will be held at the Renaissance Dallas, a Marriott Bonvoy Hotel, located at 2222 N. Stemmons Freeway in Dallas, Texas on Friday, October 28–Sunday, October 30, 2022.
FRIDAY, OCTOBER 28, 2022 10:00am-5:30pm, Auction Art Preview, Grand Ballroom 5:30-7:00pm, Cocktail Reception, Grand Ballroom 7:00-9:00pm, Dinner and Special Texas Entertainment, Grand Ballroom
SATURDAY, OCTOBER 29, 2022
9:00am-12:00pm, Auction Art Preview, Grand Ballroom 9:00-11:00am Breakfast and Texas Bloody Mary Bar, Grand Foyer 12:00-5:00pm, Live Auction, Grand Ballroom 12:00-7:00pm, Auction Check-Out, Stemmons Ballroom
SUNDAY, OCTOBER 30, 2022 9:00-11:00 am, Auction Check-Out, Stemmons Ballroom
CONTACT
Phone: 469.608.7600
Douglas Center Tower, 8333 Douglas Ave., Suite 360 Dallas, Texas 75225 Website: lsartauction.com
Presented by Great American West and Phil Berkebile, Jr. • Email: info@lsartauction.com
RESERVATIONs
Renaissance Dallas Hotel
North Stemmons Freeway Dallas, Texas 75207
For hotel room reservations, go to 2022 AUCTION/HOTEL RESERVATIONS at lsartauction.com, or call 214.631.2222.
auction room rates will be available through October 6, 2022 and are subject to availability.
BIDDING
Lone Star Art Auction o ers multiple ways for patrons to bid including attendee, telephone, absentee and online bidding.
is available at lsartuaction.com.
Telephone and Absentee registration must be submitted by 5:00pm CT on October 28.
Bidding
available
1 at lsartauction.com
2
JOE BEELER (1931 - 2006)
Wild Cow Hunter
watercolor on paper 15.5 x 11.5 inches signed lower right: Joe Beeler
PROVENANCE
Private Collection, Westlake, Texas $1,500-$2,500
1
CYRUS AFSARY (B. 1940)
Tradition
oil on board 14 x 18 inches signed lower left: Cyrus Afsary
PROVENANCE
Private Collection, Westlake, Texas
$4,000-$6,000
3
ORLAND JOE, SR. (B. 1958)
Medicine Horse, 1986 marble 15.25 x 16 x 5.25 inches inscribed on base: OC Joe CA 86
PROVENANCE
Private Collection, Peoria, Arizona
$1,500-$2,500
7
BRUCE CHEEVER (B. 1958)
Great
on
8
BRUCE CHEEVER (B. 1958)
Undaunted
on board
9
G. HARVEY (1933 - 2017) Encroachment (Near Georgetown Texas) oil on canvas 24 x 36 inches signed lower right: G. Harvey
PROVENANCE
Private Collection, Goldthwaite, Texas
$15,000-$25,000
10
G. HARVEY (1933 - 2017)
Autumn Along the Creek, 1969 oil on canvas 24 x 30 inches signed lower right: G. Harvey, 1969
PROVENANCE
Private Collection, Goldthwaite, Texas
$10,000-$15,000
11
GEORGE PHIPPEN
(1915 - 1966)
In from the Range oil on canvas 30 x 40 inches signed lower left: Geo Phippen
PROVENANCE Private Collection, Houston, Texas
$4,000-$6,000
12
GEORGE PHIPPEN
(1915 - 1966)
Arizona Rockhopper bronze 18 x 27.5 x 10 inches inscribed on base: Arizona Rockhopper Geo. Phippen CA 1915 - 1966 .001
PROVENANCE Private Collection, Peoria, Arizona
$7,000-$10,000
13
MARTIN GRELLE (B. 1954)
Bosque County Chill, 1988 oil on canvas 24 x 36 inches signed lower left: Martin Grelle, 1988
PROVENANCE
Private Collection, Bedford, Texas
$20,000-$30,000
14
MARTIN GRELLE (B. 1954)
Autumn Getaway, 1996 oil on linen 9 x 12 inches signed lower right: Martin Grelle CA *96
PROVENANCE Private Collection, Houston, Texas
$10,000-$15,000
A Special Tribute to Cowboy Artists of America Member and Friend, Bill Owen (1942 – 2013)
THE LONE STAR ART AUCTION
is proud to pay tribute to one of the nest Western artists of the last 75 years by o ering for sale several of his bronzes, drawings, and paintings coming from four private collections.
From Bill Owen: “It has been said that the most import ant thing in painting is the composition. I feel that there is no one most important component, that all of them are important. Accuracy is an equally signi cant part of any painting I do; authenticity matters as much to me as light, color, and composition. I feel that I have an obligation to portray the life of the working cowboy in the most truthful way possible; as a result, I continually research my subjects to ensure that accuracy. No painting is complete, as far as I’m concerned, without a solid grounding in reality. I nd it very gratifying that my work seems to please my working cowboy friends. I value their approval—it con vinces me that my work is truly worth the e ort.”
“Bill was a friend, and I was proud to have represented him for the last years of his life at the Great American West Gallery” says gallery and Lone Star Art Auction owner Phil Berke bile, Jr. “Bill had not been represent ed by a gallery for over 15 years when he approached me in 2010 with the idea of representation. He was a living legend and a true cowboy artist in every sense, and I couldn’t have been more humbled.”
15
BILL OWEN (1942 - 2013)
Sackin’ Out a Bronc bronze, 29/45 32.5 x 23 x 14 inches inscribed on base: Bill Owen CA 29/45
PROVENANCE Private Collection, Peoria, Arizona
$5,000-$7,000
17
BILL OWEN (1942 - 2013)
16
BILL OWEN (1942 - 2013)
Ranch Mare, 2004
watercolor on paper 10 x 13.5 inches signed lower right: Bill Owen CA 2004
PROVENANCE Private Collection, Peoria, Arizona $1,500-$2,500
Starving Cowboy, 1986 bronze, 22/25 22.5 x 12.25 x 11 inches inscribed on base: Bill Owen CA 1986 22/25
PROVENANCE
Private Collection, Peoria, Arizona
$3,000-$5,000
18
BILL OWEN (1942 - 2013)
At Sunset, 2012 oil on canvas on panel 12 x 9 inches signed lower left: Bill Owen CA 2012
PROVENANCE Private Collection, Peoria, Arizona
$3,000-$5,000
19
BILL OWEN (1942 - 2013)
Takin’ the Jerk, 1976 bronze, 19/25 20 x 16 x 22 inches inscribed on base: Bill Owen CA 1976 19/25
PROVENANCE Private Collection, Peoria, Arizona
$3,000-$5,000
BILL OWEN (1942 - 2013)
Last One, 1995
on linen
x 24 inches
lower right: Bill Owen
Collection, Nashville,
BILL OWEN (1942 - 2013)
Tatanka, 2006
21/45
Collection,
BILL OWEN (1942 - 2013)
A CO Bar Bull and Book, 1982
bronze, J/100
x 12.25 x 7 inches
on base: Bill Owen CA 1982
C0 - (brand)
PROVENANCE
Private Collection, Peoria, Arizona
23
BILL OWEN (1942 - 2013)
CO Bar Ranch Bulls, 1982
on paper
x 21 inches
lower right: Bill Owen CA 1982
PROVENANCE
Private Collection, Pilot Point, Texas
24
BILL OWEN (1942 - 2013)
Horse Head Study, 2010
on canvas
x 5 inches
lower right: Bill Owen CA 2010
PROVENANCE
Private Collection, Peoria, Arizona
25
BILL OWEN (1942 - 2013)
And All a Good Night, 1994 oil on linen 24 x 18 inches signed lower right: Bill Owen CA 1994
PROVENANCE Private Collection, Nashville, Tennessee
$12,000-$18,000
27
BILL OWEN (1942 - 2013)
Doe, Ray and Me, 2008 oil on canvas 11 x 16 inches signed lower right: Bill Owen CA 2008
PROVENANCE Private Collection, Peoria, Arizona
$4,000-$6,000
26
BILL OWEN (1942 - 2013) e Cutting Horse, 1979 bronze, 24/25 19 x 26.5 x 16 inches inscribed on base: Bill Owen CA 1979 24/25
PROVENANCE Private Collection, Peoria, Arizona
$4,000-$6,000
28
BILL OWEN (1942 - 2013)
Harvey Tank, 1976 oil on canvas 18 x 24 inches signed lower right: Bill Owen CA 76
PROVENANCE
Private Collection, Norman, Oklahoma
$8,000-$12,000
29
BILL OWEN (1942 - 2013)
Ride for the Brand, 1992 charcoal on paper 12.5 x 20 inches signed lower right: Bill Owen CA 1992 NAWA
PROVENANCE
Private Collection, Peoria, Arizona
$4,000-$6,000
30
BILL OWEN (1942 - 2013)
A Little Cowboy’s Delight, 1980 bronze, 10/30 14 5 x 19.5 x 11 inches inscribed on base: Bill Owen CA 1980 10/30
PROVENANCE
Private Collection, Peoria, Arizona $2,000-$3,000
BILL OWEN (1942 - 2013)
Bill Owen’s Custom Saddle by John Herron (with accessories)
leather, rawhide, wood, brass, wool 44 x 28 x 20 inches inscribed on saddle back and seat: John Herron Saddle Maker Chino Valley AZ (Owen Cattle Brand on Seat)
Bill custom ordered this saddle in 2012 and it is the one he used on his nal Cowboy Artists of America trail ride held in 2013 on the famous 6666’s ranch in Guthrie, Texas. Bill passed just three weeks later, after he and the other CAA members broke camp at the historic Texas ranch.
PROVENANCE
Private Collection, Peoria, Arizona
$5,000-$10,000
32
BILL OWEN (1942 - 2013)
Bill Owen’s Custom Bit and Spurs by Steve Schmitt
nickel silver, steel, leather, rawhide inscribed on spurs: Steve Schmitt with Bill Owen initials and brand; inscribed on bit: Steve Schmitt with Bill Owen brand
PROVENANCE
Private Collection, Peoria, Arizona
$1,000-$2,000
33
BILL OWEN (1942 - 2013)
Blue, 2006 watercolor on paper 13.5 x 10 inches signed lower right: Bill Owen CA 2006 NAWA
PROVENANCE Private Collection, Peoria, Arizona
$1,500-$2,500
34
BILL OWEN (1942 - 2013)
A Cowboy’s Potlicker, 2004
bronze, AP 1/40 6 x 13 x 13 inches inscribed on base: Bill Owen CA 2004 AP1/40
PROVENANCE
Private Collection, Peoria, Arizona
$1,000-$2,000
35
BILL OWEN (1942 - 2013)
Cow Head, 2005 watercolor on paper 9.5 x 7.75 inches signed lower right: Bill Owen CA 2005
PROVENANCE
Private Collection, Peoria, Arizona
$1,000-$1,500
“Robert Lindenaux was another artist painting at the same time as Charlie Russell. He was also a photographer and captured scenes of the West on old glass plates. I came upon one of his photographs at an estate sale of a rodeo in Cody, Wyoming, taken between the late 1800s- early 1900s. I was so taken by the photograph that I purchased it with the intention of turning it into a painting. But when I began painting the photograph, I improvised. And instead of painting the cowboy on the horse as in the photo, I painted an Indian brave on the horse instead. I did this because I believe the best cowboys were the Indians. e painting is a play on ‘cowboys and Indians,’ depicting a role reversal of the “cowboys” rodeo ground with the cowboy being an ‘Indian.’ I came up with the title after thinking how humorous it would be to hear a fast-talking auctioneer say it out loud, but of course also because the horse is bucking.” — Tom Gilleon, artist
41
BILL SCHENCK (B. 1947) e Crossing, 2021 oil on canvas 36 x 36 inches signed lower right: Schenck 21
PROVENANCE Private Collection, Westlake, Texas $10,000-$15,000
42
BILL SCHENCK (B. 1947)
Sunset on the Sand Hills, 2021 oil on canvas 36 x 36 inches signed lower right: Schenck 21
PROVENANCE Private Collection, Westlake, Texas $10,000-$15,000
WILLIAM ACHEFF (B. 1947)
San Juan Pueblo
Moccasins,
lower
Collection,
CONRAD SCHWIERING (1916 - 1986)
Conference Tree
on board
lower
Collection, Pilot Point,
CONRAD SCHWIERING (1916 - 1986)
Range Land Babysitter
Private Collection,
Point,
PROCTOR
MICHAEL GODFREY (B. 1958)
Window in the
MICHAEL GODFREY (B. 1958)
Scene
on canvas
Godfrey
Collection,
Collection,
50
CHARLES PARTRIDGE ADAMS
(1858 - 1942)
Evening in the Chicago Basin… Silverton, Colorado oil on canvas 14 x 18 inches signed lower left: Charles Partridge Adams
PROVENANCE
Private Collection, Plano, Texas
$8,000-$12,000
51
CHARLES PARTRIDGE ADAMS
(1858 - 1942)
Edge of the Aspen Grove oil on canvas 18 x 24 inches signed lower left: Charles Partridge Adams
PROVENANCE
Private Collection, Plano, Texas
$8,000-$12,000
53
E. MARTIN HENNINGS
(1886 - 1956)
Spanish Town – Cercidilla oil on canvas on panel 14 x 14 inches signed lower left: E. M. Hennings
PROVENANCE Private Collection, Dallas, Texas $35,000-$55,000
54
E. MARTIN HENNINGS
(1886 - 1956)
Mother and Child oil on canvas on panel 14 x 14 inches signed lower left: E. M. Hennings
PROVENANCE Private Collection, Fredericksburg, Texas $25,000-$35,000
JOSEPH HENRY
Private
56
ERIC BOWMAN (B. 1960) ough Storms Encompass Me, 2022 oil on canvas 30 x 30 inches signed upper left: Bowman
PROVENANCE Private Collection, Logan, Utah
$20,000-$30,000
57
ERIC BOWMAN (B. 1960)
I Turned to Listen, 2022 oil on linen 16 x 20 inches signed lower left: Bowman
PROVENANCE Private Collection, Dallas, Texas
$8,000-$12,000
59
GLENN DEAN (B. 1976)
Finding a Place in the Sun, 2020 oil on board 16 x 20 inches signed lower right: G. Dean
PROVENANCE Private Collection, Houston, Texas $10,000-$15,000
60
ALLAN HOUSER (1914 - 1994)
e Night Song, 1985 bronze, 8/20 10.75 x 7.75 x 5.5 inches inscribed on back: Allan Houser 8/20 85
PROVENANCE Private Collection, Newton, Pennsylvania $5,000-$7,000
62 ED MELL (B. 1942)
Mesa Sunset oil on linen 24.25 x 64 inches signed lower right: Ed Mell
PROVENANCE Private Collection, Dallas, Texas
$40,000-$50,000
63
ED MELL (B. 1942)
Nocturne Glow, 2015
oil on linen 20 x 30 inches signed lower right: Ed Mell
PROVENANCE
Private Collection, Dallas, Texas
$25,000-$35,000
ED MELL (B. 1942)
2021
on linen board
x 16 inches
lower left: Ed Mell
Collection, Dallas, Texas
MELL (B. 1942)
Dancing Bloom, 2021
on linen board
x 13.875 inches
lower right: Ed Mell
Collection, Dallas, Texas
WARHOL
War Bonnet Indian was one of fourteen screenprints in the portfolio titled Cowboys and Indians produced by the artist in 1986. Trial Proof Edition Prints are unique works that were pulled during the proo ng process of an edition, and each re ects unique color and/or composition changes. is example signed TP 6/36, is a true one-of-one, piece unique, making it very rare and highly collectible.
68
GERALD CURTIS DELANO
(1890 - 1972)
Cattle Country oil on board 20 x 24 inches signed lower right: Delano
PROVENANCE Private Collection, Dallas, Texas
$15,000-$25,000
69
GERALD CURTIS
DELANO (1890 - 1972) e Lookout
watercolor on paper 8 x 15 inches signed lower right: Delano (Cypher Only)
PROVENANCE Private Collection, Dallas, Texas
$10,000-$15,000
70
WILLIAM R. LEIGH (1866 - 1955)
Bu alo, 1956 bronze
x 20 x 10 inches
on base: W. R. Leigh/ Ethel Traphagen Leigh 1956
PROVENANCE
Private Collection, Dallas, Texas
71
WILLIAM R. LEIGH (1866 - 1955)
Hopi Pottery Painter
oil on panel
x 10 inches signed lower left: W. R. Leigh
PROVENANCE
Private Collection, Dallas, Texas
FREDERIC SACKRIDER REMINGTON (1861 - 1909)
e Sergeant, 1904
bronze, Lifetime Casting No. 8 10.5 inches high inscribed: Frederc [sic] Remington/Copyrighted 1904 Roman Bronze Works N.Y. 8 (inside base)
is casting of e Sergeant, completed in 1904, was a departure from Remington’s action bronzes of the period. Copyrighted by the artist as “Bust of Rough Rider Sargeant (sic),” it depicts the portrait of a seasoned soldier. e present cast is number 8 out of an edition of approximately 150 total produced and only 20 lifetime casts—making it very rare.
PROVENANCE Private Collection, Dallas, Texas
73
FREDERIC SACKRIDER
REMINGTON (1861 - 1909)
In the Desert gouache and ink wash on paper 10 x 13 inches signed lower left: Remington
PROVENANCE
Private Collection, Dallas, Texas $60,000-$90,000
FREDERIC
Rattlesnake,
Approxi-
present
76
EANGER IRVING COUSE (1866 - 1936)
e Pottery Painter oil on canvas 12 x 16 inches signed lower right: E. I. Couse
PROVENANCE
Private Collection, Plano, Texas
$30,000-$50,000
77
EANGER IRVING COUSE (1866 - 1936)
Watching the Fish oil on panel 8 x 10 inches signed lower right: E. I. Couse N.A.
PROVENANCE
Private Collection, Dallas, Texas
$20,000-$30,000
78
HOWARD TERPNING (B. 1927)
Cold Montana Morning, 1984 mixed media on board 8.5 x 11.5 inches signed lower left: Terpning CA 1984
PROVENANCE Private Collection, Dallas, Texas $40,000-$60,000
79
HOWARD TERPNING (B. 1927)
Northern Plains Brave, 2007 charcoal on paper 8 x 8 inches signed lower right: Terpning CA 2007
PROVENANCE
Private Collection, Dallas, Texas $7,000-$9,000
82
JIM NORTON (B. 1953)
Land of Good Beaver, 2004 oil on canvas 30 x 46 inches signed lower left: Jim C. Norton CA
PROVENANCE
Private Collection, Dallas, Texas $25,000-$45,000
BEV DOOLITTLE (B. 1947)
Wolves of the Crow watercolor on paper 18.375 x 47.5 inches signed lower left: Bev Doolittle
PROVENANCE
Private Collection, Westlake, Texas
$30,000-$50,000
CHARLES MARION RUSSELL (1864 - 1926)
Indian Women Moving Camp, 1894 watercolor on paper 22.25 x 33.5 inches signed lower left: CMRussell with Bu alo Cipher ‘94
Ginger Renner wrote of this and a second work, “A short vacation trip to London resulted in the acquisition of these companion watercolors. Quite likely they were purchased from the artist by one of the many Englishmen who came into Southern Alberta and Northern Montana toward the end of the 19th century, lured by the prospect of ranching investments. e watercolors had been in England eighty years when found, rather by accident, in Sotheby’s auction house in Belgravia. ese two watercolors are among the largest ever painted by Russell.”
PROVENANCE
Private Collection, Dallas, Texas
86
CHARLES MARION RUSSELL (1864 - 1926)
Indian on Horseback
pen, ink and gouache on paper 10.5 x 7.5 inches signed lower left: CMR with Bu alo Cipher
PROVENANCE Private Collection, Dallas, Texas
$40,000-$60,000
87
KENNETH PAULING RILEY (1919 - 2015)
Out of the Sun oil on canvas 26 x 19 inches signed lower right: Kenneth Riley
PROVENANCE Private Collection, Dallas, Texas $25,000-$35,000
90
KENNETH PAULING RILEY (1919 - 2015)
Brother
on canvas
lower right: Kenneth Riley
PROVENANCE
Collection, Dallas, Texas
91
JOHN COLEMAN (B. 1949)
Mato-Tope
13/20
2021
Coleman
PROVENANCE
Collection, Dallas, Texas
92
TOM LOVELL (1909 - 1997)
White Man’s Corn Tipis, 1993 oil on gesso panel 14 x 12 inches signed lower right: Tom Lovell ‘93
PROVENANCE Private Collection, Dallas, Texas $30,000-$40,000
93
TOM LOVELL (1909 - 1997)
White Man’s Corn Tipis, 1992 charcoal on paper 28.5 x 24 inches signed lower right: Tom Lovell 1992
PROVENANCE Private Collection, Dallas, Texas $5,000-$7,000
94
CLARK HULINGS (1922 - 2011)
Man From Belmonte (Spain), 1967
oil on canvas 22 x 33 inches signed lower right: Hulings 1967
PROVENANCE
Private Collection, Dallas, Texas
$30,000-$50,000
95
ARTHUR FITZWILLIAM TAIT (1819 - 1905)
Baby Chicks, 1864 oil on board 10 x 12 inches signed lower right: A. F. Tait 1864
PROVENANCE
Private Collection, Dallas, Texas
$6,000-$8,000
96
TUCKER SMITH (B. 1940)
Goats of Norway, 2004
oil on canvas 20 x 24 inches signed lower right: Tucker Smith 04
PROVENANCE
Private Collection, Dallas, Texas
$7,000-$10,000
98
JIM NORTON (B. 1953) rough the Bog
on board
x 16 inches
lower left: Jim C. Norton NWR
PROVENANCE
Private Collection, Houston, Texas
99
TOM BROWNING (B. 1949) Easy Crossing
on board
x 10 inches
lower right: Tom Browning CA
PROVENANCE Private Collection, Westlake, Texas
100
TOM BROWNING (B. 1949)
When the Hills are Kissed by the Sun
on board
x 24 inches signed lower right: Tom Browning CA
PROVENANCE
Private Collection, Westlake, Texas
102
JIM CARSON (B. 1942)
De ant Rebels, 2005 oil on canvas 20 x 30 inches signed lower right: Carson 2005
PROVENANCE Private Collection, Needham, Massachusetts
$6,000-$8,000
103
JIM CARSON (B. 1942)
Crockett’s Prayer, 2005 oil on canvas 15 x 12 inches signed lower right: Carson 2005
PROVENANCE Private Collection, Needham, Massachusetts
$2,000-$3,000
104
BRUCE R. GREENE (B. 1953)
Crockett’s Prayer
bronze, 1/12 15 x 20 x 20 inches inscribed on base: Bruce R. Greene 1/12
PROVENANCE
Private Collection, Needham, Massachusetts
$2,000-$3,000
JIM CARSON (B.
Army of
Anna
Collection,
JIM CARSON (B. 1942)
2004
CARSON THOMAS
Visalia Stock Saddle, 2005
rawhide, wood, nickel silver, wool
x 17 x 19.5 inches
on plate: Visalia Stock Saddle by Carson omas 1/1
PROVENANCE
Collection, Peoria, Arizona
Carson omas is a second-generation saddle maker who in the 1970’s also began making halfscale saddles to visually chronicle the Western saddle’s evolution. is model is based on a style that was popular west of the Rockies from the late 1880s to 1900. Visalia saddles are often fully carved or stamped. e in uence comes from the California vaqueros (Mexican cowboys) who elaborately decorated their saddles.
Bu
naturalism
biological
capture the Old West in terms of
es the artist’s command of animal anatomy, acquired in
observations of animals at the Bronx Zoo. According
Bertelli, Elk Bu alo “is very rare as I think we only cast in bronze ve or six copies of it.” Artist Frederic Remington was so impressed by Shrady’s Elk Bu alo, that he purchased an example in 1908, calling it “bye (sic) and large the best bu alo I ever saw modeled and it has become one of the things that I had to own.”
Roman Bronze Works,
HARVEY
114
G. HARVEY (1933 - 2017)
People of Paris, 1978 oil on canvas 14 x 10 inches signed lower left: G. Harvey 1978
PROVENANCE
Private Collection, Dallas, Texas $8,000-$12,000
115
G. HARVEY (1933 - 2017)
Place De La Concorde, 1978 oil on canvas 14 x 10 inches signed lower right: G. Harvey 1978
PROVENANCE
Private Collection, Dallas, Texas $8,000-$12,000
116
GUY CARLETON WIGGINS (1883 - 1962)
Winter 5th Avenue at St. Patrick’s oil on canvas board 12 x 9 inches signed lower right: Guy Wiggins
PROVENANCE Private Collection, Dallas, Texas $10,000-$15,000
HARRY ANDREW JACKSON
HARRY ANDREW JACKSON (1924 - 2011)
Express,
Jackson
Collection, Dallas,
HARRY ANDREW JACKSON
120
ROBERT PUMMILL (B. 1936)
Land of the Brush Poppers, 1980 oil on board 36 x 48 inches signed lower left: Pummill ‘80
PROVENANCE Private Collection, Dallas, Texas
$15,000-$25,000
121
BOB WYGANT (1927 - 2008)
Overlooking the Rio Grande acrylic on board 18 x 24 inches signed lower right: Bob Wygant TA
PROVENANCE Private Collection, Houston, Texas
$6,000-$9,000
122
MELVIN CHARLES WARREN (1920-1995)
A Texas Ranch, 1966 oil on canvas 28 x 40 inches signed lower right: Melvin C. Warren 1966
PROVENANCE
Private Collection, Houston, Texas $25,000-$35,000
123
MELVIN CHARLES WARREN (1920-1995)
Little Joe, Don Eagle, 1987 oil on canvas 14 x 28 inches signed lower right: Melvin C. Warren CA 1987
PROVENANCE
Private Collection, Houston, Texas $15,000-$25,000
124
MELVIN CHARLES WARREN (1920-1995)
Longhorn,
PROVENANCE
Private Collection, Dallas, Texas
127
BOB KUHN (1920 - 2007)
On Desert Slopes
acrylic on board 14 x 18 inches signed lower left: Kuhn
PROVENANCE
Private Collection, Houston, Texas
$70,000-$90,000
128
BOB KUHN (1920 - 2007)
Watchful Eyes
acrylic on board 12.5 x 10 inches signed lower middle right: Kuhn
PROVENANCE
Private Collection, Houston, Texas
$25,000-$35,000
131
TIM SHINABARGER (B. 1966)
Sik Sik Shell Game bronze, 25/30 23 x 21 x 15 inches inscribed: Sik Sik Shell Game, Shinabarger 25/30
PROVENANCE
Private Collection, Dallas, Texas $15,000-$25,000
129
BOB KUHN (1920 - 2007)
Bighorns
conte crayon on paper 9.25 x 12.25 inches signed lower right: Kuhn
PROVENANCE Private Collection, Houston, Texas $3,000-$5,000
130
BOB KUHN (1920 - 2007) Cape Bu alo
conte crayon on paper 9 x 10.5 inches signed lower right: Kuhn
PROVENANCE Private Collection, Houston, Texas $3,000-$5,000
KEN CARLSON
JOHN COWAN
MARRIS
146
JOHN DEARMAN
Covey Rise
watercolor on paper 14.5 x 22 inches signed lower right: John Dearman
PROVENANCE
Private Collection, Houston, Texas
$4,000-$6,000
147
JOHN DEARMAN
Morning Bag, 1986
watercolor on paper 18 x 26.5 inches signed lower right: John Dearman 1986
PROVENANCE
Private Collection, Houston, Texas
$3,000-$5,000
148
REVEAU MOTT BASSETT (1897 - 1981) Mallards oil on canvas 24 x 30 inches unsigned PROVENANCE Private Collection, Dallas, Texas $15,000-$25,000
149
REVEAU MOTT BASSETT (1897 - 1981)
Ducks in Flight – Field Sketch oil on board 12 x 16 inches signed lower left: Reveau Bassett Field Sketch
PROVENANCE
Private Collection, Dallas, Texas $5,000-$8,000
150
JIM MORGAN (B. 1947)
Forever Mates
on board
x 36 inches signed lower right: Jim Morgan
PROVENANCE
Collection, Houston, Texas
151
FRANK STICK (1884 - 1966)
Rabbit Hunters
on canvas
x 27.75 inches signed lower left: Frank Stick
PROVENANCE
Private Collection, Dallas, Texas
152
JOHN MIX STANLEY (1814 - 1872)
Assiniboine Encampment
oil on canvas 18 x 12 inches signed lower right: J M Stanley
PROVENANCE
Private Collection, Dallas, Texas $250,000-$350,000
An extensive traveler throughout the vast Western frontier in the rst half of the nineteenth century, John Mix Stanley ranks among the earliest and most celebrated chroniclers of the American West through his powerful images of Native American culture, and today, most of his paintings and drawings reside in institutional collections. In 1853, he made his last trip West as the o cial artist for the Stevens Paci c Railroad Survey, which traveled from Saint Paul to the Puget Sound. Upon his return, Stanley settled as a studio artist and attempted to establish an “Indian Gallery” of his art in the manner of George Catlin, receiving positive praise for his work by contemporary Seth Eastman. Unfortunately, the majority of the gallery was lost to a re at the Smithsonian Institute in 1865, making the present work a supremely rare surviving example of Stanley’s important oil paintings.
ALBERT BIERSTADT (1830 - 1902)
Stream
on paper on canvas
x 19 inches
lower left: ABierstadt
Collection, Dallas, Texas
SYDNEY MORTIMER LAURENCE (1865 - 1940)
McKinley
on board
x
inches
lower right:
Laurence
Collection, Dallas, Texas
155
HERMANN OTTOMAR HERZOG
(1832 - 1932)
Moon Glow, Cascades, 1871 oil on canvas 24 x 19 inches signed lower right. H. H. Herzog 1871
PROVENANCE
Private Collection, Dallas, Texas
$15,000-$25,000
156
ALBERT BIERSTADT (1830 - 1902)
Roaring River oil on paper on panel 7 x 10.25 inches signed lower left: ABierstadt
PROVENANCE
Private Collection, Dallas, Texas
$10,000-$15,000
157
WOLF KAHN (1909 - 1997)
Pale Texas Landscape oil on canvas 20 x 25 inches unsigned
PROVENANCE Private Collection, Dallas, Texas
$15,000-$25,000
158
WOLF KAHN (1909 - 1997)
Leading to Balsam Firs, 2001 oil on canvas 19 x 13 inches signed lower middle: W Kahn
PROVENANCE
Private Collection, Dallas, Texas
$8,000-$12,000
BIRGER SANDZEN
Logan Utah,
lower
Collection,
160
BIRGER SANDZEN
- 1954)
Pond, 1937
on board
x 28 inches
lower right: Birger Sandzen
Private Collection, Fredericksburg, Texas
161
THEODORE WADDELL (B. 1941)
Stillwater Angus #4, 2020 oil and encaustic on canvas 30 x 40 inches signed lower right: T Waddell
PROVENANCE Private Collection, Dallas, Texas $13,000-$16,000
162
CHARLES WARREN EATON (1857 - 1937)
Twilight oil on canvas 28 x 30 inches signed lower left: Chas Warren Eaton
PROVENANCE Private Collection, Houston, Texas $9,000-$12,000
JULIAN ONDERDONK
164
FRANK REAUGH
Palo Duro Canyon
pastel on paper
PROVENANCE
Private Collection, Dallas, Texas
$6,000-$8,000
165
FRANK REAUGH
-
West Texas Landscape, 1887
pastel on paper
x 10.5 inches
PROVENANCE
Private Collection, Dallas, Texas
$8,000-$10,000
JOSE
167
OTIS DOZIER (1904 - 1987)
Davis Mountains, 1970 oil on canvas 30 x 48 inches signed lower right: Otis Dozier ‘70
PROVENANCE
Private Collection, Santa Fe, New Mexico
$15,000-$25,000
168
PORFIRIO SALINAS (1919 - 1973)
Hill Country Autumn oil on canvas 24 x 36 inches signed lower left: Por rio Salinas
PROVENANCE
Private Collection, Houston, Texas
$8,000-$12,000
DOROTHY HOOD (1918 -
From
Garden
PROVENANCE
170
ROBERT WILLIAM WOOD
(1889 - 1979)
Bandera Bluebonnets oil on canvas 28 x 36 inches signed lower right: Robert Wood
PROVENANCE Private Collection, Houston, Texas
$35,000-$45,000
171
ROBERT WILLIAM WOOD
(1889 - 1979)
After a Shower oil on canvas 25 x 30 inches signed lower left: Robert Wood
PROVENANCE Private Collection, McGregor, Texas $8,000-$12,000
172
ROBERT WILLIAM WOOD (1889 - 1979)
Bluebonnet Landscape oil on canvas 24 x 30 inches signed lower right: Robt. Wood
PROVENANCE
Private Collection, Westlake, Texas
$15,000-$25,000
173
WILLIAM SLAUGHTER (1923 - 2003)
Texas in Bloom, 1977 oil on canvas 18 x 24 inches signed lower right: W. A. Slaughter ‘77
PROVENANCE Private Collection, Dallas, Texas $5,000-$7,000
175
MARTIN GRELLE (B. 1954)
Comanche, 2021 acrylic on linen 16 x 12 inches signed lower right: Martin Grelle CA 2021
PROVENANCE
Private Collection, Walnut Springs, Texas
$20,000-$30,000
176
MARTIN GRELLE (B. 1954)
Seeking Safety, 2022 acrylic on linen 12 x 12 inches signed lower right: Martin Grelle CA 2022
PROVENANCE
Private Collection, Fredericksburg, Texas $15,000-$25,000
177 PAUL MOORE
(B. 1957)
O ering to the Sun, 2012 bronze, 2/15 12.5 x 42 x 14.5 inches inscribed: Moore CA ‘12 2/15
PROVENANCE
Private Collection, Dallas, Texas $6,000-$9,000
178 BILL OWEN
(1942 - 2013)
Tailin’ Her Down, 2000 oil on linen 24 x 36 inches signed lower right: Bill Owen CA 2000
PROVENANCE Private Collection, Nashville, Tennessee
$25,000-$35,000
179
BILL OWEN (1942 - 2013)
Spring Round Up, 1998 oil on linen 20 x 40 inches signed lower right: Bill Owen CA 1998
PROVENANCE
Private Collection, Nashville, Tennessee
$25,000-$35,000
180
JAMES ELWOOD REYNOLDS (1926 - 2010)
Watching the Herd oil on board 26 x 38 inches signed lower left: James Reynolds
PROVENANCE Private Collection, Dallas, Texas $15,000-$25,000
181
JAMES ELWOOD REYNOLDS (1926 - 2010)
A Bad row, 1960 oil on board 25 x 30 inches signed lower right: James Reynolds 1960
PROVENANCE Private Collection, Dallas, Texas $10,000-$15,000
185 JASON RICH
On Beaver Creek oil on board 18 x 24 inches signed lower left: Jason Rich
PROVENANCE Private Collection, Houston, Texas
186
FRANK C. MCCARTHY (1924 - 2002)
Crack in the Rock, 1992 oil on board 16 x 12 inches signed lower right: McCarthy CA 1992
PROVENANCE Private Collection, Dallas, Texas
$7,000-$10,000
187
R. BROWNELL MCGREW (1916 - 1994)
On a Summer Morning oil on board 24 x 20 inches signed lower left: R Brownell McGrew
PROVENANCE Private Collection, Dallas, Texas
188
G. HARVEY (1933 - 2017) oughts of Home, 2003
bronze, 13/100 9.5 x 10 x 3 inches inscribed on base: G. Harvey, oughts of Home 2003 13/100
PROVENANCE Private Collection, Dallas, Texas
189
G. HARVEY (1933 - 2017) Spittin’ Image, 2003
bronze, 14/100 10 x 6 x 3.5 inches inscribed on base: G. Harvey Spittin’ Image 2003 14/100
PROVENANCE Private Collection, Dallas, Texas $3,000-$5,000
190
G. HARVEY (1933 - 2017)
Special Times, 1990
bronze, 147/250 11.5 x 14 x 4.5 inches inscribed on base: G. Harvey Special Times 1990 147/250
PROVENANCE Private Collection, Dallas, Texas
191
G. HARVEY (1933 - 2017) Longhorn, 1970
bronze, 6/30 7.25 x 12.5 x 5.5 inches inscribed on base: G. Harvey 6-30 1970
PROVENANCE Private Collection, Dallas, Texas $2,000-$3,000
194
BILL OWEN (1942 - 2013)
Team Roping, 2005 oil on linen 24 x 44 inches signed lower right: Bill Owen CA 2005
PROVENANCE
Private Collection, Nashville, Tennessee
$30,000-$40,000
197
BILL OWEN (1942 - 2013)
Western Heritage, 1983 bronze, AC 13 x 14 x 5.5 inches inscribed on base: Bill Owen CA AC (Artist’s Casting) Edition of 25
PROVENANCE Private Collection, Peoria, Arizona
$2,000-$3,000
195
BILL OWEN (1942 - 2013)
A Cowboy’s Rig, 1983
bronze, 33/100
4.75 x 12.5 x 7 inches inscribed on back: Bill Owen CA 1983 33/100
PROVENANCE
Private Collection, Peoria, Arizona
$1,000-$2,000
196
BILL OWEN (1942 - 2013)
Bull Study, 1997 oil on board 5 x 7 inches signed lower right: Bill Owen CA ‘97
PROVENANCE Private Collection, Peoria, Arizona
$1,000-$2,000
199
BILL OWEN (1942 - 2013)
Clay Ashhurst, Horse Wrangler, 1996 oil on linen 20 x 40 inches signed lower right: Bill Owen CA 1996
PROVENANCE
Private Collection, Nashville, Tennessee
$25,000-$35,000
202
GEORGE KOVACH (B. 1942)
Bu alo Herd oil on canvas 28 x 42 inches signed lower right: G Kovach
PROVENANCE
Private Collection, Westlake, Texas $4,000-$6,000
203
MELVIN CHARLES WARREN
(1920-1995)
Round Up, 1965
oil on canvas 24 x 30 inches signed lower left: Melvin C. Warren 1965
PROVENANCE
Private Collection, Dallas, Texas $10,000-$15,000
BODELSON
Lands (Study)
TONY EUBANKS (B. 1939)
Bovine Beauties
on canvas
x
lower
Collection, Westlake,
JAMES BOREN (1921 - 1990)
Mexican Cowboy, 1976
on paper
x
inches
lower left:
PROVENANCE
Boren
Collection, Norman,
Collection,
JOE RADER ROBERTS (1925 - 1982)
Cold Jerky
on canvas
lower
PROVENANCE
Collection, Norman,
208
R. S. RIDDICK (B. 1952)
Joyful Heart, 2006 oil on linen panel 20 x 16 inches signed lower right: R. S. Riddick CA 2006
PROVENANCE Private Collection, Peoria, Arizona
$3,000-$5,000
209 LOTINCLUDESTWOPAINTINGS
R. S. RIDDICK (B. 1952)
River Song, 2008
oil on belgian linen panel 10 x 12 inches signed lower left: R. S. Riddick CA
PROVENANCE Private Collection, Peoria, Arizona
$5,000-$8,000
R. S. RIDDICK (B. 1952)
San Juan Afternoon, 2008
oil on belgian linen panel 10 x 12 inches signed lower left: R. S. Riddick CA
JAMES ELWOOD REYNOLDS (1926 - 2010) Landscape
on canvas
x 12 inches
lower left: James Reynolds CA
PROVENANCE Private Collection, Peoria, Arizona
$2,000-$4,000
211
CHARLIE DYE (1906 - 1972)
e Fence Rider, 1958
on board
x 20 inches signed lower left: Charlie Dye
PROVENANCE Private Collection, Laguna Woods, California
JOHN FORD CLYMER (1907 - 1989)
Untitled (Indian Brave with Horse)
ink on paper
x 10 inches signed lower right: John Clymer
PROVENANCE Private Collection, Westlake, Texas
213
FRED FELLOWS (B. 1938)
Viva Tequila
bronze, 1/100 16 x 12 x 6.5 inches inscribed on base: Fellows CA 1/100
PROVENANCE
Private Collection, Peoria, Arizona
$2,000-$4,000
214
ROCK NEWCOMB (B. 1945)
Cheyenne Memories
acrylic on canvas 9 x 12 inches signed lower left: Rock Newcomb
PROVENANCE
Private Collection, Westlake, Texas
$1,000-$2,000
215 MIAN SITU (B. 1953)
Market Day
oil on board
12 x 16 inches signed lower right: Mian Situ
PROVENANCE
Private Collection, Fredericksburg, Texas
$3,000-$5,000
RICHARD SCHMID
SONYA TERPENING (B.
DOOLITTLE (B.
Pinto
KAPP
Trail,
MOLINE
Camp
on canvas
Collection, Norman,
PHIL BECK
Collection,
ACHEFF, WILLIAM Color in the Forest 43 San Juan Pueblo Pots and Moccasins 44
ADAMS CHARLES PARTRIDGE Edge of the Aspen Grove 51 Evening in the Chicago Basin… Silverton, Colorado 50
AFSARY, CYRUS Tradition 1
ANTON BILL e Spring aw 183
ARPA, JOSE Girl Portrait 166
BANOVICH, JOHN Bu alo Run 132 Sign of a Worthy Competitor 141 BASSETT, REVEAU M. Ducks in Flight – Field Sketch 149 Mallards 148
BECK, PHIL Four Cow Portraits 221 BEELER JOE Wild Cow Hunter 2
BERNINGHAUS OSCAR Pueblo Canyon Forest 67
BIERSTADT, ALBERT Mountain Stream 153 Roaring River 156
BODELSON, DAN Lakota Lands (Study) 205
BOREN, JAMES Mexican Cowboy 206
BOWMAN ERIC I Turned to Listen 57 ough Storms Encompass Me 56
BROWNING TOM Anticipation 200 Cozyin’ Up 201 Easy Crossing 99 When the Hills are Kissed by the Sun 100
CARLSON, KEN Bobwhites 136 Pheasants 135 Shade at Noon 134 Winner Take All 137 Wrapped in Color 138
CARSON, JIM e Army of Santa Anna 106 Crockett 105 Crockett’s Prayer 103 De ant Rebels 102
CHEEVER, BRUCE Great Plains Warrior 7 Undaunted 8
CLYMER, JOHN F. Untitled (Indian Brave with Horse) 212
COLEMAN, JOHN Crazy Horse 1876 89 Honeymoon at Crow Fair 80 Mato-Tope 1833 91 e New Comers 1804 39 Oracle of the Bu alo Nation 88 COTTON, BRENT e Setting Sun 40
COUSE, EANGER I. e Pottery Painter 76 e Speaker 75 Watching the Fish 77
COWAN, JOHN e Groins, Captiva 139
DEAN, GLENN e End of a Good Day 58 Finding a Place in the Sun 59
DEARMAN, JOHN Covey Rise 146 Morning Bag 147
DELANO, GERALD C. Cattle Country 68 e Lookout 69
DOELLINGER, MICK De ant 142
DOOLITTLE, BEV Pinto Mare and Foal 218 Wolves of the Crow 83
DOZIER, OTIS Davis Mountains 167
DUDASH C. MICHAEL Peace Be Still 5
DYE CHARLIE e Fence Rider 211
EATON, CHARLES W. Twilight 162
EUBANKS TONY Bovine Beauties 204
FELLOWS FRED Viva Tequilla 213
FRASER, JAMES E. End of the Trail 125
FRAZIER, LUKE
Boss of the Badlands 140 Brittany & Quail 144
GILLEON, R. TOM Another Bucker 36 Wolfe Butte Camp 38 Yellowstone Re ections 37
GODFREY MICHAEL Snow Scene 49 A Window in the Aspens 48
GREENE BRUCE R. Crockett’s Prayer 104 GREER, A. D. Blanco River 225
GRELLE, MARTIN
Autumn Getaway 14
Bosque County Chill 13 Comanche 175 Seeking Safety 176
Trapper’s Goods No More 174
HAGEGE, LOGAN M. Weather Beyond the Mesa 61
HALBACH, DAVID e Forewarning 6
HALLMARK GEORGE e Heart of Texas (Alamo, ca 1920) 101
HARVEY G. Autumn Along the Creek 10 Baytown Rigs 112
A Child’s Holiday 111 Encroachment (Near Georgetown Texas) 9 Longhorn 191 People of Paris 114
Place De La Concorde 115 Special Times 190 Spittin’ Image 189 Stampede 113 oughts of Home 188
HENNINGS E. MARTIN
Mother and Child 54 Spanish Town – Cercidilla 53 e Wagon Road 52
HERZOG, HERMANN O. Moon Glow, Cascades 155
HOOD DOROTHY From My Garden 169
HOUSER, ALLAN e Night Song 60
HULINGS, CLARK Man From Belmonte (Spain) 94
JACKSON HARRY A. e Marshall III 119 e Pony Express 118 Two Champs 117
JOE SR., ORLAND Medicine Horse 3
KAHN, WOLF
Leading to Balsam Firs 158 Pale Texas Landscape 157
KAPP, GARY Breaking Trail 219
KOVACH GEORGE Bu alo Herd 202
KUHN, BOB Bighorns 129 Cape Bu alo 130 North Country 126
On Desert Slopes 127 Watchful Eyes 128
LAURENCE SYDNEY M. Mt. McKinley 154
LEIGH, WILLIAM R.
Bu alo 70
Hopi Pottery Painter 71
LIANG, Z. S.
Overlooking the Two Medicine River 81
LOVELL TOM
White Man’s Corn Tipis 92 White Man’s Corn Tipis 93
MARKOS, LAJOS
e Scout 223
Silver Dollar Bet 222 Whiskey Trader Joe 224
MARRIS, BONNIE
Winter Bu alo 143
MATIA, WALTER Covey Rise 145
MCCARTHY FRANK C. Crack in the Rock 186
MCGREW, R. BROWNELL
On a Summer Morning 187 MELL, ED Dancing Bloom 65 Mesa Sunset 62 Nocturne Glow 63 underheads 64
MOLINE, BOB Summer Camp 220 MOORE PAUL O ering to the Sun 177 MORGAN, JIM Forever Mates 150 NEWCOMB, ROCK Cheyenne Memories 214
NORTON JIM
Land of Good Beaver 82 rough the Bog 98 Where Eagles Fly 97
ONDERDONK, JULIAN
In the Boerne Hills – Southwest Texas 163
OWEN, BILL
And All a Good Night 25
At Sunset 18
Bill Owen’s Custom Bit and Spurs by Steve Schmitt 32 Bill Owen’s Custom Saddle by John Herron (with accessories) 31 Blue 33 Bull Study 196
Clay Ashhurst, Horse Wrangler 199
A CO Bar Bull and Book 22 CO Bar Ranch Bulls 23
Cow Head 35
A Cowboy’s Potlicker 34
A Cowboy’s Rig 195 e Cutting Horse 26
Doe, Ray and Me 27 Harvey Tank 28 Horse Head Study 24 e Last One 20
A Little Cowboy’s Delight 30 Moonlighters 198 Ranch Mare 16 Ride for the Brand 29 Sackin’ Out a Bronc 15 Spring Round Up 179 Starving Cowboy 17 Tailin’ Her Down 178 Takin’ the Jerk 19 Tatanka 21 Team Roping 194 Western Heritage 197
PHIPPEN, GEORGE
Arizona Rockhopper 12 In from the Range 11
POLZIN, KYLE
e Chase 109 e Maverick 192 Trailblazer 193 Treasures of a Nation 110
PROCTOR BURT Noon 47
PUMMILL ROBERT
Land of the Brush Poppers 120
REAUGH, FRANK Palo Duro Canyon Longhorns 164 West Texas Landscape 165
REMINGTON, FREDERIC S. In the Desert 73 e Rattlesnake 74 e Sergeant 72
REYNOLDS JAMES E. A Bad row 181 e Colorado 182 Landscape 210 Watching the Herd 180
RICH JASON
On Beaver Creek 185
RIDDICK, R. S. Joyful Heart 208 River Song 209 San Juan Afternoon 209
RILEY KENNETH P. Blood Brother 90 Out of the Sun 87
ROBERTS JOE R. Cold Jerky 207
RUSSELL CHARLES M. Indian on Horseback 86 Indian Portrait 85 Indian Women Moving Camp 84
RYAN III, TOM Experience Counts, Mike Gibson 6666s Ranch 184
SALINAS, PORFIRIO Hill Country Autumn 168
SANDZEN BIRGER Poplars, Logan Utah 159 Prarie Pond 160
SCHENCK, BILL e Crossing 41 Sunset on the Sand Hills 42
SCHMID, RICHARD Molly 216
SCHWIERING CONRAD e Conference Tree 45 Range Land Babysitter 46
SHARP, JOSEPH H. Dolly, Taos 55
SHEPHERD RICHARD D. Elephant and Termite Mound 133
SHINABARGER, TIM Sik Sik Shell Game 131
SHRADY, HENRY M. Elk Bu alo 108
SITU MIAN Market Day 215
SLAUGHTER, WILLIAM Texas in Bloom 173
SMITH, TUCKER Goats of Norway 96
SPECK GENE Evening Colors 4
STANLEY JOHN M. Assiniboine Encampment 152
STICK, FRANK Rabbit Hunters 151
TAIT, ARTHUR FITZWILLIAM Baby Chicks 95
TERPENING SONYA New Friends 217
TERPNING, HOWARD Cold Montana Morning 78 Northern Plains Brave 79
THOMAS, CARSON Visalia Stock Saddle 107
WADDELL, THEODORE Stillwater Angus #4 161
WALLIS KENT Secluded Pond 226
WARHOL, ANDY War Bonnet Indian 66
WARREN, MELVIN C. Little Joe, Don Eagle 123 Round Up 203 Texas Longhorn 124 A Texas Ranch 122
WIGGINS, GUY C. Winter 5th Avenue at St. Patrick’s 116
WOOD ROBERT W. After a Shower 171 Bandera Bluebonnets 170 Bluebonnet Landscape 172
WYGANT, BOB Overlooking the Rio Grande 121
Auctioneer and Auction:
is Auction is presented by Lone Star Art Auction, a D.B.A. of Great American West, LLC (“Auctioneer”). e Auction is conducted under these Terms and Conditions and applicable state and local law.
Announcements and corrections from the podium and those made through the Terms and Conditions appearing on the Internet at www.lsartauction.com supersede those in the printed catalog.
Auctioneer Jason Brooks, State of Texas License Number 16216, will preside over the Auction.
Buyer’s Premium:
All bids are subject to a Buyer’s Premium which is in addition to the placed successful bid otherwise de ned as the Hammer Price.
Following is the Buyer’s Premium Schedule for the Auction: 20% for Live In-Person Bidding, Telephone Bidding, and Absentee or Proxy Bidding. 20% for Online Bidding on the Auction website at www. lsartauction.com. 25% for Online Bidding on Bid Square and Live Auctioneers.
Bidders:
1. Any person participating or registering for the Auction agrees to be bound by and accepts these Terms and Conditions (“Bidder(s)”).
2. All Bidders must meet Auctioneer’s quali cations to bid. Any Bidder who is not a client in good standing of the Auctioneer may be disquali ed at Auctioneer’s sole option and will not be awarded lots. Such determination may be made by Auctioneer in its sole and unlimited discretion, at any time prior to, during, or even after the close of the Auction. Auctioneer reserves the right to exclude any person from the auction.
3. If an entity places a bid, then the person executing the bid on behalf of the entity agrees to personally guarantee payment for any successful bid.
Credit:
In order to place bids, Bidders who have not established credit with the Auctioneer must either furnish satisfactory credit information (including two collectibles-related business references) or supply valid credit card information along with a social security number, well in advance of the Auction. Bidders should preregister at least two business days before the start of the Auction (exclusive of holidays or weekends) to allow adequate time to contact references. Credit will be granted at the discretion of Auctioneer. Additionally Bidders who have not previously established credit or who wish to bid in excess of their established credit history may be required to provide their social security number or the last four digits thereof so a credit check may be performed prior to Auctioneer’s acceptance of a bid. Check writing privileges and immediate delivery of merchandise may also be determined by pre-approval of credit based on a combination of criteria: Auctioneer history, related industry references, bank veri cation, a credit bureau report and/ or a personal guarantee for a corporate or partnership entity in advance of the auction venue.
Bidding Options:
1. Presentment of Bids. Non-Internet bids (including but not limited to podium, phone, and mail bids) are treated similar to oor bids in that they must be on-increment or at a half increment (called a cut bid). Any podium, phone, or mail bids that do not conform to a full or half increment will be rounded up to the nearest full or half increment and this revised amount will be considered your high bid.
2. Auctioneer’s Execution of Certain Bids. Auctioneer cannot be responsible for your errors in bidding, so carefully check that every bid is entered correctly. When identical mail bids are submitted, preference is given to the rst received. To ensure
the greatest accuracy, your written bids should be entered on the standard printed bid sheet and be received at Auctioneer’s place of business at least two business days before the Auction start. Auctioneer is not responsible for executing mail bids received on or after the day the rst lot is sold, nor Internet bids submitted after the published closing time; nor is Auctioneer responsible for proper execution of bids submitted by telephone, mail, e-mail, Internet, or in person once the Auction begins. Bids placed electronically via the Internet may not be withdrawn until your written request is received and acknowledged by Auctioneer. Such requests must state the reason, and may constitute grounds for withdrawal of bidding privileges. Lots won by mail Bidders will not be delivered at the Auction unless prearranged.
3. Caveat as to Bid Increments. Bid increments (over the current bid level) determine the lowest amount you may bid on a particular lot. Bids greater than one increment over the current bid can be any whole dollar amount. It is possible under several circumstances for winning bids to be between increments, some times only $1 above the previous increment. Bids will be accepted in whole dollar amounts only. No “buy” or “unlimited” bids will be accepted.
e following chart governs current bidding increments.
Current Bid Increment:
Under $2,000$100 $2,000 – $5,000$250 $5,000 – $10,000$500 $10,000 – $20,000$1,000 $20,000 – $50,000$2,500 $50,000 – $100,000$5,000 Over $100,000$10,000
4. If Auctioneer calls for a full increment, a bidder may request Auctioneer to accept a bid at half of the increment (“Cut Bid”) only once per lot. After o ering a Cut Bid, bidders may continue to participate only at full increments. If the Auctioneer solicits bids other than the expected increment, these bids will not be considered Cut Bids.
Conducting the Auction:
1. e highest quali ed Bidder recognized by the Auctioneer shall be the Buyer. In the event of a tie bid, the earliest bid received or recognized wins. In the event of any dispute between any Bidders at an Auction, Auctioneer may at his sole discretion reo er the lot. Auctioneer’s decision and declaration of the winning Bidder shall be nal and binding upon all Bidders. Bids properly o ered, whether by oor Bidder or other means of bidding, may on occasion be missed or go unrecognized; in such cases, the Auctioneer may declare the recognized bid accepted as the winning bid, regardless of whether a competing bid may have been higher. Auctioneer reserves the right after the hammer falls to accept bids and reopen bidding for bids placed through the Internet or otherwise.
2. Auctioneer reserves the right to refuse to honor any bid or to limit the amount of any bid, in its sole discretion. A bid is considered not made in “Good Faith” when made by an insolvent or irresponsible person, a person under the age of eighteen, or is not supported by satisfactory credit, collectibles references, or otherwise. Regardless of the disclosure of his identity, any bid by a consignor or his agent on a lot consigned by him is deemed to be made in “Good Faith.” Any person apparently appearing on the OFAC list is not eligible to bid.
3. Nominal Bids. e Auctioneer in its sole discretion may reject nominal bids, small opening bids, or very nominal advances. If a lot bearing estimates fails to open for 40–60% of the low estimate, the Auctioneer may pass the item or may place a protective bid on behalf of the consignor.
4. Lots bearing bidding estimates shall open at Auctioneer’s discretion (approximately 50%-60% of the low estimate). In the event that no bid meets or exceeds that opening amount, the lot shall pass as unsold.
5. All items are to be purchased per lot as numerically indicated and no lots will be broken. Auctioneer reserves the right to withdraw, prior to the close, any lots from the Auction.
6. Auctioneer reserves the right to rescind the sale in the event of nonpayment, breach of a warranty, disputed ownership, auctioneer’s clerical error or omission in exercising bids and reserves, or for any other reason and in Auctioneer’s sole discretion. In cases of nonpayment, Auctioneer’s election to void a sale does not relieve the Bidder from their obligation to pay Auctioneer its fees (seller’s and buyer’s premiums) and any other damages or expenses pertaining to the lot.
7. Auctioneer occasionally experiences Internet and/or Server service outages, and Auctioneer periodically schedules system downtime for maintenance and other purposes, during which Bidders cannot participate or place bids. If such outages occur, we may at our discretion extend bidding for the Auction. Bidders unable to place their Bids through the Internet are directed to contact the Auctioneer at (214) 730-0939.
8. e Auctioneer, its a liates, or their employees consign items to be sold in the Auction, and may bid on those lots or any other lots. Auctioneer or a liates expressly reserve the right to modify any such bids at any time prior to the hammer based upon data made known to the Auctioneer or its a liates. e Auctioneer may extend advances, guarantees, or loans to certain consignors.
9. e Auctioneer has the right to sell certain unsold items after the close of the Auction. Such lots shall be considered sold during the Auction and all these Terms and Conditions shall apply to such sales including but not limited to the Buyer’s Premium, return rights, and disclaimers.
Payment:
1. All sales are strictly in United States dollars and accepted methods of payment include personal checks, commercial checks, cashier checks, and bank wire, and are subject to all reporting requirements. Authorized MasterCard, Visa and Discover credit card payments are accepted but are limited to a maximum total of $10,000.00 U.S. dollars for the auction. ese credit cards are also accepted with the convenience fee charge of 3.0% added to the total purchase amount (hammer price plus Buyer’s premium). All deliveries are subject to good funds; funds being received in Auctioneer’s account before delivery of the Purchases; and all payments are subject to a clearing period. Auctioneer reserves the right to determine if a check constitutes “good funds”: checks drawn on a U.S. bank are subject to a ten business day hold, and thirty days when drawn on an international bank. Clients with prearranged credit status may receive immediate credit for payments via e-Check, personal, or corporate checks. All others will be subject to a hold of ve (5) days, or more, for the funds to clear prior to releasing merchandise.
2. Payment is due upon closing of the Auction session, or upon presentment of an invoice. Auctioneer reserves the right to void an invoice if payment in full is not received within seven (7) days after the close of the Auction. In cases of nonpayment, Auctioneer’s election to void a sale does not relieve the Bidder from their obligation to pay Auctioneer its fees (seller’s and buyer’s premiums) on the lot and any other damages pertaining to the lot or Auctioneer, at its option, may charge a twenty (20%) restock fee on the amount of the purchase and o set the restock fee against any monies paid to the Auctioneer or against any of the purchaser’s properties held by the Auctioneer.
3. Lots delivered to you, or your representative, are subject to all applicable state and local taxes, unless appropriate permits are
on le with Auctioneer. Bidder agrees to pay Auctioneer the actual amount of tax due in the event that sales tax is not properly collected due to: 1) an expired, inaccurate, or inappropriate tax certi cate or declaration, 2) an incorrect interpretation of the applicable statute, 3) or any other reason. e appropriate form or certi cate must be on le at and veri ed by Auctioneer ve (5) days prior to Auction, or tax must be paid; only if such form or certi cate is received by Auctioneer within four (4) days after the Auction can a refund of tax paid be made.
4. In the event that a Bidder’s payment is dishonored upon presentment(s), Bidder shall pay the maximum statutory processing fee set by applicable state law. If you attempt to pay via e-Check and your nancial institution denies this transfer from your bank account, or the payment cannot be completed using the selected funding source, you agree to complete payment using another acceptable form of payment.
5. If any Auction invoice submitted by Auctioneer is not paid in full when due, the unpaid balance will bear interest at the highest rate permitted by law from the date of invoice until paid. Any invoice not paid when due will bear a three percent (3%) late fee on the invoice amount. If the Auctioneer refers any invoice to an attorney for collection, the buyer agrees to pay attorney’s fees, court costs, and other collection costs incurred by Auctioneer.
6. In the event a successful Bidder fails to pay any amounts due, Auctioneer reserves the right to sell the lot(s) securing the invoice to any under-bidders in the Auction that the lot(s) appeared, or at subsequent private or public sale, or relist the lot(s) in a future auction conducted by Auctioneer. A defaulting Bidder agrees to pay for the reasonable costs of resale (including a 20% seller’s commission, if consigned to an auction conducted by Auctioneer). e defaulting Bidder is liable to pay any di erence between his total original invoice for the lot(s), plus any applicable interest, and the net proceeds for the lot(s) if sold at private sale or the subsequent hammer price of the lot(s) less the 20% seller’s commission, if sold at an Auctioneer’s auction.
7. Auctioneer reserves the right to require payment in full in good funds before delivery of the merchandise.
8. Auctioneer shall have a lien against the merchandise purchased by the buyer to secure payment of the Auction invoice. Auction eer is further granted a lien and the right to retain possession of any other property of the buyer then held by the Auctioneer or its a liates to secure payment of any Auction invoice or any other amounts due the Auctioneer or a liates from the buyer. With respect to these lien rights, Auctioneer shall have all the rights of a secured creditor under Article 9 of the Texas Uniform Commercial Code, including but not limited to the right of sale (including a 20% seller’s commission, if consigned to an auction conducted by Auctioneer). In addition, with respect to payment of the Auction invoice(s), the buyer waives any and all rights of o set he might otherwise have against the Auctioneer and the consignor of the merchandise included on the invoice. If a Bidder owes Auctioneer or its a liates on any account, Auctioneer and its a liates shall have the right to o set such unpaid account by any credit balance due Bidder, and it may secure by possessory lien any unpaid amount by any of the Bidder’s property in their possession.
9. Title shall not pass to the successful Bidder until all invoices are paid in full. It is the responsibility of the buyer to provide adequate insurance coverage for the items once they have been delivered to a common carrier or third-party shipper.
Delivery, Shipping and Handling Charges:
1. Buyer is liable for shipping, handling, registration, and renewal fees, if any. Lots won will be shipped in a commercially reasonable time after payment in good funds for the merchan
dise and the shipping fees are received or credit extended, except when third-party shipment occurs. Buyer agrees that Service and Handling charges related to shipping items which are not pre-paid, may be charged to the credit card on le with Auctioneer.
2. Successful international Bidders shall provide written shipping instructions, including speci ed customs declarations, to the Auctioneer for any lots to be delivered outside of the United States. NOTE: Declaration value shall be the item’(s) hammer price together with its buyer’s premium and Auctioneer shall use the correct harmonized code for the lot. Domestic Buyers on lots designated for third-party shipment must designate the common carrier, accept risk of loss, and prepay shipping costs.
3. All shipping charges will be borne by the successful Bidder. On all domestic shipments, any risk of loss during shipment will be borne by the Auctioneer until the shipping carrier’s con rmation of delivery to the address of record in Auctioneer’s le (carrier’s con rmation is conclusive to prove delivery to Bidder; if the client has a Signature release on le with the carrier, the package is considered delivered without Signature) or delivery by the Auctioneer to Bidder’s selected third-party shipper. On all foreign shipments, any risk of loss during shipment will be borne by the Bidder following Auctioneer’s delivery to the Bidder’s designated common carrier or third-party shipper.
4. Due to the nature of some items sold, it shall be the responsibility for the successful Bidder to arrange pick-up and shipping through third-parties; as to such items Auctioneer shall have no liability. Failure to pick-up or arrange shipping in a timely fashion (within ten days) shall subject Lots to storage and moving charges, including a $100 administration fee plus $10 daily storage for larger items and $5.00 daily for smaller items (storage fee per item) after 35 days. In the event the Lot is not removed within ninety days, the Lot may be o ered for sale to recover any past due storage or moving fees, including a 20% Seller’s Commission.
5. Auctioneer shall not be liable for any loss caused by or resulting from: a. Seizure or destruction under quarantine or Customs regulation, or con scation by order of any Government or public authority, or risks of contraband or illegal transportation of trade, or b. Breakage of statuary, marble and similar fragile articles.
6. Any request for shipping veri cation for undelivered packages must be made within 30 days of shipment by Auctioneer.
Cataloging, Warranties and Disclaimers:
1. NO WARRANTY, WHETHER EXPRESSED OR IMPLIED, IS MADE WITH RESPECT TO ANY DESCRIPTION CONTAINED IN THIS AUCTION OR ANY SECOND OPINE. Any description of the items or second opine contained in this Auction is for the sole purpose of identifying the items for those Bidders who do not have the opportunity to view the lots prior to bidding, and no description of items has been made part of the basis of the bargain or has created any express warranty that the goods would conform to any description made by Auctioneer. Color variations can be expected in any electronic or printed imaging, and are not grounds for the return of any lot. NOTE: Auctioneer may have express written warranties and you are referred to those speci c terms and conditions.
2. Auctioneer is selling only such right or title to the items being sold as Auctioneer may have by virtue of consignment agree ments on the date of auction and disclaims any warranty of title to the Property. Auctioneer disclaims any warranty of merchantability or tness for any particular purposes. All images, descriptions, sales data, and archival records are the exclusive property of Auctioneer, and may be used by Auctioneer for advertising, promotion, archival records, and any other uses deemed appropriate.
3. Auctioneer disclaims all liability for damages, consequential or otherwise, arising out of or in connection with the sale of any Property by Auctioneer to Bidder. No third party may rely on any bene t of these Terms and Conditions and any rights, if any, established hereunder are personal to the Bidder and may not be assigned. Any statement made by the Auctioneer is an opinion and does not constitute a warranty or represen tation. No employee of Auctioneer may alter these Terms and Conditions, and, unless signed by a principal of Auctioneer, any such alteration is null and void.
4. Auctioneer shall not be liable for breakage of glass or damage to frames (patent or latent); such defects, in any event, shall not be a basis for any claim for return or reduction in purchase price.
Release:
In consideration of participation in the Auction and the placing of a bid, Bidder expressly releases Auctioneer, its o cers, directors and employees, its a liates, and its outside experts that provide second opines, from any and all claims, cause of action, chose of action, whether at law or equity or any arbitration or mediation rights existing under the rules of any professional society or a liation based upon the assigned description, or a derivative theory, breach of warranty express or implied, representation or other matter set forth within these Terms and Conditions or otherwise. In the event of a claim, Bidder agrees that such rights and privileges conferred therein are strictly construed as speci cally declared herein; e.g., authenticity, typographical error, etc. and are the exclusive remedy. Bidder, by non-compliance to these express terms of a granted remedy, shall waive any claim against Auctioneer.
Dispute Resolution and Arbitration Provision:
1. By placing a bid or otherwise participating in the auction, Bidder accepts these Terms and Conditions, and speci cally agrees to the dispute resolution provided herein. Consumer disputes shall be resolved through court litigation which has an exclusive Dallas, Texas venue clause and jury waiver. Non-consumer dispute shall be determined in binding arbitration which arbitration replaces the right to go to court, including the right to a jury trial.
2. Auctioneer in no event shall be responsible for consequential damages, incidental damages, compensatory damages, or any other damages arising or claimed to be arising from the auction of any lot. In the event that Auctioneer cannot deliver the lot or subsequently it is established that the lot lacks title, or other transfer or condition issue is claimed, in such cases the sole remedy shall be limited to rescission of sale and refund of the amount paid by Bidder; in no case shall Auctioneer’s maximum liability exceed the high bid on that lot, which bid shall be deemed for all purposes the value of the lot. After one year has elapsed, Auctioneer’s maximum liability shall be limited to any commissions and fees Auctioneer earned on that lot.
3. In the event of an attribution error, Auctioneer may at its sole discretion, correct the error on the Internet, or, if discovered at a later date, to refund the buyer’s purchase price without further obligation.
4. Exclusive Dispute Resolution Process: All claims, disputes, or controversies in connection with, relating to and /or arising out of your Participation in the Auction or purchase of any lot, any interpretation of the Terms and Conditions or any amendments thereto, any description of any lot or condition report, any damage to any lot, any alleged verbal modi cation of any term of sale or condition report or description and/or any purported settlement whether asserted in contract, tort, under Federal or State statute or regulation or any claim made by you of a lot or your Participation in the auction involving the auction or a speci c lot involving a warranty or representation of a consignor or other person or entity including Auctioneer {which claim you consent to be made a party} (collectively, “Claim”) shall be
exclusively heard by, and the claimant (or respondent as the case may be) and Auctioneer each consent to the Claim being presented in a con dential binding arbitration before a single arbitrator administrated by and conducted under the rules of, the American Arbitration Association. e locale for all such arbitrations shall be Dallas, Texas. e arbitrator’s award may be enforced in any court of competent jurisdiction. If a Claim involves a consumer, exclusive subject matter jurisdiction for the Claim is in the State District Courts of Dallas County, Texas and the consumer consents to subject matter and in personam jurisdiction; further CONSUMER EXPRESSLY WAIVES ANY RIGHT TO TRIAL BY JURY. A consumer may elect arbitration as speci ed above. Any claim involving the purchase or sale of numismatic or related items may be submitted through binding PNG arbitration. Any Claim must be brought within two (2) years of the alleged breach, default or misrepresentation or the Claim is waived. Exemplary or punitive damages are not permitted and are waived. A Claim is not subject to class certi cation. Nothing herein shall be construed to extend the time of return or conditions and restrictions for return. is Agreement and any Claim shall be determined and construed under Texas law. e prevailing party (a party that is awarded substantial and material relief on its damage claim based on damages sought vs. awarded or the successful defense of a Claim based on damages sought vs. awarded) may be awarded its reasonable attorneys’ fees and costs.
5. No claims of any kind can be considered after the settlements have been made with the consignors. Any dispute after the settlement date is strictly between the Bidder and consignor without involvement or responsibility of the Auctioneer.
6. In consideration of their participation in or application for the Auction, a person or entity (whether the successful Bidder, a Bidder, a purchaser and/or other Auction participant or registrant) agrees that all disputes in any way relating to, arising under, connected with, or incidental to these Terms and Conditions and purchases, or default in payment thereof, shall be arbitrated pursuant to the arbitration provision. In the event that any matter including actions to compel arbitration, construe the agreement, actions in aid or arbitration or otherwise needs to be litigated, such litigation shall be exclusively in the Courts of the State of Texas, in Dallas County, Texas, and if necessary the corresponding appellate courts. For such actions, the success ful Bidder, purchaser, or Auction participant also expressly submits himself to the personal jurisdiction of the State of Texas.
7. ese Terms and Conditions provide speci c remedies for occurrences in the auction and delivery process. Where such remedies are a orded, they shall be interpreted strictly. Bidder agrees that any claim shall utilize such remedies; Bidder making a claim in excess of those remedies provided in these Terms and Conditions agrees that in no case whatsoever shall Auctioneer’s maximum liability exceed the high bid on that lot, which bid shall be deemed for all purposes the value of the lot.
Miscellaneous:
1. Agreements between Bidders and consignors to e ectuate a non-sale of an item at Auction, inhibit bidding on a consigned item to enter into a private sale agreement for said item, or to utilize the Auctioneer’s Auction to obtain sales for non-selling consigned items subsequent to the Auction, are strictly prohibited. If a subsequent sale of a previously consigned item occurs in violation of this provision, Auctioneer reserves the right to charge Bidder the applicable Buyer’s Premium and consignor a Seller’s Commission as determined for each auction venue and by the terms of the seller’s agreement.
2. Acceptance of these Terms and Conditions quali es Bidder as a client who has consented to be contacted by Auctioneer in the future. In conformity with “do-not-call” regulations promulgat ed by the Federal or State regulatory agencies, participation by the Bidder is a rmative consent to being contacted at the phone number shown in his application and this consent shall remain in e ect until it is revoked in writing. Auctioneer may from time to time contact Bidder concerning sale, purchase, and auction opportunities available through Auctioneer and its a liates and subsidiaries.
3. Rules of Construction: Auctioneer presents properties in a number of collectible elds, and as such, speci c venues have promulgated supplemental Terms and Conditions.
4. Nothing herein shall be construed to waive the general Terms and Conditions by these additional rules and shall be con strued to give force and e ect to the rules in their entirety.
Store Notice:
Notice as to an Auction in Texas. In compliance with TDLR rule 67.100(c)(1), notice is hereby provided that this auction is covered by a Recovery Fund administered by the Texas Department of Licensing and Regulation, P.O. Box 12157, Austin, Texas 78711 (512) 463-6599. Any complaints may be directed to the same address.
Auction
Catalogue
Photography:
