architecture]
LAUREN TEAGUE
[interior
LT - I nterior Architecture T: E: W:
+44 [0] 7950 364 915 lauren @ teagues . me . uk www . lteague . co . uk
P ortfolio
T he Engine S hed, Newcastle
T yne,
upon
is
an intervention at the site of the existing
S tephenson Works B uilding [1823]. B uilt and owned by
W orks at
R obert S tephenson & Co,
the
connects to the old office block
20 S outh S treet [plus
no .
18,
now
demolished ] and was set up as a warehouse for the manufacturing of the locomotive .
As
such , the site carries an extensive
history with the development of the
B ritish
railway .
F ollowing in
1902,
the vacation of the
S tephensons
Works
home
the
motor company
T his
became
to
G eorge & Jobling [1904].
continued the site ’ s links with the
transportation owners
used
industry , the
and model bespoke
as
warehouse
Ford
cars
the
new
to
import
[as
well as
manufacturing plane components during the
F irst World War ].
works]
RE_PUR_POSE
[stephenson
I nspired
by
the
continuous
transportation
history
implanted
When
old cars become crap wastage , they are crushed into steel
within the site , the new intervention will provide a platform for
boxes of
the repurposing and up - cycling of vintage racing cars .
design scheme takes that notion of the
AE G eorge
2 x5ft,
compacted into container and shipped off .
2x5
T his
steel box as its primary
was himself a fan of racing and famously altered the traditional
inspiration and draws upon a gridlike concept that interprets
M odel T Ford [T he G olden Ford]
individual modular units into useable spaces .
in order to prove its ability
to compete .
W hen AE G eorge T he Engine S hed
converted the
Model T Ford
so that he could
will enable fanatics to have bespoke bodies
race , the internal capacity would have been very small and
built for their vehicles , as well as offering opportunity to meet
the design reflects this to create a series of micro - climates
with other aspiring racers or collectors .
throughout the open space .
room for recreational events and
Additionally ,
T here
will also be
S lot Car R acing
clubs to meet .
the space will encourage new members to learn the
historical story of the
G olden F ord and its subsequent restoration
The
material palette has been carefully chosen both by appropriate
colour and desired texture .
‘box ’
T he
design scheme requires that
is lined internally with yellow , shiny materials and
before seeing similar works happen before their own eyes in the
each
workshop .
externally with dull , grey .
T his
is to form a contrast between
the two in a way directly opposite to the makeup of a car ’ s body work , where the dull components are hidden on the inside and the beautiful exterior is shown off .
1
1
2
2
3 3
4 4 5
6 7 8 9 10
Level 1 _ F loor Plan
1 2 3
Level 0 _ F loor Plan 4
5
Level 0
Level 1
6
Level 2
1
S lot R acing Event Space
1
M eeting /Event Space
1
S peech Plinth
2
C ar R estoration Workshop
2
V oid O ver Engineering Workshop
2
V oid O ver Engineering Workshop
3
R etail Area
3
Walkway B etween Levels
3
Eatery
4
C onsultation R ooms
4
Lift
4
Lift
5
R eception
5
G olden T F ord Plinth
6
S taff R oom
6
Permanent Exhibition
7
Large Format Printing
7
S taff WC
8
S tudio Space
8
P lant R oom
9
S tudio Material Storage
9
Public R estrooms
10
Largescale Material Storage
10
T emporary Exhibition Space
11
S torage
7 8 9 10 11
Level 2 _ F loor Plan
6000
2400
2400
2700
6900
6000
1500
2700
2400
6000
1
150
x
150
2
150
x
200mm
3
[welded
mm square hollow steel column rectangular hollow steel beam
to side of column ]
splice plate
4
hexagon bolt head
5
steel slab base plate
6
non - shrinkable grout
7
leveling screed
8
hole for grout
9
existing concrete floor
[welded
10
bolt box
11
large washer fixed to bolt
[prevents
to column ]
pull - out ]
150
1
200 40
2 3 4 5 6 7 8 9 10 11
C olumn-T o-F loor Connection [1:5]
F inal Design Model B uilt
at
1:100
Owned
by
the
National T rust , G ibside
E state
is
located
in
the
B orough
of
G ateshead [North East England]. T he rural area just outside of
T yne
“A
Newcastle
upon
is quoted as :
taste of the country on the edge of the city ”.
T he
stable block sits to the north east
of the estate , at the far end of the
W alk ’
‘Long
which takes the visitor past the full
taxonomy of buildings . has released a
T he National T rust
“S pirit Of P lace ”
statement
in response to the unique qualities of the
estate ’ s
environment ,
exploring
the
values of the land ’ s important heritage .
T he
statement speaks considerably of the
escape and freedom that feeling of
G ibside
‘placelessness ’,
offers ; a
detached from
the outside world and pressures of modern day life .
RE_IMAGINING GIBSIDE
[national trust]
An
admirer of the
“G reat B ritish Landscape� JMW Turner
famously visited
G ibside
stayed with the
Earl Of S trathmore
feature the
in
1817
S tatue T o Liberty
and produced two works having
G ibside
on from the influence of
T urner
and the expansive
landscape , this concept is further explored through
works
experiments with light , with particular interest in the ability to
as an orientating device , as well as
demonstrate light as a physical matter when cast against a flat
in the
October. B oth
F ollowing
communicating the importance and wealth of the
Earl’ s
luscious
plane .
landscape .
I nspiration T he Autumn
colours used can be picked out of the paintings in
order to demonstrate the simpleness of the depicted palette range .
The
is taken from artist
Nina Murdoch,
whose paintings
focus not on the source of the light but on the shapes created by the resulting beam hitting against a flat , rough surface .
sky is prominent , painted as an emotive expanse of light
elgulphing the rolling hills .
Equally,
artist
James T urrell
manipulates
the
qualities
of
artificial and coloured light , imposing a mood into an interior space by completely surrounding the user in his installation .
B oth
are these approaches have been considered throughout the
scheme in an attempt to manufacture an ineffible atmosphere for the user .
Each
method has been assigned to a floor of the stable
building to represent the differences in the feeling of the space , as well as the contradicting participation schedules .
- White
light cast from behind an opaque object
-
- White
light cast onto an opaque object in front of a coloured background
-
A
A
6
7
8
9
19
20
21
10
5
22
11 18 12 4
23 13 B
3
A
2
B
15
14
17
A
1
G round Floor Plan _ Not T o Scale
F irst Floor Plan _ Not T o Scale
1 2 3 4 5 6 7 8 9 10 11 12 13 14
16 17 18 19 20 21 22 23 24
Entrance Art Library P rivate Art Pods Exhibition [T urner & G ibside ] Exhibition [T herapy Specialisms ] Dance/Drama Pods I ndividual Changing R ooms Drama Library Dance/Drama Pods Waiting R oom C onsultation B ooths S taff Office R eception Art Pods
Washing & S torage Facilities G roup Art Class Exhibition & P erformance Space P rop & C ostume Storage Dance/Drama G roup Workshop Space C hanging R oom C ommuncal Hub C afe Counter R estrooms
16
24
S ection AA _ Not T o Scale
A
B
B
1
1
2 3 4
2 3 4
5
P od Corner Detail [1:10]
1 2 3 4
S tanding Seam Zinc Cladding Fixing [1:5]
White Corian Laminate Finish 50 x 50 S quare T imber Section B alancer Laminate 15mm Plywood
1 2 3 4 5
A
S ection BB _ 1:50
Zinc Sheeting - 1 mm T hickness - 25mm Seam Depth P anel Pin I nto 15mm Plywood Wool I nsulation B alancer Laminate White Corian Laminate Finish
- GIBSIDE EXHIBITION -
Learn about Find out why the
Gibside and how the landscape has changed throughout its use. British Landscape was so important to JMW Turner and what it means for Estate before venturing out to experience the environment first hand. the history of the
- POD INTERIOR -
Find
your own space in which to work and immerse yourself in the brilliant white light of the interior .
Create
your own placelessness within yourself and your surroundings .
- PRIVATE ART PODS -
Individual
Take
the time to find the right approach to your therapy needs .
pods provide the safety of a private environment while knowing that others still are close by should you need them .
Lauren T eague BA [Hons ] I nterior Architecture Northumbria U niversity 2015