Portfolio for Fundamentals of Design, 2018

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LU CHIEH YOUNG Portfolio for Fundamentals of Design



contents

1. representation of 2018 NCTU GIA project review

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2. representation of 50 JAHRE BAUHAUS

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3. representation of Swingout

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4. representation of Eshrick house

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1. representation of 2018 NCTU GIA project review

The project attempted to record and translate things into abstract elements.



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1.1 representation of 2018 NCTU GIA project review by drawing

The drawing was to consider the perspective photo as a composition of lines on twodimensional plane.



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1.2 representation of 2018 NCTU GIA project review by paperboard

The methodology was to extend the squares in the third dimension according to the length of the lines.



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1.2 representation of 2018 NCTU GIA project review by paperboard



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2. representation of 50 Jahre Bauhaus Poster, by Herbert Bayer

The project looked for a function can transfer almost all posters to models.



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Height

2.1 representation of 50 Jahre Bauhaus Poster, by model

The brighter shape looked closer were defined to higher, and the darker shapes were defined to lower. However the whites were considered colorless, so they were transfer to negative space.



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Height

2.2 representation of 50 Jahre Bauhaus Poster, by drawing

To represent the three-dimension model into a two dimension drawing, it projected each visible horizontal plane into a drawing and reduced according to height.



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2.3 representation of 50 Jahre Bauhaus Poster, by collage

It is a collage by black transparent acrylic, and it can collage with others to create the illusion of space.



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2.3 representation of 50 Jahre Bauhaus Poster, by collage

collage with a poster of Creative Expo Taiwan



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3. representation of Swingout, a dance move of Lindyhop



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3.1 representation of Swingout by model

The model combined the route (middle) of the move and a curve (left) which I recorded the tension I felt in the swingout .



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3.2 representation of Swingout by drawing

The drawing reinterpreted the move and implied the dance move will return to the origin.



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4. representation of Eshrick house, a house by Louis I. Kahn

"I think that a plan is a society of rooms. A real plan is one in which rooms have spoken to each other. When you see a plan, you can say that it is the structure of the spaces in their light." (Between Silence and Light: Spirit in the Architecture of Louis I. Kahn, page 36)



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4.1 representation of Eshrick house by drawing

By visualizing the relationship between the rooms, the project aimed at discussing whether the rooms have spoken to each other. Since each room consists of vertical and horizontal lines, the identities of rooms were defined by diagonal lines and made them intersect each other.



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c

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4.2 representation of Eshrick house by model

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It extended to the third dimension while retaining the quantity identities (vector and area) of the rooms, in order to represent the dialogue of the rooms.



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4.2 representation of Eshrick house by model

Fencing off rooms by walls does not represent rooms spoken to each other. If the walls can be tilted like books on a shelf, the structure will be more stable, and the space begins to intertwine like exchanging knowledge.



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4.2 representation of Eshrick house by model

The rooms which have spoken to each other could be considered as a good relationship of the space, but the intersection of the lines or planes does not necessarily means a good relationship. The good relationship of architecture comes from thoughtful making space, hierarchy, organizing, problem discussion and different things. The good relationship does not only present through visual form.



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Lu Chieh Young

1992 born in Taipei 2015 B.B.A. Transportation and Logistics Management, National Chiao Tung University, Hsinchu



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