V.16 Elegant

Page 1

ELEGANT

GIVE ME COLOR

ROB GULLIXSON LUCIE BRÉMEAULT

V.16


LETTER FROM THE EDITOR The four unique covers for volume 16 represent the four main characteristics of LUCY’S Magazine: Sophistication, Femininity, Elegance, and Strength. I could not have just one cover; I had to have them all. Each cover not only represents the LUCY’S brand, but also the woman I am today. Thank you to everyone who is submitting to LUCY’S! We are now accepting editorials for the TRAVEL Volume! Please check our website for info www.lucysmagazine.com

Thank you for supporting LUCY’S Magazine!

Ramona


RAMONA ATKIN

Editor in Chief & Publisher * ISSIE CAREY PR Director/Writing * RAMONA ATKIN Graphic Design * GAVIN ATKIN Editor Assistant

CONTENTS KATIE DEAN JEWELRY p.4 AMARILO p.6 ED MAXIMUS p.8 HOLLY FISKE p.18 ROB GULLIXSON p.20 EMILY SOTO p.30 JAZZMINE BEAULIEU p.42 GREG LIN p.44 LUCIE BRÉMEAULT p.52 ERIKA ASTRID p.58 NINA SHOES p.68 SARAH BRICKEY p.70 & 108 PATRICK POSTLE p.78 FRED FRASER p.86 ETHAN GULLEY p.94 CHARLOTTE NAVIO p.100 Contributors COVER CREDITS Photographer ROB GULLIXSON Fashion Stylist BELINDA MARTIN Hair & Makeup KATY ALBRIGHT Cocktails DANI DELUNA Model DAPHNE ZELLE @ TAKE 3 AGENCY Dress DOLCE & GABBANA


LUCY’S 4

LUCY’S: “Katie, how did you learn to make jewelry? Or you figured it out on your own? I did read that you started making jewelry for yourself but many were so interested that you were actually selling them directly off your body. How cool is that!?” KD: “I learned how to make jewelry by taking apart pieces that I already owned and modifying them and putting them back together. True story! I have taken two basic jewelry classes since then but have mainly learned just by trial and error. I’m a very visual person in all aspects of life. I would rather do and try something than read about it so I just started to make jewelry and I learned as I went! And yes, I literally sold the first few pieces I made directly off of my wrist. It was super cool and very gratifying to see other people enjoy what I was creating.”

Bracelets Unique LA Christmas Market

Photography MONICA WANG


LUCY’S 5

LUCY’S: “Was it hard to start your own jewelry line? There has always been so much competition in the fashion industry. What was the biggest challenge?” KD: “I think there are challenges in anything you do. Especially when you’re an entrepreneur and an artist, there are a lot of things that come on to your plate that you don’t expect and you just have to learn from those experiences. I think the best thing someone can do is not hold on to their losses. Always learn from your mistakes, move on and do it better the next time around. Also, don’t let anyone or anything stop you. You just need to stay focused and surround yourself with people that are supportive and encouraging in what you are trying to achieve. My biggest challenge was more on the business side of things. Staying organized administratively has been a big

www.katiedeanjewelry.com

Fantasia Druzy Rings

learning curve. I can’t stress enough how important it is to get your ducks in a row from the get-go. Everything from keeping an email newsletter list to having a calendar of events is important. The more organized you are the easier it will be to expand. It’s something I still have to work on!” LUCY’S: “What inspires you to create the beautiful designs that you make right now? KD: “Right now I’m inspired by geometric shapes. I see the world as a huge art installation. I’ll be walking down the street and see a motel sign and think, that shape would look really cool as a pendant. I’m also super inspired by people. I love to travel and see how people in different areas communicate who they are through the aesthetics that they portray in the way they dress. I am constantly observing and taking notes mentally of that I am drawn to and I start compiling those different things as sketches.” LUCY’S: “What is your goal and where do you see yourself in 10 years? KD: “My goal is to have a brand that keeps its integrity and quality as it grows to become internationally known. In 10 years I see the line being carried in boutiques and stores in every town across the US and around the world while continuing to emanate a personal touch that makes people excited to own and wear them. With that expansion I know my team will grow and I intend on employing people in America every step of the way.” LUCY’S: “If you can describe your brand in one word, what would it be?” KD: “Dainty.” LUCY’S: “One of my favorite piece in your website is the Cleopatra body chain; is that challening to make?” KD: “It’s not very challenging actually! The most challenging part is when I design it because I modify it until I feel I’ve reached my vision.” LUCY’S: “What is your favorite piece that you ever made and why?” KD: “My favorite piece is the Guinevere necklace. It has so much detail in it but it’s still very classic and it mixes silver and gold so it can go with everything.”



Photographer HEATHER GILDROY Model KYLIE PRUSAK Stylist SARAH KINSUMBA Hair VICTOR MENDOZA Makeup SHERRI CELIS

LUCY’S 7

Amarilo incorporates minimalistic curves, linear lines and architectural angles to blend together for a modern and unique look. All the pieces from the collection are beautiful by themselves, but also carry beautiful strength in numbers. This means that each piece is created to be worn solo, or in multiples, where every look and combination is unique to the individual. Amarilo emerged in 2012 by designer Ali Heiss.


LAST BLOOM Photographer ED MAXIMUS @edmaximus Model IMENA DE BARROS @ Q MANAGEMENT NYC @imenalikewow @qmodels Wardrobe STYLIST GIORGIA SEVERINO @ giorgiaseverino MUA ANDREW COLVIN @andrewcolvinmakeup Hair SEIJI UEHARA @seijiuehara


LUCY’S 9

Yellow Biba coat (wrapped around) NARCISS


LUCY’S 10

Orange jumpsuit (worn underneath) and black stripes pants all NARCISS Yellow blazer MARYAM NASSIR ZADEH


Blue violet Dali classic leather jacket, navy uneven stripe top and blue violet suede trousers VEDA


LUCY’S 12

White shirt SUZANNE RAE



LUCY’S 14

Two tone sweater and white skirt

NIKKI CHASIN

Shoes with shearlings H WILLIAMS


Yellow Biba coat NARCISS White pants SUZANNE RAE


Photography and Make-up LIZ DUNGATE using MAC www.lizdungate.com Fashion Styling VINCENT LEE www.lizdungate.com Model SAVANNAH MEINKE

Check out our TALENT & WEBITORIAL sections on

WWW.LUCYSMAGAZINE.COM


Photographer ALEJANDRO RIVERA www.alejandrophotography.com @alejandrofoto Stylist ANTHONY BERMUDEZ styledbybermudez.com @styledbybermudez Represented by ABTP.COM Grooming EVY EDELMAN with GLOSSANDGROOM.COM Using ORIBE AND CAMERA READY COSMETICS @EvyMaquillage Model ZACK TAYLOR T-SHIRT H&M SILK SCARF BY J.CREW

Want to be featured?


LUCY’S 18

An Interview with HOLLY FISKE

A FLEXIBLE RESPONSE As told to Issie Carey It was in the 1960’s when a man from Indiana headed to the Northwest Pacific. He would later buy five acres of the Washington State countryside. At the time, the land was roamed by simply this man and his dog, but after cutting down a few trees and planting fields of crops, it became a place called home by his family. “The best information I can give will come from the story only my heart can tell.” His daughter, Holly would later say, “In the seventies, when the house was being built, he made a log cabin that my sisters and I were raised in and he still lives in to this day.” While she was growing up, her father took responsibility entirely for plumbing, electricity, building barns, hunting, butchering, raising livestock, and growing crops. “It was definitely a homestead.” Holly would reminisce on the simplistic nature of the times, “We were literally raised on the land.” Following Holly’s childhood, she would also go on to appreciate her best teacher — her mother, who was, in fact a preschool teacher. Holly was raised in a loving and beautifully functioning household, but in the aftermath of a tragic incident, a piece of that household was taken away from her when she was just four years old. With only her fellow classmates as witnesses, Holly found herself living inside of every child’s worst nightmare. “In front of a class of three and four year olds and at the young age of 41, [my mother] had a spontaneous, unpredictable, and unwarranted heart attack.” In the early stages of one’s life, an adult is there to tape Band-Aids on their scraped knee and to kiss the wound and make it better. At that point, a child has not yet a reason to question why it works that way. They are sheltered by the certainty derived from this dependency they have on an adult… and through the eyes of a child, adults obtain unlimited capabilities, like superheroes. However, all superheroes have moments of weakness. When such eyes see an adult in a weakened state, that is when the child inside begins to grow up, taking a path eventually bringing them to adulthood themselves. Despite her young age, Holly remembers vividly what those eyes saw in the event of her mother’s heart attack. “Because it happened with only toddlers around and no adults present, we — the children, gathered around her and tried to get her up… [to] be the adult.”

As she was the four year old adult in the room for that period of time, Holly reckons standing up, desperate for her mother’s attention. “I tried to convince her that something was wrong with me and that she needed to take me home.” In that moment, she perhaps hoped that it was all a bad dream, longing to be woken up by her mother’s calming touch. If anything, she and her peers wanted another adult to come to the rescue, using their superpowers to save her mother’s life. In the realm of comic book storylines, it is expected for another character in the story to save a superhero when he or she cannot save themselves. Children live by this illusion until they see an adult’s weakness that cannot be healed by another adult. the child may begin to question this sense of dependency and trust in what their eyes have seen. For Holly, this marked her transition from befuddlement to panic when the adults finally did arrive and her mother still remained unresponsive. “At that moment I blacked out.” Holly would later say to summarize. Not only did Holly then see how helpless other adults could be, but she furthermore saw how irrational their response to the incident was. “I was in another room where other adults were trying to make us take a nap. I remember my next thought was, how can they think I can take nap?” After being brought to the hospital in her father’s car, she reconnected with her sisters and her uncle. There, they received the shocking news that by the time the adults had arrived to the classroom that day, it had already been 30 minutes after her mother’s passing. “That was that,” Holly would regard the event, “[She was] amazing, funny, loving, and best mom… and she was gone.” Now, years later, as an adult herself, Holly Fiske proves that a superhero does not need to be physically present in order to make an impact. By clinging to every part of the mother she had known, Holly keeps her heroine alive. She tells us that “My life has been constructed from the tinge memory of the amazing mom I had and hence want to be.”


LUCY’S: “How has this traumatic childhood experience you have shared with us shaped your adulthood?” HF: “By witnessing death so young, I now want to live life so fully. My main priority is to be an amazing mother and give my children an amazing childhood. I’d like that to continue into adulthood as well and hope that I’ll be there to witness it. I guess that living in the moment and [living] to the fullest have been engrained in me since I was four years old and that is my ultimate mission. I went out on my own at seventeen, put myself through college, [earning a Bachelors Degree in Journalism from Washington State University and Minoring in Sports Management], and wanted to make my own beautiful life.” LUCY’S: “Have sports helped you practice this lifestyle?” HF: “I was an amazing athlete in my younger years and definitely thought at that time that I would take basketball to an extreme level. It was heartbreaking to admit that those dreams had died and unbelievable at that point to realize my ultimate athletic endeavors were underway. As I embraced motherhood and finally found my true athletic endeavor, all the pieces fell into place and I realized my ultimate purpose.” LUCY’S: “What exactly was that ultimate purpose?” HF: “When I was 3 years [old]… and older, I had what my parents called the ‘famous head dive’ and just for some strange reason, I loved to be upside down. Never in a million years did I think that I would be over 30 years old and making that instinct define me. I worked so hard to build the blocks to become a successful female individual, however, it was always my ultimate goal to be a mother. After [having] my first son, I was still just trying to be an active athlete. I had run a marathon and finished a triathlon when I decided I needed to pick a sport that brought less wear and tear to my body and [was] a little more restorative. I walked to a yoga studio in my neck of the woods one day and asked for a schedule. The owner was sitting outside. I told her I was into a little more extremes sports and didn’t know if yoga was for me or not. She said, ‘come to my 9 am class… You’ll see. I did. And I was hooked. [Now,] after being an athlete for my entire life… after [turning] 30 and two kids....I feel like I’ve finally found my ultimate athletic purpose. LUCY’S: “How have you changed as an athlete now that you have shifted from those extreme sports to yoga?” HF: “[Yoga has] been my main — and sometimes only — athletic focus ever since. Yoga is my focus… Or it helps me focus. I love combining my passion for creativity and yoga…

Health and happiness. Hopefully, I can continue to evolve and bring new ideas to life. Living in the moment… is yoga. Need I say more?” LUCY’S: “If you would care to say more, tell us what aspect of yoga you enjoy most.” HF: “I really enjoy focusing on the transitions in yoga. What gets you from point A to point B. It requires being present and aware. It’s extremely difficult to muscle your way through a transition without using proper techniques and knowing when to activate certain muscles while letting others go. I love how this translates to every day life. Being present and aware. Focusing on the transition between past and future. Knowing when to use skills and knowing when to let some things go. LUCY’S: “How do you plan on applying this transition to your own future?” HF: “In ten years I’d love to see myself with a home base studio, but also with online classes and traveling workshops. I’d love to develop more interactive children’s yoga books and involved with more collaborative yoga efforts that center around the philosophy of people being good to the earth and good to one another. I see hosting yoga adventure retreats in my future; where people can do yoga, but also experience a wild activity daily. I’m also working on a collaboration to bring a couple of new Yoga apps to the market. I will continue writing the children’s interactive yoga books.” LUCY’S: “If you could give advice to younger girls, what would you say?” HF: “Look down at your own two hands. They are yours. They are your own. It might not seem like it sometimes, but before you know it, those two hands will be making the ultimate decisions. You won’t forever be in the situation you are in. Before you know it, those two hands will be taking you away to a new world that they create all on their own.” .

@ upsidedownmama Photography DAN FISKE @watershedpnw


Je Rêve des

Fleurs

Photographer ROB GULLIXSON Fashion Stylist BELINDA MARTIN Hair & Makeup KATY ALBRIGHT Cocktails DANI DELUNA Models DAPHNE ZELLE @ TAKE 3 AGENCY (blonde) MEGAN MCNALLY @ MARILYN AGENCY

Headpiece BELINDA MARTIN Dress VALENTINA KOVA


LUCY’S 21

Headpiece BELINDA MARTIN Dress VALENTINA KOVA


LUCY’S 22

Headpiece BELINDA MARTIN Dress NANETTE LEPORE Red Cocktail NEGRONI


FLORAL JULEP Jacket HELMUT LANG Jumpsuit J. CREW Shoes & OTHER STORIES


LUCY’S 24

Necklace KENNETH JAY LANE Blouse VALENTINA KOVA Skirt VALENTINA KOVA Blue cocktail BLUE DAIQUIRI


Headpiece BELINDA MARTIN Shirt OSCAR DE LA RENTA Skirt SAM & LAVI


LUCY’S 26

Dress RANNA GILL


Dress VALENTINA KOVA


LUCY’S 28

Jacket VALENTINA KOVA Jumpsuit ELEVENSES


Shirt TED BAKER Trousers TOPSHOP Clear Cocktail SUMMER MARTINI


LUCY’S 30

SHADES Photographer EMILY SOTO Stylist CARA BLOOM Model JULIA @ WILLOW MODELS Makeup KIM DICATO Hair SASHA GOLD Jewelry LISA MARINUCCI Gowns MICHELLE HEBERT Location LAGUNA NURSERY, CA

OF


GREEN



LUCY’S 33


LUCY’S 34



LUCY’S 36



LUCY’S 38




LUCY’S 41


LUCY’S 42

A

CO LOUR FUL LIFE I turned 30 on the coattails of a breakup with someone I had been with since I was 22. The combination of these two life events is what inspired me to create “A Colourful Life”. When turning 30, especially as a woman, it’s common for people to volunteer their opinions on your changing vitality, metabolism and physical value. People feel especially free to note that it all changes for the worst and that your best years are coming to an end. For some reason, this idealism has been accepted by our society, especially among other women 35+ who are facing their own feelings on aging. The onslaught of these misguided opinions paired with adapting to life alone and trying to find my own happiness had me bothered. I had seen some images from India’s Holi Festival and was incredibly inspired by the otherworldly effect that the application of this substance had on those who used it and immediately decided that I wanted to use it as an element in a project using the colors to reflect my optimism for the years ahead of me. I wanted to use the powder as an incongruously playful environment for women who were well past their “best years” and still every bit as beautiful and every bit as vital. I couldn’t be happier with the results and the truth of it is, the images I created wouldn’t be nearly as interesting without the brass of the women in them. We should all be happy to celebrate each year that we age because the alternative is far less appealing. Age is something to celebrate even if with that celebration comes a little dread.


Photographer JAZZMINE BEAULIEU @jazzminephoto Art Director MEGAN YANCHITUS Models SHEILA THOMAS, DORIS MCCARTHY Stylist JESSICA MEDEROS Hair and Makeup Artist STACY SKINNER Powder Design Stylist LEE MILBY Powder Design Stylist Assistant BRIAN LUMAN, QUIN NICHOLS, SAM MINK Studio GOWANUS LOFT, BROOKLYN


Jacket LIZ BLACK Skirt POEN DE SZIMIY Sunglasses NYX LONDON


LUCY’S 45

colourization

Photographer GREG LIN www.jiajielin.com Creative director & Stylist YUN NAM HO www.yunnam-ho.com @_unaho Makeup artist PHOEBE TAYLOR www.phoebetaylor.com @phoebetaylormakeup Hair Stylist KATIE ST. HILAIREY @sthilairey Models KATIE @ LENI’S MODEL & JESSI @ BODY LONDON


LUCY’S 46

Jacket LIZ BLACK Swimsuit TOPSHOP


Swimsuit TOPSHOP Coat SCOTTACUS ANTHONY


LUCY’S 48

Full outfit SCOTTACUS ANTHONY Sunglasses NYX LONDON Shoes MICHELE HARTMANN


Full outfit SCOTTACUS ANTHONY Clutch STACY CHAN


Full outfit MISS MAGOU Shoes MICHELE HARTMANN Sunglasses NYX LONDON

LUCY’S 50


Full outfit LIZ BLACK Shoes KURT GEIGER LONDON


LUCY’S 52

Dress ASOS Necklace ZARA Earrings H&M

OPPOSITE PAGE Top ASOS Sun glasses DOLCE & GABBANA Earrings H&M Necklace OASIS Choker NEW LOOK

Photographer and post-production LUCIE BRÉMEAULT Model PAULINE MOULETTES MUA FANNY MAURER Hair SOPHIA GAULTIER Stylist HELENA TOE

QUEEN


OF FLOWERS


LUCY’S 54

Blouse TOPSHOP Head piece ASOS Earrings VINTAGE OPPOSITE PAGE Dress ZARA Earrings VINTAGE Necklace VINTAGE



LUCY’S 56

Dress TRAFFIC PEOPLE Necklace NEW LOOK Rings NEW LOOK



Spectrum


LUCY’S 59

Photographer ERIKA ASTRID www.erikaastrid.com @erikaastrid Model ALEX NOIRET @ VISION LA @alexnoiret Makeup ALEXIS SWAIN @ CELESTINE @lexiswain Hair TAYLOR BOND @ CELESTINE @downtownjuliet Stylist EVA SHERIDAN @evamariesheridan


LUCY’S 60

One Piece & Pants AMERICAN APPAREL Shoes SIXTY SEVEN


Top JOA Bodysuit VINTAGE Socks HUE Sandals INTENTIONALLY BLANK


LUCY’S 62


Top JOA Bodysuit VINTAGE Socks HUE Sandals INTENTIONALLY BLANK


LUCY’S 64


Top JOA Pants AMERICAN APPAREL Bikini Bottoms SCULPT SWIMWEAR Shoes INTENTIONALLY BLANK


LUCY’S 66

Bodysuit VINTAGE Socks HUE Shoes SHAKUHACHI




LUCY’S 69

Creative Director and Stylist FRANCESCA SORRENTI Photographer DAVID SCHECTER Model VANESSA ANDRADE @ WILHEMINA Hair and Makeup CHRISTINA DALI @ WALL GROUP Assistant MJ FORTE

AT NINA, WE HAVE A PASSION FOR COLOR. EACH SEASON, WE CREATE PALETTES FOR ALL THE NINA BRANDS. WE PAY CLOSE ATTENTION TO THE SEASONAL RUNWAY TRENDS, GATHERING INSPIRATION WORLDWIDE TO CREATE OUR PALETTES OF RICH, WEARABLE COLOR. THEN THE TRUE DESIGNING BEGINS! FEATURING SPARKLING CRYSTALS, TRENDING PRINT STORIES AND MAGICAL MATERIALS, THE COLLECTION TAKES SHAPE. THE NINA HERITAGE HAS BEEN BUILT ON A LEGACY OF COLOR. OUR VINTAGE ADS ILLUSTRATE HOW COLORFUL NINA FOOTWEAR HAS BEEN THROUGHOUT THE YEARS. WE STRIVE TO HONOR THIS. NINA MINER – Chief Creative Officer, NINA FOOTWEAR



LUCY’S 71

COLOR ME RAD

Model DHARMA STUART @ LOOK MODEL AGENCY Styling MICHELLE RIVET Photographer SARAH BRICKEY @ LOOK ARTISTS Makeup KAROLIN JONES (NARS) Hair JAYMZ MAREZ


Silk Bomber BOLO VINTAGE HERMES Body Suit ALEXANDER WANG Skirt H&M

Earrings H&M Shoes DOLCE VITA


LUCY’S 73

Jacket BOLO VINTAGE Nude body suit AMERICAN APPAREL

Shoes H&M

Necklace H&M


Coat BOLO VINTAGE 1960S PLAID MOHAIR Sweater BOLO VINTAGE

STRIPED KNIT Necklace H&M Green Dress ALI RA Heels H&M


Holiday Wool Blanket Jacket Coat BOLO VINTAGE 1980S MONDRIAN Dress ALEXANDER WANG H&M Necklace

LUCY’S 75


Sweater BOLO VINTAGE 1980S MOHAIR Necklace H&M


Fur Coat BOLO VINTAGE 1980S BLACK MONGOLIAN LAMB Checkered Swim Suit BOLO VINTAGE Necklace H&M Shoes H&M Skirt H&M

LUCY’S 77


SMOK E BRE A K

Photographer PATRICK POSTLE Stylist LAUREN ABBONDOLA Hair ANDY TSENG Model MARTIJN MAIWALD @ NEW YORK MODEL MANAGMENT Grooming ANDY TSENG White stripped button down shirt ALEX MILL Maroon puffy jacket MACKAGE Camo jogger pants BALDWIN Black buckle shoes BILLY REID


LUCY’S 79


LUCY’S 80

Khaki jogger pants BALDWIN Navy/red stripped sweater ALEX MILL Red/yellow paisley/dotted bandana ALEX MILL


Light yellow/wheat dock pants ALEX MILL Grey wool sweater ALEX MILL


Black & white sweater REISS Orange jacket PAUL & SHARK


LUCY’S 83

Floral print dark blue shirt ALEX MILL Bordeaux maroon suit jacket BALDWIN Maroon pants BALDWIN Black tasseled loafers BILLY REID


Red & White Striped Shirt ALEX MILL Long Navy Suit Jacket BALDWIN Pants REISS


LUCY’S 85

Gold Flannel Plaid BALDWIN Black puff jacket ANDREW MARC


Dress MARIA LEUNG Shoes NINE WESTÂ

Through A Glass Darkly

Photographer FRED FRASER www.fredfraser.com Stylist LACEY-JUNE BERRY laceyjuneberryfashionstylist.wordpress.com Make-up MEREDITH LACOSSE using NARS www.meredithlacosse.com Art direction, Hairstyling, Set prop LIZ DUNGATE www.lizdungate.com model MARGARITA @ Lizbell Agency www.lizbellagency.com


Dress MARIA LEUNG Make-up NARS

LUCY’S 87


Blouse THEORY Skirt TORY BIRCH Shoes MATERIAL GIRL


LUCY’S 89

Blouse and trousers JOYCE LI Shoes NINE WEST


Dress TIBI


Dress ALEX S. YU Shoes ANNE MICHELLE

LUCY’S 91


Dress ALEX S. YU Shoes CLUB COUTURE


Earrings VINTAGE Dress MOSCHINO Shoes BRASH

LUCY’S 93


PR IM

AR Y

LUCY’S 94

Model & MUA EMMA MARIS Photographer ETHAN GULLEY



LUCY’S 96




LUCY’S 99


LUCY’S 100


r e m m su B E s I V ARL

er CH

graph

Photo

AUD

AH M

IO MU

NAV OTTE

OP

lism H

ER Sty

HE EIGEN

ES M

LOTH

PY C Y POP

EN

WOM

EAU @

AB odel IS


LUCY’S 102



LUCY’S 104



LUCY’S 106



D E N H T LA IS S

T E IC EN M RV E F E G S TS A AN KYO TIS M R O L T A DE @ @ MO OCK CAL S L S AR L RI ST A BU MA @ R ET T Y R A AND JAN YAN KE N BR RIC AN CH ir el : SU d Ha RA H B d Mo ling p an AMA ARA Sty keu nt T hy S Ma sista rap As otog Ph


LUCY’S 109

THEORY SEBLYN STONEMARL Top $255 @ BLOOMINGDALE’S SAN FRANCISCO SANDRO FLORAL EMBROIDERED Shorts $271 @ SELFRIDGES.COM Yellow Socks $7.99 @ GAP CONVERSE BLACK HIGH TOP Sneakers $54 @ URBAN OUTFITTERS


DKNY EMBROIDERED CROP Top $235 @ BLOOMINGDALE’S SAN FRANCISCO BCBGMAXAZRIA LOTTI ​ TIERED FRINGE Skirt $198 @ BLOOMINGDALE’S SAN FRANCISCO GERARD DAREL C​oat $730 @ BLOOMINGDALE’S SAN FRANCISCO Yellow Socks $7.99 @ GAP CONVERSE BLACK HIGH TOP Sneakers $54 @ URBAN OUTFITTERS


LUCY’S 111

SANRO TAM STRIPED KNIT T­shit $240 @ BLOOMINGDALE’S SAN FRANCISCO ALICE AND OLIVIA ESMAY Deep­V Dress $698 @ ALICE AND OLIVIA Yellow Socks $7.99 @ GAP CONVERSE BLACK HIGH TOP Sneakers $54 @ URBAN OUTFITTERS



LUCY’S 113 SANDO ROSELIA Dress $300 @ BLOOMINGDALE’S SAN FRANCISCO VINTAGE CHANDELIER Earrings $75 @ VER UNICA SAN FRANCISCO Yellow Socks $7.99 @ GAP CONVERSE BLACK HIGH TOP Sneakers @ URBAN OUTFITTERS


LUCY’S 114

MARC BY MARC JACOBS DON’T PANIC Sweater $368 @ BLOOMINGDALE’S SAN FRANCISCO BCBGMAXAZRIA MEGHEN PLEATED HALTER Gown $298 @ BLOOMINGDALE’S SAN FRANCISCO VINTAGE CHANDELIER Earrings $75 @ VER UNICA SAN FRANCISCO


MOSCHINO METALLIC POLKA DOT Sweater $475 @ BLOOMINGDALE’S SAN FRANCISCO SANDRO MULTICOLORED Skirt $300 @ BLOOMINGDALE’S SAN FRANCISCO Pink Socks $7.99 @ GAP CONVERSE BLACK HIGH TOP Sneakers $54 @ URBAN OUTFITTERS


www.katiedeanjewelry.com


Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.