Atlas ecléctico Bogotá

Page 1

EL CASTILLO

Centros Urbanos en Bógota, propuesta de mejora en la zona del Castillo Bogotá, Julio-Diciembre 2015 Manuela Olarte, Maria José Rivera, Maria José Cajiao, Luz Elena Romero,

Juan Jacobo Molina Restrepo Fernando Angela María León Martinez Fabio Hernando Avedano Natalia Valencia Andrea Mozzato Luz Mery Rodelo

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Indice

ÁTLAS ECLÉCTICO................................................. 5

DATOS DEMOGRÁFICOS.......................................... 75

CENTROS URBANOS.............................................. 7

ESTRATOS EL CASTILLO.......................................... 78

introducción.................................................... 8

guía ambiental................................................. 82

UBICACIÓN......................................................... 12

¿CÓMO SE PRESENTA EL SECTOR?.............................. 88

bogotá en la historia ...................................... 14

¿En qué consiste el deterioro?........................... 89

bogotá y otros paises....................................... 18

evoluciÓn del proceso urbano el castillo............ 90

CRECIMIENTO TERRITORIAL .................................... 19

transformación, evolución del proceso urbano.... 91

densidad de población en bógota vs otros paises 19

¿Cómo se compone el sector? ............................. 92

la primera línea del metro de bogotá................ 20

USOS DEL SUELO................................................. 100

El pot.............................................................. 22

METACITY........................................................... 102

LO URBANO CON LO RURAL.................................... 24

construcciones públicas.................................... 104

perdida de los humedales.................................. 25

público vs privado uso dotacional..................... 105

CHAPINERO........................................................ 28

Dispositivos de Borde....................................... 108

geormofología y suelo chapinero........................ 30

DEFINICIÓN DE LÍMITE BORDE, FRONTERA, ENCLAVE, ISLA BUFFER............................................................. 110

estratos........................................................... 31 cerros y zonas verdes....................................... 32 localización upz#90........................................... 34 upz #88 y #90................................................... 40 cerros............................................................. 46 Estratos chapienero.......................................... 50 el castillo....................................................... 52 upz.................................................................. 55 nolli............................................................... 56 axonometria china ........................................... 58 axonometria..................................................... 60 códigos génericos y genéticos............................ 62 nolli histórico................................................. 68

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MATRIZ 1.......................................................... 112 MATRIZ 2.......................................................... 114 fenómenos........................................................ 116 esferas segregadas............................................ 118 enclaves .......................................................... 120 mutación socio-espacial.................................... 125 TIPOS DE CAMBIOS MORFOLÓGICOS........................... 126 VIVIENDA OPORTUNA............................................ 127 tipos de cambios morfológicos .......................... 128 COMERCIO ESTRATO/ CONCENTRACIÓN PERSONAS........... 129 polarización de escenarios................................ 133 borde difuso ................................................... 139


SÍNTESIS de fenómenos....................................... 144

de los cerros................................................... 214

concept............................................................ 146

funciones de la vegetación en el proyecto urbano.218

urdimbres vibrantes ........................................ 148

franja porosa-calle peatonal 65........................ 226

Visión de ciudad: Urdimbres Vibrantes............... 150

nueva tipología de vivienda porosa.................... 228

Escenarios........................................................ 152

lotes con potencial de densif1cación ................. 229

¿Qué pasaría si? .............................................. 152

centro cultural híbrido ................................... 233

ScenarioS-SECCHI................................................ 154

Continuous monument....................................... 250

¿QUÉ se propone? ¿PARA QUÉ se propone?.............. 162 ¿cómo?............................................................. 163 Estrategias....................................................... 164 contexto predominantede la propuesta ambiental.175 cerros............................................................. 176 Mutación programática víal............................... 178 articuladores urbanos...................................... 180 PROCESO INTEGRADO DE CONFIGURACIÓN................... 184 Modif1cación tipológica..................................... 190 Ganancia vilateral............................................ 192 estrategia en el tiempo....................................... 193 Arquitectura es ahora geografía........................ 194 proyecto 1 a 5000 en Bogotá.............................. 198 axonometrias .................................................. 206 nolli proyectual............................................... 207 inf1tración urbano-ambiental ........................... 210 fruta urbana ................................................... 211 proceso de cultivo y venta de fruta ................... 212 especies de arboles frutales y de madera en bogotá 213 sinergia con el Proyecto de Diana Wiesner-los caminos

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El atlas ecléctico surge a partir de la necesidad de entender y descifrar el nuevo vocabulario y las categorías interpretativas después de los años 60. Donde palabras como centro y periferia o espacio público y espacio privado no se entiendan como lo mismo. “Los Atlas Eclécticos proponen nuevas maneras de estudiar las correspondencias entre el espacio y la sociedad.” En los atlas se investigan las nuevas correspondencias lógicas entre los elementos espaciales, las palabras denominativas de estos y las imágenes mentales que proyectamos sobre ellos. La palabra ecléctico viene de la multidimensionaldad, experimentalidad e innovación de los criterios sobre la fundamentación de las correspondencias. (Boeri, ) En este atlas ecléctico, se contempla el territorio de Bogotá en la búsqueda de códigos individuales,

locales y múltiples que vinculen al observador con los fenómenos observados: la ciudad física, sus habitantes, y “ciudad interior del observador. La finalidad del Atlas es observar el territorio desde arriba, atreves de los habitantes del espacio y a partir de nuevas visiones imparciales y experimentales. (Boeri, ) El modelo a seguir de atlas explora procesos de mutación actuales, dándole una dimensión de temporalidad. Después se busca una observación a menor escala en un territorio específico, dándole coordenadas específicas. Por medio del reconocimiento de la identidad de los habitantes del espacio, del uso que estos le dan y de la memoria de los territorios habitados es que se llega a un enriquecimiento del paisaje. (Boeri, )

ÁTLAS ECLÉCTICO 5


El atlas ecléctico surge a partir de la necesidad de entender y descifrar el nuevo vocabulario y las categorías interpretativas después de los años 60. Donde palabras como centro y periferia o espacio público y espacio privado no se entiendan como lo mismo. “Los Atlas Eclécticos proponen nuevas maneras de estudiar las correspondencias entre el espacio y la sociedad.” En los atlas se investigan las nuevas correspondencias lógicas entre los elementos espaciales, las palabras denominativas de estos y las imágenes mentales que proyectamos sobre ellos. La palabra ecléctico viene de la multidimensionaldad, experimentalidad e innovación de los criterios sobre la fundamentación de las correspondencias. (Boeri, ) En este atlas ecléctico, se contempla el territorio de Bogotá en la búsqueda de códigos individuales,

locales y múltiples que vinculen al observador con los fenómenos observados: la ciudad física, sus habitantes, y “ciudad interior del observador. La finalidad del Atlas es observar el territorio desde arriba, atreves de los habitantes del espacio y a partir de nuevas visiones imparciales y experimentales. (Boeri, ) El modelo a seguir de atlas explora procesos de mutación actuales, dándole una dimensión de temporalidad. Después se busca una observación a menor escala en un territorio específico, dándole coordenadas específicas. Por medio del reconocimiento de la identidad de los habitantes del espacio, del uso que estos le dan y de la memoria de los territorios habitados es que se llega a un enriquecimiento del paisaje. (Boeri, )

ÁTLAS ECLÉCTICO 5


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El centro urbano constituye el lugar financiero, comercial, direccional y simbólico de la ciudad. La crisis de los centros urbanos ha sido una crisis urbana marcada por el desarrollo de los centros direccionales y de los grandes conjuntos periféricos. Sin embargo, los centros conocen hoy día una prosperidad demostrada, que se ha visto favorecida por una política de renovación y rehabilitación. Centros Urbanos es un proyecto arquitectónico que

busca el desarrollo mecánio de investigación, analisis y habilidades para el diagnóstico y propuesta a las problemáticas resultantes de la intervención de un proyecto Arquitectónico en el desarrollo y planificación de centros urbanos . Este proyecto esta compuesto por Diseño Arquitectónico, Gestión para la intervención de centros urbanos, Tecnología de centros urbanos, Ecosistemas Urbanos, Procesos de consolidación y transformación en centros urbanos, y Valoración Estética e intervención en centros urbanos.

CENTROS URBANOS 7


“ El futuro de la ciudad, está contenido en su presente. Cada ciudad contiene en sí misma los bloques constituyentesy los genes de su ADN. Y en este están contenidos los probables rasgos y modificaciones de su código genético. Este código contiene el conjunto de características culturales, sociales, políticas, económicas y físicas que constituyen el cuerpo ciudad y que permite las modificaciones posibles de este. Bogotá se ve inscrita en la fase histórica caracterizada por la globalización y el capitalismo avanzado como fenómenos inherentes a la geografía contemporánea, independientemente de que nos encontremos en un centro o una periferia de esta geografía. Esto no excluye que nuestra ciudad viva las glorías y miserias derivadas de la consecuencias del accionar de esas ciudadesen nuestro territorio. La hiperconexión, la segregación o la exclusión son algunos de los rasgos que caracterizan nuestras ciudades y territorios, y los caracterizarán aún más en los próximos años. Es en los pliegues y matices de estos fenómenos, en sus números y en sus formas físicas y culturales, donde es posible observar el probable futuro de nuestras ciudades. Se pretende observar a Bogotá como un laboratorio expuesto estas condiciones antes descritas. Condicionesque por definición no son específicas a este territorio pero que se despliegan en éste de manera particular haciendo encontrar temas genéricos con soluciones especificas. Soluciones y reflexiones que probablemente puedan ser aplicadas a otras ciudades y territorios de la urbanización global...” (Molina, 2011) Para entender el territorio de Bogotá, intentaremos entender dos configuraciones de tejidos urbanos. Manzanas de uso mixto que presentan cambios, una a una, logrando una permutación a nivel barrial y progresivamente hasta modificar las dinámicas de la ciudad. El tipo de transformación que encontramos en el sector de el Castillo es el de origen espontáneo en la zona oriente, en donde se entiende la construcción del tejido por fases, primero por la parcelación de las manzanas, después llegaron las construcciones, para terminar con la urbanización de calles y provisión de redes de servicio. A diferencia de la parte occidental, en donde encontramos tejidos urbanos de origen formal, en donde se percibe claramente que primero se dotó de estructuras básicas y servicios, después se prosiguió al loteo, para terminar con la edificación. En todo el sector se encuentra una “urbanización intersticial” en donde se da un crecimiento de manera fragmentaria y desigual. En el Castillo encontramos un proceso de “metropolización” de loteos de grandes haciendas, al igual que encontramos un tipo de loteo de origen no legalizado. Este con el tiempo adquirió su estatus de legal, debido a la oportunidad de negocio por la valorización de los terrenos y por la falta de claridad en la reglamentación urbanística. Huecos normativos que dieron pasó

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introducción


a construcciones no regularizadas y poco planeadas. Las construcciones que presenta Chapinero al oriente de la zona del Castillo son de “autoconstrucción”, este tipo de desarrollo se da a partir de la iniciativa individual con una lógica de utilización máxima de los metros cuadrados, logrando una densidad de población mucho mayor comprado al desarrollo formal. Como resultado de este fenómeno se crea una mancha urbana de tejidos yuxtapuestos, sin soluciones de continuidad hacia las grandes vías como la Circunvalar. A diferencia de otro tipo de configuración de tejidos que se da en la zona del oriente en donde existe una retícula previamente planeada. Los tejidos irregulares que presenta el sector se dieron debido a la subdivisión de los terrenos donados a los trabajadores. Divisiones que obedecieron a la topografía y los accidentes del suelo como las quebradas de las delicias y los Olivos, al igual que de caminos creados por el tránsito continuo de la población, determinando el trazado de las calles y las avenidas, como las formas de las manzanas y los lotes. En los tejidos regulares de la parte baja del sector, se encuentra un tejido mixto, en donde se da la sustitución, a nivel de primer piso, de uso residencial a uso comercial. Esta tipología de manzana da a esta parte del sector, una homogeneidad en la configuración físico espacial del territorio. Estos cambios se deben principalmente a la valorización del suelo, dando como resultado un cambio tajante y progresivo en las dinámicas sociales del barrio. La “intersticialidad” del espacio se da debido a las dinámicas de consolidación de la zona, en donde se producen cambios progresivos de tejidos desde distintos puntos, dando como resultado núcleos desconectados y remanentes. Configurando un sector con diferentes proporciones de espacio público.

uso del inmueble, consistiendo en la renovación de edificios en su interior, ya que por el estado que presenta patrimonial, no se puede cambiar su forma física pero sí su uso. Esto renueva el tejido mixto y la lógica espacial del sector. En el sector del Castillo se están produciendo lógicas de cambio que están afectando a la ciudad genérica del oriente de Chapinero, por el aumento del valor del suelo, cuya finalidad es la de maximizar la ganancia, ya sea por reemplazar usos de suelo, por cambios morfológicos de viviendas informales a edificios de gran altura, o por cambios en viviendas unifamiliares a edificio multifamiliares, para así obtener el máximo aprovechamiento y ganancia del terreno. El tejido híbrido que se estudió, nos da una imagen de “homogeneidad dentro de la heterogeneidad”. Primero al tener un proceso de urbanización “intersticial” resultado de la yuxtaposición de diferentes tramas y segundo a partir de la escala de unidad, que se da a partir de la repetición conformando las manzanas de manera compleja y diversa. Entre las principales incertidumbres que presenta la ciudad genérica existe la discontinuidad y la fragmentación que se da a partir de esta yuxtaposición de tejidos provenientes desde diferentes puntos del tejido hasta puntos de encuentro, al igual que de la invasión de enclaves ( como colegios, edificios de gran altura etc… ) que funcionan como des articuladores del tejido y de las escalas de configuración de los sectores.

Referencias Molina, J 2011. Apuntes para la ciudad futura. Fundación GilbertoAlzate Avendaño: Aproximaciones a la Ciudad del Futuro.

En el espacio configurado por tejidos irregulares de vivienda, existe un proceso urbano híbrido, en donde se da una transformación morfológica de sustitución de manzanas de origen irregular, a un fenómeno de “verticalización” y densificación en edificios de gran altura, dando como consecuencia una segregación de vivencia al interior de estos enclaves, tipificando a estos edificios de gran altura. La abundancia de este tipo de vivienda multifamiliar en altura, en años recientes, nos revela la existencia de una demanda inmobiliaria para vivir cerca de una avenida principal, como la Circunvalar. Demostrando una tendencia creciente de apropiación del territorio por parte de las clases altas de la población y una tendencia creciente en la valorización del territorio. Paralelamente, en los barrios de Granda, Quinta Camacho y Porciúncula, el tejido urbano ha sufrido una transformación interna de uso, cambiando de residencial a una nueva tipología mixta con comercio, sobre todo en los sectores de bares, restaurantes, centros, y servicios. Produciéndose un cambio en el

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10


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175,98 km²

UBICACIÓN

Bogotá


12,264 km²

38,98 km²

chapinero

el castillo

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En 1786 y 1900, dos incendios hicieron cenizas los archivos históricos de Bogotá. En 2003 se inauguró el Archivo Distrital, obra arquitectónica como pocas en Latinoamérica, diseñada con un microclima para la conservación de documentos. El Archivo se proyecta en el futuro para hacer memoria del pasado. Una mirada a momentos en que Bogotá hizo historia en el mundo:

conquistando los cielos En el siglo XIX tomaba más de medio año de caminos inhóspitos para llegar a la capital desde los extremos del país. El problema de acceso a Bogotá, íntimamente ligado al desarrollo de la nación, llevó al país a convertirse en pionero de la aviación mundial. Llegado el año 1919 era tal el ímpetu por remontar la cordillera y conquistar los cielos que los periódicos ofrecían recompensa al primero que lograra sobrevolar la accidentada geografía de la ciudad. El norteamericano Knox Martín fue el primero en lograrlo y Scadta, fundada ese mismo año y ahora conocida como Avianca, se convirtió en la primera aerolínea en aterrizar en el altiplano. Lo logró con su primera flota: dos modelos F-13 Junker traídos de Alemania. Un avión metálico que al llegar al país se recalentaba fundiendo las soldaduras del radiador. Para evitar el escape de agua y lograr el vuelo, los alemanes contaron con el ingenio colombiano que aplicó jabón de tierra, tapando los escapes y así dándole alas también a la creación de la primera flota de correo aéreo programado del mundo.

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bogotá en la historia

http://issuu.com/juanpablomejia/docs/ciudad_mundial_Bogotá


pioneros de derechos

“Todos los hombres nacen libres e iguales en dignidad y derechos y, dotados como están por naturaleza de razón y conciencia, deben conducirse fraternalmente.” Preámbulo de la Declaración Americana de los Derechos y Deberes del Hombre, el primer acuerdo internacional sobre derechos humanos aprobado por la Organización de Estados Americanos en mayo de 1948 en Bogotá. Paradójicamente, unos días antes, el 9 de abril de 1948, fue asesinado en Bogotá Jorge Eliécer Gaitán, el Caudillo del Pueblo, uno de los líderes más democráticos de la historia del país. La ciudad ya había sido pionera en política internacional gracias a la pluma de Antonio Nariño que tradujo, publicó y distribuyó la Declaración de los Derechos del Hombre de 1794, considerada uno de los primeros textos de constitución política en el Nuevo Mundo.

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bogotá en la historia la explosión que se oyó alrededor del mundo

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veces de manera continua entre Krakatoa y Bogotá. Con el advenimiento del telégrafo en ese tiempo, la erupción de Krakatoa es el primer desastre natural cataclísmico reportado en redes internacionales de comunicación; fue la primera pesadilla en el imaginario mundial de la era de las telecomunicaciones.

1883

http://issuu.com/juanpablomejia/docs/ciudad_mundial_Bogotá

1900

El sonido natural más fuerte de la historia hizo de la ciudad de Bogotá su caja de resonancia. El 27 de agosto de 1883, una pequeña isla volcánica del Pacífico llamada Krakatoa explotó hasta su desaparición. Las cenizas fueron propulsadas a una altura de 80 kilómetros. Estas oscurecieron el cielo del planeta entero, reflejaron los rayos del sol causando una caída de 1,2°C en la temperatura promedio del planeta. Las ondas de presión atmosférica, consecuencia de la explosión, literalmente le dieron la vuelta al mundo. La antípoda de Krakatoa fue nuestra ciudad capital y hasta acá llegaron las ondas para rebotar y regresar a su punto de origen. Era tal la magnitud del evento que el recorrido se repitió siete

tranvía de 1910-1951


el auge del oro Los alrededores de Bogotá inspiraron una leyenda determinante en la ruta de los conquistadores españoles. La Laguna de Guatavita, la cuna de la Leyenda de El Dorado, atrajo la ambición y codicia del imperio español. Dicen que los españoles saquearon más oro de la nación que de ninguna otra en el Nuevo Mundo. Se estima que desde La Conquista, el país ha producido unas 85 millones de onzas de oro y, hoy en día, Bogotá cuenta con la colección de orfebrería prehispánica más grande del mundo: unas 34 mil piezas de oro y tumbaga que residen en el Museo del Oro. También hoy, a pesar

del saqueo, Colombia sigue siendo uno de los depósitos más grandes del planeta. La crisis financiera actual ha llevado a muchos a invertir en oro como refugio seguro, llevando a un alza inusitada del precio, que ya superó los 1.600 dólares por onza. Con el potencial aurífero que tiene el país ojalá nos aseguremos de que esta vez los ingresos y beneficios se queden en nuestras fronteras.

34000 una expedición revolucionaria La Expedición Botánica, esa monumental investigación de la fauna y flora liderada por José C lestino Mutis, liberó la mente de muchos criollos, quienes después dirigieron el movimiento de independencia. Iniciada en 1783 y con una duración de 33 años, esta empresa, con Bogotá como centro, fue decisiva para el desarrollo de la cultura y la investigación nacional. Mutis y un excepcional séquito de colaboradores clasificaron 20 mil especies vegetales y siete mil animales, fundaron el observatorio astronómico de la ciudad, el más alto y de los primeros del planeta, y dieron a conocer las verdaderas riquezas del Nuevo Mundo. Descubrieron la quina, el té de Bogotá, la yuca y la papa del río Magdalena, entre otros. Los integrantes de la Expedición contagiaron el espíritu científico y el pensamiento de la Ilustración entre la población criolla. Formaron un núcleo de sostenedores de la causa de la Independencia replicando por todo el país el sueño de revolución.

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PERU 36.1% suburbio 78.5% urbano 87% mejora acceso agua

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INDIA 34.8% suburbio 40.8% urbano

CHINA

COLOMBIA

EGIPTO

32.8% suburbio 60.3% urbano 94% mejora acceso agua

17.9% suburbio 81% urbano 98% mejora acceso agua

17.1% suburbio 49.9% urbano 99% mejora acceso agua

LAOS

HAITI

NIGERIA

IRAQ

NICARAGUA

79.3% suburbio 53.1% urbano 59% mejora acceso agua

70.1% suburbio 68% urbano 49% mejora acceso agua

65.8% suburbio 63.6% urbano 81% mejora acceso agua

52.8% suburbio 70.5% urbano 96% mejora acceso agua

45.5% suburbio 45.5% urbano 95% mejora acceso agua

bogotรก y otros paises

http://cargocollective.com/grayscaled/re-source-BOGOTร


CIUDAD DE MÉXICO 5,871 /KM2

NYC 10,000/KM2

BOGOTÁ 13,500/KM2

TOKYO 20,000/KM2

LAGOS 23,900/KM2

MUMBAI=29,650/KM2

2000 PERSONAS/KM2

densidad de población en bógota vs otros paises

1975

1985

1995

CRECIMIENTO TERRITORIAL

http://cargocollective.com/grayscaled/re-source-BOGOTÁ

2015

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la primera lĂ­nea del metro de bogotĂĄ 20


Según los estudios de Sener y el Metro de Barcelona. La primera línea del metro de Bogotá (PLM) conecta el suroccidente de la ciudad con el centro histórico y corre hacia el norte hasta la Calle 170. La PLM parte del portal del Transmilenio de las Américas hacia la plaza de San Victorino, desde allá irá en subterráneo por debajo de la Carrera 13 hasta la calle 63, donde sube a la carrera 11 hasta la calle 109 con Carrera 9, saliendo a la superficie para aprovechar el corredor férreo existente de la carrera 9 hasta la calle 127. La línea tiene como extensión natral este corredor férreo, una oportunidad para que el _Metro se conecte con el Tren de Cercanías en el nororiente, así como para atender un sector que incrementa su desarrollo y densidad. La PLM le daría salida a la presión de demanda existente sobre todos los corredores del Borde Oriental (Carreras 7,11,13 y Caracas), siendo el primer tramo a construir. La primera línea es el principio de una red que es la única posibilidad de crecimiento para la ciudadana solución para el presente y para el futuro.

encuestas de movilidad 2005, estudios steer davies gleve

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una ciudad en forma de t En 1538, la ubicación de Bogotá entre los cerros de Monserrate y Guadalupe se dio por las urgencias militares de la guerra de conquista contra los Muiscas y por la condición inundable de las tierras al occidente. Bogotá tiene la forma de una batea que lleva las aguas hacia el occidente inundando la Sabana. Por eso la ciudad creció reclinando sobre los cerros orientales y se desarrolló en la forma de una T. La estructura norte-sur que se conformó aprovechaba la ruta prehispánica de la sal de Zipaquirá, y se dirigía hacia el sur a los pueblos indígenas de Usme y Tunjuelo. Su forma de T se mantuvo hasta las primeras décadas del siglo XX antes de que se diera un crecimiento poblacional. Esta estructura fue definiendo la disposición ente el norte y el sur. En 1777, los pueblos indígenas que habitaban Usaquén fueron trasladados a Soacha. Se desecaron los humedales del norte para construir grandes haciendas, Las vacas al norte u los indios al

sur, se decía en gresa, arena y piedra y con presencia del chilco se construyeron urbanizaciones donde Vivian los obreros. Después de 1850, el nacimiento de chapinero con sus casas-quintas determino que las condiciones de transporte hacia esa zona fueran mejores, mientras que al sur predominaban caminos urbanos de herradura. Así se inició la edificación de dos ciudades. La Bogotá moderna y la Bogotá vieja.

un plan para ordenar mejor a Bogotá

El pot 22

¿Qué es el pot?

El Plan de Ordenamiento Territorial es la norma que define cómo puede la ciudad hacer uso de su suelo y dónde están las áreas protegidas, en qué condiciones se puede ubicar vivienda, actividades productivas, culturales y de esparcimiento. Fines del POT Mejorar la calidad de vida de los habitantes, mediante el acceso a oportunidades y beneficios que ofrece el desarrollo de la ciudad.

http://issuu.com/juanpablomejia/docs/como_se_organiza_Bogotá


ESTRUCTURA ECOLร GICA

PIEZAS URBANAS

MODELO DE ORDENAMIENTO Botogรก, Siglo XX. Urbanismo Arquitectura y Vida Urbana. POT 2000.

SISTEMAS URBANOS

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ES LA TERCERA CAPITAL MÁS CONTAMINADA DE AMÉRICA LATINA La crisis del calentamiento global nos muestra que su origen es tanto natural como social. Todos nos vemos afectados y todos somos responsables de manera diferenciada. El que

más contamine, más debe pagar para compensar el daño. El POT organiza lo rural y lo urbano, lo natural y lo social y lo maneja como un solo territorio.

LO URBANO CON LO RURAL

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http://issuu.com/juanpablomejia/docs/como_se_organiza_Bogotá


DÍA EUA

Sudamérica

BOGOTÁ

informal

uso del agua

La destrucción del hábitat se ha convertido en un resultado inevitable de la invasión de los seres humanos sobre los ecosistemas naturales. Medida que las ciudades se expanden ponen mayor presión sobre el paisaje circundante. Bogotá ha experimentado una reducción dramática en la zona de los humedales desde 1950 (que actúan como filtros de agua naturales y promover la biodiversidad). La destrucción del hábitat y la disminución de la calidad del agua en los ríos y los ecosistemas circundantes se pueden atribuir directamente a causas

humanas como el aumento de la urbanización y el aumento de la industria. 50% de la población de Bogotá aún vive en la pobreza. Este se destaca por el fuerte contraste entre la opulencia y la pobreza; los ricos disfrutan de servicios de infraestructura básicos y un mayor acceso a los espacios verdes y agua limpia. Hay tres tipos de barrios marginales de Bogotá: ciudad interior, perímetro, y asentamientos ilegales. Estas personas requieren los mismos servicios básicos como los ricos.

perdida de los humedales

http://elmonocromo.com/projects/adelante-Bogotá/

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7.6 La nota del sector resulta de combinar las calificaciones asociadas al grado de avance 1en las metas estratégicas y no estratégicas (las metas estratégicas tienen el doble de importancia de las no estratégicas). Cada meta del sector fue valorada de acuerdo a sus recursos programados para la vigencia del Plan de Desarrollo Distrital.

CRITERIOS Misionalidad del sector Atención a población vulnerable Asociación con el programa de gobierno del alcalde, entre otros,

la evaluación

26

http://elmonocromo.com/projects/adelante-Bogotá/


Necesitamos ciudades que quieran ser condiciones de vida, de vidas completas, libres y no fragmentadas, no ciudades de discreciรณn y dominaciรณn; necesitamos muros que cobijen, no muros que excluyan y opriman=. (Marcusse,89)

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29


En su aspecto geomorfológico se presentan dos unidades distinguibles. La zona plana, suavemente ondulada, y el piedemonte de los cerros, constituido por una llanura cuaternaria de origen fluviolacustre. Y la zona montañosa, vertiente oriental de la Cordillera Oriental, compuesta estratigráficamente por formaciones sedimentarias de rocas arenosas, duras y resistentes a la erosión, y por rocas arcillosas blandas, con edades del cretáceo superior al terciario. La localidad se encuentra dividida en cuatro zonas de acuerdo con criterios de estratificación socioeconómicay división geomorfológica.

Zona 1: área rural, compuesta por tres sectores y una vereda. Zona 2: área urbana del piedemonte de los Cerros Orientales, habitada por sectores populares, compuesta por cuatro sectores.

4

3

2

1

Zona 3: área urbana de conformación múltiple, comprendida entre el límite de los barrios populares de los cerros y la Avenida Caracas, de la calle 39 a la calle 67, compuesta por dos sectores. Zona 4: área urbana de conformación múltiple, comprendida entre el límite de los Cerros Orientales y la Avenida Caracas y su prolongación por la Autopista Norte, desde la calle 67 hasta la calle 100, compuesta por tres sectores.

Esa zonificación y estratificación social en el ámbito local muestra una concentración de la población en los estratos 4, 5 y 6 y su distribución entre las zonas 3 y 4, pero una porción de población se sitúa en el estrato 2, entre las zonas 1 y 2, queconstituye el conglomerado social zonal más vulnerable.

geormofología y suelo chapinero 30http://www.culturarecreacionydeporte.gov.co/observatorio/documentos/localidades/chapinero.pdf


6 5 4 3 2 1 quebradas

estratos

zona cerros

31


Está contemplada la posibilidad de promover y permitir el desarrollo de las siguientes actividades complementarias, siempre y cuando se demuestre que no ponen en riesgo la reserva ni los recursos naturales renovables que allí existen:  El aprovechamiento del paisaje.  La educación ambiental  La investigación ambiental. LOCALIDAD DE CHAPINERO – FICHA BÁSICA 59  La recreación pasiva.  La instalación de infraestructura de servicios.  La instalación de infraestructura de seguridad. Conforme a la resolución ministerial, la zona de rehabilitación ecológica, es aquella destinada a la rehabilitación de la vegetación natural en áreas con potencial de restauración ecológica. Conforme a la resolución ministerial, la zona de recuperación paisajística, es aquella destinada a “la recuperación y mantenimiento de suelos de protección dentro de áreas que han sido objeto de deterioro ambiental por el desarrollo de actividades mineras y asentamientos humanos en áreas de alta sensibilidad ambiental”.

San Isidro – Patios El Refugio Pardo Rubio Chicó Lago Chapinero Zona El Verjón

0 27 40 63 10 1

0 162.292,85 66.581,04 231.953,75 145.229,36 3.039,37

8.101 32.336 26.554 32.993 19.916 3.091

0 5.02 2.51 7.03 7.29 0.98

upz cant. parques actuales area total población m2/hab.

cerros y zonas verdes 32 DAPD, Subdirección de Desarrollo Social e IDRD, Bogotá, D.C. 2002.


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parques

reserva ecolรณgica

33


localizaciรณn upz#90


ubicaciรณn upz #90 35


estructura upz #90 36


Estructura upz #90 37


Sector de interes cultura dentro de upz # 90

Sector de interes cultural dentro de upz #90 38


uso de los sectores de la upz #90 39


UPZ # 88 & UPZ #90

upz #88 y #90


Estructura bรกsica de la UPZ # 88 Estructura bรกsica de la UPZ # 88

estructura bรกsica de la upz #88 41


Estructura ambiental de la UPZ # 88

Estructura bรกsica de la UPZ # 88

estructura ambiental de la upz #88


estructura funcional de la upz #88 43


uso upz #88


zona de conservaciรณn dentro de upz #88 45


Los llamados Cerros Orientales son la porción distrital de un sistema orográfico y es uno de los principales ecosistemas estratégicos compartidos dentro de la estructura Ecológica Principal Regional, en el cual la localidad de Chapinero tiene el 68,3% de su territorio, que corresponde a suelo rural, es decir 2.664,2 ha, todas ellas catalogadas como suelo de protección. Marco normativo para los Cerros Orientales. Con base en las resoluciones del MAVDT y de la CAR, en el Decreto 600 de 2000, y en atención al mandato constitucional de coordinación armónica, suscribieron el Convenio 012 de 2001, cuyo objeto consistía en dar un tratamiento integral y regional a lo que se denominó la Unidad Ecológica Regional de los Cerros Orientales, conformada por la reserva forestal protectora Bosque Oriental de Bogotá y parte de los municipios de La Calera, Guasca, Tocancipá, Sopó y Chía. En el marco de dicho Convenio se creó la Comisión Conjunt de Cerros Orientales, integrada por las entidades antes citadas y contando con la veeduría de la Procuraduría Delegada para Asuntos Ambientales y Agrarios. La Secretaría Operativa de la Comisión se encontraba a cargo de la CAR. Los asentamientos urbanos en el área de reserva forestal se caracterizan por ser de tipo “Desarrollo Progresivo”, siendo estos generalmente de estratos bajos (estratos1 y 2), tipo de vivienda subnormal a normal, arreglo de vías no ordenado, generalmente en recebo o destapadas, solamente el 12% de las vías se encuentran pavimentadas. Los servicios públicos de acueducto y alcantarillado son suministrados por la empresa oficial para el Distrito (EAAB) y por acueductos comunales y/o tanques comunales. En total encontramos 61 barrios que corresponden a las cinco localidades en área de reserva forestal, distribuidos como se muestra a continuación. La población asentada en el Área de Reserva en la localidad de Chapinero es de 8.996 personas, es decir, el 7.41% de la población total de la localidad. Conforme a la resolución ministerial, la zona de conservación es la “zona destinada al mantenimiento permanente de la vegetación nativa de los Cerros Orientales en sus diferentes estados sucesionales”. Las disposiciones y acciones del Plan de Manejo en esta zona deben estar orientadas, principalmente, hacia las siguientes actividades: La conservación de la vegetación nativa y la regeneración natural asistida bajo parámetros avalados por la CAR.

cerros 46


47


alturas que van de los 2.800 a los 1 3.600 metros sobre el nivel del mar

SIERRAS DEL CHICO

cerros 48

Alto piedra ballena

cerros cazadores

CUCHILLA SERRANA

CUCHILLA EL CHISCAL

ALTO LA LAGUNA

CERRO PAN DE AZUCAR

TERMINAN en la planicie de La Caro, cerca de Chía


parque nacional cerro guacamayas páramo dechipaque

páramo de cruz verde

Cerro la teta

cerro el Zuque

alto los tunjos

alto de la viga

cerro aguanoso

monserratte guadalupe

páramo el verjón

14 mil hectáreas

comienzan en el Boquerón de Chipaque

cuchilla el gavilán

cerro juan rey parque entrenubes

49


Estratos chapienero 50


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# # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # 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3

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4

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# # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # 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# # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # 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# # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # 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# # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # #

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el castillo

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EL REUGIO

NO, UPZ 88

TIPO 3 RESIDENCIAL CUALIFICADO Corresponden a ciertos sectores de la ciudad donde el uso residencial exclusivo predomina y cuentan con muy buen espacio público, equipamientos y condiciones urbanísticas adecuadas

PARDO RUBIO

Chico Reservado Bella Vista Chico Altp El Nogal El Refugio La Cabrera Los Rosales Seminario Toscana

TIPO 2 RESIDENCIAL CONSOLIDADO: Corresponde en su gran mayoría a sectores donde se ubican barrios tradicionales de la ciudad, con tendencia a la densificación no planificada y al cambio de usos del suelo, donde el predominante es el residencial con presencia de familias de estratos medios

BIENES DE INTERÉS CULTURAL Según el Decreto 606, La localidad de Chapinero posee inmuebles catalogados como bienes de interés cultural.

991

La UPZ Chicó Lago concentra el de estos inmuebles con 527 La UPZ El Refugio con 193

54

53,2%

NO, UPZ 88 Bosque Calderón Tejada Chapinero Alto El Castillo El Paraiso Emous Granada Ingemar Juan XXIII La Salle Las Acacias

Los Olivos Maria Cristina Mariscal Sucre NuevaGranada Palomar Pardo Rubio San Martin de Porres Villa Anita Villa del Cerro


EL ESPARTILLAL SAN FELIPE

EL NOGAL

PORCINCULA

LOS ROSALES

LA PORCIUNCULA

LOS ROSALES

CONCEPCION NORTE

QUINTA CAMACHO

BELLAVISTA

CERROS

QUINTA CAMACHO

CHAPINERO NORTE EMAUS

CERROS

LAS ACACIAS

CHAPINERO NORTE

GRANADA

LA SALLE CHAPINERO CENTRAL

LA SALLE

MARIA CRISTINA

upz

55


nolli

El Nolli es un plano iconográfico de la ciudad con una visión opuesta a la vista de perspectiva o “vista de pájaro”. Este nos da una visión de los primeros pisos en planta, variando de nivel por la topografía. Se percibe a escala de peatón. Está orientado al norte. El Nolli nos ayuda a identificar fenómenos de porosidad en la ciudad. Siendo lo más porosos (público) representados con blanco y lo menos poroso (privado) representad con negro.

56


57


axonometria china

La axonometria china es una herramienta que se utiliza como un sistema de representación gráfica que consistente en representar elementos geométricos o volúmenes en un plano, mediante proyección vertical del volumen. conservando su altura y su techo.

58


59


axonometria

La axonometria es una herramienta que se utiliza como un sistema de representación gráfica que consistente en representar elementos geométricos o volúmenes en un plano, mediante proyección paralela o cilíndrica, referida a tres ejes ortogonales, de tal forma que conserven sus proporciones en cada una de las tres direcciones del espacio: altura, anchura y longitud.

60


PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

61


códigos génericos y genéticos

los modelos genéricos y genéticos son los que constituyen la ciudad. Los códigos genéticos son aquellos que presental las caracteristicas propias de la arquitectura del lugar y de la sociedad. Los códigos genéricos son construcciones importadas sin relación con el contexto.


63


barrio bosque Calderón mente sin la consulta de un arqui-

informal, que se adapta tectoCasa o ingeniero, Casa informal, a lasbarrio condiciones topográficas de bosque Calderón Código genético. Casa informal, Código genético. manera espontanéa e intuitiva. Con Construcción elavorada informalbarrio bosque Calderón Casa informal, Construcción elavorada informalbarrio bosque Calderón Código genético. Marca la traza caracteríztica de mente sinsinlalabosque consulta de un arquibarrio Calderón mente consulta de un arquiCon Construcción elavorada informallos barrios obrerosque presentes en el tecto o oingeniero, tecto ingeniero, que se se adapta adapta Código genético. mente sin la consulta de un arquiCódigo genético. sector. aCon las condiciones topográficas de a las condiciones topográficas Código genético. tecto o ingeniero, que seinformaladapta Construcción elavorada Con Construcción elavorada informalmanera espontanéa e intuitiva. de manera espontanéa e intuitiva. Con Construcción elavorada informala las condiciones topográficas de la consulta arquimente mente sin la sin consulta dede ununarquiMarca la traza caracteríztica de mente sin la consulta de un arquimanera espontanéa e intuitiva. Marca laingeniero, traza caracteríztica de tecto o ingeniero, que adapta tecto o que sesese adapta tecto ingeniero, que adapta Marca laobreros traza caracteríztica de los barrios presentes en elelde a laso condiciones topográficas los barrios obreros presentes en a laslos topográficas de acondiciones las condiciones topográficas barrios obreros presentes en de el sector. manera espontanéa e intuitiva. sector. manera espontanéa manera espontanéae eintuitiva. intuitiva. sector. Marca la traza caracteríztica de casa informal,

Marca la traza caracteríztica los obreros presentes de en Marca labarrios traza caracteríztica deel los barrios obreros presentes en sector. barrio los olivos. los barrios obreros presentes en elel sector.Casa informal, sector. barrio bosque Calderón Código Genético. casa informal, casa informal, Construcción Con barrio losrealizada olivos. a princicasa barrio los olivos. pios de losinformal, años 60 por los fundaCódigo Genético. casa informal, barrio losrealizada olivos. dores del barrio informal.aDebido Código Genético. Construcción princibarrio los olivos. casa informal, Con Construcción realizada a princia su antiguedad y su morfología pios de los años 60 por los fundaCódigo Genético. pios debarrio los años 60 porDebido los poco fundaCódigo Genético. espontánea con materiales dores del informal. a Construcción Con realizada a princibarrio los olivos. Código Genético. dores del barrio informal. Debido Construcción Con realizada a princisu antiguedad y su morfología esperdurables, es una pieza genétic pios de los años 60 los fundaConstrucción Con realizada a los princia su antiguedad ypor su por morfología pios de años 60 fundapontánea conlosmateriales poco perdel sector dores del barrio informal. Debido pios de los años 60 por los fundaespontánea con materiales poco dores del barrio informal. Debido Código durables,Genético. es una pieza genétic del dores barrio informal. Debido perdurables, esy una pieza genétic a su del antiguedad ymorfología su morfología aCon su antiguedad su sector. Construcción realizada a princia su antiguedad y su morfología del sector espontánea con materiales poco espontánea con materiales pios de los años 60materiales porpieza lospoco fundaespontánea con poco perdurables, es una genétic perdurables, es una pieza genétic esinformal. una pieza genétic doresperdurables, del barrio Debido del sector del sector del sector a su antiguedad y su morfología

Casa informal,

espontánea con materiales poco barrio los Olivos perdurables, es una pieza genétic casa informal, casa informal, del sector barrio juan xxiii

barrio juan xxiii casa informal, casa informal, Código Código Genético. Código Genético. barrio juan Genético. xxiii Construcción típica de uno casa informal, barrio juan xxiii Construcción típica de uno de los Construcción típica de unode delos los

barrios de invasión invasión que barrios de invasión quecaractericaracteriCódigo Genético. barrios de que caracteribarrio juan xxiii zan el sector. Código Genético. zan el sector.

típica de uno de los zan el Construcción sector. Construcción típica de uno de los barrios de invasión que caracteriCódigo Genético. casa barrios informal, invasión que caracterizan el de sector. zan el sector. Construcción barrio juan típica xxiii de uno de los barrios de invasión que caracteriCasa informal, zan el sector. Código Genético.

barrio barrio xxiiide los Construcción típicajuan de uno barrios de invasión que caracterizan el sector.


Casa informal, lote invadido Casa informal, Casa informal, Código Genético. lote invadido Código Genético. lote invadido Construcción realizada por los mis-

Casa realizada informal, por los Con Construcción mos habitantes de manera intuitiva lote invadido mismos habitantes manera Por intuitiCódigo Genético. que se adecua a lade topografía. Código Genético. va se adecua la topografía. Construcción Con realizada su que antiguedad, hacea parte depor laslos Construcción Con realizada por los Código Genético. mismos habitantes departe manera piezas genéticas del territorio. Por su antiguedad, hace deintuitimismos habitantes de manera intuitiConstrucción Con realizada por los va que se adecua a la topografía. las genéticas territorio. mismos habitantes manera intuitiva piezas que se adecua adel la de topografía. Por su antiguedad, hace parte de

vapiezas que segenéticas adecua la territorio. topografía. las Por su antiguedad, hace adel parte de Por su antiguedad, hace parte de las piezas genéticas del territorio. las piezas genéticas del territorio.

Casa informal, lote invadido

casa formal, casa formal, cerca aformal, laGenético. carrera septima cerca a la carrera septima casa Código casa formal, contrucción considerada patrimonio cerca a la carrera septima que mantiene su morfología cerca a Código la carrera septima Genético.

y transforma su uso considerada para elovucioCódigo Genético. contrucción patrimonar junto al territorio. Código Genético. nio que mantiene su morfología contrucción considerada patrimopatrimoy contrucción transformasu suconsiderada uso para elovucionio que mantiene morfología Código Genético. nio que mantiene su morfología nar junto al territorio. ycontrucción transforma su uso para y transforma su uso elovuciopara elovucioconsiderada patrimonar junto al territorio. nar junto al territorio. nio que mantiene su morfología

y transforma su uso para elovucionar junto al territorio. casa formal,

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Códigos Gen

Casa informal, barrio bosque Calderón

Código Genérico. Construcción importada, no propia del sector. Es un modelo PredetermiCódigo genético. nado de institución educativa que Construcción elavorada informalCon se encierra perdiendo el contacto mente sin la consulta de un arquicon el sector. tecto o ingeniero, que se adapta a las condiciones topográficas de manera espontanéa e intuitiva. Marca la traza caracteríztica de los barrios obreros presentes en el sector.

Códigos Gené

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la traza caracteríztica de Marca la Marca traza caracteríztica de Marcabarrios la traza caracteríztica de obreros presentes en el los barrioslosobreros presentes en el los barrios obreros presentes en el sector. sector. sector.

sector.

Código Genérico. Edificio de altura promedio que casa informal, debido a una transformación morcasa informal, casa informal, fológica del sector reemplaza una barrio los olivos. barriobarrio los olivos. los olivos. vivienda unifamiliar con el fin de incrementar las ganancias por el Código Genético. Código Genético. Código Genético. Construcción Con realizada a princisuelo. Construcción realizada a princiCon Construcción realizada a princiCon

pios de 60 los por añoslos60 por los fundapios de los años fundapios de los años 60informal. por los fundabarrio dores deldores barriodel informal. Debido Debido dores barrio informal. Debido a sudel antiguedad y su morfología a su antiguedad y su morfología a su antiguedad y su morfología espontánea con materiales poco espontánea con materiales poco espontánea conesmateriales perdurables, una piezapoco genétic perdurables, es una pieza genétic perdurables, es una pieza genétic del sectordel sector del sector

Ediff1cio Rodamonte Transversal 2 #68-1

Código genérico. Edificación de gran altura que no toma en cuenta la morfología del sector en su diseño ya que este Código Genético. Código Genético. Código Genético. Construcción delos uno está de lospredeterminado y podría emConstrucción típica de típica uno de Construcción típica deque unocaracteride losplazarse en cualquier sector. barrios de invasión

casa informal, casa informal, casa informal, barrio juan xxiii barriobarrio juan xxiii juan xxiii

barrios de invasión que caracteribarrios invasión que caracterizan eldesector. zan el sector. zan el sector.

Ediff1cio Citrus Carrera 1 #65c-2 Casa informal, Casa informal, Casa informal, lote invadido lote invadido lote invadido

Código Genérico. Edificación de gran altura que incumple con la norma constructiva del sector en varios aspectos lo Código Genético. Código Genético. Código Genético. Construcción Con realizada por los trae muchos problemas al teque Construcción realizada por los Con Construcción Con realizada por los intuitimismos habitantes deintuitimanera rritorio. mismos habitantes de manera

mismosque habitantes de manera intuitise aadecua a la topografía. va que seva adecua la topografía. vaPor quesuseantiguedad, adecua a la topografía. hace Por su antiguedad, hace parte de parte de Por su piezas antiguedad, hacedel parte de las piezaslas genéticasgenéticas del territorio. territorio. las piezas genéticas del territorio.

Conjunto residencial sierras del este Calle 62 #1-1

se

EdificioEdiR Transvers Tra

Código G Có Edificio d Edi Ed debido a de morfológi mo za una v za el fin de i el cias por e cia

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Conjunto Co del estede Calle 62 Ca

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Casa informal, lote invadido

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Código Genético. Construcción realizada por los Con mismos habitantes de manera intuitiva que se adecua a la topografía. Por su antiguedad, hace parte de las piezas genéticas del territorio.

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Código Genérico. Edificación de altura promedio que se encierra degradando la relación con el sector. Su morfología no Código Genético. es propia de las construcciónes del contrucción considerada patrimoterritorio. nio que mantiene su morfología

Un. residencial nueva granada Carrera 2a #66-2 Códigos Genéticos y Genéricos


nolli histรณrico

El nolli histรณrico es un plano iconogrรกfico de la ciudad, que nos da una visiรณn de los primeros pisos en planta a traves del tiempo

malla vial informal cerros formal perimetro distrital


69


1920-1960 70


1960-1980 71


1980-2000 72


2000-2010

73


La interacción social se ve limitada y segregada por las mismas condiciones espaciales, topográficas y morfológicas presentes aquí. Estas múltiples vibraciones crean rupturas en la socialización de los protagonistas de la calle, la relación de individuos se sectoriza y es difícil identificar lugares de encuentro para todos los actores.

74


DATOS DEMOGRÁFICOS 75


CIUDAD CAMBIANTE DICATADA POR SUS CONDICIONES Y OPORTUNIDADES POTEMCIALES A VECES CONFLICTIVAS, PERO ABIERTAS A LA TRANSFORMACIÓN

76


¿A QUÉ SE DEDICAN?

77


estrato 1

1

2

357

3

257

4

1852

5

189

6

612

3,459

lotes

ESTRATOS EL CASTILLO 78


esc. 1 a 5000

79


23.1% Área Amanzanada

8,899 Hectáreas

21.2% Área Rural Protegida

20.4% Área Residencial

35.1% Área Urbana

PORCENTAJE DE AREAS 80


92.7%

96.4%

83.4%

58.3%

6.8%

Asistencia a un establecimiento educativo formal

Postgrado Profesional Tecnológica Normalista Media Técnica Secundaria Básica Primaria Preescolar Ninguna

ESRUDIOS 81


guĂ­a ambiental 82


ruta 83


Espacio

Dinámica

Los Cerros Orientales

Barrera Física y barrera perceptual Intervención urbana informal y formal

Descripción Percepción de miedo e inseguridad con respecto a la montaña Espacio habitado en parte inferior deforestación y construcción

La Ronda

Alta dinámica zonal los fines de semana mediana dinámica zonal entre semana (vivienda y recreación deportiva)

estructura ecológica principal con el fin de ser un conector ecológico. Esta zona esta invadida e intevenida por la actividad humana

Quebrada las delicias y los Olivos

Alta dinámica social entorno a estas por estar en medio de residencias e incluso invadidas por estas. A pesar de su cercanía con las viviends no hay sentido se apropiación, aprovechado para arrojar escombros y basura

estructura ambiental complementaria, manejado como límite entre conjuntos residenciales.

Parques

Baja dinámica por su escasez

Hay una existencia limitada e insuficiente que se considera necesario por los habitantes

relaciones con estructura ambiental 84


QDA ROSALES

QDA LA VIEJA

QDA DELICIAS

QUEBRADA LOS OLIVOS

85


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DDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDD DDDD DDDDDDDDDDDDDDDDD DDDD DDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDD DDDDDDDDD DDDDDDD DDDDDDDDD DDDDDDDDD DDDDDDDDD DDDDDDDDD DDDDDDDDD DDDDDDDDD DDDDDDDDD DDDDDDDDD DDDDDDDDD DDDDDDDDD DDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDD DDDDDDDDDD DDDDDDDDDD DDDDDDDDDDD DDDDDDDDDDD DDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDD DDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDD DDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDD DD DDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDD DDD DDDDDDDDDDDDDDDDDDDDDDDDDDDD DDD DDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDD DDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDD DDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDD DDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDD DDDDDDDDDDDDD DDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDD DDDD DDDD DDDD DDDDDDDDDDDDDDDD DDDDDDDDDDDD DDD DDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDD DDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDD DDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDD DDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDD DDD DD D DD D D DD DD D DD D DD D DD D DD D DD D D D D DD D DD D D DDD DD D DD D D DD DD D DD D DD D DD D DD D DD D D D D DD D DD D D DDDDDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDD DD DDDDDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDD DD DDDDDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDD DD DDDDDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDD DD DDDDDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDD DDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDD DDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDD DDDDDDDDDDDDDDDDDDDD DDDDDDDD DDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDD D D D D D D D D D D D

D D D D D D D D D D D

D DD DD DD DD DD DD DD DD DD DD

D D D D D D D D D D

QUEBRADA LOS OL VOS QDA DEL C AS D D D D D D D D D D D D D D D D D D D D

D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D

QDA ROSALES

QDA LA V EJA

e ce o


identif1caciรณn de elementos

estructura ambiental

investigaciรณn teรณrica 87


CICLO NATURAL

RECUPERACIÓN

HUELLAS DEL TIEMPO

Circulación del sistema ecológico con aspecto de cambio, genera recursos concentrados formados y aún en formación. Quebrada Las Delicias y La Vieja

a. Depósitos de recuperación con el fin de aumentar el reciclaje del material de construcción. Habitantes extraen partes de la vivienda antes de ser demolida para construir edificios de mayor altura b. Recuperacion de territorio como reserva (borde difuso)

Envejecimiento y deterioro de los materiales de construcción. Desgaste por factores climaticos como el viento, la lluvia y el sol

ABANDONO

DESIGUALDADES DEL TERRITORIO

Evidencia de lotes desocupados y abandonados utlizados como basureros por la comunidad

Marcada diferencia entre formas de habitar de diferentes grupos sociales en la zona. Se presenta una dualidad explicita entre clases socioeconómicas

88

¿CÓMO SE PRESENTA EL SECTOR?


abandono Proceso que genera deterioro

salud Residuos que dejan huella en nuestro organismo y en el medio ambiente. NO llega el camion de reciclaje

Perdida frente al desarrollo Pérdida de objeto que ya maximizó su utlidad y productividad

Tiempo Forma de medir la productividad comercio de barrio

Derroche de energía contraste

Degradación del desarrollo deterioro componente natural

¿En qué consiste el deterioro? 89


Tipología: auto-organizada orgánica de alta porosidad

recta y hermética

extensión horizontal

diagnóstico

crecimiento vertical

histórico - morfológico

1940-barrior obreros

+

topografía

+

=

infraestructura

=

borde

Encuentro entre dos formas de urbanización y diferentes tipos de vibraciones y porosidades en un mismo territorio.

sector de intervención

vs ciudad

2002 mutación vertical

evoluciÓn del proceso urbano el castillo 90


transformaciรณn, evoluciรณn del proceso urbano 91


ÂżCĂłmo se compone el sector?

92


EDUCACIÓN SUPERIOR y colegios 94


RESERVA FORESTAL Y parques 95


COMERCIO 96


VIVIENDA 97


260


99


USOS DEL SUELO 100


ESPACIO VERDE parques quebrada zona de proteccion ambiental DOTACIONAL colegios privado público Culto cultura privado publico Deportivos privado público educación superior privado publico parqueaderos Salud privado público plazas Lotes del estado COMERCIO comercio en corredor comercial comercio centro comercial comercio puntual

614637.40 63014.00 6923.40 544700.00 642767.52 194541.94 189510.93 5031.02 188465.71 36176.60 35444.34 732.26 69794.59 58036.62 11757.97 102947.97 78598.09 24349.88 20750.71 20039.71 18761.72 1277.99 2851.52 7198.78 358199.05 287177.48 20.62 71000.95

RESIDENCIAL residencial baja residencial media residencia alta vivienda informal vias Andenes

795021.56 199137.50 302555.65 293328.41 25840.00 433818.40 221557.07

3,066,001m2

101


ANDENES

METACITY 102


103


14

1

Circunvalar

13

2 3 4

15 13

5 parques

12 6

6

7 8

9

11 10

construcciones públicas 104

1 jardin infantil el arca de noel 2 centro comunitario distrital N 3 centro de evolución y creatividad 4 c. de educación Skinner 5 jardin infantil 6 jardin infantil juan XXIII 7 comisaria de familia Chapinero 8 jardin infantil amiguitos 9 centro amar Chapinero 10 guarderia san jose 11 comedor comunitario los Olivos 12 club de comercio 13 colegio distrital Simon Rodriguez 14 Uni. pedagócia Nacional 15 fundación Ballet de Colombia 16 Circunvalar-1961-1981


pĂşblico privado comercio

pĂşblico vs privado uso dotacional

parques

105


los muros son ambivalentes, el alambre de pĂşas protege pero encacela, las estacas protegen del invasor, pero tambien confinan... (MARCUSE 88)

106


107


Dispositivos de Borde

108


borde

isla

buffer

lĂ­mite

enclave

frontera

109


BORDE

LIMITE

Marca diferenciadora de caracteristicas visibles y explicitas entre dos espacios u objetos

línea imaginaria o visible mediante un objeto superpuesto con el fin de delimitar y separar espacios.

FRONTERA

Zona específica de relación territorial contigua al límite donde se presentan escenarios de intercambio.

ENCLAVE

Porción de territorio rodeada de un territorio más grande, en donde se manejan características diferentes.Nodos locales insertados en un contexto con el que mantienen un intercambio redicido, pero conectado a una red global.

ISLA

Resultante de una manifestación de borde que al ensancharse aísla lo bordeado, lo que la circunda. Repetición de elementos de medidas similares

BUFFER

Elemento amortiguante que posee un carácter flexible en el que reside el interés específico de ser atravesado para alcanzar al otro, su condición principal es de ser un lugar de paso, donde el intercambio es más intenso y la relación de dos diferentes terrenos es inmediata. Se utilizan especialmente para designar terrenos generalmente baldíos que sirven de franjas de protección a los asentamientos. Un Buffer tiende a protegerse cristalizando sus límites a modo de perímetros acorazados vigilados.

DEFINICIÓN DE LÍMITE BORDE, FRONTERA, ENCLAVE, ISLA BUFFER 110


lĂ­mite borde

enclave

frontera

isla

buffer

111


112

MATRIZ 1 ESPONJA

BARRERA

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# #

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# #

QUEBRADA Y CASAS

# #

NUNDAC ONES

BOSQUE-TERRENO # #

VALLA

# #

V G LANTE

# # #

VA #

CALLE DE TERRENO

# # #

CONECT V DAD # # #

CAMB O DE N VEL COTA

#

CAMB O DE N VEL CALLE #

CONDENSADOR #

CALLE AV C cunva a #

CALLE

#

# # #

TOPOGRAFÍA # #

EMBUDO QUEBRADA

#

BORDE FRONTERA

TUBO


ENCLAVE

BUFFER

ISLA

TUBO

REJA

EMBUDO

ÁREA AISLADA

FILTRO

TOPOGRAFÍA

ENCLAVE

ESPONJA

CAPILARIDAD

CAMBIO DE COTA

BARRERA

NUEVO DESARROLLO

PERIMETROS ACORAZADOS

LÍNEA IMAGINARIA ESPACIO DE INTERCAMBIO

REPETICION TIPOLOGICA

113


BORDE

LÍMITE

FRONTERA

quebrada las delicias

franja de arboles

arboles

C. rosario snto. domingo

muro

muro C. JORDAN DE SAJONIA

calle

calle peatonal

remanente espacio público

muro

vigilante

caseta

SISTEMAS NATURALES

INSTITUCIONES EDUCATIVAS

TUBO

calle

TEJIDO RESIDENCIAL

BARRERAS CONTROL

114

MATRIZ 2

puerta


ENCLAVE

BUFFER

ISLA

SISTEMAS NATURALES

vías

Terrenos sin uso INSTITUCIONES EDUCATIVAS

muro + arboles nueva granada

Vardas Controladas

Libertad de Acceso TUBO

TEJIDO RESIDENCIAL

vegetación - quebrada

Tejido Capilar

Franja de Protección

Diversidad de Usos del Tejido

BARRERAS CONTROL

Terrenos Delineados

115


fenómenos

Lo que se manifiesta directamente a los sentidos, lo que puede ser objeto de una observación empírica. Ciudad heterogénea causada por las diversas relaciones de los individuos. “Las ciudades expresan formas de territorialidad distintas según las relaciones que sus propios sujetos tienen con el territorio que, visto como un milieu, es un conjunto de condiciones-vinculos-recursos potenciales ligados a la naturaleza de los lugares y a su patrimonio...” (Dematteis 173)

116


117


esferas segregadas Presencia de tipos de unidades funcionales que no necesitan establecer una interacción de complementación con el sector, ubicándose a lo largo de una vía (tubo) como herramienta de conexión.

118


Circunvalar como barrera

falta de porosidad para caminar.

acceso vehicular directo

PRINCIPALES ENFOQUES

119


Unidad Residencial Nueva Granada

Edif1cios carrera 1 Este

Colegio Jordan de Sajonia

Código Genérico. Construcción importada, Casano informal, propia del sector. Es un modelo barrio bosque Calderón Predeterminado de institución Códigopergenético. educativa que se encierra Con Construcción elavorada informaldiendo el contacto con el sinsector. mente la consulta de un arquitecto o ingeniero, que se adapta a las condiciones topográficas de manera espontanéa e intuitiva. Marca la traza caracteríztica de los barrios obreros presentes en el sector.

enclaves

120

casa informal,

Colegio Rosario Santo Domingo

colegio r Transvers

Código G Construcc Con propia de Predeterm educativa diendo el sector.

Edificio R


121


Código el fin Gen de i Construcción Con cias por e propia del se Predetermina educativa qu diendo el co sector.

espontánea con materiales poco Con Construcción elavorada informalperdurables, es una pieza genétic mente la consulta de un arquidel sin sector tecto o ingeniero, que se adapta a las condiciones topográficas de manera espontanéa e intuitiva. Marca la traza caracteríztica de los barrios obreros presentes en el sector.

casa informal, barrio juan xxiii

Edificio C Carrera 1

Código Genético.

Código g Edificio Roda Edificació Edi Transversal no toma e

casaConstrucción informal, típica de uno de los barrios invasión que caracteribarrio losde olivos. zan el sector.

Código Genético. Construcción realizada a princiCon pios de los años 60 por los fundadores del barrio informal. Debido a su antiguedad y su morfología espontánea con materiales poco perdurables, es una pieza genétic del sector

gía del se que este Código Gen y podría Edificio Edi de a quierasect debido un morfológica za una vivie el fin de incre cias por el su

EDIFICIO CITRUS

Casa informal, lote invadido

Conjunto del este Calle 62 Edificio Citru Código G Carrera 1 #6

Colegio Nueva Granada Código Genético.

casa informal, Construcción realizada por los Con barrio juan xxiii de manera intuitimismos habitantes

va que se adecua a la topografía. Código Por suGenético. antiguedad, hace parte de Construcción de uno los las piezas típica genéticas del de territorio. barrios de invasión que caracterizan el sector.

edif1cio Kandinsky casa formal, cerca a la carrera septima

Edi Edificació incumple Código gené tructiva d Edificación Edi pectos lod no toma enalc blemas gía del secto que este está y podría emp quier sector.

Un. resid Carrera 2

Código G Edificació Edi Conjunto que seres en delrelación este c logía no e Calle 62 #1-1 truccióne

Código Genético. Casacontrucción informal, considerada patrimonio que mantiene su morfología lotey transforma invadido su uso para elovucionar junto al territorio. Código Genérico. Código Genético. Construcción realizada por los Con Edificación de gran altura que mismos habitantes de manera intuitiva constructiva que se adecua a la topografía. incumple con la norma Por su antiguedad, hace parte de del sector en varios aspectos lo que las piezas genéticas del territorio.

Códigos Genéticos y Genéricos

trae muchos problemas al territorio.

Código Gen Edificación d Edi incumple con tructiva del s pectos lo qu blemas al ter

SIERRAS DEL ESTE

enclaves

122

casa formal, cerca a la carrera septima

Un. residenc Carrera 2a #

Código Gen


123


124


mutaciรณn socio-espacial Proceso radical de transformaciรณn socio espacial estructural de reconfiguraciรณn urbana que cambia las dinรกmicas del sector.

125


vivienda

restaurantes

cambio interior cambio en el tipo de uso que se le da a la construcciรณn

vivienda

edificio

USO POTENCIAL

cambio de densidad en la vivienda.

TIPOS DE CAMBIOS MORFOLร GICOS 126


perdurables, es una pieza genétic

Código Genético.

Código Genérico. Edi Edificio de altura promedio que debido a una transformación morfológica del sector reemplaza una vivienda unifamiliar con el fin de incrementar las ganancias por el suelo.

del sector Con Construcción realizada princidela sector

pios de los años 60 por los fundadores del barrio informal. Debido a su antiguedad y su morfología espontánea con materiales poco perdurables, es una pieza genétic del sector

casa informal, barrio juan xxiii

casa informal, barrio juan xxiii casa informal, Código barrioGenético. juan xxiii

Edificio Citrus Carrera 1 #65c-2

Código Genético. Construcción típica de uno de los Construcción típica de uno de los barrios deGenético. invasión que caracteriCódigo casainvasión informal, barrios de que caracteriel sector. típica de uno de los Construcción zan el sector. barrio juan xxiii zan

barrios de invasión que caracterizan el sector.

Código Genético. Construcción típica de uno de los barrios de invasión que caracterizan el sector.

Código genérico. Edificación de gran altura que Edi

Edificio Citrus no toma en cuenta la morfoloGenético. Carrera 1 #65c -2 en su diseño ya gía del sector

Código Construcción típica de que unoeste deestá lospredeterminado baCódigo genérico. y podría emplazarse en cualrrios de invasión que caracterizan Edificación Edi de gran alturael que quier sector. no toma en cuenta la morfolosector. gía del sector en su diseño ya que este está predeterminado y podría emplazarse en cualquier sector.

casa informal, barrio juan xxiii Casa informal, lote invadido

Conjunto residencial sierras del este Calle 62 #1-1

Casa informal, lote invadido Casa informal, informal, Código Casa Genético. lote Construcción Con realizada por los invadido lote invadido Código Genético.

mismos habitantes de manera intuitiConstrucción Con realizada por los va que se adecua a la topografía. Código Genético. mismos habitantes Código Genético.de manera intuitiPor su antiguedad, hace parte de Construcción realizada Con por los vaCon que se adecua a la topografía. Construcción realizada por los las piezas genéticas del de territorio. mismos habitantes manera intuiti-

antiguedad, parte de habitantes hace de manera intuitiva que se adecua Por a mismos la su topografía. genéticas del vapiezas que se adecua a laterritorio. topografía. Por su antiguedad, las hace parte de las piezas genéticas del Porterritorio. su antiguedad, hace parte de las piezas genéticas del territorio.

Conjunto residencial sierras del Código este Genérico. Genético. Edificación Edi Calle 62 #1-1 de gran altura que

Código incumple con la norma consConstrucción realizada por los mismos tructiva del sector en varios asCódigo Genérico. pectos de lo que trae muchos Edificación Edi gran altura habitantes de manera intuitiva que seque problemas incumple conallaterritorio norma consadecua a la topografía. Por su antiguetructiva del sector en varios aslo que trae muchos prodad, hace parte de laspectos piezas genéticas blemas al territorio del territorio.

casa formal, cerca a la carrera septima

Un. residencial nueva granada Carrera 2a #66-2

Casa informal, casa formal, casa formal, cerca a la carrera septima invadido cerca a la carreralote septima Código Genético.

Un. residencial nueva granada Carrera 2a #66-2 Código Genérico.

casa formal,

Edificación de altura promedio Edi

contrucción considerada patrimoGenético. nio que Código mantiene su morfología cerca a la carrera septima contrucción patrimoy transforma su uso considerada para elovucioCódigo Genético. nio que mantiene su morfología nar junto al territorio. contrucción considerada patrimo-

Código que Genérico. se encierra degradando la Edificación Edi altura promedio relacióndecon el sector. Su morfoquelogía se encierra la consno es degradando propia de las relación con el sector. Su morfotrucciónes del territorio logía no es propia de las construcciónes del territorio

y transforma su uso para elovucionio que mantiene su Código Genético. nar junto al territorio.

morfología y contrucción transforma suconsiderada uso para elovuciopatrimonar territorio. niojunto que al mantiene su morfología y transforma su uso para elovucionar junto al territorio.

Códigos Genéticos y Genéricos Códigos Genéticos y Genéricos

vivienda informal

Códigos Genéticos y Genéricos Códigos Genéticos enclavey Genéricos

manzana informal

VIVIENDA OPORTUNA 127


tipos de cambios morfolรณgicos 128


COMERCIO ESTRATO/ CONCENTRACIÓN PERSONAS 129


-

2004

valor avaluo +/estrato

130

2014

+


Unidad Residencial Nueva Granada

Edificio Kandinsky

Sierras del este

Colegio Nueva Granada

Los Eucaliptos

Juan XX!!!

0

- 389,000,000

389,000,000 2,815,000,000 12,900,000,000 38,700,000,000 -

2,815,000,000 12,900,000,000 38,700,000,000 81,000,000,000

SIMBOLOGĂ?A PRECIO AVALUO

131


132


polarización de escenarios Interacciones físico-espaciales con el espacio público dictadas por las diferentes morfologías de manzanas que conforman el sector

133


relación eterior: calle como escenario de encuentro apropiación del suelo

Relación interior

ciudad cerrada

morfología informal

relación eterior: calle como escenario de encuentro apropiación del suelo

Relación exclusiva con un único acceso

Ciudad abierta

enclave TIPOS DE CIUDADDES

134


135


5 personas al haber una mayor concentraciรณn de poblaciรณn en las manzanas de tipoinformal, la calle es utilizada como espacio de ocio

densidad de poblaciรณn por manzana

136


necesitamos ciudades que quieran ser condiciones de vida, de vidas completas libre y no fragmentadas, no ciudades de discreciรณn y dominaciรณn; necesitamos muros que cojan y cobijen, no muros que excluyan y opriman. (Marcusse 89)

137


138


borde difuso Impacto urbano generado por la inestabilidad del borde y la proximidad de la urbanizaciรณn a los cerros, que desequilibra su condiciรณn natural y produce una zona alterada e indeterminada.

139


20s

80s-90s

140

60s -70s

2000


141


Unidad Residencial Nueva Granada

Edificio Kandinsky

Sierras del este

Colegio Nueva Granada

Los Eucaliptos

edif1caciones en el borde difuso

142


Acuerdo no. 30 de 1976 INDERENA

Se declaran y alindan areas de reserva forestal. Declaración como area de reserva forestal protectora de la zona denominada bosque oriental de Bogotá. Se determinan los requisitos exigidos por el gobierno distrital para la construcción de obras de infrastructura. se definen las multas para aquellos que infrinjan el articulo.

Decreto 619 del 2000

Se refiere al plan de ordenamiento territorial de Bogotá. articulo 24: se define el regimen de uso de las reservas forestales. título II componente urbano: donde se determinan las politicas de uso y ocupación del suelo urbano y del suelo en expansión.

Resolución 1141 del 2006 Se adopta el plan de manejo ambiental de la zona de reserva forestal protectora bosque oriental de Bogotá. Se definen proyectos y programas de conservación, recuperación, franja de adecuacion, educación, vigilancia y control, preveción y atención de desastres, investigación y gestion para la administracion de la reserva.

Resólucíón 76 de 1977 del mimisterio del agricultura Resolución 463 del 2005 del ministerio de ambiente, vivienda y desarrollo territorial Resolución 519 del 2005 del ministerio de ambiente, vivienda y desarrollo territorial Resolución 1582 de 2005 del ministerio de ambiente vivienda y desarrollo territorial ( suspendida)

normativa específ1ca de los cerros orientales

143


Sร NTESIS de fenรณmenos

144


145


concept El concept es un idea que forma el entendimiento. Se trata de un pensamiento que es expresado mediante palabras, imagenes o fromas. Nace como una idea abstracta, producto de la construcciรณn mental que permite comprender la vivencia a partir de la experiencia con el entorno. La conceptualizaciรณn se desarrolla con la interacciรณn entre los sentidos, el lenguaje y los factores culturales.

146


A I S L AM I E N T O M U L T I P L I C I D A D T A N S F OR M A C I ÓN V I B R A C I ÓN

T E R R I TO R I A L I D A D

O P O S I C I ÓN

D I L ÓG I CO

L O L S L T E C A I S E G R E G A C I ÓN I N E S T A B I L I D A D CON T R A S T E S

R E L A C I ON E S

T E M POR A L I D A D

NA T URA L EZA

T E J I D OS H E T E R OG E N E O 147


urdimbres vibrantes Un sector de relaciones multidireccionales que mutan desigualmente desilando el borde occidental de la ciudad.

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La visión de ciudad que se tiene frente al sector del castillo es la de una ciudad conformada por urdimbres vibrantes. Una ciudad inestable, heterogénea y segregada que presenta una transformación acelerada a diferentes escalas formando diferentes tejidos de relaciones tanto tangibles como intangibles. Decimos que es una ciudad segregada debido a los diferentes límites que presenta no solo físicos, sino también de carácter social. “Los muros pueden ser de hormigón o de alambre de púas; pero también pueden ser de precio y estatus, de norma y prejuicio.” (Marcusse. 88). Lo que crea esto, es un territorio configurado por pequeños tejidos de relaciones socio espaciales no vinculados entre sí, como pequeñas ciudades dentro de una más grande que conviven juntas más no se relacionan. Identificamos también a estas urdimbres vibrantes como una ciudad heterogénea debido a la multiplicidad de tejidos que encontramos en ella. “Las ciudades expresan formas de territorialidad distintas según las relaciones que sus propios sujetos tienen con el territorio que, visto como un milieu, es un conjunto de condiciones-vínculos-recursos potenciales ligados a la naturaleza de los lugares y a su patrimonio….” (Dematteis. 173). Esta heterogeneidad no es únicamente física, las relaciones sociales son las que marcan éstas diferencias pautadas, claro está, por la morfología del sector lo que lo convierte en un sector totalmente inestable sin vínculos integrales. Las Urdimbres son inestables de gran complejidad que está en constante relación, relaciones directas, e indirectas, tangibles e intangibles, de difícil ajustes y algunas veces incompatibles. Para entender esto, a continuación se hará una breve descripción del sector para aclarar las ideas principales acá presentadas. En cuanto a la funcionalidad programática se puede percibir una vibración importante pues reúne diferentes actividades. La actividad más importante es la vivienda seguida del comercio que se encuentra atomizado por todo el espacio exceptuando unas concentraciones. Aun cuando la dinámica del espacio es vibrante es necesario intensificar más este aspecto programático para hilar las diferentes vibraciones por medio de los puntos de concentración. Morfológicamente el espacio es complejo ya que presenta transformaciones producidas con el paso del tiempo y por tendencias de densificación acelerada. Las edificaciones tienen tipologías variadas debido a la búsqueda de plusvalías, aspecto que contribuye a la vibración antes

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Visión de ciudad: Urdimbres Vibrantes


mencionada. Esta vibración a su vez produce una especie de fricción en los bordes de delimitación de las diferentes tipologías lo que afecta notablemente la interacción entre ciudadanos. La interacción social se ve limitada y segregada por las mismas condiciones espaciales, topográficas y morfológicas presentes aquí. Estas múltiples vibraciones crean rupturas en la socialización de los protagonistas de la calle, la relación de individuos se sectoriza y es difícil identificar lugares de encuentro para todos los actores. El espacio público es limitado a espacios de circulación y son cada día más necesarios los espacios de interacción y relación para los ciudadanos. Estos espacios parecen ser estáticos, carentes de vida, carentes de esa vibración que caracteriza los demás aspectos. Es necesario buscar actividades que revolucionen el espacio público, que le den prioridad al peatón para así conectar estos diferentes tejidos y vibraciones en una sola urdimbre que vibre en armonía. Estas urdimbres vibrantes tienen que ser vinculadas de algún modo, no con el fin de buscar una igualdad, sino de crear lazos que relaciones estas diferencias marcadas en el sector. Para esto se debe crear espacios que logren conexiones informales entre la gente que vive el lugar, y promover el intercambio entre los extraños, para así poder crear un sentido verdadero de lo que significa el “nosotros”, definiendo así un espacio democrático de participación e intercambio. (Sennett, 2006). Las ciudades deben operar como sistemas abiertos, incorporando los principios de porosidad del territorio, indeterminación narrativa a la hora de leerlas, y formas incompletas que sean adaptables al cambio, para lograr así la democracia a manera de experiencia física. Por esto, una ciudad de urdimbres vibrantes es una ciudad diversa que utiliza su mixité para evolucionar todos los aspectos. Al identificar y potencializarlos, esta urbe es capaz de tejer todas las interacciones y convertirse en una urdimbre vibrante en armonía. Referencias bibliográficas:

- Ángel Martín Ramos (editor). Lo urbano en 20 autores contemporáneos. Ed.Universidad Politécnica de Cataluña – UPC., Barcelona, 2004. Disponible en: https://bibliodarq.files.wordpress.com/2014/09/ramos-a-m-lo-urbano-en-20-autorescontemporc3a1neos.pdf -Rem Koolhass, “What Ever Happened to Urbanis?” (1994), in S,M,L,XL,OMA,(with Bruce Mau), The Monicelli Press, New York, 1994, pp. 954/971 -Richard Sennett. 2006. The open city. Housing and Urban Neighbourhoods. Newspaper essay. Berlin.

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Escenarios

¿Qué pasaría si?

“Qué pasaría si ...” Si, en un campo excesivamente determinado de fenómenos, como las transformaciones urbanas, algunos aspectos son aislados y nos preguntamos qué pasaría si llegaron a estos fenómenos su consecuencias mas extremas o probable, obtenemos imágenes del futuro -escenarios - que son parcialmente incompatibles. Y es sólo su antagonismo parcial lo que hace interesantes. (Secchi, Scenarios)

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http://payload.cargocollective.com/1/4/137547/2311764/Empire-2%20copy.jpg

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Our times seem dominated by uncertainty. Banalized and driven to intrude upon the collective imagination, today the rhetoric of uncertainty plays an important role in legitimizingthe different forms of relativism. If nothing can be spoken with certainty, if everything appears un-certain, un-reliable and un-believable, everything can appear speakable and this can cover up substantial redistributions of power. Today's emphasis on uncertainty is certainly a reaction to the more reductive versions of past determinism and to the teleological visions of history that they helped to create, but it is also perhaps the result of the disenchantment produced in many fields, especially in those areas containing strong design content or systemic conceptions. What we are realizing, and what numerous studies over the last years show, at least in my field, is that many phenomena, which we formerly isolated and relegated to the confines of ever more specific areas of research and study, are basically "over-determined" (meaning determined by many more variables than necessary). Among these phenomena are urban and territorial transformations. I would like to contrast and oppose the term "over-determination" with that of "uncertainty ." To exemplify this, I cannot find a better reference than "The Man without Quality." As we all know, Musil faces the issue of the underlying reasons for WWI. The result of an overly abundant number of causes compared tothose necessary, and among which it becomes difficult to establish orders of importance and priority, the conflict appears, in Musil's eyes, as an over-determined phenomenon just like, for instance, many meteorological phenomena which, not coincidentally,are referred to at the beginning of the novel. Today the transformations of the European city and territory appear similarly "over-determined." The awareness of the nature of urban phenomena in their various dimensions -profoundly different from the past -is, to my way of seeing, the result of a very fertile season characterized by a palpable and pervasive descriptive effort. Moving in many different directions, referring to a continuously expanding and incredibly dense (in metaphoric terms) vocabulary, utilizing different cognitive strategies and tactics, and calling upon the collaboration of different disciplines -unusual areas of study and artistic expression, this effort appears analogous to ones undertaken in the past; such as the European novel of the nineteenth century -"a period" in the words of Balzac "of analysis and description" that brought about so many consequences for our way of observing and imagining the modern city. With great attention to the present, to "things in the making" usingthe expression of William James, the descriptive era to which I refer, revealed, through the experience of place, the new and extraordinary things happening in European society -the use of the city and territory, the everyday dimension, the differences that intersect it, the continuous annulment and reform of visible and invisible barriers of inclusion and exclusion, the change in the role and sense of materials that had been established for a long time. The new descriptive effort contributed so much to building a critical distance from the object investigated that this is where its importance truly resides. City and territory seemed crossed by many series of tendencies, each one of which might find their own reasonable explanation but the set of which also appeared overly abundant

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to explain its past and to build its future. What the awareness of the over-determined nature of urban phenomena produced is the necessity to explore in greater depth than usual the ample space that, just because of over-determination, opens up between finalizing visions and daily experience, between ideology and pragmatism, between concept and project, where each of these terms asks not only not to be removed, but also to be understood in its deeper dimensions. In fact, they donot allude to extremes from which to create distance, but they become the ineluctable references which delimit -in different ways in every era -the space of political and project action. If criticism can be directed at recent architecture and urbanism, it is that of being placed at one of the vertexes of this polygon, sheltered by daily experience reduced to its most banal, or by the mere procedures of the project's material construction, of an ideology that is unable to connect to the reality of the social movement or of a pragmatism reduced to formula, seriously thinning the dimensions of each of these terms without thoroughly exploring the space in between. A space that more and more tends to be filled by evasive and seductive images, as well as by images of a possible or desirable future that are not always compatible, which approach each other, superimpose and mix providing glimpses of different results according to whether one of the tendencies intersecting the city and the territory can prevail overthe others or meld with them in original ways. Scenario is a polisemic and covering term that has taken on different meanings in the history of the theater as well as in meteorological forecasting. Often used in approximate ways, it has become a term referring to a future -whether good or evil -foreseen as possible. Absorbed and overwhelmed by different rhetoric, promoted and possessed by different constellations of actors, built with participative or technocratic procedures, some of these images have become possible points of retreat from the present -proposed in evasive ways. Other images are mere representations of current trends. And even others are directions sustained and suggested to more or less vast collectivities. And yet again others have taken on the connotations of visions of often-allusive representations of the set of demands and desires implicit in society at varying depths. Finally others are true scenarios -attempts at inquiring into "what would happen if..."If, in an overly-determined field of phenomena, such as urban transformations, some aspects are isolated and we ask what would happen if these phenomena reached their extreme or probable consequences, we obtain images of the future -scenarios -that are partially incompatible. Andit is just their partial antagonism that makes them interesting.There is no deductive procedure that can lead contemporary society to the construction of a coherent urban and territorial policy, as strong as its points of departure might be. The only concretely practicable ground is the choice among antagonistic images produced by subjects driven by the imaginary, by reductive presuppositions, by interests and cultural backgrounds that are partially incompatible. The principles usually affirmed in the constitutive documents of different civil societies or, more modestly, in the different locally-produced "documents " in recent years historically delimit the field of conflicts that are perceived as legitimate each time. The construction of scenarios makes all of this evident and, at the same time, renders the construction of the

ScenarioS-SECCHI


project for the city and the territory an operation that is profoundly different from that of the past. It is not a question of methodological refinement, but rather of epistemological overturn.A set of scenarios can be observed at least from three different and inseparable viewpoints that, for simplicity, I will point out with terms alluding to politics, geography and architecture where it is evident that each of these terms must be taken in its broadest sense. The first refers to the set of relationships, alliances and conflicts between populations, economies, cultures and institutions. The second refers to the spatial aspects of these same relationships, to their intersections and the production of specific constellations of materials endowed with their own different inertias. The third refers to the concrete nature of all the materials that these same relationships utilize and construct. No possible separation or hierarchical or chronological relationship can intervene among the three different dimensions to which I refer. Some very simple examples, with their very crudeness, can help understand and deepen some of the issues implicated by this position.Many observers have noticedthat the transformation of the European city and territory is also accompanied by evident phenomena of inclusion and exclusion, sometimes the object of accurate literary, cinematic and statistical descriptions, building a terrain of political confrontation and contrast most likely destined to become even more evident. A kind of immense functional, social and institutional zoning is producing -on a regional and continental scale -the formation of areas of different dimensions that are appropriated de facto by specific population groups or by specific activities; a sort of patchwork that builds new relationships, new distinctions and new cultural milieux among populations and activities. This, in turn, creates a new urban geography, new materials, new architectures and landscapes. Some current tendencies like sprawl, can be interpreted as the result of processes of inclusion/exclusion or as opportunities for these processes to evolve in complete ways. What would happen if these same processes took on the dimensions and the characteristics described by Gerald E. Frug when observing the American experience? Or are they these characteristics promoted by actors, such as property owners' associations, in fact absent from the European experience? But doesn't the progressive dismantlement of the welfare state along with the progressive privatization of fundamental public services move in the same direction? Doesn't this progressive reduction of the public dimension also correspond to a progressive reduction and marginalization of the political dimension, the results of which are visible to everyone? Many observers have also, and finally, noticed that fragmentation and dispersion are not phenomena that concern the limited sample of the Italian regions initially studied, but that they extend to the greater part of the continent. Sprawl initially created two ridiculous factions: one against it and the other, rather imaginary, in favor, but which, in reality, forced us to observe the scope and pervasiveness of the phenomenon. Few asked the question: what would happen if it continued and reached its extreme dimensions? Where are its limits, given the current state of techniques, of economic relationships, of cultures, of the imaginary and of the dominant behaviors includingpolitical ones? What would happen to the porosity -physical, economic and social -which, because of abandonment, comes about within the established city? Which new territory or what new urban form would be formed and how would the different subjects move within them? What questions, and what order, would they construct? To try to

give an answer to these questions implies clarifying many conditions and hypotheses. It forces us to define the conditions within which some affirmations can be reasonable andthe procedures within which certain proposals can come to pass. It forces every project to move out of the enclosure that is well-protected by an ineffable private wisdom to declare which aspects of urban transformation, of social and economic transformations and which actors and recipients it intends to face and how it will concretely attempt to meet them. Perhaps we are arriving too late and, at the same time, too early to say these things. Too late because the tendencies I speak of have had the time to change the situation radically; too soon because our ideas regarding the entire transformation process are still barely clear like many of Musil's characters. And like many of them we continue to deal with parallel actions.

Secchi

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48 años

edad promedio

piramide poblacional estrato alto (4,5 y 6) de

4,0

a

65.9% 89.5%

con 65 y más años

12,9 motos crecimiento x 20 Bogotá

uso del Transporte público 2010

2040

demografía

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¿Qué pasaría si para el 2040 no se modifican dinámicas sociales, de desarrollo y económicas en el Castillo? Futurismo Tendencial


¿Qué pasaría si el límite de la Circunvalar se convierte en un espacio de intercambio? Infiltración natural

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ÂżQuĂŠ pasaria si se modifican las relaciones del primer piso en el sector? Superficie porosa


ÂżQuĂŠ pasaria si se crean nuevos dispositivos atractores a partir de los espacios resiudales del sector ? Acupuntura sectorial

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Ensamble de urdimbres vibrantes ÂżQuĂŠ pasaria si el Castillo se convierte en un sector de gran altura con una elevada porosidad territorial y social?

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A través del análisis integral que hicimos en el sector del castillo, nos dimos cuenta como este se ha ido desarrollando de manera dessincronizada (fragmentada), responde a diferentes necesidades particulares que han ido fragmentando el territorio generando bordes y límites que separan, aíslan, y generan diferencias espaciales y sociales. Para contrarrestar esta situación de fragmentación, “aislamientos” y segregación, se propone una intervención urbana integral orientada a superar los fenómenos de bordes y límites existentes y potenciar articulaciones, conexiones, interdependencias, porosidades, que relacionen y vinculen lo hoy fragmentado dentro de este sector urbano La intervención se realiza a través de cuatro acciones estructurantes, estratégicas y que se relacionan, permitiéndonos potenciar la articulación de estos fragmentos. Estas acciones en sinergia podrían potenciar la transformación del desarrollo del sector, superando las barreras que excluyen y aíslan. Estas acciones

¿QUÉ se propone? ¿PARA QUÉ se propone? 162


¿cómo?

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Estrategias

Una estrategia es es un plan que especifica una serie de pasos o de conceptos centrales que tienen como fin la realización de un determinado objetivo. “La dificultad para comprender el territorio contemporaneo y para analizarlo utilizando instrumentos y claves de lectura predefinidas ha empujado a muchos estudios a salir fuera y acercarse a él. La visita, el paseo, la práctica del levantamiento rápido trazan una estrategia de la mirada que facilita a la ciudad contemporánea nuevas hipótesis interpretativas”. (Viganò,1999)

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P. Viganò. La città elementare, Milan 1999, p.21.


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1. inf1ltración urbano-ambiental Esta acción se realiza a través de conectar los bordes del área urbana con los cerros, logrado una infiltración entre ambos, la naturaleza por medio de la vegetación, mejorando la calidad de vida y los espacios verdes. Y los cerros serán utilizados como espacio público a través de la adecuación urbano-ambiental por medio de senderos peatonales, lugares de senderismo y huertos urbanos. Propiciando actividades de integración para la comunidad dentro de un entorno natural de cerros y quebradas a través de actividades como la fotografía, la educación ambiental, la caminata, etc. Que ayudaran a la generación de relaciones sociales gracias a la adecuación y modificación de los entornos.

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5 5 55 5 55 55 5 5 5 5 5 5 5 5 5 555 5 5 555 5 5 5 5 5 5 55 5 5 55 5 5 5 55 5 55 55 5 5 5 5 5 5 555 5 5 5 5 5 55 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 555 5 5 55 5 5 5 5 5 5 5 55 5 55 5 5 5 55 5 5 55 55 555 5 5 5 55 5 55 5 5 5 5 5 5 55 5 5 5 5 5 5 5 5 5 55 5 5 5 5 5 5 5 5 5 5 5 5 55 5 5555555 55 55 5 5 5 5 55 5 5 5 55 55 5 5 5 5 5 5 5 5 5 5 55 5 5

unir parques urbanos con reserva forestal

167


Páramo

Subpáramo

Alto andino

Frailejón, Uvito de páramo, Romero de hoja ancha, Chusque, Musgo saltón, Espinoespuelo, Té de Bogotá, Puyas.

Tagua, Romero blanco, Amargoso,Canelo, Ají de páramo, Sietecueros de Páramo,Laurel dorado, Oreja de mula, Mano de oso bogotano, Helecho, Pegamosco, orquídeas

Higuerillo, Cucharo, Rodamonte, Montañero, Encenillo, Arrayán, Raque, Mortiño, Carbonero, Helecho marranero, quiches.

3200 3000-3200

2900-3800

Bajo andino

Aliso, Cedro, Raque, Garrocho, Tuno, Espino, Arrayán, Mano de Oso, Cucharo

2600 Bosque de Lauráceas Laurel, Tibar, Trompeto, Cucharo 3200

168

Cedral Bosque de Alisos

Reforestación

Cedro, Tibar, Almanegra, Tunos. Aliso, Raque,Garrocho.


SIGLA SIGLA

SS

LC

TB

AR

CONVENCION ALZADO ALZADO

PLANTA PLANTA

NOMBRE NOMBRE COMUN COMUN

NOMBRE NOMBRE CIENTIFICO CIENTIFICO

llorón Sauce llorón Sauce

SIGLA

ALTURA ALTURA

Ø COPA COPA Ø

Salix Salix humboldtiana humboldtiana

15-20m 15-20m

12-15m 12-15m CORT

Laurel cera de cera Laurel de

Morella Morella parvifolia parvifolia

7m 7m

Tíbar Tíbar

Escallonia Escallonia paniculata paniculata

5-8m 5-8m

Myrcianthes Myrcianthes leucoxyla leucoxyla

7m 7m

Arrayán Arrayán

CONVENCION ALZADO

5m 5m EN

CCH

Cedro Cedro

Cucharo Cucharo

Cedrela Cedrela montana montana

JB

Myrsine Myrsine guianensis guianensis

25-30m 25-30m

Palma de cera

Ceroxylon quindiuense

50-60m

Pino Romerón

Rethrophyllum rospligliosii

20 m

SU

Roble

Quercus humboldtii

Sauco

Sambucus peruviana

20 m

Penisetum villosiumcalamagrostis

GRAMINEAS

BUGAMBILLES BUGAMBILLES

Buganvillea veranera/ Buganvillea trinitaria veranera/ trinitaria

CHUSQUE

Chusquea scandens

COLA DE CABALLO

Equisetum giganteum

12m

TE DE BOGOTÁ

Symplocos theiformis

12m

especies endémicas PP

3-5m

JUNCOS BOGOTANOS

6-8m

TBg RB

Typha angustifolia

7.5m 7.5m

CC PR

ENEAS

15m 15m

CSQ PC

Gynerium sagittatum

5m 5m

BU BU 10m 10m

NOMBRE CIENTIFICO

6m 6m

GRA CE

PLANTA

NOMBRE COMUN

4m

PAPIRO

Cyperus papyrus

169


correr caminar monorriel

bicicleta

Metrocable

formas de recorrido Metrocable

+

170

+

recorrer


senderismo fotografĂ­a naturaleza camping educaciĂłn ambiental huertos urbanos

confetti programĂĄtico

171


172

conector


escalar

metrocable

educaciĂłn ambiental

mirador

conector

metrocable

Los cerros como espacio pĂşblico

173


174


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D D D D D D D D D D D D D D D D D D D D D D

DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD

D D D D D D D D D D D D D D D D D D D D D D D

DDDDDDDDDDDDDD DDDDD DDDDDDDD DDDDDDDDDDDDDD DDDDDDDDDDDDDD DDDDDDDDDDDDDD DDDDDDDDDDDDDD DDDDDDDDDDDDDD D DDDDDDDDDDDD DDDDDDDDDDDDDD DDDDDDDDDDDDDD DDDDDDDDDDDDDD DDDDDDDDDDDDDD DDDDDDDDDDDDDD DDDDDDDDDDDDDD DDDDDDDDDDDDDD DDDDDDDDDDDDDD DDDDDDDDDDDDDD DDDDDDDDDDDDDD DDDDDDDDDDDDDD DDDDDDDDDDDDDD DDDDDDDDDDDDDD DDDDDDDDDDDDDD DDD DDD

D D D D D D D D D D D D D D D D D D D D D D D

DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD D

DDDD DDDD DDDD DDDD DDDD DDDD DDD DDD DDD DDD DDD DDD DDD DDD DDD DDD DDD DDD DDD DDD DDD D D

D D D D D D D D D D D D D D

DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD

DDD DDD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD D D

D D D D D D D D D D D D D D D D D D D D D

DDD DDD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD

D D D D D D D D D D D D D D D D D D D D D

D D D D D D D D D D D D D D

DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD D

D D D D D D D D D D D D D D D D D D D D D D D D

DD DD DD DD DD DD DD D D DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD

DDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDD DDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDD DDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDD DDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDD DDDD DDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDD DDDD DDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDD DDD DDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDD DDD DDDDDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDD DDD DDDDDDDDDDDDDDDDDDDDDDDDDDDDD DD DDDDDDDDD DDD DD DDDDDDDDDDDDDD DDD DDDDDD DD DDDDDDDDDDDDDD DDDDDDDDDDDDDD DDDDDDDDDDDDDD

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contexto predominante de la propuesta ambiental quebrada la vieja Ronda La vieja contexto

ambiental

criterios contaminacion auditiva, DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD D

D D D D D D D D D D D D D D D D D D

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estado de recursos hidricos D D D D D D D D D D D D D D D D D D D D D D D D

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D D D D D D D D D D D D D D D D D D D D D D

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relacion entre paisaje uso de suelo paisajistico

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cambios morfologicos D D D D D D D

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D D D D D D D D D D D D D D D D D D D D D D D D D D D D D

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2

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D D D D D D D D D D D D D D D

D DD DD DD DD DD DD DD DD DD DD DD DD D D DD DD DD DD DD DD DD DD DD DD

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2 D D D D D D D D D D D D D D D D D D D D

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DDDDDD DDDDDD DDDDDD DDDDDDDD DDDDDDDD DDDDDDDD DDDDDDDD DDDDDDDD DDDDDDDD DDDDDDDD DDDDDDDD DDDDDDDD DDDDDDDD DDDDDDDD DDDDDDDD DDDDDDDD DDDDDDDD DDDDDDD DDDDDDD DDDDDDD DDDDDDD DDDDDDD DDDDDDD DDDDDDD

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D D D D D D D D D D D D D D D D D D D D D D

conclusiones Contacto directo con la Av. Circunvalar que es la principal fuente de contaminacion auditiva Se observa una falta de importancia y prioridad ante la Quebrada La vieja, se deteriora a medida que se aproxima a la parte urbana una de las fuentes de oxigeno mas importantes del sector que hace parte de la estructura ecologica principal del sector presenta cantidad considerable de diverdiad de especies endemica y foraneas las condiciones se pueden potenciar para que especies se mantengan y se reproduzcan gran diversidad de especies vegetales y animales (principalmente aves) por su proximidad con los cerros Orientales el paisaje se ha transformado y deteriorado con el uso del suelo por su cercania a una zona altamnete densificada La intervencion de constructoras densificando el sector generan cambios morfologicos que impactan de QU ADA O O VO manera directa QDA D C A impactantes a nivel de sector con un alto porcentaje potencial DDD DDD DDD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD D D D

D D D D D D D D D D D D D D D D D D D D D D D D D D

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3

provisiรณn de oxigeno

ecologico

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DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD

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D D D D D D D D D D D D D

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DD DD DD DD DD DD DD DD DD DD D

DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD

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D D D D D D D D D D D D D D D D D D D D D D

contexto predominantede la propuesta ambiental

QDA O A

QDA A V

A

175


contexto predominante de la propuesta ambiental Cerros Orientales criterios peso contexto conclusiones contaminacion Av. Circunvalar principal fuente contaminacion auditiva, 2 auditiva estado de recursos A medida que se acerca a lo urbano se presenta hidricos 3 mayor deterioro ambiental

cerros orientales D D D DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD D DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD

provisión de oxigeno flora y fauna

2

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D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D

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D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D

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D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D

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Pérdida de provisión de oxigeno a causa de la deforestación de los cerros por la intervención urbana presenta alta diverdiad de especies endemica y foraneas D D D D D D D D D D D

DD DD DD DD DD DD DD DD DD DD DD

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DDDD DDDDDDD DDDDDDD DDDDDDD DDDDDDD DDDDDDD DDDDDDD DDDDD DDDD D

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presencia de dorde difuso, las cantera y edificaciones son una forma de cambiar la morfologia de los cerros impactantes a nivel regional, unico, exuberante

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biodiversidad

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paisajistico cambios morfologicos representativo

D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D

condiciones aptas para que especies se mantengan y se reproduzcan en los niveles superiores de los cerros gran diversidad de especies vegetales y animales que viven en los cerros orientales el paisaje se ha transformado y deteriorado con el uso del suelo a medida que se interviene de manera erronea

nicho y habitat

relacion entre paisaje uso de suelo

DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD

DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD

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DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD D

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DDDD DDDD DDDD DDDD DDDD DDDD DDDD DDDD DDDD D D D D D

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D DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD

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DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD

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DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD

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DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD

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DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD

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D DD DD DD DD DD DDDDD DDDDD DDDDD DDDDD DDDDD DDDDD DDDDD DDDD DDD DD DD DD DD DD DD DD DD DD DD DD DD DD DD D

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DD DD DD DD DD DD DD DD DD DD DD DD DD DD

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D D D D D D D D D D D D D D

DD DD DD DD DD DD DD DD DD DD DD DD DD DD

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DD DD DD DD DD DD DD DD DD DD DD DD DD DD

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DD DD DD DD DD DD DD DD DD DD DD

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D D D D D D D D D D D

DDD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD DD

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DDDDDDDDDD DDDDDDDDDD DDDDDDDDDD DDDDDDDDDD DDDDDDDDDDD DDDDDDDDDDD DDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDD DDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDD D DDDDDDDDDDDDDDDDDDDDDDDDDDDD D DDDDDDDDDDDDDDDDDDDDDDDDDDDD D DDDDDDDDDDDDDDDDDDDDDDDDDDDD D DDDDDDDDDDDDDDDDDDDDDDDDDDDD D DDDDDDDDDDDDDDDDDDDDDDDDDDDD D DDDDDDDDDDDDDDDDDDDDDDDDDDDD D DDDDDDDDDDDDDDDDDDDDDDDDDDDD D DDDDDDDDDDDDDDDDDDDDDDDDDDDD D DDDDDDDDDDDDDDDDDDDDDDDDDDDD D DDDDDDDDDDDDDDDDDDDDDDDDDDDD D DDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDD DDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDD DDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDD DDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDD DDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDD DDD DD D DD D D DD DD D DD D DD D DD D DD D DD D D D D DDD DD D D DDDDDD DDD DD D DD D D DD DD D DD D DD D DD D DD D DD D D DDDDDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDD DDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDD DDDDDDDDDDDDDDDDDDDD DDDDDDDDDD DDDDDDDDDDDDDDDDDDDD DDDDDDDDDD DDDDDDDDDDDDDDDDDDDD DDDDDDDDDD DDDDDDDDDDDDDDDDDDDD DDDDDDDDDD DDDDDDDDDDDDDDDDDDDD DDDDDDDDDD DDDDDDDDDDDDDDDDDDDD DDDDDDDDDD DDDDDDDDDDDDDDDDDDDD DDDDDDDDDD DDDDDDDDDDDDDDDDDDDD DDDDDDDDDD DDDDDDDDDDDDDDDDDDDD DDDDDDDDDD DDDDDDDDDDDDDDDDDDDD DDDDDDDD DDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDD D DDDDD DD DDDDDD DDD DDD DDDDDDD DDDDD DDDDDDD DDDDDD DDDDDDD DDDDDDDDDDDDDD DDDDDDD DDDDD DDDDD DDD DDD DD DD

Q

D D D D D D D D D D D D

DD DD DD DD DD DD DD DD DD DD DD DD

DDDD DDDD DDDD DDD DDD DDD DDD DD DD DD DD DD

O O

O

contexto predominantede la propuesta ambiental cerros

páramo dechipaque

Cerro la teta

cerro el Zuque

alto los tunjos

alto de la viga

cerro aguanoso

monserratte guadalupe

páramo el verjón

Alto piedra ballena

cerros cazadores

comienzan en el Boquerón de Chipaque

CUCHILLA SERRANA

CUCHILLA EL CHISCAL

ALTO LA LAGUNA

TERMINAN en la planicie de La Caro, cerca de Chía

CERRO PAN DE AZUCAR

O

páramo de cruz verde

ecologico

2

D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D D

cuchilla el gavilán

cerro juan rey

SIERRAS DEL CHICO

176

parque nacional

cerro guacamayas

parque entrenubes


contexto predominante de la propuesta ambiental Quebradas criterios peso conclusiones contaminacion Contacto directo con las calles que son la principal auditiva, 1 fuente de contaminacion auditiva y visual. el deterioro es notable, por ser un lugar donde se estado de recursos deposita las basuras constantemente por parte de los hidricos 3 habitantes. No hay sentido de apropiaciรณn A causa de la contaminaciรณn la provision de oxigeno provisiรณn de oxigeno 2 es escasa presenta cantidad considerable de diverdiad de especies endemica y foraneas en los bordes de los flora y fauna 1 nacimientos de estas quebradas no existen condiciones aptas para que especies vegetales y animales vivan y se reproduzcan en la nicho y habitat 3 parte baja de las quebradas biodiversidad 2 poca por la contaminaciรณn que existe

quebradas

contexto

ambiental

ecologico

relacion entre paisaje uso de suelo

3

cambios morfologicos

2

representativo

3

paisajistico

QDA ROSALES

estas quebradas son canalizadas de manera subterranea por la poca prioridad que le dan dentro del paisaje a causa de los manejos de uso de suelo los cambios de las quebradas son drรกsticos en las partes urbanas con respecto a sus nacimientos en la parte natural no son representativas para los habitantes, hay un evidente descuido y olvido por estas fuentes hidricas QDA LA VIEJA

QDA DELICIAS

QUEBRADA LOS OLIVOS

contexto predominantede la propuesta ambiental

177


Mutación programática víal

Se modifica el perfil vial por medio de diferentes acciones con el fin de darle prioridad al peatón y revitalizar el espacio público con la inserción de actividades variadas sobre este , que incluyen ciclorutas, vías secundarias para transporte público, espacio de relajación , circuitos deportivas, senderos peatonales…

178


1 perfil vial actual

vehículo protagonista

2 modificación del perfil vial

3 inserción de actividades mixtas en el espacio púbilico

Modificación del perfil vial

179


articuladores urbanos

Es una estrategia con enfoque social que inserta atractores culturales y sociales con el fin de fortalecer la relaciĂłn de los habitantes del sector con el espacio pĂşblico.

180


+ Calle apropiada por el peatón

+

Calle apropiada por el peatón

=A Apertura en espacios públicos culturales (Lotes baldíos) ART-ICULADORES

=

Apertura en espacios públicos culturales (Lotes baldíos)

Es co or y

Espacio público como elemento ordenador y articulador

¿cómo se vive el espacio público? Ciudad Abierta VS. Ciudad Cerrada

¿cómo se vive el espacio público? Ciudad Abierta VS. Ciudad Cerrada

Vs.

Vs.

Plaza: espacio artic Equipamiento: articu 181


+

= ART-ICULADORES Apertura en espacios públicos culturales (Lotes baldíos)

apropiada peatón

Espacio público como elemento ordenador y articulador

se vive el espacio público? d Abierta VS. Ciudad Cerrada

Plaza: espacio articulador de diferentes estratos Equipamiento: articulador cultural, educativo

Vs.

Plaza: espacio articulador de diferentes estratos Equipamiento: articulador cultural, educativo

182


Centro Cultural Educativo Centro Cultural Educativo Articulador Articulador de enclaves de enclaves Centro académicos Cultural Educativo académicos Articulador de enclaves académicos

Centro Cultural Educativo Articulador de enclaves académicos

183


184

PROCESO INTEGRADO DE CONFIGURACIÓN


TIPO DE VOLUMETRÍA SEGUN TIPOLOGÍA

185


TIPO DE VOLUMETRíA SEGUN TIPOLOGíA

186


187


80 20 80 20

80 20 80 20

80 20 80 20 80 20 80 80 20 20 80 80 20 20 80 20

40 60 40 60

75 25 75 25 85 15 85 85 15 15 85 15

60 40 60 40

80 20 80 20

60 40 60 40

75 25 75 25

70 30 70 30

85 15 85 15 70 30 70 30

90 10 90 10

85 15 85 15 90 10 90 10

35 65 35 65

70 30 70 30

95 5 95 5

85 15 85 15 70

75 25 75 25

20 80 20 80

90 10 90 10

70 30 70 30

97 3 97 3

70 30 70 30

90 10 90 10

65 35 65 35

30 70 30 30 70 30 70

95 5 95 5 60 40 60 40

Indice de ocupacíon de la manzana Indice de ocupacíon de la manzana %ocupado %vacío %ocupado %vacío Identificacíon lotes baldíos Identificacíon lotes baldíos

188


identificaciรณn zonas verdes ocupaciรณn

Parques que ocupan toda la manzana

Parques en medio de manzana

Parques en esquina de manzana

Parques divisorios

189


Modif1cación tipológica

Ejecutar diferentes acciones en el territorio para proponer una nueva forma de habitar la vivienda, como un lugar multifacético mediante el uso y el aprovechamiento de los primero pisos. Para esto se le dan nuevos usos a este espacio y se modifica su morfología, creando así una nueva tipología de edificios capaz de ser incluyente y multifuncional.

190


Típología base del edifício

Se libera el primer piso

Inserción de nuevo uso programático en el primer piso

Se propone una nueva forma de habitar con un nuevo programa en el primer piso y modificando su morfología para cerdes espacio público

191


Lotes con potencial de densif1cación Se busca crar un modelo de financiación financiero basado en los CEPAC´s para solucionar los problemas de densificación en la zona y financiar los proyectos de espacio público en el sector del Castillo

192

Los CEPAC´s son instrumentos de financiación de infraestructura pública que se apalanca con la captura de un mayor valor inmobiliario.

Ganancia vilateral


estrategia en el tiempo

193


Analizar la condición compleja e híbrida de las actuales estructuras urbanas que definen hoy nuestro entorno.

Plantear escenarios de encuentro entre:natural y artificialarquitectura y paisajeciudad y territorio.

Provocando contaminaciones y mutaciones entre sistemas y escenarios; convocando lo genérico y lo singular, lo determinado y lo indeterminado, lo mineral y lo vegetal, en nuevas operaciones hibridación

Se manifestarían no ya a partir de un nuevo "orden" totalizador, sino a partir de nuevos acoplamientos, de nuevas uniones, de nuevos cruces de información más flexible entre arquitectura y naturaleza, a proyectar al individuo en posibles geografías de transferencia entre éste y el propio mundo.

aportes transversales provenientes del mundo del arte, de la física y la matemática, de la computación, de la biogenética, del pensamiento, de la antropología, para explorar una posible "naturaleza de las cosas", combinando informaciones múltiples y no siempre armónicas en un mismo marco de relación. Capaces de reaccionar frente al medio (el lugar, el contexto) y de activarlo más allá de sus propios límites, exteriorizándolo hacia otros lugares, virtuales, de la propia ciudad.

194

Arquitectura es ahora geografía


Comprimiendo la propia naturaleza -local y global- de la ciudad en nuevos "paisajes" multicapa: nuevos entornos para nuevas naturalezas que conforman un nuevo repertorio "naturartificial" referido más a configuraciones "irregulares” que aARQUITECTURAS COMO PISAJES. hablar tan solo de "edificios" o de "edificaciones" no reflejaría la viejas volumetrías orden reticular. situación de intercambio en una arquitectura que se definiría entonces, a su vez, como ese "entorno reactivo“: un campo de fuerzas dentro de otro campo de fuerzas, ambos entendidos como lugares intermedios entre espacios y territorios, entre agentes y disciplinas, etc, asociados a relaciones básicas de oscilaciones topológicas, de mallado y Arquitectura capaz de comunicar los movimientos - y enlace, de quiebre o fractura tensiones- interiores que la configuran su topología y de reaccionar ante los estímulos exteriores que la solicitan

GENIUS LOCI. El espíritu del dejaría de remitir a unos principios esenciales, identificables, para convertirse en una abstracción cada vez más difusa: la de un campo multiescalar, cuasi "espectral", de fuerzas visibles e invisibles, múltiples y mutables, que registrar tensiones o solicitaciones globales y locales, en vibración e interacción mutuas.

CRISS- CROSSING la rigidez estática de la ciudad tradicional ha cedido ante la indeterminación y mutabilidad de la ciudad contemporánea, guiada hacia las manifestaciones dinámicas de un organismo definitivamente inacabado y abierto en constante proceso de evolución, distorsión y transformación.

Revista “GEOMETRIA” Revista Digital de Arquitectura, Urbanismo y Diseño C/ Olmos No 5 - 29018 Málaga (España) www.geometriadigital.com JOSÉ SEGUÍ Arquitectos Asociados www.jsegui.com Málaga - España http://www.geometriadigital.com/articulos/arquitectura%20es%20geografia/arquitectura%20e s%20geografia.html

195


196


LA CIUDAD ES LA GENTE EN LA CALLE

En la ciudad lo primero son las calles y plazas, los espacios cllectivos, sólo después vendrán los edificios y las vías (espacios circulatorios).

Una puntos

concentración de de encuentros.

Es un espacio público, abierto y protegido. un hecho material productor de sentido. La segregación social y funcional, centros especializados, áreas fragmentadas son desafíos presentes en la ciudad a los que hay que agregar dos cuya resolución es básica como son el tránsito y la seguridad.

El espacio público define la calidad ce la ciudad.

Condiciones del espacio público y la Se debe ciudadanía A medida que las ciudades tienen un mejor tejido urbano, tendrán un tejido social menos segregado. (ciudades e u r o p e a s )

establecer una dialéctica positiva entre centralidades y movilidad y hacer el espacio público el hilo de conexión para lograr producir lugares productores de s e n t i d o .

“La mercadería más importante que se intercambia en una ciudad es la conversación... En consecuencia son muy necesarios el bar y el restaurante.”

La ciudad fragmentada tiene tendencia a ser una ciudad físicamente despilfarradora, socialmente segregada, económicamente poco productiva, culturalmente miserable y políticamente ingobernable.

Se debe establecer una dialéctica positiva entre El urbanismo ha de garanti- centralidades y movilidad y zar, como mínimo en las áreas hacer el espacio público el densas, que en cada manhilo zana las plantas bajas sean lugares de encuentro, co- de conexión para lograr promercios, y sobretodo cafés. ducir lugares productores de sentido.

EL ESPACIO PÚBLICO,CIUDAD Y CIUDADANÍA- jordi borja y zaida muxl

197


“Las ciudades expresan formas de territorialidad distintas según las relaciones que sus propios sujetos tienen con el territorio que, visto como un milieu, es un conjunto de condiciones-vínculos-recursos potenciales ligados a la naturaleza de los lugares y a su patrimonio….” (Dematteis. 173).

198

proyecto 1 a 5000 en Bogotá


D B A

existe


Propuesta movilidad


atractores equipamientos


CL

88

.7 AV

TRA

NV

8 C L

AV .C

C 82

HIL

L

E

KR

7

AK

11

82

72

CL

AV. 24

CL

C 74 L 74

CL CL 63

CL

64

CL CL

CL

68

NV ALA CIR CU

AV. CARA CAS

R

65

AC.53

71

71

ÍA


el castillo centro urbano poroso

203


comercio

CARRERA 5

CARRERA 7

CARRERA 13

transmilenio tranvía

vía 56

redes de moviliad existentes

Se propone una franja para reestructurar el espacio público, propiciando la vinculación entre diferentes sectores de la zona, relacionando sitios de actividades que hoy en día se encuentran separados, conectando las dinámicas de movilidad desde la carrera 13 hasta los Cerros Orientales. Esto se hace a través de nodos de actividades tejiendo fragmentos separados por vías vehiculares. Esta franja comienza con la vinculación del proyecto de tranvía, siguiendo por la calle 56 hasta llegar al centro cultural híbrido para seguir el recorrido hasta los Cerros Orientales, estructurando los bordes circundantes a esta calle, en donde se encuentran aperturas en las manzanas liberando los centros de estas, con comercio en la planta baja, volviendo así el territorio del castillo un sector poroso en todos sus niveles.

1

204

franja porosa

La propuesta es desarrollar una nueva tipología de vivienda porosa, que orienta a los nuevos desarrollos habitacionales, para superar el fenómeno de enclaves que se estaba generando en el sector, enclaves que segregan y aíslan, generando fragmentación. Esta tipología es porosa física, espacial y funcionalmente y busca articular, relacionar y dar la sensación físico-espacial de poca restricción y exclusión en sector.

nueva tipología de vivienda porosa


colegio rosario santo domingo Transversal 4 Este #66-1t Código Genérico. Construcción importada, no Con propia del sector. Es un modelo Predeterminado de institución educativa que se encierra perdiendo el contacto con el sector.

reutilización enclaves

construcción plataformas

circunvaar

CERROS ORIENTALES

Edificio Rodamonte Transversal 2 #68-1

espacio público huertos urbanos rescate de quebradas

Implantar nodos de actividad que articula por medio de dispositivos que programan y soportan actividades de beneficio colectivo, siendo elementos estructuradores. Estos dispositivos se convierten en nodos donde confluyen diversos grupos sociales, encuentros que atenúan las desigualdades por medio de actividades culturales, educativas y recreativas. Reactivando el sector e invitando a otros sectores a confluir.

Código Genérico. Edificio de altura promedio que Edi Esta acción se realiza a través de conectar los bordebido a una transformación des del área urbana con los cerros, logrado una inmorfológica del sector reemplafiltración entre ambos, la naturaleza por medio de la za una vivienda unifamiliar con vegetación, mejorando la calidad de vida y los espael fin de incrementar ganancios verdes. Y los cerros las serán utilizados como espacio cias por el suelo. público a través de la adecuación urbano-ambiental por medio de senderos peatonales, lugares de senderismo y huertos urbanos. Propiciando actividades de integración para la comunidad dentro de un entorno natural de cerros y quebradas a través de actividades como la fotografía, la educación ambiental, la caminata, etc. Que ayudaran a la generación de relaciones sociales gracias a la adecuación y modificación de los entornos. Edificio Citrus

Carrera 1 #65c-2 centro cultural híbrido

inf1tración urbano-ambiental

Código genérico. Edificación de gran altura que Edi no toma en cuenta la morfolo-

205


axonometrias La axonometria muestra como el sector de El castillo va evolucionando con una separaciĂłn de 15 aĂąos entre ellas.

206


nolli proyectual El nolli proyectual muestra como se compone para el 2040 el sector del castillo.

207


nolli 2045

208

nolli 2015


nolli 2045

209


inf1tración urbano-ambiental Esta acción se realiza a través de conectar los bordes del área urbana con los cerros, logrado una infiltración entre ambos, la naturaleza por medio de la vegetación, mejorando la calidad de vida y los espacios verdes. Y los cerros serán utilizados como espacio público a través de la adecuación urbano-ambiental por medio de senderos peatonales, lugares de senderismo y huertos urbanos. Propiciando actividades de integración para la comunidad dentro de un entorno natural de cerros y quebradas a través de actividades como la fotografía, la educación ambiental, la caminata, etc. Que ayudaran a la generación de relaciones sociales gracias a la adecuación y modificación de los entornos.

210


fruta urbana

En las ciudades y sobretodo en terrenos más propicios como los cerros la fruta crece en abundancia. Los árboles frutales en la ciudad y en los cerros forman un gran huerto colectivo urbano. Los árboles frutales representan un recurso de seguridad alimentaria que ha sido poco explorado. la fruta puede ser recolectada directamente de los arboles cuando estén completamente maduras. Los cerros orientales al ser parte de la ciudad de Bogotá y estar pegados a la urbanización facilitan la recolección de estas y disminuyen la huella de carbono.

¿qué se quiere lograr con el proyecto de fruta urbana?

Se pretende que esta actividad de recolección de futas forme parte de la historia de el Castillo para despues poderse replicar en otras zonas de los cerros orientales. Debe incluir la distribución de estas frutas a diferentes puntos del sector, que seran tambien utilizados como puntos de encuentro. La creación de estos huertos urbanos se propone como parte de los nuevos entendimientos de espacio público, así como la oportunidad para desarrollar diferentes actividades como talleres y cursos.

211


El semillero es donde se cultiva el árbol desde una semilla hasta que alcanza el tamaño mínimo para ser trasladado ( entre 30-50 cm). Después estarán listos para plantarse en su localización final.

1 semilleros

4

2

La siembra definitiva y recolección se lleva a cabo durante periodos específicos del año. La siembra se realiza durante primavera o finales de otoño y la recolección del fruto depende del árbol sembrado. siembra y recolección

3

4 1

3 distribución

4

El proceso de distribución se lleva a cabo al mismo tiempo que la recolección para poder despachar productos frescos a los distintos puntos de venta. Se debe de discriminar entre productos viables y no viables para el consumo.

La venta es la parada final antes de que el consumidor adquiera la fruta. Se almacena y despliega de manera estratégica para que el consumidor y el vendedor estén satisfechos con la culminación del proceso. venta puntos de venta accesos para distribución

proceso de cultivo y venta de fruta 212

2


amarillo amarillo feijoa papayuelo durazno cordoncillo lechero balso blanco palma ojo de perdiz tilo africano palma canaria laurel de cera caucho guamarón tabaquillo colorado higuerón susca cariseco caucho sabanero falso pimiento cajeto mortiño palma de cera dividivi pino romerón aguacate

especies de arboles frutales y de madera en bogotá

213


El proyecto identifica y concreta tres estrategias: 1. La estrategia social que permite a las comunidades de los barrios de borde la incorporación al proyecto, por cuanto integra programas de seguridad, convivencia, participación, educación ambiental, actividades productivas y el rescate y apropiación del patrimonio cultural. 2. La estrategia biofísica que busca mantener y

recuperar el activo ambiental del corredor, considerando la oferta de aire y recreación que representa para la ciudad. 3. La estrategia de infraestructura que, mediante la construcción de 52 kilómetros de sendero, busca generar apropiación, incorporación e incremento de los índices de espacio recreativo para los 6,7 millones de habitantes Quebrada Aguas Calientes Bosque de pino y eucalipto Buenavista La Estrellita 1 2 3 4 1 2 34 Mirador del Norte Horizontes Altos de Serrezuela El Codito 5 6 7 8 Quebrada Sarauz Cantera La Roca Bosques de María Quebrada La Cita

sinergia con el Proyecto de Diana Wiesner-los caminos de los cerros 214

http://dianawiesner.com/publicaciones/delautor/Los-caminos-de-los-cerros.pdf


Los cerros orientales, junto con todas las riquezas y potenciales que acabamos de conocer, hacen parte de la Estructura Ecológica Principal de la ciudad, un conjunto de áreas naturales esenciales para mantener el equilibrio entre lo construido y lo natural. Reconocidos como un componente fundamental del paisaje, pertenecen a nuestro patrimonio común, son un factor de integración, de recreación, de desarrollo y de oportunidad para todos. para la sociedad Muisca, es decir, tener afecto por nuestra geografía y recuperar la cultura del paisaje.

215


amarillo Nectandra lineatifolia (Ruiz & Pav.) Mez

feijoa Carica pubescens Lenné & C. Koch

papayuelo Carica pubescens Lenné & C. Koch

durazno Prunus persica

cordoncillo Piper bogotense

lechero Sapium stylare Müll. Arg.

Familia: Lauraceae DIMENSIONES Altura normal: 15 m Diámetro normal de la copa: 8 m Diámetro normal del tronco a la altura del pecho: 30 cm

DIMENSIONES Altura normal: 4 m Diámetro normal de la copa: 3 m Especie de lento crecimiento, requiere plena luz solar para su adecuado desarrollo. Es resistente a las heladas. DIMENSIONES Altura normal: 4 m Diámetro normal de la copa: 1.5 m Especie de rápido crecimiento, requiere de abundante luz solar para su adecuado desarrollo. No es resistente a las heladas, su tronco rápidamente produce nuevos brotes que reponen los tallos quemados por el frío. DIMENSIONES Altura normal: 5 m Diámetro normal de la copa: 3 m Diámetro normal del tronco 10 cm Especie de crecimiento moderadamente rápido, puede propagarse inicialmente bajo condiciones algo sombreadas, pero pronto requiere plena luz para alcanzar su óptimo desarrollo. Altura normal: 7 m Diámetro normal de la copa: 2 m Diámetro normal del tronco: 15 cm Especie de rápido crecimiento, requiere de sombra en su estado juvenil y, al crecer, puede seguir viviendo toda su vida en condiciones bastante sombreadas. Prefiere suelos húmedos y fértiles y es poco resistente a las sequías. DIMENSIONES Altura normal: 20 m Diámetro normal de la copa: 10 m Diámetro normal del tronco a la altura del pecho: 40 cm Especie de rápido crecimiento, en su estado juvenil prefiere condiciones ligeramente sombreadas.

http://www.opepa.org/index.php?option=com_content&task=category&sectionid=10&id=82&Itemid=30

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palma Archontophoenix cunninghamiana

Tuno Roso Axinaea macrophylla

Aguacate

DIMENSIONES Altura normal: 15 m Diámetro normal de la copa: 3 m Diámetro normal del tronco a la altura del pecho: 20 cm NOTAS PARA SU CULTIVO Especie de crecimiento moderadamente rápido. Necesita algo de sombra en su estado juvenil para su adecuado desarrollo. DIMENSIONES Altura normal: 15 m Diámetro normal de la copa: 6 m Diámetro normal del tronco30 cm NOTAS PARA SU CULTIVO Especie de crecimiento moderadamente rápido, su estado juvenil requiere algo de sombra para su adecuado desarrollo. Prefiere suelos muy húmedos DIMENSIONES Altura máxima reportada: 30 m Diámetro máximo del tronco a la altura del pecho: 100 cm

Persea americana Mill

USOS Frutos comestibles, ricos en grasa y proteínas.

Magnolio

DIMENSIONES Altura máxima reportada: 35 m Diámetro máximo del tronco a la altura del pecho: 170 cm USOS Madera empleada en la fabricación de muebles.Árbol muy ornamental, plantado en parques y jardines

Magnolia grandiflora

Susco Ocotea calophylla Mez

Susco Ocotea calophylla Mez

DIMENSIONES Altura máxima reportada: 20 m Diámetro máximo del tronco a la altura del pecho: 80 cm USOS • La madera se usa en ebanistería y carpintería. • Madera empleada como leña. • Con la madera se elabora carbón vegetal. DIMENSIONES Altura máxima reportada: 15 m Diámetro máximo del tronco a la altura del pecho: 30 cm USOS Especie ornamental, apropiada para jardines y parques.

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funciones de la vegetaciรณn en el proyecto urbano 218


arboles ambiental 219


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franja porosa-calle peatonal 65 Se propone una franja para reestructurar el espacio público, propiciando la vinculación entre diferentes sectores de la zona, relacionando sitios de actividades que hoy en día se encuentran separados, conectando las dinámicas de movilidad desde la carrera 13 hasta los Cerros Orientales. Esto se hace a través de nodos de actividades tejiendo fragmentos separados por vías vehiculares. Esta franja comienza con la vinculación del proyecto de tranvía, siguiendo por la calle 56 hasta llegar al centro cultural híbrido para seguir el recorrido hasta los Cerros Orientales, estructurando los bordes circundantes a esta calle, en donde se encuentran aperturas en las manzanas liberando los centros de estas, con comercio en la planta baja, volviendo así el territorio del castillo un sector poroso en todos sus niveles.

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peatonalidad y comercio en montaĂąa sobre la cll 65

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nueva tipología de vivienda porosa La propuesta es desarrollar una nueva tipología de vivienda porosa, que orienta a los nuevos desarrollos habitacionales, para superar el fenómeno de enclaves que se estaba generando en el sector, enclaves que segregan y aíslan, generando fragmentación. Esta tipología es porosa física, espacial y funcionalmente y busca articular, relacionar y dar la sensación físico-espacial de poca restricción y exclusión en sector.

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lotes con potencial de densif1caciรณn 229


diagrama de comercio en primer piso

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muros que dividen los lotes 1.

2.

liberaciรณn del centro de manzana

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centro cultural híbrido Implantar nodos de actividad que articula por medio de dispositivos que programan y soportan actividades de beneficio colectivo, siendo elementos estructuradores. Estos dispositivos se convierten en nodos donde confluyen diversos grupos sociales, encuentros que atenúan las desigualdades por medio de actividades culturales, educativas y recreativas. Reactivando el sector e invitando a otros sectores a confluir.

UBICACIÓN DE DISPOSITIVO

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esquema de programa


esquema de circulaciรณn

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columnas de concreto Muros de carga cimentaciรณn zapata corrida

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estructura Diagramas


LADRILLO

VIDRIO

CONCRETO ABADADO BEIGE

GRAMA

PIELES

Diagramas Centro cultural hibrido

pieles

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planta axonometrica


Corte Longitudinal 1 Corte Longitudinal 1

1:150 1:150

cortes longitudianles Corte Longitudinal 2

239 1:150


Corte Transversal 1

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1:100

corte transversal


Corte Transversal 1

1:100

Corte Transversal

GSPublisherEngine 0.3.100.100

corte transversal

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corte por quebrada la vieja

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PRODUCED BY AN AUTODESK EDUC

corte transversal por carrera quinta

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CATIONAL PRODUCT

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PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

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PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

corte longitudinal por equipamiento y calle 65

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Obras pùblicas A FINANCIAR Protecciòn ambiental Plazas Andenes Vìas peatonales Puente peatonal Equipamiento Modificaciòn colegio Cicloruta Total

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4,471.70 m2 27,980.51m2 2,249.68m2 12,584.45m2 9,007.02m2 13,003.40m2 12,584.45m2 1,529.33m2 83,410.54m2


2,795.88m2

2,272.81m2 20,455.30m2 1,405.91m2 12,653.17m2

22,728.11m2

1,514m2 13,627m2

2,795.88m2

5,559.83m2 5,559.83m2

25,162.91m2

50,038.45m2

27,958.79m2

55,598.28m2

25,162.91m2 182,177m2

15,141m2

14,059.08m2

6,782.82m2 5,551.41m2

61,045.38m2

49,962.68m2

61,724.20m2

8,499.14m2 76,042.29m2

55,514.09m2

84,491.43m2

M2 Construidos de Comercio

-Total: 186,913.82m2

M2 Construidos de Vivienda

-Total: 247,987.46m2

Total M2 Construidos

-Total: 434,901.28m2

INSTRUMENTO DE FINANCIACIÒN Nombre: Ganancia Bilateral Objetivo: Financiar los proyectos pûblicos con la venta de los metros cuadrados de densificaciòn en vivienda estratos 6 y 2. Sector al que se le aplica: Manzanas contiguas a la calle 65 de la carrera sèptima a la carrera primera, Barrio Juan XIII Y Barrio Los Olivos. Complementariedad con otros instrumentos: No Monto a recuperar: $112,320,249,923 Implementaciòn: Se establece un valor del m2 para la venta con el fin de financiar los proyectos pùblicos. Actores involucrados: Distrito, Constructores y Propietarios del suelo.

BALANCE DEL PROYECTO Y CONCLUSIONES Ingresos por ventas Valor inicial del suelo Costos de urbanizaciòn Valor residual del suelo Plusvalìa

Valor total $ 2,918,468,756,88 $ 321,516,011,217 $ 112,320,249,923 $ 1,271,459,636,094 $ 949,943,624,877

El proyecto es viable con el uso de la ganancia bilateral como instrumento de financiación de los costos de urbanización. cada bono de densificación por m2 se venderá a $258,266 . con esto la plusvalía aumenta un 33% en el sector y se podrá financiar los proyectos públcos en el sector, inclusive el análisis a punta a que es posible contruir más proyectos urbanos en el sector con este instruemento de financiación.

TOTAL METROS CUADRADOS CONSTRUIDOS 249


Continuous monument Hace 30 años, Superstudio, un grupo radical de arquitectos Florentinos, propusieron una superestructura hecha de grillas que envolviese el mundo. Esta estructura llamada Monumento Continuo, cubriria toda la superficie del planeta, dejando la tierra desertica, sólo mostrando partes que debian ser rescatadas. Este proyecto se hace como una crítica a la globalización y como ésta estaba undiendo el mundo. Una crítica al desarrollo del mundo como una estructura anonima y desarraigada del territorio.

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la geometría ayuda enten- Se deben entender las Los monumentos son signos, El bloque cuadrado es el der al hombre el mundo partes para comprender e teorias de la historia huma- primer acto en la historia de identificar el todo na la arquitectura, que surge a partir de la observación de la naturaleza.

El cuadrado como principio La malla en dos dimensiones generador y portador del código genético

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Dispositivo: Vacio

Dispositivo: reflejo


Dispositivo: Ironia

Dispositivo: Ficción

El monumento continuo en ¿Por qué el Monumento ConBogotá tinuo crítica la estructura imperfecta y poco funcional de la ciuad?

El monumento continuo por Resistencia a la transforma- El monumento continuo se El monuemtno continuo en medio de los vacios resal- ción génerica carente de habita en la Superficie Bogotá ta partes significativaspara significado por medio de la mostrar lo que es relevante encapsulación de Bogotá

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gracias

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