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Mariacristina D’Oria
PERSONAL DETAILS name
Mariacristina
surname
D’Oria
birth
31.07.1989
nationality
italian
place
Trieste, Italy
doriamariacristina@gmail.com
mobile
+39 3478375470
University of Trieste Faculty of Architecture Bachelor’s degree in Architecture 110/110 cum laude
EDUCATION
march 2012
WORK EXPERIENCE
Occasional collaborator Association GOtoECO Graphic design and territorial marketing Sagrado (GO), Italy marc. - sept. 2013
2011
WORKSHOPS, COMPETITIONS & AWARDS
2012
Easy Going Landscapes Zadar, Croatia
90%
Workshop of partecipatory planning: Ideas for a neighboorhood that grows Comacchio (FE), Italy
First Prize Ideas Competition Raibosola contest IUAV (VE), Italy
90%
90%
75%
Ps
Ai
Id
Pr
Microsoft Office
Adobe Photoshop
Adobe Illustrator
Adobe InDesign
C2
B2
A2
A1
Italian
English
Spanish
French
50%
75%
80%
80%
90%
Interior Design
Architecture Design
Landscape Design
Urban Planning
Partecipatory Design
90%
EXPERTISE
NaturalmenteGO Sagrado (GO), Italy Winning project
Graphic Design
Adobe PremierePro
dec. 2013 - a
2014
90%
SOFTWARE
LANGUAGES
2013
Internship Studio Br Architectu Trieste (TS
with: E. Ferro
Winning p the video com Invisib Udine (U
with
90%
75%
50%
Autocad
SketchUp
3DS Max
ABOUT ME Graduated in March 2015, since April of the same year I’ve started working in an architecture & landscape studio based in Trieste, Stradivarie Architetti Associati, where I dealt with the development of projects related to architecture and landscape.
p radaschia ural design S), Italy
apr. 2014
project of mpetition bles cities UD), Italy
h: A. Artico
I have a big passion for architecture, for its kaleidoscopic implication and its expressive potential. I am interested in the contrasts that this discipline creates and, at the same time, helps to face: permanence vs transitory, project vs process, new vs ancient, use vs function.
I am enthusiastic about confronting myself with new design themes. Always testing my own limits, I am eager to experiment with new methods and new languages of architecture.
University of Trieste Engineering and Architecture Department Master’s degree in Architecture 110/110 cum laude march 2015
Occasional collaborator Association GOtoECO Graphic design and territorial marketing Sagrado (GO), Italy
Licensed in Architecture
Partner Architect Stradivarie Architetti Associati Architecture and landscape Trieste (TS), Italy
july 2015
may - dec. 2014
2015
First Prize ex-equo Wuitoki Contest Ice Cream, Trieste (TS), Italy with: C. Malalan, I. Turco
Associate Architect Stradivarie Architetti Associati Architecture and landscape Trieste (TS), Italy
apr. 2015 - july 2016
2016
Finalist with the Master Degree: Archiprix Italy 2015, CNAPPC and Mibact Genova (GE), Italy
july 2016 - dec. 2017
2017
2018
Honorable metion with the Master Degree Italian Prize for Sustainable Architecture Fassa Bortolo. Architecture Department of Ferrara and Fassa Bortolo Group, Ferrara (FE), Italy
Master Degree Award Positive regenerative economy for sustainable growth, Fondazione Bracco, Milan (MI), Italy
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Expost. The recycle of the event // The event of recycle typology: place: year: mentors:
Bachelor’s project Milano (MI) march 2015 arch. G. Corbellini, arch. C. Marcon, arch. G. La Varra
Expost 2015. The fate of the area where the Universal Exposition in Milan is currently displayed is still uncertain. May its disposal contribute to “inhabit� the transition and provide a sustainable alternative to abandonment? This question constitutes the supporting element on which all the design has been developed. The themes of the disposal and dismantling of the pavilions are intertwined with the same exhibition mechanisms. The functioning of the exhibition machine takes on new meaning and the object itself of its performance becomes the process of demolition and recycling of materials. The temporal duration of the Universal Exposition is expanded and the same closing phase is converted into an expository moment.
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“... the elevator is presented to the public as a theatrical spectacle. Elisha Otis, the inventor, mounts a platform that ascends - the major part, it seems, of the demonstration. But when it has reached its highest level, an assistent presents Otis with a dagger on a velvet cushion. The inventor takes the knife, seemingly to attack the crucial element of his own invention: the cable that has hoisted the platform upward and that now prevents its fall. Otis cuts the cable; it snaps. Nothing happens, to platform or inventor. Invisible safety catches - the essence of Otis’ brilliance - prevent the denouement, the non-event as triumph.� R. Koolhaas, Delirious New York. A Retroactive manifesto for Manhattan.
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Reading the conservation, demolition and reuse of the exhibition pavilions
Diagrams: composing the grammar to face indeterminacy
Phase #1: Expost 2016
Phase #2: Expost 2018
Ex Tobacco Manufacture typology: integrated design laboratory place: Gorizia (GO) year: march 2014 project developed as a student of the Faculty of Architecture, University of Trieste
The project has the main objective of enhancing the area occupied by the former tobacco factory and of transforming it through the re-functionalization of the three volumes that comprise it: the two production warehouses and the courtyard block. The intervention is largely conservative although it traces distinctive signs within the existing fabric. The eastern front opens to Viale XX Settembre through the courtyard block that houses a Wine Museum and a conference room that involves the complete emptying of the west wing and the construction of a reticular structure. The perimeter walls of the northern warehouse become the envelope of a series of artisan laboratories on the ground floor, equipped with a loft space, on which is superimposed a new system of residential units consisting of one-two and three-room apartments, distributed by a central gallery. The south warehouse is emptied of the internal structure and divided into two volumes distinguished by a real cut in the existing wall. These volumes house a gymnasium and a kindergarten, functions aimed at attracting the numerous residents of the neighborhood. The open spaces are reconfigured and are integrated with the existing urban space and the practices of the inhabitants. Many asphalted areas are converted into green areas and an internal square is drawn. 20
General site plan
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Ground floor
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North profile
South profile
Cross section A-A’
Longitudinale section B-B’
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Longitudinal section with the elevation of the block with the housing units and the section of the auditorium and the museum spaces (west
Longitudinal section with the section of the groundfloor laboratories, the elevation of the internal housing units and the section of the mus
t wing)
seum spaces (east wing)
Exploded axonometric: new museum spaces inside the abandoned factory
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Construction detail of the museum
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Is this tomorrow? typology: architectural design laboratory place: Gorizia (GO) year: july 2013 project developed as a student of the Faculty of Architecture, University of Trieste
The design proposal balances the contemporary expressive form, the technological innovation, the spatial definitions with the constant comparison with the existing, with the characteristics, the physiognomy and the possibility of preservation of the building. The building houses a business incubator on the ground floor: the side aisles are organized according to the open space model, where the repetition of a base cell (desk + shelving) is interrupted by some exceptions, such as for example Phone Boxes and relaxation areas. The central aisle houses the leisure areas, such as the coffee area and the “living rooms�: places where sharing and discussions on business issues can be developed in a context of informal communication. The meeting rooms are suspended. The upper floor houses the lofts: environments that hybridize the characteristics of the working and domestic spaces. The loft is designed as a configurable and variable system according to need. The area dedicated to working is located on the ground floor, with the studio, which can be completely open or closed by of mobile panels, which also have an exhibition function.The private spaces are all located on the mezzanine floor and are emphasized through a careful study of light, which with its glazed volumes that bring down cascades of diffused light responding.
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General plan
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First floor: the lofts
Ground floor: the business incubator
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Exploded axonometric: the business incubator spaces of the ground floor and the suspended meeting rooms
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Cross section with the external concrete volume containing the vertical distribution to the lofts
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Cross section with the internal stairs of the lofts
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West elevation with the indication of all the restoration and new construction interventions
Longitudinal section which highlights the introduction of new volumes inside the existing building and the introduction of new skylights
Celentano project of: typology: place: year: phase:
Stradivarie Architetti Associati international competition municipality of Padova (PD) april - may 2015 completed
developed as a Partner Architect of Stradivarie Architetti Associati
Urban requalification and enhancement of the area known as ex-Boschetti, through the design of a new public park and the restoration of existing buildings. The relics of the infrastructure and its unique evidence leave enough space both for a wild nature that regains the ground and for a well-organized nature, almost shaped in a green mosaic. The green elements become “green architecture” as soon as any evidence of the old infrastructure is shaped like a topiary piece of work to create the “urban internal spaces” of the new public garden.
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Project: the main elements.
The context. Padua is a city in which the tradition of gardens has an immense artistic and botanical heritage. The project consists in keeping the traces of the existing parking throgh performing a green recovery of the area.
The project. the parking, a place of exchange and passage becomes the place to stay and to build slow relationships. The traces of the infrastructure are interpreted through two different kind of natures: a spontaneous one, that reappropriates the soil, and an artificial one, that builds new green volumes.
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“The garden is the prosecution of the house, the hedges are the translation into plant forms of its walls�. Edith Wharton, 1904
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The garden of fool heroes project of: Stradivarie Architetti Associati typology: technical feasibility study, final proposals, site supervision and realisation place: Pordenone (PN) year: january - march 2016 developed as a Partner Architect of Stradivarie Architetti Associati
The project, that takes inspiration from the book “Men who love plants” by Stefano Mancuso, wants to recount stories, lives, curiosities, experimentations and studies of some heroes who, thanks to their “madness”, have had the courage, the strength and the intelligence to see new things turning their gaze upside down and to interpret them as “extraordinary manifestations of life”. Six characters have been chosen, each of which is part of our garden. Each room tells the story of a hero and how he observed and investigated, with respect and love, the plant’ world. As Carver, Vavilov, Bull, Mendel, Rousseau and Blackley, decided to measure themselves with the laws of nature anticipating something and changing the rules of the world, we hope that our garden could become a place where it is nice to stay and stop ... in a disordered desire for knowledge.
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Charles Harrison Blackley room, the man with the rye in his hat
Gregor Johann Mendel room, the abbot of genetics
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George Washington Carver room and the peanut cultivation
“A seed is like a robust survival capsule�. Nikolaj Ivanovic Vavilov
Ephraim Wales Bull room and the Concord grape
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Nikolaj Ivanovic Vavilov and the super Soviet grain
“I'm crazy about botany: it gets worse every day. I no longer have only hay in my head. I'm going to become a plant myself one of these mornings, and I'm already taking root in Môtiers...”. Jean- Jacques Rousseau
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Jean Jacquese Rosseau room and the art of disseminating botany
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Rock constellation project of: typology: place: year: phase:
Stradivarie Architetti Associati international competition Iquique, Chile 2016 completed
developed as a Partner Architect of Stradivarie Architetti Associati
The Atacama desert has witnessed one of the main periods of economic growth in Chile, attracting, from the mid-nineteenth century until the early twentieth century, entire families who colonized the driest desert on the planet: a territory apparently inert made the place to live and generated, at the same time, its fertilizer. A large network of urban settlements was born: more than two hundred large and small workshops, the “salitreras”, were inaugurated or closed with the sole purpose of extracting the mineral, the saltpeter. The project proposal represents an abstraction of the Atacama “salitreras” network, to represent them all, as each was part of the system at a certain moment in the history of saltpeter, meaning to recognize them as part of the identity not only of this period but also of the place that hosted them. The result is a constellation formed by stylized bodies of different heights, representing the population of each salitrera at the time of the 1930 census, which marks the end of the period of greatest economic growth, the so-called Chilean “Belle Époque”. From a distant perspective the proposal presents the complexity and density of the workshops system, while, as we approach it, we can distinguish the role and importance of the individual parts, the workshops in its individuality and the many links between them.
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Gmo. Matta Jazpampa Grutas Josefina Iberia Keryma Joaquín Pérez La Granja José Antonio Moreno La Patria La Perla José Francisco Vergara La Serena José Santos Ossa Limeña La Americana Los Pirineos La Valparaíso Lautaro Mapocho Marousia Lastenias Mercedes Leonor Nena Vilana Lilita North Lagunas Lina Paccha Los Dones Palacio Industrial Luisis María Pan de Azúcar Paposo María Elena Pampa Unión María Teresa Miraflores Peña Chica Peña Grande O'Higgins Peruana Oriente Planta de Potasa Pampa Rica Pontevedra Pampa Unión Porvenir Pedro de Valdivia Pepita Primitiva Progreso Peregrina Perseverancia Providencia Puntilla de Huara Petronila Portezuelo Puntunchara Ramírez Prosperidad Recuerdo Renacimiento Resurrección Rica Aventura Rosario Rosario de Huara Santa Adela Sacramento Salvadora Salinitas San Agustín San Andrés San Martín San Antonio de Zapiga Santa Fe San Donato San Enrique Santa Isabel San Francisco Santa Luisa
SALITRERA
salitrera
POBLACIÓN 1930
POBLACIÓN 1930
Argentina Arturo Prat Santiago Sara Sebastopol Slavia Slavonia Solferino South Lagunas Tarapacá Tránsito Tres Marías Atacama Asturias Trinidad Unión Valparaíso Veranees Victoria Victoria Vigo Virginia Vis Aurora Augusta victoria Ausonia Aurrerá Avanzada Barcelona Ballena Blanco Encalada Bellavista Buen Retiro Bonasort Buenaventura Britania Cala Cala Buena Esperanza California Carmelo Camiña Castilla Catalina del Norte Catalina del Sur Carmen Bajo Carolina Caupolicán Carpas Cecilia Celia Centro Lagunas Chacabuco Chacabuco Cholita Chile Compañía CobijaCochrane Concepción Cóndor Condell Constancia Cota Coruña Cruz de Zapiga Coya Sur Democracia Curicó Elena Delaware Enriqueta Domeyko Esmeralda Dominador Felisa Empresa Franka Ercilla Gloria Esperanza Hervatska Eugenia Filomena Humberstone Iquique Flor de Chile Irene Francisco Puelma Ghizela Iris Lautaro Mapocho Marousia Lastenias Mercedes Leonor Nena Vilana Lilita North Lagunas Lina Paccha Los Dones Palacio Industrial Luisis María Pan de Azúcar Paposo María Elena Pampa Unión María Teresa Miraflores Peña Chica Peña Grande O'Higgins Peruana Oriente Planta de Potasa Pampa Rica Pontevedra Pampa Unión Porvenir Pedro de Valdivia Pepita Primitiva Progreso Peregrina Perseverancia Providencia Puntilla de Huara Petronila Portezuelo Puntunchara Ramírez Prosperidad Recuerdo Renacimiento Resurrección Rica Aventura Rosario Rosario de Huara Santa Adela Sacramento Salvadora Salinitas San Agustín San Andrés San Martín San Antonio de Zapiga Santa Fe San Donato San Enrique Santa Isabel San Francisco Santa Luisa Savona San Jorge San José Severin Sudamericana San Lorenzo San Manuel Tranque Sloman San Pablo Tricolor Yugoslavia San Patricio San Pedro San Remígio Santa Ana Santa Catalina Santa Elena Santa Laura Santa Lucía Santa Rita Santa Rosa de Huara Aguada Bearnes Chacalluta
population in 1930
salitrera
population in 1930
salitrera
population in 1930
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Witnessing the salitreras system means rescuing the identity of a forgotten time restoring its dignity.
salitreras settlements
population in 1930
relations
shadows
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rings
“Ustedes que ya escucharon la historia que se contó no sigan allí sentados pensando que ya pasó. No basta sólo el recuerdo, el canto no bastará. No basta sólo el lamento, miremos la realidad.” Cantata Santa María de Iquique Canción final (fragmento) Luis Advis.
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The garden house project of: typology: place: year: phase:
Stradivarie Architetti Associati detailed design San Giovanni di Casarsa (PN) 2016 completed
developed as a Partner Architect of Stradivarie Architetti Associati
The project aims to retrain an existing garden of a single-family house consisting of a new and empty lawn. This lawn, for economic needs, is maintained, thus becoming a “uniform support” to the different herbaceous species that can be planted. The concept of the project involves the identification and creation of some “rooms” that differ according to the uses, the relationship between the interior and the exterior and the functional, technical and aesthetic requirements. Near the entrance of the house is the “welcome room” that welcomes the family and guests leading them inside the house. Here the lawn is tinged with yellow thanks to the introduction of winter anemones. In the innermost and hidden part of the garden there are two rooms linked to leisure: the room of idleness, which in the spring-summer period is colored with pink-lilac and the green workshop where some aromatic shrubs are planted. The project has also outlined elements of outdoor furniture, designed to collect various aromatic plants and acting as a support for existing rose plants, and an element of interior design positioned at the entrance of the house.
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The garden: vegetational disposition
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Library of plants: main elevation
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Library of plants: cross section
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Library of plants and roses support: main elevation
Entrance furniture: main elevation
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Entrance furniture: the contents
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Pedibus Opicina. Safe home-school routes project of: Stradivarie Architetti Associati typology: partecipatory planning, detailed and final proposals place: Opicina, Trieste (TS) year: 2016 developed as an Associate Architect of Stradivarie Architetti Associati
The project aims to make the access of the Recreation Centre “Fratelli Fonda Savio” of Opicina safer and easier through the implementation of minimal structural interventions, inspired by the principles of traffic moderation and those related to the protection and recognition of routes used by childrenpedestrians. The work was shared and developed within some educational laboratories that involved the children attending the recreation center and thanks to the administration of a questionnaire addressed to both parents and pupils. The final route was designed as a single line of this particular “urban transport”, characterized in particular by the presence of numerous natural emergencies and named for this reason “Pedibus Dolina”. The route of the Pedibus is characterized by a green signage, easily recognizable by pedestrians who must use it to move around the area, and for drivers, for whom it represents a bollard and an element of attention.
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Photo of the final race with the balloons
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Photo of of the neighborhood walk and the participated process, with the reception of children’s and parents’ ideas
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The definition of the Pedibus Dolina route
The definition of the Pedibus Dolina road marking elements
Securing a road intersection in Moimacco project of: typology: place: year: phase:
Stradivarie Architetti Associati detailed and final proposals Moimacco (UD) september - december 2017 under construction
developed as a Associate Architect of Stradivarie Architetti Associati
The aim of the project is to limit the dangerous situations and improve the road safety of users who cross this intersection in which, in the hours of entry and exit from the school, a high vehicular flow is opposed to the pedestrian traffic consisting of children. The target is the transformation of these spaces through a careful project of soil and the punctual elimination of physical and visual interferences and barriers, in order to create a new public space at the service of the community and, in particular, of the users connected to the school center. The project recovers the dimension of the street as a public space, to be returned to the community, reconnecting itself to the very origin of this urban center, which has grafted its development and concentrated its social life on the road. The redesign of the geometries of these spaces, as well as allowing the introduction of a chicane, allows to harmonize between the pedestrian and the driveway space and to integrate them into a single space. Finally, the soil project demonstrates a particular sensitivity towards the existing, witnessed by the choice of the materials and textures of the project and favors a continuity, now absent, of the pedestrian paths.
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The chicane
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The definition of pavements materials and their laying methods are the fundamental theme of the project, which is essentially configured as a soil project. In fact, the definition of this new public space starts from the weaving of materials that, reconnecting to the existing material weft, define a new hierarchical separation of the main flows affecting the project area: pedestrians and vehicles.
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Reuse center project of: Stradivarie Architetti Associati typology: technical feasibility study and detailed proposals place: Campoformido (UD) year: may - august 2017 phase: under construction developed as a Associate Architect of Stradivarie Architetti Associati
The reuse center is a structure designed to accommodate the temporary transition of used goods of various kinds that are redistributed to the use of new everyday life. Like an assembly line, different phases and functions take place inside the center, hence the decision to break it down into three distinct artifacts. The first, the volume of the warehouse, is configured as a cube in which all the objects, materials and goods transferred to the center are stored and exhibited. The function of this volume has determined the internal spatial organization extremely flexible and dynamic, open to various configurations according to the objects conferred from time to time in the center. The basic language of the internal elements bring out the true protagonists of this artifact: the objects to be reused. The second volume represents a decomposition of the first one, that is stripped of the external covering, leaving the structure visible. This frame houses two containers, respectively the office, the organizational heart of the center where all the goods are checked and cataloged, and the toilets. Finally, the last artifact is configured as a platform, representing the last stage of the exhibition volume, whose dimensions follow those of the previous ones. This surface houses a real re-use laboratory: the objects are cleaned and adjusted to be used a second time.
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Exploded axonometric functioning of the reuse center: a new life for objects
transfer of goods and objects to be reused registration, cataloging and first verification of the received objects workshop for the verification, maintenance and repair of objects indoor exhibition of objects outdoor exhibition of objects during events and events exit of used objects, ready to enter the everyday life of new users transfer to the ecological island of objects that have not completed the initial verification and are unusable
the collection and recycling system of the rainwater
new garden whose central ditch channels rainwater into the draining trench
the new fronts of the reuse center: perimeter fence and the enhancement of existing rows
existing mulberries row
perimeter fence
removed mulberries re-planted mulberries
Accesses and main links
internal pedestrian connections with the ecological island vehicular access driveway to insiders driveway for visitors and parking transfer of goods and objects to be reused
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existing ecological island
Given the predominantly agricultural context, the intervention on external spaces aim to adapt them to accommodate temporary events, so that the activities of the center can also be extended outside. The green area welcomes the Morus alba (mulberry), already present in the context, and is modeled altimetrically in order to ensure the effective drainage of rainwater, which are conveyed into a draining trench, placed in parallel to the row of mulberries.
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General plan
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West elevation completely closed
West elevation partially open
West elevation completely open
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Ground floor
Different exhibition configurations
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Construction detail of the roof covering 01
02 03 04 05
06 07
Construction detail of the perimeter wall
01
02 03
Construction detail of the ground floor
01
02 03
04
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North elevation
West elevation
South elevation
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