Public housing Handwerkers Vriendenkring
Between Spitskopstraat and Magersfonteinstraat The Handwerkers Vriendenkring Building is a closed social housing block designed in 1918 by Dutch architect Leliman. It is the second building block out of the five building blocks in a row. This housing block is situated in the Transvaaldistrict of Amsterdam. The block was build after the renovation of the Transvaaldistrict, where the working class was situated. The social housing block offered space for the working class, which consisted mainly of Jewish families.
Group 9 ID ID ID ID
0753054 0725405 0726128 0754119
R. J. Goetheer M. van de Water M. van de Water J. de Winter
Handwerkers vriendenkring transvaalbuurt 1. Project description 1.01 General information 6 1.02 Basic drawings 10
2. Context 2.01 Situation 18 2.02 Site Pattern 20 2.03 Morphology 21 2.04 Street Pattern 22 2.05 Access 23 2.06 Relation 25
3. Exterior 3.01 Volume 26 3.02 Access 27 3.03 Threshold 29 3.04 Facade composition 31 3.05 Facade materials 36 3.06 Ornaments 42 3.07 Architectonic detail - fragments 43 3.08 Private and semi-private 44 3.09 Typology 45 3.10 Relation interior and exterior 46
4. Interior 4.01 Types of dwelling 48 4.02 Logistics 49 4.03 Routing 54 4.04 Construction 62 4.05 Use of spaces 64 4.06 Types of spaces 69 4.07 Sequences of spaces 74 4.08 Threshold between spaces 80 4.09 Order of spaces 86 4.10 Spatial hierarchy 91 4.11 Climatic properties 97 4.12 Interior elements 99 4.13 Corner solution 100
Conclusion
Conclusion
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Bibliography
0. Content
Bibliography
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0. Content
Figure 9.1.1 Front facade Handwerkers vriendenkring (1)
1.01 General information Handwerkers vriendenkring Handwerkers vriendenkring (HWV) was an association which was established in 1869 to encourage the emancipation of Jewish workers in Amsterdam. Handwerkers vriendenkring was founded to improve the living conditions of its members without politically interfering, for example the creation of a modern health insurance Ziekenfonds in 1895. Although it was formally a politically and religiously neutral association, almost 95% of its members were Jewish workers, who were mainly working in the diamond industry. The association played a significant role in the emancipation and integration of the Jewish working class. Officially Handwerkers vriendenkring was not a Jewish institution, however the German occupiers saw it as a Jewish institution and they prohibited it in 1942.
Bouwfonds handwerkers vriendenkring The municipality of Amsterdam decided in 1911 to remediate the old Jewish neighborhood on Uilenburg en Marken. Thousands of hovels had to be demolished, the question arose what had to happen with the poor Jewish families from the Jewish neighborhood. Handwerkers vriendenkring decided to start a building fund to realize a replacement for social housing. The building fund wanted to help create affordable houses for the Jewish families. The target group was generally Jews but large parts of the Jewish proletariat in Amsterdam were really assimilated into the Dutch society. The Bouwfonds Handwerkers vriendenkring provided a significant contribution to the social housing in Amsterdam at the beginning of the 20th century.
1. Schilt, J.(2008), Woningbouwblokken handwerkers vriendenkring, Bureau monumenten en archeologie, Amsterdam
1. Project description
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Figure 9.1.2 The five building blocks from Leliman (1)
1.01 General information Together with the “Algemene Woningbouw Vereniging”, the Bouwfonds Handwerkers vriendenkring realized the first houses in the Transvaalbuurt. This became the housing plan in the twenties on the Tugelaweg in the Transvaalbuurt by architect J.H.W. Leliman. Transvaalbuurt The Transvaaldistrict is a district in the east part of Amsterdam. The area is situated between the Wibautstraat in the west, the railway between Amstel station and Muiderpoortstation in the north, the Linnaeusstraat in the east and the Transvaalkade in the south. The Transvaal district was an expansion that started in 1910. Architect H.P. Berlage was the designer of the masterplan of the Transvaal district.
H.P. Berlage Berlage is well known of his prestigious projects, for example the Beurs van Berlage. However he designed the Transvaal district just for the working class. Berlage designed the street plan of the Transvaal district. The Transvaal district was an expansion of the city of Amsterdam which started in the 1910/1920’s. The street plan consists of straight and curved lines connecting the different squares and green areas. Many of the social housing built in the Transvaal district are built in the style of the ‘Amsterdamse school’. The social housing corporations stood at the basis in the forming of the Transvaalbuurt, the handwerkers vriendenkring being one of them, creating several housing blocks.
1. Schilt, J.(2008), Woningbouwblokken handwerkers vriendenkring, Bureau monumenten en archeologie, Amsterdam
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1. Project description
© Bureau Monumenten en Archeologie, mei 20
Figure 9.1.3 Front facade of the building block (1)
1.01 General information Handwerkers vriendenkring Within the complex of the handwerkers vriendenkring, Leliman was able to construct several so called ‘workers palaces’. This buildings are created not only to improve living conditions, as of than required by the 1901 woningwet, but also to empower the working class. Leliman Architect Leliman stood at the base of the five important building blocks in the Transvaalbuurt. Leliman was a real entrepreneur designing these building blocks. The blocks are one of the first social housing building blocks. Most of the time, the building blocks are not designed as a whole, but in a couple of fragments which are designed by different architects. Both sides of the streets are rather seen as a whole then the building block itself. Leliman, therein
against, designed the block as a whole so it can be seen as a unit. Leliman designed the building block a priori and not posteriori, which was for that time an innovative approach.
1. Schilt, J.(2008), Woningbouwblokken handwerkers vriendenkring, Bureau monumenten en archeologie, Amsterdam
1. Project description
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Figure 9.1.4 Courtyard of the building block (1)
1.01 General information
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The design of building block number II In order to empower the working class, the collaboration between the facade and the floor plan becomes one of the main concerns of the design. But there are more social values that can be found in several spatial aspects within the design of the building block. Building number II shows a clear spatial reaction to its surroundings. Making a clear gesture towards its surroundings by creating a public square at both sides of the building. The heart of the building block, even though the ground floor dwellings have a small private garden directly connected to them, form a collective space, a space that can be entered trough the main gates, which in their turn are connected to the before mentioned public areas. In order to maintain a collective idea within the heart of the building
block, all entrances to the different dwellings are situated facing the streets. At the same time, these entrances to the dwellings form an important aspect in the functioning of this streets, surrounding the building block, the same streets that connects the entire Transvaalbuurt.
1. Schilt, J.(2008), Woningbouwblokken handwerkers vriendenkring, Bureau monumenten en archeologie, Amsterdam 2. Castex, J., Depaule, J., Panerai, P.(2003), De rationele stad, Uitgeverij Sun. Amsterdam. pg. 97-147 3. Smit, F.(1993), Van Amsterdamse Huize : ontwikkeling en identiteit van het Woningbedrijf Amsterdam, Woningbedrijf Amsterdam. Amsterdam
4. Author unknown(2014), Amsterdam Transvaalbuurt, consulted at june 2014, from http://kennisbank.platform31.nl/pages/27622/AmsterdamTransvaalbuurt.html
It are these social values, translated into the architecture of the building block that form the main starting point of this analysis.
1. Project description
Figure 9.1.5 Floor plan ground floor scale 1:400
1.02 Basic drawings Walls hatch Outlines
1. Project description
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Figure 9.1.6 Floor plan first floor scale 1:400
1.02 Basic drawings Walls hatch Outlines
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1. Project description
Figure 9.1.7 Floor plan second floor scale 1:400
1.02 Basic drawings Walls hatch Outlines
1. Project description
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Figure 9.1.8 Floor plan third floor scale 1:400
1.02 Basic drawings Walls hatch Outlines
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1. Project description
Figure 9.1.9 Facade south (outside and inside) facada north scale 1:400
1.02 Basic drawings Outlines
1. Project description
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Figure 9.1.10 Facade East, West (outside and inside) Section 1 scale 1:400
1.02 Basic drawings Outlines
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1. Project description
Figure 9.1.11 Isometric view
1.02 Basic drawings Outlines
1. Project description
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1. Project description
Figure 9.2.1 Situation scale 1:5000
2.01 Situation Building blocks Water Handwerkers vriendenkring
2. Context
Handwerkers Vriendenkring is situated in the Transvaalbuurt. The masterplan of the Transvaalbuurt is designed by Berlage. The building block is situated between the Tugelaweg, Spitskopstraat, Magers Fonteinstraat and Retiefstraat. Leliman adapted the plan of Berlage, and five block in a row are designed by Leliman. These five building blocks are part of the social housing of Jewish. The building blocks provide the final northern edge of the Transvaal neighborhood.
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Figure 9.2.2 Situation scale 1:1000
2.01 Situation Walls hatch Surrounding buildings
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2. Context
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT Figure 9.2.3 Site pattern scale 1:5000
2.02 Site pattern Building block Site
The area around the plot of Handwerkers Vriendenkring is in the north side bounded by the railway between Amsterdam Amstel station and Amsterdam Central station. On the other sides the building block is surrounded by other building blocks. Handwerkers Vriendenkring is part of the Transvaalbuurt in Amsterdam. The Transvaalbuurt is a small neighbourhood in the east of Amsterdam. Between the railway and the building block is a green area. The building block is part of five buildings in a row all designed by the architect Leliman. On the south side of the block there is the ‘Ringvaart’, a canal.
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
2. Context
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PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT Figure 9.2.4 Morphology scale 1:5000
2.03 Morphology Building blocks
Handwerkers Vriendenkring is located in the Transvaalbuurt. It is a neighbourhood outside the city centre of Amsterdam. The building block is surrounded by other building blocks. The inside of the building blocks around are most of the time filled with green. The buildings are placed quite close together. They are separated by the street. The building blocks in the neighbourhood are relatively large. The form of the building block is a rectangle with on two sides a cove. This creates a small square on both sides.
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
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2. Context
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT Figure 9.2.5 Street pattern scale 1:5000
2.04 Street pattern Building block Streets Rail road
The pattern of the street is mainly created by the positioning of the building blocks. The street follows parallel to the building blocks. There are three types of roads. The main road, the streets between the building blocks, and the street only available for bikes and pedestrians. The streets who surrounds the building block are part of a rectangular street pattern. The street on the north side of the building follows parallel to the railway.
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
2. Context
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Figure 9.2.6 Acces floor plan 1:1000
2.05 Access Urban fabric Primary acces courtyard
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The building block is accessible in various ways. The courtyard has a main entrance at the south side of the building. The courtyard is also accessible by an entrance at the north side of the block. That is the secondary entrance. All the dwellings have their own entrance faced to the streets. The apartments on the first, second and third floor have a collective entrance on the ground floor. The building block is surrounded by two one-way streets, this means that the building block is accessible in two different directions from the street.
2. Context
Figure 9.2.7 Acces isometric view
2.05 Acces Urban fabric Primary acces courtyard
2. Context
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Figure 9.2.8 Relation 1:1000
2.06 Relation Urban fabric Building block
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The building block is part of a row of five blocks designed by the same architect, Leliman. The blocks adjacent to the building block, also have a courtyard in the middle of the block. At the north side of the building there is a railway. Between the block and the railway, there is vegetation located. Most of the surrounded building blocks have a rectangular shape. The building block stands out because of the notch on the two long sides.
2. Context
Figure 9.3.1 Volume
3.01 Volume The building block consists of 4 levels with a roof. The building has an rectangular shape, with a hole inside. On the long side in the middle there is a notch. This is on both sides. The notch at the south side is bigger then the other one. The south side is the main side of the building. The building is the second block of five in a row. These blocks are all designed by Leliman. In the second building block of Leliman, the form is not rectangular as would expected. The building block reacts to its surroundings . The block makes a clear gesture towards its surroundings by creating a public square at both sides of the building. The faรงade is in the middle placed back to create the importance of the entrance. Another feature to clarify the main entrance is the steeple in the middle of the part where the building block is laid back. To soften the corners of the
3. Exterior
public square, not straight corners are used, but an angle which is more friendly towards its surroundings, this also causes a more accessibility to the courtyard and the public square.
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Figure 9.3.2 Acces, situation 1:1000
3.02 Access Primary access Secondary acces
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The main entrance of the building block is on the south side, in the notch, there is the access to the courtyard. It is on the ground floor. The second primary access is on the other side of the building. The space after entering the gate is a courtyard. This courtyard is for the residents of the building block. The appartments have their own entrances. The entrances are all faced to the street. The appartments of the upper floors have a shared entrance. This shared entrance is for 3 appartments.
3. Exterior
Figure 9.3.3 Access, isometry
3.02 Access Primary access Secondary acces
3. Exterior
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Figure 9.3.4 Treshold isometry
3.03 Treshold Hard treshold Soft treshold
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The brick facade of the building block is the main barrier between the dwellings and the outside. It is the hard treshold between the outside. There is further no fence around the building. The hard brick facade is therefor the hard treshold. The inside of the building block is more friendly then the outside. Therefor the facade on the inside of the block is a soft treshold.
3. Exterior
Figure 9.3.5 Treshold ground floor 1:400
3.03 Treshold Hard treshold Soft treshold
3. Exterior
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Figure 9.3.6 Symmetry 1:400
3.04 Facade composition - symmetry Contour
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Symmetry is like a thread through the building. In relation to the surroundings of the building block, the symmetry is a main focus point in the building. According to the symmetry, the proportions of the building block are in comparison to the urban surroundings and the street. The symmetry causes a uniform building block. The symmetry can be seen at different levels, in the faรงade and the floor plans. Looking at the floor plan there is one line of symmetry which splits the block in two parts. In the faรงade, there are more elements which uses symmetry. The floor plans consist of symmetry, they are reacting to the faรงade.
3. Exterior
Figure 9.3.7 Symmetry 1:400
3.04 Facade composition - symmetry
3. Exterior
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Figure 9.3.8 Transparancy long side facade 1:400
3.04 Facade composition - transparancy Contour
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The transparancy analysis shows that the facade is really open and transparant. There is a very wide set of openings in the facade, which makes the whole building quite transparant to the outside and to the inside of the building block. The large windows in the facade makes it possible to have a wide view to the outside and to the inside of the building block. The large windows make the building more friendly.
3. Exterior
Figure 9.3.9 Transparancy short side facade 1:400
3.04 Facade composition - transparancy
3. Exterior
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Figure 9.3.10 Rythm facade 1:400
3.04 Facade composition - rythm Primary rythm Secondary rythm
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In the facade a strong rythm is visible. Due to its symmetry there is a rythm visible of the windows and details in the facade. There is rythm used to determine the openings in the facade, which is also reacting on the floorplans.
3. Exterior
Figure 9.3.11 Materials of the facade, brick 1:400
3.05 Facade materials Brick
3. Exterior
The facades of the building block mainly consists of brick. On the streets or the squares facades pressures from urban order. Monumental facades frames the squares. The brickwork is applied in red Waal-river bricks. In some places of the facade there are details made with the brick. Details in the facade are made of brick, but also from concrete. The main entrance is framed by concrete. The roof consists of tiles, they cover the entire roof. The dormer windows are from wood, also the window frames consists of wood. The cornices are made of wood.
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Figure 9.3.12 Materials of the facade, concrete1:400
3.05 Facade materials Concrete
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3. Exterior
Figure 9.3.13 Materials of the facade, glass 1:400
3.05 Facade materials Glass
3. Exterior
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Figure 9.3.14 Materials of the facade, sinc 1:400
3.05 Facade materials Sinc
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3. Exterior
Figure 9.3.15 Materials of the facade, wood 1:400
3.05 Facade materials Wood
3. Exterior
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Figure 9.3.16 Materials of the facade, tiles 1:400
3.05 Facade materials Tiles
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3. Exterior
Figure 9.3.17 Ornaments 1:400
3.06 Ornaments Ornaments
3. Exterior
The ornamentation of the facade constists mainly of brick details. These details decorates the facade, it is only esthetic. It ensures that the appearance of the facade is urban. The upper part of the brick facade is made out of another brick pattern. This is in contrast of the original brick pattern. The facade of the main entrance has more ornamentation then the rest of the facades. This ornamentation consists of concrete. At the top of this facade there is a decoration with the sign of Handwerkers Vriendenkring.
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Figure 9.3.18 Architectonic detail of parts of the facade 1:100
3.07 Architectonic detail - fragments Concrete Sinc Wood
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The facade of the building block is not highly detailed. The brick pattern on the top of the facade gives a more detailed impression. The main entrance of the block is the most detailed. There are different brick patterns used. Also the frame of the gateway to the courtyard is detailled out of concrete. Also the oriel in the facades gives a more detailed impression of the facade. The concrete cornice is also special for this facade. Above the windows the bricks are rotated 90 degrees, so it stands out in the facade. The other fragment of the facade shows the different brick pattern on the top of the facade. The brick crosses over on the facade of the ground floor. Underneath this brick there is a concrete edge and there are ornaments from masonry.
3. Exterior
Figure 9.3.19 Private and semi-private ground floor 1:400
3.08 Private and semi-private Private Semi-private
3. Exterior
The courtyard of the block, the whole of the gardens, is playing a double role. Every garden is on its own a private back space for the houses on the ground floor. Together, the gardens compose a court for the residents of the other floors. The remaining part of the garden is semi-private. This part is for communal use, all the residents of the building block can use the courtyard.
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Figure 9.3.20 Typology isometry
3.09 Typology The building block is constituted by an uninterrupted border of houses build around a central non-build space. Generally the building block has a rectangular shape. It is made out of three to four building layers with an attic floor. Also the construction is generally build out of masonry. The monumental system of the building block is based on simple classical figures; continuous and equally organized facades, symmetry, the treatment of the corners which underlines the symmetry and defines the hierarchy of the streets. In the second building block of Leliman, the form is not rectangular as would expected. The building block reacts to its surroundings . The block makes a clear gesture towards its surroundings by creating a public square at both sides of
the building. The faรงade is in the middle placed back to create the importance of the entrance. Another feature to clarify the main entrance is the steeple in the middle of the part where the building block is laid back. To soften the corners of the public square, not straight corners are used, but an angle which is more friendly towards its surroundings, this also causes a more accessibility to the courtyard and the public square.
1. Castex, J., Depaule, J., Panerai, P.(2003), De rationele stad, Uitgeverij SUN. Amsterdam. pg. 97-147.
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3. Exterior
Outside Streetfacade Continuous and composed Accessible Refers to city Representation Displayed Stamp of the architect
Inside Back façade and garden Fragmented and ordinary Semi‐accessible Refers to the house Using Concealed Stamp of the residents
Figure 9.3.21 Relation exterior and interior 1:400
3.10 Relation exterior and interior Soft character
3. Exterior
This analyses has been made to explore the relationship between the space outside the building block and the space inside the building block. To empower the working class, Leliman tried to give every workers family an ‘individual’ house, he repeated several features of traditional Dutch houses. This features are for example: the ground floor is directly situated on the street side and the backside is extended with a small garden. The building block from Leliman is built from this principle; directly access to the houses, a small garden for the ground floor and loggia’s at the backside of the building for the houses on the other floors. The contradiction between the border and the center of the block. The façade on the street side conforms to the urban quality of the architecture and the architect can dominate this.
The inner façade is more gently designed then the outer façade. The outer façade focusses on the urban character, on the other hand the inner façade aims to the courtyard and the communal and soft character of this. In the scheme a comparison is made between the outside and the inside of the building block.
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3. Exterior
Type 4
Type 6
Type 2
Type 5
Type 1
Type 3
Figure 9.4.1 Type of dwelling 1:400
4.01 Types of dwelling Type Type Type Type Type Type
1 2 3 4 5 6
4. Interior
There are 6 types of dwelling. Some of these types are repeated . In further research, the floor plans are splitted into these 6 types. These 6 types are analysed.
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Figure 9.4.2 Logistics type 2, ground floor, first floor, second floor and third floor 1:200
4.02 Logistics Route
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The residents enter the dwelling and then come into the hallway. From the hallway the livingroom can be reached. From the livingroom the kitchen is accesible. Some bedrooms are situated on the livingroom. From the hallway, not all the rooms are accesible. Other rooms have to be entered before the destination room could be accesed.
4. Interior
Figure 9.4.3 Logistics type 2, ground floor, first floor, second floor and third floor 1:200
4.02 Logistics Route
4. Interior
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Figure 9.4.4 Logistics type 3, ground floor, first floor, second floor and third floor 1:200
Figure 9.4.5 Logistics type 4, ground floor, first floor, second floor and third floor 1:200
4.02 Logistics Route
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4. Interior
Figure 9.4.6 Logistics type 5, ground floor, first floor, second floor and third floor 1:200
4.02 Logistics Route
4. Interior
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Figure 9.4.7 Logistics type 6, ground floor, first floor, second floor and third floor 1:200
4.02 Logistics Route
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4. Interior
Figure 9.4.8 Routing type 1 floorplans 1:200
Figure 9.4.9 Routing type 1 isometry 1:200
4.03 Routing Routing residents
4. Interior
The main route in the dwelling is only for residents. Visitors have the same routing, but then do not enter the bedrooms. First the residents enter the hallway, after that the other rooms can be reached. Some rooms could only be reached by entering first another room. The dwelling on the first, second and third floor can be reached by the staircase.
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Figure 9.4.10 Routing type 2 floorplans 1:200
Figure 9.4.11 Routing type 2 isometry 1:200
4.03 Routing Routing residents
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4. Interior
Figure 9.4.12 Routing type 3 floorplans 1:200
Figure 9.4.13 Routing type 3 isometry 1:200
4.03 Routing Routing residents
4. Interior
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Figure 9.4.14 Routing type 4 floorplans 1:200
Figure 9.4.15 Routing type 4 isometry 1:200
4.03 Routing Routing residents
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4. Interior
Figure 9.4.16 Routing type 5 floorplans 1:200
4.03 Routing Routing residents
4. Interior
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Figure 9.4.17 Routing type 5 isometry 1:200
4.03 Routing Routing residents
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4. Interior
Figure 9.4.18 Routing type 6 floorplans 1:200
4.03 Routing Routing residents
4. Interior
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Figure 9.4.19 Routing type 6 isometry 1:200
4.03 Routing Routing residents
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4. Interior
Figure 9.4.20 Construction floorplan 1:400
4.04 Construction Construction elements
4. Interior
The structure of the building block is constructed out of the inner walls. Parts of the brick facade are also part of the building construction. The main structure has been designed by the grid of the different dwelling types. The floors consists of wooden beams. The walls also ensures the stability of the building block. The roof structure consists of a wooden beam structure.
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Figure 9.4.21 Construction section 1:200
4.04 Construction Construction elements
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4. Interior
Figure 9.4.22 Use of spaces type 1 1:200
4.05 Use of spaces Moving Hybrid Cooking Hygiene Sleeping
4. Interior
The main use of the building is living. There are different types of dwellings but they all have the same use of spaces. Though they are positioned differently. There is moving space, hybrid space, cooking space, hygiene space and sleeping space.
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Figure 9.4.23 Use of spaces type 2 1:200
4.05 Use of spaces Moving Hybrid Cooking Hygiene Sleeping
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4. Interior
Figure 9.4.24 Use of spaces type 3 1:200
Figure 9.4.25 Use of spaces type 4 1:200
4.05 Use of spaces Moving Hybrid Cooking Hygiene Sleeping
4. Interior
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Figure 9.4.26 Use of spaces type 5 1:200
4.05 Use of spaces Moving Hybrid Cooking Hygiene Sleeping
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4. Interior
Figure 9.4.27 Use of spaces type 6 1:200
4.05 Use of spaces Moving Hybrid Cooking Hygiene Sleeping
4. Interior
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Figure 9.4.28 Types of spaces type 1 1:200
4.06 Types of spaces Room Corridor Hallway Closet
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There are four different types of spaces. The structure of the spaces is related to the windows. All the main rooms have a window. The corridors are mainly short and only functioned as a moving space to get as short as possible to the rooms. The spaces are as efficient as possible. Almost every room has its own closet, which can be used for clothes and storage.
4. Interior
Figure 9.4.29 Types of spaces type 2 1:200
4.06 Types of spaces Room Corridor Hallway Closet
4. Interior
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Figure 9.4.30 Types of spaces type 3 1:200
Figure 9.4.31 Types of spaces type 3 1:200
4.06 Types of spaces Room Corridor Hallway Closet
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4. Interior
Figure 9.4.32 Types of spaces type 5 1:200
4.06 Types of spaces Room Corridor Hallway Closet
4. Interior
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Figure 9.4.33 Types of spaces type 6 1:200
4.06 Types of spaces Room Corridor Hallway Closet
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4. Interior
Figure 9.4.34 Sequences of space type 1 1:200
4.07 Sequences of spaces The sequence of spaces shows the way an occupant moves through the building. It shows the difference of proportions from the rooms. The livingroom is the main room of the dwelling. It is the biggest room and is also located central. The other rooms are subordinate to the living room. The hallways and corridors are as small as possible.
4. Interior
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Figure 9.4.35 Sequences of spaces type 2 1:200
4.07 Sequences of spaces
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4. Interior
Figure 9.4.36 Sequences of space type 3 1:200
4.07 Sequences of spaces
4. Interior
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Figure 9.4.37 Sequences of spaces type 4 1:200
4.07 Sequences of spaces
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4. Interior
Figure 9.4.38 Sequences of space type 5 1:200
4.07 Sequences of spaces
4. Interior
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Figure 9.4.39 Sequences of spaces type 6 1:200
4.07 Sequences of spaces
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4. Interior
Figure 9.4.40 Treshold between spaces type 1 1:200
4.08 Treshold between spaces Hard treshold Soft treshold
4. Interior
There are different tresholds between the spaces. The staircases and the doors are the hard tresholds. The windows are the soft tresholds between the different spaces.
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Figure 9.4.41 Treshold between spaces type 2 1:200
4.08 Treshold between spaces Hard treshold Soft treshold
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4. Interior
Figure 9.4.42 Treshold between spaces type 3 1:200
4.08 Treshold between spaces Hard treshold Smooth treshold
4. Interior
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Figure 9.4.43 Treshold between spaces type 4 1:200
4.08 Treshold between spaces Hard treshold Soft treshold
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4. Interior
Figure 9.4.44 Treshold between spaces type 5 1:200
4.08 Treshold between spaces Hard treshold Smooth treshold
4. Interior
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Figure 9.4.45 Treshold between spaces type 6 1:200
4.08 Treshold between spaces Hard treshold Smooth treshold
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4. Interior
Figure 9.4.46 Order of spaces variation 1:400
4.09 Order of spaces - variation The building block has 6 types of dwellings. The variation in the dwelling types ensures that the main form of the building is created. The different types have their own order of spaces. On every floor there is a repetition of spaces. The spaces have not all the same form, but they have the same functions. The main spaces are faced to the windows, so there is a window in every main space. Most of the spaces are located to the hallway.
4. Interior
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Figure 9.4.47 Order of spaces symmetrie 1:400
4.09 Order of spaces - symmetry
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4. Interior
Figure 9.4.48 Order of spaces rythm 1:400
4.09 Order of spaces - rythm
4. Interior
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Figure 9.4.49 Order of spaces repetition 1:400
4.09 Order of spaces - repetition
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4. Interior
Figure 9.4.50 Order of spaces isometry 1:400
4.09 Order of spaces - isometry Moving spaces Toilet Bedroom Kitchen Living room
4. Interior
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Figure 9.4.51 Spatial hierarchy type 1 1:200
4.10 Spatial hierarchy Served Serving
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There is a hierarchy between the rooms. The dwellings could be divided into elements of spaces that supports the daily activities and the spaces who are in the service of these spaces. The served spaces are the livingroom, bedrooms and toilets. The serving spaces are the staircases, closets and hallways.
4. Interior
Figure 9.4.52 Spatial hierarchy type 2 1:200
4.10 Spatial hierarchy Served Serving
4. Interior
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Figure 9.4.53 Spatial hierarchy type 3 1:200
4.10 Spatial hierarchy Served Serving
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4. Interior
Figure 9.4.54 Spatial hierarchy type 4 1:200
4.10 Spatial hierarchy Served Serving
4. Interior
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Figure 9.4.55 Spatial hierarchy type 5 1:200
4.10 Spatial hierarchy Served Serving
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4. Interior
Figure 9.4.56 Spatial hierarchy type 6 1:200
4.10 Spatial hierarchy Served Serving
4. Interior
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Figure 9.4.57 Climatic properties daylight 1:200
4.11 Climatic properties The main rooms all have windows. The building is one of the first building blocks who was designed guided by the Woningwet. This means that every room has to have a window, so it has daylight. The rooms faced on the south side are lighter during the day, then the rooms faced on the north side. The heating in the dwelling is arranged by gas heating. The gas heater is situated in the kitchen. The other rooms don’t have a heating system. In some livingrooms there is a woodstove, which arranges heating.
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4. Interior
Figure 9.4.58 Climatic properties heating 1:200
4.11 Climatic properties
4. Interior
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Figure 9.4.59 Interior elements floorplans 1:200
4.12 Interior elements Temporary furniture Permanent furniture
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The interior of the dwelling consists of furniture. Some of the furniture is permanent, like the toilet and the kitchen. The other furniture in the dwelling consists of a dining table with chairs and beds in the bedroom. This furniture is replaceable.
4. Interior
Figure 9.4.60 Corner solution floorplan handwerkers vriendenkring and woningblok A Michel de Klerk 1:400
4.13 Corner solution Exceptions Living room
4. Interior
To really understand the way how Leliman designed the corners of the building, a comparison is made with another building. This building was built around the same time as the Handwerkers Vriendenkring. The chosen building is a building block in the Spaarndammerbuurt in Amsterdam. Where in the 19th century and the beginning of the 20th century due to the extension of Amsterdam, as well as in the Transvaaldistrict, working-class buildings were build. The chosen building block, woningblok (a), was designed by Michel de Klerk. The block is situated at the Northside of the Spaarndammerplantsoen. De Klerk designed three of the five building blocks around the Spaarndammerplantsoen. The most famous of the three buildings is “het Schip�, an expressionistic building. De Klerk was precursor of the Amsterdamse school. After the implementation of the woningwet in 1901, the government was more involved in the design process. Architects could design more easily
according to the guidelines that were made resolving in the improvement of the quality of living and the buildings. De Klerk wanted to experiment in the architecture of housing with the woningwet 1901. The closed building blocks in the Transvaalbuurt were one of the first social housing blocks for the working class. Further on, there is more information about a building block itself to clarify several things. The measurements of the building block causes a problem regarding the corners of the block. It is too small to bring continuity in the block without interrupting the form of the block. There are brought two solutions; the first attempt is to not build the shorter edge of the block and to expand the houses to the end, the second one is to rotate a number of parcels on the short edge of the block. The second attempt is used commonly, it causes a discontinuity in the facades of the longest edge.
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4.13 Corner solution This causes some discrepancy regarding the architecture of the Amsterdamse school. The architects want to hold on to the continuity of the facades, but also mark the intersections. At the street side, the corner can be marked by a couple of effects like discrepancies in the faรงade, a monumental treatment and the differentiation in height for example. On the other side, the courtyard, the principle of private gardens is maintained. This causes to make adjustments to the floor plans to maintain a good quality of inside and outside spaces. After uncovering several details behind the building blocks and the architects, a comparison can be made between the corners of the two buildings. When exploring the two corner solutions by Leliman and de Klerk, differentiations and similarities can be found. A number of similarities have been found. The faรงade in the corner is set back in both of the floor plans. This to keep the quality of the spaces inside. The faรงade of the apartment next to the corner is cut off to
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get enough daylight inside and to widen the gardens. Another feature that is from the same concept is the positioning of the rooms, the living room is facing the street, and in most of the room there is daylight. The difference between the floor plans is the staircases and the entrance of the houses. To conclude, the floor plans have the main features in common, a couple of things are different, but that is mostly due to the influence of the architects of the building blocks.
4. Interior
Figure 9.5.1 Isometric view building block
Figure 9.5.2 Exception of floor plan
5. Typology Exception Order
5. Conclusion
The closed building blocks in the Transvaalbuurt were one of the first social housing blocks for the working class. The typology of the second block by Leliman has a number of interesting elements. The first element which is interesting is the form and volume of the building block. In the second building block of Leliman, the form is not rectangular as would expected. It is the only building block which does not use a rectangular form. The block makes a clear gesture towards its surroundings by creating a public square at both sides of the building. The faรงade is in the middle placed back to create the importance of the entrance. Another feature to clarify the main entrance is the steeple in the middle of the part where the building block is laid back. To soften the corners of the public square, no straight corners are used, but an angle which is more friendly towards its surroundings, this also causes a more
accessibility to the courtyard and the public square. The building block is composed out of multiple parcels and is defined by monumental facades which is framing the courtyard. The facades express an urban order on the street or square, in this case monumentally. The building block has a space for communal use, with underpasses to the street. The block is other than different building blocks designed as a whole. The houses are forming one single shape and radiates of uniformity.
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Figure 9.5.3 Facade ornaments 1:400
5. Typology Ornaments
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The faรงade of the building block forms the border between the building block and the street. In order to maintain a collective idea within the heart of the building block, all entrances to the different dwellings are situated facing the streets. At the same time, these entrances to the dwellings form an important aspect in the functioning of this streets, surrounding the building block, the same streets that connects the entire Transvaalbuurt. The faรงade gives an appearance of monumentality to the streets. The block was designed for the working class, not the elite class, but the faรงade contains of small details in the masonry, but also a big gesture by the entrance of the building block and the public square.
5. Conclusion
Figure 9.5.4 Architectonic details in the facade 1:200
5. Typology Concrete Sinc Wood
5. Conclusion
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Figure 9.5.5 Symmetry if the facade 1:400
5. Symmetry Symmetry
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Symmetry is like a thread through the building. In relation to the surroundings of the building block, the symmetry is a main focus point in the building. According to the symmetry, the proportions of the building block are in comparison to the urban surroundings and the street. The symmetry causes a uniform building block. The symmetry can be seen at different levels, in the faรงade and the floor plans. Looking at the floor plan there is one line of symmetry which splits the block in two parts. In the faรงade, there are more elements which uses symmetry. The floor plans consist of symmetry, they are reacting to the faรงade.
5. Conclusion
Figure 9.5.6 Symmetry of the floor plan 1:400
5. Symmetry Symmetry line
5. Conclusion
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Outside Streetfacade Continuous and composed Accessible Refers to city Representation Displayed Stamp of the architect
Inside Back façade and garden Fragmented and ordinary Semi‐accessible Refers to the house Using Concealed Stamp of the residents
Figure 9.5.7 Relation between outside and inside scheme
Figure 9.5.8 Relation between the interior and exterior
5. Relation exterior and interior Hard exterior of the block Soft interior of the block
To empower the working class, Leliman tried to give every workers family an ‘individual’ house, he repeated several features of traditional Dutch houses. This features are for example: the ground floor is directly situated on the street side and the backside is extended with a small garden. The building block from Leliman is built from this principle; directly access to the houses, a small garden for the ground floor and loggia’s at the backside of the building for the houses on the other floors. The contradiction between the border and the center of the block.
architecture and the architect can dominate this. The inner façade is more gently designed then the outer façade. The outer façade focusses on the urban character, on the other hand the inner façade aims to the courtyard and the communal and soft character of this. In the scheme a comparison is made between the outside and the inside of the building block.
The façade on the street side conforms to the urban quality of the
1. Castex, J., Depaule, J., Panerai, P.(2003), De rationele stad, Uitgeverij Sun. Amsterdam. pg. 97-147.
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5. Conclusion
Figure 9.5.9 view 2
5. Corner solution Exceptions Repetition of rooms
5. Conclusion
When designing a closed building block, the corners are the most difficult parts to design because at that place houses from two different angles come together. To maintain good quality of space, the architect has to come up with inventive solutions. The faรงade in the corner is set back in both of the floor plans. This to keep the quality of the spaces inside. The faรงade of the apartment next to the corner is cut off to get enough daylight inside and to widen the gardens. Another feature the positioning of the rooms, the living room is facing the street, and in most of the rooms there is found daylight.
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5. Conclusion
Books Castex, J., Depaule, J., Panerai, P.(2003), De rationele stad, Uitgeverij Sun. Amsterdam. pg. 97-147 Smit, F.(1993), Van Amsterdamse Huize : ontwikkeling en identiteit van het Woningbedrijf Amsterdam, Woningbedrijf Amsterdam. Amsterdam van Kesteren, P.(2001), Thuis in Amsterdam : verleden, heden en toekomst van Woningbedrijf Amsterdam, Uitgeverij Sun. Nijmegen Caransa, A.(1998), Handwerkers Vriendenkring, Uitgeverij Rene de Milliano. Alkmaar
Articles Schilt, J.(2008), Woningbouwblokken handwerkers vriendenkring, Bureau monumenten en archeologie, Amsterdam
Websites Author unknown(2014), Amsterdam Transvaalbuurt, consulted at june 2014, from http://kennisbank.platform31.nl/pages/27622/AmsterdamTransvaalbuurt.html
6. Bibliography
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6. Bibliography