the debate
the inside
LOVE@UT: Was it good for you?
De-criminalizing prostitution
page 3
page 4
the newspaper University of Toronto’s Independent Weekly
October 7, 2010
Vol. XXXIII N0.
Hart House Debates Committee brings city council elections to U of T Just two days ago, David Miller declared to The Globe and Mail that he was “appalled” at the quality of debate in Toronto’s ongoing municipal elections. Almost as if in response, U of T’s Hart House Debates Committee chose to host city councillor hopefuls in an informal question-answer and debate session on October 6. Candidates from Ward 20 (Trinity-Spadina) and Ward 27 (Toronto Centre-Rosedale) were invited to ‘Who Wants to Be a City Councillor?’ at the Debates Room on Wednesday evening. The event was completely organized and hosted by the Hart House Debates Committee. It was the last instalment of the Committee’s four-part series of lectures and seminars on municipal elections. The last three, organized with UTSU, had been intended to inform students about what municipal elections actually entail. Yesterday’s event sought to bring people into direct contact with
MATT BRAGA
tEJas ParasHEr
Simon Wookey, a candidate for City Council from Toronto Centre-Rosedale, guesses the average four-year debt of an Ontario undergraduate student. candidates. Both the Debates Committee and UTSU representatives concurred that municipal elections are far from being the most im-
passioned issues on campus. Considering the direct effect that local councils go on to have on student life, though, the organizers seemed to consider the
lack of interest incredibly unfortunate. “To try and bring about change at City Hall,” said Debates Committee Program Director David
Pereira, “the first step has to be taken through your local councillor. Before anything, you have to make sure that councillors are in tune with their constituents.” There did indeed seem to be a genuine push towards establishing something of a connection between candidates and students on Wednesday. The Debates Committee had worked to get together every single candidate from wards neighbouring— or on—the St. George campus. To advertise the event, UTSU executives had distributed over 7,000 cards and posters at various orientation events around campus. The evening’s agenda was focused on issues which would have a direct bearing on student life—such as public transportation costs, bike lanes, and affordable housing. Organizers even attempted to make the milieu as informal and ‘relaxed’ as possible. Flamboyantly-dressed local comedian Evelyn Reese was brought on as emcee. The first part of the Continued on page 3
the blotters We present you with the scoundrelly deeds that kept campus cops busy over the past week
Continued on page 3
October 1 Occurrence type: Trespass Location: Front Campus (Exterior) Details: Campus Police responded to a call of golf carts being driven on the main campus grass.
October 3 Occurrence type: Mischief Location: Ramsay Wright Building Details: Campus Police received a report of a person who forcefully attempted to take another person’s cell phone. TPS was notified.
October 4
HELENE GODERIS
Occurrence type: Robbery Location: Queen’s Park Circle Details: Campus Police responded to a call of golf carts being driven on the main campus grass.
Students reacted against cuts made to A&S at two town halls held over the past week.
October 5 Occurrence type: Trespass Location: 255 McCaul Street Details: Campus Police investigated one person found sleeping inside a washroom.
the news
2
October 7, 2010
The Life Raft
The Last Academic Standing Diana Wilson introduces her new weekly column, The Life Raft By now it has happened too many times to count. I’m at some sort of party, barbeque, family dinner, or birthday potluck, answering the question that all students face. When I tell them I’m studying philosophy, they tilt their heads, furrow their brows and ask me (a little too politely): “what are you going to do with that?” I shift uncomfortably, trying to
hide my indignant expression. I want to tell them that while they may know what they’re doing they probably don’t know why they are doing it. I care about this kind of thing and my debt speaks to my dedication! Even if we are not aware of it, we all have an idea of what degree has value and what degree lacks value. When choosing a field of study, sometimes
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the intrinsic value of a $30,000 degree conflicts with popular or familial concepts of value. Dad wants you to study engineering but, damnit! you want to study poetry. Even within the university, we can’t agree how to assess the value of any given discipline. Surveys, voting, logical arguments, mathematical proofs, popular demand, visceral stimulation, deific command, or gut feelings are just some of the tools we use to decide what is good for us as individuals and as a society. This fall, for the first time ever, I heard a philosophy student say that she is taking PHL100 because her parents insist that she develop critical thinking skills. Kudos to Martha Nussbaum. The lauded University of Chicago philosopher has been touring the media circuit promoting her message about the value of humanities in a democratic society. Her claim underscores our own university’s recent cutbacks to arts programs across the whole spectrum of the Faculty of Arts and Sciences. Many departments are struggling to stay afloat. So, we have devised a little thought experiment (with some help from the University of Montevello in Alabama) to dive deeper into this issue. I hereby announce round one of an ongoing debate on the value of the various disciplines represented at U of T. Introducing...The Life Raft. Picture this: civilization as we know it has crumbled. The planet’s life-giving resources are so diminished that only one patch of livable Earth remains. Most of the survivors of this near-apocalypse are boarding a vessel that will carry them to the new world, where they will rebuild. Only one seat on the vessel remains and all of academia must vie for it using their most deadly weapon: reasoned discourse. A representative professor from each department is invited to write an article arguing why their discipline will be essential in the new world. Although the stakes seem very high, fret not civilization remains intact, even if some of our academic programs are not.
28/09/2010 3:01:10 PM
the news
October 7, 2010
De-criminalizing the world’s oldest profession
The con anna MarsZaLEK The term “legalization” connotes safety, concern for the public, and moral justness. Pairing it with the term “prostitution,” a section of the sex trade industry that is often considered demoralizing, psychologically damaging, and physically harmful, would seem awfully paradoxical. Yet this pairing is what Toronto Judge Susan Himel ruled in favour of when she decided that Canada’s prostitution laws needed a complete reversal. Instead, she said, measures must be taken to support sex workers by allowing them to hire body guards, solicit customers in broad daylight, and work from their homes. Through legalizing prostitution, Himel’s focus lies on improving the safety and well-being of prostitutes, but the federal lawyers who appealed the case believe that she fails to consider the negative, long-term effects of such a law. Although legalizing prostitution would make this part of the sex industry safer, the risks are still there. Having the Government’s seal of approval on a trade that would, in any case, face many problems might misguide young, inexperienced women into thinking that offering sex for payment is harmless and a good opportunity to make a living. The threat of sexually transmitted diseases is not lessened when a prostitute works from her own home instead of a public street corner, and violence against prostitutes is just as likely to occur indoors as it is out. What’s more, clients or hustlers who sustain this practice will always find a way to bring in more money through sexual exploitation, perhaps along the way encouraging a new black market trade to replace the former illegal trade of prostitution. Instead of mentioning some of the potential consequences of her ruling and of prostitution itself, Himel simply seems short-sighted. Human trafficking is one such new replacement that can flourish if prostitution becomes legal and consequently more popular and in high demand. The misguided allure of prostitution through its legalization can generate a lot of naive sex workers, and through its changed legal status encourage involvement for those who were previously too afraid of getting caught. Clientele who before might have also been convicted for negotiating with prostitutes would feel confident enough to participate this time around. A huge flow of prostitutes and society’s demand for them can enable human trafficking to occur in Ontario if the appeal is rejected.
The pro
Recently, Toronto judge Susan Himmel, ruled Canada’s prostitution laws as “endangering sex workers’ lives.” If her ruling is passed, many experts believe that there will be far reaching changes in how the sex trade operates here in Ontario e.g. prostitutes will be able to work from their homes, solicit customers on the street, and hire bodyguards or accountants. However, the federal government launched an appeal just a day after the Toronto judge’s ruling, threatening the future of the ruling and possibly leading to more uncertainty regarding Canada’s sex trade laws. Although there are laws in place criminalizing certain aspects of the trade, prostitution is not illegal in Canada. In light of the recent turmoil, the following arguments debate for or against the legalization of prostitution.
sanDra DEGranDis Recently in Canada, Justice Susan Himmel struck down Canada’s current laws on prostitution, stating that three of the provisions that deemed some of the acts of prostitution illegal were unconstitutional because they “violated the women’s Charter rights to freedom of expression and security of the person.” If this court ruling goes through, it will mean that prostitutes will be able to conduct business in their own homes or have their own brothels, hire bodyguards, accountants and other security personnel and be able to talk to customers on the street as long as it does not disrupt traffic or people. Although many people feel that further loosening the strings on prostitution laws and fully legalizing it in Canada is an immoral thing to do, what is worse is allowing these women to live in constant fear and danger as a result of their profession. Because they have no protection under the law, prostitutes face danger every time they walk the streets or quickly get into a car with a customer to avoid arrest. With the case of Robert Pickton still fresh in our minds, it is obvious that women working in shady areas are at risk of being murdered, raped or robbed. By allowing the court ruling to go through, women would be able to conduct business in the safety of their homes and make well thought out decisions about who to let through their doors. They would not have to make hasty decisions that could fatally harm them. Secondly, allowing these women to hire protection and other security services would ensure they do not end up dead because some crazy person decided to beat them to death. No one deserves to be subject to such treatment no matter what path they are on. Many women are killed or severely abused and nothing is done to protect them, while those who are guilty from such crimes walk away without proper punishment. If they had had a bodyguard, abuse would be avoided. If any other woman was treated this way, then the culprit would surely be tried and punished. Why is it different if it is done to a prostitute? We are not fit to judge the choices other adults make in their lives but the best we can do is ensure that everyone has an equal opportunity to live a safe and secure life no matter who they are or what they do.
DAVE BELL
The Debate
3
Municipal debates cont’d from page 1
debates consisted of three mini ‘game-shows’. Candidates were quizzed on their knowledge of Toronto, and asked to show off any ‘talents’ they might have. Whether any of these things actually succeeded in achieving the intended intimacy is, however, arguable.
“We weren’t able to engage with each other in any real way,” said candidate Mike Yen, running from Trinity-Spadina. Yen pointed on that the event’s imposed liveliness scarcely disguised the fact that nothing really new or original was expressed. The same admissions
of honesty, responsibility, and love for Toronto’s diversity were repeated ad nauseum. “Even though we came here to debate, there wasn’t much room to dispute each other’s points. There were just too many people on stage. New candidates and incumbents definitely did
not have an equal voice.” The demographics of Wednesday’s audience were also fairly striking. In an event geared towards students, the audience was predominantly composed of community members with little or no direct affiliation to the university.
Elections for the Toronto City Council are slated for October 25. It remains to be seen whether Wednesday’s event succeeded in getting U of T students to get out and make a difference in the polls.
the inside
4
October 7, 2010
Field research: LOVE@UT
WAS IT GOOD FOR YOU? Two contributors report back on their foray into U of T’s online dating scene Being famously unsuccessful at dating and chronically single, Love@UT - U of T’s first online dating service - should be a godsend. The service allows users to look up and connect with potential love interests without ever having to step a foot outside Robarts. Despite this seemingly ideal situation, it is not yet clear whether success in the world of online dating is inversely related to the experience of conventional dating. On the surface, online dating appears to be a slightly different game, with different rules and players to boot. Samantha Joel, a graduate student from the Psychology department researching romantic relationship patterns, does not see such a difference. According to Joel, while the “norms surrounding the formation of the relationship” are different for online dating, “relationships that began online tend to follow exactly the same trajectories as relationships that began in person.” Then why online dating? Well for one, it connects people who would never meet otherwise. Mr. Right may be sitting in Victoria residence, and you will probably never meet on account of being a Woodsworth student commuting from Scarborough with no Victoria acquaintances to speak of. However, if you both joined a site like LOVE@UT, the chances of meeting greatly increase. Online dating is a more “efficient” way of meeting people, as opposed to the traditional routes of the bar or party circuit. Instead of learning names and favourite hobbies long after drunkenly getting to first base, online dating presents individuals with data immediately to decide whether or not someone meets their particular dating criteria. Despite all this, the appeal of online
aarOn ZacK For the past two weeks I’ve taken part in what can at best be called a social experiment and at worst, an exercise in egoism and identity projection. I’m talking about the newest online dating site on campus – LOVE@UT. For ethical reasons related to the article, I chose not to message other users first, expecting them to contact me if interested. In any case, despite having my profile viewed multiple times a day and being ‘favourited’ once or twice, I received only one message – here it would seem that the online dating community is a place to be seen but not heard. It gets worse: of the vast majority of profiles I perused, I noticed a nagging similarity between them. Users defined themselves either in very basic terms or not at all, but went into minute detail about what they look for in potential partners, with one user specifying what
dating may not always work in practice. First of all, not all sites have an equal ratio of males to females. LOVE@UT for example, seems heavily dominated by males in the life or applied sciences. Another issue is the misrepresentation of individuals. Online, you are in complete control of how you present yourself and it is tempting to fudge details to appear more attractive. Thirdly, despite LOVE@UT’s membership of 284 users, there appears to be a general stigma regarding online dating for young people. Online dating is famously considered the realm of the older, the super picky, the super busy or the socially (and thus romantically) inept. Falling into the latter category of possible online dating users, my personal experience was not as rewarding as theory would have it. Even after setting up a profile, uploading the best picture of myself from two years ago, and making the conscious decision to omit certain hobbies from my profile, I have not received a single message from an interested user nor been bothered to send one. To me, the practice of online dating seems strange. After browsing many profiles with either too much or barely any information at all, there seems to be only so much you can glean from a badly edited write up and a blurry thumbnail photograph. Even if someone appears to be the perfect match based on his or her LOVE@UT profile, what guarantees any physical chemistry? Part of the fun (and admittedly heartbreak) in dating is meeting and possibly working things out with individuals who appear to have completely different interests and may not seem to be a match otherwise. With online dating, much of the mystery and excitement in getting to know someone appears lost.
type of clothes his next girlfriend should wear. In theory, online dating should function in nearly the same way as traditional dating. In practice, this is not the case. Online dating seems to distort the norms and conventions of traditional dating, skewing standards and simplifying personalities. The complex chemical, psychosocial, and cultural cocktail that makes up conventional dating is lost in translation in online dating, with only those individuals with a strong understanding of their own identity and a penchant for self-expression reaping any real benefit from the process. Online dating still exists as a potentially positive alternative to conventional dating, but until the technology becomes progressive enough to encompass the many complex variables inherent to human interaction, it will remain a cheap imitation at best.
DAVE BELL
MnrUPE VirK
LOVE 2.0
the inside
October 7, 2010
5
A city stumbling on innovation Toronto’s fifth annual public art exhibition serves up another helping of met unexpectations cara sabatini Last Saturday’s twilight took Torontonians to the street, stumbling, often literally, on unexpected works of art. For the fifth time, the all-night exhibition aimed to bring art to the Toronto public. Did the annual event succeed in its aim? Or did the unofficial, un-incorporated projects more accurately capture the spirit of the sleepless night? Raking in more than $38 million for the city over its fiveyear lifespan, the Scotiabanksponsored event is not without its financial pros. But at what cost? The long lineups at Yonge and Dundas are enough to drive anyone west.
Then again, an unbearably long line is an indication of something worth waiting for, right? In Huston-Herterich and Tinmouth’s “Wait Until You See This,” you don’t have to wait to enjoy the exhibit - you’re in it. The project consisted of people lining up in front of a curtainclad door, flanked by bouncers, only to be escorted out the other side. The exhibit forced viewers to imagine the possibilities that lay behind the door – though most were too distracted by the giant, inflated clown heads crammed between two Yonge Street office buildings. Unfortunately, with thousands of people flooding the streets – including over 100,000 tourists – an all-night TTC pass translates to ten bucks better
spent on something to warm the frozen limbs - like a pint or two. In the same camp of many Toronto taxpayers, Alexandra McLaren of the Woodsworth Art Society felt, “Art became an arbitrary necessity to facilitate the night itself.” For the lucky that manage to squeeze onto a westbound streetcar, the night became a bit brighter as the number of people and the quality of art assumed an inverse relationship. At Bloor and Lansdown, the Holy Oak Café was a work of art in itself. The independently produced installation transformed the café into a storybook cottage scene. Says organizer Sarah D’Angelo, “I wanted people to feel as though they were experiencing what it’s like to be
interacting with art rather than merely observing it.”
“Toronto is full of wonderful, thoughtful creations waiting to be digested. I just don’t think Nuit Blanche can facilitate reaching that goal.” -Sarah D’Angelo Are these “off-the-grid” exhibitions accessible to the averagely art-informed citizen? McLaren answers, “Art, and its ‘meaning,’ isn’t always acces-
sible, even to the most pretentious esoteric art snobs.” Still, how can art be brought to the people if the people don’t know where it is? Says D’Angelo, “like anything good you’ll have to do some digging to know it’s there.” Though reluctant to use the term, D’Angelo sees Nuit Blanche as bringing art to the “905ers” because the rest of Toronto hardly needs it served to them. “Toronto is full of wonderful, thoughtful creations waiting to be digested. I just don’t think Nuit Blanche can facilitate reaching that goal.” We’re kidding ourselves if we think we can consume culture in a span of twelve, often inebriated, hours.
the campus comment ” “ the newspaper asks students about their Nuit Blanche. Here’s what they had to say:
Emma Lloyd, PhD, Astronomy and Astrophysics
Daniel Shea, 1st year, Chem Eng
Nick (last name withheld), 3rd year, Human-
Matt Burley & Osman Yusuf
Ricky Rodrigues, 1st year, Social Sciences
Zainab Parekh, 4th year Economy and Poli Sci I went around campus, Yorkville, then down to Queen. It was kind of eccentric. You don’t always understand what they’re trying to portray. At Hart House there were these two nude ladies in the doorway staring at each other. I thought it was cool, though.
I really liked the exhiit they had at city hall. They were projected a video on all sorts of different surfaces. It was interesting.
ities We started at St. Vlad’s, enjoyed the music, went to an afterhours club, and wound up going home at 8 in the morning.
DIANA WILSON
I worked until 3am, then ran into some random drunk people on the way home. But last year, we had an exhibit at Nuit Blanche! And it was fantastic - a bit ass telescope!
Omar: Harrowing. Matt: Stan came to town with his girlfriend. We went to Einstein’s had some beer, then we got high in a stairwell... We wandered around the city in the south. There was a big purple light and cause we were high, we were drawn to it-Omar (interrupting): Please don’t print any of this.
I went to the gallery beside my house. It’s Sunny Choy’s gallery on Queen West. That was awesome. He had some paintings on icons of female beautiy. Some traditional, some contemporary. He uses little brush strokes to create the illusion of very find details.
the arts
6
October 7, 2010
The Debate
No woody for Allen’s new picture Allen’s latest: short, light and familiar Dan cHristEnsEn It seems Woody Allen is addicted to releasing movies. The speed at which he churns them out is almost comic in itself, having written and directed thirty-nine feature-lengths over the last forty years (shame on you, Woody, for letting your pace lag by a year). This also helps explain the lack of substance in his latest dramedy effort, You Will Meet a Tall Dark Stranger. It’s difficult to define exactly where Mr. Allen has failed here. There is no particular aspect that’s been blundered to the point of single-handedly ruining the picture, yet also no aspect has been such a success as to raise the film beyond the level of mediocrity. The script is a perfect example of this. Allen provides us with four central characters: an older divorced couple played by Anthony Hopkins and Gemma Jones, as well as their daughter and her husband, played by Naomi Watts and Josh Brolin. The film is consumed with the romantic runnings-about of these four, each entertaining flirtations with the likes of Antonio Banderas, Freida Pinto and Lucy Punch. In his direction,
Allen masterfully conjures the sweet innocence of these liaisons, procuring and sustaining impressive performances from his actors – the film’s strongest point. As with each of Allen’s pictures, whether it is by the subtlety of the dialogue or the ability he has with irony, one can tell from viewing that the film was written by a smart man. Despite this, the moments of humour in the film are sadly few and far between. It’s as if the pathos was too strong to bring in the laughs, leaving the lion’s share of the film’s content as a (light-hearted) drama. This wouldn’t be a problem if it weren’t for the fact that none of his character’s story lines are examined enough to allow the audience to invest in them emotionally. Case in point is the relationship between Watts’ and Brolin’s characters. This troubled couple – a novelist trying to overcome the stigma of a lone bestseller, and an art critic with ambitions of starting her own gallery – which should be the most relateable in the film, is left frigidly uninvestigated. Furthermore, these story lines lack introduction or conclusion. The story is helped along by a narrator, who must catch us up
on the current situations of the characters at the beginning of the film, such that we can comfortably slide into the action, and who seems to arbitrarily divorce us from the characters at the end, devoid of any resolution or closure. This can be a useful device if it makes a contribution to the overall theme or meaning of the film, but again, an identifiable theme or meaning is yet another thing we are unable to find. Allen’s ambition, just within the single film, has got the best of him. In trying to balance his personal brand of comedy with romantic drama, and three or four story lines with one another, he’s turned out to be, in this outing at least, a master of none.
Stand On Ceremony Contemporary punk band, Ceremony, releases third full-length album aLEX inGHaM Ceremony is an incredibly difficult band to classify. With obvious roots stemming from the grounds of hardcore punk, the band does not limit themselves to their surroundings. Their latest album, “Rohnert Park” is exemplary of this. The album marks Ceremony’s fifth release through the prolific Bridge 9 Records, which itself is a sign of glory within the hardcore scene. While previous recordings from the band were in the direction of third-wave powerviolence, “Rohnert Park” brings a revitalizing flavor of 1980’s punk into the mix.
Ceremony hail from North California, and experiences growing up in the Bay Area provide much of the inspiration behind the LP. With earlier efforts focusing more upon the rapidity of the instrumentals and ferocity behind the vocals, “Rohnert Park” narrows the scope with playful lyricism, as well as brooding and hefty guitar structures. Songs like “The Doldrums (Friendly City)” display a willingness to break away from the traditional sound which defined the band in the beginning. Meanwhile, “Back in ’84” pummels through one minute and sixteen seconds of pure rampant
wreckage. Interestingly enough, this yin-yang relationship within the record balances out beautifully, not once seeming too over the top or contrived. On par with the forefathers of the genre, like Black Flag and Circle Jerks, Ceremony have most definitely carved out a hole within the scene, catering to more than just traditional punk and hardcore kids. In a nutshell, the album represents adolescence in its purest form: unbroken, unyielding, and unsurprisingly upset about everything. “The modern world is surrounding me. The modern world is slowly burning.”
the arts
October 7, 2010
7
the crossword
the clues Across 2. Blow up 6. Hunter constellation 7. Titles 8. Loathe 11. Epoch 13. __ Cone (colourful iced confection) 14. Sister, in Latin 15. Prefix for angles 17. Shouts 21. Sony’s video game console 22. Ensnares 24. Soda 26. Tasks 27. Single 28. Health resort 30. Spirit 32. Red or yellow delicious 33. Opposite of sour 34. They can be frozen, instant, or come in a cup
ANDREW GYORKOS
Down
Indie artists compete for glory sanDra DEGranDis October 13th marks the official kick off day for Indie Week Canada. The five day festival is part of Indie Week International, which provides burgeoning artists the opportunity to showcase their talents, gain exposure and to make connections with music industry gurus. Artists are judged by the industry’s finest, and the “Best of the Fest” of Indie Week Canada wins a trip to Europe where they will get the chance to perform at Indie Week Ireland this coming Spring. Winners from Indie Week Ireland also win a trip to perform across the ocean at Indie Week Canada. With mainstream music acts dominating the industry, it is often difficult for indie artists to showcase their talent when they’re competing against big names that benefit from the support of major record labels. These indie artists often find
their creative flair eclipsed by the more well-known acts, resulting in an uphill struggle to become a main attraction. Indie Week Canada was created back in 2003 as a festival uniquely designed to give indie artists the chance to perform and get exposure. Says Darryl Hurs, in charge of programming at this year’s Indie Week, “In other festivals it is easy for them to get lost in the shuffle and a lot of amazing acts are overlooked. The timing is also great as we are right in between Pop Montreal and Halifax Pop Explosion.” With over 100 bands expected to be performing, an event like this is also gives Toronto a name as a haven for scooping unknown talent. Fans get to check out their favourite act as well as some newer stuff. Last year, Indie Week drew in a crowd of over 4,000 people, and that not only means more publicity for indie artists, but a boom in business for local Toronto businesses.
“This year we have over 150 artists; many are needing accommodations, will be eating at restaurants, taking transit, taxis, and so on. Music fans in Toronto get exposed to artists they otherwise might not have seen,” says Hurs. Some of the participating venues include Tattoo Rock Parlour, Drake Hotel and the Horseshoe Tavern. A few Canadian artists on the roster include The Machams from Toronto and Static in the Stars from Vancouver, B.C. Aside from the Canadian talent, Indie Week has also attracted international artists like the Berlin Brides, which was formed in Greece, and California’s WAZU. The official launch party is October 13th at The Hideout and Bovine Sex Club in Toronto. Cover is $10 for both venues. Tickets can be purchased online at ticketscene.ca and wristbands are $20 at participating venues.
1. QuietComfort company 2. Not outside 3. Once around the track 4. Pep or vigour 5. Capital of Norway 9. Blemish 10. Abbreviation on a crucifix 12. Flying transportation vehicles 13. Wood shards 14. Athletic activity 16. Old fashioned 18. Signals 19. Light or dark bread 20. Had food 23. Organ in the upper left abdomen 24. Needles 25. Weak chess piece 26. Forcible restraint 27. Australian mineraloid 29. Skills and talents 31. Conclude
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October 7, 2010
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