New English Art Club Auction 2014

The Auction 2014

Foreword I’m delighted that Sotheby’s is involved in this fundraising auction on behalf of the NEAC. This is an organisation that I have admired and supported for 30 years, since I was head of the Modern British Department at Christie’s in the 1980s.

Some of Britain’s finest 20th and 21st Century artists were and are active members of this organisation, and its comforting to know the New English is as strong and healthy as ever.

I’m sorry not to be conducting the auction myself, but in Harry Dalmeny, you have the best man for the job. I hope the evening is a great success.

Henry Wyndham Board Director Chairman, Europe

Thank you for your generous support

Front Cover: ‘Aerial View, Pembrokeshire’ by Ruth Stage Back Cover: ‘Fish Amongst the Lillies’ by Michael Whittlesea

Drawing, offering classes free of charge to those unable to afford tuition costs.

Our recent drawing scholars, taught and mentored by our artists, and given the opportunity to draw and to learn, are beginning to make real headway as practising figurative painters. We have a vital role in teaching the next generation the importance of draughtsmanship, and we are pleased to be able to offer regular classes in the new Learning Centre at the Mall Galleries.

Works on offer include modestly priced prints, portrait commissions and major works by some of our most sought after painters.

I would like to express my thanks to the members of the New English Art Club, to Henry Wyndham, Lord Dalmeny and their colleagues at Sotheby’s, and to Lewis McNaught and his team at the Mall Galleries for their generous help and support.

Members of the New English Art Club have each been asked to give a painting to be sold to support the New English Future Fund and have done so with immediate enthusiasm and generosity.

In buying from this auction you will be enabling the New English to continue to promote the best in contemporary figurative painting and drawing, through exhibiting our members’ work beyond London, making improvements to our website and the programme offered to our Friends, and to fund our charitable role through the New English School of

The auction lots illustrated in the first section of this catalogue will be sold at the live event on the evening of Thursday, 29th May 2014. Purchases made at the live event may be removed at the end of the live auction once payment has been made.

To bid for the silent auction lots in the second section of this catalogue, simply register at the desk and then write your bid on the form that you will find alongside each item. Viewing and bidding opens at 10am on Tuesday 27th May and continues until 12 noon on Saturday 31st May, after which time, the successful bidders will be notified.

Richard Pikesley President, New English Art Club www.newenglishartclub.com

NEAC Auction 1

Our Auctioneer Lord Dalmeny joined Sotheby’s in 1991, initially working in the Old Master, Furniture and Silver departments. In 1993 he joined the House Sales department, becoming a Director in 1999. In February 2003 Lord Dalmeny was appointed Chairman of Sotheby’s Olympia and now, as an integral part of the Chairman’s office at New Bond Street, he has executive responsibility for Business Development and continues to lead the Country House and Single-Owner Sales department.

Lord Dalmeny has organised many Single-Owner and Country House sales, ranging from attic sales at Chevening, Stansted Park and Chatsworth to the sale at Ickworth and the disposal of The Collection of the Earls of Warwick.

He is one of Sotheby’s Senior Auctioneers and was on the rostrum during both the record-breaking Benacre sale in 2000 and the successful sale of Christian, Lady Hesketh’s Collection in March 2007. His role includes client liaison, through which he has developed close connections with many of the leading buyers and dealers in this diverse field.

Patron HRH The Prince of Wales

KG, KT, GCB, OM

Live Auction 29th May 2014

LOT 1 Michael Whittlesea Fish Amongst the Lillies Oil, 7.5” x 9.5” Estimate £400 – £500 Intensely coloured and closely observed, Michael says of his work, “I still find painting a very difficult activity. It’s unpredictable – at the start of each day I am not sure that anything good will result, and I have given up on achieving a style.” Despite this modest approach, Michael’s career has seen his work being selected for, and winning, prizes in some of the UK’s most prestigious art competitions, including the Sunday Times Watercolour Exhibition, the Royal Academy Summer Exhibition and others.

LOT 2 Richard Pikesley Wind and Sun Oil, 18” x 30” Estimate £2,500 – £3,000 A member of the New English since 1974, and now its President, Richard lives on a farm close to the sea in West Dorset, and this landscape forms the backbone of his painting. When lured away, he does paint elsewhere, including France, Italy, India and, more recently, the Hebrides, but he is increasingly obsessive about light and landscapes closer to home. Richard now exhibits at the Russell Gallery and his work is represented in many collections in the UK and around the world.

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LOT 3 Jane Corsellis Sunlight on Fresias Oil, 11” x 12” Estimate £2,500 – £3,000 Jane’s subtly coloured evocative depictions of her life and travels have been enjoyed by members of the NEAC since her election in 1976. Jane’s early career was spent travelling the world and capturing it on canvas. Although home is now overlooking the Thames in London, she still makes frequent painting trips to France, Italy and Austria. Jane exhibits regularly with Messum’s, and her work is held in many private and corporate collections internationally.

LOT 4 Peter Brown The Top of Broadway Market, Sun and Rain Oil, 12” x 23” Estimate £3,000 – £4,000 Pete ‘The Street’ Brown is an impressionist painter of street scenes and landscapes of cities such as his much loved hometown Bath. Well known for being out in all weathers and climes, Pete has been spotted further afield recently, capturing the vibrant technicoloured street life in various Indian cities on trips with fellow NEAC painters, Ken Howard and Patrick Cullen. Pete is represented exclusively

by Messum’s and is a member of the RP and the ROI, as well as the NEAC.

NEAC Auction 5

LOT 5 Antony Williams A portrait drawing sitting Estimate £1,500 – £2,000 Art critic Martin Gayford writes of Antony’s work, “He makes the viewer intensely aware of surface detail” The same intensity of observation is true of Antony’s drawings. His portrait work is much in demand, painting HM The Queen and the Foreign Secretary, the Rt Hon Margaret Beckett, amongst many others.

Antony has won numerous prizes over the years for his luminous tempera painting, most recently, the Lynn Painter-Stainers Prize and the RP Ondaatje Portraiture Prize.

LOT 6 Mary Jackson Alstromerias Catching the Light Oil, 20” x 12” Estimate £2,500 – £3,000 Mary’s career has encompassed painting, illustration, work with the ENO and residencies with both Glyndebourne and Garsington Operas. Working away from the studio is an integral part of Mary’s painting – ideas are explored in situ and then taken back to the studio, where they are developed into paintings. Her work has been exhibited regularly at the Royal Academy Summer Exhibition, The Discerning Eye and other Mall Galleries exhibitions.

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LOT 7 Susan Ryder Gilt Chairs Oil, 20” x 15” Estimate £2,000 – £2,500

LOT 8 Peter Kuhfeld Ca D’Oro, Venice Oil, 12” x 12” Estimate £1,000 – £1,400

“One of the country’s leading portrait painters, Sue has found solace by freeing herself from the tyranny of a central character.

After a lifetime studying people, figures and faces, there is no wonder she enjoys the tranquillity of an unpopulated room.”

So says Matthew Hall of Panter and Hall, commenting on Sue’s recent solo exhibition. A recent Vice President of the Royal Society of Portrait Painters, Sue has painted the Queen as well as many other illustrious public figures.

Royal Academy Schools trained, and a long-time member of the NEAC, Peter’s vivid depictions of interiors, landscapes and portraits are held in many major private collections including those of the Queen and the Prince of Wales. Peter has travelled the world with the Prince of Wales on many of his overseas trips, and was chosen to depict Prince William’s wedding in Westminster Abbey, sitting high up in the eves to capture the moment.

NEAC Auction 7

LOT 9 Tom Coates River Walk, Evening Light, Tavira Oil, 24” x 36” Estimate £4,500 – £5,000 Trained at the Royal Academy Schools, Tom is highly regarded as a figurative painter, capturing with great sensitivity in oil, watercolour and pastel, the nude, landscape and portrait. The influence of traditional painters such as Greenham and Sickert can clearly be seen in his vision of the world. Tom is a past President of both the New English Art Club and the Royal Society of British Artists, and a member of the Royal Society of Painters in Watercolours.

LOT 10 Louise Balaam High Summer, Clear Light Oil, 16” x 16” Estimate £1,500 – £2,000 Louise’s work is inspired by an emotional response to the natural world, in particular to the quality of light, which is a vital part of the mood of the paintings. She draws in the landscape and then paints intuitively in the studio, so that the work both has a sense of place, and yet can also evoke memories and personal interpretations in the viewer. Louise shows regularly at John Davies and Cadogan Contemporary.

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LOT 11 Anthony Green RA The Path III Oil, 36” x 48” Estimate £10,000 One of Britain’s best loved narrative and figurative painters, Anthony Green’s exuberantly coloured, surprisingly shaped paintings capture scenes of Green’s domestic life and surroundings. Anthony was elected as a member of the Royal Academy in 1977 and is also a trustee of the Royal Academy. Martin Gayford described Anthony’s work as “Chaotic, epic and dotty” a few years back, but it is also a wonderfully tender, honest celebration of one man’s well lived life and marriage.

LOT 12 Salliann Putman White on White Oil, 20” x 22” Estimate £1,800 -– £2,200 Salliann has exhibited regularly with the New English Art Club, the Royal Society of British Artists, the Royal Academy Summer Exhibitions, and the Pastel Society, amongst others. Although known for her beautiful still-life painting, Salliann says that relationships are the key to her work – colour, composition, touch, mark – never the subject matter, which is seen as a starting point for an exploration into colour and form. ‘White on White’, the painting on sale in the auction exemplifies this approach.

NEAC Auction 9

LOT 13 Ruth Stage Aerial View, Pembrokeshire Egg tempera, 14” x 17” Estimate £1,000 – £1,500 Instantly recognisable both for her treatment of subject matter and her egg tempera technique, Ruth works on gesso-primed boards, building up her paintings through a process of thin layers of pigment that are applied in a mixture of transparent washes, with opaque areas of concise detail. The abstract shapes in the relationships between foreground and background are a characteristic aspect of her work.

Royal Academy Schools trained, Ruth has won many awards including the 2013 Lynn Painter Stainers Prize.

LOT 14 Ken Howard OBE RA The Grand Canal, Mid-Morning Light Oil, 12” x 24” Estimate £7,000 Ken Howard’s instantly recognisable, much loved painting style has been treasured by many over his long and illustrious career. Ken is a past President of the NEAC, a Royal Academician since 1982, becoming Professor of Perspective in 2004. Ken’s work is eminently collectible and examples of his work are held in many prestigious collections including the London Stock Exchange, Lloyds of London, the Imperial War Museum and the National Army Museum.

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Patron HRH The Prince of Wales

KG, KT, GCB, OM

Silent Auction 27th – 31st May 2014

Julian Bailey A Copse of Trees, Stinsford Gouache and conté, 5.5” x 8.5” Estimate £400 – £600

Richard Bawden Two Mackerel Linocut, 27” x 35” Estimate £300 – £450

June Berry The Rendez-Vous Watercolour, 25” x 30” Estimate £1,000 – £1,300 Diana Armfield RA Conversations in Piazza Navona, Rome Pastel, 9.5” x 6.5” Estimate £1,500 – £2,000 12 NEAC Silent Auction

Bob Brown Low tide – Oyster Sheds Oil, 25” x 30” Estimate £2,000 – £2,500 William Bowyer RA By the Creek Oil, 12” x 12” Estimate £3,000 – £3,500

Francis Bowyer Late Evening, The Blyth River Oil, 16” x 12” Estimate £700 – £1,000

Jason Bowyer Kitchen Window Ink and pastel, 8” x 10” Estimate £300 – £450 NEAC Silent Auction 13

Peter Clossick Christine Oil, 28” x 34” Estimate £1,100 – £1,300

Diana Calvert Marmande Tomatoes Oil, 12” x 14” Estimate £400 – £600

David Cobley Girl with Guitar Oil, 20” x 20” Estimate £1,800 – £2,000 Tessa Coleman Flower Reflections II Oil, 29” x 20” Estimate £1,800 – £2,200 14 NEAC Silent Auction

Paul Curtis East Coast Landscape Acrylic and oil, 10” x 20” Estimate £400 – £600

Saied Dai Portrait sitting for a drawing Estimate £2,500 – £3,000

Peter Fleming Purbeck Prospect Oil, 27” x 31” Estimate £3,000 – £3,500

Patrick Cullen Break in the Clouds, Tuscany Pastel, 29” x 37” Estimate £2,000 – £2,500 NEAC Silent Auction 15

Roy Freer Enough’s Enough Oil, 8” x 10” Estimate £350 – £500

Alex Fowler Andrew’s African Violets Oil, 8.5” x 14.5” Estimate £800 – £1,200

Caroline Frood Tap Shoes II Oil, 12” x 16” Estimate £1,200 – £1,500

Dennis Gilbert Portrait sitting in artist’s London studio Estimate £700 – £1,000 16 NEAC Silent Auction

Charles Hardaker Still-life – Objects on a Shelf Oil, 26” x 26” Estimate £1,800 – £2,200

Josephine Harris Old Barn, Sussex Charcoal, 16” x 23” Estimate £1,200 – £1,500

Charlotte Halliday Springfield Road Study Pencil and watercolour, 8.5” x 6” Estimate £350 – £500

Paul Gildea Bundle Oil, 52” x 31” Estimate £4,000 –£4,500 NEAC Silent Auction 17

Ann Le Bas Sun Bathers (Reid’s Madeira) Oil, 24” x 28” Estimate £400 – £600

Michael Kirkbride Hens Oil, 8” x 8” Estimate £400 – £600 18 NEAC Silent Auction

Bridget Moore The Trapeze Gouache, 17” x 15” Estimate £400 – £600

Andrew Macara Christmas, Somerset House, 2013 Oil, 12” x 14” Estimate £1,500 – £2,000

Paul Newland River Oil, 10” x 14” Estimate £800 – £1,200

David Parfitt Bridge and Foreshore, Early Evening Oil, 16” x 20” Estimate £3,000 – £3,500

Anthony Morris Winter Afternoon, Herefordshire Oil, 14” x 16” Estimate £1,500 – £2,000 Arthur Neal Study For KT Oil, 11” x 9” Estimate £600 – £900 NEAC Silent Auction 19

Michael Pullee Coastal Path, South Devon Pen and ink, 22” x 36” Estimate £600 – £800

Ann Shrager Venice Oil, 12” x 12” Estimate £2,000 – £2,500

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Charles Rake Early Spring Oil, 20” x 16” Estimate £1,100 – £1,300

Melissa Scott-Miller Islington Street in Autumn Oil, 20” x 30” Estimate £2,000 – £2,500

Sarah Spencer Twin 1 Shoes Oil, 13” x 14” Estimate £800 – £1,200 Dawn Sidoli Debbie in Red Oil, 19” x 16” Estimate £800 – £1,200

Maurice Sheppard Cut Hedge in Winter Light – Gower – Wales Watercolour, 7” x 9.5” Estimate £1,000 – £1,300 Charlotte Sorapure Portrait sitting for a drawing Estimate £2,000 – £2,500 NEAC Silent Auction 21

Jacqueline Williams Nude in Sunlight Oil, 22” x 12” Estimate £1,000 – £1,300

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Lorna Vahey Sleeping with Chickens Oil, 30” x 19” Estimate £800 – £1,200

Charles Williams Nude Top Oil, 30” x 14” Estimate £3,000 – £3,500

Margaret Thomas Spring Bunch Oil, 30” x 25” Estimate £2,000 – £2,500

Toby Ward Transarc Oil, 36” x 24” Estimate £4,500 – £5,000

Neale Worley Angela VII Monoprint, 19” x 22” Estimate £800 – £1,000

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NEAC Silent Auction 23

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26 NEAC Silent Auction

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NEAC Auction 27

NEAC Auction Terms and Conditions The property offered in this sale will be sold by the New English Art Club. Any questions in relation to the sale should be directed to the New English Art Club and not to Sotheby’s, which serves merely as the auctioneer for the New English Art Club in conducting the sale, and participates on the following terms and conditions.

1. Neither Sotheby’s nor the New English Art Club assumes any risk, liability or responsibility for the authenticity of authorship of any property identified with this catalogue.

2. Any property may be withdrawn by Sotheby’s or the New English Art Club at any time before the actual sale.

3. Unless otherwise announced by the auctioneer at the time of sale, all bids are per lot as described in the catalogue.

4. Sotheby’s and the New English Art Club reserve the right to reject a bid from any bidder. The highest bid acknowledged by the auctioneer shall be the purchaser. In the event of a dispute between bidders, the auctioneer shall have sole and final discretion to determine the successful bidder or to re-offer and resell the lot in dispute. If the dispute arises after the sale, the sale records of the New English Art Club shall be conclusive in all respects.

5. If the auctioneer determines that any opening bid is not commensurate with the value of the property, he may reject the same and withdraw the property from sale, and if, having acknowledged the opening bid, he decides that any advance thereafter is insufficient, he may reject the advance.

Live Auction 6. On the fall of the auctioneer’s hammer, the highest bidder shall be deemed to have purchased the offered lot subject to all the conditions set forth herein and thereupon a) assumes the risk and responsibility thereof, b) will sign a confirmation of purchase thereof, and c) will pay the full purchase price. Absentee bids may be made using the Absentee Bid Form on the NEAC website www.neac.co.uk

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After payment, the purchaser will remove the property from the Mall Galleries. If the property is not so removed, it will be stored at the Mall Galleries at the risk and expense of the purchaser. If the foregoing conditions are not complied with, the New English Art Club may either a) cancel the sale, retaining as liquidated damages all payments made by the purchaser or b) resell the property on three days’ notice to the purchaser either publicly or privately, and in such event, the purchaser shall be liable for payment of any shortfall between the original sales price and the price achieved upon resale, all other charges hereunder, and any incidental damages.

Silent Auction 7. Property for sale in the Silent Auction may be bid for by logging a bid in person with the desk at the Mall Galleries between Tuesday 27th May and Saturday 31st May during gallery opening hours.

Absentee bids may be made using the Absentee Bid Form on the NEAC website www.neac.co.uk. At midday on 31st May, the highest bidder shall be deemed to have purchased each offered lot.

8. Payments for purchases must be made in Sterling and can be made by cash, cheque, credit or debit card.

9. In the case of commission bids or telephone bids, Sotheby’s and the New English Art Club are not responsible for errors or omissions resulting from mechanical difficulties or failure.

10. Neither shipping nor delivery costs are included in the price at which a lot is knocked down by the auctioneer to the buyer.

11. Lots purchased from the Live Auction may be removed by the purchaser from the Mall Galleries at the end of the event on Thursday 29th April, subject to payment being completed and confirmed. Lots purchased from the Silent Auction may be paid for and removed between 1pm on and 4pm on Saturday 31st May or during the following week from the FBA reception, 17 Carlton House Terrace, London SW1Y 5BD during office opening hours, subject to payment being completed.

The New English Art Club is a registered charity no. 295780

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