SWLA | The Natural Eye 2022

SWLA President’s Foreword

Welcome to The Natural Eye, the 59th annual exhibition of The Society of Wildlife Artists.

The loss of Robert Gillmor in May and of John Paige last October has been felt deeply by the SWLA. There is not space here to cover either man’s contribution properly but for me the common thread is of their creativity, kindness and generosity of spirit.

It is impossible to quantify how many artists owe Robert Gillmor huge thanks for their careers in wildlife art. Whether it be through individual guidance, advice and friendship, or through the broader umbrella of the SWLA community which would not have existed without him, he has directly affected the lives of many.

From the Society’s point of view he was so generous with his time and service in so many roles, aside from being Founder, Secretary and President. For over fifty years he was on hand to design the catalogue, offer sage advice during the selection committee meetings, oversee the enormous task of hanging the show, and generally ensure everything ran smoothly. He set up the Bursary Scheme and helped get the Society registered as a charity. He has left a huge hole in the Society and we will all miss him, not just for his art but for his friendship, his guidance and, not least, his wicked sense of humour!

John Paige was another hugely influential artist in the Society. A member since the late 1960s John created an astonishing breadth of work using various media and techniques. Like Robert he was very generous with his time and took a delight in seeing sketchbooks and discussing new work with artists. He and his wife Jane, a fellow artist, both taught from their Old Brewery Studios and welcomed numerous artists into their home during Bird Fair.

I cherish the times I spent there talking with John about art and wildlife. He is much missed.

In May this year, two years later than first planned, the second residency to The Wadden Sea in Denmark took place. Twelve artists spent time on the island of Fanø and surrounding areas to document the importance of this UNESCO World heritage site for wildlife. Marco Brodde, the driving force behind this collaboration with the Wadden Sea National Park, has given a flavour of this trip on page 9.

We have work from the seabird drawing course bursary winners and The Natural Eye bursaries on display. It is wonderful to see the new names involved with the Society and to carry on the ethos of Robert and John in supporting artists inspired by the natural world.

As ever I would like to thank all the sponsors of prizes and awards this year for their continued support.

Harriet Mead President

Harriet Mead PSWLA Chain necked Water Rail Welded found objects £1,850

Robert Gillmor 1936 – 2022

Robert Gillmor was an extraordinary man. As an artist he was an undisputed master in his chosen field, yet his achievements went far further than the maker of beautiful illustrations, paintings and prints. In a career that fledged in the 1950s and continued until shortly before his death, his endeavours for seventy years encompassed the worlds of ornithology, conservation and art. His efforts to promote and encourage natural history themed art have made a lasting impact and have shaped the visions of future generations, and his contribution to wildlife art in Britain is unparalleled.

With a society of artists in mind Robert, with the enthusiastic support of Sir Peter Scott, Keith Shackleton and Eric Ennion, organised an exhibition of contemporary bird paintings in the Reading Art Gallery in 1960. Maurice Bradshaw, then Director of the Art Exhibitions Bureau, joined the organising committee and as a result the Bureau took this exhibition on tour for a year, and such was the interest shown by provincial galleries that the tour was extended for a further year.

Robert invited Richard Talbot-Kelly and Maurice Wilson to help plan a society and invite founder members. The inaugural exhibition of the Society of Wildlife Artists (SWLA) was held in London and opened by prominent ornithologist James Fisher in August 1964. The exhibition featured 149 works by 35 founder members. The annual show now boasts about 350 works and the Society currently has over 60 elected members.

From its inception Robert was the energy and guiding hand of the SWLA. He initially took the position of Secretary to the society (1964–1974), then Chairman (1974–1984). He was elected President and served two terms from 1984-1994. (For the years 1964–1994 all notes, circulars and newsletters were handwritten by RG.)

Under his Presidency, the SWLA enjoyed both a boom in popularity and an enhancement of status, with everincreasing numbers visiting the annual exhibition. Robert was directly responsible for raising the profile of the society with a new logo (his design) and the forging of close ties with many conservation groups as sponsors of awards at the Mall Galleries show. New awards were offered to artists from the RSPB and The Natural World, the magazine of the Wildlife Trusts.

Robert was always eager to encourage young artists and he approached Lloyds Private Banking with an initiative to foster new talent. Through a sponsorship agreement with Lloyds, a joint Bursary scheme was established in 1993. Since that inception the scheme has gone on, with different sponsors and, latterly, selffunded, to award nearly 100 bursaries to young, up-coming artists, many of whom have gone on to have successful careers of their own.

During his Presidency, in 1991, he also oversaw the SWLA becoming a Registered Charity for the purpose of fostering and encouraging all forms of visual art based on the world’s wildlife.

From 1994 Robert was the Society’s Vice President and was an active member of the SWLA council. All catalogues to exhibitions up to 2009 were designed by RG, and until 2012 he oversaw the hanging of every exhibition.

Despite running the society for 30 years, and being intimately involved with it for much longer, he nevertheless found the time to produce a full complement of wonderful paintings every year. He has shown his amazing work for every one of the 58 years the society has been in existence and the ‘Gillmor wall’ was always one that drew everybody to it.

Above all else Robert was an artist. He saw his first image in print at the age of 13. It was a design for the 1949 Annual Report for the Reading Ornithological Club and he illustrated every cover until his death – that’s sixty designs. In 1952, still only 16, his bird illustrations appeared in national publications for the first time when he submitted a series of black and white figures of shearwaters and magpies for the journal British Birds. Robert illustrated his first book, A Study of Blackbirds by David Snow in 1958, and he eventually contributed to over 200 books.

Many of these publications demanded monochrome figures, and as a black and white illustrator Robert Gillmor had no peers. His work showed a richness of tone and texture married with harmonious design that consistently delighted the eye and always met the exacting brief of authors.

Robert’s watercolours displayed a similar elegant design and his paintings for

The Handbook of Herons of the World (1976) set new standards for bird illustration. His style has been much mimicked but never bettered.

Lino-printing was what he seemed to love best of all, especially in the later years. He had an exquisite design sense and his work always looked fresh and modern. Paring an image down to sometimes only three or four colours brought a simplicity to his work that belied the mastery behind its production. Equally he could produce a lino print in anything up to 24 colours for some of the Collin’s New Naturalist covers – his understanding of how colours worked next to and on top of each other was unparalleled. His solo book Cutting Away showcases a small percentage of the

work he produced over 70 years and is a delightful addition to anyone’s bookcase.

Robert has left behind him a legacy within the field of wildlife art that few will ever parallel. He is seen as the grandfather of modern, wildlife painting in the UK, and indeed his influence has extended beyond these shores. His stature and legacy lie alongside those of Thorburn and Lodge, and Tunnicliffe who he greatly admired, but it could be argued that the inspiration and encouragement he has given to others exceeds that of even those great figures of the past. His loss to the family of wildlife art is immense, but we have also lost one of the gentlest, kindest, modest, and wittiest men in the field of wildlife art, ornithology, and conservation.

Robert Gillmor PPSWLA Pie-wipes Linocut £950

SWLA Overview

PRESIDENT Harriet Mead

VICE-PRESIDENT

PAST-PRESIDENTS

SECRETARY

TREASURER

COUNCIL

FBA TRUSTEE

NEWSLETTER EDITOR

FRIENDS ADMINISTRATOR

ENQUIRIES TO

COVER IMAGE

SWLA HISTORY

Bruce Pearson

Keith Shackleton, Robert Gillmor, Bruce Pearson, Andrew Stock

John Foker

Max Angus

Julia Manning, Jane Smith, Andrew Stock, Ben Woodhams, John Dobbs

Max Angus

John Foker

Tim Baldwin

The Federation of British Artists: 17 Carlton House Terrace, London SW1Y 5BD Telephone: 020 7930 6844

Registered Charity No. 328717

Robert Gillmor PPSWLA Blackthorn Blackbird (edition of 85), Linocut

In the late 1950s the original work of wildlife artists was not readily available to the ever-growing numbers of people developing an interest in natural history. With the formation of a Society very much in mind, Robert Gillmor and Eric Ennion, with the enthusiastic support of Peter Scott and Keith Shackleton, organised an Exhibition by Contemporary Bird Painters which was opened by Lord Alanbroke in the Reading Art Gallery in 1960. Maurice Bradshaw, then Director of the Art Exhibition Bureau, joined the Organising Committee and, as a result, the Bureau took the exhibition on tour for a year. The great interest shown by provincial galleries extended the tour for a further year. During this period the organisers were joined by R.B. Talbot-Kelly and Maurice Wilson to plan a Society and invite Founder-Members. James Fisher opened the inaugural Exhibition of the Society of Wildlife Artists at 6 ½ Suffolk Street in August 1964.

Dafila Scott SWLA Swallows and Cattle, late Summer Mixed Media £2,250

John Paige 1927 – 2021

John Paige was born in 1927 and attended Rugby School where, from the age of 14, he began keeping his wildlife sketch notebooks, – a discipline he continued until well into his nineties. He was encouraged by his art master, the artist and naturalist Denys Watkins Pitchford, yet his role model was Robert Talbot Kelly, who had also taught at Rugby.

National Service took John to Palestine, Germany, Aden and Malaya, and he recalled wonderful experiences of different habitats, his patrol binoculars being handy for bird-spotting! Returning, he studied at Cambridge University before re-joining the army as a regular officer. While at Cambridge he spent his vacations working at Slimbridge, meeting Peter Scott, and it was Scott who later recommended John for the post of warden at the Uganda National Parks.

After Uganda, John went to Birmingham College of Art to study Art and Design. It was here he developed his printmaking skills which became a hallmark of his artistic career. John was an all-rounder and could work with equal facility in many media: his graphic design skill came to the fore in his meticulously researched and minutely detailed train friezes; he was also a skilled portraitist. His paintings, usually made out in the field, are sometimes a mass of marks and colours that almost camouflage the subject; often appropriate when portraying a fleeting animal encounter.

Birds endured as his favourite subject matter. Everything John did was based on observational drawing, and the sketchbooks provided the vital source material for his finished work and are a true legacy of a lifetime in nature.

John explored new ways of creating, often preferring a low-tech approach. He would hand-burnish relief prints and use cut and torn paper stencils in screen-printing, giving his designs a deceptively simple look. Yet these were carefully devised compositions, rendered in layers of colour, subsequent transparent overlays evolving in the manner of a sculptor gradually shaping the subject.

John exhibited with the recently formed SWLA in 1966 (elected member in 1969) and continued to show work with the society annually for the next 55 years.

Through the SWLA and the Artists for Nature Foundation, the circle of wildlife artists grew to be international, and John worked on conservation projects in France, Alaska and India, as well as in various parts of the UK. John’s images were reproduced in many linked publications, and his work is in the permanent collections of the Woodson Art Museum, Wisconsin, USA and in Nature in Art, Gloucestershire.

In 1984, John and his wife Jane set up The Old Brewery Studios in King’s Cliffe. Here they ran residential summer schools for adults and children, and term time courses. John was an inspirational teacher whose passion and critical observations of his own and other peoples’ work were always honest, accurate and welcome.

John and Jane extended their tutoring overseas, leading parties looking at botany and wildlife. The sociability of these excursions, along with the various artists projects and the annual reunions in the Art Marquee at the British Bird Fair in Rutland, meant John and Jane often welcomed a houseful of multi-national guests. Both as an artist and a naturalist, John has left a lasting impression on his local community, his students, his fellow artists and a wider audience.

Carry Akroyd

John Paige Woodchat Shrike Linocut £300

SWLA Wadden Sea Project

Wide sandy beaches, immense dunes, enormous dykes, and endless tidal flats - the Wadden Sea straddles the Danish, German and Dutch North Sea coast and is of inestimable importance for many bird species on the East Atlantic migration route. Since 2019, The SWLA has collaborated with the Danish Wadden Sea National Park to create an exciting and innovative project that attempts to communicate the natural values of this unique landscape by the means of art and education related activities.

Back in October 2019, twelve artists from the SWLA visited the southern part of the Danish Wadden Sea. A selection of sketches from this first residency were subsequently exhibited in the Out of Frame room at “The Natural Eye” exhibition. Sadly, the COVID 19 epidemic caused the second residency to be postponed for two years, meaning it was not until May of this year that the second group of 12 SWLA artists finally gathered on the island of Fanø, situated in the Northern part of the Danish Wadden Sea. In contrast to the autumnal storms and windblown saltmarshes of the first residency, the artists were treated this time to clement and balmy Spring weather as well as a more diverse range of landscapes and habitats.

On the island of Fanø, several artists were lucky enough to spend extended periods observing and recording local Bluethroats, Little Terns and Kentish Plovers, all of which are breeding as a result of protective measures implemented by the National Park. The group also visited the neighbouring island of Mandø, and the untouched dunes and saltmarshes of the Skallingen peninsula.

During the week, the public had several opportunities to look over the artists’ shoulders and interact with them at close quarters. At an ‘open air’ event on Sønderho, Fanø, the public were encouraged to observe and talk to the SWLA artists working along the coastal dyke. Later the artists delivered several workshops to school classes in the region where, despite the language barrier, impressive work was created by enthusiastic students. Lastly, at the end of the week, a festive event and exhibition was held on Fanø.

The SWLA Wadden Sea Project will result in a travelling exhibition and a book, showcasing some of the fantastic work produced by over 20 SWLA artists across both residencies. The writer Colin Williams, who participated in both residencies, will be providing the written content for the book.

Marco Brodde ASWLA/Board member Nationalpark Vadehavet

SWLA artist Dan Cole in the reeds, © Red Star/Nationalpark Vadehavet

The Natural Eye Bursary

The SWLA Bursary has been running for more than two decades. In that time we have awarded over 100 bursaries with many of the artists going on to become valued members of the society. This year we have work on display from the three winners of The Natural Eye Bursary: Adrien Brun, Georgina Colburn and Ibby Lanfear. These artists applied for a bursary to help with their own projects. Adrien Brun has been working in Norway’s wilderness, to bring a focus on the habitat and wildlife of the area. He hopes to exhibit work in the network of

DNT huts which are hostels used by walkers, climbers and other outdoor enthusiasts in Norway. Ibby Lanfear has used her bursary to learn lithography techniques at The Highland Print Studio. Ibby Lanfear has produced work created from observing a family of barn owls. She has documented the annual cycle of the birds through collection of data, including owl pellets, and has incorporated materials from the landscape within her paintings.

We have work on display from three artists who were awarded places on The John

Busby Seabird Drawing Course. The course has proved a superb way of working with emerging artists who receive guidance from senior SWLA artists led by Darren Woodhead, who this year was joined by Nik Pollard and Kittie Jones. Bursary artists Sally Newton, Aaron Boughtflower and Jules Bradbury spent a week with them in Scotland looking at the bustling seabird colonies and rugged coastline.

For more information and reports from all the recipients please visit our website www.swla.co.uk

Aaron Boughtflower Arctic Tern Dread, Isle of May Ink, Ballpoint Pen £450

SWLA Friends

The SWLA Friends scheme encourages involvement from people who have an interest in art and the natural world. Funds raised from the Friends’ support will help to ensure that the SWLA continues to offer bursaries and opportunities for young and emerging artists and enables the Society to explore new relationships between artists and conservation organisations. In the 25 years since its inception our Bursary scheme has awarded over 100 bursaries to artists who have needed support with a project or help with new skills and techniques for their artistic development.

We offer places on the Seabird Drawing Course which is a marvellous way of mentoring artists during an intense course of field working. We also accept applications for general bursary proposals from individuals who need help with specific projects.

The BTO/SWLA Flight Lines, the Wadden Sea and the Argyll Coasts and Islands Hope Spot projects are recent collaborations that show how artists can work with other organisations to help bring conservation and research stories to a much wider audience. With your support we can expand on these opportunities and increase our projects so that the enthusiasm, expertise and talents of our artists go even further.

Become a Friend of the SWLA and not only will you be helping to nurture artists inspired by the natural world you will also enjoy the following privileges:

1. Attend the private view of the annual exhibition and enjoy the ‘Meet the Artists’ drinks reception

2. Free entry to the annual exhibition, free catalogue, also admits a guest

3. Receive a quarterly Friends E-Newsletter and a printed annual review The Natural Notebook

4. Friends will be entered into a ballot where a proportion of the subscriptions will be devoted to the purchase of a work from the annual exhibition. The successful Friend will be told the amount available (currently £250) and invited to select a piece from the show

5. Opportunity to take part in studio visits of member artists

6. Receive discounts on events, workshops and courses offered by the SWLA

To become a Friend of the Society or to make a donation please visit www.swla.co.uk or email swlafriends@gmail.com

Lisa Hooper ASWLA Small Elephant Hawk-moths Reduction Linocut £360 (£300 u/f)

Fiona Clucas SWLA Abundance Mixed Media £4,500

Carry Akroyd SWLA Chough Thermal Serigraph £325 (£210 u/f)

Richard Tratt SWLA Thistle Patch Visitors Oil £695

David Bennett SWLA Otter Family and Crab Apple Blossom, Pocklington Canal Oil on Canvas £500

Andrew Stock PPSWLA Landcross Whitethroat Oil £3,250 Darren Woodhead SWLA Goldfinch and Teasels Watercolour £1,950

John Hatton SWLA Arctic Flight Linocut £250

Louise Scammell ASWLA Moving Gently, Hope spot Monotype £425 (£295 u/f)

Chris Rose SWLA Slavonian Grebe Oil on Paper £650

Brin Edwards SWLA Arctic Terns at Esbjerg Oil on Canvas

John Foker SWLA Direction of Travel Oil £1,800

Adam Binder SWLA Tortoise Bronze £3,950Bill Prickett SWLA Manta Ray in Burr Elm Burr on Acrylic Block £1,100

Wynona Legg SWLA To Wallow Ink, Soft Pastel £850

Simon Griffiths SWLA Hare Ceramic £850

John Dobbs SWLA Etosha Leopard Oil £4,000

Esther Tyson SWLA Gulls Oil £1,500

Jane Smith SWLA Grey Wagtail Handmade Screen Print £280

Matt Underwood SWLA Peregrine Woodblock £400

Tim Wootton SWLA Long-tailed Ducks Flight Study Oil on Board £450

Andrew Haslen SWLA Tideline Oil

Julia Manning SWLA Sea Swallows Lino Cuts, Stencils £430

Richard Allen SWLA Avocet Flight Oil £895

The works for sale in the SWLA Annual Exhibition are available to buy through the Own Art scheme. Own Art interest free loans make it easy and affordable to buy original, high quality contemporary art and craft.

Representative 0% APR. Subject to status. Terms and conditions apply. Applicants must be at least 18 years old.

Robert Greenhalf SWLA Winter Long-tails Linocut £195 Max Angus SWLA Little Steps 4 Block Linocut £320

Carry Akroyd SWLA

1 Black Grouse (edition of 2) Serigraph 40 x 38 cm £325 (£210 u/f)

2 Chough Thermal (edition of 10) Serigraph 40 x 38 cm £325 (£210 u/f)

3 Fenland Flypast Oil on Board 60 x 60 cm £950

4 Gathering to Roost (edition of 30) Lithograph 72 x 65 cm £455 (£275 u/f)

5 Grey Wagtails (edition of 10) Serigraph 40 x 38 cm £325 (£210 u/f)

6 Moon Murmuration (edition of 10) Serigraph 66 x 88 cm £475 (£350 u/f)

7 Razorbills (edition of 8) Serigraph 40 x 38 cm £325 (£210 u/f)

8 Winter Swans on the Washes Oil on Board 125 x 65 cm £2,250

Richard Allen SWLA

9 Avocet Flight Oil 54 x 54 cm £895

10 Badger (edition of 50)

Linocut 35 x 40 cm £165 (£120 u/f)

11 Displaying Lapwing (edition of 50)

Linocut 35 x 40 cm £165 (£120 u/f)

12 Lapwings at Dusk Oil 54 x 54 cm £895

13 Red Kite (edition of 50)

Linocut 35 x 40 cm £165 (£120 u/f)

14 Snow Buntings Along the Strand Oil 24 x 54 cm £495

15 Snow Buntings, Holkham Oil 24 x 54 cm £495

16 Spring Avocets, Minsmere Watercolour 46 x 58 cm £445

Laura Andrew

17 Barn Owl Pair Oil on Linen 65 x 55 cm £1,750

18 Great Spotted Woodpecker Oil on Linen 65 x 55 cm £1,750

19 Kingfisher Dive Oil on Linen 95 x 55 cm £2,500

20 Male Bullfinch

Oil on Linen 45 x 36 cm £800

Max Angus SWLA

21 Little Steps (edition of 26)

4 Block Linocut 54 x 52 cm £320 (£250 u/f)

22 Ping Ping, Ping Ping (edition of 26)

3 Block Linocut 54 x 44 cm £270 (£200 u/f)

23 Reed Bunting (edition of 26)

3 Block Linocut 39 x 34 cm £210 (£160 u/f)

24 Swallowtail Walks (edition of 30)

3 Block Linocut 54 x 44 cm £270 (£200 u/f)

25 White Cliffs Peregrine Acrylic on Canvas 82 x 63 cm £1,600

26 Wiggle Wiggle (edition of 25)

4 Block Linocut 59 x 54 cm £320 (£250 u/f)

David Bennett SWLA

27 Grey Seals and Pied Wagtail, Donna Nook Acrylic on Canvas 40 x 36 cm £380

28 Kingfisher Reflection, Pocklington Canal Oil on Canvas 60 x 70 cm £530

29 Otter Family and Crab Apple Blossom, Pocklington Canal Oil on Canvas 50 x 60 cm £500

30 Otters Under the Old Bridge, Berwick Oil on Canvas 50 x 60 cm £500

31 Roe Buck in Velvet, Nidd Gorge Oil on Canvas 45 x 55 cm £500

32 Roe Doe and Bullfinches, Allerthorpe Common Oil on Canvas 60 x 60 cm £560

Adam Binder SWLA

33 Pair of Otters (edition of 12) Bronze 70 x 25 x 27 cm £11,000

34 Coln Otter (edition of 18) Bronze 58 x 28 x 19 cm £6,250

35 Long Tailed Tits in a Frame (edition of 12) Bronze 70 x 25 x 10 cm £7,500

36 Pair of Long Tailed Tits (edition of 24) Bronze 50 x 13 x 13 cm £3,500

37 Tortoise (edition of 24) Bronze 14 x 16 x 25 cm £3,950

38 Adrift (edition of 12) Bronze 39 x 24 x 26 cm £7,000

Aaron Boughtflower

39 Arctic Tern Dread, Isle of May Ink and Ballpoint Pen 42 x 22 cm £450

Jules Bradbury

40 Shag Colony, Fidra I Mixed Media 58 x 71 cm £575

Marco Brodde ASWLA

41 Bluethroat (edition of 3) Drypoint 42 x 34 cm £350

42 Garganeys (edition of 3) Drypoint 42 x 34 cm £350

43 Godwits (edition of 3) Drypoint 42 x 34 cm £350

44 Ringed Plovers (edition of 3) Drypoint 42 x 34 cm £350

45 Sandwich Terns (edition of 3) Drypoint 42 x 34 cm £350

46 Turnstones (edition of 3) Drypoint 42 x 34 cm £350

Adrien Brun

47 Spider Web Watercolour on paper 40 x 50 cm £760

48

Colette Clegg

Wild Things with Upside Down Trees

Acrylic on Wood Panel 70 x 70 cm £1,595

Fiona Clucas SWLA

49 Abundance

Mixed Media 100 x 102 cm £4,500

50 Burnet Moths, Foulshaw Moss Mixed Media 27 x 33 cm £395

51 Insects in a Summer Garden Mixed Media 27 x 33 cm £420

52 Rosebay Willowherb Graphite 66 x 69 cm £750

53 Summer’s Buzz Mixed Media 27 x 33 cm £395

54 Voices from the North Graphite and Pastel 65 x 69 cm £395

Georgina Coburn

55 Lockdown, Mute Swan Cygnet (edition of 1) Medium Stone Lithograph 50 x 65 cm £525

Anine CockwellDe Jong SWLA

56 Colin British Soapstone (Polyphant) 15 x 30 x 15 cm £1,600

57 Focus

Stone Brown Alabaster 17 x 17 x 19 cm £3,000

58 Tadpole British Soapstone (Polyphant) 10 x 30 x 10 cm £1,200

Daniel Cole SWLA

59 Turnstones and Rock Pipit Acrylic 37 x 41 cm £545

Louisa Crispin

60 Glimpse FPS021 Graphite 27 x 27 cm £450 Nick Day

61 Water Rail –Chemical Kill 3 Coloured Pencil on Cotton Board 35 x 44 cm £1,700

Lisa Denham

62 Cormorant Black Clay 20 x 39 x 20 cm £600

63 Cormorant II Black Clay 20 x 41 x 20 cm £600

Anne Desmet

64 Beetle (edition of 30) Wood Engraving 24 x 30 cm £250 (£150 u/f)

John Dobbs SWLA NEAC

65 African Wild Dog Oil 34 x 24 cm £750

66 Baboon Oil 57 x 47 cm £1,050

67 Before the Hunt Oil 47 x 57 cm £1,200

68 Buffalo Oil 42 x 67 cm £1,300

69 Chobe Leopard Oil 67 x 107 cm £3,500

70 Etosha Leopard Oil 83 x 109 cm £4,000

71 Kanha Tiger Oil 67 x 83 cm £2,500

72 Wattled Cranes Oil 83 x 109 cm £3,500

Beverley Drury

73 Roadrunner Wire 18 x 18 x 9 cm £250

Victoria Edwards SWLA

74 Coot Oil, Graphite and Colour Pencils 61 x 46 cm £600

Brin Edwards SWLA

75 Arctic Terns at Esbjerg Oil on Canvas 76 x 92 cm

£2,250

76 Bearded Tits

Oil on Gesso on Board 46 x 96 cm £1,895

77 Blackbird Spring Pond Acrylic on Gesso on Board 39 x 46 cm £695

78 Dipper at Skelwith Bridge Oil on Canvas 64 x 34 cm £950

79 Four Goosander Oil on Canvas 57 x 67 cm £1,350

80 Long Tails with Mulberries Oil on Canvas 46 x 76 cm £1,250

81 Rowan Bullfinches Oil on Canvas 46 x 76 cm £1,250

82 Shovelers with Marsh Marigolds Oil on Canvas 46 x 46 cm £895

John Foker SWLA

83 Direction of Travel Oil 64 x 138 cm £1,800

84 Great Tits and Catkins Oil 46 x 38 cm £560

85 Sunlit Eider Oil 48 x 63 cm £880

86 Wensleydale SwiftsEvening Oil 63 x 53 cm £660

87 Wensleydale SwiftsMorning Oil 48 x 63 cm £600

88 Wigeon at Pagham Harbour Oil 48 x 79 cm £940

Robert Gillmor

PPSWLA MBE

89 Avocet Reflections (edition of 26) Screenprint 31 x 38 cm £450

90 Blackthorn Blackbird (edition of 85) Linocut 37 x 39 cm £950

91 Canadian Sextet (edition of 25) Linocut 34.5 x 30.5 cm £1,150

92 Drake Shoveler (edition of 21) Linocut 39 x 31 cm £850

93 Nine Avocets (edition of 26) Screenprint 35 x 43 cm £450

Pie-wipes (edition of 45) Linocut 37 x 34.5 cm £950

95 Resting Herons (edition of 25) Linocut 45 x 37 cm £1,150

96 Winter Heron (edition of 35) Linocut 34.5 x 39.5 cm £950

Robert Greenhalf SWLA

97 Choughs and Puffins Oil 41 x 41 cm £540

98 High Tide Roost (edition of 100) Linocut 65 x 41 cm £195 (£125 u/f)

99 Lapwings Oil 41 x 41 cm £540 100 Puffins Oil 41 x 41 cm £540

101 Puffins, Evening Oil 52 x 52 cm £890

102 Shelduck, Avocets and Terns Oil 41 x 41 cm £540 103 Skokholm Choughs Oil 52 x 52 cm £890

104 Winter Long-tails (edition of 100) Linocut 54 x 54 cm £195 (£125 u/f)

Simon Griffiths SWLA

105 Goldfinch Ceramic 19 x 28 x 12 cm £300

106 Hare Ceramic 25 x 38 x 23 cm £850

107 Nuthatch Ceramic 53 x 20 x 10 cm £320

108 Rook Ceramic 157 x 34 x 22 cm £950

Michelle Hall

109 Fighting Stags (edition of 50) Bronze 5 x 15 x 4 cm £600

Jack Haslam

110 African Penquin (edition of 3) Etching and Aquatint 59 x 69 cm £380 (£240 u/f)

111 Little Owls (edition of 3) Etching and Aquatint 49 x 59 cm £380 (£280 u/f)

Andrew Haslen SWLA

112 Bittern in the Open Acrylic 78 x 108 cm £2,250

113 Bog Thumper Acrylic 78 x 108 cm £2,250

114 Copper River Delta Acrylic 78 x 108 cm £2,250

115 Hare and Pigeons

Acrylic 78 x 108 cm £2,250

116 Mile 48 Acrylic 78 x 108 cm £2,250

117 On Robert Bateman’s Deck

Acrylic 78 x 108 cm £2,250

118 Tideline Oil 96 x 126 cm £9,500

119 Wren and Hollyhocks

Acrylic 78 x 108 cm £2,250

Kendra Haste SWLA

120 Hind Painted Galvanised Wire and Steel Frame 143 x 156 x 40 cm £25,000

John Hatton ASWLA

121 Arctic Flight (edition of 16) Linocut 45 x 49 cm £250 (£210 u/f)

122 Arctic Visitors (edition of 17) Linocut 44 x 51 cm £250 (£210 u/f)

123 Avocet Evening (edition of 12) Linocut 52 x 60 cm £285 (£240 u/f)

124 Rising Tide Charcoal 60 x 71 cm £375

Paul Henery

125 Fulmars, Evening Light Oil on Board 62 x 84 cm £1,200

126 Hunting Short Eared Owl Oil on Board 62 x 84 cm £1,200

127 New Arrival, Cullernose Point Oil on Board 62 x 84 cm £1,200

128 Stag Rocks, Evening Light Oil on Board 62 x 84 cm £1,200

Lisa Hooper ASWLA

129 Flight (edition of 16) Reduction Woodcut 69 x 71 cm £460 (£390 u/f)

130 Goldeneyes (edition of 17) Reduction Linocut with Glaze Overprinting 42 x 85 cm £360 (£300 u/f)

131 Kingfisher (edition of 16) Reduction Linocut 55 x 79 cm £420 (£350 u/f)

132 Lerwick: Waiting for the Ferry to Bressay (edition of 16) Reduction Linocut 48 x 48 cm £360 (£300 u/f)

133 Nest (edition of 12) Reduction Woodcut 66 x 55 cm £420 (£350 u/f)

134 Small Elephant Hawkmoths (edition of 12) Reduction Linocut 30 x 77 cm £360 (£300 u/f)

Polly Hosp

135 Afternoon Dreaming (edition of 5) Drypoint and Monoprint with Hand Colour 48 x 54 cm £475

Nye Hughes ASWLA

136 Feeding Widgeon, Aberlady Bay Watercolour 56 x 65 cm £780

137 Razorbills and Guillemots, Lady’s Bed, Isle of May Watercolour 56 x 65 cm £820

138 Resting Eiders, Alterstanes, Isle of May Watercolour 56 x 65 cm £920

139 Rocks below the Low Light, Isle of May Watercolour 40 x 54 cm £450

David Hunt

140 Watchful Oil on Panel 32 x 27 cm £995

Ken Januski

141 Bobolink at Dixon Meadow (edition of 15) Japanese Woodblock (Moku Hanga) 28 x 33 cm £250 (£200 u/f)

142 Brant and Black-bellied Plover on Nummy Island (edition of 20) Japanese Woodblock (Moku Hanga) 28 x 33 cm £225 (£175 u/f)

Richard Jarvis SWLA

143 Bramblings and Beech (edition of 20)

Linocut Print and Watercolour 32 x 32 cm £125 (£95 u/f)

144 Bullfinch and Brambles (edition of 10)

Lino Reduction Print 35 x 39 cm £150 (£125 u/f)

145 Fieldfares (edition of 10) Lino Reduction Print 37 x 32 cm £175 (£150 u/f)

146 Hawkmoth, Honeysuckle and Hobby (edition of 20) Linocut Print and Watercolour 32 x 32 cm £125 (£95 u/f)

147 Hoopoe in Apple Tree (edition of 10) Linocut Print and Watercolour 48 x 38 cm £285 (£245 u/f)

148 Hoopoe, Dandelion and Daisies (edition of 10) Linocut Print and Watercolour 38 x 48 cm £285 (£245 u/f)

149 Osprey (edition of 10) Lino Reduction Print 32 x 32 cm £150 (£125 u/f)

150 Spotted Flycatcher

(edition of 10)

Linocut Print and Watercolour 38 x 33 cm

£160 (£135 u/f)

Kittie Jones SWLA

151 Estuary Redshank

Charcoal, Pastel and Coloured Pencil on Paper 70 x 90 cm

£950

152 Feeding Curlew 2 Charcoal, Pastel and Coloured Pencil on Paper 52 x 69 cm £695

153 Guillemot Ledge

Charcoal, Ink, Gouache, Pastel and Drawing Pencil on Paper 70 x 90 cm £950

154 Guillemots and Puffins at Bishop’s Cove Charcoal, Pastel and Ink on Paper 90 x 70 cm £950

155 High Road Eider

Charcoal Pastel and Drawing Pencil on Paper 70 x 90 cm £950

156 Puffins at Bishop’s Cove Charcoal, Pastel and Ink on Paper 70 x 70 cm £895

157 Saltmarsh Lapwings (edition of 15) Screen Print 70 x 52 cm £350 (£225 u/f)

158 Tufted Ducks and Coot

Charcoal, Ink and Pastel on Paper 52 x 71 cm

£695

Helen Kennedy

159 Peacock Butterfly

Pencil, Gouache and Watercolour 22 x 74 cm

£250

Cathryn Kuhfeld

160 Autumn Leaves and Hedgehog (edition of 30) Coloured Wood Engraving 28 x 30 cm £350 (£195 u/f)

Ibby Lanfear

161 A Script of Sorts Earth, Charcoal, Walnut Oil and Gesso on Oak Panels 32 x 78 cm £2,000

Wynona Legg ASWLA

162 A Social Gathering Ink 77 x 84 cm £1,000

163 Daily Rituals Ink 60 x 80 cm £850

164 Great Horned Owlet Ink 65 x 49 cm £550

165 Helmeted Guinea Fowl Pair Ink and Soft Pastel 60 x 41 cm £550

166 Run from your Problems Ink and Oil Pastel 60 x 80 cm £750

167 To Wallow Ink and Soft Pastel 71 x 95 cm £850

Paula Macfarlane

168 Pond Skaters at the Wildlife Pond

Oil on Canvas Board 36 x 31 cm £475

Julia Manning SWLA

169 Celtic Deep (edition of 20) Wood, Linocuts, Stencils 70 x 46 cm £430 (£380 u/f)

170 November Night (edition of 8) Wood, Linocuts, Stencils 85 x 60 cm £950 (£780 u/f)

171 Sea Swallows (edition of 6) Lino Cuts, Stencils 62 x 50 cm £430 (£380 u/f)

172 Storm Petrel Hotel (edition of 8) Wood, Linocuts, Stencils 60 x 85 cm £750 (£620 u/f)

173 West Lydford (edition of 8) Wood, Linocuts, Stencils 90 x 64 cm £950 (£780 u/f)

Melanie Mascarenhas

174 Beetling O’er The Graig Watercolour, Gouache, Ink, Acrylic, Pastel and Carbon Pencil 55 x 72 cm £610

175 Magpies of the Sea –The Lone Piper Watercolour, Gouache, Ink, Pastel and Acrylic 54 x 64 cm

£595

176 Mudlarking Watercolour, Ink and Gouache 68 x 50 cm £575

Emerson Mayes

177 Courting Grebe (edition of 1) Monotype 59 x 44 cm £695 (£595 u/f)

178 Courting Grebe II (edition of 1) Monotype 59 x 44 cm £695 (£595 u/f)

Harriet Mead PSWLA

179 Chain necked Water Rail Welded found objects 23 x 31 x 14 cm £1,850

180 Fork crested Lapwing Welded found objects 32 x 31 x 10 cm £1,850

181 Scissor tailed Tern Welded found objects 25 x 38 x 17 cm

£1,250

182 Scissor winged Swift Welded found objects 65 x 28 x 44 cm £1,850

183 Scratch Welded found objects 33 x 26 x 17 cm £2,250

Jill Moger SWLA

184 Four Seahorses amongst Seaweed Stoneware Ceramic 30 x 23 x 13 cm £980

185 Octopus Meets

Edible Crab

Stoneware Ceramic 17 x 35 x 15 cm £1,200

186 Sea-worn Wood with Brittle Stars Stoneware Ceramic 18 x 25 x 8 cm £450

187 Three Sand Lizards Stoneware Ceramic 15 x 18 x 10 cm £800

Gregory Moore

188 Woodland Dreams (edition of 20) Drypoint Etching with Carborundum 57 x 61 cm £250 (£195 u/f)

Luis Morris ROI

189 Trout on the River Test Oil on Canvas 38 x 32 cm £375

Liz Myhill

190 Below South Horn Pastel, Ink and Gouache 100 x 80 cm £950

191 Serpulidae (edition of 2) Monoprint on Drawing 55 x 45 cm £420 (£320 u/f)

192 South Horn Pastel and Ink 80 x 100 cm £980

193 Through the Shallows

Pastel on Monoprint 55 x 70 cm £650

194 Tidal Narrows (edition of 5)

Multi-process Print 70 x 55 cm £480 (£380 u/f)

195 Tiny Reef Pastel on Monoprint 50 x 60 cm £580

William Neill SWLA

196 Gille-brìghde Watercolour

52 x 67 cm £675

197 Ringed Plovers amidst the Tangle Watercolour 52 x 67 cm £675

198 The Fledglings Watercolour 50 x 61 cm £675

Sally Newton

Ex-Cat Razorbill at St Abbs IV Indian ink on Bockingford paper 45 x 31 cm £450

David Parry SWLA

199 Fox at Castle Farm Watercolour 94 x 76 cm £3,500

200 Greater spotted Woodpecker Oil on Gesso 33 x 30.5 cm £800

201 Manderin duck Watercolour 30.5 x 30.5 cm £750

Peter Partington SWLA

202 Heron on the Evening Estuary Oil

34 x 64 cm £1,500

203 House Sparrows and their Apartment Pencil and Wash 60 x 70 cm £650

204 Low Water on the Swale, Summer Goosanders Oil 65 x 90 cm £2,250

205 Moorland Family –Curlews Pencil and Wash 37 x 50 x 3 cm £495

206 Oystercatchers in the Spray Oil 30 x 50 cm £750

207 Stormy Day Puffins Pencil and Wash 40 x 54 cm £550

Leszek Piotrowski

208 Bubas

Oil on Canvas 96 x 76 cm £2,000

Adele Pound

209 Aphids – Field Study Watercolour 54 x 42 cm £285

210 Aphids 2 – Field study Carbon Pencil and Watercolour 54 x 42 cm £285

211 Aphids 7 (and some Flies) - Field Study

Carbon Pencil and Watercolour 54 x 42 cm £285

212 Slugs Ate this Part Watercolour 66 x 87 cm £595

Bill Prickett SWLA

213 Manta Ray in Burr Elm Burr on Acrylic Block 15 x 22 x 24 cm £1,100

214 Sea Star Elm Burr on Limestone Block 7 x 18 x 18 cm £900

Darren Rees SWLA

215 Angel Terrace, Yellowstone Watercolour 56 x 74 cm £850

216 Cinnamon Bear Study, Yellowstone Watercolour 45 x 53 cm £550

217 Firehole River, Yellowstone Watercolour 56 x 74 cm £850

218 Golden Eagle Eyrie, Slough Creek, Yellowstone Watercolour 45 x 53 cm £450

219 Grizzly Mum and Cub, Dunraven, Yellowstone Watercolour 45 x 53 cm £600

220 Harlequin Trio, Yellowstone River Watercolour 45 x 53 cm £600

221 Mud Volcano, Yellowstone Watercolour 45 x 53 cm £450

222 Shore at Frozen Lake Yellowstone Watercolour 74 x 56 cm £850

Derek Robertson

223 A Day With The Keeper II. Golden Eagle Watercolour on Paper 45 x 55 cm £890

224 After The Plough, Curlew Watercolour on Paper 55 x 45 cm £890

225 The Keeper’s Owl Watercolour on Paper 55 x 45 cm £890

Chris Rose SWLA

226 Little Auks Oil on Paper 42 x 52 cm £875

227 Ringed Plover Roost

Acrylic 23 x 62 cm £850

228 Slavonian Grebe

Oil on Paper 37 x 47 cm £650

Louise Scammell SWLA

229 Seeing the Light, Hope Spot (edition of 5) Mokulito (Wood Lithograph) and Collagraph 60 x 44 cm £345 (£220 u/f)

230 Bright Plumes under the Sea Oak, Hope Spot (edition of 4) Mokulito (Wood Lithograph) and Relief Print 45 x 59 cm £345 (£220 u/f)

231 In the current’ Hope Spot (edition of 5) Mokulito and Relief Print 45 x 59 cm £345 (£220 u/f)

232 Moving Gently, Hope spot (edition of 1) Monotype 65 x 51 cm £425 (£295 u/f)

233 Plumose Anemones, Hope Spot (edition of 5) Mokulito (Wood Lithograph) and Relief Print 60 x 44 cm £345 (£220 u/f)

Dafila Scott SWLA

234 Fallen Tree and Blackcap

Mixed Media 80 x 95 cm £2,400

235 Seven Curlews on the Shore Mixed Media 75 x 90 cm £2,400

236 Single Curlew, Pembrokeshire Mixed Media 70 x 95 cm £2,250

237 Swallows and Cattle at the Coast

Mixed Media 72 x 97 cm £2,250

238 Swallows and Cattle, late Summer Mixed Media 70 x 95 cm £2,250

239 Teal Resting on the Shore

Pastel 56 x 94 cm £1,440

Chris Sinden SWLA

240 Frosty Morning (edition of 30) Linocut 25 x 35 cm £145 (£115 u/f)

241 Wye. The River is Dying 1 (edition of 22) Linocut 31 x 62 cm £235 (£195 u/f)

242 Wye. The River is Dying 2 (edition of 22) Linocut 31 x 62 cm £235 (£195 u/f)

243 Wye. The River is Dying 3 (edition of 22) Linocut 31 x 62 cm £235 (£195 u/f)

Jane Smith SWLA

244 Grey Wagtail (edition of 14)

Handmade Screen Print 32 x 58 cm £280 (£245 u/f)

245 Puffins and Razorbill (edition of 20)

Handmade Screen Print 32 x 58 cm £280 (£245 u/f)

Anthony Smith

246 Day Trip Sandwiches

Watercolour 64 x 81 cm £880

Andrew Stock PPSWLA

247 Garden Goldfinch Oil 105 x 74 cm £5,250

248 Landcross Whitethroat Oil 74 x 59 cm £3,250

249 Pabbay Shags Oil 74 x 105 cm £5,250

250 St Enodoc Stonechat Oil 74 x 59 cm £3,250

251 Torridge Oystercatchers Oil 59 x 74 cm £3,250

Stephen Suttill

252 Chrysotoxum Festivum (edition of 14) Linocut 34 x 33 cm £135 (£95 u/f)

Rebecca Thorley-Fox ASWLA

253 Fulmar Flying by, Llangrannog Oil on Board 42 x 58 cm

£1,350

254 Guillemots at Sun Down, South Stack Oil on Primed Paper 34 x 43 cm

£850

255 Guillemots, South Stack Oil on Primed Paper 34 x 43 cm

£850

256 Herring Gulls Resting on the Shore Oil on Primed Paper 29 x 34 cm £475

257 Herring Gulls Watching the Incoming Tide Oil on Board 27 x 32 cm £475

258 Oystercatchers, Wild Sea at Bardsey Island Oil on Linen 56 x 66 cm £3,950

John Threlfall SWLA

259 Carmines

Pastel 51 x 67 cm £580

260 Common Redstart Oil 41 x 52 cm £340

261 Goosanders

Pastel 48 x 62 cm £540

262 Puffin Pastel 46 x 55 cm £390 263 Razorbills Pastel 49 x 67 cm £680

264 Vervet Monkey Pastel 43 x 41 cm £390

265 Adonis Blues Oil 32 x 37 cm £395

Richard Tratt SWLA

266 Common Blues and Birds-Foot Trefoil Oil

35 x 30 cm £395

267 Grassland with Meadow Browns Oil 54 x 34 cm £520

268 Heath Fritillary and Cow Wheat Oil 27 x 42 cm £395

269 Small Heath Butterfly Oil 27 x 42 cm £380

270 Small Tortoiseshells Oil 44 x 75 cm £650

271 The Comma Butterfly Oil 25 x 45 cm £395

272 Thistle Patch Visitors Oil 54 x 65 cm £695

Jonathan Trinder

273 Atlantic Puffin Steel

31 x 45 x 37 cm £3,500

274 Storm Petrel Steel

27 x 32 x 21 cm £2,400

Simon Turvey SWLA

275 Badgers

Oil on Board 39 x 34 cm £885

276 Elephant (edition of 20) Screenprint 44 x 39 cm £345 (£290 u/f)

277 Herring Gull Oil on Board 39 x 34 cm £885

278 Nestbuilding Oil on Board 49 x 39 cm £1,145

279 Peacock Butterfly Oil on Board 32 x 39 cm £945

280 Sisters Oil on Board 34 x 49 cm £1,245

281 The Log Pile Oil on Board 56 x 70 cm £5,785

282 White Stork Watercolour 58 x 48 cm £1,275

Esther Tyson SWLA

283 All Puffed Up Oil 37 x 35 cm £500

284 Bottoms Up Oil 37 x 35 cm £500

285 Display Oil 37 x 35 cm £500 286 Gulls Oil 56 x 96 cm £1,500

287 House Sparrow 2 Oil 37 x 35 cm £500

288 Lapwing and Gull Oil 44 x 55 cm £900

289 Lapwing Foraging

Gulls Resting Oil 64 x 98 cm £1,800

Matt Underwood SWLA

290 Badger (edition of 60) Woodblock Print 64 x 88 cm £550 (£450 u/f)

291 Great Spotted Woodpecker (edition of 60) Woodblock Print 72 x 46 cm £400 (£350 u/f)

292 Over Willowherb (edition of 60) Woodblock Print 63 x 55 cm £400 (£350 u/f)

293 Peregrine (edition of 60) Woodblock Print 56 x 60 cm £400 (£350 u/f)

Anali Vakili Ardebili

294 Asian Cheetah (edition of 1)

Dry Point and Monotype 105 x 105 cm £1,000 (£800 u/f)

Barry Van Dusen SWLA

295 Blue-winged Warbler Watercolour 39 x 47 cm £550

296 Long-tailed Tits Study Watercolour 43 x 39 cm £400

297 Northern Parula, Hog Isand, Maine Watercolour 36 x 41 cm £400

298 Pine Grosbeak, Wachusett Meadow Watercolour 41 x 49 cm £550

299 Robin and Beautyberries Watercolour 36 x 41 cm £400

300 Yellow-rumped Warbler in Red Maple Watercolour 36 x 41 cm £400 Tianyin Wang

301 Beetle Charcoal on Paper 48 x 34 cm £395

302 NIGHT NIGHT Charcoal on Paper 85 x 67 cm £720

303 Nuthatch I Charcoal on Paper 45 x 45 cm £585

Michael Warren SWLA

304 Brent Geese Watercolour 42 x 70 cm £450

305 Chaffinches Watercolour 52 x 72 cm £950

306 Coal Tits & Song Thrush Watercolour 56 x 47 cm £850

307 Curlews Watercolour 52 x 72 cm £875

308 Firecrests Watercolour 48 x 46 cm £525

309 Ringed Plovers Watercolour 71 x 52 cm £1,250

310 Snow Buntings Watercolour 74 x 67 cm £1,250

311 Stock Dove, Chaffinch & Blackcap Watercolour 72 x 52 cm £1,150

Kate Willows

312 Running Cheetah (0-60 in 3 Seconds) (edition of 12) Bronze Resin on Marble Base 17 x 7 x 26 cm £1,200

Jane Wilson

313 Sounding the Alarm Acrylic Inks, Paint, Collage, Pencil and Pastel 22 x 22 cm £200

Darren Woodhead SWLA

314 Waxwing Trio on Rowan Berries Watercolour 78 x 50 cm £1,950

315 Singing Wood Warbler on Larch Branch Watercolour 76 x 57 cm £1,950

316 Goldfinch and Teasels Watercolour 76 x 57 cm £1,950

317 Nest Building Long-tailed Tits Watercolour 76 x 57 cm £1,850

318 Long-tailed Tit Pair among Apple Blossom Watercolour 74 x 55 cm £1,850

319 Jackdaw and Rook heading to Roost Watercolour 62 x 56 cm £1,750

Tim Wootton SWLA

320 Eider Study Oil on Board 48 x 58 cm £650

321 HPAI A(H5N1) Oil on Board 48 x 60 cm £500

322 Long-tailed Ducks Flight Study Oil on Board 54 x 44 cm £450

323 Mallimacks Oil on Board 66 x 54 cm £1,200

324 Nightjar Oil on Board 42 x 56 cm £475

325 Surf Riders; Long-tailed Ducks Oil on Board 66 x 70 cm £1,850

326 Wren I Oil on Board 50 x 42 cm £565

327 Wren II Oil on Board 50 x 42 cm £565

Toby Wright

328 Snoozing Macaque Oil on Panel 40 x 30 cm £1,500

The Society of Wildlife Artists

SWLA Members

Akroyd, Carry 4 Luddington in the Brook, Oundle, East Northamptonshire, PE8 5QU

Allen, Richard 34 Parkwood Avenue, Wivenhoe, Essex, CO7 9AN

Angus, Max Barn Tye Studios, 4 Barn Tye Close, Guston, Kent, CT15 5ND Atkinson, Kim Ty’n Gamdda, Uwchmynydd, Pwllheli, Gwynedd, LL53 8DA Bennett, David Wren Cottage, Main Street, Melbourne, East Riding of Yorkshire, YO42 4RE

Bibby, Nick 4 Compton House, Compton, Marldon, Paignton, Devon, TQ3 1TA

Binder, Adam

The Calf House, Marston Hill Farm, Meysey Hampton, Cirencester, Glos., GL7 5LG

Clucas, Fiona 44 Greengate, Levens, Kendal, Cumbria, LA8 8NF

Cockwell-De Jong, Anine 1 Mustills Lane, Over, Cambridgeshire, CB24 5PW Cole, Daniel

The Old Bakery Studios, Blewetts Wharf, Malpas Road, Truro, TR1 1QH

Derry, Nick 19 Tyning Close, Pendeford, Wolverhampton, West Midlands, WV9 5QH

Dobbs, John Juniper Cottage, 125 Harefield Road, Rickmansworth, Hertfordshire, WD3 1PB van Dusen, Barry 13 Radford Road, Princeton, Massachussetts, MA 01541, USA

Edwards, Brin 59 Barracks Road, Assington, Sudbury, CO10 5LP Edwards, Victoria 403 London Road, Ditton, Aylesford, Kent, ME20 6DB

Foker, John 37 South Terrace, Esh Winning, Durham, DH7 9PS

Gemma, Federico Via Michele Barbi 12, Rome, 00125, ITALY Greenhalf, Robert Romney House, Saltbarn Lane, Playden, Rye, East Sussex, TN31 7PH Griffiths, Simon 28 Church Street, Castleside, County Durham, DH8 9QW

Haslen, Andrew College Farm, Preston St Mary, Suffolk, CO10 9NQ Haste, Kendra 2 Chalk Lane, Epsom, Surrey, KT18 7AR

Hatton, John Fossbank, Tatham Fells, Lancaster, Lancs, LA2 8PS

Jarvis, Richard 1 Arden Way, Market Harborough, Leicestershire, LE16 7DB Johnson, Richard 168 Kendal Way, Cambridge, Cambridgeshire, CB4 1LT

Jones, Kittie 27/9 St Leonards Street, Edinburgh, EH8 9QN, SCOTLAND

Kokay, Szabolcs

Facanos Utca 14/1, H-1213, HUNGARY

Legg, Wynona Penvintle Farm, Trematon, Saltash, Cornwall, PL12 4RU

Lockwood, Rachel Pinkfoot Gallery, High Street, Cley-next-the-Sea, Norfolk, NR25 7RB

Mackman, Nick St Ediths, Bratton Clovelly, Devon, EX20 4JW

Manning, Julia 2 Rosebank, Queen Street, Keinton Mandeville, Somerset, TA11 6EQ

Mead, Harriet The Nunnery, Brandon Road, Hilborough, Thetford, IP26 5BW

Moger, Jill The Studio, 75 Millfield Lane, Nether Poppleton, York, Yorkshire, YO26 6NA

Neill, William Rannachan, Askernish, South Uist, Outer Hebrides, HS8 5SY

Parry, David Holly Hall, Milton Lilbourne, Pewsey, Wiltshire, SN9 5LQ

Partington, Peter 9 Lavenham Studios, Brent Eleigh Road, Lavenham, CO10 9PE

Pearson, Bruce 5 Marshall Road, Cambridge, Cambridgeshire, CB1 7TY Phillips, Antonia 114B West Bay Road, Bridport, Dorset, DT6 4AX

Pollard, Nik 51 Concorde Drive, Bristol, BS10 6PY

Prickett, Bill The Winches, Newnham Lane, Newnham, Kent, ME9 0LH

Proud, Alastair Plas Bach, Newchurch, Camarthen, Dyfed, SA33 6EJ

Rees, Darren New East Frew, Thornhill, Stirling, Stirlingshire, FK8 3QX

Rich, Andrea 706 Western Drive, Santa Cruz, CA 95060, USA Rose, Chris 6 Whitelee Cottages, Newtown St. Boswells, Melrose, Roxburghshire, TD6 0SH Scammell, Louise Coreopsis, Station Road, South Brent, Devon, TQ10 9BE Scott, Dafila White Roses, The Hythe, Reach, Cambridgeshire, CB5 0JQ

Sinden, Chris 47 Colliers Field, Cinderford, Gloucestershire, GL14 2SW Smith, Jane Cariel, Kintallen, Tayvallich, Lochgilphead, Argyll, PA31 8PR Stock, Andrew Pillmouth Farm, Landcross, Bideford, Devon, EX39 5JA Sykes, Thelma Blue Neb Studios, 18 Newcroft, Saughall, Chester, Cheshire, CH1 6EL

Threlfall, John Whinpark, Ballogie, Aboyne, AB34 5DL

Tratt, Richard 10 Sharpley Close, Fordingbridge, Hampshire, SP6 1LG Turvey, Simon 2 York Rise, Orpington, Kent, BR6 8PR

Tyson, Esther 6 Rathborne Croft, Parwich, Ashbourne, Derbyshire, DE6 1QH Underwood, Matt 8 The Grove, Lincoln, Lincolnshire, LN2 1RG Wallbank, Christopher 31/11 Meadowbank Crescent, Edinburgh, EH8 7AJ, Scotland

Warren, Michael

The Laurels, 64 Gainsborough Road, Winthorpe, Nottinghamshire, NG24 2NR Woodhams, Ben Villa Granly, Vestermarievej 84, 3720 Aakirkeby, Bornholm, DENMARK Woodhead, Darren 2 Ivory Court, Langriggs, Haddington, East Lothian, EH41 4BY, Scotland

Wootton, Tim Lochside, St Margaret’s Hope, Orkney, KW17 2RW

ASSOCIATE Members

Brodde, Marco

Tværvej 1, 6720 Fanø, DENMARK Hughes, Nye 20 Bangholm Grove, Edinburgh, EH5 3AQ, Scotland

Hooper, Lisa Seymour House, 25 High Street, Port William, Newton Stewart, Wigtownshire, DG8 9SL Thorley-Fox, Rebecca West View Cottage, Coole Lane, Coole Pilate, Nantwich, Cheshire, CW5 8AU