MALVIE Mag The MAIN ISSUE Vol. 30 September 2022

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MALVIE Mag is a one-of-a-kind Fashion, Beauty and Art Magazine based in France - WE ARE THE PEOPLE!

Feel free to contribute with: Fashion, Beauty, and conceptual submissions.

FOUNDER

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INSTAGRAM: @creative.marius

EMAIL: marius@malviemag.com

EDITOR

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INSTAGRAM: @g_jagerr

EMAIL: goizane@malviemag.com

FASHION JOURNALIST

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Valentina Roque @valentinaroque

EMAIL: valentina@malviemag.com

SOCIAL

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FACEBOOK - facebook.com/malviemag

INSTAGRAM - @malviemag

TWITTER: @malviemag

EMAIL: contact@malviemag.com

WEBSITE

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www.MALVIEmag.com

SUBMISSIONS/INQUIRIES

For submissions, please visit www.malviemag.com/submissions.

Once images are approved for publication, you give us the right to correct/edit/retouch pictures if needed. Images will never be sold or used for any other purposes other than to promote YOU and MALVIE magazine.

Letter from Valentina

I don’t know about you, but I see September as my personal New Year – it's Fashion’s New Year so I guess it makes sense, right? So many things will be happening at the same time in the next days, I get overwhelmed with excitment and joy just thinking about it.

Things even tend to get a little crazy, but in the best way possi ble. And that’s what I was thinking about a few days ago when deciding what to talk about it in this letter: what if we embrace crazy? What if we really take this month – or any other given opportunity – and set up all the new begginings we are looking for?

Let me make myself clear. Sometimes life gets a little crazy and we feel like we’re lost and won’t make it this time. But what if we don’t have to make it in the way we first thought of? Let’s restart and re-do everything and anything accordingly to the circunstances we have at the time – and try not to overthink it, sometimes the best you can do is just to get it done.

WITH

Drae Brown

How long have you been a photographer and how did you get your start in the in dustry?

This is my 6th year as a photographer. I took the non-traditional route, I began at age 35. I just wanted a hobby.

Drae, what are some of the struggles you have faced as a fashion and beauty photographer in a niche market?

My biggest struggles have been, getting access to more editorial fashion because Nashville is a big commercial market.

Who were your biggest influences?

As a whole, I was glued to Vogue and all the beautiful art that was featured.

In addition to being sharp and well-lit, your photos are beautifully edited. What is your retouching/production philosophy?

First, thank you! I call it "the final polish." I don't want to over edit, but I also want you to know I put my touch on it. Its my least favorite part of the process, but definitely necessary.

Drae, how would you describe your pho tographic vision? What kind of look do you try and create in your photos?

I'd describe my vision as fashion based. Nothing moves me until I see the fashion. I try to create art the even the most unin terested person can at least appreciate.

How long does a shoot day typically last and what is the preparation like?

At this point in my journey, most shoots are in the 3 to 4 hour range beginning with hair and makeup. My actual shoots don't take long because once I've got the "no doubt" shots, I move on. My prepara

tion goes one of two ways; I have a concept that I build around, or a model that I build the concept around. After that I carefully put the team together. Usually 3-4 weeks of communication including moodboards and plenty of texts, emails, and phone calls.

What makes a great portrait? How do you choose which images you ultimately pro vide to your clients?

Great question. To me, its something that appeals to something inside of you. That's why, everyone's favorite photo will differ, but everyone will love a few of the same photos. I break the proofs down into a smaller selec tion so the client can choose their favorites. I learned early on my favorites and theirs were different lol. I then go and choose my favorites that coincide with my brand.

In your opinion, how beauty is perceived at the present age? What does beauty mean to you personally and what really makes a woman beautiful?

I believe that beauty will always be perceived through an individual set of lenses. Physical beauty is definitely a personal opinion while internal beauty cannot be denied...its infec tious.

What is typically in your camera bag?

Sony A7III, 90mm macro, 50mm. Extra cam era batteries, AA and AAA batteries, memory cards. I usually have a prism of some sort also.

Are there any other photographers you look up to? Who?

Shamayim Shacaro is my G.O.A.T. IG: sha manism

Where can our readers keep up with your work and get connected with you? Absolutely. IG: draebrown615

Photographer: Tasha Cherkasova @tasha.perm Model: Anastasia Feklistova @ma.intermodels @n.feklistovaa Makeup Artist/Hair Stylist: Julia Kopytova @juliakopytova_mua

EXCLUSIVE INTERVIEW WITH

Can you give us a bit of background on how your career evolved?

My career as a photographer started relatively recently, seven years ago. It so happened in my life that I am not the only photographer in the family. My husband has been a profes sional photographer since his university days. He always took pictures of family holidays, children, took the camera on trips. So, his example inspired me and my eldest daughter to take up photography.

How did you discover your passion for photography?

A few years ago, my husband and I got into stock photography. I assist ed him on the set, helped him come up with plots, worked on the design of the composition, but did not dare to pick up photographic equipment on my own. Once, during a sum mer vacation, I suddenly had a dis tinct desire to try to make beautiful shots. It was scary and difficult to start, but at the same time interest ing. I wanted to prove to myself that I could handle it. Thus began my ca reer as a photographer.

How hard has it been establishing yourself in the industry and what are some of the largest things you’ve faced?

I came into photography as an adult, having a huge experience of working with people behind me, be cause I worked in the field of educa tion. However, it was very difficult for me to promote myself as a photog rapher. My indecision, a tendency to perfectionism affected. While other masters took orders from clients, for a long time I refused commer cial shootings because I considered myself not a competent enough photographer. A lot of effort had to be spent on promoting myself as a photographer in social networks, on expanding the client base.

How has photography influenced or changed you as a person?

Since the beginning of my work as a photographer, I have revealed myself as a creative person. I realized that through photography I can convey to people my vision of the world, my attitude to beauty, to art. Participating and winning in various photo contests, I felt that my creative vision was interesting to the audience. It's inspiring!

Tell me about a time you had a very stressful day at work and how did you handle it?

Since I am engaged in creativity, my working day can last up to twenty hours a day. Especially if shooting outdoors because the weather conditions are unpredictable. Recent ly, together with a model, I traveled far out of town, to the lake, at night, in order to have time to shoot beautiful shots at dawn. We worked in cold water for several hours. In or der to somehow warm up, they drank hot coffee from a thermos and arranged a jog along the coast. And immedi ately after filming, I began processing photos. The working day stretched until late at night. But I did not notice fatigue, as I was very passionate about the process. On this day, everything worked out for me thanks to my husband, who helped me organize the shooting, took care of household chores and did not forget to feed me a hot lunch.

What do you think the biggest misconception about you is?

It seems to me that the biggest misconception about me is that I never doubt. In fact, I am a perfectionist and there fore I always think about whether I took a good photo or if I can do even better. Every time I look for new shortcomings in my work and I am very worried.

From your point of view what makes a shoot successful?

For the shooting to be successful, you need to do a lot of organizational work. Make a checklist, assemble a team of professionals, assistants and be sure to clearly follow the work plan. And of course, you need a good, creative idea!

How did you move specifically towards portrait photography? Why portraits in particular?

As I said before, I started out as a food photographer. Having reached a high professional level in product and food photography, I decided to work with people.

I wanted to try a new genre for myself - a portrait. In my opinion, this type of shooting is the most emotional and involves joint creativity between the model and the photographer.

You are a creative mind with an exceptional eye for detail, are you able to talk us through your process when creating your art?

I am constantly in creative search. All my emotions, im pressions and experiences from films I have watched, theatrical productions, from painting, sculpture, ar chitecture, from music I have heard, from travels, I transform into my ideas for photography. I pay special attention to details: color, light, composition, accesso ries. I carefully think over each image and write down everything that can help bring the idea to life, every detail, every little thing. I am also very attentive to the choice of specialists with whom I cooperate: make-up artists, stylists, hairdressers. It is important that the whole team share my aesthetic preferences, and work smoothly and clearly follow the plan.

What would be your advice to models looking to expand their portfolio?

To expand their portfolio, I would advise models to go to castings for different photographers more often, participate in various creative TFP projects even for free, prepare high-quality snaps and send them to dif ferent photographers working in different genres.

Where can our readers keep up with your work and get connected with you?

I actively maintain my account on Instagram and Facebook, post my work, send out and publish in vari ous fashion magazines. Be sure to participate in pho tography competitions. Always open for interaction in everything related to photography and creativity.

SUBMIT NOW!

We

Getting

work

Photographer: Dario Tucci

Hair Stylist: Paola Sardo

Makeup Artist: Make-up: Sara Festinese Wardrobe Stylist: Giusy Costagliola

Model: Jennifer

Agency: Carpe Diem

Assistant: Maria Tucci

Photographer: Artem Galitsky

Photographer: Lumières Photo @jmcgsxr Model: Lisa Sanchez @sczlisa

suit jacket: èri six lingerie: hunkemoller shoes: public desire

AURORA WEAR suit jacket: gai mattiolo shoes: asos

CARMEN WEAR dress: asos shoes: raid

dress: èri six shoes: Public Desire

dress: èri six shoes: Public Desire

Tony, can you please briefly introduce your self? How your interest in the modeling industry has sparked?

I am a 22-year-old from Edmonton, Canada, who recently moved to Melbourne, Australia as a huma nities teacher meanwhile travelling to different parts of the world in my spare time. Everything fashion and beauty inspired me from a young age, and I always wanted to model. I even had a few oppor tunities lined up but never continued far with. With that dream in mind, I chose to revisit and start up this part of my life again, which brings me here!

Tell us more about yourself. What else do you do next to modeling?

I have an immense passion for fitness. When I was 18, I began a weight loss journey, losing 100 pounds. Develo ping a passion for fitness has allowed me to further challenge myself and work on becoming the most confident, best version of myself. From hiking, ta king spin classes, going on runs along the beach and strength training, I like to keep busy and incorpo rate movement into my daily life. It’s my favourite form of self care!

What is your favourite thing about modelling?

The raw art of it all is the most beautiful thing about it. Modelling brin gs forth so many unique people and styles. Its a way for models, stylists, designers, and other creatives to express ourselves and the mes

sages we want to share. I have always loved getting done up and looking and feeling my absolute best and I believe fashion can have such a positive im pact on a person’s mental wellbeing.

If you could change something in the modeling world, what would it be?

Something that has been changing slowly over time, but I believe it could be changing more rapidly, is representation and inclusivity in modelling including but not limited to various genders, races, and body sizes. This shift has the opportunity to significantly impact not only the modelling world but the world. After all, everyone should be able to look on social media, magazines and TV and see someone who re sonates with them.

Who is someone you feel has really influ enced you? Why?

Many women have gre atly influenced me, but most notably, my mom has and continues to. She is hard-working, independent, and has the kindest, warmest soul. I am tremendously grateful to have always had her as my strongest support system and inspiration, and she’s given me the courage to do so many amazing things. Looking back to my early days of au ditions for TV shows and modelling, my mother ensured that her highly dreaming and ambitious young boy was doing all the things he dreamed

Shirt: Zara

Hat: Zara

Jacket: Simons

Pants: Simons

Glasses: Zenni Optical

of, while navigating the challenges of being an immigrant and trying to support our family.

In your own eyes, how has modeling experience changed you as a person? What have you learned?

The modelling world has opened many doors, and I have had the opportunity to meet many people with lots of experience who offer suggestions and feedback which have helped me develop as a model. Meeting so many remarkable people and hearing their stories have broadened my view of the world beyond mo delling and encouraged me to get out of my comfort zone.

You have a beautiful portfolio and you have worked on so many projects as a model. Which of the projects you have worked on left the biggest footprint on your modeling experience so far?

My most recent work, most of my work has only been done with local agencies in my city and have never had the opportunity to reach most of the world. I look forward to continuing my journey and growing.

What is the most important thing(s) you want potential clients to know about you?

I believe that my work is very versatile, I am confident in anything from suits and dress shoes to more modern and femi nine styles. My flexibility and willingness to explore new styles and creative con cepts showcase my uniqueness.

What is the most courageous thing you have ever done?

Packing up my entire life in Canada and moving with just three suitcases to the other side of the world, of course!

Looking back how has modeling experience changed your personal/ professional life? Have you grown more comfortable with yourself since you started?

Absolutely. The different shoots I've done and changes in my style have boosted my confidence and helped me develop into my own. Like everyone, some days that can alter how I feel, but reminding myself of how far I have come in both my physical and mental health journey brin gs me back to loving who I am as I am.

Are there any current projects you’re working on that you can tell us about?

Mr. H Studios was my most recent and I look forward to meeting with him again when I travel back to North America. We have a few projects in mind we’d love to execute together! My next step on this side of the world is gaining some more connections down under and other places I travel, hoping to share my art wherever I go.

Where can our readers keep up with your work and get connected with you?

My main social media presence is on Instagram. Check out my profile, @To neiio, where you can better get to know me and follow along with my everyday life and travels!

Exclusive Interview with Kristina Stoloka

Kristina, how did you get involved with modeling? Where are you based now?

My story started so interesting. Once I was in the gym I met a woman, who invited me to her modeling agency, “PM models”. I agreed and came with my parents because l was only 16 years old at the moment. After this meeting my career models started. Now I’m working with so many brands.

What was your first job as a model? How did it feel?

I remember how much I was worried at my first job, because I didn’t have experience and I hadn’t finished any model school. All I had to do was studying by YouTube videos.

My first job was a shoot for a clothing magazine. But I needn't have to worry because everything went well. I felt like a professional model and I liked everything.

Besides modeling, what else are you passionate about? What are your hobbies?

I have so many hobbies, but the most im portant is sport! I’m exercising every day.

I am also interested in psychology, like to read and meditate every day.

Who is someone you feel has really influenced you? Why?

I think it’s my grandfather. He taught me from my childhood to study and I can say because of him I have not lost myself and always develop.

What keeps you excited about life in general?

I like resorting new information. I’m sure that a person constantly needs the pro cess of self-developing, trying out for him self in different roles.

What is your advice for people to be happier, healthier, and more full of love?

I think people need learn more, develop their professional skills, learn to analyze them selves and the world around them. Study psychology and don't judge another ones. Pay attention to your family and enjoy life.

What is the most courageous thing you have ever done?

I didn’t have courageous situations, but when I was a TV pre senter, I had to interview in English. But I didn’t know English language that time. Everything ended well though)

Is there an artist you are fascinated by or you would like to work with in the future?

I think it's Megan Fox. She is a very bright, smart woman with a strong character. I think we are somewhat similar.

If I have an opportunity, then I would like to work with her and it doesn’t matter if it is a film or something else.

What kind of life would you like to have?

I am rather satisfied with my life, but things I want to change motivate me every day to work and improve my self.

If you could change something on the planet, what would it be?

Interesting question. I would really like to change peo ple's thinking. In order to improve our planet, we need to change human values, live consciously and respect each other.

What are your goals for the near future and do you have any exciting projects you want to share with us?

I don’t know if they are global or not, but now I am working on creating my own jewelry brand. Probably the global now is to be mentally healthy and to be happy.

I hope that all people will find their purpose in life and feel safe.

THE SEPTEMBER ISSUE

WHY IS IT SO IMPORTANT FOR FASHION MAGAZINES? ALSO, IS IT STILL?

September, as you may know, is called ‘The Fashion Month’ along the industry workers and fashion lovers. The most important Fa shion Weeks are happening, new trends are coming and, of course, magazines are get ting a lot to work with. I’m not trying to say that fashion editors don't worry about the content of all issues – I can totally say that we do – but September is always something else, it’s bigger both in terms of editorial pic tures and advertising. But why? Let’s get de eper into it.

September issues have historically been considered the biggest fashion moment of the year for all magazines and fashion plat forms. Always packed with super glamoro us editorial shoots, prime advertisements and trends that will soon debut in stores, it really holds a special space in the industry. The September issue acts a big reset mo ment for people, they actually being in the industry as a fashion editor, model, designer or just by loving fashion. It marks the end of summer and it’s almost like it’s the first step in the direction of returning to “normal” life and routine for people. It also forecasts what's to come in the rest of the year and get us prepared for the new trends, styles and aesthetics – as Gen Z is saying these days, it's a way to show off the pull magazines have with advertisers as it's to be believed that the more pages an issue has, the better a publication is doing financially. We can un derstand why September is a much awaited month for fashion brands advertising, as it marks the beginning of the fall-winter se

ason, the most luxurious season of them all, full of the most in celebrities – that turn into sales for most cosmetic and fa shion brands.

All brands, they being already big and fa mous or just starting to make its way into the fashion pack, know that September is the highest season of fashion, so, as expected, they allocate large amounts of their annual budget to advertising in this month’s edition. You’ll notice that in the first weeks of the month we will be bom barded with advertising and previews of digital campaigns, and then we’ll find everything in magazines. For all of these reasons, the September Issue is always published by all fashion magazines, which coincides with the fashion week in New York, Milan, Paris, and London, the most famous ones and in which the most re levant collections of the most known desi gners are presented. At the time, all of the big, famous and impor tant stores begin to exhibit their autumn-winter collections. Going from hot to cold weather makes new trends begin to emerge, so all ma gazines – like ourselves here in MALVIE – work on delivering the most memora ble, extensive and innovative issue of the year. It’s supposed to make people want to get the actual issue, not just the virtual edition of it. To make people excited to get it and read the stories, see the editorials. It’s supposed to be a real object of desire. In the regular calendar, September may be the ninth month, but in the fashion calen

dar it is the beginning of a whole new year, as it sets the mood for the next two seasons. We get to know which pieces are coming out, which ones are appearing, which colors will be must-haves during the spring of the follo wing year.

As it’s the end of summer, there's a back-to -school feeling in the air, summer holidays have ended and the mood shifts. It's a period of reinvention and fresh starts, both in fashion and in life – and your wardrobe must match your life, right? - when the summer dresses you wafted about in all season no longer feel like the right choice. It's the perfect time for shopping and getting new pieces for this new moment. Fashion at its best is a reflection of public desires, so consequently offers up more inspiration and style notes than usual this month to help you find what you need to reinvent yourself. Not that long ago, it t used to be normal that June, July and August issu es featured less fashion editorials because there were less new clothes in stores, and a lot was on sale as space was being made for the September collections, but it’s safe to say that this is changing as new drops land on shop floors throughout the year and with the rising popularity of seasonless collections, but still the power of the September issue re mains.

Of course, as social media changed every thing we used to know, things are a little diffe rent today. Last year, The New York Post even declared September issues "dead," pointing to a lack of publishing funds. While it seems publishers stopped reporting on ad page co unts a couple of years ago, saying that reve nue comes through many different channels now, there's no denying that the issues aren't as thick as they used to be. Not to mention the many print magazines that have shutte red over the last few years. But we do have a lot of industry insiders that think of brand ad campaings to be as beautiful as the fashion stories inside the magazine, so although now some of these carefully-crafted images appe ar online before they hit print pages, we can’t say that the issue has lost its impor tance and impact in Fashion.

Though some of the original hype of a Sep tember issue has faded, a very important thing for it to mantain it’s level of interest is the choice of the cover. Cover stars are often chosen because they have a certain fashion kudos, whether a top level model or a well known fashion influencer. This, along with the new autumn/winter edits, makes for a ripe advertising environment that its definitely a real statement time for all ma gazines. We always aim for a cover star with fashion clout, but also someone that has something interesting to say, someone who's really having a moment. A good co ver will capture the attention of the internet and people will share the image with the ir followers, usually with accompanying praise. Even though it’s in rare cases that they will actually read the story and in ra rer cases go out and buy an issue, it's the initial engagement that's important and no teworthy. A magazine cover is all at once a cultural statement, a conversation starter, a negotiating asset, a digital selling point, and most important, a mood.

No one can ignore the sheer numbers po wer that online offers, but advertisers still want in on the prestige. And that’s why the trend forecasting purpose of the Septem ber issue can never become irrelevant, even with the immediacy of digital and social media. The traditional point of a Septem ber print issue is to reveal that year's fall fashion, and even now that people no lon ger need a physical magazine to tell them what's about to be trending, the feeling of having it in our hands and being able to take a break and make our sceen times go down is unmatched. A publication can al ways tell them that they don't already know and make them think about what they are reading in different ways. For now, the re putation of the September issue remains.

Article by

Valentina

Roque

suit - Interview Necklace - Guess Flower - Michaels watch - Movado suit - Zara flowers - michaels necklace - Asos watch - movado shoes - Kenneth Cole suit - Emerald Zalio shirt - INC Watch:Citizens Shoes: Macy's Belt - Kenneth Cole

Shirt: Rayon Shanigi Necklace: Amazon Hat: Forever 21 Watch: Movado Shoes: Richwanaz

Shirt: Rayon Shanigi Necklace: Amazon Hat: Forever 21 Watch: Movado Shoes: Richwanaz

Shirt: INC Pants: Old Navy Watch: Citizens Socks: H&M Shoes: Macy’s Hat: Forever21 Belt: Kenneth Cole

INTERVIEW

First off, can you tell us about yourself and how you got started in photography?

Hello Im Aaron Tyler Soffer a freelance photogra pher currently in Los Angeles, CA.

I started my photography journey back in my Junior Year of High school with 35mm film and darkroom techniques. I eventually made my way to New York City to go The New York Film Academy for a Photo graphy degree.

What do you love most about being a photographer?

Ever Since I've taken that first photography course back in high school I just fell in love with the process of making images.

You use natural light in a lot of your images. Why is that, what is the appeal of natural light for you?

I do prefer to use artificial lighting while working with photography. I like to control all aspects of ligh ting. But sometimes when shooting on location you can't use strobe lighting so using the natural light to get the shot.

What's going through your mind when you are behind the camera?

I just try to have fun when I'm behind the camera. Normally yes you should always be focusing on composition. and camera setting. But being able to talk and direct your model is just as important. But sometimes just allowing the model to be themsel ves in front of the camera, you will get the shot. It's

a team effort from everyone involved.

What inspires you and what gives you ideas to create your beautiful images? Can your ideas change depending on the models you are working with?

My work has moved onto Fashion. So I will try and find like minded people to work with. Everyone has a vision or want or need. I like to get feedback from the stylist, the makeup artist, and the model.

Do you plan each photo out or are they created more spontaneously?

I like to try and compile Mood Boards for all talent in volved so that everyone is usually on the same page. But use that as a guide. I like to try different things with different talent.

What is the best way to find work as a fashion and beauty photographer? Network Network Network

What advice would you give to someone looking for a career in photography? Pick up a camera and shoot. Practice, school helped me figure out what direction I wanted to go in.

Where can our readers keep up with your work and get connected with you? website - aarontylerphotography.com instagram.com/aarontylerphotography email - aaron@aarontylerphotography.com

INTERVIEW WITH

Who is Sundjata Imhepi as an artist?

Michael Sundjata Johnson a Fashion & Beauty Pho tographer based in the Chicagoland area. The name Sundjata was given to me by my God Mother after the great Malian King Sundjata Keita of Mali West Africa. I’ve been a Professional Photographer for 8 years now and love the creativeness of what I do.

How has photography influenced you as a per son and what do you love most about being a photographer?

Photography has given me the ability to see deep er inside of my subject no matter the genre of each shoot. Seeing the transformation from being shy or showing them their inner beauty makes me feel good to tap into ones inner essence.

What is the most important thing for creating new amazing work?

Being able to create anything I want based on my imagination. My camera can freeze that one mo ment in time that people usually miss because of this busy world. I want to show exactly what’s right in front of us be it happiness, pain, compassion, just complete emotion (Tell an amazing story).

How do you prepare for your new shootings?

I always build my moodboards based on the con cepts I have in mind. Taking images from a num ber of sources (Pinterest, Magazines, Youtube etc.) Then I’ll build my team to help put the vision into action, with the last piece being the talent that can bring the concept to life

How important is it to be knowledgeable about fashion, photography, and the latest trends to be successful as a photographer? As a Fashion Photographer it’s very important to stay up to date with the latest trends, but more so in knowing how to use your equipment to bring out the looks and aesthetic you envision in conjunction with your creativity. To me being able to look at certain trends and make it your own is what’s going to help you stand out as a trend Setter.

How would you describe your work to someone who has never seen it?

I would say I’m still finding my style but bold, artistic with a lot of fun movements.

What is the best advice you’ve been given?

I love the quote by Albert Watson “Without light, you don’t have a shot”. Learning to control light can make or break your shoot and how your audience sees your art, I love being able to tell a story with my work.

How do you keep yourself productive and retain your creative edge?

I’m always in creative mode. From the time I open my eye’s I’m looking around me and noticing my environ ment, how people react to everything, different gestures someone may make during a casual conversation. So when I get a moment to sit down I’m building a mood board on my tablet or drawing in my notebook.

What do you think is the hardest thing in your life you've ever had to overcome?

Everyday is a challenge but having a strong faith in God and knowing he places me in different positions for a reason even if I don’t understand why.

Racism goes against everything we believe here in MALVIE

Whether it comes in big gestures, like bullying and name-calling, or disguised as “jokes”, racism is violent. It is always aggressive and has the only purpose to oppress people. And that is something we can no longer tolerate.

As we live in a world where people are being discriminated and even murdered for their skin color and genetic features, it is our mission to try to make life a little less scary.

You deserve to be respected and appreciated for who you are, and nobody has the right or the power to say otherwise.

We know we cannot change everything on our own, but we are doing our best to help in any way possible and to show our support in the making of a society in which everyone is safe, respected and gets ev ery opportunity they deserve.

We know it will take time for us to make big chang es with worldwide im pacts, but we can try and star t somewhere. That’s why we created MALVIE Noir, a special edition des tined to empower people of c olor and make their voices heard through the art. Also, in the immedi ate term, we are donating proceeds to a black led or ganizations that fights ra cial injustice.

You are not alone!

Photographer: Tatiana Malinnikowa @tatiana_malinnikowa Model: Anna Efimova @ecmanagement @ephimova_ann Model: Oksenia Rybak @ecmanagement @okseniarybak

Makeup Artist/Hair Stylist: Klaudia Sadoch @sadochklaudia

Fashion Designer: Missme @missme_beachwear

Footwear Designer: Daria Osińska @bialababa_

Fashion Designer: Dominika Deręgowska Wsuffka @wsuffka_ozdoby

Fashion Designer: Mycelia @myceli.a

Wardrobe Stylist: Adriana Kwast @blulimon

Fashion Designer: Many Rhizomes @many_rhizomes

Wardrobe Stylist/Assistant: Natalia @nannie.na

Fashion Designer: Urszula Fajerska @suknieslubnefajerska

Set Designer: Flora Weiss @florencjaweiss

Fashion Designer: Stacherzak @stacherzak

Assistant/Set Designer: Ania Szuber @aszubii

Fashion Designer: Krystian Szymczak @kry_szy @kry_szy

Fashion Designer: Daria Opasiak @daria.opasiak

Fashion Designer: Karolina Borowska @kb.karolinaborowska

Assistant: Beniamin Gordon @einverv

INTERVIEW

To begin, can you tell us a bit about yourself and how did you get into the photography world? Do you have any formal training in your background?

My name is Tatiana Malinnikowa. I was born in Kazachstan, and currently I live in Poland. I have been fascinated by pho tography since childhood, when during holiday trips with my parents I had to plan every single shot due to a limited number of film frames. In my teenage years and later on I found daylight amazing, and also I was moved by the possi bilities of how you can create an image all by yourself. Fina lly, in 2016, there was a moment in my life, when I wanted to delve deeper into photography. I am self-taught and I have attended only one photography workshop.

As the expert you are, what are the unique features of this kind of photography and the keys to mastering it?

I think the absolute basics are a good sense of lighting and framing. I practice both through observation and analysis. I pay a lot of attention to how daylight works, where it falls, and how it can be used. I follow a number of awesome photographers, at the same time trying to master my skills in framing.

What are the technical challenges of this kind of photography and how did you overcome them?

If the session takes place outdoors, the most challen ging are always weather conditions. I mainly use dayli ght, so there aren't many technical challenges. But a little assistance will always be greatly appreciated!

In your own experience, what are the biggest challen ges for an independent photographer?

For me, personally, it is managing your own time. Since I am myself responsible for managing the work time, I realized that the most important thing is to set your priorities straight. This is something that definitely makes the whole organizing process way easier.

Your projects are a collaborative process. Tell us what is like to always be working with new stylists, models, and designers.

Part of my team works with me permanently, but I am always open for a collab. I love to meet new people with

a fresh vision. And thanks to this diversity, everyo ne who takes part in the project can evolve.

What project(s) are you especially proud of? Why?

I am most proud of my creative, independent pro jects, because thanks to them I can fully reveal my sense of aesthetics.

In your opinion, is it fair to alter reality by adjusting images in post-production? And what do you think it delivers in the final image?

I think it mostly depends on the creators them selves, the type of a photo, and what they want to tell through their work. For me, it is a very per sonal matter. If you want to add a laser-shooting unicorn in post, just because this is your vision, then you got a full right to do it. Colors and re touch have a huge influence on the final result. The whole atmosphere of the photographs can be built up thanks to that.

What are you usually looking for in a fashion model? What is an "aha" factor for you?

For me it's always been the face and expanded facial expression. I love close-up portraits!

From your experience, what is the key to getting the best out of a model?

The dialogue. Before any session, I always talk to models to create a bond. Also, equally important for me is for the models to feel comfortable both during the preparations and the entire session itself.

Would you have any tips for non-models on how to look good in front of the camera?

The more confident you feel, the better you look. It doesn't matter what you're wearing, or where you are!

Where can our readers keep up with your work and get connected with you?

The best way to reach me is to follow my Insta gram account @tatiana_malinnikowa. Feel invited!

Romane, can you tell us a little about yourself and what brought you to photography?

My name is Romane Jacquin, I am 25 years old and I live in Paris.

I learned photography by myself and then I validated this knowledge by obtaining my diploma at the School of Image Gobelins. I work as much with digital as film photography, especially with a view camera.

Art has always fascinated me, especially the possibil ity through art of being able to create universes and tell stories. Since my younger days, I draw a lot. The photograph appeared very early as a sequel to my drawings, a new way for me to express my imagina tion and create even more intense emotions.

How was your first shooting? What did you shoot?

I started training alone, after high school, in my room with self-portraits. My first self-portraits were cata strophic, but progressively I learned from my mis takes and persevered until I got a result I liked. I see photography as a staging, and putting myself in a position of model also allowed me to address all the themes I wanted, and to create real little stories. My first real shooting took place when I arrived in Paris, with a model. I had turned my small student studio into a photo studio. The model had an in credible look, with very big eyes. So we made sim ple portraits on a black background, but it released a very intense emotion.

Ce premier contact avec une véritable modèle était à la fois stressant mais aussi très formateur. This shoot convinced me that photography was what I wanted to do.

In your opinion, what is the difference between fashion and beauty photography? What's your favorite?

For me, fashion photography revolves around the world of fashion, with the touch of the photogra pher. The latter will sublimate the model as well as the clothes by inserting these elements in his uni verse. He will make the subject travel and create a whole story around it.

It’s not just «pressing a button», there is a real re flexion behind the shooting. The goal is to convey an emotion and make photography unforgettable. Beauty photography is just as intense, but this time we will not create a story, but sublimate an existing one. The make-up artist is then the cre

ator of the work, and the photographer must sublimate this work without distorting it. I find these photographs less experimental but just as powerful.

Can you name a single work that has resonated with you emotionally? Why?

Paolo Roversi’s work has always resonated with me. Although these photographs are simple, they convey an emotion so intense that one cannot emerge un scathed. Paolo Roversi has this gift of being able to sublimate the beauty of women or a garment in a very poetic way. I am overwhelmed by much of his work, which reveals a true strength of women, while preserv ing their vulnerability and sensitivity. These images are intriguing, sublime and sincere.

What is your favorite type of project to shoot for yourself?

Today, I am a photographer specialized in portrait, fashion, but also advertising. Nevertheless, my favorite projects remain those where I am free to totally cre ate an universe. I want to make the spectators travel, take them in my imagination, my dreams, as well as my nightmares. To transmit new emotions by making them discover a new vision of reality.

What is your mental checklist before a shoot?

Before a shoot, I always prepare either a moodboard or explanatory sketches so that the team on D-Day is effective. I also did some light tests beforehand and prepared my equipment. Finally, I do a check-up of my team and then I prepare my set the day before. I like that my shootings are effective but also a pretty fun experience for all!

How do you choose your studios and locations? Is there anything specific that you're looking for?

I have the chance to work in a studio that very quickly saw my potential and met my expectations. I do part of my shootings there where I have access to the material and a lot of space to create. Outside, I like to find atypical places that serve the story that I will tell through my photographs.

In your opinion, what makes the good picture stand out from the average?

A good photograph is able to transmit intense emo tions, to bring the viewer back to a memory and/or to make him travel in his unconscious. It can intrigue,

question, annoy, but in any case, it does not leave indifferent and marks the spirits.

Who or what was your biggest influ ence in photography and why?

As I said earlier, I particularly like the work of Paolo Roversi, who was a real source of motivation in this vocation.

I work like him with a view camera around women, their femininity and their force. He was and still is a great source of inspiration.

I also find in Nicolas Bruno a real influ ence, especially in these productions around his nightmares. I find his work particularly well done and upsetting.

How important is it to stay up-todate on the latest trends to be suc cessful in what you do?

It’s a double-edged game. We need to be aware of the new waves that are arriving in the world of photography to try to appropriate them and thus be able to explore new subjects and media, acquire a new audience and rediscover ourselves.

Nevertheless, these ephemeral modes can prove dangerously when the photographer gets lost and loses his style in it, becoming only an «In stagram photographer» who repro duces the same shots without having any real reflections.

What role does social media play in your photography business?

In 2022 social networks are essential for communication when we are artists. Unfortunately, they can also be very harmful.

I have a hard time being consistent on these networks because it’s a world really apart where the followers race advocates on the quality of work. However, if we ignore the negative elements, social networks are a good way to present his work, but also his personality, his style, his opinions. In this way, real bonds are created between you and your community, which can also lead you to new customers and new opportunities.

Where can our readers keep up with your work and get connected with you?

I’m going to be much more present on Instagram: @romanejacquinphotographe You can also find me on Tiktok: @romane.jacquin Futhermore, my best friend and I have created our studio dedicated to view camera and film photogra phy, you can find our creations on the instagram of @tytytyetromy .

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EXCLUSIVE INTERVIEW

To begin, who are you, besides being a photographer and how did your first get into photography world?

I discovered the world of photography during my school years, later I started reportage photography for magazines and finally it ended in commercial work.

What is photography according to you?

German proverb says "photography is writing with light". I think that describes the essence of pho tography very well. The photographer interprets reality. It is in his hands to give reality a new twist through exposure and composition.

What inspires you and what gives you ideas to create your beautiful images?

Light is what makes up our world. Without light there is darkness and we would all run around banging our heads against walls. If you want to write with light, first of all you have to see light. That's why you should walk through the world with open eyes and be curious. That is the greatest inspiration.

From your own experience, what are the biggest challenges for an independent photographer?

The biggest challenge for an independent photogra pher is probably to find the balance between free work and economic necessities. In the long run we can only get ahead if we leave space for creativity and indepen dence and, above all, if the society wants to afford it.

Thomas, tell us a secret, what is the key to getting the best out of someone for portrait and fashion shots?

I don't know if there is a secret. If you want to take good photos of people, you should be interested in people. Get involved with them, give them something of yourself and they will give you something back.

In your opinion, what makes the good picture stand out from the average?

A good photo captivates the viewer. It tells a story, takes

them on a journey. Degas wrote: "Art is not what you see, but what you make others see". I think that sums it up very well.

How do you choose which images you provide to your clients?

We are in the lucky situation that most of our jobs give us a lot of freedom. They appreciate our view of the world and our way of depicting reality. We don't just take photos, we deliver concepts, tell stories. So we choose the photos that best tell the client's story.

How would you describe your work to someone who has never seen it?

We wouldn't describe it, we would show it. After all, we are image makers.

How does your normal everyday life looks like?

I am a very normal person: I have a family, I live in a house in the country, I have friends, just like all of us. And I have this job, which I like very much. This means I can sometimes work in places where others go on holiday and sometimes see things that others don't see. Maybe I can do something special. But I am nothing special.

What motivates you to get out of bed in the morning?

Actually I don't need to motivate myself because I really like what I do. We all have a limited lifetime. So it doesn't really make sense to spend too much time in bed.

Are there any current projects you’re working on that you can tell us about?

We always have a whole series of exciting projects. But most of the time we can't tell you anything about it. However, I can mention a very personal project that is in the works. It is about young people's plans for the future. That is really exciting and surprises me again and again.

Where can our readers keep up with your work and get connected with you?

The easiest way is to follow @stac.photos on Instagram.

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Exclusive

To begin, can you please give us a little intro as to what motivated you to become a photographer?

I have background in arts, so I was always attracted to visual expression. As a strange fact, I did not have much of my own photos from my childhood. That was my mo tivation to take camera in my teenage years. I wanted somehow to capture everything around me.

Has your vision and style evolved or changed over time?

Definitely. I still expect it to keep evolving as I am quite open to new experiments.

What is your dream in terms of your career?

I would like to do more artistic personal projects and to be a part of interesting commercial fashion projects.

Milana, what project is held dearest to your heart and why?

My current project where I do styling by myself as well.

Describe please a day at a shoot, what happens and what is the trick to capturing a great shot?

I love planning my shoot. I think in advance of every de tail - model type, mood, character, lighting, styling, beauty. However, I always leave space for experiment. So for me a trick is to have a solid base such as planning of all and to improvise as well.

How long does it take to create one of these wonderful works?

Hours of preparation as men tioned above and of course effort from my team on the day of actu al shooting.

What are the most difficult parts of your shootings?

I can’t name any as I truly enjoy the process and it feels smooth. May be choosing right people for the team makes difference.

What is the secret for an image to become unforgettable?

To evoke a feeling that viewer can relate to.

What type of models do you prefer to shoot with? Why?

It is about personal attitude. I like models who feel the character, enjoy the process and open to exper iments.

What do you like to do when you are not behind the camera?

Staying in nature, e.g hiking on the seaside. Also, reading about arts.

What projects are you working on next, and what are your goals for the future?

My goal is to make more complex projects in the fu ture and attract more people as a team into it.

Where can our readers keep up with your work and get connected with you?

Right now it is Instagram only, but I do plan to ex pand on another social platforms.

EXCLUSIVE INTERVIEW WITH

Could you tell us a bit about yourself and how did you get into the modeling world?

Hello, my name is Selina Hall and I started modeling five years ago as of March 2022. I’ve always had a love for looking at magazines ad miring all of the fun poses, flashy clothes, and beautiful models. I enjoyed being in front of the camera as a young girl and being photoge nic was my thing. I decided to finally enter the modeling world after being laid off from a good job and leaving a relationship. I felt I needed to go after one of my dreams before I get older and regret not doing so. Here I am today.

How would you describe your modeling vision?

I love fashion and editorial the most! Posing is a passion and expression of self for me. Combining all of the amazing designers, hair & makeup, eccentric posing to convey a sto ry and sell it to the consumer is fascinating to me. I’m very versatile and have done many different types of modeling, but my heart de sires fashion work. That’s just how I envision myself. One day I will get there.

What has been the most memorable moment in your career so far?

Honestly, I do not have one in a sense of feel ing completely awed. Many of my memorable moments are from how I felt on set with the people I’ve worked with. Those are moments I do love for a lot of the times; good energy and epic end results.

In your opinion, what are the ingredients for success as a fashion model?

I always preach, professionalism is a key. Taking the time to sharpen some of your tools will help you maneuver in the industry. Things that seem small such using greeting expres sions or your email signature is actually big and will reflect well on you. It is your first im pressions and knowing how to present yourself shows what you have to offer as a profession al. This doesn’t start & stop at emails. DMs on Instagram and text messages too! Always be formal. Being prompt and on time and kind!

How do you balance your style with a photographer's vision?

All photographers have their own style of shooting. It’s good to be really attentive and communicate with them. Some photographers like to shoot models continuously moving and being fluid, some like you to be a lot slower and change pose only after the shutter goes off, etc. I believe most are shooting with someone where a con cept was discussed, to mix the both of model, photogra pher and/or team’s vision. I make sure to plan or commu nicate before shooting.

What role does social media play in your business?

Social media is an important factor these days. It has helped my career generously. Most of the time, Insta gram or other sites are used as a “portfolio.” If you utilize it the right way, it could help you get scouted by agencies, booked for jobs, referred to clients, etc.

How do you get yourself inspired for a photoshoot? Where do your ideas to shoot come from?

I am inspired organically because this is my career and passion. If you go into a shoot with no energy or care to be there, the photos will reflect that. It would be a waste of everyone’s time. A lot of my ideas just happen, however I am also inspired and have many moodboards of poses, outfits, location ideas, etc. Pinterest and Instagram are awesome to use.

Could you take us through the typical planning process for your photoshoot?

Planning and preparation for me starts as soon as every detail is set in stone. This could include if I need to have certain things or wardrobe for the shoot, I make sure I have those things and if not go out and get them. What ever the case may be, up until shoot day I am taking care of them including manicures, pedicures, making sure I’m groomed, hair is cut, the whole nine yards. This just makes the day of the shoot easier and more fluid.

What would be your advice for aspiring models wanting to get into the industry?

Always put yourself in the best light, whether it be through your professionalism, promptness to all auditions/fit tings/bookings/etc., and have courteous behavior to ev eryone you meet (you never know who could be the cli ent, or your next opportunity! I have more tips for aspiring models here: Instagram.com/sovlbeavtifvl

Where can our readers keep up with your work and get connected with you?

You can find me on Instagram @_soulbeautiful and this url which contains all of my links :) soulbeautifulxselina.onuniverse.com

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Interview with

To begin, where are you based? How long has photography been a hobby and career of yours? What motivated you to get started?

I am based in London, moved from Italy in 2007. Photography has been a hobby since I was 5 years old, at this point I was already was taking photos but I started my professional career in 2011 (after a long break in NYC). The first motivation was to do what I love rather than doing a job just to pay the bills, which I had been until a point. Then I decided to take the risk, and I am grateful to a few close friends and my wife who encouraged me and pushed me to start a new career

Alfonso, what are the biggest challenges you experience in the photography field?

Good question lol. I would say it is to believe in yourself and what you are doing (no pressure no drama). Accept mistakes and work on them, the next project you will find new mistakes and that means you are growing. PS:work hard !!!

What's the best part of being a photographer? What do you love the most about your job?

I love variety and always try to have different projects and creat ed new vibes; this allows me not to limit my style to one mode but improve my skillset whilst putting my own individual stamp on things. Seeing your ideas come together in a photo is like a dream coming to life.

How do you connect with your models? Do they tend to be people you know or strangers?

It tends to be a mix of the two, sometimes I work with model agencies, other times it will be Artists / Actors or other cam paigns. Firstly, I will build a rapport with the model; put them at ease and perhaps give a brief about what the outcome of the shoot will be in order that they too can get a feel for their role and how they will be projected in the shoot. If it is someone I know then they will have some awareness of how I can make the best of their individual presence and and perhaps make reference to …... I selected the one that matches with the project.

You are going about conducting a photo shoot, could you take us through the typical planning process for your images?

I usually have few briefing days before the photoshoot with Cre ative director/Stylist/Mua/Hairstylist, on the day of the shoot more or less we have a guide but how I mentioned before I am al ways happy to feel on the day what is going on, what the connec tion of all the creatives takes us. Usually I decide the final lights set up when I see the outfits and the model.

What do you look for in a creative team? What key skills are you looking for to ensure you are picking the best artists to work with?

When I look for some creatives often I am look ing for people that are free to create or to take a risk (no playing safe) and have a vision similar to mine (sometimes it depends also who is your client) Ideally you want a person to be dynamic and innovative, for example a person who can easily convey a mood onto the subject or the scene whether it be drama, romance and use the correct palletes or compositions based on our brief

How do you manage to make your models feel comfortable in front of the camera?

I have always been passionate about psychol ogy, at the same time I am very spontaneous person; I like to talk and I am humble person so I always try to make that come across when I work with different people. Usually I welcome my model take care first if they need water cof fee if they had a good journey, gently I start with very random chat about everything (this is the way that I am with everyone. I will then explain a bit more about the project during the make up session (they will have received the moodboard days before), then when everything is ready I have few words to take the model on the right path (mood, emotions). Something as simple as positive reinforcement, encouraging them throughout the shoot, the use of play often al lows people to come out of their comfort zones and relax more or use different poses – let them know when they are doing the right thing or are giving me the vibe I am hoping for in the fin ished product.

If we could ask the model, what would he say about you and your work?

Usually they always say it was good experience something new and very comfortable/fun

What has been your most successful moment to date in your career so far?

For me anytime that a model client or just sometimes a simple message or even a smile that means that they remember me it is already

a successful moment. But obviously my first publishing with a magazine was a big deal because it was something quite edgy project and meant that I had got their attention. Something like this al ways makes you work harder because then your audience is bigger and they also get pleasure from your work. If you see your own project published it gives you more gratitude.

Could you share how you expand your vision of art, as a photographer?

It is to understand and know yourself then visualise your message (what you want to say) . Anything has potential to be a piece of art. For example if I listen to a particular piece of music, I will think about the individual instruments and make connection with live objects. This helps me to think about the type of com position I might need to make or what the model might look like paying attention to their features and how this will translate

Where can our readers keep up with your work and get connected with you? alfonsoscarpa.com @alfonso__scarpa

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EXCLUSIVE INTERVIEW WITH

Ustinova, please tell us a little about yourself and how you discovered your love for photography?

My name is Alina. By education I am a manager of hotel and restaurant business. There are still many different cer tificates, but by profession I started working only half a year ago. I was very touched by the photo, and quite by accident. I liked to photograph architecture and it all started with it, I learned to see compositional tech niques, I liked color contrasts and the di fference in the shapes and sizes of buildings. Gradually, I switched from one genre to another, and in the end I realized that photography kindles a fire in me! Helps to create, create, admire. And of course, never stand still!

We admire the ex quisite level of detail in all of your work. Does your creative process start with a certain image in your mind, or do you look for inspiration as you go?

Every project I think through to the sma llest detail. Collec ting a team takes only a small part of the time from crea ting the whole go.

Creating a shooting begins with the fact that I get fragments from my imagination that could be combined into one concept, then I look for suitable refe rences and create a detailed moodboard in which I write: description (including various world trends), task, image, makeup, locations, and finally - references. It can take from one to two weeks to produce one large project.

Fashion and photography can be a somewhat unforgiving industry with a lot of egos, how do you deal with that on set or behind the scenes?

I always try to come to the shooting in a good mood. And I try not to give in to shyness, tension, embarrassment, anger, arrogance ... More often I avoid any conflicts, but if some thing goes wrong, I take the situation into my own hands. Since without a warm atmosphere on the project, there will be no good re sult. The main thing is that the photogra pher understands the intricacies of interaction with the team, model and clients in order to find an approach to everyone.

Could you explain what feelings you are trying to convey in your photogra phs?

In my photogra phs I try to convey feelings of beauty, lightness and ele gance. In my works, the viewer will ne ver feel fear or dis gust. The works are always thought out to the smallest de tail, and most often the viewer who sees them says: “This is very beautiful!; So neat and gentle!; Good accents, bright fashion shooting.”

Fashion shooting is a team effort. Tell us how you work with stylists, models and other artists.

I love every team! Because together we create and create wrapping episodes in the genre of fashion, beauty, portrait

(most often). In team work, it is important for me that each participant is interested in the project, that they approach responsibly and reveal their professionalism. I really like working with a make-up artist and stylist in a team: I always really like the process of creating an image on a model. Each of my projects is the work of the whole team! From and to, I listen to everyone's opinion, we approve the key idea and create beauty!

What is the most important thing you want potential cus tomers to know about you?

The most important thing is that the client sees professiona lism in me and in my work. I have an individual approach to each client. And the main thing in the work is not just a crea tive look and skill, but mindfulness and knowledge of how to create the frame that my client wants.

What inspires you and what gives you ideas for creating your beautiful images?

I take ideas from everywhere: films, paintings, various exhibitions, interesting posts on Instagram from the world of fashion and photography, music videos, music covers of artists. Even when I walk through the mall and look at the mannequins, my imagina tion is already creating the image for the shoot!

What is the best advice you have ever received and are you following it?

The best advice was from my teacher, and it sounds like this: “For every tenth client there is one very harmful one, which can even lower your bar. But you should never forget that af ter him there will be ten more clients with whom you will feel comfortable ”(literally). This advice helps me a lot on com mercial projects, since not every client is inviting, someone just thinks that the photographer will wave a magic wand, and everything will be fine! But this does not happen, and so metimes clients directly depreciated my work. But remem bering the words of the teacher, I do not despair, but simply continue to boldly move forward!

How would you describe yourself to people who don't know you?

"Hello! My name is Alina and I am a professional photographer! I publish in magazines and create bright and interesting projects. I have an individual approach to each client. I work in the following directions: complex lighting, fashion, beauty, portrait, content shooting. You can see my portfolio on Instagram. Tell us one thing about yourself that people might find unexpected.

Most often, people are surprised when they find out that I am a photographer, that I have 12 years of musical career behind me, that I owned five musical instruments, led en sembles and created my own compositions, up to working with an orchestra. Not everyone can believe that love for mu sic lives in my soul.

Where can our readers follow your work and communicate with you?

Most often, my work can be seen on Instagram

@ph.ystinoffa and Vigbo third-party portfolio. I will be glad to every reader! This is very valuable to me!

Photographer: Viktoriya Shrubok @viktoriya_shrubok_photography

Model: Hanna Datskevich @horoshavkaann

Retoucher: Ryabinina Tatiana @ryabinina_retouch

Interview with Viktoriya Shrubok

When did your passion for photography start and what were the main milestones that turned you into the artist you currently are?

My passion for photography started in the middle of 2019. I was an accountant at the time and had three sons, but I loved baking and decorating with my own hands. First, I photographed the food and decorations that I had prepared myself. Then I took a photo graphy course and photographed a story abo ut bread and a baker for my graduation pro ject. I was awarded first place, and I realized that photographing people is not bad. I had the cheapest camera and even took good pic tures with it. At first it was my relatives and fa mily, and then orders began to appear. There were photo shoots for weddings, children and families, but my choice fell on individual and fashion photo shoots.

In your opinion what does it take to capture great portraits?

It takes a lot of things to get good photos. Such as a good model, good makeup, kno wing how to work with light, location and idea are also important. However, sometimes gre at shots are taken in the most unexpected places without preparation, especially when you just see a beautiful place and light, you just tell the model to stand there and you have a great shot in your pocket. Just intuiti vely come out shots that sink into the soul and delight later.

How long does a shoot day typically last and what is the preparation like?

Now the day of shooting lasts from 4 hours if you do not need to travel far to the place of shooting. Preparation sometimes takes up to several days until the whole team comes to gether and can, and how accurately I see this idea in my head. Recently, shooting oftenhap

pens spontaneously when I see new beautiful places and one of my friends can quickly go to the location with me.

How would you describe your photographic vision? What kind of look do you try and create in your photos?

I am currently trying to see the inner core in a person. show the essence of the soul of the model. often people do not seem to be what we see them from the outside. and be fore shooting, we talk for a long time, get to know each other, communicate on various topics, I care about every thing that a person experiences inside and sometimes it seems to me that I work as a psychologist) . I really like a woman's beautiful body, when a girl takes care of him, puts herself in order and looks one hundred percent even witho ut preparation. I often remember the phrase of the Italians: A woman, even in the garden, weeding beds should look beautiful and so that a man wants her! In every person the re is something interesting that he can show others and

even teach them something new.

How do you keep yourself motivated and your photography fresh?

Sometimes I get the Impostor Syndrome. It seems to me that I am a terrible photographer and I don’t know how to shoot, that my work is terrible and I must have reached a dead end. But strangers always come to the rescue, they seem to feel that I need sup port and begin to praise my work and new orders and acquaintances appear. We used to live in Belarus and I combined a lot of things with my family, my main job and passion for photography. In the winter we moved to the USA and now everything inspires me despite the process of adaptation to a new country and a new continent. I have never had such a creative breakthrough inside me and in photography.

In your opinion, what makes the good picture stand out from the average?

My opinion, a good shot is the inner state of a person and how he sees the world now. sometimes I look at a beautiful photo but I don’t find in it what is close to my soul, and a month later this photo seems to have been made for me. everything in life changes like the

seasons and every season has its own photograph!

How do you choose which images you provide to your clients?

First, I select photos with defects and those that I did not like at all. then I do a preliminary color correction and note for myself the most beautiful ones in my opinion. Then I throw everything off to the client and wait for a response from him, because it is important for me that the client chooses for retouching those photos that he likes, because someti mes my photographer’s eye sees and chooses those photos that ordinary pe ople seem strange or not beautiful eno ugh.

Is there one piece of equipment or prop that you cannot live without?

On all shoots, I can not do without a Ni kon 85mm f1.8 lens. I have grown to it almost from the very beginning, and no matter what lenses I try, I still take it with me and always, in my opinion, the most beautiful shots are taken on it.

What intrigues you most about photography?

I am intrigued by the very moment in the photo. because this moment will never happen again, neither this place nor this second, and the person captured in the frame at this moment will not become the same again.

What services do you provide and what does your "team" consist of?

At the moment my team is my family. we faced the difficulties of moving, so in the process of adaptation, my husband and my children help me with everything. very often my eldest son helps me to hold the props, lights on the set, and my husband sometimes poses when I urgently need to try out some ideas or a new beautiful place. but after a while I found professio nal retouchers who make the processing

the way I see it. I also found a makeup artist who is ready for all experiments and is always ready to get up early in the morning to do everything. basically all the work still lies with me and I'm probably completely immersed in the creation of the final picture.

Where can our readers keep up with your work and get connected with you?

I have now decided on what I like to photograph and what I think I do best. that's why I'm redoing my portfolio, you can find me on Instagram on my Shrubok Viktoriya page and on my Facebook page, while I plan to finish my website.