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A R C H I T E C T U R E P O R T F O L I O MANJU AKASH J K
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R E S U M E
RESUME: MANJU AKASH J K Address #213, 3rd main road, Vyalikaval Bangalore - 03 Contact +91- 8197517212 080-23310643 Email manju.akashjk@gmail.com
EDUCATION 2010 - present
BMS School Of Architecture, Yelahanka, Bangalore
2008 - 2010
SPUC, Seshadripuram, Bangalore
1995 - 2008
Poorna Prajna Education Center, Sadashivanagar, Bangalore
OBJECTIVE
Seeking internship for the professional training period of B.arch.
SKILLS MANUAL SOFTWARE Drafting Design aid& 3d modeling Illustration Analysis
Sketching | Drafting | Model making | Rendering AutoCAD - 2010 | ArchiCAD -14 Sketchup 13 | Autodesk 3ds MAX Adobe Photoshop Cs5 | Adobe Illustrator Cs6 | CorelDRAW X6 Ecotect
ACTIVITIES Bamboo construction (2012) by ar.neelam manjunath @ bamboo symphony WORKSHOPS COMPETITIONS Won best out of waste (2012) @ bmssa Bamboo installation (2012) - lobby bmssa Documentation of gavipuram temple area (2013) by ar.pankaj modi - intach Co-lab - design team (2013) - humanizing the campus, bmsit Participated in NASA product design competition (2012) & NASA ANDC (2013) - redesigning russell market Earth building workshop (2013) by designer jackson porretta
OTHERS Archaeology | numismatics | model making | collecting stationery LANGUAGES telugu | tamil | kannada | english | hindi
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ABOUT ME “What started of as a childhood fascination of playing with my dad’s complex drafting instruments set turned into my passion of becoming an Architect to use them. This passion led me to explore my inherent skills of sketching & designing. Taking up Architecture gave me a new line of thought of expressing my ideas efciently using my skills & presently I'm looking forward to a career where I can bring these ideas to reality by putting in use my Architectural knowledge with the practice I'm going to be a part of to pursue my passion”
BASIC DESIGN
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HERITAGE INFO. CENTER
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CAMPUS HOUSING
3-5
SUSTAINABLE VILLA DESIGN
6
PERFORMING ARTS CENTER
7-8
INDIAN INNOVATION CENTER
9 - 10
SATELLITE BUS TERMINUS
11 - 12
THESIS : NARRATORIUM - AN ARCHAEOLOGICAL CENTER 13 - 14 REDISIGNING RUSSELL MARKET (NASA)
15 - 16
HUMANIZING THE CAMPUS (COLAB)
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DOCUMENTATION OF GAVIPURAM
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BUILDING CONSTRUCTION
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WORKING DRAWING
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RESTOBAR INTERIOR DESIGN
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WORKSHOPS
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C O N T E N T S
II
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BASIC DESIGN
HERITAGE INFORMATION CENTER COMMERCIAL STREET, BANGALORE
sem 3
exterior view
program: S-01
TOILET
GALLERY
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URBAN SPACE
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SPILLOVER
road
LOBBY
café
S-02
restaurant
entry
site:589 Sq.m area:1650 Sq.m requirements: TOILET gallery spaces (temporary & permanent) urban space (activity area) info center library (1000 vol) street level café INFO roof top restaurant CENTER N auditorium seminar halls LIBRARY -a compact site in a dense context but a potential corner location. -approach - to create a centralized skylit open plaza at the ground level which would connect the two street approaches and link the small urban plaza while the spaces are visually connected to it from various levels.
SKETCHES
outdoor
N
entry
PLAN - I1 FLOOR
PLAN - I FLOOR
PLAN - G FLOOR
restaurant GALLERY
GALLERY
restaurant SPILLOVER
GALLERY
INFO CENTER LOBBY
URBAN SPACE
LIBRARY
LOBBY
road
road AUDITORIUM
view of urban space
Section - 01
AUDITORIUM
Section - 02
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HOUSING FOR A CAMPUS SITE - PONDICHERRY
sem 4
DESIGN OF PROTOTYPES : 400 SQ.FT HOUSE, WALK UP APARTMENTS (G+2) 800 SQ.FT HOUSE, WALK UP APARTMENTS (G+2) 1000 SQ.FT ROW HOUSE 1200 SQ.FT VILLA 1500 SQ.FT VILLA
TYPE 1:
400 SQ.FT HOUSE, (WALK UP APARTMENTS (G+2)
CLUSTER CONCEPT -FREE FLOW OF BREEZE THROUGH THE COURT TO AVOID HUMID AIR GETTING TRAPPED & PROVIDES AMPLE DAYLIGHT. -2 SCALES OF COMMON SPACES @ CLUSTER & UNIT LEVEL. -CONNECTING BRIDGES AT VARYING LEVELS & POSITIONS
UNIT
CLUSTER
SQ.FT HOUSE, TYPE 1I: 800 (WALK UP APARTMENTS (G+2)
CLUSTER CONCEPT
-FREE FLOW OF BREEZE THROUGH NARROW CORNERS AT THE CORRIDOR ENDS TO CHANNELIZE & INCREASE AIR VELOCITY (VENTURI EFFECT) TO AVOID HUMID AIR GETTING TRAPPED -A CENTRAL COMMON SPACE. -OPENINGS POSITIONED ALONG THESE CORRIDOR NICHES FOR NATURAL VENTILATION.
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UNIT
CLUSTER
HOUSING FOR A CAMPUS SITE - PONDICHERRY DESIGN OF PROTOTYPES : 400 SQ.FT HOUSE, WALK UP APARTMENTS (G+2) 800 SQ.FT HOUSE, WALK UP APARTMENTS (G+2) 1000 SQ.FT ROW HOUSE 1200 SQ.FT VILLA 1500 SQ.FT VILLA
1000 SQ.FT ROW HOUSE
CLUSTER CONCEPT
GROUND FLOOR PLAN
-APPROACH WAS TO UTILIZE THE TWO OPEN WALL SURFACES FOR LIGHT VENTILATION EFFICIENTLY, -MAKE THEM RESPONSIVE TO THE OUTDOORS FOR INTERACTION & LEISURE. -THE CLUSTER WAS FORMED IN A WAY THAT THE BACKYARDS OF THE INDIVIDUAL UNITS REMAIN CONNECTED & FREE FLOWING FOR INTERACTION.
1st FLOOR PLAN
TYPE 1V:
sem 4
TYPE 111:
1200 Sq.ft villa,
to maintain a level of interaction with the exteriors ; one that extends beyond the greens to the intimate streets.
planplan
street
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sem 4
TYPE 1: 1500 Sq.ft villa
TYPE 1I: s-02 s-01
ground oor
rst oor
rst oor
section - 02
section - 01
TO CREATE AN EPHEMERAL ENVELOPE THE FOOTPRINT WAS ORIENTED DIAGONAL TO THE SITE CREATING TRIANGULAR ENVELOPES OF GREEN SPACES
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ground oor
sustainable villa design Pargola with Vegetation on it
Wind scoop
Wind scoop Solar Panels
green roof
Solar Panels green roof
ng
Kids Bedroom
Master Bedroom Kids Bedroom
r
st
Living
Kitchen
or
Balcony
Guest room
Living
Kitchen
Guest room
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Gr
ou
nd
Pargola with Vegetation on it
o
Ro
Balcony
o
ng
s
r or
lo dF n u Gro
Flo
or
or
o t
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SOUTH WEST SUNLIGHT SOLAR PANELS
RAINWATER
VEGETABLE GARDEN DEWATS SYSTEM
SECTION - 01
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SECTION - 02
SECTION - 03
MATERIALS:Jaali and louvres and pergola Grey Stone FlooringTerracotta Tiles Walls- Brickwork with mud plaster Wind scoop and Compound: Rammed Earth Slab: llingBroken pottery and Tiles
vegetable garden on rooftop
vegetable baskets in balcony garden
BY, bio-gas chamber
GAVIAN BASKETS WITH PLANTAINS
section - 04
section - 05
Manju Akash J.K. Nishad V. Karnad Harshita Reddy Sukrutha N.S.
ELECTIVE :
o
Master Bedroom
ENVIRONMENTALLY SUSTAINABLE DESIGN
Ro
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school for performing arts school for performing arts traditional & contemporary dance, theater & music
sem 5
LOCATION : HEBBAL, BANGALORE SITE - AREA : 2 ACRES, GRADIENT : 8M PROGRAM : 4370 Sq.M - AUDITORIUM, LECTURE SPACES, STUDIOS, REHEARSAL SPACE, ART SHOP, CAFETERIA, ADMIN., GALLERIES, AMPHITHEATER, STUDIO RESIDENCES.
APPROACH : -orienting spaces along the waterfront for an interesting learning experience & in turn trying to dene the water edge led to a linear organization of spaces. this gave an opportunity to explore the idea of breaking monotony of built forms along a datum by creat ing buffers of interesting volumes ; submerged, hidden, open & covered with all leading to vistas of the lake. -the amphitheater was used not just as a performance space but a connect between varying levels due to the contours. LEARNING : -sense of movement as an experience through contrasting spaces; open - closed, up - down, hi - low volumes -exploring exibility of spaces & their possibility to be multi-functional -interplay between landmass, slopes & built forms
plaster model of amphitheater stepping 2 ways to connect different levels
900
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n
rm h yu t hsmi c
ow cnet m odvae n me
c htahr e a ca tteerr
master plan black ink - pen rendered
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INDIAN INNOVATION CENTER INDIAN INNOVATION CENTER
The Design of a Campus that serves as an Educational Hub as well as an Industrial Innovation center
LOCATION : YELAHANKA, BANGALORE SITE - AREA : 15 ACRES, GRADIENT : 5 M PROGRAM : 47000 Sq.M - ACADEMIC BLOCK, LABS, LIBRARY, AUDITORIUM, ADMINISTRATIVE BLOCK, INNOVATION CENTER, RESEARCH LABS, WORKSHOPS, STUDENT RESIDENCES
sem 6
DESIGN & APPROACH : -zoning, orienting & distributing the various programs in a cohesive nature. a study through block models led to the formation of an axis focused towards the small hillock on the site. -considering A CENTER FOR INNOVATION - necessiated the architecture to be innovative too. this thought inuenced the structural nature & the facade treatment of the innovation block itself. -a lateral shift in the axis when it interfered with the library - core of knowledge, creates a sense of interest to experience the surrounding landscapes. this continues towards the residential facilities & the water catchment lake thus linking the whole campus. -staggered built forms as a response to the local climate, response amongst the built masses & also the site. this created a language along the axis of a high volume with interference of projecting masses/corridors/bridges - a space inspired by streets considering the level of interaction happening at various heights, overlooking the lower levels, -interposed by built spaces & pockets of greenery adding to the character. -the play of light & shadows along this linear stretch was created by imposing a trellis element - an inference from b.v.doshi’s iim, bangalore.
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LEARNING : -understanding of a master planning process for a campus design. -experimenting of basic & simplistic forms; how they inuence the spaces within & spaces around. -importance of sustainable features as a part of design itself especially for a learning campus. eg: dewats water purifying ststem, innovative design of a shading system that shades as well as generates power. -creating interesting & interactive spaces gave an understanding of how architecture can catalyze creative processes of learning & innovating.
i ninno tv aet r i oan c t i o n thought
creativity ce l e as r npi a ng
c aat r a lcy h s ti t e c t u r e
master plan rendered sepia tone pen & sprayed ink
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s at e l l i t e b u s t e r m i n u s satellite bus terminus
LOCATION : BYAPANAHALLI, BANGALORE SITE - AREA : 14 ACRES PROGRAM : 20000 Sq.M - TERMINAL COMPONENT FOR KSRTC/BMTC SHUTTLE SERVICES, RESTAURANT, COMMERCIAL COMPONENT, ADMIN.,LODGING FACILITIES, WORKSHOP, LOUNGE SPACES (VISITORS, DRIVERS & CONDUCTORS)
sem 7
DESIGN & APPROACH : - propose a new language for a typical transport hub & explore its potential to be more than just a transit node. - clear circulation loops, pedestrian friendly, conditioned security passage. - a friendly approach to the immediate residential context through architecture, rather than it being looked upon as negative blob of pollution. - translate the environment into a space to reach out to the public as an urban plaza. SOLUTIONS & LEARNING : - the design evolved into creating a public zone as the frontage of the terminus which becomes an amenity for the neighboring residential context. - eased the circulation to connect to the park adjacent & the metro opposite the terminus. - added value to the design by creating a lung space - an ultimate necessity, in a chaotic environment. - explored the possibility of creating public friendly transit zone by giving it an ephemeral outlook.
BUILDING HEIGHTS G + 2 (14 M) G + 3 ( 22 M) G + 4 (16 M) +1 LEVEL @ +5M G + 2 (14 M)
7 TO 9 C THERMAL INSULATION
CIRCULATION PATTERNS BUS COMMUTERS PUBLIC 4 WHEELERS/TAXIS/ AUTOS BMTC
-50 T0 75 % WATER RECYCLING
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u sheu rm f rai ennidzl iy n g context
language uarrb c a nhsi ptaec c e ture
connectivity p o t e n t i a l identity
MASTER PLAN
ELEVATION
SECTIION
SECTIION
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n a r r a t o r i u m
sem 8 - design thesis
narratorium
archaeological center, muziris
LOCATION : PARAVUR, ERNAKULAM, KERALA SITE - AREA : 78 ACRES PROGRAM : 12000 SQ.M - MUSEUM, RESEARCH CENTER - LABS, LEARNING AREA, TIME TUNNEL, AMPHITHEATER, CHILDREN ACTIVITY CENTER, SITE WALKWAY, TRENCH CABINS.
DESIGN & APPROACH : design idea of an architectural intervention in an archaeological site, 2000 years old. an architecture that adds value to the site, protects the remains from decay, gives an experience of archaeo - tourism, awareness of conservation & respect to site sensitive approach to site with existing features. narrating a lost age using architecture to create a dialog between the past, present & the absent. palimpsest as a concept where architecture will represent the hidden layers of history beneath us. SOLUTIONS & LEARNING : - the approach led to an imagination of a built form resembling an excavated artifact from the outside . - the space inside that goes subterranean expressing the layering of history with a descending depth of space. - gallery walls that speak the history of the site. - a subterranean experience in a challenging climate gave knowledge of treating a building sensitively . - experimenting local & new materials led to invent new methods of construction, translated from native forms.
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archaeological data on site 13
r ei n s pteec tr v e n t i o n sensitive
architecture sne aq r u ern ac t eion
layered p a l i m p s e s t s history
THE DESIGN PROCESS & DEVELOPMENT
TILE WALL THE TIME TUNNEL
IN PROGRESS... 14
redesigning russell market redesigning russell market
nasa - andc
LOCATION : CBD, SHIVAJINAGAR ZONE, BANGALORE SITE - RUSSELL MARKET PROGRAM : RETHINKING THE MARKET AS A PUBLIC SPACE WITH ENHANCED FUNCTIONS, LINKING THE CONTEXT, REORGANIZING THE STALLS, SERVICING & CONSERVING A HISTORIC FACADE.
DESIGN & APPROACH : - A Market with immense historic value with a strong secular context of mosques, church & temples along with ongoing disputes necessiated a new approach without disturbing the existing fabric of the context. - the idea was to bring the outside into the market which would give a more sense of openness. the extrovert approach would link people of different communities, religions etc during times of festivals or any other public events. SOLUTIONS & LEARNING : - an inner urban plaza was created maintaining the walls of the old market to retain the identity of the place. - certain functions were relocated taking into account the feasibility, proximity & zoning aspects. - the market was zoned into stalls & ea market areas which were dispersed around the urban plaza. the plaza was treated as a transforming space whose life changed during different times of the day ; starting of as an auction space - to vending space for hawkers (previously spread across the streets) - to a performance area for local artists - ď€ nally to a foodstreet towards the end of the day. idea derived from the marakech square market, morocco. - the project gave us knowledge of how to handle a space in a sensitive urban fabric, thought of dealing with issues on an urban scale, deriving ideas from studies to make our public spaces recreative in nature.
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humanizing the campus - bmsit humanizing the campus - bmsit
LOCATION : AVALAHALLI, BANGALORE SITE - CAMPUS OFF BMSIT PROGRAM : PEDESTRIAN FRIENDLY ENVIRONS, INTERACTIVE SPACES, RELOCATING PARKING ZONES, CREATING A YOUTHFUL OUTLOOK, ENTRANCE STATEMENT, APPROACH TO BUILDINGS INSIDE.
co-lab
DESIGN & APPROACH : - a group of 10 students were organized from different batches of the dept. & being a part of the campus as architecture students the approach was made unique. - as a collaborative unit strategies were worked on basis of collected/interviewed data from the users & observation data. - needs were listed on basis of this analysis. - an elegant & lively upliftment was the approach decided to recreate the spaces. SOLUTIONS & LEARNING : - the project started of as addressing the issues of users - students, drivers, visitors the zoning was reorganized. - as solutions, we looked forward to redeď€ ne functions of existing potential spaces by resolving the accessibility, comfort & user group. - pathways were traversed in a way that they are naturally shaded by existing trees & a few canopies added wherever needed. - parking lots were relocated & the usage of roads were controlled to minimize intersection of leisure spaces & pedestrian zones with vehicular movement. - the project was taken up as a fun exercise & as a part of learning, it enabled our minds to think vivid but resolve it to a common idea by questioning them.
EXISTING CIRCULATION PATTERNS
LEGEND
Pedestrian Buses 2Wh & 4Wh Critical junctions Bus parking
PROPOSED AREA FOR BUS PARKING
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LEGEND
PROPOSED CIRCULATION PATTERNS
Pedestrian Buses 2Wh & 4Wh Parking zones
VEHICU LR FREE ZONE
humanize
2Wheeler parking` 4 Wheeler parking
interact involve integrate
gavipuram
guided by intach
documentation
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19
construction
working drawing 20
restobar - the peninsula restobar - the peninsula SECA
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SECC
2
3
SECTION - A SECD
1
SECG
interior design
SECB
PLAN
SECTION SECTION - B
WWORKSHOPS ORKSHOPS EARTH BUILDING & NATURAL FURNITURE WORKSHOP BY DESIGNER JACKSON PORRETTA
BAMBOO & ROPE STRUCTURE INSTALLATION @ BMSSA LOBBY
BAMBOO CONSTRUCTION WORKSHOP BY AR. NEELAM MANJUNATH
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THANKYOU
THANKYOU