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NEW#246 UNDER 30 TALENT italian ed. - #118 international ed. Editor in Chief Sara Namias Editorial staff Rosanna Checchi, Francesco Carlini, Olivia Corsini, Elisabetta de Strobel, Cristina Franzoni, Karen Copetti Translation Pamela Cowdery Zoom magazine Viale Piceno 14, 20129 Milan, Italy Fax: (+39) 02-71.30.30 info@zoom-net.com www.zoom-net.com ABBONAMENTI ITALIA 1 anno (4 numeri): € 40,00 abbonamenti@fotografia.it www.fotografiastore.it pagamento tramite Carta di credito – Pay Pal Bonifico: 88c0306901604100000005181 CCP N°23823206 COME EFFETTUARE I PAGAMENTI Assegno - Carta di credito - Bonifico CCP N° 2382.3206 - Pay Pal A: Editrice Progresso, Viale Piceno 14, 20129 Milano Iban: 88c0306901604100000005181 SUBSCRIPTIONS FOREIGN COUNTRIES 1 year (4 issues) Europe: € 100,00 – USA/Canada € 110,00 – Other Countries € 120,00 subscriptions@zoom-net.com www.zoom-net.com Agent for subscriptions A.I.E. Agenzia Italiana di Esportazione S.r.l. Via Manzoni 12, 20089 Rozzano, MI. Tel +39 02/5753911 - Fax +39 02/57512606. e-mail: info@aie-mag.com Zoom online is available on Zinio www.zinio.com for iPad, Android, PC/MAC, Win8, Rim Direttore Responsabile Paolo Namias

© Achraf Baznani Looking for a place with no name

CONTENTS 2 Romain Jacquet-Lagrèze

58 Meera Sulaiman

8 Camille Michel

68 Luisa Whitton

ISSN # 0393-4330 © Editrice Progresso All rights reserved Registrazione del Tribunale di Milano n.261/1980 Sped. A.P. 45% - ART. 2 Comma 20/b Legge 662/96 Milano

16 Adrien Lévy-Cariès

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24 Gilda Jabbari 36 Achraf Baznani 42 Laurent Kronental 48 Yoshinori Mizutani

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The Blue Moment Series

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“ONLY A PRINTED PHOTO CAN DEPICT TRULY THE INTENTION OF THE ARTIST” Romain Jacquet-Lagrèze

© Romain Jacquet-Lagrèze

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“MY NEXT PROJECT WILL BE ABOUT SEA, SAILORS AND STARS” Camille Michel

Uummannaq series © Camille Michel Represented by Hans Lucas Paris

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ADRIEN LÉVY-CARIÈS FRANCE levycaries.wix.com/levycaries

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“SETTING MYSELF IN FRONT OF THE CAMERA MAKES ME CONSCIOUS OF EXPLORING WHO I AM” Gilda Jabbari

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“WITH SURREALISM YOU CAN TAKE A BREAK FROM REALITY” Achraf Baznani

The Island of Solitude

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LAURENT KRONENTAL FRANCE laurentkronental.com

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“I SOMETIMES WAITED A YEAR TO PHOTOGRAPH IT AT THE IDEAL TIME TO CATCH THE APPROPRIATE LIGHT AND GET THE BEST EFFECT FROM THE SURROUNDINGS” Laurent Kronental

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© Laurent Kronental

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YOSHINORI MIZUTANI JAPAN yoshinori-mizutani.com

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“A PICTURE IS NEVER COMPLETE WITHOUT A VIEWER” Yoshinori Mizutani

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© Yoshinori Mizutani Represented by: IMA gallery, Tokyo ibasho gallery, Antwerp aura gallery, Beijing

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MEERA SULAIMAN CANADA washofblack.com

“My mother had a collection of very old and worn family photographs. So I decided to save all those wonderful memories spending hours and hours in a photo kiosk, editing and reprinting the old black-and-white prints.â€? This was the introduction of young Sri Lankan Canadian Meera Sulaiman to photography, EXW WRGD\ KHU JRDO LQ WKLV ÂżHOG LQYROYHV KHU tremendous love of nature and animals in the wild, captured by the magic of life. Thanks to her natural gift of being able to perceive and soulfully appreciate animals, Meera Sulaiman created her project, “Whispers of Animals and Childrenâ€?, which is so incredibly moving. These photographs, rendered even more intense by the use of black-and-white, do not require any detailed explanation. 58 | ZOOM

“I love surrounding myself with animals and children who are the best teachers of nature. Both are capable of transmitting joy, purity and innocence and there seem to be clear parallels between their worlds. $OO WKLV , ÂżQG WUHPHQGRXVO\ IDVFLQDWLQJ and the series was born as a result of my exploration through photography of this special tie between two such closely linked realities which can even be perceived in a FRQÂżQHG HQYLURQPHQW VXFK DV D ]RR RU SXEOLF areas.â€? Between animals and human “cubsâ€?, no special language is required to communicate. All it takes is a glance, a spontaneous gesture, a sign to establish a connection. Meera Sulaiman traveled and observed

various situations in order to offer us emotional experiences that range from tenderness to melancholy. Imperceptible moments visible to the naked eye and charged with feeling, sometimes from the point-of-view of the animals, sometimes that of the children, merged into a single photo. Adults who ironically often have trouble communicating despite the fact they speak the same language, can admire all this nonetheless thanks to the universal language of art. Meera Sulaiman will continue to use the power of image to help make people aware of and care about protecting our natural world she loves. Meera’s inspiration? “Lead from the heart, experiment, learn and have fun!�

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“ANIMALS AND CHILDREN CAPTIVATE ME. I VIEW THEM AS ONE OF NATURE’S GREATEST TEACHERS” Meera Sulaiman

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Âł0LD PDGUH SRVVHGHYD XQD FROOH]LRQH GL IRWRJUDÂżH GL IDPLJOLD PROWR DQWLFKH H rovinate. CosĂŹ ho deciso di salvare quei grandi ricordi trascorrendo ore e ore al laboratorio IRWRJUDÂżFR SHU HGLWDUH H ULVWDPSDUH TXHL vecchi bianco e neriâ€?. La giovane Sri Lanka canadese Meera Sulaiman si avvicina cosĂŹ DOOD IRWRJUDÂżD 2JJL SHUz LO VXR RELHWWLYR LQ TXHVWR FDPSR VL ULYROJH D WXWWR FLz FKH ID parte del suo grande amore per la natura e gli animali selvaggi, catturata dalla magia GHOOD YLWD *UD]LH D TXHVWD GRWH LQQDWD GL riuscire a percepire e comprendere l’anima degli animali, Meera Sulaiman dĂ vita al suo progetto “Whispers of Animals and Childrenâ€? assolutamente commovente. 4XHVWH IRWRJUDÂżH UHVH DQFRUD SL LQWHQVH GDO

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bianco e nero, non hanno bisogno di tante parole‌ “Amo circondarmi di animali e bambini, i migliori insegnanti della natura. Entrambi FDSDFL GL LUUDGLDUH JLRLD SXUH]]D H LQQRFHQ]D tra i loro mondi sembra esserci un netto parallelismo. Tutto questo mi affascina moltissimo e la serie nasce proprio dal mio HVSORUDUH DWWUDYHUVR OD IRWRJUDÂżD TXHVWR OHJDPH VSHFLDOH WUD GXH UHDOWj FRVu DIÂżQL FKH VL SHUFHSLVFH DQFKH LQ XQD VLWXD]LRQH FRQÂżQDWD FRPH TXHOOD GHOOR ]RR GD XQD FRPXQLVVLPD area per il pubblico.â€? Tra animali e i cuccioli di uomo non servono parole per comunicare, basta uno sguardo per mettersi in connessione, un gesto spontaneo, un sussurro.

Meera Sulaiman ha viaggiato molto e RVVHUYDWR GLYHUVH VLWXD]LRQL SHU ULXVFLUH D UHJDODUFL WDOL HPR]LRQL WUD WHQHUH]]D H malinconia. Sono istanti impercettibili ad occhio nudo e carichi di sentimento, talvolta dal punto di vista degli animali, talvolta dei bambini, uniti in uno scatto unico. Gli adulti che ironicamente spesso fanno fatica a comunicare tra loro pur parlando OD VWHVVD OLQJXD SRVVRQR SHUz DPPLUDUH WXWWR TXHVWR JUD]LH DO OLQJXDJJLR XQLYHUVDOH dell’arte. 0HHUD 6XODLPDQ VHQ]D GXEELR FRQWLQXHUj D XVDUH LO SRWHUH GHOOD IRWRJUDÂżD SHU VHQVLELOL]]DUH OH SHUVRQH D SURWHJJHUH H prendersi cura della natura. Il motto di Meera? “Sperimenta, impara e divertiti!â€?

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© Meera Sulaiman

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LUISA WHITTON GREAT BRITAIN luisawhitton.com

“What about the heart?â€? Luisa Whitton responds to this question through her photos. It is thanks to the magical power of photography that this young, enterprising London photographer provides these perfectly realistic mechanical creatures with a soul. It is WUXO\ LQFUHGLEOH :KHQ \RX ÂżUVW ORRN DW WKHP them seem to be real human beings! “In my second year of BA Photography, , ZDV D ÂżQDOLVW LQ ,GHDV 7DS DQG 0DJQXP Photos’ Photography Award,â€? she explains. “They provided me with a budget to shoot my dream project, and I had been researching Professor Hiroshi Ishiguro and his robots, ZKHQ , UHFHLYHG WKH DZDUG , LPPHGLDWHO\ Ă€HZ RII WR -DSDQ $W ÂżUVW P\ LQWHQWLRQ ZDV MXVW WR interview him and photograph his creations, but I discovered that there was much, much more hidden behind everything I saw. In 66 | ZOOM

particular, what emerged was his maniacal ÂżJKW DJDLQVW DJLQJ DQG WKH XVH RI SODVWLF surgery in order to appear ever-younger, such as Germinoid HI-2, the robot he created in his own image that, today, is very famous. 2VFDU :LOGH V The Picture of Dorian Gray immediately came to mind and this became part of my inspiration. I began to photograph from another point of view, in an attempt to combine the ‘romance’ and ‘brutality’ of creating a self-portrait.â€? Using her Mamiya RZ67 medium format camera, Luisa Whitton draws on the classical tenets of portraiture, including the pose, framing and lighting of the subject, but she also makes use of her innate artistic sense to capture the true essence of the robots and give them a human heart. In addition, with this work that immediately gained

media recognition internationally, Luisa Whitton focuses on an extremely modern and contemporary subject with an eye towards the IXWXUH WKDW LV KRZ WR GHÂżQH KXPDQ EHLQJV today when technology is becoming part of our lives. Playing on a three-way conversation between scientist, artist and robot, through photography and written text, what is born is a complete, historic series. As Professor Hiroshi ,VKLJXUR KLPVHOI VD\V Âł7KH GHÂżQLWLRQ RI WKH human being will be more complex, there LVQÂśW DQ DEVROXWH GHÂżQLWLRQ :H XVH DUWLÂżFLDO organs more and more, and replace our bodies with machines.â€? And “What about the heart?â€? asks Luisa Whitton. “The heart is the easiest SDUW´ 3URIHVVRU DQVZHUV Âł$UWLÂżFLDO KHDUWV DUH popular now. The liver, for example, is more GLIÂżFXOW ´ 0DNHV \RX VWRS DQG WKLQN

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“THE PHOTOGRAPHS BECOME DOCUMENTS OF OBJECTS THAT SIT BETWEEN SCIENTIFIC TOOL AND HORRID SIMULACRUM” Luisa Whitton

© Luisa Whitton

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YVES MARCHAND AND ROMAIN MEFFRE FRANCE marchandmeffre.com

Metropolitan Opera House, Philadelphia, PA, 2012

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Uptown Theater, Philadelphia, 2009

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United Artists Theater, Detroit, 2005

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Westlake Theater, Los Angeles, 2008

Paramount Theater, Brooklyn, NY, 2008

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Rivoli Theater, Berkeley, CA, 2013

Lafayette Building rooftop, Detroit, 2007

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Michigan Central Station, Detroit, 2007

“BESIDES BEING SEDUCING AND INTRIGUING, RUINS ARE ALSO REPULSIVE AND THREATENING. THEY ARE A VIOLENT CRITIQUE OF HUMAN GOALS AND ACHIEVEMENT, AND THEY DEMONSTRATE THE VANITY OF OUR RESEARCH OR IMPERMANENCE AND PROSPERITY” Yves Marchand and Romain Meffre

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William Livingstone House, Detroit, 2006

Š Yves Marchand and Romain Meffre Represented by Polka Galerie, Paris Tristan Hoare Gallery, London Galerie Fontana Fortuna, Amsterdam Gun Gallery, Stockholm Agent: Julien Dobbs-Higginson

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MÁRIA ŠVARBOVÁ SLOVAKIA mariasvarbova.com

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“MY USE OF COLOUR IS MY STYLE” Mária Švarbová

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Untitled (Metamorphosis 8), 2015 inkjet print on Epson UltraSmooth 120 x 120 cm

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Next page Untitled (Metamorphosis 1), 2015 inkjet print on Epson UltraSmooth 120 x 120 cm

“I WOULD LIKE TO SEE MY PHOTOGRAPHY BEING ACCESSIBLE TO COMMUNITIES SUCH AS THE ONE I GREW UP IN. THE ULTIMATE DREAM IS TO HAVE A FINE ART ACADEMY IN THE TOWNSHIP OF SOWETO, WHERE YOUNG TALENTS COULD BE INTRODUCED TO PHOTOGRAPHY AND FILM” Mohau Modisakeng

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Previous page Untitled (Metamorphosis 2), 2015, inkjet print on Epson UltraSmooth, 120 x 120 cm To Move Mountains, 2015, single channel HD video, Duration: approx 4 min

Endabeni 8, 2015, inkjet print on Epson Hot Press Natural, 200 x 150 cm Š Mohau Modisakeng Courtesy Tyburn Gallery, London

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SARKER PROTICK BANGLADESH sarkerprotick.com

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What Remains series

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Origin series

“I RECOGNIZED MY FASCINATION WITH ‘LIGHT’ ITSELF AND HOW IT STRONGLY DOMINATES IN MY WORK. I WISH I COULD BUILD LIGHT AND LIGHT INSTALLATIONS” Sarker Protick

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Origin series © Sarker Protick Represented by VII Photo Agency East Wing Gallery

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Astres Noirs Book by Katrin Koenning and Sarker Protick Graphic design: Atelier Pentagon 168 pages 79 duotone plates 16 cm x 22 cm Hardcover Bilingual: English, French 1500 copies Publication date: 31 May 2016 ISBN: 978-2-9548777-2-3

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CHASE GUTTMAN

USA chaseguttman.com

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“MY CAMERA IS MY SHIELD, MY COMFORT AND MY INSPIRATION. WITH IT, I AM PRACTICALLY FEARLESS.” Chase Guttman

dronephotographybook.com The Handbook of Drone Photography A Complete Guide to the New Art of Do-It-Yourself Aerial Photography

ELEVATE YOUR PHOTOGRAPHY, DISCOVER UNIQUE PERSPECTIVE, REACH NEW HIGHS

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I AM DIFFERENT

Questa immagine è stata scattata da Clark Little e raffigura le onde delle Hawaii North Shore.

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