MARCO LUNG PORTFOLIO 2019

ARCHITECTURE EVENT DESIGN P U B L I C AT I O N A N D P O S T E R D E S I G N S PRODUCT AND SOUVENIR DESIGNS A N I M AT I O N ARTWORKS I L L U S T R AT I O N S

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ARCHITECTURAL DESIGN

Protest Space & Archive, 2019 Redesigning Chater Garden

ARCHITECTURE

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ARCHITECTURE

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ARCHITECTURE

DESIGN & DEVELOPMENT This section model shows the interaction between interior and exterior spaces; and how people at different location respond to the courtyards.

1:50 Section Model

1:50 Section Model

LUNG CHEUK KWAN ORIENTAL TOILET, 2018 - Rethinking Public Toilet in Hong Kong 1:100

LOCATION THE ORIGINAL PLAN OF THE ABERDEEN SQUARE HAS MADE IT FUNCIONS MORE AS A PASSAGE THAN A PUBLIC SPACE. BY ADDING THE TOILET AT ONE END, AN ENTRANCE IS DEFINED AND MAKE THE SPACE MORE EMBRACING.

1:10

SCENERY OF THE COURTYARD CAN BE ENJOYED FROM ALL SIDES. THE SUBTLETY OF THE OPENINGS SUGGESTED A BALANCE BETWEEN OPENNESS AND PRIVACY. USER WOULD FEEL PROTECTED INSIDE AND THIS PROVIDES A RELIEVEMENT FROM THE BUSY CITY WHEN GOING TO THE TOILET. PEEPING INTO THE CUBICLE IS AVOIDED

BY ADDING AN EXTRA LAYER OF BRICKS.

ARCHITECTURE PARK / PARKING, 2017 - Renovating Star Ferry Parking Lot, Central DESIGN / SCHEME DEVELOPMENT SCHEME 1

5 goals were set and to be balanced in the design.

INTRODUCE WIND TURBINES TO THE CARPARK / MINIMAL IMPACT TO THE EXISITING STRUCTURE / TURN 50% OF THE CARPARK INTO EV PARKING SPACES / CREATE PARK SPACE / CREATE CROSS VENTILATION

1:50 Scheme3 Section Model

1:200 Scheme1 Model

A SECTION MODEL IN LARGER SCALE HAS BEEN MADE TO STUDY AND FIND OUT HOW TO INSTALL THE TURBINES AND HOW THE ELECTRIC SYSTEM COULD WORK. THE STAIRS ARE DESIGNED TO ALLOW CROSS VENTILATION.

STRENGTHS

-Large and welcoming stairs -Large open space PARKING SPACES PRESERVED

DRAWBACKS

-No access from 1/F -Low openness

OF PARK SPACE

WIND TURBINES TO BE INSTALLED TO CREATE EV PARKING SPACES (50%)

SCHEME 2

AFTER CREATING THE FIRST SCHEME, I DECIDED TO CREATE MORE VARIATIONS WITH RESPECT TO THE IMPACT TO THE EXISTING STRUCTURE.

AFTER ANALYSING THE FIRST 3 SCHEMES, I FOUND OUT THAT THE DESIGNS OF THE STAIRS ARE INEFFICIENT IN BRINGING CROSS VENTILATION TO THE CARPARK AND THERE ARE LARGE OPEN SPACE THAT ARE UNDEFINED.

SCHEME 4

1:200 Scheme2 Model

STRENGTHS

1:200 Scheme4 Model

STRENGTHS

-Large and welcoming stairs -Large open space

PARKING SPACES PRESERVED

-Connectivity between spaces -Large covered space on the ground

DRAWBACKS

PARKING SPACES PRESERVED

-No access from 1/F -Low openness

SCHEME 3

-Low openness and accessibility

OF PARK SPACE

OF PARK SPACE

WIND TURBINES TO BE INSTALLED TO CREATE EV PARKING SPACES (50%)

WIND TURBINES TO BE INSTALLED TO CREATE EV PARKING SPACES (50%)

SCHEME 5

1:200 Scheme3 Model

1:200 Scheme5 Model

STRENGTHS

STRENGTHS

-Higher accessibility -Variated open space -Higher openness PARKING SPACES PRESERVED

DRAWBACKS

-Higher accessibility -Variated open and covered space -Higher openess PARKING SPACES PRESERVED

-High impact to the existing structure

OF PARK SPACE

WIND TURBINES TO BE INSTALLED TO CREATE EV PARKING SPACES (50%)

WIND TURBINES TO BE INSTALLED TO CREATE EV PARKING SPACES (50%)

PARKING SPACES PRESERVED

OF PARK SPACE

EVALUATION

-High openness, connectivity and accessibility

1:200 Scheme6 Model

1:200 Scheme6 Section Model

WIND TURBINES TO BE INSTALLED TO CREATE EV PARKING SPACES (50%)

-Experience in variated open and covered space -Pavillion to maximize space

SECTION MODEL OF ALL 3 LEVELS HAS BEEN MADE TO FURTHER STUDY THE DESIGN IN TERMS OF ELECTRIC SYSTEM AND VENTILATION, AND TO EXPLORE POTENTIAL EXPERIENCE IN THE SPACE

DRAWBACKS

-Spaces are not well conneted

OF PARK SPACE

DESIGN / FINAL SCHEME

DRAWBACKS

THE STRENGTHS OF SCHEME 4 IS THE CONNECTIVITY BETWEEN SPACES AND THE LARGE COVERED SPACE ON THE GROUND WHILE THAT OF SCHEME 5 IS THE ACCESSABILITY AND OPENNESS.

BY COMBINING THE TWO, SCHEME 6 IS CREATED.

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ARCHITECTURAL RENDERING

Realistic Rendering, 2019

ARCHITECTURE

Comic Style Rendering, 2019

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EVENT DESIGN Spread-it Chill Out Party, 2018

EVENT DESIGN

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Spread-it x Mak's Brewery Mahjong King Competition, 2019

EVENT DESIGN

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P U B L I C AT I O N A N D P O S T E R D E S I G N S

Full Version: https://issuu.com/as.asterisk/docs/36final

Full Version: https://issuu.com/as.asterisk/docs/37

P U B L I C AT I O N A N D P O S T E R D E S I G N S

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P U B L I C AT I O N A N D P O S T E R D E S I G N S

ARCH 2058 ARCHITECTURAL HISTOR Y AND THEOR Y 1: MODERN ARCHITECTURE ASSIGNMENT 2 – MAPPING MODERN ARCHITECTURE

Constructed from 1952 to 1981, the 40-acre Golden Lane Estate, located in Goswell Road, London, became the representation for post-war revival; it was fundamentally a model for social unification and city lifestyles. The style of the independent buildings, including Crescent House, the maisonette blocks, and Great Arthur House, have evolved into a Brutalism form, comparable to the Barbican Estate. The most evident similarity is the observable concrete Brutalist facades, although the surfaces of the maisonette buildings are coated with paint to eliminate the risk of staining. To manifest a stronger structure, the Crescent House was built to provide high density whereas the Great Arthur House was meant to contribute to a vertical prominence, making it the tallest residential tower in London during the 19th century. In comparison to the Barbican, Golden Lane holds public facilities, like an art gallery, concert hall, theatre, gymnasium, and swimming pool. However, the Barbican is still denser, and the Golden Lane lacks the infamous generation of the multi-level podiums. The courtyard development is comparable to the Barbican, where it's u-shape surrounds various buildings. Similar criticisms hover over the Golden Lane due to its indistinguishable qualities to the Barbican.

GOLDEN LANE ESTATE HATFIELD HOUSE

GREAT ARTHUR HOUSE

BASTERFIELD HOUSE

STANLEY COHEN HOUSE

PHYSICAL RECREATION BUILDING

LUNG CHEUK KWAN 3035396367 KWOK MEILING 3035365887

BARBICAN ESTATE AND THE POST-WAR ESTATES IN THE CITY OF LONDON

CHERTSEY HOUSE

M BY MONTCALM SHOREDITCH TECH CITY HOTEL

MARLOW HOUSE HURLEY HOUSE

WESLEY’S CHAPEL SHIPLAKE HOUSE

IFFLEY HOUSE

ELEVATION OF BARBICAN ESTATE

SANDFORD HOUSE

BOUNDARY ESTATE

Constructed from 1890 to 1900, the 5-acre Boundary Estate holds the oldest council estate in the world; despite the ancient form, it's architectural design is quite distinctive. The countless other buildings there have honorable curves and ornamentations. From that, the Arnold Circus coils out from the structure and expands with gardens and various outdoor platforms; the shape of the circus gives a flexible space for events. Just like the Barbican Estate, the community emits a lively spirit due to the numerous public facilities and vast community.

There weren't concerns about the general outlook or aesthetics of the materials and facades, however, many residents have complained about the lack of the fundamental services that the estate provides. Public facilities like bathrooms have been rated terrible. Also, the Estate was designed for the sole purpose of housing the poor. As time has passed, the rent prices soared and dwellers were forced to move eastwards, which opposed the original idea of construction. Besides the conflicts, the Boundary Estate has been an inspiration for writers because the bricks that have been used for the buildings hold so much history because they have been conserved since the late 1800s. Many enjoy the minimal changes that have occured, like the bandstand that has created many memories for long time residents.

BAYER HOUSE

CRESCENT HOUSE

BOWATER HOUSE

CULLUM WELCH HOUSE

BUNYAN COURT

CUTHBERT HARROWING HOUSE

SHAKESPEARE TOWER

BARBICAN ESTATE

CROMWELL TOWER BRETON HOUSE

BEN JONSON HOUSE

DEFOE HOUSE

LAUDERDALE TOWER

FROBISHER CRESCENT

SEDDON HOUSE

PLAN OF BARBICAN ESTATE

BARBICAN CENTRE GILBERT HOUSE

THOMAS MORE HOUSE

SPEED HOUSE

REFERENCES Bryant-Mole, B. (2017). AD Classics: The Barbican Estate / Chamberlin, Powell and Bon Architects. [online] ArchDaily. Available at: https://www.archdaily.com/790453/ad-classics-barbican-estate-london-chamberlin-powell-bon [Accessed 14 Nov. 2017].

FitzGerald, J. (2017). The World's Oldest Council Estate: Then And Now. [online] Londonist. Available at: https://londonist.com/2015/02/worlds-oldest-council-estate-at-125-then-and-now [Accessed 14 Nov. 2017].

Housingprototypes.org. (2017). Housing Prototypes: Golden Lane/Barbican Estates. [online] Available at: http://housingprototypes.org/project?File_No=GB008 [Accessed 14 Nov. 2017].

MOUNTJOY HOUSE

ST GILES CRIPPLEGATE CHURCH

WILLOUGHBY HOUSE

ANDREWES HOUSE

The Barbican Estate, constructed in 1965 and completed in 1982, was designed by architects Chamberlin, Powell and Bon who utilized the idea of Brutalism to represent the restoration of Central London.

Prior to World War II, the area was known as the Base Court which functioned as a military base, and was restored with Willoughby House. This ward was subsequently ruined in the war and regenerated as a 35-acre residential estate. To incorporate the improvement of technology into the design, the three architects proposed a more contemporary style of urban planning thus constructing Europe’s tallest residential buildings and opulent housing. The entire estate is also composed of 3 towers, 13 patios, an arts venue, a public library, 2 schools, and a museum.

The layout of the plan enables the inhabitants to travel without any obstruction; the linkage of all the roads circulate underneath an elevated platform, which acts as the ground level to segregate pedestrians and vehicles. Additionally, an engineered improvement to diminish the rumbling of the underground trains also cooperates with the detachment of the ground levels.

The estate’s identity is further exhibited through the development of greenery to integrate visual originality as well as a sense of solitude throughout the region. It also generates a balance between the liveliness and serene sections of the city. Another evident intention is the exposure of concrete to emphasize an unfinished and careless impression to implicitly convey a territory of great significance.

AERIAL VIEW OF BARBICAN ESTATE Alamy. (2017). An aerial view of the Barbican Estate. [online] Available at: http://www.alamy.com/stock-photo-an-aerial-view-of-the-barbican-estate-a-residential-estate-in-the104728319.html [Accessed 14 Nov. 2017].

Mixed reviews have been expressed from the residents; some praise the intelligent lifestyle and the unique landscaping that shapes its distinction from other estates. Conversely, others criticise the unorganized style and its vulnerability to become a mess. In either case, the overall outlook of the area is definitely ameliorated in terms of aesthetics.

LONDON MOORHOUSE

SECTION OF BARBICAN ESTATE

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PRODUCT AND SOUVENIR DESIGNS

Souvenir - Key Chain

Mug Design

Wooden Souvenir

PRODUCT AND SOUVENIR DESIGNS

Sweatpants Design

Notebook Design

Sweatshirt Design

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Phonecase Design

PRODUCT AND SOUVENIR DESIGNS

Neck Pillow Design

Pencil Bag Design

Umbrella Design

A N I M AT I O N S A N D V I D E O S

Transformer (Cinematic Drawing of BillDing Board, Venturi and Rauch Architects) Stop Motion Film using Charcoal https://www.youtube.com/ watch?v=K94Ym6VcyJY&t=10s

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MewMe Promotional Video Animation https://youtu.be/A4oDDkE2NHs A promotional video for a social network platform for real estate developed by a professor during my internship at the HKUST.

Knowles Carnival Promotional Video Animation https://youtu.be/jw8YcuA55a4

A N I M AT I O N S A N D V I D E O S

Noodle Over Noodles Stop Motion Film https://youtu.be/4FBPQ5dJI1Q

Product Sale Promotional Video Animation https://youtu.be/l612_zQ_wHs

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ARTWORKS <N/A (Nature/Architecture)>

Mixed Media, A1

Mixed Media, A2

Artist analysis and experiment on John Piper and Paul Kenton

Artist Analysis, A3

Mixed Media on Canvas, A2

Experiment Record, A3

ARTWORKS

Pen Drawing on Paper, A2

These mixed media pieces are inspired John Piper. For the piece above I used pen and

Watercolor on Paper, ink and below I overlaid an ink background with A3 a photo printed on acetate, creating a sense of inside outside.

These mixed media pieces are inspired John Piper. For the piece above I used pen and Exhibited at Brooke Gallery and King's ink and below I overlaid an ink background with a photo printed on acetate, creating a College Taunton Art School sense of inside outside.

Collage, A3

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<Relationship>

Mixed Media

ARTWORKS

Mixed Media, A4 For my AS exam with the theme â&#x20AC;&#x2DC;Relationshipsâ&#x20AC;&#x2122;, I focused on the relationship between me and my sister; and between food and culture.

I have looked at artists who explored scale and worked with boxes or tins, such as Slinka Chu and NaTalica.

The piece on the next page is the final piece of my project.

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<Truth, Fantasy, Fiction>

Mixed Media, A1

Pencil Drawing on Paper, A1

Watercolor on Paper, A1

ARTWORKS

3D Sculptures

Acrylic on Canvas, A2

Acrylic on Paper, A3 Sketchbook Pages, A3

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<Inside Outside>

Pencil Drawn Paper Sculpture, A4x6

These 6 drawing are inspired by everyday life, with the theme inside to outside. I did them in different time scale and experimented multiple point of view .

Acrylic and Collage Experiment, A3

ARTWORKS

is AS mycoursework AS coursework It ThisThis is my final final piece.piece.

It big and collage.

I planned is a is biga and longlong collage.

I planned in in Photo before making it, using Photo ShopShop before making it, using photos of buildings and people photos of buildings and people in in These collages and drawings are inHong I took based ontheme the theme Hong KongKong I took based on the spired by Karen Stamper. I used my first-hand photos, newspapers and ‘Inside Outside’.

To create the first ‘Inside Outside’.

To create thelayfirst laymagazines to do collage in the background.

Then I white paint to er, Ier, stuck Chinese newspapers in theused I stuck Chinese newspapers in the cover some bits and do drawings on pieces are about people and background thenthen I drew on itit. The using background I drew on it using their society, therefore I bring in my own elements Hong Kong style birobiro andand pencil.

AfterAfter that,that, I addIcolors pencil. addwithcolors buildings. andand structure to the by collaging structure topiece the piece by collaging magazines and using ink to draw. magazines and using ink to draw.

Mixed Media, A4

Mixed Media, A2x3

These co spired by first-han magazin ground. cover so it. The pi their soc own elem buildings

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I L L U S T R AT I O N S

Namecard Design

more on https://www.instagram.com/mformkee/

File Design

Sticker Design

Phone Case Designs

Selling at Handmade Market

Pin Designs

I L L U S T R AT I O N S

Christmas Cards Design 2013-2018