ARCHITECTURE EVENT DESIGN P U B L I C AT I O N A N D P O S T E R D E S I G N S PRODUCT AND SOUVENIR DESIGNS A N I M AT I O N ARTWORKS I L L U S T R AT I O N S
LUNG CHEUK KWAN
ARCHITECTURAL DESIGN
Protest Space & Archive, 2019 Redesigning Chater Garden
ARCHITECTURE
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ARCHITECTURE
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ARCHITECTURE
DESIGN & DEVELOPMENT This section model shows the interaction between interior and exterior spaces; and how people at different location respond to the courtyards.
1:50 Section Model
1:50 Section Model
LUNG CHEUK KWAN ORIENTAL TOILET, 2018 - Rethinking Public Toilet in Hong Kong 1:100
LOCATION THE ORIGINAL PLAN OF THE ABERDEEN SQUARE HAS MADE IT FUNCIONS MORE AS A PASSAGE THAN A PUBLIC SPACE. BY ADDING THE TOILET AT ONE END, AN ENTRANCE IS DEFINED AND MAKE THE SPACE MORE EMBRACING.
1:10
SCENERY OF THE COURTYARD CAN BE ENJOYED FROM ALL SIDES. THE SUBTLETY OF THE OPENINGS SUGGESTED A BALANCE BETWEEN OPENNESS AND PRIVACY. USER WOULD FEEL PROTECTED INSIDE AND THIS PROVIDES A RELIEVEMENT FROM THE BUSY CITY WHEN GOING TO THE TOILET. PEEPING INTO THE CUBICLE IS AVOIDED BY ADDING AN EXTRA LAYER OF BRICKS.
ARCHITECTURE PARK / PARKING, 2017 - Renovating Star Ferry Parking Lot, Central DESIGN / SCHEME DEVELOPMENT SCHEME 1
5 goals were set and to be balanced in the design.
INTRODUCE WIND TURBINES TO THE CARPARK / MINIMAL IMPACT TO THE EXISITING STRUCTURE / TURN 50% OF THE CARPARK INTO EV PARKING SPACES / CREATE PARK SPACE / CREATE CROSS VENTILATION
1:50 Scheme3 Section Model
1:200 Scheme1 Model
A SECTION MODEL IN LARGER SCALE HAS BEEN MADE TO STUDY AND FIND OUT HOW TO INSTALL THE TURBINES AND HOW THE ELECTRIC SYSTEM COULD WORK. THE STAIRS ARE DESIGNED TO ALLOW CROSS VENTILATION.
STRENGTHS
-Large and welcoming stairs -Large open space PARKING SPACES PRESERVED
DRAWBACKS
-No access from 1/F -Low openness
OF PARK SPACE
WIND TURBINES TO BE INSTALLED TO CREATE EV PARKING SPACES (50%)
SCHEME 2
AFTER CREATING THE FIRST SCHEME, I DECIDED TO CREATE MORE VARIATIONS WITH RESPECT TO THE IMPACT TO THE EXISTING STRUCTURE.
AFTER ANALYSING THE FIRST 3 SCHEMES, I FOUND OUT THAT THE DESIGNS OF THE STAIRS ARE INEFFICIENT IN BRINGING CROSS VENTILATION TO THE CARPARK AND THERE ARE LARGE OPEN SPACE THAT ARE UNDEFINED.
SCHEME 4
1:200 Scheme2 Model
STRENGTHS
1:200 Scheme4 Model
STRENGTHS
-Large and welcoming stairs -Large open space
PARKING SPACES PRESERVED
-Connectivity between spaces -Large covered space on the ground
DRAWBACKS
PARKING SPACES PRESERVED
-No access from 1/F -Low openness
SCHEME 3
-Low openness and accessibility
OF PARK SPACE
OF PARK SPACE
WIND TURBINES TO BE INSTALLED TO CREATE EV PARKING SPACES (50%)
WIND TURBINES TO BE INSTALLED TO CREATE EV PARKING SPACES (50%)
SCHEME 5
1:200 Scheme3 Model
1:200 Scheme5 Model
STRENGTHS
STRENGTHS
-Higher accessibility -Variated open space -Higher openness PARKING SPACES PRESERVED
DRAWBACKS
-Higher accessibility -Variated open and covered space -Higher openess PARKING SPACES PRESERVED
-High impact to the existing structure
OF PARK SPACE
WIND TURBINES TO BE INSTALLED TO CREATE EV PARKING SPACES (50%)
WIND TURBINES TO BE INSTALLED TO CREATE EV PARKING SPACES (50%)
PARKING SPACES PRESERVED
OF PARK SPACE
EVALUATION
-High openness, connectivity and accessibility
1:200 Scheme6 Model
1:200 Scheme6 Section Model
WIND TURBINES TO BE INSTALLED TO CREATE EV PARKING SPACES (50%)
-Experience in variated open and covered space -Pavillion to maximize space
SECTION MODEL OF ALL 3 LEVELS HAS BEEN MADE TO FURTHER STUDY THE DESIGN IN TERMS OF ELECTRIC SYSTEM AND VENTILATION, AND TO EXPLORE POTENTIAL EXPERIENCE IN THE SPACE
DRAWBACKS
-Spaces are not well conneted
OF PARK SPACE
DESIGN / FINAL SCHEME
DRAWBACKS
THE STRENGTHS OF SCHEME 4 IS THE CONNECTIVITY BETWEEN SPACES AND THE LARGE COVERED SPACE ON THE GROUND WHILE THAT OF SCHEME 5 IS THE ACCESSABILITY AND OPENNESS. BY COMBINING THE TWO, SCHEME 6 IS CREATED.
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ARCHITECTURAL RENDERING
Realistic Rendering, 2019
ARCHITECTURE
Comic Style Rendering, 2019
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EVENT DESIGN Spread-it Chill Out Party, 2018
EVENT DESIGN
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Spread-it x Mak's Brewery Mahjong King Competition, 2019
EVENT DESIGN
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P U B L I C AT I O N A N D P O S T E R D E S I G N S
Full Version: https://issuu.com/as.asterisk/docs/36final
Full Version: https://issuu.com/as.asterisk/docs/37
P U B L I C AT I O N A N D P O S T E R D E S I G N S
LUNG CHEUK KWAN
P U B L I C AT I O N A N D P O S T E R D E S I G N S
ARCH 2058 ARCHITECTURAL HISTOR Y AND THEOR Y 1: MODERN ARCHITECTURE ASSIGNMENT 2 – MAPPING MODERN ARCHITECTURE
Constructed from 1952 to 1981, the 40-acre Golden Lane Estate, located in Goswell Road, London, became the representation for post-war revival; it was fundamentally a model for social unification and city lifestyles. The style of the independent buildings, including Crescent House, the maisonette blocks, and Great Arthur House, have evolved into a Brutalism form, comparable to the Barbican Estate. The most evident similarity is the observable concrete Brutalist facades, although the surfaces of the maisonette buildings are coated with paint to eliminate the risk of staining. To manifest a stronger structure, the Crescent House was built to provide high density whereas the Great Arthur House was meant to contribute to a vertical prominence, making it the tallest residential tower in London during the 19th century. In comparison to the Barbican, Golden Lane holds public facilities, like an art gallery, concert hall, theatre, gymnasium, and swimming pool. However, the Barbican is still denser, and the Golden Lane lacks the infamous generation of the multi-level podiums. The courtyard development is comparable to the Barbican, where it's u-shape surrounds various buildings. Similar criticisms hover over the Golden Lane due to its indistinguishable qualities to the Barbican.
GOLDEN LANE ESTATE HATFIELD HOUSE
GREAT ARTHUR HOUSE
BASTERFIELD HOUSE
STANLEY COHEN HOUSE
PHYSICAL RECREATION BUILDING
LUNG CHEUK KWAN 3035396367 KWOK MEILING 3035365887
BARBICAN ESTATE AND THE POST-WAR ESTATES IN THE CITY OF LONDON
CHERTSEY HOUSE
M BY MONTCALM SHOREDITCH TECH CITY HOTEL
MARLOW HOUSE HURLEY HOUSE
WESLEY’S CHAPEL SHIPLAKE HOUSE
IFFLEY HOUSE
ELEVATION OF BARBICAN ESTATE
SANDFORD HOUSE
BOUNDARY ESTATE
Constructed from 1890 to 1900, the 5-acre Boundary Estate holds the oldest council estate in the world; despite the ancient form, it's architectural design is quite distinctive. The countless other buildings there have honorable curves and ornamentations. From that, the Arnold Circus coils out from the structure and expands with gardens and various outdoor platforms; the shape of the circus gives a flexible space for events. Just like the Barbican Estate, the community emits a lively spirit due to the numerous public facilities and vast community. There weren't concerns about the general outlook or aesthetics of the materials and facades, however, many residents have complained about the lack of the fundamental services that the estate provides. Public facilities like bathrooms have been rated terrible. Also, the Estate was designed for the sole purpose of housing the poor. As time has passed, the rent prices soared and dwellers were forced to move eastwards, which opposed the original idea of construction. Besides the conflicts, the Boundary Estate has been an inspiration for writers because the bricks that have been used for the buildings hold so much history because they have been conserved since the late 1800s. Many enjoy the minimal changes that have occured, like the bandstand that has created many memories for long time residents.
BAYER HOUSE
CRESCENT HOUSE
BOWATER HOUSE
CULLUM WELCH HOUSE
BUNYAN COURT
CUTHBERT HARROWING HOUSE
SHAKESPEARE TOWER
BARBICAN ESTATE
CROMWELL TOWER BRETON HOUSE
BEN JONSON HOUSE
DEFOE HOUSE
LAUDERDALE TOWER
FROBISHER CRESCENT
SEDDON HOUSE
PLAN OF BARBICAN ESTATE
BARBICAN CENTRE GILBERT HOUSE
THOMAS MORE HOUSE
SPEED HOUSE
REFERENCES Bryant-Mole, B. (2017). AD Classics: The Barbican Estate / Chamberlin, Powell and Bon Architects. [online] ArchDaily. Available at: https://www.archdaily.com/790453/ad-classics-barbican-estate-london-chamberlin-powell-bon [Accessed 14 Nov. 2017]. FitzGerald, J. (2017). The World's Oldest Council Estate: Then And Now. [online] Londonist. Available at: https://londonist.com/2015/02/worlds-oldest-council-estate-at-125-then-and-now [Accessed 14 Nov. 2017]. Housingprototypes.org. (2017). Housing Prototypes: Golden Lane/Barbican Estates. [online] Available at: http://housingprototypes.org/project?File_No=GB008 [Accessed 14 Nov. 2017].
MOUNTJOY HOUSE
ST GILES CRIPPLEGATE CHURCH
WILLOUGHBY HOUSE
ANDREWES HOUSE
The Barbican Estate, constructed in 1965 and completed in 1982, was designed by architects Chamberlin, Powell and Bon who utilized the idea of Brutalism to represent the restoration of Central London. Prior to World War II, the area was known as the Base Court which functioned as a military base, and was restored with Willoughby House. This ward was subsequently ruined in the war and regenerated as a 35-acre residential estate. To incorporate the improvement of technology into the design, the three architects proposed a more contemporary style of urban planning thus constructing Europe’s tallest residential buildings and opulent housing. The entire estate is also composed of 3 towers, 13 patios, an arts venue, a public library, 2 schools, and a museum. The layout of the plan enables the inhabitants to travel without any obstruction; the linkage of all the roads circulate underneath an elevated platform, which acts as the ground level to segregate pedestrians and vehicles. Additionally, an engineered improvement to diminish the rumbling of the underground trains also cooperates with the detachment of the ground levels. The estate’s identity is further exhibited through the development of greenery to integrate visual originality as well as a sense of solitude throughout the region. It also generates a balance between the liveliness and serene sections of the city. Another evident intention is the exposure of concrete to emphasize an unfinished and careless impression to implicitly convey a territory of great significance.
AERIAL VIEW OF BARBICAN ESTATE Alamy. (2017). An aerial view of the Barbican Estate. [online] Available at: http://www.alamy.com/stock-photo-an-aerial-view-of-the-barbican-estate-a-residential-estate-in-the104728319.html [Accessed 14 Nov. 2017].
Mixed reviews have been expressed from the residents; some praise the intelligent lifestyle and the unique landscaping that shapes its distinction from other estates. Conversely, others criticise the unorganized style and its vulnerability to become a mess. In either case, the overall outlook of the area is definitely ameliorated in terms of aesthetics.
LONDON MOORHOUSE
SECTION OF BARBICAN ESTATE
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PRODUCT AND SOUVENIR DESIGNS
Souvenir - Key Chain
Mug Design
Wooden Souvenir
PRODUCT AND SOUVENIR DESIGNS
Sweatpants Design
Notebook Design
Sweatshirt Design
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Phonecase Design
PRODUCT AND SOUVENIR DESIGNS
Neck Pillow Design
Pencil Bag Design
Umbrella Design
A N I M AT I O N S A N D V I D E O S
Transformer (Cinematic Drawing of BillDing Board, Venturi and Rauch Architects) Stop Motion Film using Charcoal https://www.youtube.com/ watch?v=K94Ym6VcyJY&t=10s
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MewMe Promotional Video Animation https://youtu.be/A4oDDkE2NHs A promotional video for a social network platform for real estate developed by a professor during my internship at the HKUST.
Knowles Carnival Promotional Video Animation https://youtu.be/jw8YcuA55a4
A N I M AT I O N S A N D V I D E O S
Noodle Over Noodles Stop Motion Film https://youtu.be/4FBPQ5dJI1Q
Product Sale Promotional Video Animation https://youtu.be/l612_zQ_wHs
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ARTWORKS <N/A (Nature/Architecture)>
Mixed Media, A1
Mixed Media, A2
Artist analysis and experiment on John Piper and Paul Kenton
Artist Analysis, A3
Mixed Media on Canvas, A2
Experiment Record, A3
ARTWORKS
Pen Drawing on Paper, A2
These mixed media pieces are inspired John Piper. For the piece above I used pen and
Watercolor on Paper, ink and below I overlaid an ink background with A3 a photo printed on acetate, creating a sense of inside outside.
These mixed media pieces are inspired John Piper. For the piece above I used pen and Exhibited at Brooke Gallery and King's ink and below I overlaid an ink background with a photo printed on acetate, creating a College Taunton Art School sense of inside outside.
Collage, A3
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<Relationship>
Mixed Media
ARTWORKS
Mixed Media, A4 For my AS exam with the theme â&#x20AC;&#x2DC;Relationshipsâ&#x20AC;&#x2122;, I focused on the relationship between me and my sister; and between food and culture. I have looked at artists who explored scale and worked with boxes or tins, such as Slinka Chu and NaTalica. The piece on the next page is the final piece of my project.
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<Truth, Fantasy, Fiction>
Mixed Media, A1
Pencil Drawing on Paper, A1
Watercolor on Paper, A1
ARTWORKS
3D Sculptures
Acrylic on Canvas, A2
Acrylic on Paper, A3 Sketchbook Pages, A3
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<Inside Outside>
Pencil Drawn Paper Sculpture, A4x6
These 6 drawing are inspired by everyday life, with the theme inside to outside. I did them in different time scale and experimented multiple point of view .
Acrylic and Collage Experiment, A3
ARTWORKS
is AS mycoursework AS coursework It ThisThis is my final final piece.piece. It big and collage. I planned is a is biga and longlong collage. I planned in in Photo before making it, using Photo ShopShop before making it, using photos of buildings and people photos of buildings and people in in These collages and drawings are inHong I took based ontheme the theme Hong KongKong I took based on the spired by Karen Stamper. I used my first-hand photos, newspapers and ‘Inside Outside’. To create the first ‘Inside Outside’. To create thelayfirst laymagazines to do collage in the background. Then I white paint to er, Ier, stuck Chinese newspapers in theused I stuck Chinese newspapers in the cover some bits and do drawings on pieces are about people and background thenthen I drew on itit. The using background I drew on it using their society, therefore I bring in my own elements Hong Kong style birobiro andand pencil. AfterAfter that,that, I addIcolors pencil. addwithcolors buildings. andand structure to the by collaging structure topiece the piece by collaging magazines and using ink to draw. magazines and using ink to draw.
Mixed Media, A4
Mixed Media, A2x3
These co spired by first-han magazin ground. cover so it. The pi their soc own elem buildings
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I L L U S T R AT I O N S
Namecard Design
more on https://www.instagram.com/mformkee/
File Design
Sticker Design
Phone Case Designs
Selling at Handmade Market
Pin Designs
I L L U S T R AT I O N S
Christmas Cards Design 2013-2018