G N I L G Y N I T SSTYLLING G Y N I T CON SSTYLLING TENT G Y N I T SSTYLLING 01 G Y N I T SSTYLLING 02 Y T S IA
MAR
O EIR
T MON
LIO
CALL SHEET
CAT
I MUN
COM
O RTF O P CT OJE R P LIVE ION
TREATMENT DOCUMENT
03
PROCESS DEVELOPMENT
CREW
PLOT Contemporary look book
CREW
PROPS
Shiona- camera, art director Gisele- camera, art director Maria- camera, art director Charlotte Durpuy- MUA
CAST CAST
PROPS Empty frames, made from coloured wood
Stuart Anna
Abstract lines, playing with negative spaces
GARMENTS
Stitch lines – consistent stroke width Black background- Makes the colours look brighter
GARMENTS 1 - 4 will be used from sketch (2, 4, 5 and 6 from line-up) Coloured trousers, circle jacket, big fluffy coat, orange and blue dress
AUDIO Upbeat and fun, Perky, strong beat Everything at once by Lenka
AUDIO Billie Eilish
LOCATION The Crab- Arts University Bournemouth
LOCATION
OVERVIEW Documentary of level 6’s journey through level 6. Details of their garments, techniques ued to create the garment.
CREW CREW
Shiona- camera, art director Gisele- camera, art director Maria- camera, art director Makeup girl- makeup
PLOT
TREATMENT DOCUMENT films
‘FAKING IT”- Playing with 2D shapes
PLOT
01
OVERVIEW Contemporary look book
PLOT Documentary
LOCATION All fashion studios
LOCATION
TREATMENT DOCUMENT
CONTEMPORARY LOOKBOOK
MAKE-UP
01
COLOUR PALETTE
Pops of colour using Savi’s colour palette Solid colours instead of gradients – e.g. full eyeshadow colour with contrasting angles, sharp cut crease Eyeshadow matching colour lines, Natural lip
02 0
CALL SHEET
OVERVIEW CONTEMPORARY LOOKBOOK ‘FAKING IT’- PLAYING WITH 2D SHAPES
GFW FASHION FILM SHOOT MAY 13TH 2019 9:00AM-17:00PM
LOCATION ARTS UNIVERSITY BOURNEMOUTH
CALL SHEET Shiona Mcmillan
1701700@my.aub.ac.uk
Gisele Barbosa
1707507@my.aub.ac.uk
Maria Monteiro
1705889@my.aub.ac.uk
Charlotte Durpuy
1703306@my.aub.ac.uk
Cinematographer, Art director
Cinematographer, Art director
Cinematographer, Art director
MUA
TALENT Stuart Taylor 1706406 @my.aub.ac.uk Model
Anna
Model
MOODBOARD
02
CREW
03 02
PROCESS/ DEVELOPMENT
PROCESS/ DEVELOPMENT SHOTS
03
Model sat on the floor
Use of props e.g chair, or frames.
Use of props, models sitting down
Contemporary positioning of the models
Close up face shot, from different angles.
side half body shot zooming in slowly
Overlapping of models
Full body shot/ still body shot of both models. Model looking away
Full body shot/ still body shot
Use of props, models sitting down
Full body shot/ still body shot
Backshot of models, detail on the hair and possiblly the side of their face zooming in slowly back shots
Zoom on makeup detail
Contemporary positioning of the models
Contemporary positioning of the models, punching through fabric.
Close details on clothing, shoes, jewelery
Model on their knees, other model in the back
Shot with models touching eachother
Model on their knees, other model in the back
Contemporary positioning of the models
Contemporary positioning of the models
Model sitting side ways
Shot of both models together, one above the other.
Contemporary positioning of the mode ls. Back to back
Contemporary positioning of the models
03 02
PROCESS/ DEVELOPMENT
LIASING WITH DESIGNERS
PAINTING FRAMES FOR THE FILM
SETTING UP
SHOOT DAY BEHIND THE SCENES
PROCESS/ DEVELOPMENT
03
02 03
PROCESS/ DEVELOPMENT FILM SHOOT
PROCESS/ DEVELOPMENT FILM SHOOT
03