PROGRAMA DE RESIDENCIA #10 FEBRERO 2018 BUENOS AIRES / ARGENTINA
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In collaboration with:
Sobre el Proyecto La Ira de Dios es un proyecto independiente sin fines de lucro en Buenos Aires, Argentina. LID facilita el intercambio artístico y desarrolla la práctica del arte contemporáneo a través de residencias, asociaciones y programas públicos. LID fue fundado en 2010 como un espacio de galería para artistas emergentes y un programa de seminarios. En 2014 el proyecto se mudó a un galpón industrial en la búsqueda de un perfil más experimental. Como parte de este proceso, se comenzaron a realizar programas de residencia internacional.
Desde 2010 realizó más de 40 exposiciones, y más de 80 artistas e investigadores de 24 países participaron en nuestros programas de residencia. En 2018 LID comienza una nueva etapa mudando sus programas de residencia a cheLA, un antigua fábrica que hospeda proyectos independientes desde 2002. El nuevo espacio tiene cuartos para los residentes, espacios de trabajo más grandes, y otros proyectos alojados como Móvil, TaMaCo, Pedalúdico y otros, en continua interacción y diálogo.
Vista de la exposiciรณn de, 2016, La Ira de Dios.
About us La Ira de Dios (LID) is an independent nonprofit project in Buenos Aires, Argentina. LID facilitate artistic exchange and develop contemporary art practice through residencies, partnerships and public programming. LID was founded in 2010 as a gallery space dedicated to exhibitions and seminars for emerging artists. In 2014 the project moved to an industrial warehouse in searching of a more experimental approach. As part of this process, we began to develop international residency programs. Since 2010 we have held more than 40 exhibitions, and more than 80 artists and curators from 24 countries participated in our residency programs. In 2018 LID starts a new stage moving the residency programs to cheLA, a former factory building that is hosting independent art projects since 2002. The new space have rooms for the residents, cheLA es un centro de experimentación y producción artística. Está bigger working spaces, and a cluster of projects in continue dialog. ubicado en el barrio porteño de Parque Patricios a 150 metros del nuevo Centro Cívico. Es una ex fábrica de 5000 m2, restaurada y In 2018 our program includes three groupal residence programs transformada en un espacio que aloja proyectos independientes de during February, April/May and September/Octobre. diferentes procedencias artísticas, culturales, tecnológicas, educativas y sociales, con el objetivo de promover un ambiente colaborativo de intercambio e interacción abierto a la comunidad.
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Sobre los programas de residencia LID desarrolla tres programas de residencias grupales al año, cada uno de 4 a 8 semanas. Para cada programa, se selecciona un grupo de hasta 10 artistas, curadores e investigadores locales e internacionales. Los participantes comparten espacios de trabajo y participan de actividades grupales, mientras cada uno tiene la oportunidad de desarrollar investigaciones y proyectos personales. Durante el programa se organizan presentaciones públicas y la residencia termina en un evento de estudios abiertos. Cada programa tiene un curador invitado que participa en la selección de candidatos, propone conceptos o actividades, y realiza un seguimiento de cada proyecto. Los residentes también tienen la asistencia de un coordinador de producción y de los directores del proyecto, Carolina Magnin y Pablo Caligaris. La agenda de actividades también incluye visitas a espacios relevantes de la escena de Buenos Aires y visitas de otros programas, artistas, curadores y críticos.
Programa de residencia #10 Febrero 2018
Participantes Ann Schnake USA
Rodolfo Sousa Ortega Mexico (vive en BA)
Adela Filipovic Croacia
Tomaz Klotzel Brasil
Birthe Jorgensen Escocia
Santiago Poggio Argentina
Brad Necyk Canadá
Scott Rogers Canadá (vive en Glasgow)
Laurits Gulløv Dinamarca
Xavier Acarin España (vive en New York)
Curador invitado: Daniel Brown Director del programa de residencia de Edinburgh Sculpture Workshop.
Ann Schnake USA www.annschnake.com Ann Schnake is a social practice and visual artist who builds installations and sculptural works, investigating the physical activation of objects and mobility of spaces, in the context of failing economic and ecologic systems. She is also a nurse and often collaborates with other body workers, including performance artists, cooks, and hairdressers. Her visual and performative works are exhibited locally nationally and internationally in art venues and in unexpected locations, from gallery to hospital to dinner table to tent. Ann Schnake received BA and MS in Nursing from University of California at San Francisco, and a Masters in Fine Arts from California College of the Arts in 2012. MobileInTent is an ongoing creative production of Ann Schnake and other artists who push boundaries between art and ideas. The Mexican, German and American group of artists have recently returned form travel to Mexico and the Southwest creating installations, performances, meals and discourse at the Santa Fe Art Institute, Aggregate Space, Oakland, California,, a riverbed barrio and ten other locations in late 2014.
Schnake was also the founder of ArtsChange, directing exhibitions, performances and social dialogue in public sites in Richmond, CA, one of the most violent cities in the U.S. (1996-2011); She continues to curate exhibitions for county hospitals and clinics now. She was director of the Bosnian Youth Art Workshop in East Oakland (2005-8), a founder of Mudwomen Ceramics (1994-1997); Director Odd Sunday Dinners, a series of curated meals and conversations (2010-14). Recent works include a Traveling Medicine Show and Empanada Stand at dOCUMENTA(13) in Kassel Germany 2012; Wooden Possibility Belgrade, Serbia, (2014-15); Poetics of Potatoes Berkeley Art Center (2014).Domesticity UnHinged at Play Space and Million Fishes San Francisco, and solo exhibitions at Aggregate Space, MacArthur B Arthur and Sacred Wheel Galleries in Oakland.
Ann Schnake USA
Adela Filipovic Croacia
Born in 1980 in Croatia, Adela Filipovic studied ballet and rhythmics in Zagreb. After obtaining her Bachelor's degree and studying journalism at the University of Zagreb, she moved to Sweden, where she studied dance therapy in Karlstad. After arriving in Luxembourg in 2012, she enrolled at the Conservatory of the City of Luxembourg, where she studied dance kinesiology and has been introduced to butoh in workshops with Yuko Kominami. During this time she danced with the Blanccontact project and collaborated with Rhysom Danz Kollektiv. She worked as a hippotherapist at the Equestrian Therapy Association, Mondercange and has taken several somatic and BMC workshops
In 2015 she moved to New York to study Graham technique at the Martha Graham School. There she met Eiko Otake and has participated in her Delicious movement classes. As a part of the workshop with Bill T Jones company she has performed at New York Live Arts Center. After New York experience she travels for a month to Yokohama, to take classes with Yoshito Ohno at Kazuo Ohno studio. Upon returning to Luxembourg in 2017 she had a 3 month residency at the old industrial hall which resulted in 2 perfomances (Sans accueil 1,2). Since November 2017 she is a member of Croatian somatics network.
Adela Filipovic Croacia
Birthe Jorgensen Scotland www.birthejorgensen.com
Birthe Jorgensen (born Copenhagen, DK) lives and works in Glasgow, Scotland. Lacing together disparate narratives, places and time frames, her installations are often poly vocal, speaking to themes of geographical displacement, entanglement, feminism and environmentalism. Jorgensen has a background in interdisciplinary theatre (London, 2005-11), and holds an MLitt in Sculpture from the Glasgow School of Art as well as a BA Hons. in Sculpture from Central Saint Martins, London. Exhibitions and performances include The Reid Gallery, (w. Sogol Mabadi, Glasgow UK), The Hunterian Art Gallery (Glasgow UK), Man & Eve Gallery, London, UK). M3 Kunsthalle (Berlin DE), Glasgow international (Glasgow, UK) and Tate Modern (London, UK).
Research trips / residencies include Sisimuit & Kangerlusuaq, (West Greenland, DK), Danish Institute in Athens (Athens, GR), Billy Town (The Hague, NL), Glasgow Refugee Asylum and Migration Network, University of Glasgow (UK). Jorgensen worked as a lecturer at the Glasgow School of Art (2014-17, UK), has guest lectured at the Royal Conservatoire Scotland (Glasgow, UK) and Iceland Academy of the Arts (Reykjavik, IS) and she has spoken about her work at Universidade Nova (Lisbon, P), Transmission Gallery, (Glasgow, UK), Centre for Contemporary Art, (Glasgow, UK) and Tallinn Art Hall, (Tallinn, EE). In 2018-19 her work will be shown at Target Galleries (Minnesota, US) and Inverness Art Museum, (Inverness, UK).
Birthe Jorgensen Scotland
Brad Necyk Canada www.bradnecyk.com
Brad Necyk is a multimedia artist in Canada whose practice engages with issues of medicine, mental health, and precarious populations and subjects. His works include drawings and paintings, still and motion film, sculpture, and performance. He recently finished a residency with AHS Transplant Services in 2015-16, works as an artist/researcher in a project on Head and Neck Cancer, and is completing an arts-based, research-creation Ph.D. in Psychiatry. Currently, he is a visiting artist/researcher at the Centre for Addiction and Mental Health in Toronto and has a studio residency at Workman Arts, Toronto.
His current work focuses on patient experience, auto-ethnography, psychiatry, pharmaceutics, and biopolitics. His artistic work was included in the 2015 Alberta Biennial, and has been shown internationally; he has presented academic work at conferences in Canada and internationally, most recently at the 2017 SLSA conference in Phoenix, AZ, and the 2017 Association of Faculties of Pharmacy of Canada in Quebec. Brad sits on the boards of several professional bodies, and is a Scholar at the Integrative Health Institute at the University of Alberta. He currently teaches senior level courses in Drawing and Intermedia at the University of Alberta and MacEwan University.
Brad Necyk Canada
Laurits Gulløv Denmark cargocollective.com/lauritsgulloev
He is currently student of the Royal Denmark Academy of the Arts. His work focuses on graphics and techniques such as wood- and linocuts, etchings textile prints and monotypes. His current research is the paper, the production of paper as well as different ways of sealing paper, for instance with wax, emulsion, different oil types and glue.
Some of his recent exhibitions are: “About ornaments”, Udstillingsstedet Sydhavn, solo exhibition, 2017; “Allow me to introduce myself”, Gallery Susanne Ottesen, 2017; “Nice Things”, Gallery Christopher Egelund, 2017; “ROOM”, solo exhibition, Q, 2016; “RUM”, solo exhibition, Kunsthal Varte, 2016; The Academy of Fine Arts Miami, Market Exhibition Center Q, 2016; Construction VERA project room, 2015; “What Happened and What Happened in Post-Weather”, Project Room VERA, 2015.
Laurits Gulløv Dinamarca
Rodolfo Sousa Ortega Mexico (lives in BA) www.sousarodolfo.com Rodolfo Sousa Ortega(Xalapa, México, 1986) licenciado en artes visuales por la Universidad Veracruzana. De 2010 a 2012 fue artista residente en La Ceiba Gráfica (La Orduña, México). Actualmente vive en Buenos Aires. Realiza un posgrado en Lenguajes Artísticos Combinados en la Universidad Nacional de las Artes y se dedica a la producción artística y a la escritura de ensayos sobre arte. Ha expuesto de forma individual en El Museo de Antropología de Xalapa (2012), en El Jardín de las Esculturas (2015) y en el Centro Cultural Theux en Liege Bélgica (2007). Destacan las muestras colectivas en la Bienal de Arte Joven de Buenos Aires (2017), FAUNA (2015 y 2017), Hay Festival Xalapa (2014) Galería de Arte y Diseño de la Facultad de Arte de La Universidad Nihon, Tokio,Japón (2014) Leonard Codex, Nueva York (2013) Casa Mezcal, Nueva York (2013) Walkers Point Center for the Arts, Milwaukee (2013) White Gallery,
Connecticut (2013) Museo del Ferrocarril Oaxaca (2012) Sus ensayos se han publicado en la revista La Palabra y el Hombre (Universidad Veracruzana) y en la plataforma digital GasTV. Ha dictado talleres en el MAMBA junto con Tania Puente, y conferencias al lado de Rodolfo Marqués y José Luis Landet en el CCK. Ganador en la Bienal de Arte Joven de Buenos Aires (2017) de la beca de formación residencia La Ira de Dios (2018). Seleccionado en la primer Bienal de Arte de Veracruz (2013). Ganador de la categoría Audiovisual Experimental en FAUNA Festival Artístico de la Universidad Nacional de las Artes, Argentina) 2017 y ganador junto con el compositor Demian Rudel Rey del FAUNA 2015 (en la categoría Instalación, Producciones Objetuales y Digitales, y merecedor del primer premio en Artes Visuales de dicho festival.
Rodolfo Sousa Ortega Mexico (lives in BA)
Tomaz Klotzel Brasil www.tomazklotzel.com Tomaz está formado en fotografía y recorre diversos lenguajes artísticos en el campo de la imagen y del audiovisual, así como la instalación, la performance y el archivismo. Sus trabajos ocurren a partir de investigaciones conceptuales cuya progresión revela la necesidad de medios a ser desarrollados específicamente como soporte para cada trabajo, no siguiendo una metodología constante; pero si la que busca el entendimiento de conceptos como muerte, tiempo, ausencia y tantos otros. Se interesa particularmente por la resiliencia de los conceptos, como por ejemplo el campo del afecto en sus expresiones extremas. Su investigación comienza a partir de rituales introspectivos, donde capas de experiencia/memoria se manifiestan resignicando objetos y cosas . Ha participado en muestras de vídeo y cine como Kurye International Video Festival en Estambul, Oslo Screen Festival en Oslo, Hovefestival en Arendal, Noruega y el International Video and Contemporary Art Festival Waterpieces en Riga, Letonia y de exposiciones colectivas como Brasiliens Gesichter, en
Ludwig Museum en Koblenz, Alemania, la muestra In-Sonora, en Madrid, España y la Red Bull Station en São Paulo, donde fue artista residente durante el segundo semestre de 2015. Ha presentado en el Festival de Live Cinema, en la muestra Kinolounge y en el MIS en São Paulo y en otras muestras y shows solo en Porto Alegre, Brasilia y en Río de Janeiro. Contribuyó con producciones audiovisuales como director de fotografía, técnico de grabado y montador. Colaboró con publicaciones como BRAVO! y República como fotógrafo e ilustrador, además de productor. En 2013, movido por la necesidad de dialogar con las manifestaciones de junio y cuestiones sociales y políticas emergentes en Brasil, inició, con el antropólogo y escritor Luiz Eduardo Soares, el proyecto DepoisDeJunho.com; un sitio con largos debates con personas destacadas en el mapeo de nuevos paradigmas emergidos a partir de junio / 2013.
Tomaz Klotzel Brasil
Santiago Poggio Argentina http://cargocollective.com/poggiosan La Plata, Argentina, 1979. Profesor y Licenciado en Artes Plásticas (U.N.L.P.) Participó en el Programa de Artistas Universidad Torcuato Di Tella (2011). Taller-Clínica de Diana Aisenberg (2007/08). Programa de Tutorías del Centro Cultural Rojas (2007). Residencia en El Ranchito/Matadero, en Madrid, España (2017). Residencia en Atelier Mondial en Basilea, Suiza, mediante intercambio con URRA (2015). Residencia "Lugar a Dudas" en Cali, Colombia, con una Beca del FNA (2014) Beca Peisa (2013). Beca de Fundación YPF (2011). Beca de Fundacion Alberto J. Trabucco (2007). Beca Nacional del Fondo Nacional de las Artes (2007). Subsidio a la Creación de Fundación Antorchas (2004). Beca de la Fundación Bernardo A. Houssay (1995 a 1998).
Últimas muestras individuales: "Doblajes", Museo de Arte Emilio Petorutti (La Plata, AR, 2017), "A leitura submissa", Oscar Cruz Galeria (San Pablo, BR, 2014), "No one can write a book", Mohs Exhibit (Copenhague, DK, 2013), “Alguna Edad de Oro”, Museo Emilio Caraffa (Córdoba, AR, 2013). Últimas muestras colectivas: "Darlo Todo", Matadero Madrid (Madrid, ES), "Museo de los mundos imaginarios", Centro Cultural Recoleta (Buenos Aires, AR), “Pensiero e Materia", Certosa di San Giacomo (Capri, Italia), "11º Concurso Nacional Uade Artes Visuales", Uade Art (Buenos Aires, AR), "10ª Bienal do Mercosul" (Porto Alegre, BR), “The Blackout Private Collection”, Ausstellungsraum Klingental (Basel, Suiza), "Premio Braque", MUNTREF Centro de Arte Contemporáneo (Buenos Aires, AR), "SP arte", feria de arte contemporáneo, Oscar Cruz Galería (Sao Paulo, BR), "Tatoo. From maritime heroes to world art", Brandts Museum (Odense, DK).
Scott Rogers Canada (lives in Glasgow) www.glasgowsculpturestudios.org Scott Roger works with sculpture, video, writing, and performance. These methods form interrelated systems, combining ideas and processes of experimentation in continuous feedback. The artist is interested in how we proceed from idealism to actuality, from desire to care, from stasis to decay. He is motivated by both restrictions and unfolding, and the possibility of exit from reductive identities. Ginger roots are coated in bronze paint, only to have the organisms burst through the surface with renewed growth. A perpetual motion machine works, if only through computer animation. Extreme sports become ruminations on luck, false consciousness, and radical contingency of the non-human.
Scott Rogers (b. in Calgary, CA, 1981; lives in Glasgow) received an MFA from the Glasgow School of Art (2012). He participated in an exchange at the Staedelschule in Frankfurt, DE between 2011 and 2012. Recent solo exhibitions include: YYZ (Toronto, CA); The Glasgow Sculpture Studios (UK); Artspace (Auckland, NZ, w/ Sarah Rose); ONO Gallery (Oslo, NO); PM Galerie (Berlin, DE); Khyber ICA (Halifax, CA); Stride Gallery (Calgary, CA). Group exhibitions featuring his work have included Future Station: The Alberta Biennial, Art Gallery of Alberta (Edmonton, CA), Eternal Return, Platform (Melbourne, AU), Black Diamond Dust, Nanaimo Art Gallery (CA), Seeing Things, Glasgow International Festival (UK), Fight! Center (Berlin, DE), Occasional Fix, Dog Park Project Space (Christchurch, NZ), Hamlet Mise-en-Scene (w/ Erik Lavesson and Pure Fiction Seminar), Portikus (Frankfurt, DE), Light Structures, Falsefront (Portland, US), and Force Things, St Paul St Gallery (Auckland, NZ). In 2015 he will have solo exhibitions at the Southern Alberta Art Gallery (Lethbridge, CA), and Collective (Edinburgh, UK). He was recently long-listed for the Sobey Art Award, Canada’s largest prize for contemporary art. With Sarah Rose and Rebecca Wilcox he co-runs tenletters, a project space in Glasgow.
Scott Rogers Canada (lives in Glasgow)
Xavier Acarin España (lives in New York) http://xaviacarin.net/ Xavier Acarín Wieland is an independent curator and researcher currently based in New York. Acarín’s academic and curatorial work has focused on the legacy of the sixties, and on performativity as a field of action and inquiry to address the current configurations of intimacy, disruption, and fragility. His exhibitions and projects have been presented at the GIDEST group of The New School for Social Research, Elastic City, Chez Bushwick, Peekskill Project 6, ESTE Gallery, and Java Projects.
He has written texts for exhibitions at ADN Gallery (Barcelona), and Participant Inc. (New York), and has published articles, essays, and interviews at A-desk.org, Culturas-La Vanguardia, BRAC magazine (University of Barcelona), Esnorquel, and Terremoto. He has also contributed as author to the books Designing Experience (Bloomsbury, 2014) and Dear Helen (CCS Bard, 2014). Acarín holds Masters degrees in Museum Studies from New York University and in Curatorial Studies from CCS-Bard College. Recently, he has been curator in residency at the Helsinki International Curatorial Programme (2016) and at the Abrons Arts Center, New York (2016-17).
Xavier Acarin EspaĂąa (lives in New York)
ESCOCIA - ARGENTINA PROGRAMA EN COLABORACION CON LA RESIDENCIA EDINBURGH SCULPTURE WORKSHOP Con el apoyo de British Council, La Ira de Dios y Edinburgh Sculpture Workshop desarrollan un programa en colaboraciรณn durante 2018. Dos artistas de Escocia y uno de Argentina participan juntos en ambas residencias, primero en LID durante febrero y en ESW durante Junio/Julio. El programa termina con una exposiciรณn de los tres artistas en el marco del Edinburgh Art Festival durante Julio/Agosto. Los artistas seleccionados en convocatorias abiertas por los representantes de ambas residencias y del British Council Argentina y Escocia son:
Escocia: Birthe Jorgensen Scott Rogers Argentina: Santiago Poggio
Dan Brown Curador de Edinburgh Sculpture Workshop Como parte de esta colaboraciรณn, Dan Brown, coordinador de la residencia Edinburgh Sculpture Workshop, estarรก participando en el programa de residencia de La Ira de Dios como curador invitado.
direcciĂłn
IguazĂş 451, Buenos Aires, Argentina
/espaciolairadedios
@lairadeaguirre
@lairadedios
web
www.lairadedios.com.ar