M a r i e
d’Oncieu MARCH DIPLOMA ENSA Paris-Malaquais (FR)
BACHELOR SC. IN ARCHITECTURE University of Bath (UK)
Curriculum Education
AUTODESK CONTACT REVIT
mariedoncieu@gmail.com +33 695700671 17 rue Gay-Lussac 75005 Paris
2017 Master of Architecture (Diplôme d’État d’Architecte) - Honours École Nationale Supérieure d’Architecture de Paris-Malaquais, France
AUTODESK REVIT INFORMATION
2014
Bachelor of Science in Architecture - Honours University of Bath, UK 4-year sandwich course with placements
Born 01/02/1993
2013
Erasmus Year in TU Delft in master course
Grasse (06)
French Marital status: Single
2010 Scientific Baccalaureat with International Option - Honours Lycée International de Valbonne, France
Professional Experience 2017 LIAT - Laboratoire Infrastructure Architecture Territoire Research internship, 4 months 2014-2015 HAWKINS/BROWN Architects, London Part I architectural assistant, 12 months 2012 AGENCE TECTÔNE Architects, Paris Architectural assistant, 4 months 2009
ARGENT PLC, Property developer, London Work on the King’s Cross site and 2012 Olympic Village, 1 month
professional Skills
2
AUTODESK AUTODESKREVIT REVIT
AUTODESK REVIT 3D MODELLING
TECHNICAL DRAWING
1 year of experience
Google Sketchup Rhino 3D Grasshopper 3DS Max
AutoCAD Vectorworks Dessin main Rhino 2D
ADOBE SUITE Photoshop Illustrator Indesign
LANGUAGES French (Native) English (Bilingual)
Personal Projects PUBLICATIONS PUBLICATIONS 2016 Translator for PLI 02, Architectural and publishing magazine 2015 Co-author of “The Scale and Impact of Infrastructure Networks on Territory and Community in Turkey and Istanbul” - Susan Dunne Article for the French Institute of Anatolian studies, Istanbul 2014 Creator, editor in chief and illustrator in chief PAPERSPACE, Architectural student magazine, University of Bath https://issuu.com/bathpaperspace 2013 Assistant editor in chief and illustrator in chief PANTHEON, Architectural student magazine, TU Delft, Delft, NL https://issuu.com/stylos/docs . WORKSHOPS WORKSHOPS 2017 Isfahan Summer School “The city which has lost its river” with Richard Scoffier, Patrick Berger and Francis Lambert Art University of Isfahan, Iran 2013 “Post Topias” and “Building Barbapapa” Workshops with MVRDV and The Why Factory. TU Delft, Delft, Netherlands ENGAGEMENT ENGAGEMENT 2017
Student representative at the Board of Administration Ecole Nationale Supérieure d’Architecture de Paris-Malaquais, France
2012-2014
Student representative at the Board of Administration University of Bath, Bath, UK
Personal Interests ILLUSTRATION
Illustrator for the Pantheon, Paperspace and BK Niews magazines Design of logos for small companies Set designer of the Christelle Pena dance school 2009-2012
ACTIVITIES Flute -15 years Competitive volley-ball Competitive sailing Mountain sports
3
Projet Crafting Commune (p. 12) Detailed section of the green oak structural frame. The green oak structure and the stone external walls, inherited from vernacular architecture, are used in association with thin metal elements in tension, creating a contrasting lightness.
4
The new vernacular My two diploma projects (bachelor and masters) follow an approach which Pierre Frey names “new vernacular”. Both consider the architect not only as a designer, but as a builder, acutely conscious of his resources. From the first outline, the projects integrate the local context, in terms of resources (material and human), as well as expertise and construction techniques. The shape and materiality are strongly derived from social and anthropological studies and they question the notion of “adapted architecture” and the reinterpretation of traditional models.
FEATURED PROJECTS
1 2
DEPTH OF SHARED SPACE MArch Diploma Dakar, Senegal CRAFTING COMMUNE BSc Diploma Stroud, UK
5
MARCH DIPLOMA
depth of shared space
Designing an architecture school in Dakar ENSA PARIS-MALAQUAIS 2017 Tutors: Luca Merlini, Jean-Pierre Vallier GRADE : A In an informal and dynamic context, this project rejects the private/public dichotomy and instead, embraces the creative appropriation of space characteristic of African cities. Through the program of an architecture school in Dakar, the project focuses on the materialization of thresholds in Senegalese culture. Through their subtle arrangement the project articulates 7 “levels of depth” and expands the limit between city and institution, creating a variety of spaces to create, meet and exchange. EXHIBITIONS Among 12 selected for the Expo PFE ENSAPM - Sept 17 Selected to represent the THP Department for the Journées Nationales d’Architecture - Oct 17
6
1
1 2
2
3 4
3
5 6
4
5
6
7
8
1:50 model
1:500 model
9
10
11
BACHELOR DIPLOMA
crafting commune Intergenerational learning center UNIVERSITY OF BATH 2014 Tutor: Elantha Evans GRADE : A This project proposes a communal node for several villages in the Stroud area. Within a strong enclosing wall which engages in games of views with the surrounding nature, the building plays with local architectural codes. The Tudor model is reinterpreted, carved, creating interruptions in the continuity of the communal spaces, allowing informal interactions.
12
Ce batiment incarne une harmonie; au sein de sa communauté; avec la nature environnante et en temps que système énergique independant
13
Porous City Project (p. 22) This lego model 2mx2m, where each lego represents 1 unit of inhabitation, was a proposal for an imaginary porous urban environment.
14
Changing cities These projects question the future of cities facing the great societal changes of our era: the excessive privatization of public space (Istanbul); the consequences of the sea-level rise on littoral cities (Bagnoli); hyper-density in Asian cities (Porous City) and the lack of water in desert cities and the obsolescence of water infrastructure (Isfahan). Through these studies, I’ve been able to explore globally-relevant themes in contexts where they are exacerbated, allowing me to grasp the issues and establish a position as an architect.
FEATURED PROJECTS
3 4 5
BAGNOLI FISH MANIA Masters Year 1 2016 POROUS CITY Bachelor Year 3 2013 ISFAHAN VILLE DE MADIS Master Thesis 2016 - 2017
15
MASTER YEAR 1
Bagnoli fish mania Automated fish production industry ENSA PARIS-MALAQUAIS 2017 Collaborator: Alice Weil Tutor: Nicolas Gilsoul GRADE : A In the near future, the Mediterranean Sea has become too salty for natural fishing and the AutoFish company is building a robotic industrial fish production complex on the Bagnoli coast. The building functions with an optimized production system which accommodates the conditions of life, migration and breeding of the different species. The project focuses on the integration of public space in a privatized littoral zone and develops an aesthetic for an era where automation and destruction of natural ecosystems cross paths. EXHIBITION Finalist for PAUMME Prize, Naples - Fev 2016
16
17
18
1:500 model
1:100 model
1:200 model
19
MASTER THESIS
isfahan, shaped by mâdis ENSA PARIS-MALAQUAIS 2016-2017 Director of studies: Jean Attali GRADE : A Research thesis mapping the destruction of the mâdi network, a unique hydraulic system in Isfahan, Iran. Creation of a series of maps, using satellite imagery, combining old maps and contemporary data. The thesis focuses on the mâdi system, which has allowed the creation of an oasis-city, deeply shaping its morphology in order to question the obsolescence of hydraulic infrastructure in Iran in our era of severe climatic change.
Extract: “Cependant, ce respect de la nature dissimule en réalité une aversion pour le désert et l’aridité. La nature que vénèrent les Perses est la nature végétale. C’est elle dont l’adoration se cristallise dans le jardin persan, conçu comme l’image du paradis. Ainsi, la construction de villes iraniennes édéniques, et particulièrement Isfahan, la ville-jardin par excellence, passa par la création d’un “paysage emprunté”. Cette expression exprime toute la fragilité et l’ambigüité qui caractérisent les villes iraniennes. Leurs jardins et jeux d’eau sont le résultat de prouesses techniques antiques. Diversion, forage, tunnels et une régulation fine de l’eau ont permis à l’homme de défier le territoire. Il y a dans ces pratiques une maitrise de la nature, mêlée à une crainte de son imprédictibilité. C’est ainsi qu’Isfahan, comme toutes les villes iraniennes, a soumis son organisation urbaine aux lois de ses madis: à la topographie et aux variations du débit.
FOLLOWING FOLLOWINGTHE THETHESIS THESIS august Participation in the “Isfahan Summer School” working on the theme of the empty river in the heart 2017 of Isfahan. march 2018
Participation in the “Isfahan week in Paris” and presentation of the thesis during a conference.
august Organization of the “Mâdi Festival”, currently under 2018 preparation with the municipality of Isfahan.
20
RESEAU DE MADIS ETAT ACTUEL LEGENDE Zayandeh Rud Rivières secondaires Canaux du basin Madi Jub Terres agricoles Madi irrigué Bordé d’arbres, pelouse Mis en scène Madi vide Bordé d’arbres, pelouse Bordé d’arbres, terre Bordé d’arbres, betonné Arbres plantés dans madis Couvert, pietonnisé, pelouse Rangée d’arbres Sans arbres Entièrement recouvert Réseau détruit Tranchée vide Bordée d’arbres Sans arbres
21
BACHELOR YEAR 3 - ERASMUS
porous city Parametric studies on urban porosity TU DELFT 2013 Tutors: Winy Maas, Alexander Sverdlov Collaborator: Trine Bolviken GRADE : A Studio lead by Winy Maas and MVRDV. Study of urban porosity, using the lego as a housing unit. Starting with a classic urban typology (tower, block, courtyard), the 10 duos applied a mechanical transformation (twist, incline, divide) in order to increase the level of porosity. The proposals, created with Grasshopper, then built thanks to a “legoifying� script, were then compared in terms of views, sun exposure, etc... and were the basis for a debate on urban porosity during an exhibition organized by MVRDV and TU Delft.
EXHIBITION Exhibition and debate with Winy Maas, Taeke de Jong, Han Meyer, Alexander Sverdlov 5 Mars 13
22
Calculations Calculations Calculations Total Floor Area 284 889 m2 Total Total Floor Floor Area Area 284 284 889 889 m2 m2 Mass Volume 860 482 m3 Mass Mass Volume Volume 860 860 482 482 m3 m3 Void Volume 5 061 658 m3 VoidVoid Volume Volume 5 061 5 061 658 658 m3 m3
ations lations Total Total Floor Floor AreaArea 284 284 889 889 m2 m2 Mass Mass Volume Volume 860 860 482 482 m3 m3 VoidVoid Volume Volume 5 061 5 061 658 658 m3 m3
FR FR FR 7 7 GSR GSRGSR 0.490.49 OSR OSROSR 0.510.51 No. of floors No. No. of floors of floors 35 35 Increase of Total Surface Area Increase Increase of Total of Total Surface Surface Area Area 2.932.93
Calculations Calculations Calculations
FR FR 7 7 GSRGSR 0.490.49 OSROSR 0.510.51 No. No. of floors of floors 35 35
Increase Increase of Total of Total Surface Surface AreaArea 2.932.93 ations lations No. No. of terraces of terraces 56545654 Terraces Terraces Floor Floor AreaArea 130356 Total Total 284 130356 284 889m2 889 m2 m2 m2 Mass Mass Volume Volume 860 860 482 482 m3 m3 % of%void of void Void Void Volume Volume 5 061 5 061 658 658 m3 m3 (based (based on Total on Total Volume) Volume)
% of%terraces of terraces FR FR 7 7 (based (based on Total on Total FloorFloor Area) GSRArea) GSR 0.490.49 OSR OSR 0.510.51 of%facade of facade hit by hitdirect by direct sunlight sunlight No. No. of floors of floors 35 35 (for atleast (for atleast 2 hours 2 hours per day) per day) 9 a.m. 9 a.m. Increase Increase of Total of Total Surface Surface AreaArea 2.932.93 12 p.m. 12 p.m. 3 p.m 3 p.m . . No. No. of terraces of terraces 56545654 Terraces Terraces Floor Floor Area Area 130356 130356 m2 m2 und ground floorfloor hit by hit direct by direct sunlight sunlight (for atleast (for atleast 2 hours 2 hours per day) per day)
ne en lego
% of%void of void 9 a.m. 9 a.m. (based (based on Total on Total Volume) Volume) 12 p.m. 12 p.m. % of%terraces terraces 3ofp.m 3 p.m . . (based (based on Total on Total FloorFloor Area)Area) % of% corners ofhit corners (two sided sided views) views) of% facade of facade by hit direct by(two direct sunlight sunlight (based (based on overall on2 overall facade facade area) (for atleast (for atleast hours 2 hours per day) perarea) day)
9Distances a.m. 9 a.m. View View Distances 12 p.m. 12 p.m. 0-100-10 m m 3 p.m 3 p.m . . 10-20 10-20 m m 20-60 20-60 m m und ground floorfloor hit by hitdirect by direct sunlight sunlight (for atleast (for atleast 2 hours 2 60-100 hours per60-100 day) per mday) m 9 a.m. 9ma.m. 100-200 100-200 m 12 p.m. 12 p.m. endless endless 3 p.m 3 p.m . . skyview skyview
Why ume de o comme
% of%corners of corners (two(two sidedsided views) views) (based (based on overall on overall facade facade area)area)
View View Distances Distances 0-100-10 m m 10-20 10-20 m m 20-60 20-60 m m 60-100 60-100 m m 100-200 100-200 m m endless endless skyview skyview
ne tyération, une POROSITY POROSITY linaison, porosité. fasciébattre ine.
No. of terraces No. No. of terraces of terraces 56545654 Terraces Floor Area Totalm2 Terraces Terraces Floor Floor Area Area 130356 Total Total 284 130356 284 889 889 m2 m2 m2 Mass Volume Mass Mass Volume Volume % m3 of void 860 860 482 482 m3 % of%void of(based void on Void Volume Total Volume) Void Void Volume Volume 5 061 5 061 658 658 m3 m3 (based (based on Total on Total Volume) Volume)
% of terraces FR % of%terraces of terraces FR FR (based7on 7Total Floor Area) GSR (based (based on Total on Total FloorFloor Area) Area) GSR GSR 0.490.49 OSR % of facade hit0.51 by 0.51 direct sunlight OSROSR % of%facade of facade hit by hitdirect by direct sunlight sunlight No. of floors (forfloors atleast 2 hours per day) No. No. of floors of 35 35 (for atleast (for atleast 2 hours 2 hours per day) per day) 9 a.m. 9 a.m. 9 of a.m. Increase Total Surface Area Increase Increase of83% Total of83% Total Surface Surface Area Area 12 p.m. 2.932.93 12 p.m. 12 p.m. 3 p.m . 3 p.m 3 p.m . . No. of terraces No. No. of terraces of terraces 5654 5654 21%21% Terraces Floor Area % Terraces of ground floor hit by 130356 direct sunlight Terraces Floor Floor Area Area 130356 m2 m2 % of%ground of ground floorfloor hit by hitdirect by direct sunlight sunlight (for atleast 2 hours per day) (for atleast (for atleast 2 hours 2 hours per day) per day) % of void % of%void of(based void 9 a.m. 9 a.m. 9 a.m. on Total Volume) (based (based on Total on Total Volume) Volume) 12 p.m. 5%5% 12 p.m. 12 p.m. % of terraces 3 p.m . % of%terraces of terraces 11 11 3 p.m 3 p.m . on . Total Floor Area) (based (based (based on Total on Total FloorFloor Area) Area) 9% 9% % of corners (two sided views) % of facade hit by direct sunlight % of% corners ofhit corners (two sided sided views) views) % of% facade of facade by hit direct by(two direct sunlight sunlight (based on overall facade (for atleast 2 hours perarea) day) (based (based on overall on2overall facade facade area) (for atleast (for atleast hours 2 hours per day) perarea) day)
9 a.m. 9 a.m. 9 a.m. View Distances 8.5 % 8.5 %View View Distances Distances 83% 83% 12 p.m. 0-10 m 12 p.m. 12 p.m. 9.2 % 9.2 % 0-100-10 m m 3 p.m . 3 p.m 3 p.m . . 10-20 m 10-20 m m 10-20 7 %21% 7% 21% 20-60 m % of ground floor 20-60 mhitmby direct sunlight 20-60 % of%ground of ground floorfloor hit by hitdirect by direct sunlight sunlight (for atleast 2 hours per day) 60-100 m (for atleast (for atleast 2 hours 2 hours per60-100 day) per 68% 68% 60-100 mday) m 9 a.m. 100-200 m 9 a.m. 9ma.m. 100-200 100-200 m 12 p.m. 5%5% endless 12 p.m. 12 p.m. endless endless 3 p.m . 3 p.m 3 p.m . . % 15 11 %15 11 skyview skyview skyview % 199% %199% % of corners (two sided views) % of%corners of 34 corners (two sided sided views) views) %34 %(two (based on overall facade area) (based (based on overall on overall facade facade area)area) 9 %9 % View Distances 8.5 % 8.5 %View View Distances Distances 0 %0 % 0-10 m 9.2 % 9.2 % 0-100-10 m m 23%23% 10-20 m 10-20 10-20 m m 7 %7 % 36 %36 % 20-60 m 20-60 20-60 m m 60-100 m 68%68% 60-100 60-100 m m 100-200 m 100-200 100-200 m m endless endless endless 15 %15 % skyview skyview skyview 19 %19 % 34 %34 % 9 %9 % 0 %0 % 23%23% 36 %36 %
POROSITY POROSITY POROSITY
7 0.49 0.51 35 2.93 5654 130356 284 889m2 m2 860 482 m3 5 061 658 m3 7 0.49 0.51 35
YourYour newnew typ
83%83%
21%21% YourYour newnew typotypo
2.93 5654 130356 m2
5 %5 % 11 11 9% 9%
8.5 % 8.5 % 83% 83% 9.2 % 9.2 % 7 %21% 7% 21% YourYour newnew typotypo 68%68% 5 %5 % 15 11 % 15 11 % 199% % 199% % 34 % 34 % 9 %9 % 8.5 % 8.5 % 0 %0 % 9.2 % 9.2 % 23%23% 7 %7 % 36 % 36 % 68%68% 15 % 15 % 19 % 19 % 34 % 34 % 9 %9 % 0 %0 % 23%23% 36 % 36 %
83% 21%
5% 11 9%
YourYour newnew typ
8.5 % 83% 9.2 % 7% 21% 68% 5% 15 11 % 199% % 34 % 9% 8.5 % 0% 9.2 % 23% 7% 36 % 68% 15 % 19 % 34 % 9% 0% 23% 36 %
shopper, t comleillement,
23
Plasticity Project (p. 28) Close-up recycled thanks to the team furniture. 24
of the curved extruded plastic elements, created a custom machine built by and assembled to create
material focus The works in this section were carried out during workshops, research projects or a specific focus during architectural projects. These allowed me to work at 1:1 scale, and innovate in the forming, the assemblage, or the application of different materials. Material creativity and attention to detail are essential in architectural practice, and these explorations have allowed me to focus on this field.
FEATURED PROJECTS
6 7 8
PLASTICITY Master Year 2 2016 BUILDING BARBAPAPA Bachelor Year 3 2013 TEMPO GIUSTO Bachelor Year 4 2014
25
BACHELOR YEAR 4
tempo giusto Detailing a timber space frame UNIVERSITY OF BATH 2014 Collaborator: Alberta de Nardi (structural engineer) GRADE : B 1:1 scale prototype of a timber space frame developed in collaboration with a structural engineering student. This structural and material research was integrated in an architectural group project for a market in Bristol and the structural system detailed here could cover a 15x50m hall.
26
27
MASTER YEAR 2
plasticity Material innovation in recycled plastic forming ENSA PARIS-MALAQUAIS 2017 Tutors: Jean-Aimé Shu, Nicolas Leduc Collaborators: Tristan Barth, Sasha Bitoun GRADE : A Our team has developed a curved extrusion technique for recycled plastic by constructing a specific machine. The process has allowed us to create a furniture series as well as imagine an exhibition pavilion. The machine was built thanks to an adapted opensource model and the plastic was gathered internally, at the architecture school, advocating for the relevance of lo-fab (local fabrication) production. EXHIBITION Selected to represent the DK Department for the Journées Nationales d’Architecture - Oct 17 WORKSHOP BACHELOR
building barbapapa Material research workshop TU DELFT 2013 Tutors: Ulf Hackauf, Marcel Bilow This workshop, led by MVRDV, was based on a futuristic animated film “The Transformer Project” which represents a hypothetical, adaptable material, able to react to a user’s desires. The group aimed to present the attributes of the “Transformer” using existing materials in order to recreate the Barbapapa utopia.
28
magazines PANTHEON: Student magazine at TU Delft, Pantheon publishes 4 issues by year. I was issue editor for 2 issues and illustrator and writer on all 4 issues. PAPERSPACE: Motivated by my experience in Delft, after my Erasmus year, I started Paperspace, the first architectural student magazine at the University of Bath.
I put together a team of authors, illustrators, photographers, created departments and named department heads, set up workshops and specific training. I organized financing and publication and we published the first two issues in the first year. They were distributed to all students of the department as well as to practices in Bath and Bristol. Paperspace is currently on its 10th issue, and I am still involved as a consultant for the current team.
Writer and illustrator
Writer and illustrator
Issue editor Writer and illustrator
Issue editor Writer and illustrator
Editor in chief Writer and illustrator
Editor in chief Writer and illustrator
Consultant
Consultant
29
CONTACT mariedoncieu@gmail.com +33 695700671 17 rue Gay-Lussac 75005 Paris