MARIN THEATRE COMPANY NATIVE LAND ACKNOWLEDGMENT
Marin Theatre Company acknowledges our theatre and administrative offices are located on the ancestral, occupied, and unceded land of the Coast Miwok peoples. We recognize we currently benefit from living and working on their traditional homelands, and affirm their sovereign rights as first peoples. We are committed to learning and to strengthening our relationships with members of our local community, and to work toward dismantling the harmful effects of white supremacy and colonization. We acknowledge the Coast Miwok as the original caretakers of this land. We pay our respects to the Coast Miwok community and their elders both past and present, as well as future generations.
The Coast Miwok, from the areas of Novato, Marshall, Tomales, San Rafael, Petaluma and Bodega, are members of the Federated Indians of Graton Rancheria, a community which includes the Southern Pomo peoples from the Sebastopol area.
We pledge to build relationships with sovereign tribal nations and to never cease ongoing learning, to ensure Marin Theatre Company becomes a more inclusive and welcoming space.
LEARN MORE ABOUT THE COAST MIWOK AND THE FEDERATED INDIANS OF GRATON RANCHERIA:
Coast Miwok:
Facebook.com/SouthernCoastMiwok.com1
coastmiwokofmarin.org
marinmiwok.com
Federated Indians of Graton Rancheria: GratonRancheria.com
Support indigenous rights organizations on a national or global level:
IllumiNative
Native American Rights Fund
Cultural Survival
Indigenous Environmental Network
LABOR ACKNOWLEDGMENT
We acknowledge that the country we live in today has been made possible by the labor of enslaved Africans and their descendants. We are indebted to their labor and their sacrifice, and we acknowledge the tremors of anti-Black violence throughout the generations and the resulting impact that can still be felt and witnessed today.
(Language developed by Dr. TJ Stewart)
Letter from Managing Director and CEO
Thank you for coming to our third production of the season, JUSTICE: A New Musical! As an organization, we are artistically committed to producing new works, and with this continued world premiere from our very own past playwright in residence Lauren M. Gunderson and award-winning musical team of Kait Kerrigan and Bree Lowdermilk, you’re witnessing history in the making.
This profound work dives deep into the humanity of the very fabric of our nation, justice system, and women leaders who have broken ground in our own time. As a woman and an arts leader who has broken ground myself at MTC, I know the importance of amplifying the stories of women leaders who inspire us to continue. Watching these women find power in their own right and community with each other, we’re provided a reflection of our own ability not only to connect with those around us but also find hope in the possibilities of our future together.
As our audience, you’re part of our community, and we believe it is our role to share these stories to inspire, connect with, and meet all of you. My hope is that the stories from Justices O’Connor, Ginsburg, and Sotomayor will stay with you, stimulating your mind and filling your heart as you return back into the world.
On April 2nd, we will have our first Marin Theatre Company Gala since the pandemic at the Mill Valley Community Center. I’d love for you to join us as we celebrate and “Recommit, Reconnect, and Reimagine” MTC!
Thank you for joining us to experience a new musical. We the people of Marin County and the greater Bay Area deserve more works like JUSTICE that you’re watching today. I look forward to seeing you at our special events and gala. Who knows what we can set ablaze—together.
Meredith Suttles, Managing Director and CEOBOARD OF DIRECTORS
Wendy Feng Chair
Matthew Purdon Vice-Chair
John Chesley Secretary
Barbara Reynolds Treasurer
Naima Dean
Kipp Delbyck
Doug Frazier
Denmo Ibrahim
Jennifer McEvoy
Vera Meislin
Kathryn Olson
Josh Rafner
Barbara Roberts
Stacy Scott
Tara Sullivan
Penny Wright
Marin Theatre Company presents
The Continued World Premiere of
JUSTICE A NEW MUSICAL
Book by Lauren M. Gunderson
Music by Bree Lowdermilk
Directed by Ashley Rodbro°
CAST OF CHARACTERS
SANDRA ...................... Karen Murphy* RUTH Lynda DiVito*
Lyrics by Kait Kerrigan
SONIA ........................ Stephanie Prentice*
CREATIVE TEAM
Orchestrations Mike Pettry
Additional Orchestrations, Arrangements, Vocal Arrangements .. Bree Lowdermilk
Music Director / Keys 1 / Conductor Ruiran Xun
Dramaturg / Producer ....................................... Nakissa Etemad
Scenic / Projections Designer Carlos Aceves
Costume Designer ......................................... Maggie Morgan +
Lighting Designer Kate Boyd
Sound Designer ............................................ Lane Elms+
Props Lead Liam Rudisill
Movement Director Deborah Slater
Associate Music Director / Keys 2 Matthew Zwiebel
Assistant Costume Designer Daria Perkova
Assistant Lighting Designer Spense Matubang
Assistant Sound Designer Camille Rassweiler
Stage Manager Nick Carvalho*
Assistant Stage Manager (February 13 – March 12) / Audio 2 Arashi Veronica Cesana
Assistant Stage Manager (January 23 – February 12) Julia Formanek*
Assistant Stage Manager (January 11 – 22) Tanika Baptiste*
JUSTICE is a continued world premiere at Marin Theatre Company
Jasson Minadakis, Artistic Director | Meredith Suttles, Managing Director/CEO
JUSTICE was first produced at Arizona Theatre Company
Sean Daniels, Artistic Director | Geri Wright, Managing Director
1993 — Today
JUSTICE: A New Musical runs 90 minutes with no intermission.
PRODUCTION TEAM
Director of Production
Haley Miller
Technical Director / COVID Safety Manager ................ Jeff Klein
Script Supervisor
Music Assistant
Ray Gonzalez
Gabriella Hirsch
Music Assistant Mo Yeh
Lead Sound Technician
Assistant Technical Director
Wardrobe Lead / Costume Shop Manager
Wardrobe Crew / Costume Shop Assistant
Stitcher
Lead Electrician / Light Board Programmer
Assistant Lead Electrician / Light Board Operator
Olivia Vazquez
Liam Rudisill
Daria Perkova
Emily Feil
Sarah Smith
Krys Swan
Mary Clare Blake-Booth
Wigs by Erica Villanueva
Additional Wigs by Lyre Alston
Carpenter
Scenic Charge
Electricians
Scenic Painters
Properties Assistants
*
Miguel Wacher
Stephanie P Jucker
Joshua Graves, Benjamin Miller, Brittany Mellerson, Mary Clare Blake-Booth, Taylor Ryan Rivers, Xavier Priven-Troncoso, Gabriel Dumapais, Charlie A. Mejia
Nathaniel Bice, Neil Ballard, Sarah Gendler
Miguel Wacher
° The Director is a member of the SOCIETY OF STAGE DIRECTORS AND CHOREOGRAPHERS, INC., an independent national labor union.
+ The costume and sound designers in this LORT Theatre are represented by United Scenic Artists, Local USA 829 of the International Alliance of Theatrical Stage Employees.
Please remember to turn off all cell phones or other devices that could make noise and be distracting to the cast and people around you. Photographs and recordings of any kind are strictly prohibited.
We ask that patrons please wear masks covering your nose and mouth at all times while in our building to help prevent the spread of the COVID-19 virus.
MUSICAL NUMBERS
“Preamble” SONIA, SANDRA, RUTH
“New Justice” SONIA, SANDRA, RUTH
“Let Me In” RUTH
“Get It Done” SANDRA
“Get It Done (Reprise)” SANDRA
“Decide Now” SONIA, SANDRA, RUTH
“Under The Collar” SANDRA, RUTH
“Two More Men” SONIA, SANDRA, RUTH
“Blaze” SONIA
“New Justice (Reprise)” RUTH, SANDRA
“Sonia Sotomayor”
.SANDRA, RUTH, SONIA
“Under The Collar (Reprise)” SANDRA, RUTH
“Act of God” RUTH, SANDRA
“Dissent Is Not Enough”........................SONIA, SANDRA, RUTH
“The Mind Goes” SANDRA
“Notorious” RUTH
“Finale” .........................................SONIA, SANDRA, RUTH
In 1993, Associate Justice Ginsburg joins the first female Justice O’Connor on the U.S. Supreme Court (Collection of the Supreme Court, Photo by Steve Petteway)
Justice Sotomayor joins the U.S. Supreme Court in 2009. Justice Ginsburg had been the sole woman on the Court since Justice O’Connor’s retirement in Jan. 2006 (Collection of the Supreme Court, Photo by Steve Petteway)
The first four women who have served on the Supreme Court of the United States. From left to right: Justice Sandra Day O’Connor (Ret.), Justice Sonia Sotomayor, Justice Ruth Bader Ginsburg, and Justice Elena Kagan in the Justices’ Conference Room, prior to Justice Kagan’s Investiture Ceremony on October 1, 2010.
SANDRA DAY O’CONNOR
Born Sandra Day on March 26, 1930, in El Paso, TX
In Office as Associate Justice September 25, 1981 – January 31, 2006
Now retired, Sandra Day O’Connor began her time on the bench of the Supreme Court as the first woman Justice to be both nominated and confirmed. Her senate confirmation was unanimous, and during her tenure from 1981 to 2006, she secured a reputation as a “centrist,” often siding with the Conservative bloc but still collaborating with and occasionally aligning with liberal members.
O’Connor’s early life presented both learning opportunities and obstacles to education, as there were limited schooling options for young women near the “Lazy B,” their family ranch in Duncan, AZ. After living her first seven years without running water or electricity at the Lazy B, O’Connor (nee Day) lived with her maternal grandmother in El Paso, Texas to attend the Radford School for Girls. For her eighth-grade year, O’Connor lived on the ranch and rode the bus 32 miles to school in El Paso, graduating high school two years early and sixth in her class.
Sandra Day O’Connor, in 2011, the 1st Female Associate Justice of the Supreme Court of the United States (Library of Congress)
O’Connor’s law career started at Stanford Law School where she met fellow student John O’Connor, whom she married six months after her graduation in 1952. Her first job out of school was as a county deputy attorney in San Mateo, California, initially by offering to work for no salary and sharing space with a secretary. Though mothering three boys brought a pause to her formal employment, O’Connor stayed active in various political causes before
serving as assistant to the Attorney General of Arizona, followed by an appointment from the governor of Arizona for a vacancy in the Senate. This made her the first woman to serve as any state’s Majority Leader.
O’Connor was nominated to the U.S. Supreme Court by President Ronald Reagan on August 19, 1981, and her confirmation hearing in September before the Senate Judiciary Committee was the first ever televised hearing of a Supreme Court Justice. Ten days later, O’Connor was confirmed by the Senate with a unanimous vote of 99-0.
— Sandra Day O’Connor, Opening Statement from Senate Nomination Hearings, September 9, 1981
Even after two years of service, The New York Times wrote an article referencing the “nine men” of the Supreme Court, prompting O’Connor to provide a written response, referring to herself as the FWOTSC - First Woman On The Supreme Court. O’Connor’s decisions often took a literal “case by case” approach that created both approval and criticism. In a politically divided court, she was known to often cast the swing vote, sometimes siding with the conservatives, and sometimes with the liberals. In an interview with NPR in 2013 called “‘Out Of Order’ At The Court: O’Connor On Being The First Female Justice,” O’Connor stated her feelings on the term: “I don’t like that term [swing vote]. I never did, and it’s not one that I like any better today. I don’t think any Justice — and I hope I was not one — would swing back and forth and just try to make decisions not based on legal principles but on where you thought the direction should go, and so I never liked that term.”
“It [the Supreme Court] is the body to which all Americans look for the ultimate protection of their rights. It is to the U.S. Supreme Court that we all turn when we seek that which we want most from our Government: equal justice under the law.”O’Connor is sworn in by taking the Judicial Oath on September 25, 1981 by Chief Justice Warren Burger while her husband John O’Connor holds the family Bible. (Photo by Michael Evans, Reagan White House Photographs)
O’Connor’s decision to retire in July 2005 rested much on her desire to spend more time with her husband who had been diagnosed with Alzheimer’s. After several delays, she retired on January 31, 2006, when she was succeeded on the Court by Justice Samuel Alito. In 2009, O’Connor founded iCivics, a web-based education project aimed at engaging middle school and high school students in civics. Later that year on August 12th, she received the nation’s highest honor awarded to a civilian from President Barack Obama, the Presidential Medal of Freedom, for her lifetime of accomplishment and service to our country.
RUTH BADER GINSBURG
Born Joan Ruth Bader March 15, 1933, in Brooklyn, NY
In Office as Associate Justice August 10, 1993 – September 18, 2020
Passed Away September 18, 2020
Decades before declaring herself a “flaming feminist litigator,” (Sept. 2017, The Hill.com) Ruth Bader Ginsburg was born and raised in Brooklyn, New York, before attending Cornell University, where she met Martin Ginsburg who went on to attend Harvard Law School. She graduated at the top of her class in 1954 with a B.A. in Government and married Marty one month later. Ginsburg became a mother before starting her law journey at Harvard, where she was one of only 9 women in a class of about 500 men. She decided to transfer to Columbia Law School where she became the first woman to be on two major law reviews, the Harvard Law Review and the Columbia Law Review.
She graduated Columbia in 1959 tying for first in her class, but found it very difficult to find work because of her gender. She found herself teaching for many years as a law professor first at Rutgers then at Columbia, where she became the first female professor there to earn tenure. Her legal career has been defined by her activism for gender equality and women’s rights. In the 1970s, as director of the Women’s Rights Project of the American Civil Liberties Union, she won six landmark cases before the Supreme Court in the fight against gender discrimination. In 1980, President Jimmy Carter appointed Ginsburg to the U.S. Court of Appeals for the District of Columbia, where she served for thirteen years and was noted as a moderate and a consensusbuilder.
President Bill Clinton, reportedly looking to increase the Court’s diversity, nominated
her on June 22, 1993 to be the first Jewish justice since 1969, the second female and the first Jewish female justice of the Supreme Court. Ginsburg was confirmed by the Senate in a 96-3 vote on August 3, 1993 and sworn in on August 10th.
Culturally, Ginsburg became an icon largely due to her passionate dissents, large scale impact and seemingly fearless commentary, identified at times as “the notorious R.B.G.” as a twist on the Notorious B.I.G., an American rapper also from Brooklyn. Ruth embraced this moniker and became known as much for her passion as her measured approach to decision making.
With numerous memorable cases in her career, Ginsburg also battled and overcame cancer twice, ignoring calls for her retirement. While the second woman to serve on the Supreme Court, Ginsburg was the only woman Justice from 2006 to 2009.
In addition to this solo tenure, groundbreaking representation, and clear advocacy for women’s rights in her court decisions, “the notorious R.B.G” famously gave her directive for when there are enough women Justices:
“So now the perception is, yes, women are here to stay. And when I’m sometimes asked when will there be enough [women on the Supreme Court]? And I say when there are nine, people are shocked. But there’d been nine men, and nobody’s ever raised a question about that.”
— Ruth Bader GinsburgGinsburg officially accepting the nomination from President Bill Clinton on June 14, 1993 (U.S. National Archives and Records Administration)
SONIA SOTOMAYOR
Born June 25, 1954 in New York City
Sworn in as Associate Justice on August 8, 2009
Sonia Sotomayor, U.S. Supreme Court Justice, 21 August 2009 (Collection of the Supreme Court of the United States, Photo by Steve Petteway)
In 1954, Juan, a factory worker and Celina, a nurse, two Puerto-Rican-born parents in the Bronx, New York, welcomed their daughter Sonia into the world. By 2009, their little girl had been confirmed as a Supreme Court Justice of the United States. Sonia Sotomayor’s path was paved with accomplishment. At seven years old, she overcame a diagnosis of Diabetes. Her father died of heart problems at age 42, when she was nine years old and her brother Juan, Junior was six, after which the young Sonia became fluent in English. She loved reading Nancy Drew mysteries and watching Perry Mason. She recalls that she knew she “was going to become an attorney, and I knew that when I was ten. Ten. That’s no jest.” Sotomayor’s mother worked hard to raise her daughter
Sonia and her son Juan as a single parent and managed to send her children to private Catholic school. Sotomayor graduated high school as valedictorian of her class. As a graduate of Princeton University, she received summa cum laude honors with a bachelor’s in history before attending and completing her law degree at Yale Law School. (See Family Photos at npr.com)
A 25-year-old Sonia Sotomayor worked as an Assistant District Attorney to the District Attorney of Manhattan, establishing herself as an imposing prosecutor who, despite her young age, would not get pushed around. She moved into private practice in NYC in 1984, making partner by 1988. Then in November of 1991, George W. Bush nominated Sotomayor to the United States District Court for the
Sonia Sotomayor threw out the ceremonial first pitch, New York Yankees versus Boston Red Sox, September 26, 2009. Final score: 3-0 Yankees. (flickr, A. Jagendorf)
Southern District of New York, where she served for six years — among her most notable cases was her “saving” of Major League Baseball in which her ruling ended the 1994 baseball strike after 232 days, the day before the new season was scheduled to begin.
In 1998, another president changed the course of her career when President Bill Clinton nominated Sotomayor to the United States Court of Appeals for the Second Circuit where she would hear more than 3,000 cases and write around 380 majority opinions over the next decade.
In 2009, President Barack Obama nominated Sotomayor as Associate Justice to the U.S. Supreme Court, where she received her confirmation from the Senate in a 68-31 vote divided mostly along party lines.
Sotomayor broke significant ground as the first woman of Color, first Hispanic, and first Latina to serve on the Supreme Court. The first case she heard was Citizens United v. Federal Election Commission, where she dissented from the majority, which held in favor of the rights of corporations in campaign finance. Within five years on the Court, she had carved an identity as a vocal advocate and tireless dissenter when compelled, especially in cases involving race, gender and ethnic identity. Sotomayor joined the liberal majority on several landmark cases. She ruled in the majority which upheld the Affordable Care Act twice, and in Obergefell v. Hodges in 2015, to legalize same-sex marriage in all 50 states.
Sotomayor is also a published author, including an autobiography, books for young adults, and the children’s book Just Ask! about a garden with 12 children nurturing its growth, and through it discover the value of individualism. Sotomayor, inspired by her own experience with diabetes and its impact on how she is perceived explains, “Each of us is doing what we do best... Each child is doing something to contribute to the garden, despite how they’re differently able.” In a 2017 audio podcast called What It Takes by the American Academy of Achievement, Sotomayor talks about The Power of Words:
“Through reading, I escaped the bad parts of my life in the South Bronx. And, through books, I got to travel the world and the universe. It, to me, was a passport out of my childhood and it remains a way — through the power of words — to change the world.”Sotomayor continues to serve on the Supreme Court to this day. Sonia Sotomayor on the first day of her confirmation hearings on July 13, 2009. (Patrick Leahy, Senate staffer)
BIOS CAST
KAREN MURPHY* (Sandra)
Broadway credits include: A Little Night Music, 9 to 5, All Shook Up, 42nd St, Titanic, King David, A Christmas Carol
Off Bway: My Vaudeville Man (Drama Desk Nomination), Zombie Prom, Showtune, Forbidden
Broadway. Tours include: Les Miserables, White Christmas, Wizard Of Oz, Mary Poppins, Finding Neverland. Regional theatre credits include Showboat, Guys and Dolls, Oliver at Goodspeed Opera House, My Fair Lady, Damn Yankees, A Funny Thing Happened on the Way to the Forum. Recordings: Torchgoddess, Zombie Prom, My Vaudeville Man, and performances with Pops Orchestras across America and Canada. She received the Bistro Award for her NYC Cabaret Debut.
LYNDA DIVITO* (she/her
– Ruth) is thrilled to make her MTC debut playing the icon, RBG, in this incredible production. Favorite roles include; Mama Rose in Gypsy, Mrs. Wilkerson in Billy Elliot, Mrs. Wormwood in Matilda at CCMT. At Center Repertory theatre, Lynda performed for over a decade in musicals, comedies and dramas. OffBroadway credits include, Sheba the musical and Andrew Lloyd Webber’s CATS in Hamburg. Graduate of SFSU theatre department, Lynda resides in Walnut Creek with her two teenagers and husband. Love to H&N always and to Lee, my very own Marty Ginsburg.
STEPHANIE PRENTICE*
(she/her – Sonia) is thrilled to be making her MTC debut in JUSTICE! She is a Bay Area native, a proud AEA member for over 20 years, and has worked with many other Bay Area theatres including: 42nd Street Moon, PlayGround, San Francisco Playhouse, Shakespeare at Stinson, Shotgun Players, Hillbarn, and TheatreFIRST. She is a graduate of the Santa Clara University Theatre and Dance program, where she taught as a member of the SCU voice faculty from 2005–2017. Stephanie is an Associate Producer for PlayGround, and is also serving as the current Board Chair. Stephanie is also the Associate Casting Director, and Patron Services Director for TheatreFIRST in Berkeley. Most importantly, she is Aiden and Devan’s mom.
CREATIVE TEAM
LAUREN M. GUNDERSON
(she/her – Book Writer) has been one of the most produced playwrights in America since 2015, topping the list thrice including 2022/23. She is a two-time winner of the Steinberg/ATCA New Play Award for I and You and The Book of Will, the winner of the Lanford Wilson Award and a finalist for the Susan Smith Blackburn Prize. She has premiered 5 plays at Marin Theatre Company: I and You, Miss Bennet, The Wickhams, Georgiana and Kitty: Christmas at Pemberley and The Catastrophist. She is a playwright, screenwriter, musical book writer and children’s author who lives in San Francisco.
She graduated from NYU Tisch as a Reynolds Fellow in Social Entrepreneurship. She is on the board of The Playwrights Foundation and a member of the Aspen Institute’s Science and Society Cohort. LaurenGunderson.com
BREE LOWDERMILK (she/ her – Composer, Additional Orchestrations, Arrangements, and Vocal Arrangements) Credits include JUSTICE (Marin Theatre Co, Arizona Theatre Co), Rosie Revere, Engineer (Nat’l Tour). Off-Broadway: The Mad Ones, Henry and Mudge. Regional: Kennedy Center, Kimmel Center, Lincoln Center. Residencies: McDowell, Mercer. Awards: Jonathan Larson, Alan Menken, Richard Rodgers. Albums: Kerrigan-Lowdermilk Live, Our First Mistake (#1 Singer/Songwriter chart), and The Mad Ones (+30 million streams, thousands of fanvideos). Bree is a trans woman, a new mom, and an advocate for queer voices and stories. Gratitude to Lauren and Kait. Love to Anna, always.
KAIT KERRIGAN (she/ her – Lyricist) is an awardwinning bookwriter, lyricist, and playwright. Off-Broadway: The Mad Ones, Henry and Mudge, book and lyrics, both written with composer Bree Lowdermilk. Bay Area: Father/Daughter at the Aurora Theatre (world premiere, Edgerton Award). Upcoming in 2023: The Time Traveller’s Wife (add’l lyrics for Joss Stone and Dave Stewart’s score, book by Lauren Gunderson), The Great Gatsby (book; lyrics by Nathan Tysen, music by Jason Howland), and Indigo (book; score by Scott Evan Davis). During the pandemic, she wrote the book for the digital musical A Killer Party (filmed in quarantine and available on BroadwayHD and licensed by MTI). Other projects with Lauren and Bree
include Rosie Revere, Engineer & Friends, and Earthrise, a Kennedy Center commission. Her chart-topping albums with Bree include Our First Mistake, Kerrigan-Lowdermilk Live and The Mad Ones. Her plays and musicals have been developed by La Jolla Playhouse, Kennedy Center, Theatreworks/Silicon Valley, Primary Stages, Goodspeed, and others. Additional Awards: Kleban, Larson, Theatre Hall of Fame Most Promising Lyricist. She has held residencies at MacDowell, Goodspeed’s Johnnie Mercer Project, Rhinebeck, and others. Alumna of Dramatists Guild Fellowship, Page 73’s I-73, New Jersey Playlab Fellowship, BMI Musical Theatre Writing Workshop, and Barnard College.
ASHLEY RODBRO° (she/ her – Director) is a director and writer for theatre and film. She was the Worldwide Supervising Associate Director for Moulin Rouge! The Musical (Broadway, Australia, UK, North American Tour, Germany) and the Resident Director for Hamilton (Puerto Rico, San Francisco). She was also the Associate Director for Oh, Hello (Broadway, Off-Broadway, North American tour, Netflix) starring Nick Kroll and John Mulaney. She was the 1st AD for John Mulaney’s Netflix special, Kid Gorgeous at Radio City. She is also the Creative Director and CEO/Founder of Heredia Vision, a production company that puts women at the helm of developing and creating filmed content. Through her work at Heredia Vision, she is currently developing multiple new projects and has also created original work through partnerships with organizations including RAINN’s Thrive Together campaign, Laura Benanti’s Sunshine Songs series, and New York Theatre Workshop’s 25 Years of RENT documentary special and virtual event. As a film director, her short films have appeared at eight festivals around the country including
North Hollywood CineFest and the San Luis Obispo International Film Festival, and as a writer, she is the winner of the Best TV Script award at the Hollywood International Diversity Film Festival and a finalist for the WGA Made in New York comedy writing fellowship. She is a graduate of Yale College and a member of SDC. Love to Rick and Kaeme. @heredia_ vision @ashleyrodbro
RUIRAN XUN (she/her
– Music Director / Keys 1 / Conductor) is a music director, collaborative pianist, and software engineer based in the San Francisco Bay Area. She graduated from Carnegie Mellon University in May 2022 with a B.S. in Chemistry, a B.S. in Computer Science, and a minor in Collaborative Piano. Select credits: Music Director & Vocal Director for The Addams Family (Landmark Musical Theatre); Music Director for Rent, The Rocky Horror Show, Mamma Mia! (Scotch’n’Soda Theatre); rehearsal pianist for The Turn of the Screw, The Light in the Piazza (CMU School of Music); Assistant Music Director for Mister Rogers’ Operas (Pittsburgh Festival Opera). Upcoming: co-Vocal Director for Next to Normal (Sunnyvale Community Players), Assistant Music Director for Iolanthe (Lyric Theatre). Ruiran is eternally grateful to Bree for entrusting her with this work, and thankful to her friends, family, and co-workers for their constant support of her theatrical endeavors. https://ruiran.me
musicals for over 25 years. She is a Resident Artist of Golden Thread Productions, Regional VP Metro Bay Area for Literary Managers and Dramaturgs of the Americas (LMDA), and a member of MENA Theater Makers Alliance and the Anti-Racism Task Force of LMDA. She is currently dramaturging Yussef El Guindi’s Hotter Than Egypt at Denver Center Theatre Company, its second production after she and John Langs co-produced the world premiere at A Contemporary Theatre in Seattle and Marin Theatre Company last season. Recent dramaturgy: Hotter Than Egypt at 2020 Colorado New Play Summit, Heather Raffo’s Noura (MTC/ Golden Thread), Marcus Gardley’s Play On! commission of King Lear (Oregon Shakespeare Festival), world premiere productions with Marcus Gardley, Lauren Yee, Marisela Treviño Orta, Margo Hall, and Torange Yeghiazarian, and several ReOrient Festivals of Short Plays & Bay Area Playwrights Festivals. MTC Producing credits include Lauren Gunderson’s The Catastrophist, Brilliant Mind by Denmo Ibrahim, Hotter Than Egypt. Casting Director for MTC shows & workshops since 2021. Former Festival Director for the 5th Annual New America Playwrights Fest, featuring Lynn Nottage, Naomi Iizuka and Polly Pen (San Jose Rep); Dramaturg and Literary Manager of The Wilma Theater, San Jose Rep, and San Diego Rep; and Exec. VP Freelance of LMDA. Recipient of the 2015 Elliott Hayes Award for Outstanding Achievement in Dramaturgy for The Lark’s four-city premieres of Gardley’s the road weeps, the well runs dry
NAKISSA ETEMAD (she/ her – Associate Artistic Director / Dramaturg / Producer) is the Associate Artistic Director of MTC, an Iranian American dramaturg and producer, and a French translator specializing in new BIPOC plays and
CARLOS ACEVES (he/ him – Scenic and Projections Designer) has lived and worked in the Bay Area for the past 12 years as a designer and theatre maker. Past Design Credits include: The Displaced, Crowded Fire; Walls, San Francisco Mime troupe; Prep Play or Blue Parachute,
New Conservatory Theatre Center; Long Day’s Journey into Night, Eugene O’Neill Festival of Theatre, Ireland; Dream Hou$e, Shotgun Players. Carlos would like to thank MTC and the creative/production team of Justice for all their hard work and dedication.
MAGGIE MORGAN + (she/ her – Costume Designer) is pleased to be making her MTC debut. Credits include Soul Doctor on Broadway and for off-Broadway David’s Red-Haired Death and Soul Doctor. Bay Area shows include Office Hour at Berkeley Rep, many shows at Center Rep including Blues in the Night and Communicating Doors, Paradise Blue and The Real Thing at the Aurora Theatre, The Haunting of Winchester and Groundswell at San Jose Rep, as well as shows at Theatre Works, Magic Theatre, Playground, and California Musical Theatre. For regional theatre: Endgame at the Kirk Douglas Theatre (Ovation nomination), and Arizona Theatre Company, Mark Taper Forum, South Coast Rep, Pasadena Playhouse, Hollywood Bowl, Yale Rep. Films: Car Dogs, Alex in Wonder. Web series: Send Me: an original web series on BET. com. Ms. Morgan was an assistant costume designer on many films including Wag the Dog, Mona Lisa Smile, Casino, Men in Black, and How the Grinch Stole Christmas. Visit www. maggiemorgandesign.com
KATE BOYD (she/her –Lighting Designer) is a Bay Area scenic and lighting designer, and is thrilled to be back at MTC working on this show. She recently designed scenery for The Language of Wild Berries and lighting for Drowning in Cairo both for Golden Thread. Also scenery for Father/Daughter at Aurora Theater. Prepandemic shows were Nine Parts of Desire
at the Armory in Portland and Noura at Marin Theatre Company (both by Heather Raffo). She designs frequently at Aurora Theatre, Center Rep, Golden Thread, Magic Theatre, New Conservatory Theatre Center, Merola Opera, the SF Conservatory of Music, Company C Ballet and TheatreWorks. Kate is a Resident Artist with Golden Thread Productions and a recipient of the Gerbode Design Fellowship. Kate teaches stagecraft and design at LickWilmerding High School.
LIAM RUDISILL (he/him –Props Lead) is a carpenter and props maker who has been working with Marin Theatre Company since moving to the Bay Area in 2014. He’s excited to be back at full capacity as Assistant Technical Director and Props Lead for the company this season. Recent design credits include Boys Go to Jupiter (Word for Word at Z Space), The Sound Inside (MTC), Pass Over (MTC), Georgiana and Kitty: Christmas at Pemberley (MTC), Dunsinane (MTC), and August Wilson’s Two Trains Running (MTC).
DEBORAH SLATER (she/ her – Movement Director) has worked in dance & theater for over 40 years. She is the Artistic Director of Deborah Slater Dance Theater, a multi-media dance company, creating visually gorgeous, acrobatic, talking dance and dedicated to the creation of fulllength works exploring social issues, science & art through original dance, text and music. DSDT celebrated its 30th Anniversary in 2019/20. Slater co-founded Studio 210, a performance/rehearsal/class space celebrating its 43rd Anniversary in 2023! Choreographic theater work includes Contemporary Arts Center/New Orleans, San Diego Rep, the
Magic Theater, and Traveling Jewish Theater. Nightfalls, created in collaboration with playwright/director Julie Hébert, was selected by The Guardian as one of the Top Ten shows in 2011. She runs the Studio 210 Residency Program, celebrating its 11th Anniversary in 2023. Selected mentors include David Gordon, Margaret Jenkins & Tony Taccone. Commissions & residencies include SF MOMA, USF Dance & Social Justice, and the Exploratorium. Selected awards include 11 NEA grants, Rainin, Fleishhacker, Gerbode, Wattis, MAP & Grants for the Arts. Cartooning keeps her sane. www.deborahslater.org
MATTHEW ZWIEBEL (he/ him – Associate Music Director / Keys 2) is a composer, music director, and pianist. He’s a recent graduate of Carnegie Mellon University with a BFA in music composition. Matthew was last seen as AMD/Keys 2 for Coming Home for Christmas at Silver Dollar City and previously performed as Rachmaninoff in Dave Malloy’s Preludes at CMU. He is a part of the creative team for Spanglish Sh!t (Ars Nova ANT Fest NYC finalist selection), an in-development musical by Samora La Perdida and music by both Josiah Handelman and him. Matthew premiered two musicals of his own while at CMU: A World Not So Wide and This Side Up He has extensive music directing experiences across Pennsylvania and also helped develop two sensory-friendly productions with the F. M. Kirby Center of Wilkes-Barre. Matthew is the recipient of the Harry G. Archer Award for Composition and a Residency-In-Your-Room Fellowship. IG @matthewzwiebel
DARIA PERKOVA (she/they – Assistant Costume Designer/ Costume Shop Manager/ Wardrobe Lead) is a Bay Area native costume designer. She has designed, stitched and run wardrobe for many theatres around the Bay. Her most recent design works include Anton Chekov’s Uncle Vanya at Chabot College, and How Black Mother’s Say I Love You at Theatre Rhinoceros. She is the Costume Shop Manager and Wardrobe Lead here at Marin Theatre Company.
SPENSE MATUBANG
(they/he – Assistant Lighting Designer) is a freelance lighting and projections designer currently based in Oakland, California. They have been working in the professional theatre world of the Bay Area for four years. They received their degree in Theater Arts from the University of California, Santa Cruz in 2020. Spense uses their career as a never-ending outlet for exploration, creative experimentation, and community building. They have previously designed for The Chikahan Company, City Lights Theater Company, EnActe Arts, Town Hall Theatre Company, Ferocious Lotus, New Conservatory Theatre Center, Shotgun Players, SF Playhouse, West Valley Light Opera, and Jewel Theatre.
NICK CARVALHO* (he/ him – Stage Manager) is excited to return to Marin Theatre Company for the third time this season to stage manage the continued world premiere of JUSTICE: A New Musical. Recent credits with MTC include August Wilson’s Two Trains Running and Dunsinane. Past credits include the world premiere of Monument, or Four Sisters (a sloth
play) at Magic Theatre; The Cherry Orchard and Cinderella: A Fairytale (2019) at Town Hall Theatre; Head Over Heels, A Midsummer Night’s Dream, The Book of Will, Seussical: The Musical, and Our Lady of 121st Street at Diablo Valley College. Nick is also the Assistant Technical Director and a Production Supervisor at El Campanil Theatre. Nick earned two Associates degrees from Diablo Valley College in 2021. He was awarded three certificates of merit in stage management from the KCACTF for his work on Our Lady of 121st Street, Seussical: The Musical, and The Book of Will He would like to thank his partner, Emma, for her everlasting support and love.
ARASHI VERONICA CESANA (she/they – Assistant Stage Manager: Feb. 13 - Mar. 12 / Audio 2) Arashi would like to dedicate this production to her daughter, Artemis, who one day may be in the room where decisions are made.
JULIA FORMANEK* (she/her – Assistant Stage Manager: Jan. 23 - Feb. 12) is thrilled to return to Marin Theatre Company after her last show in 2019. Julia’s stage management credits include: Goddess, Culture Clash Still In America (Berkeley Repertory Theatre); Romeo y Juliet, House of Joy, Everybody (California Shakespeare Theatre); Sleeping Beauty, The Magic Lamp (Presidio Theatre); Wink, Jazz, The Wickhams: Christmas at Pemberley, Oslo (Marin Theatre Company).
TANIKA BAPTISTE* (she/ they – Assistant Stage Manager: Jan. 11–22) is honored to work on her 3rd MTC production. Tanika works as a director, actor, vocalist and ASM in the Bay Area, San Diego and sometimes NY. Past MTC credits include Assistant Director, Fight Captain and ASM for Pass Over and Deck Crew/Wardrobe
Georgiana & Kitty: Christmas at Pemberley Tanika was most recently awarded Theatre Bay Area’s Arts Leadership Cohort Grant with Theatre Rhinoceros and is a 3x SFBATCC nominee for direction, choreography & costume design. Thank you MTC for the continued collaboration. Thank you audience members for your support! Love to my family & friends. @tanikabaptiste
RAY GONZALEZ (they/them – Script Supervisor) is a graduate of the University of North Carolina School of the Arts in Stage Management. Past credits include: Stage Manager for the workshop of JUSTICE: A New Musical at Marin Theatre Company, Script Supervisor for A Christmas Carol at A.C.T., Assistant Stage Manager at the Oregon Shakespeare Festival, Production Assistant with the Oregon Shakespeare Festival, Cirque du Soleil, and the American Ballet Theatre.
MTC LEADERSHIP
JASSON MINADAKIS
(he/him – Artistic Director) is in his 17th season as artistic director of Marin Theatre Company, where he has directed Dunsinane, The Sound Inside, The Catastrophist, Mother of the Maid, Sovereignty, Oslo, Shakespeare In Love, Thomas and Sally, Guards at the Taj, August: Osage County, The Invisible Hand, Anne Boleyn, The Convert, The Whale, Failure: A Love Story, the world premiere of Lasso of Truth, The Whipping Man (San Francisco Bay Area Critics Circle Awards for Best Production and Best Acting Ensemble), Waiting for Godot, Othello: the Moor of Venice, The Glass Menagerie, Edward Albee’s Tiny Alice, the world premiere of Libby Appel’s adaptation of Chekhov’s Seagull, Happy Now?, Equivocation (SFBATCC Award, Best Director), the world premiere of Sunlight, Lydia, The Seafarer, Frankie and Johnny in the Clair de Lune, A Streetcar Named Desire, said Saïd, Love Song, and The Subject Tonight is Love As artistic director of Actor’s Express Theatre Company, he directed The Pillowman, Bug, The Love Song of J. Robert Oppenheimer, Echoes of Another Man, Killer Joe, Burn This, The Goat or, Who is Sylvia?, Blue/Orange, and Bel Canto. As producing artistic director of Cincinnati Shakespeare Festival, he directed Jesus Hopped the ’A’ Train, Chagrin Falls (2002 Cincinnati Entertainment Award for Best Production), and numerous others, including 19 productions of Shakespeare. Regional credits include The Whipping Man at Virginia Stage Company, Cat on a Hot Tin Roof and Hamlet at Georgia Shakespeare, Copenhagen at Playhouse on the Square (2003 Ostrander Theatre Award for Best Dramatic Production), and Bedroom Farce at Wayside Theatre. He is a Member of Stage Directors and Choreographers.
MEREDITH SUTTLES
(she/her—Managing Director/ Chief Executive Officer) joined Marin Theatre Company as its new Managing Director in April of 2021. Meredith is an arts leader with an extensive background in creative and performing arts in the areas of development, management, strategic planning, fundraising, and performance. She has held senior leadership roles at TheaterWorksUSA, Soho Repertory Theatre, Theatre Communications Group (TCG), and the New York City Opera. Meredith is a proud graduate of the University of Michigan (Ann Arbor) and former EmcArts: Arts Leaders as Cultural Innovators (ALACI) Fellow. She is a member of Alpha Kappa Alpha Sorority, Inc., a Steering Committee Member of the Black Theatre Commons and currently serves on the Board of Directors of vibe Theater Experience (Brooklyn, NY). As a visionary leader known for her ability to win community support, develop key coalitions and build strong relationships with a shared sense of purpose, she is passionate about devising meaningful ways to address and further the goals of MTC.
NAKISSA ETEMAD (she/ her—Associate Artistic Director / Dramaturg / Producer) see Dramaturg bio.
MARIN THEATRE COMPANY Marin Theatre
Company is the Bay Area’s premier mid-sized theatre and the leading professional theatre in the North Bay. MTC is committed to the development and production of new plays, with a comprehensive New Play Program that includes productions of world premieres, readings, and workshops by the nation’s diverse emerging and established playwrights. MTC’s numerous education programs serve more than 4,500 students from over 40 Bay Area schools each year. MTC envisions theatre as a vital space for sharing diverse stories to build a more just and equitable world. MTC is dedicated to inspiring conversation, learning and action to build more inclusive communities. We do this by providing a sustainable home for developing the work of diverse American playwrights and producing innovative theatrical experiences. MTC was founded in 1966 and is a 501(c)3 nonprofit organization.
SPECIAL THANKS
Berkeley Rep
Kelly Ground
Maria Hoppe and Sweetwater Music Hall
Kimberly Hughes & Steve Moazed
Marin Suites
Leslie Martinson
Ellie Mednick and The Lark Theater
MARIN THEATRE COMPANY STAFF
Artistic Director Jasson Minadakis (he/him)
Managing Director/Chief Executive Officer Meredith Suttles (she/her)
Associate Artistic Director Nakissa Etemad (she/her)
NNPN Producer in Residence
Richard A. Mosqueda+ (he/she/they)
Interim General Manager Nichole Gantshar (she/her)
Director of Production Haley Miller (she/they)
Technical Director Jeff Klein (he/him/they)
Assistant Technical Director & Props Lead Liam Rudisill (he/him)
Costume Shop Manager & Wardrobe Lead .......................... Daria Perkova (she/they)
Lead Electrician ....................................................... Krys Swan (he/him)
Box Office Manager ............................................... Lindsey Abbott (she/her)
Assistant Box Office Manager ..................................... Perry Parsons (they/them)
Special Events Coordinator Zphyna Caldwell (she/her)
Grant Writer Nina O’Keefe (she/her)
Education Coordinators & Teaching Artists Daniel Duque-Estrada (he/him) Euan Ashley (he/him)
Marketing Partner RachelMedia.org
Communications Partner
Prismatic Communications
Development Partner Donorly
Front of House team Zphyna Caldwell (she/her), Adelle Cortis (she/her), Janet Friedman (she/her), Kahlil Gray (he/him), Casey Herrman (he/him), Skylahr Kruger (she/her), Laura Odeh (she/her), Perry Parsons (they/them), Sunny Orleans (he/him), Carol Price (she/her), Sue Urquhart (she/her), Jenise Walter (she/her)
+Supported by the National New Play Network Producers in Residence program.
MTC ADVISORY BOARD
Linden Berry
Joseph Bodovitz
Jerry Cahill
David Catania
Diana Gay-Catania
Bobbie Chapman
Doug Ferguson
Gerry Goldsholle
Brian Golson
Gale Gottlieb
Gail Harris
Tracy Haughton
Peter Jacobi
Kimberly Jessup
Dirk Langeveld
Lori Lerner
MTC BOX OFFICE
415.388.5208 | boxoffice@marintheatre.org
Melanie Maier
Peter Maier
Tina McArthur
Iris Metz
Kiki Pescatello
Andrew Poutiatine
Ivan Poutiatine
Chris Raker
Laura Scott
Dana Shapiro
Gary Shapiro
Christopher B. Smith
Kathleen Taylor
Jennifer Yang
Weeden
Phillip Woodward
Visit our website to join our email list, learn about our plays, and purchase tickets marintheatre.org
All images and/or content provided by Marin Theatre Company staff, contractors, and/or creative artists unless otherwise credited. Opinions expressed by contractors, contributors, and/or creative artists do not necessarily reflect the views of Marin Theatre Company. Photo credits are included as provided.
MARIN THEATRE COMPANY DONORS
Marin Theatre Company acknowledges the generous support of the following individuals, foundations and corporations whose contributions make our extraordinary theatre productions and education programs possible. To join our family of contributors, receive sponsorship information or if you have questions about your gift, please contact the Development Department at development@marintheatre.org or 415.322.6035. The following gifts were received between July 1, 2021 – February 13, 2023.
PARTNER CIRCLE
$25,000+
John & Shelley Chesley
Gerald Cahill & Kathleen King
David Catania & Diana Gay-Catania
Peter & Melanie Maier, The John Brockway Hungtington Fund
Matthew Purdon & Liz Sklar
Robert J. and Paula B. Reynolds Fund
Christopher B. & Jeannie Meg Smith
Fred and Kathleen Taylor Charitable Fund
PRODUCER’S CIRCLE
$5,000–$24,999
Franklin Amster
Cheryl & Rick Brandon
Lynne Carmichael
Suzanne & Mark Darley
Thomas W. Edwards & Rebecca Parlette-Edwards
Barbara & Jim Kautz
Andrew F. and Ann B. Mathieson Fund
Bill and Janet McAllister Fund
Kenneth and Vera Meislin
Barbara Morrison
Kathryn E. Olson
Kiki Pescatello
Ivan Poutiatine
Rosenberger Family Fund
Betty & Jack Schafer
Susan and Joel Sklar
Michael Wall and Wendy Feng
PREMIERE SOCIETY CIRCLE
$1,000–$4,999
Anonymous
Helen & Thomas Anawalt
Lois Kelly Ashley
Mary Jane Baird
Joan Beavin
Susan & Bill Beech
Carl & Fumiko Bielefeldt
Lynn Brinton & Dan Cohn
Janet Brown
Nancy & Gary Carlston
Robert K and Barbara Straus Family Foundation, Inc.
Dr. Leslie Chatham & Sunny St. Pierre
Ron Clyman and Francoise Mauray
Gatian’s Fund
Kipp Delbyck
Stephen and Sharon Edelman
Erin Elliot
Theresa W. and Richard A. Ellis, MD
Judith + Philip Erdberg
Virginia & William Felch Jr
Jeff Freedman & Marie Boylan
Amy + Mort Friedkin
Jill + Steven Fugaro
Susan and Dennis Gilardi
David Goldman
Gerry Goldsholle and Myra Levenson
Kenneth & Joan Gosliner
Karen Gottlieb
Michelle and Normand Groleau
Peggy and Marc Hayman
Brian and Jocelyn Herndon
Sandra Hess
Bill & Vanessa Higgins
Susan and Russ Holdstein
Mark and Lori Horne
Chris and Kenneth Hurwitz
Coreen & Mark Jamison
Kelley Family Charitable Fund
William Kissinger
Dirk & Madeleine Langeveld
Kathleen and John Leones
Paulette Lueke
Scott MacLeod and Linda Kislingbury
Lynn and Jeff Magill
Marymor Family Fund
Christine and Steve Maxwell
Margot Melcon and Jon Wolanske
Stephanie Moulton-Peters + Roger Peters
Victoria H. Newton & Cheryl Longinotti
Barton + Barbara O’Brien
Rebecca Parlette-Edwards and Tom Edwards
Priscilla Pittiglio
Suzanna G. Pollak
Michael Poutiatine
Robert and Donys Powell
Drs. Janice & James Prochaska
Gordon Radley
Hector Richards
Richard + Nancy Robbins
Gary Robinson + Danny Field
Barbara and Eric Roberts
Ken Ross and Jean Bee Chan
Tobi and Mark Rubin
Thomas and Jill Sampson
Laura Scher and Ian Altman and the Barn Road Foundation
Kurt Schindler
Eric Schwartz and Magda Wesslund
Kate Sears
Diana & Richard Shore
John Simpson
Vickie Soulier
Stephanie Splane
Nina Madrid Stricker
Tara J. Sullivan
Stephen Symonds
Beverly Tanner and Jerry Herman
Dr. Samuel Test
Will Thompson
Diane and Bob Wagner
Elizabeth Werter and Henry Trevor
Vic Woo & Phil Brewer
Penny Wright
Susan York Charitable Fund
FRIENDS OF MTC CIRCLE
CONTRIBUTOR | $500–$999
Anonymous
Paul F. and Geraldine Alpert
Robert Anderson & Lois Stevens
Marilyn Angelo
Robert Bailey
Janet Bamberger
Robert and Barbara Baum
Michele and David Benjamin
Stephen Bischoff
Adrian + Daniel Blumberg
Joan & Nick Boodrookas
Dr. Paula Campbell
Bromley Carson Fund
William Cain
The Leo J. and Celia Carlin Fund
Pat & Amanda Conran
Stephanie Douglass
John Eichhorst + Jennifer Blackman
Larry Fahn
Steve Gensler
Karen Haydock
Bill & Susan Hoehler
Howard and Elisabeth Jaffe
Niemasik Kaufman Family Fund
Katz Family Foundation
Susan Kolb
Harriet and Tom Kostic, Kostic Family Fund
Stephen and Gail Lazarus
Judy Leash & David Madfes
David Madfes and Judith Leash
Diane Martin
Purple Lady/Barbara Meislin Fund
Tina McArthur and Richard Rubenstein
Carol Mimura & Jeremy Thorner
Mary & Stephen Mizroch
John S. Osterweis Philanthropic Fund
Diane Parish
Marianne and Steven Porter
Russell & Joan Pratt
Drs. Janice and James Prochaska
Angelo and Kimberly Salarpi
Valerie Stoll Schwimmer
Marsha Silberstein
Judy and Greg Smith
Shelagh Smith
Martha and Jonathan Smolen
Valerie Sopher
Stolyavitch Fund
Beverly Thorman
Trabea Ltd
Daniel Stein and Diane Tucker
Wilder Family Charitable Trust
Julie + Tony Zanze
Suzanne L. Zimmerman Charitable Fund
FRIEND | $100–$499
Anonymous (18)
May Allam
Chris Andersson
Susan Angel
Joseph D. and Gail P. Anguilo
Ellen Arenson
Stacy Astor
Alison Aubrejuan
Mr. & Mrs. Fabio and Ann Aversa
Janet Bamberger
Nancy Barash
The Bardwicks
Frank & Lee Battat
Robert and Barbara Baum
Steve Beecroft
David and Michele Benjamin
Andria F. Benner
Judith Berling
Teena Berman and Owen Hart
Gail V. Bernstein
Linden Berry
Daniel Bikle
Brad & Robyn Bilfelt
Catherine Bille
Annette Blanchard and John Hewitt
Nancy & Stacy Bloom
Little Fawn Boland
Joan & Nick Boodrookas
Robert Bowen
Felix Braendel
Jack and Ute Brandon
Lori and Bob Brandon
Josh Brier & Grace Alexander
Amy & Mark Brokering
Bromley Carson Fund
George and Cindy Brown
Holly + Bruce Williams
The Buehler Family
Patricia Burbank
Margaret Burke
Patrick Cahill
Gabriella Calicchio & Michael Janes
Robert P. Camm Charitable Fund
Chris Carter
Heidi H. Cary
Alan & Caren Cascio
Steven + Karin Chase
Len Christensen
Ann & Rick Clarke
Diane & William Clarke
Judith Cohen & Malcolm Gissen
Barbara Gay + Richard Cohn
Cheryl Coles
Bob Bowen + Linda Crouse
Christina Crow
Betsey & John Cutler
Ms. Paula Davis
Ralph and Debra Deadwyler
Nicky Scott and Melinda Derish
James T. Diamond Jr.
Ernest & Debra Dibenedetto
Molly & Brett Dick
Tom Diettrich
Louise Dockstader
Dr. Donald Dodelson
Tammy Edmonson
Kerry Weiner & Andy Elkind
Ms. Jane Elkins
Patricia Ernsberger
Joe Faimali & Dorita Decker
Sasha Faulkner
Pam Feagles
Doug & Jane Ferguson
Lisa Ferguson
Mardi Finegan
Eileen and Andrew Fisher
Kathleen E. Foote
Betsy Foy
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Helene + Lewis Gibbs
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Patricia Oji Haas
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Gillian A. Hayward Donation Fund
Cathryn Hilliard
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Mim Hodge
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Heidi Hofer
Mark & Roberta Hoffman
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Kip + Sara Howard
Joanne Howard
Cheryl & Jeffrey Hylton
Dabney Ingram
Lori Ingram
Marilyn Jackson
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Elaine James
Mia James
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Bobbie A. Jeffery
Janet Johns
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Duane Johnson
Will Johnson
Diana & Ted Jorgensen
Breton Kaiser-Shinn
Gee Kampmeyer
Muriel Kaplan
Susan Keener
Barbara Kerr
Kenneth King
Woof Kurtzman and Liz Hertz
Monica Lange
Nancy Lange
Sheri & Jerome Langer
Barbara Laraia
Kate Lauer
Harriet Lazer
Sharon Leach
Gretchen Leavitt
Judy and Robert Leet
David Lesnini
Warren and Barbara Levinson
Joan Levison
Patricia Liddle
Elliott Liff
Sarah Lind Charitable Fund
George Lindfelt
Jennifer S. Lindsay
Bunnie and Jerome Sachs Family Foundation
Nanette & Bill Londeree
David and Carolyn Long
Lisa Lund Fund
Diane Lynch
Dr. Laurence & Mrs. Samantha Lyons
Lynn MacDonald
Kathleen Maher
Mary Malaspina
Samara + Tania Malik
Myrna R Margolin
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John & Cindy McCauley
Andy & Jane McClure
Teresa McGlashan
Joe McGuire
Consuelo McHugh
Margaret McHugh
Karen McLennan
Kay and Steve McNamara
Paul Melcon
Dr. Kurt Menning
Roberta + Spencer Michels
Sandra Mikesell
Mary-Ann Milford
Don + Barbara Miller
David W. Miller
Christian Mills + Carolina Dangord
Lee Minadakis
Everett and Julia Moore
Susan Morris
Barry & Jane Moss
Margaret Moster
Chris & Bonnie Mumford
Riyan Mustaq
Robert Newcomer
Devan and Elizabeth Nielsen
Jane Nydorf
Jan & Craig O’Brien
Constance J. O’Connor
K. O’Mohundro + N. Handelman
Judith L. O’Rourke
Betty Obata
Connie Oclassen
Vivian Olsen
Marta A. Osterloh
Nancy Otto
Barbara Paschke + David Volpendesta
David Pasta
Ms. Rebecca Pauling
Joyce Pavlovsky
Robert & Audrey Pedrin
Lynn Perry
Kiki Pescatello
Charles & Linda Philipps
Stephen Piatek
Mariana Poutiatine Cotten
Jack & Jessica Powell
Lynn Prime
Barbara Smith, Joveena Alleyne and Halifu Prince
The Laurence Pulgram and Kelli Murray Charitable Fund
Dr. and Mrs. Joel Renbaum
Susan Reynolds
Helen Rogers
Julianne Z. Rohmaller
Marit Roman
Mel & Ruth Ronick
Benjamin + Barbara Rooks
Mr. & Mrs. Hank Rose
Susan Rosin & Brian Bock
Francoise Rothstein
April H. Rox
Mr. & Mrs. William Ryan
Diane & Ed Ryken
Maxine & Edward Sattizahn
Alan + Wendy Schaevitz
Ellen & Donald Schell
Ruth Schoenbach and Lynn Eden
Laura & Michael Scott
Michael and Jane Scurich
Holly Seerley, MFT
Carol and Randolph Selig Family Philanthropic Fund
Terry Seligman
Judy Shaper
Barbara Shapiro
David A Shapiro, MD & Sharon L Wheatley
Carole & Douglas Sheft
Julie & Jeff Sherman
Robin Silver, MD
Neil Sitzman
Dr. Dorothy Slattery
Lauren & Jason Snell
Steve Sockolov & Susan Snyder
Steven Sockolov & Susan Snyder
Joel and Carol Solomon Family Fund
Ms. Tracy Solomon
Deborah Spanier and Ronald Fishman
Melanie Sperling
Louis & Bonnie Spiesberger
Kate Stacy
Renee Marler and Timothy Standing
Joseph Stecher
Drs. Shayna & Elliott Stein
Dr. Elliot Steinberg
Richard and Jean Stenquist
Ken & Dana Stokes
Gretchen and Grover Stone
FOUNDATION SUPPORT
Daniel & Maureen Stuempfig
Donald & Edith Suttles
Svetcov Family Fund
Candace Swimmer and Phil Rosenthal
Lisa Rogers Taylor
Marian & Roger Taylor
Susan Terris
Cynthia Lynn Thomas
Kathryn Thyret
Beatrice Tocher
Mark Toney
Evelyn Topper
The Norman and Carol Traeger Foundation
Bruce Tremayne & Mary Diltz
Thomas Trent & Laurel Schaefer-Trent
Madeline Valentine
Mary Van Voorhees
Connie Vandament
Nancy Warfield
Meredith J. Watts
Kenneth & Ellen Weber
Mr. & Mrs. Thomas A. Weikert
Laura Werlin
Paul Werner
Valerie Westen
Janet & William Whitmer
Linda Wilford
Susan J Wittenberg
Carolyn and Fred Wood
Jacqueline Lopez-Wyman
Sandra Yoffie
Michelle Young
Ms. Dara Zandanel
Anna Zara
ºIn-Kind Donation
CORPORATIONS | FOUNDATIONS | GOVERNMENT
MTC PARTNER | $50,000+
Support for our playwright in residence, Lauren Gunderson, ] is provided by a National Playwright Residency Program grant from The Andrew W. Mellon Foundation
The Andrew W. Mellon Foundation
Clay Foundation West • Marin Community Foundation
Melody Wireless Infrastructure • The Shubert Foundation
William and Flora Hewlett Foundation
SEASON PARTNER | $25,000+
The Bernard Osher Foundation
VIP PRODUCER | $15,000+
California Arts Council • Haughton Family Charitable Fund • John Brockway Huntington Fund
National Endowment for the Arts • The Sheri and Les Biller Family Foundation
Stacy Scott Fine Cateringº
EXECUTIVE PRODUCER | $10,000+
Ira and Leonore Gershwin Philanthropic Fund
Venturous Theater Fund, a fund of the Tides Foundation
PREMIERE PRODUCER | $5,000+
3 Badge Beveragesº • August Sebastiani • Acqua Hotelº
Brooks Note Wineryº • Garry + Joanne Brooks
Marin Cultural Association • Newton and Rochelle Becker Charitable Trust
The Tournesol Project • The Tow Foundation
ASSOCIATE PRODUCER | $3,000+
Carol Selig, Selig Floral Designº • County of Marin
Mill Valley Outdoor Art Club
PRODUCER | $1,000-2,999
Body Kineticsº • Compass
Marin Charitable Association
Mill Valley Market • National Philanthropic Trust
OSKA Mill Valley • The Rock Foundation Whistlestopº
ºIn-Kind Donation
MTC TOMORROW
THE LEGACY GIVING SOCIETY OF MARIN THEATRE COMPANY
Linden + Carl Berry‡ • Jack Bissinger‡ • Dave + Bobbie Chapman • John + Shelley Chesley
Sheldon Doing + Steve DeHart • Fred Drexler‡ • Thomas W. Edwards + Rebecca Parlette Edwards
Joseph + Antonia Friedman • Brian + Tracy Haughton • Sandra Hess • Shirley Loube‡ • Melanie Maier
Gladys Perez-Mendez‡ • Ivan + Lochiel Poutiatine‡ • Leigh + Ivy Robinson‡ • Gage Schubert • Beverly Tanner
Fred + Kathleen Taylor • Nancy Thomson‡ • Phil Woodward + Connie Majoyy
‡Deceased
MEMORIAL GIFTS
IN MEMORY OF CARL G. BERRY
Linden Berry
IN MEMORY OF VIVIENN FOSMAN
Purple Lady/Barbara J. Meislin Fund
IN MEMORY OF GLORIA GUTH
David Pasta
IN MEMORY OF HENRY HIGGINS
Bill & Vanessa Higgins
IN MEMORY OF JIM HORAN
Ms. Margaret Mason
IN HONOR OF CHERYL BRANDON
Lori and Bob Brandon
IN HONOR OF JIM CONDIT
Karen Hirsch
IN HONOR OF MARY GRANGER
Edward Granger
IN HONOR OF JIM HORAN
Mardi Finegan
IN HONOR OF JIM HORAN
Matt and Robin Hoffman
IN HONOR OF JIM HORAN
Mary Malaspina
IN HONOR OF MELANIE MAIER
Judy Camp
IN HONOR OF JASSON MINADAKIS
David Catania & Diana Gay-Catania
IN HONOR OF JASSON MINADAKIS
Jack & Jessica Powell
IN MEMORY OF CARY JAMES
Elaine James
IN MEMORY OF PETER MAIER
Terry & Larry Hill
IN MEMORY OF HERMAN AND DOROTHY SMITH
Barbara Smith, Joveena Alleyne and Halifu Prince
IN MEMORY OF CATHY TEAGUE
Nanette Londeree
TRIBUTE GIFTS
IN HONOR OF OUR SON, DAVID EVERETT MOORE
Everett and Julia Moore
IN HONOR OF THE REYNOLDS FAMILY
Jean Ihle
IN HONOR OF CARRIE SCHOENBACH
Ruth Schoenbach and Lynn Eden
IN HONOR OF TARA SULLIVAN AND MOLLY HORAN, AND IN MEMORY OF JIM HORAN
Stephen Symonds
IN HONOR OF TARA SULLIVAN
Gail Gallagher
IN HONOR OF MEREDITH SUTTLES
Donald & Edith Suttles
MTC PRODUCTION UNDERWRITERS
Marin Theatre Company’s 56th Season and this production of JUSTICE: A New Musical is generously underwritten by the following:
PARTNER CIRCLE
MTC SUSTAINER
Terry Berkemeier + Lori Lerner
Gage Schubert
Christopher B. + Jeannie Meg Smith
MTC PARTNER
The Andrew W. Mellon Foundation
Marin Community Foundation
Melody Wireless Infrastructure
Buffington Miller, Clay Foundation-West
Bob + Paula Reynolds
The Shubert Foundation
William and Flora Hewlett Foundation
SEASON PARTNER
The Bernard Osher Foundation
David Catania + Diana Gay-Catania
John + Shelley Chesley
The Harold and Mimi Steinberg Charitable Foundation
Barbara + Jim Kautz
Kathy King + Gerald
Cahill Vera + Ken Meislin
Fred + Kathleen Taylor
Vickie Soulier
PRODUCER CIRCLE
VIP PRODUCER
Lynn Brinton + Dan Cohn
California Art Council
Suzanne + Mark Darley
Tracy + Brian Haughton
Haughton Family Charitable Fund
Kimball Foundation
Gene + Neil Barth
Gerry Goldsholle + Myra Levenson
Kimberly Hughes + Steve Moazed
Koret Foundation
The Marymor Family Fund
Peter + Melanie Maier, The John Brockway Hungtington Fund
Ivan Poutiatine
Matthew Purdon
The Sheri and Les Biller Family Foundation
Stacy Scott Fine Cateringº
The Harold and Mimi Steinberg Charitable Foundation
EXECUTIVE PRODUCER
Kiki Pescatello
Michael + Jean Strunsky, Ira and Leonore Gershwin Philanthropic Fund
Paul + Sandy Zuber
ºIn-Kind Donation