JUSTICE: A New Musical

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JUSTICE A NEW MUSICAL A CONTINUED WORLD PREMIERE
Book by Lauren M. Gunderson Directed by Ashley Rodbro Music by Bree Lowdermilk
February 16 - March 12, 2023
Lyrics by Kait Kerrigan

MARIN THEATRE COMPANY NATIVE LAND ACKNOWLEDGMENT

Marin Theatre Company acknowledges our theatre and administrative offices are located on the ancestral, occupied, and unceded land of the Coast Miwok peoples. We recognize we currently benefit from living and working on their traditional homelands, and affirm their sovereign rights as first peoples. We are committed to learning and to strengthening our relationships with members of our local community, and to work toward dismantling the harmful effects of white supremacy and colonization. We acknowledge the Coast Miwok as the original caretakers of this land. We pay our respects to the Coast Miwok community and their elders both past and present, as well as future generations.

The Coast Miwok, from the areas of Novato, Marshall, Tomales, San Rafael, Petaluma and Bodega, are members of the Federated Indians of Graton Rancheria, a community which includes the Southern Pomo peoples from the Sebastopol area.

We pledge to build relationships with sovereign tribal nations and to never cease ongoing learning, to ensure Marin Theatre Company becomes a more inclusive and welcoming space.

LEARN MORE ABOUT THE COAST MIWOK AND THE FEDERATED INDIANS OF GRATON RANCHERIA:

Coast Miwok:

Facebook.com/SouthernCoastMiwok.com1

coastmiwokofmarin.org

marinmiwok.com

Federated Indians of Graton Rancheria: GratonRancheria.com

Support indigenous rights organizations on a national or global level:

IllumiNative

Native American Rights Fund

Cultural Survival

Indigenous Environmental Network

LABOR ACKNOWLEDGMENT

We acknowledge that the country we live in today has been made possible by the labor of enslaved Africans and their descendants. We are indebted to their labor and their sacrifice, and we acknowledge the tremors of anti-Black violence throughout the generations and the resulting impact that can still be felt and witnessed today.

(Language developed by Dr. TJ Stewart)

2 Letter from Managing Director and CEO 4 Cast, Creative & Production Teams of JUSTICE 6 Musical Numbers 7 Profiles and Photographs of Our Supreme Court Justices 16 Bios of the Cast, Creative & Producing Teams 23 Special Thanks 24 Marin Theatre Company Staff, Advisory Board, Box Office Information 25 Marin Theatre Company Individual Donors, Foundation Support, Gifts, Production Underwriters
TABLE OF CONTENTS

Letter from Managing Director and CEO

Thank you for coming to our third production of the season, JUSTICE: A New Musical! As an organization, we are artistically committed to producing new works, and with this continued world premiere from our very own past playwright in residence Lauren M. Gunderson and award-winning musical team of Kait Kerrigan and Bree Lowdermilk, you’re witnessing history in the making.

This profound work dives deep into the humanity of the very fabric of our nation, justice system, and women leaders who have broken ground in our own time. As a woman and an arts leader who has broken ground myself at MTC, I know the importance of amplifying the stories of women leaders who inspire us to continue. Watching these women find power in their own right and community with each other, we’re provided a reflection of our own ability not only to connect with those around us but also find hope in the possibilities of our future together.

As our audience, you’re part of our community, and we believe it is our role to share these stories to inspire, connect with, and meet all of you. My hope is that the stories from Justices O’Connor, Ginsburg, and Sotomayor will stay with you, stimulating your mind and filling your heart as you return back into the world.

2 397 Miller Avenue, Mill Valley, CA 94941-2885 415.388.5200 | info@marintheatre.org | marintheatre.org Jasson Minadakis Artistic Director Meredith Suttles Managing Director/CEO Nakissa Etemad Associate Artistic Director @marintheatreco @marintheatreco marintheatrecompany Marin Theatre Company @marintheatreco marintheatre

On April 2nd, we will have our first Marin Theatre Company Gala since the pandemic at the Mill Valley Community Center. I’d love for you to join us as we celebrate and “Recommit, Reconnect, and Reimagine” MTC!

Thank you for joining us to experience a new musical. We the people of Marin County and the greater Bay Area deserve more works like JUSTICE that you’re watching today. I look forward to seeing you at our special events and gala. Who knows what we can set ablaze—together.

BOARD OF DIRECTORS

Wendy Feng Chair

Matthew Purdon Vice-Chair

John Chesley Secretary

Barbara Reynolds Treasurer

Naima Dean

Kipp Delbyck

Doug Frazier

Denmo Ibrahim

Jennifer McEvoy

Vera Meislin

Kathryn Olson

Josh Rafner

Barbara Roberts

Stacy Scott

Tara Sullivan

Penny Wright

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Marin Theatre Company presents

The Continued World Premiere of

JUSTICE A NEW MUSICAL

Book by Lauren M. Gunderson

Music by Bree Lowdermilk

Directed by Ashley Rodbro°

CAST OF CHARACTERS

SANDRA ...................... Karen Murphy* RUTH Lynda DiVito*

Lyrics by Kait Kerrigan

SONIA ........................ Stephanie Prentice*

CREATIVE TEAM

Orchestrations Mike Pettry

Additional Orchestrations, Arrangements, Vocal Arrangements .. Bree Lowdermilk

Music Director / Keys 1 / Conductor Ruiran Xun

Dramaturg / Producer ....................................... Nakissa Etemad

Scenic / Projections Designer Carlos Aceves

Costume Designer ......................................... Maggie Morgan +

Lighting Designer Kate Boyd

Sound Designer ............................................ Lane Elms+

Props Lead Liam Rudisill

Movement Director Deborah Slater

Associate Music Director / Keys 2 Matthew Zwiebel

Assistant Costume Designer Daria Perkova

Assistant Lighting Designer Spense Matubang

Assistant Sound Designer Camille Rassweiler

Stage Manager Nick Carvalho*

Assistant Stage Manager (February 13 – March 12) / Audio 2 Arashi Veronica Cesana

Assistant Stage Manager (January 23 – February 12) Julia Formanek*

Assistant Stage Manager (January 11 – 22) Tanika Baptiste*

JUSTICE is a continued world premiere at Marin Theatre Company

Jasson Minadakis, Artistic Director | Meredith Suttles, Managing Director/CEO

JUSTICE was first produced at Arizona Theatre Company

Sean Daniels, Artistic Director | Geri Wright, Managing Director

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1993 — Today

JUSTICE: A New Musical runs 90 minutes with no intermission.

PRODUCTION TEAM

Director of Production

Haley Miller

Technical Director / COVID Safety Manager ................ Jeff Klein

Script Supervisor

Music Assistant

Ray Gonzalez

Gabriella Hirsch

Music Assistant Mo Yeh

Lead Sound Technician

Assistant Technical Director

Wardrobe Lead / Costume Shop Manager

Wardrobe Crew / Costume Shop Assistant

Stitcher

Lead Electrician / Light Board Programmer

Assistant Lead Electrician / Light Board Operator

Olivia Vazquez

Liam Rudisill

Daria Perkova

Emily Feil

Sarah Smith

Krys Swan

Mary Clare Blake-Booth

Wigs by Erica Villanueva

Additional Wigs by Lyre Alston

Carpenter

Scenic Charge

Electricians

Scenic Painters

Properties Assistants

*

Miguel Wacher

Stephanie P Jucker

Joshua Graves, Benjamin Miller, Brittany Mellerson, Mary Clare Blake-Booth, Taylor Ryan Rivers, Xavier Priven-Troncoso, Gabriel Dumapais, Charlie A. Mejia

Nathaniel Bice, Neil Ballard, Sarah Gendler

Miguel Wacher

° The Director is a member of the SOCIETY OF STAGE DIRECTORS AND CHOREOGRAPHERS, INC., an independent national labor union.

+ The costume and sound designers in this LORT Theatre are represented by United Scenic Artists, Local USA 829 of the International Alliance of Theatrical Stage Employees.

Please remember to turn off all cell phones or other devices that could make noise and be distracting to the cast and people around you. Photographs and recordings of any kind are strictly prohibited.

We ask that patrons please wear masks covering your nose and mouth at all times while in our building to help prevent the spread of the COVID-19 virus.

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SETTING
Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. This Theatre operates under an agreement between the League of Resident Theatres and Actors’ Equity Association.

MUSICAL NUMBERS

“Preamble” SONIA, SANDRA, RUTH

“New Justice” SONIA, SANDRA, RUTH

“Let Me In” RUTH

“Get It Done” SANDRA

“Get It Done (Reprise)” SANDRA

“Decide Now” SONIA, SANDRA, RUTH

“Under The Collar” SANDRA, RUTH

“Two More Men” SONIA, SANDRA, RUTH

“Blaze” SONIA

“New Justice (Reprise)” RUTH, SANDRA

“Sonia Sotomayor”

.SANDRA, RUTH, SONIA

“Under The Collar (Reprise)” SANDRA, RUTH

“Act of God” RUTH, SANDRA

“Dissent Is Not Enough”........................SONIA, SANDRA, RUTH

“The Mind Goes” SANDRA

“Notorious” RUTH

“Finale” .........................................SONIA, SANDRA, RUTH

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. . . . . . . . . . . . . . . . . . . . . .
. . . . .
.

In 1993, Associate Justice Ginsburg joins the first female Justice O’Connor on the U.S. Supreme Court (Collection of the Supreme Court, Photo by Steve Petteway)

Justice Sotomayor joins the U.S. Supreme Court in 2009. Justice Ginsburg had been the sole woman on the Court since Justice O’Connor’s retirement in Jan. 2006 (Collection of the Supreme Court, Photo by Steve Petteway)

The first four women who have served on the Supreme Court of the United States. From left to right: Justice Sandra Day O’Connor (Ret.), Justice Sonia Sotomayor, Justice Ruth Bader Ginsburg, and Justice Elena Kagan in the Justices’ Conference Room, prior to Justice Kagan’s Investiture Ceremony on October 1, 2010.

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SANDRA DAY O’CONNOR

Born Sandra Day on March 26, 1930, in El Paso, TX

In Office as Associate Justice September 25, 1981 – January 31, 2006

Now retired, Sandra Day O’Connor began her time on the bench of the Supreme Court as the first woman Justice to be both nominated and confirmed. Her senate confirmation was unanimous, and during her tenure from 1981 to 2006, she secured a reputation as a “centrist,” often siding with the Conservative bloc but still collaborating with and occasionally aligning with liberal members.

O’Connor’s early life presented both learning opportunities and obstacles to education, as there were limited schooling options for young women near the “Lazy B,” their family ranch in Duncan, AZ. After living her first seven years without running water or electricity at the Lazy B, O’Connor (nee Day) lived with her maternal grandmother in El Paso, Texas to attend the Radford School for Girls. For her eighth-grade year, O’Connor lived on the ranch and rode the bus 32 miles to school in El Paso, graduating high school two years early and sixth in her class.

Sandra Day O’Connor, in 2011, the 1st Female Associate Justice of the Supreme Court of the United States (Library of Congress)

O’Connor’s law career started at Stanford Law School where she met fellow student John O’Connor, whom she married six months after her graduation in 1952. Her first job out of school was as a county deputy attorney in San Mateo, California, initially by offering to work for no salary and sharing space with a secretary. Though mothering three boys brought a pause to her formal employment, O’Connor stayed active in various political causes before

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President Ronald Reagan and His Supreme Court Justice Nominee Sandra Day O’Connor at The White House, July 15, 1981 (Reagan White House Photographs)

serving as assistant to the Attorney General of Arizona, followed by an appointment from the governor of Arizona for a vacancy in the Senate. This made her the first woman to serve as any state’s Majority Leader.

O’Connor was nominated to the U.S. Supreme Court by President Ronald Reagan on August 19, 1981, and her confirmation hearing in September before the Senate Judiciary Committee was the first ever televised hearing of a Supreme Court Justice. Ten days later, O’Connor was confirmed by the Senate with a unanimous vote of 99-0.

— Sandra Day O’Connor, Opening Statement from Senate Nomination Hearings, September 9, 1981

Even after two years of service, The New York Times wrote an article referencing the “nine men” of the Supreme Court, prompting O’Connor to provide a written response, referring to herself as the FWOTSC - First Woman On The Supreme Court. O’Connor’s decisions often took a literal “case by case” approach that created both approval and criticism. In a politically divided court, she was known to often cast the swing vote, sometimes siding with the conservatives, and sometimes with the liberals. In an interview with NPR in 2013 called “‘Out Of Order’ At The Court: O’Connor On Being The First Female Justice,” O’Connor stated her feelings on the term: “I don’t like that term [swing vote]. I never did, and it’s not one that I like any better today. I don’t think any Justice — and I hope I was not one — would swing back and forth and just try to make decisions not based on legal principles but on where you thought the direction should go, and so I never liked that term.”

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“It [the Supreme Court] is the body to which all Americans look for the ultimate protection of their rights. It is to the U.S. Supreme Court that we all turn when we seek that which we want most from our Government: equal justice under the law.”
O’Connor is sworn in by taking the Judicial Oath on September 25, 1981 by Chief Justice Warren Burger while her husband John O’Connor holds the family Bible. (Photo by Michael Evans, Reagan White House Photographs)

O’Connor’s decision to retire in July 2005 rested much on her desire to spend more time with her husband who had been diagnosed with Alzheimer’s. After several delays, she retired on January 31, 2006, when she was succeeded on the Court by Justice Samuel Alito. In 2009, O’Connor founded iCivics, a web-based education project aimed at engaging middle school and high school students in civics. Later that year on August 12th, she received the nation’s highest honor awarded to a civilian from President Barack Obama, the Presidential Medal of Freedom, for her lifetime of accomplishment and service to our country.

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Justice O’Connor and her husband John O’Connor with President George W. Bush in the Oval Office, May 2004 (White House photo by Eric Draper) The U.S. Supreme Court in 2005, about five months before Justice O’Connor retired from the bench, leaving Ruth as the sole woman on the Court until 2009. (Collection of the U.S. Supreme Court, Photo by Steve Petteway)

RUTH BADER GINSBURG

Born Joan Ruth Bader March 15, 1933, in Brooklyn, NY

In Office as Associate Justice August 10, 1993 – September 18, 2020

Passed Away September 18, 2020

Decades before declaring herself a “flaming feminist litigator,” (Sept. 2017, The Hill.com) Ruth Bader Ginsburg was born and raised in Brooklyn, New York, before attending Cornell University, where she met Martin Ginsburg who went on to attend Harvard Law School. She graduated at the top of her class in 1954 with a B.A. in Government and married Marty one month later. Ginsburg became a mother before starting her law journey at Harvard, where she was one of only 9 women in a class of about 500 men. She decided to transfer to Columbia Law School where she became the first woman to be on two major law reviews, the Harvard Law Review and the Columbia Law Review.

She graduated Columbia in 1959 tying for first in her class, but found it very difficult to find work because of her gender. She found herself teaching for many years as a law professor first at Rutgers then at Columbia, where she became the first female professor there to earn tenure. Her legal career has been defined by her activism for gender equality and women’s rights. In the 1970s, as director of the Women’s Rights Project of the American Civil Liberties Union, she won six landmark cases before the Supreme Court in the fight against gender discrimination. In 1980, President Jimmy Carter appointed Ginsburg to the U.S. Court of Appeals for the District of Columbia, where she served for thirteen years and was noted as a moderate and a consensusbuilder.

President Bill Clinton, reportedly looking to increase the Court’s diversity, nominated

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Official Portrait of Associate Justice Ruth Bader Ginsburg, 2016 (Supreme Court of the United States, Photo by Steve Petteway) Ginsburg with President Jimmy Carter at Reception for Women Federal Judges, on Oct. 3, 1980 (White House Staff Photographers Collection, 1/20/1977-1/20/1981)

her on June 22, 1993 to be the first Jewish justice since 1969, the second female and the first Jewish female justice of the Supreme Court. Ginsburg was confirmed by the Senate in a 96-3 vote on August 3, 1993 and sworn in on August 10th.

Culturally, Ginsburg became an icon largely due to her passionate dissents, large scale impact and seemingly fearless commentary, identified at times as “the notorious R.B.G.” as a twist on the Notorious B.I.G., an American rapper also from Brooklyn. Ruth embraced this moniker and became known as much for her passion as her measured approach to decision making.

With numerous memorable cases in her career, Ginsburg also battled and overcame cancer twice, ignoring calls for her retirement. While the second woman to serve on the Supreme Court, Ginsburg was the only woman Justice from 2006 to 2009.

In addition to this solo tenure, groundbreaking representation, and clear advocacy for women’s rights in her court decisions, “the notorious R.B.G” famously gave her directive for when there are enough women Justices:

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“So now the perception is, yes, women are here to stay. And when I’m sometimes asked when will there be enough [women on the Supreme Court]? And I say when there are nine, people are shocked. But there’d been nine men, and nobody’s ever raised a question about that.”
— Ruth Bader Ginsburg
Ginsburg officially accepting the nomination from President Bill Clinton on June 14, 1993 (U.S. National Archives and Records Administration)

SONIA SOTOMAYOR

Born June 25, 1954 in New York City

Sworn in as Associate Justice on August 8, 2009

Sonia Sotomayor, U.S. Supreme Court Justice, 21 August 2009 (Collection of the Supreme Court of the United States, Photo by Steve Petteway)

In 1954, Juan, a factory worker and Celina, a nurse, two Puerto-Rican-born parents in the Bronx, New York, welcomed their daughter Sonia into the world. By 2009, their little girl had been confirmed as a Supreme Court Justice of the United States. Sonia Sotomayor’s path was paved with accomplishment. At seven years old, she overcame a diagnosis of Diabetes. Her father died of heart problems at age 42, when she was nine years old and her brother Juan, Junior was six, after which the young Sonia became fluent in English. She loved reading Nancy Drew mysteries and watching Perry Mason. She recalls that she knew she “was going to become an attorney, and I knew that when I was ten. Ten. That’s no jest.” Sotomayor’s mother worked hard to raise her daughter

Sonia and her son Juan as a single parent and managed to send her children to private Catholic school. Sotomayor graduated high school as valedictorian of her class. As a graduate of Princeton University, she received summa cum laude honors with a bachelor’s in history before attending and completing her law degree at Yale Law School. (See Family Photos at npr.com)

A 25-year-old Sonia Sotomayor worked as an Assistant District Attorney to the District Attorney of Manhattan, establishing herself as an imposing prosecutor who, despite her young age, would not get pushed around. She moved into private practice in NYC in 1984, making partner by 1988. Then in November of 1991, George W. Bush nominated Sotomayor to the United States District Court for the

Sonia Sotomayor threw out the ceremonial first pitch, New York Yankees versus Boston Red Sox, September 26, 2009. Final score: 3-0 Yankees. (flickr, A. Jagendorf)

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Southern District of New York, where she served for six years — among her most notable cases was her “saving” of Major League Baseball in which her ruling ended the 1994 baseball strike after 232 days, the day before the new season was scheduled to begin.

In 1998, another president changed the course of her career when President Bill Clinton nominated Sotomayor to the United States Court of Appeals for the Second Circuit where she would hear more than 3,000 cases and write around 380 majority opinions over the next decade.

In 2009, President Barack Obama nominated Sotomayor as Associate Justice to the U.S. Supreme Court, where she received her confirmation from the Senate in a 68-31 vote divided mostly along party lines.

Sotomayor broke significant ground as the first woman of Color, first Hispanic, and first Latina to serve on the Supreme Court. The first case she heard was Citizens United v. Federal Election Commission, where she dissented from the majority, which held in favor of the rights of corporations in campaign finance. Within five years on the Court, she had carved an identity as a vocal advocate and tireless dissenter when compelled, especially in cases involving race, gender and ethnic identity. Sotomayor joined the liberal majority on several landmark cases. She ruled in the majority which upheld the Affordable Care Act twice, and in Obergefell v. Hodges in 2015, to legalize same-sex marriage in all 50 states.

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President Barack Obama meets with Judge Sonia Sotomayor and Vice President Joe Biden prior to the announcement of her Supreme Court nomination in the East Room, May 26, 2009. (Official White House photo by Pete Souza)

Sotomayor is also a published author, including an autobiography, books for young adults, and the children’s book Just Ask! about a garden with 12 children nurturing its growth, and through it discover the value of individualism. Sotomayor, inspired by her own experience with diabetes and its impact on how she is perceived explains, “Each of us is doing what we do best... Each child is doing something to contribute to the garden, despite how they’re differently able.” In a 2017 audio podcast called What It Takes by the American Academy of Achievement, Sotomayor talks about The Power of Words:

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“Through reading, I escaped the bad parts of my life in the South Bronx. And, through books, I got to travel the world and the universe. It, to me, was a passport out of my childhood and it remains a way — through the power of words — to change the world.”
Sotomayor continues to serve on the Supreme Court to this day. Sonia Sotomayor on the first day of her confirmation hearings on July 13, 2009. (Patrick Leahy, Senate staffer)

BIOS CAST

KAREN MURPHY* (Sandra)

Broadway credits include: A Little Night Music, 9 to 5, All Shook Up, 42nd St, Titanic, King David, A Christmas Carol

Off Bway: My Vaudeville Man (Drama Desk Nomination), Zombie Prom, Showtune, Forbidden

Broadway. Tours include: Les Miserables, White Christmas, Wizard Of Oz, Mary Poppins, Finding Neverland. Regional theatre credits include Showboat, Guys and Dolls, Oliver at Goodspeed Opera House, My Fair Lady, Damn Yankees, A Funny Thing Happened on the Way to the Forum. Recordings: Torchgoddess, Zombie Prom, My Vaudeville Man, and performances with Pops Orchestras across America and Canada. She received the Bistro Award for her NYC Cabaret Debut.

LYNDA DIVITO* (she/her

– Ruth) is thrilled to make her MTC debut playing the icon, RBG, in this incredible production. Favorite roles include; Mama Rose in Gypsy, Mrs. Wilkerson in Billy Elliot, Mrs. Wormwood in Matilda at CCMT. At Center Repertory theatre, Lynda performed for over a decade in musicals, comedies and dramas. OffBroadway credits include, Sheba the musical and Andrew Lloyd Webber’s CATS in Hamburg. Graduate of SFSU theatre department, Lynda resides in Walnut Creek with her two teenagers and husband. Love to H&N always and to Lee, my very own Marty Ginsburg.

STEPHANIE PRENTICE*

(she/her – Sonia) is thrilled to be making her MTC debut in JUSTICE! She is a Bay Area native, a proud AEA member for over 20 years, and has worked with many other Bay Area theatres including: 42nd Street Moon, PlayGround, San Francisco Playhouse, Shakespeare at Stinson, Shotgun Players, Hillbarn, and TheatreFIRST. She is a graduate of the Santa Clara University Theatre and Dance program, where she taught as a member of the SCU voice faculty from 2005–2017. Stephanie is an Associate Producer for PlayGround, and is also serving as the current Board Chair. Stephanie is also the Associate Casting Director, and Patron Services Director for TheatreFIRST in Berkeley. Most importantly, she is Aiden and Devan’s mom.

CREATIVE TEAM

LAUREN M. GUNDERSON

(she/her – Book Writer) has been one of the most produced playwrights in America since 2015, topping the list thrice including 2022/23. She is a two-time winner of the Steinberg/ATCA New Play Award for I and You and The Book of Will, the winner of the Lanford Wilson Award and a finalist for the Susan Smith Blackburn Prize. She has premiered 5 plays at Marin Theatre Company: I and You, Miss Bennet, The Wickhams, Georgiana and Kitty: Christmas at Pemberley and The Catastrophist. She is a playwright, screenwriter, musical book writer and children’s author who lives in San Francisco.

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*Member of Actors’ Equity Association

She graduated from NYU Tisch as a Reynolds Fellow in Social Entrepreneurship. She is on the board of The Playwrights Foundation and a member of the Aspen Institute’s Science and Society Cohort. LaurenGunderson.com

BREE LOWDERMILK (she/ her – Composer, Additional Orchestrations, Arrangements, and Vocal Arrangements) Credits include JUSTICE (Marin Theatre Co, Arizona Theatre Co), Rosie Revere, Engineer (Nat’l Tour). Off-Broadway: The Mad Ones, Henry and Mudge. Regional: Kennedy Center, Kimmel Center, Lincoln Center. Residencies: McDowell, Mercer. Awards: Jonathan Larson, Alan Menken, Richard Rodgers. Albums: Kerrigan-Lowdermilk Live, Our First Mistake (#1 Singer/Songwriter chart), and The Mad Ones (+30 million streams, thousands of fanvideos). Bree is a trans woman, a new mom, and an advocate for queer voices and stories. Gratitude to Lauren and Kait. Love to Anna, always.

KAIT KERRIGAN (she/ her – Lyricist) is an awardwinning bookwriter, lyricist, and playwright. Off-Broadway: The Mad Ones, Henry and Mudge, book and lyrics, both written with composer Bree Lowdermilk. Bay Area: Father/Daughter at the Aurora Theatre (world premiere, Edgerton Award). Upcoming in 2023: The Time Traveller’s Wife (add’l lyrics for Joss Stone and Dave Stewart’s score, book by Lauren Gunderson), The Great Gatsby (book; lyrics by Nathan Tysen, music by Jason Howland), and Indigo (book; score by Scott Evan Davis). During the pandemic, she wrote the book for the digital musical A Killer Party (filmed in quarantine and available on BroadwayHD and licensed by MTI). Other projects with Lauren and Bree

include Rosie Revere, Engineer & Friends, and Earthrise, a Kennedy Center commission. Her chart-topping albums with Bree include Our First Mistake, Kerrigan-Lowdermilk Live and The Mad Ones. Her plays and musicals have been developed by La Jolla Playhouse, Kennedy Center, Theatreworks/Silicon Valley, Primary Stages, Goodspeed, and others. Additional Awards: Kleban, Larson, Theatre Hall of Fame Most Promising Lyricist. She has held residencies at MacDowell, Goodspeed’s Johnnie Mercer Project, Rhinebeck, and others. Alumna of Dramatists Guild Fellowship, Page 73’s I-73, New Jersey Playlab Fellowship, BMI Musical Theatre Writing Workshop, and Barnard College.

ASHLEY RODBRO° (she/ her – Director) is a director and writer for theatre and film. She was the Worldwide Supervising Associate Director for Moulin Rouge! The Musical (Broadway, Australia, UK, North American Tour, Germany) and the Resident Director for Hamilton (Puerto Rico, San Francisco). She was also the Associate Director for Oh, Hello (Broadway, Off-Broadway, North American tour, Netflix) starring Nick Kroll and John Mulaney. She was the 1st AD for John Mulaney’s Netflix special, Kid Gorgeous at Radio City. She is also the Creative Director and CEO/Founder of Heredia Vision, a production company that puts women at the helm of developing and creating filmed content. Through her work at Heredia Vision, she is currently developing multiple new projects and has also created original work through partnerships with organizations including RAINN’s Thrive Together campaign, Laura Benanti’s Sunshine Songs series, and New York Theatre Workshop’s 25 Years of RENT documentary special and virtual event. As a film director, her short films have appeared at eight festivals around the country including

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North Hollywood CineFest and the San Luis Obispo International Film Festival, and as a writer, she is the winner of the Best TV Script award at the Hollywood International Diversity Film Festival and a finalist for the WGA Made in New York comedy writing fellowship. She is a graduate of Yale College and a member of SDC. Love to Rick and Kaeme. @heredia_ vision @ashleyrodbro

RUIRAN XUN (she/her

– Music Director / Keys 1 / Conductor) is a music director, collaborative pianist, and software engineer based in the San Francisco Bay Area. She graduated from Carnegie Mellon University in May 2022 with a B.S. in Chemistry, a B.S. in Computer Science, and a minor in Collaborative Piano. Select credits: Music Director & Vocal Director for The Addams Family (Landmark Musical Theatre); Music Director for Rent, The Rocky Horror Show, Mamma Mia! (Scotch’n’Soda Theatre); rehearsal pianist for The Turn of the Screw, The Light in the Piazza (CMU School of Music); Assistant Music Director for Mister Rogers’ Operas (Pittsburgh Festival Opera). Upcoming: co-Vocal Director for Next to Normal (Sunnyvale Community Players), Assistant Music Director for Iolanthe (Lyric Theatre). Ruiran is eternally grateful to Bree for entrusting her with this work, and thankful to her friends, family, and co-workers for their constant support of her theatrical endeavors. https://ruiran.me

musicals for over 25 years. She is a Resident Artist of Golden Thread Productions, Regional VP Metro Bay Area for Literary Managers and Dramaturgs of the Americas (LMDA), and a member of MENA Theater Makers Alliance and the Anti-Racism Task Force of LMDA. She is currently dramaturging Yussef El Guindi’s Hotter Than Egypt at Denver Center Theatre Company, its second production after she and John Langs co-produced the world premiere at A Contemporary Theatre in Seattle and Marin Theatre Company last season. Recent dramaturgy: Hotter Than Egypt at 2020 Colorado New Play Summit, Heather Raffo’s Noura (MTC/ Golden Thread), Marcus Gardley’s Play On! commission of King Lear (Oregon Shakespeare Festival), world premiere productions with Marcus Gardley, Lauren Yee, Marisela Treviño Orta, Margo Hall, and Torange Yeghiazarian, and several ReOrient Festivals of Short Plays & Bay Area Playwrights Festivals. MTC Producing credits include Lauren Gunderson’s The Catastrophist, Brilliant Mind by Denmo Ibrahim, Hotter Than Egypt. Casting Director for MTC shows & workshops since 2021. Former Festival Director for the 5th Annual New America Playwrights Fest, featuring Lynn Nottage, Naomi Iizuka and Polly Pen (San Jose Rep); Dramaturg and Literary Manager of The Wilma Theater, San Jose Rep, and San Diego Rep; and Exec. VP Freelance of LMDA. Recipient of the 2015 Elliott Hayes Award for Outstanding Achievement in Dramaturgy for The Lark’s four-city premieres of Gardley’s the road weeps, the well runs dry

NAKISSA ETEMAD (she/ her – Associate Artistic Director / Dramaturg / Producer) is the Associate Artistic Director of MTC, an Iranian American dramaturg and producer, and a French translator specializing in new BIPOC plays and

CARLOS ACEVES (he/ him – Scenic and Projections Designer) has lived and worked in the Bay Area for the past 12 years as a designer and theatre maker. Past Design Credits include: The Displaced, Crowded Fire; Walls, San Francisco Mime troupe; Prep Play or Blue Parachute,

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New Conservatory Theatre Center; Long Day’s Journey into Night, Eugene O’Neill Festival of Theatre, Ireland; Dream Hou$e, Shotgun Players. Carlos would like to thank MTC and the creative/production team of Justice for all their hard work and dedication.

MAGGIE MORGAN + (she/ her – Costume Designer) is pleased to be making her MTC debut. Credits include Soul Doctor on Broadway and for off-Broadway David’s Red-Haired Death and Soul Doctor. Bay Area shows include Office Hour at Berkeley Rep, many shows at Center Rep including Blues in the Night and Communicating Doors, Paradise Blue and The Real Thing at the Aurora Theatre, The Haunting of Winchester and Groundswell at San Jose Rep, as well as shows at Theatre Works, Magic Theatre, Playground, and California Musical Theatre. For regional theatre: Endgame at the Kirk Douglas Theatre (Ovation nomination), and Arizona Theatre Company, Mark Taper Forum, South Coast Rep, Pasadena Playhouse, Hollywood Bowl, Yale Rep. Films: Car Dogs, Alex in Wonder. Web series: Send Me: an original web series on BET. com. Ms. Morgan was an assistant costume designer on many films including Wag the Dog, Mona Lisa Smile, Casino, Men in Black, and How the Grinch Stole Christmas. Visit www. maggiemorgandesign.com

KATE BOYD (she/her –Lighting Designer) is a Bay Area scenic and lighting designer, and is thrilled to be back at MTC working on this show. She recently designed scenery for The Language of Wild Berries and lighting for Drowning in Cairo both for Golden Thread. Also scenery for Father/Daughter at Aurora Theater. Prepandemic shows were Nine Parts of Desire

at the Armory in Portland and Noura at Marin Theatre Company (both by Heather Raffo). She designs frequently at Aurora Theatre, Center Rep, Golden Thread, Magic Theatre, New Conservatory Theatre Center, Merola Opera, the SF Conservatory of Music, Company C Ballet and TheatreWorks. Kate is a Resident Artist with Golden Thread Productions and a recipient of the Gerbode Design Fellowship. Kate teaches stagecraft and design at LickWilmerding High School.

LIAM RUDISILL (he/him –Props Lead) is a carpenter and props maker who has been working with Marin Theatre Company since moving to the Bay Area in 2014. He’s excited to be back at full capacity as Assistant Technical Director and Props Lead for the company this season. Recent design credits include Boys Go to Jupiter (Word for Word at Z Space), The Sound Inside (MTC), Pass Over (MTC), Georgiana and Kitty: Christmas at Pemberley (MTC), Dunsinane (MTC), and August Wilson’s Two Trains Running (MTC).

DEBORAH SLATER (she/ her – Movement Director) has worked in dance & theater for over 40 years. She is the Artistic Director of Deborah Slater Dance Theater, a multi-media dance company, creating visually gorgeous, acrobatic, talking dance and dedicated to the creation of fulllength works exploring social issues, science & art through original dance, text and music. DSDT celebrated its 30th Anniversary in 2019/20. Slater co-founded Studio 210, a performance/rehearsal/class space celebrating its 43rd Anniversary in 2023! Choreographic theater work includes Contemporary Arts Center/New Orleans, San Diego Rep, the

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Magic Theater, and Traveling Jewish Theater. Nightfalls, created in collaboration with playwright/director Julie Hébert, was selected by The Guardian as one of the Top Ten shows in 2011. She runs the Studio 210 Residency Program, celebrating its 11th Anniversary in 2023. Selected mentors include David Gordon, Margaret Jenkins & Tony Taccone. Commissions & residencies include SF MOMA, USF Dance & Social Justice, and the Exploratorium. Selected awards include 11 NEA grants, Rainin, Fleishhacker, Gerbode, Wattis, MAP & Grants for the Arts. Cartooning keeps her sane. www.deborahslater.org

MATTHEW ZWIEBEL (he/ him – Associate Music Director / Keys 2) is a composer, music director, and pianist. He’s a recent graduate of Carnegie Mellon University with a BFA in music composition. Matthew was last seen as AMD/Keys 2 for Coming Home for Christmas at Silver Dollar City and previously performed as Rachmaninoff in Dave Malloy’s Preludes at CMU. He is a part of the creative team for Spanglish Sh!t (Ars Nova ANT Fest NYC finalist selection), an in-development musical by Samora La Perdida and music by both Josiah Handelman and him. Matthew premiered two musicals of his own while at CMU: A World Not So Wide and This Side Up He has extensive music directing experiences across Pennsylvania and also helped develop two sensory-friendly productions with the F. M. Kirby Center of Wilkes-Barre. Matthew is the recipient of the Harry G. Archer Award for Composition and a Residency-In-Your-Room Fellowship. IG @matthewzwiebel

DARIA PERKOVA (she/they – Assistant Costume Designer/ Costume Shop Manager/ Wardrobe Lead) is a Bay Area native costume designer. She has designed, stitched and run wardrobe for many theatres around the Bay. Her most recent design works include Anton Chekov’s Uncle Vanya at Chabot College, and How Black Mother’s Say I Love You at Theatre Rhinoceros. She is the Costume Shop Manager and Wardrobe Lead here at Marin Theatre Company.

SPENSE MATUBANG

(they/he – Assistant Lighting Designer) is a freelance lighting and projections designer currently based in Oakland, California. They have been working in the professional theatre world of the Bay Area for four years. They received their degree in Theater Arts from the University of California, Santa Cruz in 2020. Spense uses their career as a never-ending outlet for exploration, creative experimentation, and community building. They have previously designed for The Chikahan Company, City Lights Theater Company, EnActe Arts, Town Hall Theatre Company, Ferocious Lotus, New Conservatory Theatre Center, Shotgun Players, SF Playhouse, West Valley Light Opera, and Jewel Theatre.

NICK CARVALHO* (he/ him – Stage Manager) is excited to return to Marin Theatre Company for the third time this season to stage manage the continued world premiere of JUSTICE: A New Musical. Recent credits with MTC include August Wilson’s Two Trains Running and Dunsinane. Past credits include the world premiere of Monument, or Four Sisters (a sloth

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*Member of Actors’ Equity Association

play) at Magic Theatre; The Cherry Orchard and Cinderella: A Fairytale (2019) at Town Hall Theatre; Head Over Heels, A Midsummer Night’s Dream, The Book of Will, Seussical: The Musical, and Our Lady of 121st Street at Diablo Valley College. Nick is also the Assistant Technical Director and a Production Supervisor at El Campanil Theatre. Nick earned two Associates degrees from Diablo Valley College in 2021. He was awarded three certificates of merit in stage management from the KCACTF for his work on Our Lady of 121st Street, Seussical: The Musical, and The Book of Will He would like to thank his partner, Emma, for her everlasting support and love.

ARASHI VERONICA CESANA (she/they – Assistant Stage Manager: Feb. 13 - Mar. 12 / Audio 2) Arashi would like to dedicate this production to her daughter, Artemis, who one day may be in the room where decisions are made.

JULIA FORMANEK* (she/her – Assistant Stage Manager: Jan. 23 - Feb. 12) is thrilled to return to Marin Theatre Company after her last show in 2019. Julia’s stage management credits include: Goddess, Culture Clash Still In America (Berkeley Repertory Theatre); Romeo y Juliet, House of Joy, Everybody (California Shakespeare Theatre); Sleeping Beauty, The Magic Lamp (Presidio Theatre); Wink, Jazz, The Wickhams: Christmas at Pemberley, Oslo (Marin Theatre Company).

TANIKA BAPTISTE* (she/ they – Assistant Stage Manager: Jan. 11–22) is honored to work on her 3rd MTC production. Tanika works as a director, actor, vocalist and ASM in the Bay Area, San Diego and sometimes NY. Past MTC credits include Assistant Director, Fight Captain and ASM for Pass Over and Deck Crew/Wardrobe

Georgiana & Kitty: Christmas at Pemberley Tanika was most recently awarded Theatre Bay Area’s Arts Leadership Cohort Grant with Theatre Rhinoceros and is a 3x SFBATCC nominee for direction, choreography & costume design. Thank you MTC for the continued collaboration. Thank you audience members for your support! Love to my family & friends. @tanikabaptiste

RAY GONZALEZ (they/them – Script Supervisor) is a graduate of the University of North Carolina School of the Arts in Stage Management. Past credits include: Stage Manager for the workshop of JUSTICE: A New Musical at Marin Theatre Company, Script Supervisor for A Christmas Carol at A.C.T., Assistant Stage Manager at the Oregon Shakespeare Festival, Production Assistant with the Oregon Shakespeare Festival, Cirque du Soleil, and the American Ballet Theatre.

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*Member of Actors’ Equity Association

MTC LEADERSHIP

JASSON MINADAKIS

(he/him – Artistic Director) is in his 17th season as artistic director of Marin Theatre Company, where he has directed Dunsinane, The Sound Inside, The Catastrophist, Mother of the Maid, Sovereignty, Oslo, Shakespeare In Love, Thomas and Sally, Guards at the Taj, August: Osage County, The Invisible Hand, Anne Boleyn, The Convert, The Whale, Failure: A Love Story, the world premiere of Lasso of Truth, The Whipping Man (San Francisco Bay Area Critics Circle Awards for Best Production and Best Acting Ensemble), Waiting for Godot, Othello: the Moor of Venice, The Glass Menagerie, Edward Albee’s Tiny Alice, the world premiere of Libby Appel’s adaptation of Chekhov’s Seagull, Happy Now?, Equivocation (SFBATCC Award, Best Director), the world premiere of Sunlight, Lydia, The Seafarer, Frankie and Johnny in the Clair de Lune, A Streetcar Named Desire, said Saïd, Love Song, and The Subject Tonight is Love As artistic director of Actor’s Express Theatre Company, he directed The Pillowman, Bug, The Love Song of J. Robert Oppenheimer, Echoes of Another Man, Killer Joe, Burn This, The Goat or, Who is Sylvia?, Blue/Orange, and Bel Canto. As producing artistic director of Cincinnati Shakespeare Festival, he directed Jesus Hopped the ’A’ Train, Chagrin Falls (2002 Cincinnati Entertainment Award for Best Production), and numerous others, including 19 productions of Shakespeare. Regional credits include The Whipping Man at Virginia Stage Company, Cat on a Hot Tin Roof and Hamlet at Georgia Shakespeare, Copenhagen at Playhouse on the Square (2003 Ostrander Theatre Award for Best Dramatic Production), and Bedroom Farce at Wayside Theatre. He is a Member of Stage Directors and Choreographers.

MEREDITH SUTTLES

(she/her—Managing Director/ Chief Executive Officer) joined Marin Theatre Company as its new Managing Director in April of 2021. Meredith is an arts leader with an extensive background in creative and performing arts in the areas of development, management, strategic planning, fundraising, and performance. She has held senior leadership roles at TheaterWorksUSA, Soho Repertory Theatre, Theatre Communications Group (TCG), and the New York City Opera. Meredith is a proud graduate of the University of Michigan (Ann Arbor) and former EmcArts: Arts Leaders as Cultural Innovators (ALACI) Fellow. She is a member of Alpha Kappa Alpha Sorority, Inc., a Steering Committee Member of the Black Theatre Commons and currently serves on the Board of Directors of vibe Theater Experience (Brooklyn, NY). As a visionary leader known for her ability to win community support, develop key coalitions and build strong relationships with a shared sense of purpose, she is passionate about devising meaningful ways to address and further the goals of MTC.

NAKISSA ETEMAD (she/ her—Associate Artistic Director / Dramaturg / Producer) see Dramaturg bio.

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MARIN THEATRE COMPANY Marin Theatre

Company is the Bay Area’s premier mid-sized theatre and the leading professional theatre in the North Bay. MTC is committed to the development and production of new plays, with a comprehensive New Play Program that includes productions of world premieres, readings, and workshops by the nation’s diverse emerging and established playwrights. MTC’s numerous education programs serve more than 4,500 students from over 40 Bay Area schools each year. MTC envisions theatre as a vital space for sharing diverse stories to build a more just and equitable world. MTC is dedicated to inspiring conversation, learning and action to build more inclusive communities. We do this by providing a sustainable home for developing the work of diverse American playwrights and producing innovative theatrical experiences. MTC was founded in 1966 and is a 501(c)3 nonprofit organization.

SPECIAL THANKS

Berkeley Rep

Kelly Ground

Maria Hoppe and Sweetwater Music Hall

Kimberly Hughes & Steve Moazed

Marin Suites

Leslie Martinson

Ellie Mednick and The Lark Theater

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MARIN THEATRE COMPANY STAFF

Artistic Director Jasson Minadakis (he/him)

Managing Director/Chief Executive Officer Meredith Suttles (she/her)

Associate Artistic Director Nakissa Etemad (she/her)

NNPN Producer in Residence

Richard A. Mosqueda+ (he/she/they)

Interim General Manager Nichole Gantshar (she/her)

Director of Production Haley Miller (she/they)

Technical Director Jeff Klein (he/him/they)

Assistant Technical Director & Props Lead Liam Rudisill (he/him)

Costume Shop Manager & Wardrobe Lead .......................... Daria Perkova (she/they)

Lead Electrician ....................................................... Krys Swan (he/him)

Box Office Manager ............................................... Lindsey Abbott (she/her)

Assistant Box Office Manager ..................................... Perry Parsons (they/them)

Special Events Coordinator Zphyna Caldwell (she/her)

Grant Writer Nina O’Keefe (she/her)

Education Coordinators & Teaching Artists Daniel Duque-Estrada (he/him) Euan Ashley (he/him)

Marketing Partner RachelMedia.org

Communications Partner

Prismatic Communications

Development Partner Donorly

Front of House team Zphyna Caldwell (she/her), Adelle Cortis (she/her), Janet Friedman (she/her), Kahlil Gray (he/him), Casey Herrman (he/him), Skylahr Kruger (she/her), Laura Odeh (she/her), Perry Parsons (they/them), Sunny Orleans (he/him), Carol Price (she/her), Sue Urquhart (she/her), Jenise Walter (she/her)

+Supported by the National New Play Network Producers in Residence program.

MTC ADVISORY BOARD

Linden Berry

Joseph Bodovitz

Jerry Cahill

David Catania

Diana Gay-Catania

Bobbie Chapman

Doug Ferguson

Gerry Goldsholle

Brian Golson

Gale Gottlieb

Gail Harris

Tracy Haughton

Peter Jacobi

Kimberly Jessup

Dirk Langeveld

Lori Lerner

MTC BOX OFFICE

415.388.5208 | boxoffice@marintheatre.org

Melanie Maier

Peter Maier

Tina McArthur

Iris Metz

Kiki Pescatello

Andrew Poutiatine

Ivan Poutiatine

Chris Raker

Laura Scott

Dana Shapiro

Gary Shapiro

Christopher B. Smith

Kathleen Taylor

Jennifer Yang

Weeden

Phillip Woodward

Visit our website to join our email list, learn about our plays, and purchase tickets marintheatre.org

All images and/or content provided by Marin Theatre Company staff, contractors, and/or creative artists unless otherwise credited. Opinions expressed by contractors, contributors, and/or creative artists do not necessarily reflect the views of Marin Theatre Company. Photo credits are included as provided.

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MARIN THEATRE COMPANY DONORS

Marin Theatre Company acknowledges the generous support of the following individuals, foundations and corporations whose contributions make our extraordinary theatre productions and education programs possible. To join our family of contributors, receive sponsorship information or if you have questions about your gift, please contact the Development Department at development@marintheatre.org or 415.322.6035. The following gifts were received between July 1, 2021 – February 13, 2023.

PARTNER CIRCLE

$25,000+

John & Shelley Chesley

Gerald Cahill & Kathleen King

David Catania & Diana Gay-Catania

Peter & Melanie Maier, The John Brockway Hungtington Fund

Matthew Purdon & Liz Sklar

Robert J. and Paula B. Reynolds Fund

Christopher B. & Jeannie Meg Smith

Fred and Kathleen Taylor Charitable Fund

PRODUCER’S CIRCLE

$5,000–$24,999

Franklin Amster

Cheryl & Rick Brandon

Lynne Carmichael

Suzanne & Mark Darley

Thomas W. Edwards & Rebecca Parlette-Edwards

Barbara & Jim Kautz

Andrew F. and Ann B. Mathieson Fund

Bill and Janet McAllister Fund

Kenneth and Vera Meislin

Barbara Morrison

Kathryn E. Olson

Kiki Pescatello

Ivan Poutiatine

Rosenberger Family Fund

Betty & Jack Schafer

Susan and Joel Sklar

Michael Wall and Wendy Feng

PREMIERE SOCIETY CIRCLE

$1,000–$4,999

Anonymous

Helen & Thomas Anawalt

Lois Kelly Ashley

Mary Jane Baird

Joan Beavin

Susan & Bill Beech

Carl & Fumiko Bielefeldt

Lynn Brinton & Dan Cohn

Janet Brown

Nancy & Gary Carlston

Robert K and Barbara Straus Family Foundation, Inc.

Dr. Leslie Chatham & Sunny St. Pierre

Ron Clyman and Francoise Mauray

Gatian’s Fund

Kipp Delbyck

Stephen and Sharon Edelman

Erin Elliot

Theresa W. and Richard A. Ellis, MD

Judith + Philip Erdberg

Virginia & William Felch Jr

Jeff Freedman & Marie Boylan

Amy + Mort Friedkin

Jill + Steven Fugaro

Susan and Dennis Gilardi

David Goldman

Gerry Goldsholle and Myra Levenson

Kenneth & Joan Gosliner

Karen Gottlieb

Michelle and Normand Groleau

Peggy and Marc Hayman

Brian and Jocelyn Herndon

Sandra Hess

Bill & Vanessa Higgins

Susan and Russ Holdstein

Mark and Lori Horne

Chris and Kenneth Hurwitz

Coreen & Mark Jamison

Kelley Family Charitable Fund

William Kissinger

Dirk & Madeleine Langeveld

Kathleen and John Leones

Paulette Lueke

Scott MacLeod and Linda Kislingbury

Lynn and Jeff Magill

Marymor Family Fund

Christine and Steve Maxwell

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Margot Melcon and Jon Wolanske

Stephanie Moulton-Peters + Roger Peters

Victoria H. Newton & Cheryl Longinotti

Barton + Barbara O’Brien

Rebecca Parlette-Edwards and Tom Edwards

Priscilla Pittiglio

Suzanna G. Pollak

Michael Poutiatine

Robert and Donys Powell

Drs. Janice & James Prochaska

Gordon Radley

Hector Richards

Richard + Nancy Robbins

Gary Robinson + Danny Field

Barbara and Eric Roberts

Ken Ross and Jean Bee Chan

Tobi and Mark Rubin

Thomas and Jill Sampson

Laura Scher and Ian Altman and the Barn Road Foundation

Kurt Schindler

Eric Schwartz and Magda Wesslund

Kate Sears

Diana & Richard Shore

John Simpson

Vickie Soulier

Stephanie Splane

Nina Madrid Stricker

Tara J. Sullivan

Stephen Symonds

Beverly Tanner and Jerry Herman

Dr. Samuel Test

Will Thompson

Diane and Bob Wagner

Elizabeth Werter and Henry Trevor

Vic Woo & Phil Brewer

Penny Wright

Susan York Charitable Fund

FRIENDS OF MTC CIRCLE

CONTRIBUTOR | $500–$999

Anonymous

Paul F. and Geraldine Alpert

Robert Anderson & Lois Stevens

Marilyn Angelo

Robert Bailey

Janet Bamberger

Robert and Barbara Baum

Michele and David Benjamin

Stephen Bischoff

Adrian + Daniel Blumberg

Joan & Nick Boodrookas

Dr. Paula Campbell

Bromley Carson Fund

William Cain

The Leo J. and Celia Carlin Fund

Pat & Amanda Conran

Stephanie Douglass

John Eichhorst + Jennifer Blackman

Larry Fahn

Steve Gensler

Karen Haydock

Bill & Susan Hoehler

Howard and Elisabeth Jaffe

Niemasik Kaufman Family Fund

Katz Family Foundation

Susan Kolb

Harriet and Tom Kostic, Kostic Family Fund

Stephen and Gail Lazarus

Judy Leash & David Madfes

David Madfes and Judith Leash

Diane Martin

Purple Lady/Barbara Meislin Fund

Tina McArthur and Richard Rubenstein

Carol Mimura & Jeremy Thorner

Mary & Stephen Mizroch

John S. Osterweis Philanthropic Fund

Diane Parish

Marianne and Steven Porter

Russell & Joan Pratt

Drs. Janice and James Prochaska

Angelo and Kimberly Salarpi

Valerie Stoll Schwimmer

Marsha Silberstein

Judy and Greg Smith

Shelagh Smith

Martha and Jonathan Smolen

Valerie Sopher

Stolyavitch Fund

Beverly Thorman

Trabea Ltd

Daniel Stein and Diane Tucker

Wilder Family Charitable Trust

Julie + Tony Zanze

Suzanne L. Zimmerman Charitable Fund

FRIEND | $100–$499

Anonymous (18)

May Allam

Chris Andersson

Susan Angel

Joseph D. and Gail P. Anguilo

Ellen Arenson

Stacy Astor

Alison Aubrejuan

Mr. & Mrs. Fabio and Ann Aversa

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Janet Bamberger

Nancy Barash

The Bardwicks

Frank & Lee Battat

Robert and Barbara Baum

Steve Beecroft

David and Michele Benjamin

Andria F. Benner

Judith Berling

Teena Berman and Owen Hart

Gail V. Bernstein

Linden Berry

Daniel Bikle

Brad & Robyn Bilfelt

Catherine Bille

Annette Blanchard and John Hewitt

Nancy & Stacy Bloom

Little Fawn Boland

Joan & Nick Boodrookas

Robert Bowen

Felix Braendel

Jack and Ute Brandon

Lori and Bob Brandon

Josh Brier & Grace Alexander

Amy & Mark Brokering

Bromley Carson Fund

George and Cindy Brown

Holly + Bruce Williams

The Buehler Family

Patricia Burbank

Margaret Burke

Patrick Cahill

Gabriella Calicchio & Michael Janes

Robert P. Camm Charitable Fund

Chris Carter

Heidi H. Cary

Alan & Caren Cascio

Steven + Karin Chase

Len Christensen

Ann & Rick Clarke

Diane & William Clarke

Judith Cohen & Malcolm Gissen

Barbara Gay + Richard Cohn

Cheryl Coles

Bob Bowen + Linda Crouse

Christina Crow

Betsey & John Cutler

Ms. Paula Davis

Ralph and Debra Deadwyler

Nicky Scott and Melinda Derish

James T. Diamond Jr.

Ernest & Debra Dibenedetto

Molly & Brett Dick

Tom Diettrich

Louise Dockstader

Dr. Donald Dodelson

Tammy Edmonson

Kerry Weiner & Andy Elkind

Ms. Jane Elkins

Patricia Ernsberger

Joe Faimali & Dorita Decker

Sasha Faulkner

Pam Feagles

Doug & Jane Ferguson

Lisa Ferguson

Mardi Finegan

Eileen and Andrew Fisher

Kathleen E. Foote

Betsy Foy

Christie Fraser

Karen Fry

Gail Gallagher

David Gast

Rita & Kent Gershengorn

Gail and Mervin Giacomini

Helene + Lewis Gibbs

Margot Golding

Bruce and Linda Goldman

Edward Granger

Mark Green

Mark Greenside

Douglas and Carolyn Grey

Gini and Gordon Griffin

Linda Groah

Kris Malone Grossman & Ed Grossman

Patricia Oji Haas

Anita Hagopian

Robert Hall

Tracy & Brian Haughton

Karen Haydock

Gillian A. Hayward Donation Fund

Cathryn Hilliard

Ann Hines

Karen Hirsch & Jim Condit

Adrienne Hirt & Jeffrey Rodman

Mim Hodge

Heidi Hofer

Heidi Hofer

Mark & Roberta Hoffman

Matt and Robin Hoffman

Teri & Patricia Hollowell

Karen Houston

Kip + Sara Howard

Joanne Howard

Cheryl & Jeffrey Hylton

Dabney Ingram

Lori Ingram

Marilyn Jackson

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Elisabeth & Howard Jaffe

Elaine James

Mia James

Elizabeth Jameson

Bobbie A. Jeffery

Janet Johns

Sheila-Merrle Johnson

Duane Johnson

Will Johnson

Diana & Ted Jorgensen

Breton Kaiser-Shinn

Gee Kampmeyer

Muriel Kaplan

Susan Keener

Barbara Kerr

Kenneth King

Woof Kurtzman and Liz Hertz

Monica Lange

Nancy Lange

Sheri & Jerome Langer

Barbara Laraia

Kate Lauer

Harriet Lazer

Sharon Leach

Gretchen Leavitt

Judy and Robert Leet

David Lesnini

Warren and Barbara Levinson

Joan Levison

Patricia Liddle

Elliott Liff

Sarah Lind Charitable Fund

George Lindfelt

Jennifer S. Lindsay

Bunnie and Jerome Sachs Family Foundation

Nanette & Bill Londeree

David and Carolyn Long

Lisa Lund Fund

Diane Lynch

Dr. Laurence & Mrs. Samantha Lyons

Lynn MacDonald

Kathleen Maher

Mary Malaspina

Samara + Tania Malik

Myrna R Margolin

Jason Marks

Albert Martin & Diana Richmond

Ms. Margaret Mason

John & Cindy McCauley

Andy & Jane McClure

Teresa McGlashan

Joe McGuire

Consuelo McHugh

Margaret McHugh

Karen McLennan

Kay and Steve McNamara

Paul Melcon

Dr. Kurt Menning

Roberta + Spencer Michels

Sandra Mikesell

Mary-Ann Milford

Don + Barbara Miller

David W. Miller

Christian Mills + Carolina Dangord

Lee Minadakis

Everett and Julia Moore

Susan Morris

Barry & Jane Moss

Margaret Moster

Chris & Bonnie Mumford

Riyan Mustaq

Robert Newcomer

Devan and Elizabeth Nielsen

Jane Nydorf

Jan & Craig O’Brien

Constance J. O’Connor

K. O’Mohundro + N. Handelman

Judith L. O’Rourke

Betty Obata

Connie Oclassen

Vivian Olsen

Marta A. Osterloh

Nancy Otto

Barbara Paschke + David Volpendesta

David Pasta

Ms. Rebecca Pauling

Joyce Pavlovsky

Robert & Audrey Pedrin

Lynn Perry

Kiki Pescatello

Charles & Linda Philipps

Stephen Piatek

Mariana Poutiatine Cotten

Jack & Jessica Powell

Lynn Prime

Barbara Smith, Joveena Alleyne and Halifu Prince

The Laurence Pulgram and Kelli Murray Charitable Fund

Dr. and Mrs. Joel Renbaum

Susan Reynolds

Helen Rogers

Julianne Z. Rohmaller

Marit Roman

Mel & Ruth Ronick

Benjamin + Barbara Rooks

Mr. & Mrs. Hank Rose

Susan Rosin & Brian Bock

Francoise Rothstein

April H. Rox

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Mr. & Mrs. William Ryan

Diane & Ed Ryken

Maxine & Edward Sattizahn

Alan + Wendy Schaevitz

Ellen & Donald Schell

Ruth Schoenbach and Lynn Eden

Laura & Michael Scott

Michael and Jane Scurich

Holly Seerley, MFT

Carol and Randolph Selig Family Philanthropic Fund

Terry Seligman

Judy Shaper

Barbara Shapiro

David A Shapiro, MD & Sharon L Wheatley

Carole & Douglas Sheft

Julie & Jeff Sherman

Robin Silver, MD

Neil Sitzman

Dr. Dorothy Slattery

Lauren & Jason Snell

Steve Sockolov & Susan Snyder

Steven Sockolov & Susan Snyder

Joel and Carol Solomon Family Fund

Ms. Tracy Solomon

Deborah Spanier and Ronald Fishman

Melanie Sperling

Louis & Bonnie Spiesberger

Kate Stacy

Renee Marler and Timothy Standing

Joseph Stecher

Drs. Shayna & Elliott Stein

Dr. Elliot Steinberg

Richard and Jean Stenquist

Ken & Dana Stokes

Gretchen and Grover Stone

FOUNDATION SUPPORT

Daniel & Maureen Stuempfig

Donald & Edith Suttles

Svetcov Family Fund

Candace Swimmer and Phil Rosenthal

Lisa Rogers Taylor

Marian & Roger Taylor

Susan Terris

Cynthia Lynn Thomas

Kathryn Thyret

Beatrice Tocher

Mark Toney

Evelyn Topper

The Norman and Carol Traeger Foundation

Bruce Tremayne & Mary Diltz

Thomas Trent & Laurel Schaefer-Trent

Madeline Valentine

Mary Van Voorhees

Connie Vandament

Nancy Warfield

Meredith J. Watts

Kenneth & Ellen Weber

Mr. & Mrs. Thomas A. Weikert

Laura Werlin

Paul Werner

Valerie Westen

Janet & William Whitmer

Linda Wilford

Susan J Wittenberg

Carolyn and Fred Wood

Jacqueline Lopez-Wyman

Sandra Yoffie

Michelle Young

Ms. Dara Zandanel

Anna Zara

ºIn-Kind Donation

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CORPORATIONS | FOUNDATIONS | GOVERNMENT

MTC PARTNER | $50,000+

Support for our playwright in residence, Lauren Gunderson, ] is provided by a National Playwright Residency Program grant from The Andrew W. Mellon Foundation

The Andrew W. Mellon Foundation

Clay Foundation West • Marin Community Foundation

Melody Wireless Infrastructure • The Shubert Foundation

William and Flora Hewlett Foundation

SEASON PARTNER | $25,000+

The Bernard Osher Foundation

VIP PRODUCER | $15,000+

California Arts Council • Haughton Family Charitable Fund • John Brockway Huntington Fund

National Endowment for the Arts • The Sheri and Les Biller Family Foundation

Stacy Scott Fine Cateringº

EXECUTIVE PRODUCER | $10,000+

Ira and Leonore Gershwin Philanthropic Fund

Venturous Theater Fund, a fund of the Tides Foundation

PREMIERE PRODUCER | $5,000+

3 Badge Beveragesº • August Sebastiani • Acqua Hotelº

Brooks Note Wineryº • Garry + Joanne Brooks

Marin Cultural Association • Newton and Rochelle Becker Charitable Trust

The Tournesol Project • The Tow Foundation

ASSOCIATE PRODUCER | $3,000+

Carol Selig, Selig Floral Designº • County of Marin

Mill Valley Outdoor Art Club

PRODUCER | $1,000-2,999

Body Kineticsº • Compass

Marin Charitable Association

Mill Valley Market • National Philanthropic Trust

OSKA Mill Valley • The Rock Foundation Whistlestopº

ºIn-Kind Donation

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MTC TOMORROW

THE LEGACY GIVING SOCIETY OF MARIN THEATRE COMPANY

Linden + Carl Berry‡ • Jack Bissinger‡ • Dave + Bobbie Chapman • John + Shelley Chesley

Sheldon Doing + Steve DeHart • Fred Drexler‡ • Thomas W. Edwards + Rebecca Parlette Edwards

Joseph + Antonia Friedman • Brian + Tracy Haughton • Sandra Hess • Shirley Loube‡ • Melanie Maier

Gladys Perez-Mendez‡ • Ivan + Lochiel Poutiatine‡ • Leigh + Ivy Robinson‡ • Gage Schubert • Beverly Tanner

Fred + Kathleen Taylor • Nancy Thomson‡ • Phil Woodward + Connie Majoyy

‡Deceased

MEMORIAL GIFTS

IN MEMORY OF CARL G. BERRY

Linden Berry

IN MEMORY OF VIVIENN FOSMAN

Purple Lady/Barbara J. Meislin Fund

IN MEMORY OF GLORIA GUTH

David Pasta

IN MEMORY OF HENRY HIGGINS

Bill & Vanessa Higgins

IN MEMORY OF JIM HORAN

Ms. Margaret Mason

IN HONOR OF CHERYL BRANDON

Lori and Bob Brandon

IN HONOR OF JIM CONDIT

Karen Hirsch

IN HONOR OF MARY GRANGER

Edward Granger

IN HONOR OF JIM HORAN

Mardi Finegan

IN HONOR OF JIM HORAN

Matt and Robin Hoffman

IN HONOR OF JIM HORAN

Mary Malaspina

IN HONOR OF MELANIE MAIER

Judy Camp

IN HONOR OF JASSON MINADAKIS

David Catania & Diana Gay-Catania

IN HONOR OF JASSON MINADAKIS

Jack & Jessica Powell

IN MEMORY OF CARY JAMES

Elaine James

IN MEMORY OF PETER MAIER

Terry & Larry Hill

IN MEMORY OF HERMAN AND DOROTHY SMITH

Barbara Smith, Joveena Alleyne and Halifu Prince

IN MEMORY OF CATHY TEAGUE

Nanette Londeree

TRIBUTE GIFTS

IN HONOR OF OUR SON, DAVID EVERETT MOORE

Everett and Julia Moore

IN HONOR OF THE REYNOLDS FAMILY

Jean Ihle

IN HONOR OF CARRIE SCHOENBACH

Ruth Schoenbach and Lynn Eden

IN HONOR OF TARA SULLIVAN AND MOLLY HORAN, AND IN MEMORY OF JIM HORAN

Stephen Symonds

IN HONOR OF TARA SULLIVAN

Gail Gallagher

IN HONOR OF MEREDITH SUTTLES

Donald & Edith Suttles

31

MTC PRODUCTION UNDERWRITERS

Marin Theatre Company’s 56th Season and this production of JUSTICE: A New Musical is generously underwritten by the following:

PARTNER CIRCLE

MTC SUSTAINER

Terry Berkemeier + Lori Lerner

Gage Schubert

Christopher B. + Jeannie Meg Smith

MTC PARTNER

The Andrew W. Mellon Foundation

Marin Community Foundation

Melody Wireless Infrastructure

Buffington Miller, Clay Foundation-West

Bob + Paula Reynolds

The Shubert Foundation

William and Flora Hewlett Foundation

SEASON PARTNER

The Bernard Osher Foundation

David Catania + Diana Gay-Catania

John + Shelley Chesley

The Harold and Mimi Steinberg Charitable Foundation

Barbara + Jim Kautz

Kathy King + Gerald

Cahill Vera + Ken Meislin

Fred + Kathleen Taylor

Vickie Soulier

PRODUCER CIRCLE

VIP PRODUCER

Lynn Brinton + Dan Cohn

California Art Council

Suzanne + Mark Darley

Tracy + Brian Haughton

Haughton Family Charitable Fund

Kimball Foundation

Gene + Neil Barth

Gerry Goldsholle + Myra Levenson

Kimberly Hughes + Steve Moazed

Koret Foundation

The Marymor Family Fund

Peter + Melanie Maier, The John Brockway Hungtington Fund

Ivan Poutiatine

Matthew Purdon

The Sheri and Les Biller Family Foundation

Stacy Scott Fine Cateringº

The Harold and Mimi Steinberg Charitable Foundation

EXECUTIVE PRODUCER

Kiki Pescatello

Michael + Jean Strunsky, Ira and Leonore Gershwin Philanthropic Fund

Paul + Sandy Zuber

ºIn-Kind Donation

32
marintheatre.org Marin Theatre Company 397 Miller Ave. Mill Valley, CA 94941

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