The Times They Are a Changin’ America in the Age of Readjustment
If ever a nation came to embody the positivity of the latter half of the twentieth century it is the USA. Few countries grew and prospered the way America managed to do. The nation’s coming of age saw a remarkable flowering not just in innovation and manufacturing, but a seeming realisation of the American Dream, a way of life largely free of the strictures and values of the Old World. Having apparently managed to slay the demon that was economic depression the US emerged triumphant from the Second World War convinced that it was divinely ordained to take its place as champion and arbiter of the ‘Free World’. The confidence of 1950’s America manifested itself in the new consumerism that saw even the lowliest of citizens acquiring white goods and aspiring to car and television ownership. Chrome, steal and reinforced concrete became the very stuff of a bright shiny and thrusting nation, a land of freeways, drive-in cinemas, motels and skyscrapers. Scientific endeavour promised constant advancement from domestic appliances to outer-space. For an insight into this heady world one need only look at the figures that featured on the cover of Time Magazine, as well as the politicians and world statesmen, one finds captains of industry, inventors and scientists. These figures were often captured in a bold, sometimes surreal representational form by a Ukranian-born émigré called Boris Artzybasheff (1899 – 1965) The confidence of post-war America was portrayed in a manner that exuded dynamism, material advancement and self confidence. Artzybasheff’s artistry embodied a land eager to push boundaries with barely a glance back at the world that had gone before. His own penniless arrival in the New World from the turmoil and horrors of Revolutionary Russia was similar to the tale of countless thousands who had sought sanctuary and a better life across the Atlantic. His new home afforded him an opportunity to experience America’s twentieth century progress firsthand; he witnessed the country’s journey from the era of Prohibition and the Wall Street Crash, to that of the Great Depression, Roosevelt’s New Deal, and the approach of the Second World War. World War Two allowed America to seize the moral high grown, a position it has sought to occupy ever since. Those seeking to elucidate something of America’s self image during the heady years after 1945 would do well to explore the work of Artzybasheff, in many ways far more telling of the country’s mindset than the speeches and communications of the likes of John Foster Dulles or Dean Acheson. Whilst scholars debate the impact of Cold War politics and McCarthyism none I expect would turn to Artzybasheff’s illustrations and his seminal work As I See (1954) to gain an understanding of the nation’s psychoses. Scholars would do well to beat a path to Syracuse University to delve into the Artzbasheff archive and also pore over his advertisements and magazine covers that speak far more powerfully of America than Henry Kissinger’s masterly book Diplomacy. As in the case of all imperial powers, and the Pax Americana was an empire in all but name, it is essential that historians look beyond