tfolio
portfolio
portfolio
portfolio
portfolio
portfolio
portfolio
portfolio portfolio portfolio portfolio
portfolio
1
p
2
Space is what fascinates me the most in architecture. I am interested in what happens between the walls, how people behave in, and react to space. Architecture, like music, consists of elements, which combined in composition create tension, feelings, reaction. I am interested in stimulating spaces.
3
public buildings
urban projects
09/2011
Delft University of Technology
06-08/2011
internship Flores Prats, Barcelona
Politecnico di Milano Erazmus Programme
Poznań University of Technology dwelling
02/2011
B.Sc. degree
2009/2010
2007
Director’s house
Urban Greenhouse
Nerone’s Museum
Multi Functional Accomodation
Milano TuttiFrutti
BK Beats small architecture
4
internship Aquidos, Barcelona
M.Sc. degree
10/2014--07/2015
architectural assistant Atelier Starzak Strebicki Poznań
02-07/2014
06/2013
Living at the hub
Space for Culture
Barcelona Analysis
Home Estate Dwelling
Summer House
Stall
5
6
professional experience
7
Dom.Osiedle.Mieszkanie
Exhibition during Gdynia Design Days location: Gdynia, Pomorski Park Naukowo Tehnologiczny 54o29’37 N, 18o32’20 E team: Atelier Starzak Strebicki: Jola Starzak, Dawid Strębicki, Maciej Polakowski, Tomasz Dabert, Agnieszka Kotschy, Anna Śmierzchalska, Irina Grishina, Kamila Iżykowicz, Paulina Borucka and sociologists: Marta Skowrońska, Filip Schmidt year: 2015 The exhibition Home.Estate.Dwelling is a result of the analysis of the group of architects and sociologists. The research theme was dwelling architecture from three periods: neighbourhoods before the World War II, estates built with prefabricated concrete during the communism, and recently constructed housing developments. Three estates from Poznań and Gdynia were selected to this research. The research team was focused on the convergence point of private with public and semi-public spaces as: staircases, balconies, backyards, parking places. Sociologists interviewed dwellers asking them for their opinion about their surrounding space. The aim was looking for the answer to the questions: What defines the quality of the common space in the neighbourhood? How are the relations between the neighbours? What happens between the buildings?
8
9
authors: Maciej Polakowski, Tomasz Dabert, Anna Ĺšmierzchalska
10
model of the exhibition: Agnieszka Kotschy
Based on the interviews, the researchers prepared the mind maps
In addition to this, on the exhibition you could find: the diagrams
describing the experiences of the respondents. There are a lot of
presenting analysis of the estates, analysis of several documents about
tensions and dilemmas in between respondents e.g.: isolation or
the quality of urban planning, magazines and books about the quality
contact with others? Should the neighbourhood be a dormitory town
of architecture and housing estates including the newspaper-“Dom
or the place teeming with life? Should it be coherent or various?
Osiedle Mieszkanie” (Home.Estate.Dwelling), published during
The team of architects drew axonometric projections inspired by
the interwar period, which was a direct inspiration for the topic of
Atelier Bow-Wow’s drawings. The intention was objective analysis,
the exhibition, the movie “Our neighbourhoods” from the 70s and
because of it, the drawings are in monochrome, deprived from
photography and film documentary from current state of the analysed
aesthetic values, and the selected buildings are in similar scale.
neighbourhoods.
11
Summer house
location: Poznań 52o25’ N, 16o51’E team: Atelier Starzak Strebicki, Maciej Polakowski year: 2015
12
Strall Project of the stralls for strallholders in Old Market Square in Poznań location: Old Market Square in Poznań 54o24’30 N, 16o56’01 E team: Atelier Starzak Strebicki, Maciej Polakowski, Bartosz Stanik year: 2015
13
Barcelona Analysis Urban analysis for the chief architect of Barcelona City Council - Vicente Guallart. location: Barcelona
41o 23’ N, 02o10’ E team: Aquidos, Marta Milá, Núria Garcia, Carles Barcena year: 2014
The set of the analysis focused mainly on the urban infrastructure. The research considers all the city and a detailed analysis of the administrative districts: Ciutat Vella, Sants-Montjuic, Gracia, Horta-Guinardo, Sant Marti, l’Eixample, Sarria – Sant Gervasi, Sant Andreu, Les Corts, Nou Barris and their neighbourhoods. The research theme was the analysis of the dwellers’ access to green belts, communication, public health centres, schools, libraries, food markets,
sport centres, pitches, cultural centres and other
public facilities. Thanks to the analysis it is possible to see if the neighbourhoods are sufficiently equipped with public facilities and infrastructure. In a result of the SWOT analysis the opportunities of development are conceptualized. Based on these analysis urban strategy for Barcelona 2050 will be defined.
14
Ciutat Vella, urban analysis
Barcelona, urban analysis
15
libraries
16
food markets
public transport and universities
SWOT analysis
17
18
competitions
19
Space to culture
Young Architects Competitions location: Italy, Bologna, Quarto Inferiore 44o 31’45 N, 11o25’27 E collaboration: Barbara Wielebska, PL year: 2014 The task of the competition was to renovate a factory, situated at the suburbs of Bologna, into a space for culture and leisure. New type
existing situation
of cultural centre contains temporary accommodation, restaurant, auditorium, sport facilities, workshop rooms, exhibition hall and so-called “art hotel”. The typology of the factory has encouraged us to create a plaza. We took advantage of the composition of the modern solids in order to create an urban interior. Our intention was to combine modern solid forms with traditional urban floor, which will provide atmosphere of a vivid Italian piazza active virtually 24h per day. The transparent glass curtain walls and distinctive urban floor connect exterior with interior resulting in a continuous cultural space. Existing material: concrete and glass remained, whereas new elements are made with natural materials such as: timber, stone tiles, and ceramics with sgrafitto covering the upper storey of the building.
20
square
laboratories for artists
ticket office exhibition hall day care mediateka
open auditorium dance hall closed auditorium
administration
restaurant cafe
21
ROUTING/EVENTS
EXHIBITION HALL, SPORT FACILITIES, GAMEROOM, DAY CARE, OFFICES, WORKSHOPS
CLOSED AUDITORIUM AND CAFE - opened independently from the exhibition hall
ART HOTEL & HOSTEL - opened independently from the museum
working hours e.g.: 9 a.m. - 8 p.m.
working hours e.g.: 1 p.m. - 2 a.m.
working hours: 24h/day
PUBLIC/PRIVATE
PUBLIC
22
SEMI-PUBLIC
PRIVATE
23
24
student projects
25
Living at the hub
graduation project location: The Netherlands, Amstedam, Sloterdijk, Teleport O 52o 23’12 N, 4o50’12 E course: Dwelling & Architecture, - year II 2012/2013 semester I and II academic work, individual supervisor: Olv Klijn, info@fabrications.nl The site of the project -Teleport O, is situated in strategic position for
site model
the whole Amsterdam: at the transport hub – Sloterdijk station, and in one of the “green fingers” of Amsterdam, reaching the city centre. The qualities of this location are not efficiently used. The “green finger” is interrupted with the office area. Another serious problem of the district is vacancy. The location does not have good conditions for dwelling, because of noise, mono-functionality and isolation. For these reasons, the challenges posed to the design are: incorporation of housing in mono-functional district and definition of the program with activities for the new coming dwellers, which will make the area pleasant to live. In this way, the Teleport can be potentially transformed from the mono-functional district into a new self-sufficient city centre, strongly related to whole Amsterdam town, located in its “green finger”, next to the Sloterdijk station.
26
site model of the achieved space
27
+6.00m
N
entrance to platforms
culture centre hotel entrance to platforms
+5.00m
structural grid
two squares public and collective
targ
0.00m
supermarket/shop
skate park
+4.00m
kindergarten
subspaces leading to the squares
closed collective space in atriums
DN UP
facades aligned with the street with main entrances
+1.50m site plan
28
relation between the atriums and collective square
GRADIENT IN PUBLIC SPACE public public
collective open to public
private collective closed
private
public part - a buffer between the city and residential part residential part collective - open to public
entrances to residential segments from the street entrances to residential segments from collective square
Schemes explaining the composition of the site
The intention of the design was the integration of station with the residential part of the project. The aim was to break the border between the public and private, provide more gradient between these spaces, and make the area liveable in a busy transportation hub. In this way, the dwellers reach their houses passing from the public square in front of the station, through the smaller square, then the open collective, and the closed collective space in the atriums. The process of blurring the border between the public and private make people feel belonging to the outdoor space.
29
section a-a
The typology of atrium also helps in achieving the gradient between public and private. While a typology of block refers more to individualism, atrium has a bigger sense of community and sharing. The atrium balances the built and unbuilt, open and closed. It creates an extra additional space improving wider social life among the dwellers. It provides shelter from noise, wind pollution and contact with nature. Additionally the garden in the atrium is equipped with a living machine system which plays a role in the process of cleaning the grey and rain water. In a result, the water can be reused as a non-portable water.
30
B
A
A B
plan of the residential segment
31
32
visual connection with garden
public
private/ loggia visual connection with public
collective space, inner garden
public visual conncetion collective open to public
public
collective open to public
collective space inner garden
routing
private/loggia
scheme showing the gradient of spaces in the relation atrium- site 33
“Tetris� typology of apartment with studios on the ground floor. Living rooms has a visual connecction both with street and garden in the atriums.
34
louvers timber cladding insulation timber structure concrete panel
aluminium timber insulation timber structure concrete panel
light timber structure
tiles floor heating INFRA + floor conrete slab wood cladding
35
Multi Functional Accomodation
location: The Netherlands, Rotterdam, Hillesluis 51o 53’53 N, 4o30’50 E course: Interiors, Buildings and Cities - year I 2011/2012 semester I academic work, individual tutors: Gert Somers: gert.somers@ono-architectuur.be Pelle Poiesz: info@hparchitecten.nl
Multifunctional accommodation (MFA) is a cultural centre with
Model, arrows show the visual connection between the levels
public primary school for a multi ethnic neighbourhood in Rotterdam - Hillesluis. The ambition was to enrich the neighbourhood with a new place of meeting and interaction, a new public space. MFA contains a primary school combined with other programs: a local theatre, a community kitchen and cafe, cultural facilities and rooms for adult education. The form of the building is divided by 2 programmes. The relation between these 2 segments and the mosque nearby creates a new public space. The project was inspired by architect Herman Hertzberger’s works, who designs “The Schools as City”. His work has inspired me to treat the interior of the school as a street, and provide a lot of transparency connecting different levels.
36
Working models, site plan
additional teaching space
lib rar y
restaurant adult education
mu
theater
lti fu nc
classrom
al
classroom
ion
kuchnia
ha
ll
plan, level 0 adult education
offices
classroom
PRIMARY SCHOOL
CULTURE CENTRE
classrooms
8.00
library
extra classes
PRIMARY SCHOOL
16.00
active from 8-15h
kitchen
13.00
restaurant
adult education
CULTURE CENTRE active from 13-23h
theater
23.00 Model, arrows show the visual connection between the levels
37
0,16
a
8m
x 25
=
4,20
m
0,15
5m
x 27
=
4,20
m
59,90m²
0.00m +0.85m
a
11,20m²
10,0m²
59,20m²
+3.10m
18,90m² 15,00m²
0.00m
14,50²
2,50m²
56,30m² 21,30m²
11,20m²
0,168m
x 25
0m
= 4,2
7,20m² 16,10m²
11,60m²
56,80m² 93,00m²
plan, level 0
facades, primary school
38
section through theater
facades, cultural centre
39
entrance from the corridor
classroom
multifunctional hall MS
O
NG
individual working space
I NG
RO
EXTRA TEACHING SPACE
17,40m²
A
m
CH
16,00m²
16,50m²
PLAY ROOM 59,90m²
entrance form the schoolyard
0.00m -0.15m
CLASSROOM
0.00m
61,20m²
+0.85m INDIVIDUAL WORKING SPACE
CLASSROOM
INDIVIDUAL WORKING SPACE 10,0m²
59,20m²
initial model of the classroom
plan of the classrooms
40 CLASSROOM
section, classroom and multifunctional hall
The irregular typology of the classroom results from the desire of
An individual working space is a small and more intimate, for this
creation stimulating environment for students. In order to avoid
reason the level of this room is lifted in order to provide more
the right angles and provide more dynamic composition, initial
child’s scale inside. Stairs connect the classroom with individual
plan of classroom had a shape of a honeycomb. In the final plan,
teaching space and with schoolyard. Colours play important
the construction is based on the parallel walls, but the other
role in stimulation of the interior environment. Blue colour of
elements such as: individual working space, shelves, suspended
the floor improves the concentration, while yellow in ceiling
ceiling, give to the classroom sophisticated form.
energizes students, according to psychological researches.
41
D
plaster plywood insulation wood construction cladding bricks
C
C
B
B
glazed facade, aluminium profiles
A
A
D A B C
42
insulation ventilated roof decked roof
truss
suspended ceiling
glazed facade
wood costruction
Details of the elevation
The ramp leading to the auditorium , the details are refering to this facade
43
Szklarnia Miejska
location: Poland, Poznań, Małe Garbary 52o 24’38 N, 16o56’08 E course: Design of workplaces - year IV 2010/2011 semester I academic work, individual tutor: Piotr Zierke: piotr_zierke@tlen.pl The aim of the project is promotion of the idea of urban agriculture. Farming in the city has ecological qualities, because of limited distance for distribution of the products. Urban agriculture does not only product healthy food but also it promotes healthy life style and improves social relationships of citizens by organizing culinary workshops. Due to limited space in the city the greenhouse is equipped with vertical gardens. There is a different function on each floor: from the ground floor - reception, then a kitchen with a workplace on the first floor, a shop on the second, a little restaurant, and finally there is a demo version of the roof garden on the last floor. The arrangement of green walls results in a friendly microclimate of the interior. Thanks to it the greenhouse can be used in a universal way. It is not only a working space, but also a recreational. The vertical garden is surrounded by a ramp, adjusted to disabled. which works as a path for the visitors.
44
45
section a-a
section b-b
plan level 4
46
plan level 5
47
Nerone’s Museum
location: Italy, Rome, Piazza Popolo 41o 54’38 N 12o28’ 34 E course: Museography-year III, sem.II 2009/2010, academic, individual work tutor: Pier Federico Caliari:
1
2
6
7
11
12
premio.piranesi@gmail.com The museum of Nerone is situated on Piazza Popolo in Rome. The form of the four installations is defined by 4 periods of the Nerone’s biography: childhood, custody, emperor and decline. The works is inspired by Monika Sosnowska’s artworks The aim of the installation was to reflect each period of his life by designing different interiors of each pavilion and remaining their outlook similar. The location of the pavilions provokes visitors to circular movement. The model demonstrates the period of the decline beginning with large entrance which constitutes the start of the gradually shrinking path. The little exit reflects unclear end of his life.
48
3
4
5
8
9
10
13
14
15
49
50
51
Director’s house
location: Poland, Poznań, Antoninek district 52o 24’27.23” N , 17o01’19.27” E course: Housing Design - year II, semester II 2008/2009 academic, individual work tutor: Agnieszka Janowska: agnieszkajanowska2@gmail.com This house was designed for a theatrical director, who wants to take his rehearsal or spectacles from theater to his home. The specificity of the project is a result of half-public character
front facade
of the building. Interior arrangement and exterior form of the building are subordinated by the concept of the stage, directly inspired by the stage of the Theatre “ M o n t o w n i a ” in Warsaw, situated at the bottom of the swimming pool. The home scene is a hole in the ground floor with a depth of 45cm. Thanks to this decrease the ground level takes over the function of an auditorium. Those 45cm are sufficient length to make the place still available and adaptable easily. Scene can be watched from the upper floor, too. Visitors are led to the second level by the rays of light coming from the openwork cover, spreading out from the front elevation to the staircase in the back of the house. The arrangement of the rooms, such as vestibule, corridor, cloakroom and kitchen also lead the visitors towards the stage.
52
back facade
53
south facade
west facade
east facade
north facade
section a-a
54
section b-b
55
The interior space was divided into the rooms visually accessible, inviting the visitors and those disconnected, hidden. The motive of openwork cover with its play of light and shadow invites guests to the open areas. The garden has scenery appearance also, which constitutes the continuation of conception of the interior. It gradually unveils intimate and hidden corners before visitors’ eyes, leading finally to the paved square, easily adopted to the theatrical functions. To make the form of the building legible for theatre-goers its front stays open, without any heavy fence. Thanks to it, the line of the front line can be withdrawn and, consequently, the parking area can be created in the shape of stripes for car wheels’ wake, letting the front garden be grassed over.
56
work room toilet
kitchen
vestibule staircase stage
living room
plan - ground floor
B Bathroom
bathroom Bedroom
bedroom
laundryLaundry
room
Room
y
Mezzanine
mezzanine
A
Tarrace
terrace
B plan - first floor
57
58
not only architecture
59
MILANO TUTTI FRUTTI
location: Italy, Milan and internet course: Town Planning- year III 2009/2010 semester I academic work, collaboration with: Helena Kułak PL, Viola Guroli IT, Masha Zlobina, RUS tutor: Stefano Boeri, s.boeri@iol.it Milano Tutti Frutti can be framed as a non-visual social urban project. Our target was promoting: “0 km production”, use of exisiting fruit tree resources in the city, involving citizens in the realisation of urban agriculture project, educating people about sustainability. We created a google map of city fruit trees scattered in urban space, fanpage on facebook and organised promo actions popularising the idea of using the urban fruit resources. Leaflets, comics, spot movie, our homemade food were used as educating materials.
60
61
Pipebag
This is a project of a bag made from ventilating pipe. The form of the bag is a kind of joke, which is a result of using casual material for elegant purpose.
62
BK beats environment
location: The Netherlands, Delft , Faculty of Architecture course: BK Beats Environment collaboration with: Sko van Delft
BK beats is the biggest faculty festival in the Netherlands and is organized by a group of involved students from D.B.S.G. Stylos. For one night the historical building of the Faculty of Architecture changes into an amazing festival area and a fabulous experience is thereby guaranteed. The theme of BK beats 2012 is 4 miles of light, which is another name of Las Vegas, a sleepless city of entertainment. Our task was to design an installation in corridor connecting different stages. We formed the LED lights in shape of arrows to emphasize the movement in the passage. People reacted to the installation very enthusiastically. Thanks to it, the corridor not only was linking different stages, but also stimulated people to meet.
63
Photography
64
65
66
67
Dawings and Paintings
68
69
70
71
72
73
marta.smektala@gmail.com
74