MARWA AL BAHRANI M FA G RAPHIC DESIGN
SPECTRUM OF WORK
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SPECTRUM OF WORK MARWA AL BAHRANI MFA GRAPHIC DESIGN
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SPECTRUM OF WORK MARWA AL BAHRANI MFA GRAPHIC DESIGN
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MARWA AL BAHRANI M FA G RAPHIC DESIGN
SPECTRUM OF WORK
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SPECTRUM OF WORK MARWA AL BAHRANI MFA GRAPHIC DESIGN
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SATU R ATION
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CONTENTS
MARWA AL BAHRANI MFA GRAPHIC DESIGN
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PA G E 9
[01]
PAGE 6 Protecting Future Generations
[02]
PAGE 32 Rising From The Ashes
[03]
PAGE 46 In Unity There Is Strength
[04]
PAGE 72 The Darkest Brutality
[05]
PAGE 118 Mysterious Nature Of Doors
[06]
PAGE 144 Liquid Assets
[07]
PAGE 156 The Radiant Assemblage
[08]
PAGE 170 The Monochromatic Paper Craft
[09]
PAGE 182 Classification Us
[10]
PAGE 204 Dazzling Oman
[11]
PAGE 234 Forward Strategy
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SPECTRUM OF WORK MARWA AL BAHRANI MFA GRAPHIC DESIGN
PROTECTING FUTURE GENERATIONS ACTOMOVE
CHAPTER 01 03 05 07 09 11
02 04 06 08 10
PROTECTING FUTURE GENERATIONS
PA G E 11
SATU R ATION
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ACTOMOVE
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SPECTRUM OF WORK MARWA AL BAHRANI MFA GRAPHIC DESIGN
[TITLE]
[OBJECTIVE]
Actomove
Identify a problem that can be solved through graphic design process. Conduct a research, investigating a various audience and interrogate a variety of design solution using a comprehensive branding system.
[PROJECT] Topic For Investigation
[APPROACH] [COURSE] Visual Thinking [INSTRUCTOR] PROTECTING FUTURE GENERATIONS ACTOMOVE
Sandra Isla [YEAR] Spring 2017
The issue I approached was transportation, which is the largest source of global warming pollution in California. It harms and effect the environment and people’s health. The brand Actomove helps people use a healthier and fun way to transport. [TYPE FACE]
[TIMELINE]
NeoTech, Proxima Nova
15 Weeks
[KEYWORDS] Active Fun Freedom
01 03 05 07 09 11
02 04 06 08 10
[CATEGORY] Identity Print UX/UI [DELIVERABLE] Process Book
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CHAPTER
PA G E 13
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SPECTRUM OF WORK MARWA AL BAHRANI MFA GRAPHIC DESIGN
PROTECTING FUTURE GENERATIONS ACTOMOVE
CHAPTER 02 04 06 08 10
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01 03 05 07 09 11
PA G E 15
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SPECTRUM OF WORK MARWA AL BAHRANI MFA GRAPHIC DESIGN
PROTECTING FUTURE GENERATIONS ACTOMOVE
CHAPTER 02 04 06 08 10
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PA G E 17
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SPECTRUM OF WORK MARWA AL BAHRANI MFA GRAPHIC DESIGN
PROTECTING FUTURE GENERATIONS ACTOMOVE
CHAPTER 02 04 06 08 10
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PA G E 19
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SPECTRUM OF WORK MARWA AL BAHRANI MFA GRAPHIC DESIGN
PROTECTING FUTURE GENERATIONS ACTOMOVE
CHAPTER 02 04 06 08 10
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01 03 05 07 09 11
PA G E 21
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PA G E 22
SPECTRUM OF WORK MARWA AL BAHRANI MFA GRAPHIC DESIGN
PROTECTING FUTURE GENERATIONS ACTOMOVE
CHAPTER 02 04 06 08 10
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PA G E 23
PA G E 24
SPECTRUM OF WORK MARWA AL BAHRANI MFA GRAPHIC DESIGN
PROTECTING FUTURE GENERATIONS ACTOMOVE
CHAPTER 02 04 06 08 10
LEARN MORE ABOUT
HUMAN-POWERED TRANSPORTATION
KEEP ME DATE OCT 6, 2017 AVENUE GOLDEN GATE PARK
AVENUE GOLDEN GATE PARK
DATE OCT 6, 2017
TIME 9:00 AM - 10:00 PM
NO.163
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01 03 05 07 09 11
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SPECTRUM OF WORK MARWA AL BAHRANI MFA GRAPHIC DESIGN
PROTECTING FUTURE GENERATIONS ACTOMOVE
CHAPTER 02 04 06 08 10
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PA G E 27
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SPECTRUM OF WORK MARWA AL BAHRANI MFA GRAPHIC DESIGN
PROTECTING FUTURE GENERATIONS ACTOMOVE
CHAPTER 02 04 06 08 10
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PA G E 29
PA G E 30
SPECTRUM OF WORK MARWA AL BAHRANI MFA GRAPHIC DESIGN
PROTECTING FUTURE GENERATIONS ACTOMOVE
CHAPTER 02 04 06 08 10
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PA G E 31
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SPECTRUM OF WORK MARWA AL BAHRANI MFA GRAPHIC DESIGN
PROTECTING FUTURE GENERATIONS ACTOMOVE
CHAPTER 01
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SPECTRUM OF WORK MARWA AL BAHRANI MFA GRAPHIC DESIGN
PROTECTING FUTURE GENERATIONS ACTOMOVE
CHAPTER 02 04 06 08 10
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01 03 05 07 09 11
PA G E 35
IF YOU ACTOMOVE THE REST OF THE WAY, YOU WOULD BE AWESOME
PA G E 36
SPECTRUM OF WORK MARWA AL BAHRANI MFA GRAPHIC DESIGN
RISING FROM THE ASHES A BURNED SLATE
CHAPTER 01 03 05 07 09 11
02 04 06 08 10
RISING FROM THE ASHES
PA G E 37
SATU R ATION
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SPECTRUM OF WORK MARWA AL BAHRANI MFA GRAPHIC DESIGN
[TITLE]
[OBJECTIVE]
A Burned Slate
Choose a song and create a music poster, then gather and research emotions, metaphors, and visuals that would be associated with a song. Prepare version objects to construct an interesting image on an analog projector. The goal is to create a poster by generating an image manually and creatively.
[PROJECT] Music Interpretation Parameters [COURSE] Type Experiments [INSTRUCTOR]
RISING FROM THE ASHES
Stanley Zienka
A BURNED SLATE
[YEAR] Spring 2018
[APPROACH] The song that i chose was "my songs know what you did in the dark", by the band fall out boy. It’s about the rebirth of their band by changing their style of music and becoming something new, something we haven’t heard before. I used different sizes for the lyrics and title, which represent my feelings towards the song. Printed celluloid films of burned films which reflect the mood of the song. The final deliverable was 18*24 inch music poster.
[KEYWORDS] Red Burn Energy
01 03 05 07 09 11
02 04 06 08 10
[TIMELINE]
Roboto
3 Weeks
[CATEGORY] Art Direction Photography [DELIVERABLE] Music Poster
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CHAPTER
[TYPEFACE]
PA G E 39
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SPECTRUM OF WORK MARWA AL BAHRANI MFA GRAPHIC DESIGN
RISING FROM THE ASHES A BURNED SLATE
CHAPTER 02 04 06 08 10
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PA G E 41
PA G E 42
SPECTRUM OF WORK MARWA AL BAHRANI MFA GRAPHIC DESIGN
RISING FROM THE ASHES A BURNED SLATE
CHAPTER 02 04 06 08 10
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01 03 05 07 09 11
PA G E 43
PA G E 0 0 4 4
SSTPPHEE CSTTPRRE U UM EC C TMR U M OOFF WMOYRW KO R K M A R W A MAMALARRBWAAAH R A N I AALL BB A HHRRAANNI I MFA MG FR AA P H I C GD RE AS PI HG IN C DESIGN
RR II SS II NN GG FF RR OO MM TT HH EE AA SS HH EE SS AA BB UU RR NN EE DD SS LL AA TT EE
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SPECTRUM OF WORK MARWA AL BAHRANI MFA GRAPHIC DESIGN
RISING FROM THE ASHES A BURNED SLATE
CHAPTER 02 04 06 08 10
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PA G E 47
PA G E 48
RISING FROM THE ASHES A BURNED S L AT E
SPECTRUM OF WORK THE SPECTRUM OF MY MARWA WORK AL BAHRANI MARWA MFA AL BAHRANI GRAPHIC DESIGN
RISING FROM THE ASHES A BURNED SLATE
CHAPTER 01 03 05 07 09 11
02 04 06 08 10
C H A PTER 02 01 04 03 06 05 08 07 10 09
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PA G E 0 0 4 9
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PA G E 50
SPECTRUM OF WORK MARWA AL BAHRANI MFA GRAPHIC DESIGN
IN UNITY THERE IS STRENGTH MILTON BRADLEY
CHAPTER 01 03 05 07 09 11
02 04 06 08 10
IN UNITY THERE IS STRENGTH
PA G E 51
SATU R ATION
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MILTON B R A DLEY
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MARWA AL BAHRANI MFA GRAPHIC DESIGN
[TITLE]
[OBJECTIVE]
Milton Bradley
Choose a dead, dying or defunct brand and redesign the brand identity to fit a future vision. Research the brand history, analyze a possible future audience, and create a new brand direction. The main goal is to create a fresh visual identity which follows the soul of the brand.
[PROJECT] Re-Branding Identity [COURSE] The Nature Of Identity [INSTRUCTOR]
IN UNITY THERE IS STRENGTH MILTON BRADLEY
Hunter Wimmer [YEAR] Spring 2019 [KEYWORDS] Collaboration Motivation Discovery
CHAPTER 01 03 05 07 09 11
02 04 06 08 10
[CATEGORY]
[APPROACH] The brand that I chose was Milton Bradley. The Milton Bradley Company was an American boardgames manufacturer. They used to produce, sell and market a broad line of popular card, board games, puzzles, action games and educational activity toys for kids. The company went defunct and became part of the Hasbro brand in1984. However, I created a new goal for Milton Bradley: to inspire and encourage people to collaborate and build connections to make better choices in life. I chose to simplify the logo and make it reflect the idea of collaboration. The final deliverable was three 8*10 inch books. [TYPEFACE]
[TIMELINE]
Santral
15 Weeks
Logo Design Manual Design [DELIVERABLE] 3 Books & A Website
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SPECTRUM OF WORK
PA G E 53
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SPECTRUM OF WORK MARWA AL BAHRANI MFA GRAPHIC DESIGN
IN UNITY THERE IS STRENGTH MILTON BRADLEY
CHAPTER 02 04 06 08 10
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PA G E 55
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SPECTRUM OF WORK MARWA AL BAHRANI MFA GRAPHIC DESIGN
IN UNITY THERE IS STRENGTH MILTON BRADLEY
CHAPTER 02 04 06 08 10
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01 03 05 07 09 11
PA G E 57
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+ SPECTRUM OF WORK MARWA AL BAHRANI MFA GRAPHIC DESIGN
IN UNITY THERE IS STRENGTH MILTON BRADLEY
02 04 06 08 10
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=
CHAPTER
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SPECTRUM OF WORK MARWA AL BAHRANI MFA GRAPHIC DESIGN
IN UNITY THERE IS STRENGTH MILTON BRADLEY
CHAPTER 02 04 06 08 10
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PA G E 61
PA G E 62
SPECTRUM OF WORK MARWA AL BAHRANI MFA GRAPHIC DESIGN
IN UNITY THERE IS STRENGTH MILTON BRADLEY
CHAPTER 02 04 06 08 10
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PA G E 63
PA G E 64
SPECTRUM OF WORK MARWA AL BAHRANI MFA GRAPHIC DESIGN
IN UNITY THERE IS STRENGTH MILTON BRADLEY
CHAPTER 02 04 06 08 10
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SPECTRUM OF WORK MARWA AL BAHRANI MFA GRAPHIC DESIGN
IN UNITY THERE IS STRENGTH MILTON BRADLEY
CHAPTER 02 04 06 08 10
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SPECTRUM OF WORK MARWA AL BAHRANI MFA GRAPHIC DESIGN
IN UNITY THERE IS STRENGTH MILTON BRADLEY
CHAPTER 02 04 06 08 10
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SPECTRUM OF WORK MARWA AL BAHRANI MFA GRAPHIC DESIGN
IN UNITY THERE IS STRENGTH MILTON BRADLEY
PA G E 70
PA G E 71
PA G E 71
PA G E 72
SPECTRUM OF WORK MARWA AL BAHRANI MFA GRAPHIC DESIGN
IN UNITY THERE IS STRENGTH MILTON BRADLEY
CHAPTER 02 04 06 08 10
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PA G E 73
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SPECTRUM OF WORK MARWA AL BAHRANI MFA GRAPHIC DESIGN
IN UNITY THERE IS STRENGTH MILTON BRADLEY
CHAPTER 02 04 06 08 10
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PA G E 75
PA G E 76
SPECTRUM OF WORK MARWA AL BAHRANI MFA GRAPHIC DESIGN
THE DARKEST BRUTALITY ABYSS OF VIOLENCE
CHAPTER 01 03 05 07 09 11
02 04 06 08 10
THE DARKEST BRUTALITY
PA G E 77
SATU R ATION
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MARWA AL BAHRANI MFA GRAPHIC DESIGN
THE DARKEST BRUTALITY ABYSS OF VIOLENCE
[TITLE]
[OBJECTIVE]
Abyss of Violence
Chose a film director and his selected works to design a hypothetical film festival. Discover the common thread that appears in each of the directors films and conceptualize a visual system. The objective is to coordinate a complex set of materials that must function together as a whole.
[PROJECT] David Fincher Film Festival [COURSE]
[APPROACH]
Integrated Communications
The director that I chose was David Fincher. He was essentially the first mainstream feature director to emerge from the world of music videos. The project attempts to incorporate the artistic expression of David Fincher and five of his films (Seven, Fight Club, Zodiac, The Girl with the Dragon Tattoo, Gone Girl). His movies usually have a complex character faced with a harmful adversary whose violence compels them to seek truth and justice. It usually ends with the main character uncovering the mystery but at a high cost and without justice. I took portraits and then taped the pictures and pealed them to create a distressed texture to illustrate uncovering a mystery but it's still not revealed.
[INSTRUCTOR] Christopher Morlan [YEAR] Fall 2019 [KEYWORDS]
CHAPTER 01 03 05 07 09 11
02 04 06 08 10
Justice Hidden Reveal Mind-Game Cleverness [CATEGORY]
[TYPEFACE]
[TIMELINE]
Dresden Elektronik Averia Sans Carbon Type Archer
15 Weeks
Art Direction Visual System [DELIVERABLE] A Whole Film Festival System
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SPECTRUM OF WORK
PA G E 79
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PA G E 80
SPECTRUM OF WORK MARWA AL BAHRANI MFA GRAPHIC DESIGN
THE DARKEST BRUTALITY ABYSS OF VIOLENCE
CHAPTER 02 04 06 08 10
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01 03 05 07 09 11
PA G E 81
Abyss of violence– A David Fincher Film Festival
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PA G E 82
SPECTRUM OF WORK MARWA AL BAHRANI MFA GRAPHIC DESIGN
THE DARKEST BRUTALITY ABYSS OF VIOLENCE
CHAPTER 02 04 06 08 10
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PA G E 83
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PA G E 84
SPECTRUM OF WORK MARWA AL BAHRANI MFA GRAPHIC DESIGN
THE DARKEST BRUTALITY ABYSS OF VIOLENCE
CHAPTER 02 04 06 08 10
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PA G E 85
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PA G E 86
SPECTRUM OF WORK MARWA AL BAHRANI MFA GRAPHIC DESIGN
THE DARKEST BRUTALITY ABYSS OF VIOLENCE
CHAPTER 02 04 06 08 10
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PA G E 87
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PA G E 88
SPECTRUM OF WORK MARWA AL BAHRANI MFA GRAPHIC DESIGN
THE DARKEST BRUTALITY ABYSS OF VIOLENCE
CHAPTER 02 04 06 08 10
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PA G E 89
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PA G E 90
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PA G E 91
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PA G E 92
SPECTRUM OF WORK MARWA AL BAHRANI MFA GRAPHIC DESIGN
THE DARKEST BRUTALITY ABYSS OF VIOLENCE
CHAPTER 02 04 06 08 10
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01 03 05 07 09 11
PA G E 93
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PA G E 94
SPECTRUM OF WORK MARWA AL BAHRANI MFA GRAPHIC DESIGN
THE DARKEST BRUTALITY ABYSS OF VIOLENCE
CHAPTER 02 04 06 08 10
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PA G E 95
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PA G E 96
SPECTRUM OF WORK MARWA AL BAHRANI MFA GRAPHIC DESIGN
THE DARKEST BRUTALITY ABYSS OF VIOLENCE
CHAPTER 02 04 06 08 10
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PA G E 97
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PA G E 98
SPECTRUM OF WORK MARWA AL BAHRANI MFA GRAPHIC DESIGN
THE DARKEST BRUTALITY ABYSS OF VIOLENCE
CHAPTER 02 04 06 08 10
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PA G E 99
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PA G E 100
SPECTRUM OF WORK MARWA AL BAHRANI MFA GRAPHIC DESIGN
THE DARKEST BRUTALITY ABYSS OF VIOLENCE
CHAPTER 02 04 06 08 10
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PA G E 101
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PA G E 102
SPECTRUM OF WORK MARWA AL BAHRANI MFA GRAPHIC DESIGN
THE DARKEST BRUTALITY ABYSS OF VIOLENCE
CHAPTER 02 04 06 08 10
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PA G E 103
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PA G E 104
SPECTRUM OF WORK MARWA AL BAHRANI MFA GRAPHIC DESIGN
THE DARKEST BRUTALITY ABYSS OF VIOLENCE
CHAPTER 02 04 06 08 10
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PA G E 105
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SPECTRUM OF WORK MARWA AL BAHRANI MFA GRAPHIC DESIGN
THE DARKEST BRUTALITY ABYSS OF VIOLENCE
CHAPTER 02 04 06 08 10
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PA G E 107
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PA G E 108
SPECTRUM OF WORK MARWA AL BAHRANI MFA GRAPHIC DESIGN
THE DARKEST BRUTALITY ABYSS OF VIOLENCE
CHAPTER 02 04 06 08 10
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PA G E 109
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PA G E 110
SPECTRUM OF WORK MARWA AL BAHRANI MFA GRAPHIC DESIGN
THE DARKEST BRUTALITY ABYSS OF VIOLENCE
CHAPTER 02 04 06 08 10
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PA G E 111
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PA G E 112
SPECTRUM OF WORK MARWA AL BAHRANI MFA GRAPHIC DESIGN
THE DARKEST BRUTALITY ABYSS OF VIOLENCE
CHAPTER 02 04 06 08 10
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01 03 05 07 09 11
PA G E 113
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PA G E 114
SPECTRUM OF WORK MARWA AL BAHRANI MFA GRAPHIC DESIGN
THE DARKEST BRUTALITY ABYSS OF VIOLENCE
CHAPTER 02 04 06 08 10
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PA G E 115
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PA G E 116
SPECTRUM OF WORK MARWA AL BAHRANI MFA GRAPHIC DESIGN
THE DARKEST BRUTALITY ABYSS OF VIOLENCE
CHAPTER 02 04 06 08 10
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01 03 05 07 09 11
PA G E 117
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PA G E 118
SPECTRUM OF WORK MARWA AL BAHRANI MFA GRAPHIC DESIGN
THE DARKEST BRUTALITY ABYSS OF VIOLENCE
CHAPTER 02 04 06 08 10
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PA G E 119
PA G E 120
SPECTRUM OF WORK MARWA AL BAHRANI MFA GRAPHIC DESIGN
THE DARKEST BRUTALITY ABYSS OF VIOLENCE
CHAPTER 02 04 06 08 10
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PA G E 121
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PA G E 122
SPECTRUM OF WORK MARWA AL BAHRANI MFA GRAPHIC DESIGN
THE MYSTERIOUS NATURE OF DOORS BEHIND THE DOOR
CHAPTER 01 03 05 07 09 11
02 04 06 08 10
THE MYSTERIOUS NATURE OF DOORS
PA G E 123
SATU R ATION
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SPECTRUM OF WORK MARWA AL BAHRANI MFA GRAPHIC DESIGN
[TITLE]
[OBJECTIVE]
Behind the Door
Create a book through extensive research, writing, image gathering and design. Record a mini-journal about a daily routine from what we see, hear, touch and smell. The goal is to create a book that reflect a central theme and concept that’s developed on daily observation.
[PROJECT] Sonic & Visual Observations [COURSE]
[APPROACH]
Type Experiment
I went to various places for 1 weeks and I started recording and taking pictures of each door before entering the place. It stimulates curiosity and pokes at our adventurous side, beckoning for us to open it and find out what's behind it. This mini-journal is a combination of my observations of the door, place and the ambiance after I entered the place. To take it even further, when I entered, I focused on one thing that caught my eye and documented it. The final deliverable was 6*11 inch book.
[INSTRUCTOR] THE MYSTERIOUS NATURE OF DOORS
Stanley Zienka
BEHIND THE DOOR
Spring 2018
[YEAR]
[KEYWORDS] Plan Explore Doors
[TYPEFACE]
[TIMELINE]
JT-Leonor
5 Weeks
CHAPTER 02 04 06 08 10
[CATEGORY] Graphic Elements Photography Layout [DELIVERABLE] Book
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01 03 05 07 09 11
PA G E 125
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PA G E 126
SPECTRUM OF WORK MARWA AL BAHRANI MFA GRAPHIC DESIGN
THE MYSTERIOUS NATURE OF DOORS BEHIND THE DOOR
CHAPTER 02 04 06 08 10
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01 03 05 07 09 11
PA G E 127
PA G E 128
SPECTRUM OF WORK MARWA AL BAHRANI MFA GRAPHIC DESIGN
THE MYSTERIOUS NATURE OF DOORS BEHIND THE DOOR
CHAPTER 02 04 06 08 10
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01 03 05 07 09 11
PA G E 129
2018 April 8th — May 7th
BEHIND THE DOOR →
PA G E 130
SPECTRUM OF WORK MARWA AL BAHRANI MFA GRAPHIC DESIGN
THE MYSTERIOUS NATURE OF DOORS BEHIND THE DOOR
CHAPTER 02 04 06 08 10
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01 03 05 07 09 11
PA G E 131
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Bean Bag
PA G E 132
Clear Glass
PEOPLE
1
TIME
???
DURATION
It’s my room
MY BEDROOM ?
/
?
/
20??
Clear Glass
MY BEDROOM My room is quite cozy, so I rarely work in my room. I would probably end up sleeping or get distracted doing something else.
WALK-IN CLOSET
The room is small and the bed on the floor with a simple white duvet looked modern and clean. So if you can’t afford a bed frame, just place it on the floor. That’s what I did.
OM Clear Glass
The wall behind my study desk is the place where I stick pictures, collective artwork and my own drawings. I love to collect zine from different artists. It’s a habit of mine.
Make-up Desk
Because it’s the chic, grownup version of snoozing in a camping trip sleeping bag.
Shelves
SPECTRUM OF WORK MARWA AL BAHRANI SINGLE DOOR OPENING INWARDS
MFA GRAPHIC DESIGN
BEHIND THE DOOR
5
THE MYSTERIOUS NATURE OF DOORS BEHIND THE DOOR
26
APRIL
27 Pinkberry PG. 16-19
MAY
6
Film Festival
MAY
01 03 05 07 09 11
02 04 06 08 10
PG. 22-27
4
Matcha Cafe Makio PG. 21-23
MAY
7 Rooftop
APRIL
26
North India Resturant PG. 14-15
PG. 28-29
TILL I GRADUATE
?
My Bedroom PG. 30-31
BEHIND THE DOOR
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CHAPTER
DOUB OPEN
PA G E 133
What’s on my make up desk
1040
2100
On my make-up desk. My personal favorite eyeshadow palate is Pat McGrath Labs. It has this phenomenal pigmented eye shadow colors.
NO
Casu North
I wen there an ou pleas need
Rough sketch of the bedroom.
SINGLE DOOR OPENING INWARDS
4
/
26
/
2018
BEHIND THE DOOR
27
18
19
Pinkberrys lights is well designed. It looks like frozen yogurt swirls.
PEOPLE
6
TIME
2:00 PM
DURATION
15 MIN
This was the picture she used for her main poster. she is standing infront of the garage door.
DOUBLE DOOR OPENING INWARD BEHIND THE DOOR
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PA G E 134
SPECTRUM OF WORK MARWA AL BAHRANI MFA GRAPHIC DESIGN
THE MYSTERIOUS NATURE OF DOORS BEHIND THE DOOR
CHAPTER 02 04 06 08 10
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01 03 05 07 09 11
PA G E 135
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PA G E 136
SPECTRUM OF WORK MARWA AL BAHRANI MFA GRAPHIC DESIGN
THE MYSTERIOUS NATURE OF DOORS BEHIND THE DOOR
CHAPTER 02 04 06 08 10
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01 03 05 07 09 11
PA G E 137
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PA G E 138
SPECTRUM OF WORK MARWA AL BAHRANI MFA GRAPHIC DESIGN
THE MYSTERIOUS NATURE OF DOORS BEHIND THE DOOR
CHAPTER 02 04 06 08 10
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01 03 05 07 09 11
PA G E 139
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PA G E 140
SPECTRUM OF WORK MARWA AL BAHRANI MFA GRAPHIC DESIGN
THE MYSTERIOUS NATURE OF DOORS BEHIND THE DOOR
CHAPTER 02 04 06 08 10
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01 03 05 07 09 11
PA G E 141
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PA G E 142
SPECTRUM OF WORK MARWA AL BAHRANI MFA GRAPHIC DESIGN
THE MYSTERIOUS NATURE OF DOORS BEHIND THE DOOR
CHAPTER 02 04 06 08 10
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01 03 05 07 09 11
PA G E 143
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PA G E 144
SPECTRUM OF WORK MARWA AL BAHRANI MFA GRAPHIC DESIGN
THE MYSTERIOUS NATURE OF DOORS BEHIND THE DOOR
CHAPTER 02 04 06 08 10
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01 03 05 07 09 11
PA G E 145
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PA G E 146
SAN FRANCISCO Check all the places I visited.
SPECTRUM OF WORK MARWA AL BAHRANI MFA GRAPHIC DESIGN
THE MYSTERIOUS NATURE OF DOORS BEHIND THE DOOR
CHAPTER 01 03 05 07 09 11
02 04 06 08 10
LOCATIONS Bespoke 601 North India Resturant Pinkberry Matcha Cafe Makio Film Festival
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18 20 26 27 4 6
PA G E 147
20 27 18
4
26
7
6&?
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PA G E 148
SPECTRUM OF WORK MARWA AL BAHRANI MFA GRAPHIC DESIGN
LIQUID ASSETS TYPE & LETTERING
CHAPTER 01 03 05 07 09 11
02 04 06 08 10
LIQUID ASSETS
PA G E 149
SATU R ATION
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TYPE & LETTERING
60 70 80 90 100 →
PA G E 150
MARWA AL BAHRANI MFA GRAPHIC DESIGN
[TITLE]
[OBJECTIVE]
Type & Lettering
Motion Graphic
Create a motion graphics animation for international publication called Idn magazine. It’s a magazine for creative people on a journey to boost and unify the design community in the world. This animation should demonstrate an interactive concept of some piece of content, theme, or feature of IdN. It should be an animated promo that showcases a theme from that month’s issue, or prototype of some sort. It should work within the Idn look and feel.
[INSTRUCTOR]
[APPROACH]
Colin Subastyen
The issue I used was type and lettering issue, I was going with the idea of how I feel the fear but still do it anyway representing it with hand lettering. I got inspired by a director and designer of a film title sequence, Kyle Cooper. I tried to balance being visually dark and powerfully conveying the message it carried. The final deliverable was a Quicktime movie, 2048X1536 px portrait.
[PROJECT] Interactive Editorial [COURSE]
LIQUID ASSETS
[YEAR] TYPE & LETTERING
Spring 2019 [KEYWORDS]
CHAPTER 01 03 05 07 09 11
02 04 06 08 10
Dark Scary Noise
[TYPEFACE]
[TIMELINE]
Underwood Champion
2 Weeks
[CATEGORY] Animation [DELIVERABLE] Idn Animation Promo
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LIQUID ASSETS TYPE & LETTERING
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LIQUID ASSETS TYPE & LETTERING
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LIQUID ASSETS TYPE & LETTERING
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THE RADIANT ASSEMBLAGE NEOTECH
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THE RADIANT ASSEM BLAGE
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[TITLE]
[OBJECTIVE]
NeoTech
Create a type specimen promotion booklet that would release a new typeface of our choice, highlighting its history, structural characteristics, weight and usage. This promotional material must fascinate a sharpwitted design audience.
[PROJECT] Type Specimen Promotion [COURSE]
[APPROACH]
Type Composition
For my typeface I chose NeoTech, which was designed by Sebastian Lester for a client at the agency. I decided to design the NeoTech typeface using bright and vibrant colors that could be overlaid and, I created interesting colors and made the type bold and dramatic. This booklet presents the typeface as a bold and vibrant personality, one that is original and stands out in the crowd.
[INSTRUCTOR] THE RADIANT ASSEMBLAGE
David Hake
NEOTECH
[YEAR] Fall 2016 [KEYWORDS]
01 03 05 07 09 11
02 04 06 08 10
[TIMELINE]
NeoTech
3 Weeks
Neon Vibrant Overlay Bold [CATEGORY] Print Design Typography Design Typeface [DELIVERABLE] A Type Specimen Booklet
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THE RADIANT ASSEMBLAGE NEOTECH
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THE MONOCHROMATIC PAPER CRAFT BOOK COVER SERIES
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THE MONOCHROMATIC PAPER CRAFT
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[TITLE]
[OBJECTIVE]
Book Cover Series
Design three paperback covers with different subjects that have a cohesive look and form one single set. Also, find a connection between them and create an aesthetic that can make them into a series.
[PROJECT] Book Cover Series Redesign
[APPROACH] [COURSE] Type Composition [INSTRUCTOR] THE MONOCHROMATIC PAPER CRAFT BOOK COVER SERIES
David Hake
The books I chose were about hand crafting art. Each book– Package Design in Japan biennial, The flower workshop, and Afternoon Tea- has similar recurrent themes of designing and creating with one's hands. I hand crafted a box, flower and tea cup with paper and took pictures of them. Then I edited them in PhotoShop. I made the pictures monotone and picked one color for each: blue, red, and brown.
[YEAR] Fall 2016
[TYPEFACE]
[TIMELINE]
[KEYWORDS]
Serifa 56 Avenir (TT)
3 Weeks
Monotone Story–Telling
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[CATEGORY] Publication Design Cover Design Typography Design Photography [DELIVERABLE] 3 Book Covers
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CLASSIFICATION US ORIGINS
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CLASSIFICATION US
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[TITLE]
[OBJECTIVE]
Origins
Create a collector's addition experimental scientific, highart book. The concept should be developed around the subject of natural science. It will prioritize understanding the characteristics, qualities, and functionality of people, places and objects in a scientific matter. The grid layout, experimental typographic treatment, details and the design should educate and emotionally effect the target audience. This book should be a high art style book that would be sold in a book store.
[PROJECT] Experimental Scientific Book Design [COURSE] Type System [INSTRUCTOR] Ariel Grey
ORIGINS
[YEAR] Spring 2017 [KEYWORDS]
CHAPTER 01 03 05 07 09 11
02 04 06 08 10
Dark Mystery Secret [CATEGORY] Art Direction Typography Layout
[APPROACH] The concept I approached is human origins, understanding where humans came from. The beginning of humanity is a secret. It’s an ongoing study of how we became who we are right now. Day by day, we start to discover more about our origins and ancestors. For some of us it’s still a mystery. With every page you turn you discover more about our origins, when we discovered the elements, when we started to walk. The final deliverable was a 8.5*11 inch book.
[TYPEFACE]
[TIMELINE]
Akzidenz Grotesk Kettler JT-Leonor
15 Weeks
[DELIVERABLE] Book & Bookmark
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A girl wit kaleidosco eyes Cellophane flowers of yellow and Towering o your head Look for t girl with sun in her And she’s
Picture yo in a boat river With tange trees and marmalade Somebody c you, you a quite slow
LUCY
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MFA GRAPHIC DESIGN
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in th diamo in th diamo in th diamo
Lucy in th
Follow her to a bridg fountain Where rock horse peop marshmallo Everyone s as you dri past the f That grow incredibly Newspaper appear on shore Waiting to you away Climb in t back with head in th clouds And you’re
Lucy with Lucy with Lucy with
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DAZZLING OMAN
MFA GRAPHIC DESIGN
DAZZLING OMAN LADEN HAK THE LABEL ZAI
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[BRANDS]
[OBJECTIVE]
MARWA AL BAHRANI
Laden Hak The Label Zai
This project includes freelance work for "Hak The Label" Jewelry, "Zai" clothing and "Laden" scarves based in Oman. Hak The Label offers original and essential adornments of impeccable style and substance for the discerning woman. Hakima, the owner of Hak The Label requested authentic photography for her jewelry. Zai, a new brand in Oman for authentic clothing, requested a logo in 2019. The designs have to reflect the brands themselves and the future of fashion in Oman.
[PROJECT] Branding & Photography [STYLIST] Zahra Al Bahrani
DAZZLING OMAN LADEN HAK THE LABEL ZAI
[MODELS] Manar & Manal Al Bahrani [YEAR] 2017 2017 2019
CHAPTER 01 03 05 07 09 11
02 04 06 08 10
[APPROACH] Zai sells modern clothes with an authentic touch. Zai ' 'ﺯﻱmeans outfit in Egypt. I used dried Sharpie ink to give an exquisite effect when I wrote the cursive letters of Zai. I have added two dots on top of the letter 'i' which represent the letter ' 'يin Arabic. Laden ' 'ﻻﺩﻥis a contemporary modest scarf fashion brand for all women. It means fluidity and that’s what the scarves feels like. Therefore, I designed the logo using Arabic letters to create a string of scarves, and I also photographed two models wearing the scarves. For the photoshoot for Hak The Label, I used twin models who have different personalities. The photography emphasizes the unique attitude of the jewelry on the twins.
[KEYWORDS] Culture Authentic Fluidity
[TYPEFACE]
[TIMELINE]
[CATEGORY]
Gotham Hand Written
1 Week 1 Day 1 Week
Logo Design Photography Branding Fashion [DELIVERABLE] Logo Design Branding Photography
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PA G E 211
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DAZZLING OMAN LADEN HAK THE LABEL ZAI
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DAZZLING OMAN LADEN HAK THE LABEL ZAI
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DAZZLING OMAN LADEN HAK THE LABEL ZAI
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DAZZLING OMAN LADEN HAK THE LABEL ZAI
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DAZZLING OMAN LADEN HAK THE LABEL ZAI
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DAZZLING OMAN LADEN HAK THE LABEL ZAI
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FORWARD STRATEGY GEMETA
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FORWARD STRATEGY
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[TITLE]
[OBJECTIVE]
Gemeta
The master thesis project is a year-long exploration of a chosen topic that identifies a problem around us and creates a solution through the graphic design approach to solve the problem. The thesis process includes a variety of in-depth research, strategies, exploration, development and design deliverables.
[PROJECT] Thesis [COURSE] Thesis Concept Thesis Exploration Thesis Refinement
FORWARD STRATEGY GEMETA
[INSTRUCTOR] Phil Hamlet Wioleta Kaminska Christine George [YEAR] Fall 2018 Spring 2019 Fall 2019
CHAPTER 01 03 05 07 09 11
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[APPROACH] Gemeta is a hypothetical brand that focuses on facilitating time management for students. Organizing students' time could minimize procrastination, and bring stress relief, greater selfconfidence, and more free time, so that students can remain focused on school work. Firstly, I provided information and instructions of different types of methodologies to manage students’ time in their daily lives. Secondly, I created an environment that is conducive to studying and will increase students' performance. Finally, I created tools for students to stay organized in order to function during their day. Gemeta’s goal is to help students increase their productivity, and find a place for them to study and figure out what works for them in terms of studying techniques.
[KEYWORDS]
[TYPEFACE]
[TIMELINE]
Grid Geometric 3-Dimensional Space
Neusa Next Std ADA Hybrid
1 year
[CATEGORY] Strategy Print Design Identity UX/UI [DELIVERABLE] MFA Thesis Collections
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Early Bird
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Night Owl
CHAPTER 01 03 05 07 09 11
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Third Floor
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Second Floor
FORWARD STRATEGY GEMETA
CHAPTER
First Floor
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Focus on your goal →
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[INSTAGRAM] @Gemetaproject [PINTEREST] Gemetaproject [WEBSITE] Gemeta.org
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THANK YOU
MARWA AL BAHRANI MFA GRAPHIC DESIGN
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[TO MY FAMILY] For believeing in me and supporting me no matter what along the way. To mom ' & 'ﻣﺎﻣﺎdad ' ;'ﺑﺎﺑﺎI could have never done this without your love, support, and reminders to keep a balanced life. To my sisters and brother. Manal, Manar, Maha, Miaad, Maryam and Mohammed. Especialy Manal & Manar, you guys were supportive and entertaining. To my cousins Noor & Zahra thank you for being there for me and inspiring me. [TO MY FRIENDS] For being supportive whenever I need. Thank you Chiachi and Queenie for being patient and empathetic even when I am emtional and stressed. Meeting you guys was the best memory of San Francisco. You guys were the best roommates, friends, and classmates. For all those who have survived the Academy, Peter, Wei, Mengyi, Yijing, and Min Huei. Each of you has inspired me in many ways to be a better designer. Thank you all. [TO MY INSTUCTORS] Phil Hamlet, Stanley Zienka, Mary Scott, Hunter Wimmer, David Hake, Christopher Morlan, Wioleta Kaminska, Colin Subastyen, Sandra Isla, Ariel Grey, Christine George, Shel Perkins, Bob Slote, Cody Maemori, Scott Rankin, for inspiring me, guiding me, and encouraging me to become a better designer. Thank you for all the guidence, passion, and inspiration you have given me.
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[TITLE] Spectrum [DESIGNER] Marwa Al Baharni [COURSE]
©2019 Copyright Marwa Al Bahrani All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanica, including photocopying, recording, or by an information storage and retrieval system without express written permission from the author.
Senior Portfolio [INSTRUCTOR] Mary Scott [PHOTOGRAPHY] Marwa Al Bahrani Firas Al Raisi [TYPOGRAPH] Basier Square Basier Square Mono [PRINTER]
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Graphic Imagery 396 Forbes Blvd, South San Francisc, CA 94080 [BINDERY] The Key Printing & Binding 1934 Park Blvd, Oakland, CA 94606
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