An Architect's Portfolio

Page 1


“Joshua Penhaskashi served a very important and valuable role as lead project designer in my design-build company, Palo Santo Designs. His contributions in design, drafting, specification, and (most importantly) client relations were outstanding. Joshua’s careful and considerate approach to serving the both the needs of our clientele as well as his ability to shift tasks quickly within the high paced environment of our small, but very busy, firm were outstanding. I do not hesitate in the least to highly recommend Joshua for any position in the Architectural Design and Sales field. His dedication to excellence, his passion for quality and his self-motivated attitude are the perfect complement to his education and experience in the field.” Mark Giorgetti CEO, Palo Santo Designs “This letter is meant to recount my experience of working with Joshua on the planning, design and construction of my home in Santa Fe, NM. In short, I am extremely happy with my working relationship with Joshua. He was the best thing about my experience with the contractor of record, Palo Santo Designs, LLC. I always felt listened to and respected in the process. While I always felt that there was an awareness of my budget constraints I never felt that my design goals were being neglected. I can enthusiastically recommend Josh as a talented designer and a skilled communicator.” Stelio Kitrilakis Client “It’s rare to find a creative hire who is so multifaceted that they are able to effect many areas of operations. Joshua Penhaskashi was hired to re design our company headquarters. The scope of work quickly grew beyond interior modeling into consulting on brand development, strategy and direction. Joshua’s gift is his ability to birth creative concepts while merging it into practical planning and strategy and operational infrastructure.” Daniella Kashani Client


1 2 3 4 5

PREFAB HILLTOP CONTEMPORARY KOWLOON HOUSE EAST LONDON FASHION HUB MONZA LIBRARY






A

B

24'-0" C1: 8'-10 1/2" C5: 9'-0" Double stud + 1 3/4"

SW-106

4'-0"

C1: 8'-10 1/2" C5: 9'-0"

C1: 8'-10 1/2" C5: 9'-0" Double stud + 1 3/4"

4'-0"

4'-0"

SW-108

SW-107

C1: 8'-10 1/2" C5: 9'-0"

C1: 8'-10 1/2" C5: 9'-0"

4'-0"

4'-0"

W-110

W-109

2

3

3.1

C

8'-6"

5

D

6'-2"

W-114

SW-113

4'-2 3/8"

SW-115

7'-5 1/4" 3'-2"

6"

23'-6"

C1: See Elevation C5: See Elevation

C1: 9' 9 3/4" C5: 9' 11 1/4" Double stud + 1 3/4"

SW-117

W-116

4'-4 3/4"

4'-5 1/4" 4'-2"

3'-2"

15'-0"

6"

5'-8"

C1: 9' 9 3/4" C5: 9' 11 1/4"

SW-118

6'-8 3/4"

E

4'-2 1/2"

C1: 9' 9 3/4" C5: 9' 11 1/4" Double stud + 1 3/4"

F

7'-6"

G

5'-0"

SCOP THIS PRELIMINARY DRAWING INDI OF ARCHITECTURAL DESIGN CO ARCHITECTURAL ELEMENTS AND SYSTEMS. AS SCOPE DOCUMEN DESCRIBE ALL WORK REQUI REQUIREMENTS OF THE CONT SCOPE INDICATED OR DESCR REQUIRED FOR THE PROPER EXE THE DESIGNER AS THE TERMS DOCUMENTS SHALL BE FINAL A ALL DRAWINGS AND WRITTEN MA AND UNPUBLISHED WORK OF T USED OR DISCLOSED WIT

C1: See Elevation C5: See Elevation

SW-119

4'-0"

C1: 3' 6" C5: = C1

W-164 NB C1: 3' 6" C5: = C1

C1: see elevation C5: see elevation

C1: 3' 6" C5: = C1

W- 168/169 NB

W-165 NB

5'-7 1/2"

3'-0"

6'-2"

6"

2'-0" W-152

W-153

C1: See Elevation C5: See Elevation

2'-11"

C1: See Elevation C5: See Elevation

C1: 9' 9 3/4" C5: 9' 11 1/4"

4'-2 5/8" 3'-2"

9 3/8"

C1: 20'-1 1/2" C5: 20'-3" Double stud + 1 3/4"

W-122

1/4"

3'-5 1/4"

C1: 20'-1 1/2" C5: 20'-3" Double stud + 1 3/4"

W-123

2

4'-0" 2.1

8 1/2"

13'-4"

6'-9 1/2"

C1: 9' 9 3/4" C5: 9' 11 1/4" Double stud + 1 3/4"

SW-128

5'-0" 3

3'-10" C1: 9' 9 3/4" C5: 9' 11 1/4"

C1: 9' 9 3/4" C5: 9' 11 1/4"

C1: see elevation C5: see elevation

W-175

W-174

W-173

4'-0"

5'-5 1/2"

C1: 9' 9 3/4" C5: 9' 11 1/4"

6"

15'-6"

8'-3"

C1: 8'-10 1/2" C5: 9'-0" Double stud + 1 3/4"

6"

C1: 9' 9 3/4" C5: 9' 11 1/4" Double stud + 1 3/4"

SW-184

SW-185

9'-1/8"

2'-0"

6"

1'-9"

8'-6"

4'-0"

W-180 NB

C1: See Elevation C5: See Elevation

W-179 NB C1: 9' 8 1/4" C5: 9' 8 1/4"

27'-0"

W-149

6

W-148

W-150

17'-11 1/2"

1'-6 1/4"

12'-3" 6.1

1'-6" 7

8'-8" 8'-8"

4'-1"

W-146 UPPER

SW-147 C1: 9' 9 3/4" C5: 9' 11 1/4" Double stud + 1 3/4"

A

B

B.1

W-130 NB

3.1

5

6"

4'-6"

6"

4'-0" W-135 NB

6"

5'-0"

6

SEE ELEVAT

SW-136 C1: 9' 9 3/4" C5: 9' 11 1/4" Double stud + 1 3/4"

mnm

La 5525 E.

6.1

7

2'-2 1/2" 7 1/2" W-146 LOWER

C1: See Elevation C5: See Elevation

C

mnmMOD

6"

C1: 9' 9 3/4" C1: 9' 9 3/4" C5: 9' 11 1/4" C5: 9' 11 1/4"

W-140 SW-141 SW-142

C1: 9' 9 3/4" C1: 9' 9 3/4" C5: 9' 11 1/4" C5: 9' 11 1/4" Double stud + 1 3/4"Double stud + 1 3/4"

3'-5 1/4" 3'-2" 3'-7 1/4" 10"

C1: See Elevation C5: See Elevation

17'-6" 1'-1 1/4"

4'-7 1/2" C1: 9' 8 1/4" C5: 9' 8 1/4"

C1: 9' 9 3/4" C5: 9' 11 1/4" Double stud + 1 3/4"

SW-183

1'-7 3/4"

SW-155 C1: See Elevation C5: See Elevation

1

W-120

4'-0"

6"

6"

4'-0" W-163 NB

3'-2" 5'-6 3/8" W-154

2'-11" SW-157 C1: 8'-10 1/2" C5: 9'-0" Double stud + 1 3/4"

D.1

10'-1 1/2"

W-111 C1: 9' 9 3/4" C5: 9' 11 1/4" Double stud + 1 3/4"

C1: See Elevation C5: See Elevation

C1: 9' 9 3/4" C5: 9' 11 1/4" Double stud + 1 3/4"

6"

72'-6" B.1

7'-0" C1: 8'-10 1/2" C5: 9'-0"

4'-0"

1

2'-0" 2.1

4'-0"

SW-105

1'-4"

C1: 8'-10 1/2" C5: 9'-0" Double stud + 1 3/4"

4'-0"

SW-104

C1: 8'-10 1/2" C5: 9'-0"

10'-2"

SW-103

C1: 8'-10 1/2" C5: 9'-0" Double stud + 1 3/4"

4'-0"

W-102

4'-0" 3'-6"

5'-6"

C1: 8'-10 1/2" C5: 9'-0"

20'-0" 6"

2'-0"

W-101

C1: 8'-10 1/2" C5: 9'-0"

2'-0"

C1: 8'-10 1/2" C5: 9'-0"

W-112 SW-162

4'-11 3/8"

1/4" SW-161

C1: 9' 9 3/4" C5: 9' 11 1/4"

4'-0" 4'-0"

SW-160

C1: 9' 9 3/4" C5: 9' 11 1/4" Double stud + 1 3/4"

3 1/4" 3'-0"

W-159

9" W-158

1'-0"

1 3/4"

W-151

1'-9"

C1: 9' 9 3/4" C5: 9' 11 1/4"

W-181

C1: see elevation C5: see elevation

C1: 9' 8 1/4" C5: 9' 8 1/4"

C1: 9' 9 3/4" C5: 9' 11 1/4" Double stud + 1 3/4" C1: 9' 9 3/4" C5: 9' 11 1/4" Double stud + 1 3/4"

7 1/2" 4'-7"

SW-139

3 1/4" 3'-1/2" 3 1/4"

6"

3'-0"

3'-0" 6"

C1: 9' 8 1/4" C5: 9' 8 1/4"

W-182 NB

C1: 9' 9 3/4" C5: 9' 11 1/4" Double stud + 1 3/4"

1/4" 3'-3 3/4"

SW-133

3'-0"

C1: See Elevation C5: See Elevation

6" 6'-0"

3'-8" 4'-0"

SW-132

2'-6"

W-134 NB

2'-0"

C1: 8'-10 1/2" C5: 9'-0"

SW-166

4'-0"

4'-0"

C1: 9' 9 3/4" C5: 9' 11 1/4" Double stud + 1 3/4"

SW-171

C1: 9' 9 3/4" C5: 9' 11 1/4"

5'-1/4"

SW-170

C1: 9' 9 3/4" C5: 9' 11 1/4" Double stud + 1 3/4"

5'-1/4"

SW-177

C1: 9' 9 3/4" C5: 9' 11 1/4" Double 12'-0"stud + 1 3/4"

1/8" 4'-0"

SW-176

C1: 9' 9 3/4" C5: 9' 11 1/4" Double stud + 1 3/4"

SW-126 & 127

C1: 20'-1 1/2" C5: 20'-3" Double stud + 1 3/4"

4'-3 3/4"

10 3/8" 5'-8"

W-131

10 3/8"

3'-11 1/4"

C1: See Elevation C5: See Elevation

SW-138

C1: 9' 9 3/4" C5: 9' 11 1/4" Double stud + 1 3/4"

5'-0"

SW-167

C1: 9' 9 3/4" C5: 9' 11 1/4" Double stud + 1 3/4"

2'-7"

SW-172

C1: 9' 9 3/4" C5: 9' 11 1/4" Double stud + 1 3/4"

6" SW-178 W-121

1'-5 1/4" 9 1/2"

C1: 9' 9 3/4" C1: 9' 9 3/4" C5: 9' 11 1/4" C5: 9' 11 1/4"

W-124

C1: 20'-1 1/2" C5: 20'-3" Double stud + 1 3/4"

2'-10 1/2" 3'-0"

W-125 Lower Wall Upper Wall

6"

C1: 9' 9 3/4" C5: 9' 11 1/4"

W-129

4'-0"

C1: 9' 9 3/4" C5: 9' 11 1/4" Double stud + 1 3/4"

SW-137

C1: 9' 9 3/4" C5: 9' 11 1/4" Double stud + 1 3/4"

8'-2"

W-145

3'-7 1/2"

7 1/2"

SW-143

W-144 UPPER W-144 LOWER

C1: 9' 9 3/4" C5: 9' 11 1/4" Double stud + 1 3/4"

C1: See Elevation C5: See Elevation

C1: 9' 9 3/4" C5: 9' 11 1/4"

D

D.1

E

2324 MICHIGAN AVENUE SANTA MONICA CA 90404 310 264 8200 TEL 310 998 8894 FAX info@mnmmod.com

F

G

SHEET TITLE

0.

mnmMOD Walls

3/8" =

1'-0"

Walls 1st

GSPublisherVersion 0.8.100.21

Cibo audire invidunt in eam, ei discere volumus eos. Doming mnesarchum argumentum ne nec. Racundia dissentiet at pro. Pri senserit vituperata ut, purto nominati delicata in nam, ius eu sententiae eloquentiam. Ex sed summo tantas mollis.

PREFAB SUBURB



BACKHOUSE RETREAT .Nec cu senserit scribentur, nec ut oportere sapientem intellegebat, vis saepe adolescens cu. Ne vidisse legendos persequeris vel. Iracundia dissentiet at pro. Pri senserit vituperata ut, purto nominati delicata in nam, ius eu sententiae eloquentiam. Ex sed summo tantas mollis. At his agam nonumy vidisse, an quo tibique eleifend.


10" 5 1/2"

10"

10"

W-220 Upper w/ Header W-125 Upper

6'-4" 10"

10" Header 1000 S 162-54

9'-3 1/2"

Hanger

-

Elevation

SW-224

2'-9 1/4"

SW-221

SW-220 Lower Wall

W-220 Lower Panel

C1:C1: 9'-2 3/4" 9'-2 3/4" C1: 9'-2 3/4" C5:C5: 9'-9'4 1/4" 4 1/4" C5: 9'- 4 1/4"

3/8" =

C1: 9'-2 3/4" C5: 9'- 4 1/4"

1'-0" -1

Elevation

1/8"

3/8" =

1'-0" -

Elevation 3/8" =

20'-1 1/2"

W-224 Lower

16'-6"

SW-225 C1: 9'-2 3/4" C5: 9'- 4 1/4"

20'-1 1/2"

SW-226 C1: 9'-2 3/4" C5: 9'- 4 1/4"

1 3/4" Flange

20'-1 1/2"

W-228 C1: 9'-2 3/4" C5: 9'- 4 1/4"

2'-9 1/4"

3'-10 1/4"

2'-2"

2'-2"

9'-3 1/2"

9'-3 1/2"

W-224 Upper w/ Header

2'-7 5/8"

3'-0"

3'-1 3/4"

W-220 Upper w/ Header W-220 Upper w/ Header

W-227 Upper w/ Header

1'-3 1/2"

1'-5 3/4" 8 1/4"

2'-2"

10"

4'-0"

8 1/4"

3'-0"

2'-5 1/4"

6'-4" 1'-6 1/4"

2'-6"

1'-0"

4"

4'-5 1/4"

4'-0"

6'-10"

2'-8 3/8"

3'-4 5/8"

4"

1'-8"

5 3/4" 10"

10"

10" 5 3/4"

1'-3 3/4"

5 3/4"

1'-1"

W-234 Upper w/ Header 2'-2"

1/4" 4'-0"

5'-9"

5'-9" 1 3/4"

2'-9"

5'-11"

W-123 C1: 20' - 1/12" C5: 20'-3" STUD SIZE: 600 S 162-54 Total Wall Thickness: 8 1/2"

W-237

SW-236

SW-235

Whole Panel w/ opening and header

C1: 9'-2 3/4" C5: 9'- 4 1/4"

C1: 9'-2 3/4" C5: 9'- 4 1/4"

W-234 Lower Panel

SW-233

W-232

Elevation 1'-5"

3/8" =

4'-0"

3'-4"

6'-2"

1'-0" 4'-0"

6'-2"

W-202 Upper w/ Header

6'-2"

6'-2"

6'-2"

4'-3"

W-212 Lower Wall

C1: 9'-2 3/4" C5: 9'- 4 1/4"

-2

SW-211

SW-210

SW-205

C1: 9'-2 3/4" C5: 9'- 4 1/4"

C1: 9'-2 3/4" C5: 9'- 4 1/4"

C1: 9'-2 3/4" C5: 9'- 4 1/4"

Elevation

3/8" =

1'-0"

W-204 Lower Wall

Elevation 1/4"

4'-0"

4'-3/4"

10"

5 3/4"

4'-0"

3'-2"

4'-0"

SW-203 C1: 9'-2 3/4" C5: 9'- 4 1/4"

-2

1/4" 1'-7 1/4"

4'-3"

9'-2 3/4"

3'-8"

9'-2 3/4"

3'-8"

W-204 Upper w/ Header

3'-8"

W-212 Upper w/ Header

4'-3" 1 3/4"

W-213

3'-4"

10"

10"

1'-3 3/4"

5 3/4"

6'-2"

5 3/4"

-1 1'-5"

S-16

W-231

Whole Panel w/ C1: 9'-2 3/4" C1: 9'-2 3/4" C5: 9'- 4 1/4" opening and header C5: 9'- 4 1/4"

2'-8 3/4"

3'-4"

W-202 Lower Wall

SW-201 C1: 9'-2 3/4" C5: 9'- 4 1/4"

3/8" =

1'-0"

4'-1"

3'-5 1/4"

SW 126 &127

W-122

C1: 20' - 1/12" C5: 20'-3"

C1: 20' - 1/12" C5: 20'-3"

STUD SIZE: 600 S 162-54 Total Wall Thickness: 8 1/2"

STUD SIZE: 600 S 162-54 Total Wall Thickness: 8 1/2"

Building Section

3/8" =

1'-0"

S-13

3'-0"

1 3/4"

9'-2 3/4"

9'-2 3/4"

5'-2"

9'-2 3/4"

8'-1"

9'-2 3/4"

2'-4"

2'-2"

2'-2"

2'-2"

2'-10 1/2"

W-125 Lower

W-124

C1: 2' - 4" C5: 2'-3 1/2"

C1: 20' - 1/12" C5: 20'-3"

STUD SIZE: 600 S 162-54 STUD SIZE: 600 S 162-54 Total Wall Thickness: 8 1/2" Total Wall Thickness: 8 1/2"

Building Section

3/8" =

1'-0"


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131-W

"4-'6 "0-'3

321-WS 721-WS

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"2/1 4-'3 821-W

"0-'4 031-WS

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"2/1 9-'2

9 3/4"

911-W 531-W

B 521-WS

10' Tall 8" Stud W-137 8"

"4/3 6

631-W

"4/1 6-'9 :1C "4/3 7-'9 :5C

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KOWLOON HOUSE LOCATION lONDON, ENGLAND TOTAL AREA 5,500 SQ. MT. 59,000 SQ. FT.

DAVID ADJAYE ASSOCIATES

The East London Fashion Hub was designed to be the London’s first inner city designer outlet mall. Adjacent to the Hoxton tube stop in East London, the idea was to revamp a quarter that had once been in major disrepair. A change in zoning laws for height restrictions in the area allowed the possible for more density. The design concept was to keep many of the existing buildings and bring a contemprorary look by introducing darker rich colors and new materials to the building facades. The project included a total of 12 new outlet stores for its phase.




                       




LOCATION SANTA FE NEW MEXICO TOTAL AREA 2,950 SQ. FT. PALO SANTO DESIGNS

The vision of this client was to build a house to capture the breathtaking views of the surrounding New Mexican landscape. We used the key moutain ranges to chose the positioning of the house. With stark interior spaces and 20 foot wide openings we met the client’s desire to experience and enjoy the magnificent vista and play of light throughout the day as living works of art. The Great Room was morphed into a trapezoid that oriented itself to the East and West mountain views. Before breaking ground, i staked the entire house and all openings on site to ensure the most accurate delivery of the desired views and experience. 1.

mnmMOD Walls

3/8" =

1'-0"

Walls 1st Level

7.1 mnmMOD

SHEET TITLE

SCALE:

D

A

3/8" =

1'-0"

CHK'D BY:

E

DRAWN BY:

#Pln

PROJECT NO: MARK

1.5

Double stud + 1 3/4" C5: 8' 7" C1: 8' 5 1/2"

C5: 8' 7" C1: 8' 5 1/2"

Double stud + 1 3/4" C5: 8' 7" C1: 8' 5 1/2"

SW-101

SW-102

SW-103

4'

1'-3"

4'

Double stud + 1 3/4" C5: 8' 7" C1: 8' 5 1/2"

Double stud + 1 3/4" C5: 8' 7" C1: 8' 5 1/2"

SW-104

SW-105

3'-1/2"

3'-4"

1.5 C5: 8' 7" C1: 8' 5 1/2"

C5: 8' 7" C1: 8' 5 1/2"

W-106 8'

DATE

DESCRIPTION

info@mnmmod.com 310 998 8894 FAX 310 264 8200 TEL CA 90404 SANTA MONICA 2324 MICHIGAN AVENUE

W-107

2'-8 7/8"

3'-7 1/4"

2'-7 5/8"

mnmMOD

801-WS

'4 "8/5 8-'3

"2/1 5 '8 :1C "7 '8 :5C

901-WS 011-WS

"2/1 5 '8 :1C "7 '8 :5C

"8/5 8-'1 '4

"2/1 5 '8 :1C "7 '8 :5C "4/3 1 + duts elbuoD

111-WS 211-W

"2/1-'3 '4

311-WS

"2/1 5 '8 :1C "7 '8 :5C

'4

CB 411-WS

"2/1 5 '8 :1C "7 '8 :5C "4/3 1 + CB dna duts elbuoD

4' C1: 8' 4 1/2"

711-W

"4/1 6-'3

C1: 8' 4 1/2"

W-142

"2/1-'1

4' C5: 8' 4 1/2" C1: 8' 4 1/2"

W-141

2'-9 7/8" C5: 8' 4 1/2" C1: 8' 4 1/2"

W-140

"2/1 5 '8 :1C "7 '8 :5C

W-143

2'-2 5/8"

"2/1 11-'2

BC + 1 3/4" C5: 8' 7" C1: 8' 5 1/2"

"4/3-'1

3'-2 1/4"

4'

SW-118 BC

511-WS

4'

SW-119 C5: 8' 7" C1: 8' 5 1/2"

"2/1 5 '8 :1C "7 '8 :5C

4'

SW-120 C5: 8' 7" C1: 8' 5 1/2"

'4

C5: 8' 7" C1: 8' 5 1/2"

"8/3 9-'3

931-W

W-138 "2/1 4 '8 :1C

9 3/4"

SW-121

611-WS

44" clear height 2nd stud Bridge over

2'-10 1/8" C1: 8' 4 1/2"

2 3'-7 1/4"

"8/7 7-'1

"2/1 4 '8 :1C "2/1 4 '8 :1C

"2/1-'3

631-W 731-W

'4

231-WS

"4/1 8

"8/3 8-'3

641-W

"8/1-'3

"8/7 01

"2/1 7 '8 :1C

'4

541-W

"2/1 7 '8 :1C

441-W

"8/1 9-'1

"11-'2

"2/1 7 '8 :1C

321-WS

'4

"2/1-'3 "2/1 5 '8 :1C "7 '8 :5C "4/3 1 + duts elbuoD

221-WS

"2/1 5 '8 :1C

4'

"4/1 8-'2

2'-7 5/8"

'4

W-151 C1: 8' 4 1/2"

2'-3/8"

CB 331-W

W-134

W-152 C1: 8' 4 1/2"

"2/1 7 '8 :CB dna 1C

C1: 8' 4 1/2"

W-135

W-154 C1: 8' 4 1/2"

"2/1 5 '8 :1C "7 '8 :5C

"4/3 1-'3

741-W

"4/1 6-'3

"2/1 4 '8 :1C

'2

351-W

"2/1 4 '8 :1C

421-W

"2/1 5 '8 :1C "7 '8 :5C

"2/1 9-'3

C1: 8' 4 1/2"

4'

W-155 C1: 8' 4 1/2"

4/6/16 mnmMOD Drawings Master LandShop Use Application

"2/1 5 '8 :1C "7 '8 :5C

"4/1 5-'1

'4 "4/3 6-'2

"2/1-'3

W-150

2'-2 5/8"

"2/1 5 '8 :1C "7 '8 :5C "4/3 1 + duts elbuoD

821-W

"4/3 8-'2

"2/1 7 '8 :1C "2/1 5 '8 :1C "4/3 1 + CB

'4

921-W

"2/1 7 '8 :1C

CB 031-WS 131-WS

'4

"2/1 7 '8 :1C

841-W

"2/1 5 '8 :1C

941-W

"4/1 4-'4

721-WS

"2/1 7 '8 :1C

"2/1 5 '8 :1C "7 '8 :5C "4/3 1 + duts elbuoD

'4 '4

521-WS

"2/1 5 '8 :1C "7 '8 :5C "4/3 1 + duts elbuoD

3'-6 1/4" C1: 8' 7 1/2"

4'

Los Angeles, Ca 90025 1539 S. Carmelina Ave

Carmelina

"8/5 1-'1

621-WS

1

"2/1 5 '8 :1C "7 '8 :5C

1

"2/1 5 '8 :1C "7 '8 :5C "4/3 1 + duts elbuoD

7.6

HILLTOP CONTEMPORARY

3

2

3 Strong Wall by others

Strong Wall by others

USED OR DISCLOSED WITHOUT THE WRITTEN CONSENT OF THE DESIGNER.




A TOP OF PARAPET ELEVATION 6909’-0”

A

B TOP OF PARAPET ELEVATION 6904’-2” C A FINISH TOP FLOOR OF PARAPET ELEVATION 6894’-0” ELEVATION 6909’-0”

B

A

D B NATIVE GRADE TOP OF PARAPET ELEVATION 6889’-0” ELEVATION 6904’-2” B A A C B

D

2. ALL EXTERIOR WALL SHEATHING 12" NOMINAL THICKNESS AND FLUSH TO OUTSIDE OF CONCRETE. (FRAMING SET-IN 12" NOMINAL FROM EDGE OF CONCRETE) **EXCEPT FOR ICF RETAINING WALL

C D D A

B TOP OF PARAPET ELEVATION 6904’-2”

% LOT COVERAGE

2092 SF 2950 SF 2950 SF 0 SF 729,630 SF 0.40%

A

4. SEE A2.1 FOR WINDOW DOOR SCHEDULE, ALL R-O'S ARE NOMINAL CONFIRM ACTUAL WINDOW/DOOR SIZING W/ ORDER CUT SHEET PRIOR TO ROUGH FRAMING. HEADER HEIGHTS ARE NOMINAL FROM FINISH FLOOR ALLOW FOR SHIMMING 12" MIN.

B A A C B B

D

5. ALL EXTERIOR WALLS ARE 2X6 FRAME 24" O.C - STACK VERTICAL AND HORIZONTAL MEMBERS AS POSSIBLE (EXCEPT WHERE OTHERWISE NOTED @ GREAT ROOM 2X8 @ 24" O.C.)

C

D C C

D D A TOP OF PARAPET ELEVATION 6909’-0” B TOP OF PARAPET ELEVATION 6906’-2”

A

B

C A FINISH TOP FLOOR OF PARAPET ELEVATION 6894’-0” ELEVATION 6909’-0”

A

B TOP OF PARAPET ELEVATION 6906’-2” A TOP OFFLOOR PARAPET C FINISH ELEVATION 6909’-0” 6894’-0” A TOP OF PARAPET B TOP OF PARAPET 6909’-0” ELEVATION ELEVATION 6906’-2” B TOP OF PARAPET C FINISHELEVATION FLOOR 6906’-2” ELEVATION 6894’-0” C FINISH FLOOR ELEVATION 6894’-0”

B A A B C

B

1 GARAGE 2 BLAH BLAH 3 LALALAND

C

1 GARAGE 2 BLAH BLAH 3 LALALAND

C

ROOM FINISH SCHEDULE

C

A TOP OF PARAPET ELEVATION 6909’-0”

1 GARAGE 2 BLAH BLAH 1 GARAGE 3 LALALAND 2 BLAH BLAH 3 LALALAND

A

B TOP OF PARAPET ELEVATION 6904’-2” C A NATIVE GRADE TOP OF PARAPET ELEVATION 6897’-0” ELEVATION 6909’-0”

B

A

D B NATIVE GRADE TOP OF PARAPET ELEVATION 6895’-0” ELEVATION 6904’-2” E FINISH FLOOR A OF GRADE PARAPET C TOP NATIVE ELEVATION 6894’-0” ELEVATION 6909’-0” 6897’-0” A TOP OF PARAPET B OF PARAPET 6909’-0” D TOP NATIVE GRADE ELEVATION ELEVATION 6904’-2” 6895’-0” B TOP OF PARAPET C NATIVE GRADE E FINISH FLOOR ELEVATION 6904’-2” ELEVATION 6897’-0” 6894’-0” C NATIVE GRADE D NATIVE GRADE ELEVATION 6897’-0” ELEVATION 6895’-0” D NATIVE GRADE E FINISHELEVATION FLOOR 6895’-0” ELEVATION 6894’-0” E FINISH FLOOR ELEVATION 6894’-0”

KITRILAKIS RESIDENCE

3. SEE A5 FOR DETAILS OF TYPICAL WALL SECTION B

D B NATIVE GRADE TOP OF PARAPET ELEVATION 6889’-0” ELEVATION 6904’-2” A OFFLOOR PARAPET C TOP FINISH ELEVATION 6909’-0” 6894’-0” A TOP OF PARAPET B OF PARAPET 6909’-0” D TOP NATIVE GRADE ELEVATION ELEVATION 6904’-2” 6889’-0” B TOP OF PARAPET C FINISHELEVATION FLOOR 6904’-2” ELEVATION 6894’-0” C FINISH FLOOR D NATIVE GRADE ELEVATION 6894’-0” ELEVATION 6889’-0” D NATIVE GRADE ELEVATION 6889’-0”

TOTAL EXISTING ROOFED AREA TOTAL LOT AREA

ROOM

FLOOR

BASE

WALLS

CEILINGS

ENTRY

COLORED CONC.

NONE

PAINTED

PAINTED

GREAT ROOM

COLORED CONC.

NONE

PAINTED

PAINTED

FIREPLACE

COLORED CONC.

NONE

VENEER PLASTER

PAINTED

CONC. HEARTH

KITCHEN

COLORED CONC.

NONE

CONC. CT W/OUT SPLASH

B A C

A

D E B C

B

C D E

HALL LAUNDRY

D E

C D E

Committed to Building a Sustainable World

C A FINISH TOP FLOOR OF PARAPET ELEVATION 6894’-0” ELEVATION 6909’-0”

TOTAL NEW HEATED AREA TOTAL NEW ROOFED AREA TOTAL NEW AREA

1. ALL DIMENSION LINES TO FACE OF SHEATHING, FACE OF DRYWALL OR CENTER OF OPENING UNLESS OTHERWISE NOTED

C

C

A TOP OF PARAPET ELEVATION 6909’-0”

PROJECT DATA

GENERAL FRAMING NOTES:

B D

PALO SANTO DESIGNS LLC

A OFFLOOR PARAPET C TOP FINISH ELEVATION 6909’-0” 6894’-0” A TOP OF PARAPET B OF PARAPET 6909’-0” D TOP NATIVE GRADE ELEVATION ELEVATION 6904’-2” 6889’-0” B TOP OF PARAPET C FINISHELEVATION FLOOR 6904’-2” ELEVATION 6894’-0” C FINISH FLOOR D NATIVE GRADE ELEVATION 6894’-0” ELEVATION 6889’-0” D NATIVE GRADE ELEVATION 6889’-0”

MASTER BATH MASTER BED OFFICE OTHER CLOSETS MECH GUEST BEDROOM GUEST BATH

COLORED CONC. COLORED CONC. COLORED CONC. COLORED CONC. COLORED CONC. COLORED CONC. CONC. COLORED CONC. COLORED CONC.

PAINTED

PAINTED

NONE

PAINTED

PAINTED

NONE

PAINTED

PAINTED

NONE

PAINTED

PAINTED

NONE

PAINTED

PAINTED

NONE

PAINTED.

PAINTED

NONE

PAINTED

PAINTED

NONE

PAINTED

PAINTED

NONE

PAINTED

PAINTED

NONE

PAINTED

PAINTED

COMMENT

DATE: 9.28.2015 12.2.2015 REV

PERMIT SET FLOOR PLAN TRUE NORTH

8.5

MAGNETIC

A2


EAST LONDON FASHION HUB LOCATION lONDON, ENGLAND TOTAL AREA 5,500 SQ. MT. 59,000 SQ. FT.

DAVID ADJAYE ASSOCIATES

The East London Fashion Hub was designed to be the London’s first inner city designer outlet mall. Adjacent to the Hoxton tube stop in East London, the idea was to revamp a quarter that had once been in major disrepair. A change in zoning laws for height restrictions in the area allowed the possible for more density. The design concept was to keep many of the existing buildings and bring a contemprorary look by introducing darker rich colors and new materials to the building facades. The project included a total of 12 new outlet stores for its phase. I was involoved in both conceptual planning as well as project renderings.



   

  

   

  

Please note: Drawings and Images are Architect impressions and that the final scheme will vary

 

  

 

   

 

 

  

 

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        

 

         

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   

   

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Adjaye Associates Edison House | 223-231 Old Marylebone Road | London NW1 5QT | Tel: +44 (0)20 7258 6140 | Fax: +44 (0)20 7258 6148

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Aerial View along Ram Place

CHATHAM WORKS CHURCH REFURBISHMENT

With surrounding wall

Concept Presentation June 2012

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  

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    

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   

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  

TENANT E.G. REISS

BURBERRY AQUASCUTUM

PRINGLE

TENANT E.G. LINKS

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RENDERING OF PROPOSED RETAIL FASHION STORES

SUPER   

  

CHATHAM WORKS LONDON WIP Team Meeting 27 June 2012

6140 | Fax: +44 (0)20 7258 6148 London NW1 5QT | Tel: +44 (0)20 7258   

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 

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  


MONZA LIBRARY LOCATION MILAN, ITALY

TOTAL NEW AREA 2,500 SQ. MT DAVID ADJAYE ASSOCIATES

The Monza Library competition project brief included the client’s desire for a building that acted as a community gathering amenity as well as a social heart to the city. The site had two existing monastery buildings that were to be used as part of the new proposal. Our design proposal enclosed the courtyard which acted as the new entrance to the building. A copper mesh was proposed for the facade material of the glass enclosed courtyard signifying a new presence in context of town centre with a rich history.



AERIAL RENDERING OF ADDITION AND RENOVATION.

The Monza Library competition required us to rethink movement through a town with hundreds of years in Italy. We used diagrams of mapping movement through the plaza as well as tracking the most occupied hours of the day. By rethinking this area, we were able to re-purpose these barely used monastic buildings into a thriving community oasis in the heart of the city.


DIAGRAM MAPPING PEDESTRIAN TRAFFIC AT KEY HOURS OF THE DAY ON SITE

DEMOLITION

INSIDE/OUTSIDE

RESTORATION

ADDITIONAL ELEMENTS

COVERED COURTYARD

KEY PROJECT ELEMENTS

SECTIONAL RENDERING


J O S H U A P E N H A S KA S H I tel 310.464.7019 email joshuapenhas@gmail.com Designer with a wide range of project experience seeks a joyful collaborative firm with a common goal of creating architecture that inspires the soul and works in harmony with the land. EXPERIENCE

LUII LOS ANGELES, CA

In-house Design-Build Project Manager 09/2015 - Present Designed and managed the remodeling of the LUII fashion headquarter. Re-branded the company’s logo, label, catalogue and website. Increased customer experience and sales through new contemporary look.

PALO SANTO DESIGNS SANTA FE, NM

Head Architectural Designer 01/2013 - 09/2015 Sole project designer for this green design-build firm; I had the unique experience of managing projects from initial client meeting to permit submittals. Coordinated with client, structural engineers and sub-contractors. Highly increased client satisfaction by engaging them in the design process of creating their dream homes tailored to fit each of their unique needs. Projects were successfully designed while working on strict budgets. Additiontally I managed the design office and helped rebrand the firm.

DAVID ADJAYE ASSOCIATES

LONDON, UK Architectural Intern 01/2012 - 06/2012 Collaborated with an international team of designers on a wide range of projects including a luxurious residence, a public library, a museum, and a retail fashion center. Worked on two comepetions, each for a month long preriod. Created physical models, digital renderings and architectural drawings. In this fast pased enviornment I used team building strategies to sucessfully reach project goals.


BALDRIDGE ARCHITECTES AUSTIN, TX Design Build Intern 01/2010 - 02/2010

On site construction work on unique residential projects. Finishing exposed steel, hardwood wall installation, and steel bonding.

LEHRER ARCHITECTES LOS ANGELES, CA

Design Intern 02/2006 - 03/2007 In this intial architectural internship before graduate school worked on preliminary schematic desings, model building, material research, graphic design, archive management and site surveys. EDUCATION

UNIVERSITY OF TEXAS Master of Architecture 2012

AUSTIN, TX

Study Abroad Programs École Nationale Superiure d’Architecture, Paris Architecture Studio, Fall 2010 Guangzhou University Community and Regional Planning Summer Studio Summer 2010 Campus Involvment Graduate Design Assitant, Univsersity of Texas Austin, Fall 2011 Graduate Teacher’s Assitant Creative Problem Solving,University of Texas, Austin Fall 2009

UCLA LOS ANGELES, CA Bachelor of Art History 2006

QUALIFICATIONS AutoCAD, Revit, Vray, GIS, Adobe Photoshop, Illustrator, Indesign, Sketchup, Adobe Acrobat, Excell, Powerpoint. Project Managment Permits and Codes Bids and RFPs

Business Development Contract Negotiations Budgeting and Resource Estimates

Relationship Management Customer Service Graphic Design Layouts


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