Portafolio 2015

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PORTFOLIO

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Selected works 2016

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All work is property of Mateo Gรณmez Unda, unless otherwise specified. www.cargocollective.com/mateogu

All work is property of Mateo Gรณmez Unda, unless otherwise specified. www.cargocollective.com/mateogu

PREFACE

This portfolio is a collection of projects that showcase my academic and professional growth over the past seven years. I obtained a double degree in Design and in Architecture from Los Andes University (Best in the country and top 5 in South America) and have worked in several independant projects outside the academic field as well. As part of my studies, I have developed problemsolving techniques, I have learned to relate theory to real life application and how to work in a group environment.

As a graduate, I am eager to bring what I have learned into the corporate world. I wish to continue to learn though the development of new and innovative projects.

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All work is property of Mateo Gómez Unda, unless otherwise specified. www.cargocollective.com/mateogu

HELLO THERE!

My name is Mateo Gómez Unda – a truly passionate architect and designer from Colombia. I adore too taking photographs and video making. I’m searching for a creative environment where I can meet new enthusiastic people, improve my skills and have fun.

Some of my awards: 1srt place // 2013 Antarctica IST competition.

2012 Best graduation-project exhibition.

2014 In the list of the best Ecaes, National Exam.

Some of my experience “Luna” Tree House // Bamboo Bio-Construction.

Internship at Badarte// Andes University, Faculty of arts.

“Prisma” Building// Architect in a 4-story Ofice Building.

“2 en Casa” Country house // Wood Bio-Construction.

For my complete experience and education please consult my C.V. attached or click on the link: C.V_Mateo

If you received this booklet digitally, please consider the ongoing districution and use digitally and not via print. Use the QR-Code to download and view a low-res (10mb) version.

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INDEX

MORE ABOUT ME INTERESTS DESIGN SKILLS

CONTACT ME

STRAIGHT TO MY WORKS Luna ‹› Tree house // Bio-Constrution 2016 arq • mutuum // Graduation Project, Architecture 2015-2 Luciérnaga // Fisrt Place, Antarctica Contest BoBa ‹› Boicot Bacata // Graduation Project, Design 2012-1 Prisma ‹› Building // 4-story Ofice Building Butterflies over winds of change // leather experimentation Del Mar la Espuma // Rock band graphic design

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*this Photo was taken on Feb/2014

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MORE ABOUT ME

[02.06.1989] Nationality: Colombia Currently living in: Greece

“Architect, designer, pseudo-photographer and videographer, multi-position football player, basketball fan, frustrated sketcher, best-sellers reader, lover of frogs, birds and trees, barefoot walker, lover of many activities, always looking for more things to love.”

mateogu@gmail.com Whatsapp: +571 319-2855132 CC/Passport: 1.020.742.211 Online Portfolio:

www.cargocollective.com/mateogu

Mateo Gómez is a Designer and an Architect from Andes University (Best University in the country, and top 5 in South America). His greatest interest is based on social change and especially in how architecture and design can lead the way though Design thinking to a better relationship between humans and nature. He has experience in architecture bio-design, wood and bamboo construction, photo/video and branding.

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MORE ABOUT ME SOME OF MY INTERESTS

SOCIAL CHANGE

My great interest is based

human beings, culture and nature.

on social change and especially,

Architects should plan well every

how architecture and design can

stage of architecture’s life cycle and

change established rules, generate

know the effect it will produce over

awareness, satisfaction/dissatisfac-

time. A well-designed intervention

tion or simply ‘’say something’’. I

is a scar, which should heal natural-

believe there are two ways to create

ly as time passes by. It is a tree that

social change. First of all, with small

grows in the jungle, being a part of

interventions, subtle and impercep-

a complex structure. It should not be

tible, easy to understand and accept

understood on its own, but by its re-

in order not to generate a conflict or

lationship with all the other species

immediate affect to the community,

who live on the tree and benefit of it.

but in the long run to generate pro-

In the end of the cycle, the scar must

found changes. The second is a no-

heal; as in nature, the fallen tree re-

torious and invading change. One

turns to osteopathic earth as “food”

that attracts attention and that with

for other trees. I am convinced that

good planning and execution can

my academic background and work

generate great social, economic (for

experience follow this same route

the community) and even cultural

of thinking. I invite you to look at

benefits over time.

my C.V. and continue looking at this portfolio where you might find, specifically my two thesis projects, ex-

As I stated above, I’m driv-

periments and thoughts on “design

en by my understanding of architec-

thinking” and how it can generate

ture as a social scar, which affects

real social and cultural change.

indiscriminately its surroundings,

All work is property of Mateo Gรณmez Unda, unless otherwise specified. www.cargocollective.com/mateogu

MORE ABOUT ME SOME OF MY SKILLS

SOFTWARE SKILLS Autodesk Revit

Autodesk Autocad

Autodesk 3D MAX

Graphisoft Archicad Google Sketchup

Adobe Photoshop Adobe Lightroom Adobe Indesign

Adobe Illustrator

Adobe Premiere Pro Adove After Effects Final Cut Pro X Logic X

Microsoft Office ADITIONAL SKILLS CANON DSLR NIKON DSLR

STUDIO LIGHTS MODEL MAKER

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SOME OF MY WORKS

ARCHITECTURE WORKS

DESIGN WORKS

PHOTO WORKS

VIDEO WORKS

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“LUNA” TREE HOUSE DESIGN AND BIO-CONSTRUCTION OF A BAMBOO TREE HOUSE

Role in project // Architect Designer, Design development, Construction administrator, Builder.

“Luna” is my sister’s country - tree

house. She is currently a member of the Eco-village. The design seeks to be in harmony with her personal beliefs; the circular-infinite shape of

Client // Adri Luna

life and the way two people, when

Cundinamarca, Colombia.

bond.

Place // Aldeafeliz, Snt. Francisco Project started // Dec 2015

Construction started // March 2016

they complement, create a special

The house is a room, 5 meters above the base of the trees. It crosses three trees, while the plan gives each tree

a unique role. The first located on the bridge/terrace allows the tree

to be the roof and protector. The Aldeafeliz is an Eco-village, located two hours away from Bogotá. It

is a sustainable human settlement, working simultaneously and comprehensively in the cultural, spiritual, economic and environmental di-

mensions. The Eco-village projects

itself as a community that promotes, community life and cares for the environment, among a lot others. The

temperature is around 20 C. It is a hilly terrain with a crystal water river passing though.

second, in the vestibule,” forces” the person to have a tactile contact with

the tree. The third one, inside the house, is the main element, everything revolves around it.

*This project is under construction, If you may want to see the process, check my online portfolio:

www.cargocollective.com/mateogu

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*Render

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*Infinite-form sketch

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*Construction photoshoot

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*Interior

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*Photoshoot

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ARQ • MUTUUM LEISURE CENTRE // MUTUALISM ARCHITECTURE

Role in project // Owner of the whole project.

University // Andes University

Coures // Arq. Graduation project Mentor // Leonardo Alvarez Final Grade // 4.7/5

*June 2015, Bogotá, Colombia

The last Architecture workshop during senior year is a four-month workshop where all students have to show what they have learned throughout their studies. It is the most complete project of their academic carreer. The brief of 2015 involved the exploration, analysis and posterior architectonical intervention of the most important neighborhood of Bogotá, the “historical center”. I decided to explore the concept of Mutualism, which, in biology, is a term that defines a type

of association between two organisms of different species in which each member benefits. “How architecture can have a mutualism relationship with an historic context? How architecture can survive without demolishing other architecture”?

I also explored the” Fun Palace of Cedric Price and Joan Littlewood”, and I applied what impacted me the most about that building plan: “Leisure vas a way of living”. A motto that J.Littlewood has explored during the 60’s :“a few leisure hours each week, they (people) might escape from mind-numbing routine and the monotony of serial existence and embark on an exciting journey of creativity, learning, and personal development” and the final utopian concept of “university of the streets”, where humans don’t need to work anymore, but they can survive doing whatever they like to do.

An approach that was only visualized through leisure. This influenced me to decide to plan a Leisure Center, in the historical and financial center of Bogotá.

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*Printed layouts

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*Printed layouts

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45,2 รก/h

Bogotรก

N 30,3 รก/h

candelaria

planta localizaciรณn escala: 1:500

*Project explanation

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interior hall

terrace over colonial house

patio casa colinal

anillo de lectura

rampa

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corte fugado longitudinal

N planta segundo piso escala: 1:250 + 4.00

corte fugado transversal

*Project explanation

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LUCIRÉRNAGA 50NM PORTUGAL’S TEMPORAL INFLATALE REFUGE ON ANTARCTICA // BEST PROJECT

Role in project // CO-owner of the project.

University // IST

Coures // Envirnmental Design

C-owners // Benjamin V.W., Puala V. P, Pablo T.C. Fist Place Academic Contest *December 2013, Lisbon, Portugal

“So let’s build a building of light” “There were a lot of factors and ideas that fed the concept of Luciernaga. The idea was to create an inflatable structure, that would be easily carried and transported from one location to another, but that would be rigid enough to, like an egg, protect and sustain life inside. The structure would have to be made of a material that would insulate the cold, but allow the penetration of light, and parallel to that, create an unobstructed view of the landscape.

With this in mind, it was also decided that this structure would be built with light, so that in the night, it would be a symbol of life. During the day, the structure would allow light in, and the landscape to be seen, and during the night, all the light would be emitted back to the landscape, and a sign, in the empty darkness, would be seen all across. Different layers of transparencies would correspond with the different levels of privacy. The pavilion would be transparent to permit light, but the rooms, opaque, to allow privacy but not darkness.

The building, or concept of Luciernaga, would also be a building that would be modular. We wanted to take into account the possibility of expansion, of multiplication, and of growth. With this in mind, the concept of Luciernaga, became a concept for modular expansion and contraction. Like the primary structure that would be inflatable, and gradually grow, we wanted the building, to like cells, allow the growth into new space and make space for people. The idea of creating a city, made of molecules, that could exist together, but also alone, was born.

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*Printed layouts

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CONCEPTUAL INSPIRATION: Vito Acconci/Acconci Studio ANTARCTICA FOR 2 (OR MORE, UNTIL IT’S 1 TOO MANY…) Theater-Piece In Words Only, For 2 Actors At A Podium + Lights Whitechapel Gallery, London, Feb 2011 “(A:) So let’s build a building of light: it could be a bundle of light, loops of light — or it could be points of light, the ends of

extending tubes of light, like periscopes of

light. When a plane comes in, these lights guide the landing…

(A:) Think of the building as a landing field:

not for planes really, but for information – information from the skies comes down to

land here, information can be pulled down from the stars…

(B:) But we don’t need light to watch the

skies; let’s build a building that turns on and off – the lights turn off, and we disap-

pear into nothingness as we watch the lights of the sky…

(A:) The building-on-stilts is dead: there’s no need for telescoping supports, no need for the building to rise over the ice as the

ice accumulates — long live the building

that rides the ice, long live the building that floats…

(B:) Let’s build a building that’s a balloon, a balloon that’s a building…

(A:) Let’s build a building that rolls with the punches. It’s a balloon-within-a-balloon,

a sphere-within-a-sphere: as the outer sphere turns and shifts while rolling over the ice, the inner sphere remains stable, horizontal…

(A:) Sometimes the balloons roll apart from each other, like space-capsules, like personal space-bubbles; for passage between them, a tubular bridge can telescope, stretch, from one to the other…

(B:) Let’s build a city of molecules…

(B:) Questions rise to the surface, like tiny flies: what level of impact is required… how much energy will be spent…Think, analyze, diagram, calculate…

(A/B together:) The building is like a glow inside a mountain, a secret world inside the mountain, undetected from the outside. Each room is a different kind of light, a different color of light; it’s the light that makes the room, shapes the room – the room doesn’t need walls to separate itself, it’s the light that separates the room. We walk from room to room, from hard light to soft light, from still light to variable light, from one color into another. Once our work is done for the day, we have some time to relax.”

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*Slides of the preentation

Presentation layouts,

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BoBa, BOICOT BACATÁ HOW DESIGN CAN CHANGE A SOCIETY

co-design as a way to change a comRole in project //

munity. How real change can also

Owner of the whole project.

policies, but also from the common

come, not only from government citizens. “BoBa aims to make social change a virus, that infect us all”

University // Andes University

Coures // Design Graduation project Mentor // Oscar Beltrán Final Grade // 5/5

*June 2012, Bogotá, Colombia

BoBa, was more than a design prod-

uct, a social experiment through Design thinking and innovation. I

had to understand what is Creativity, understand when and how people

make a non-profit creative contribu-

tion, and the link between leisure, pleasure, reunion and IDEAS. Design’s graduation project is a four-month class where all stu-

dents have to show what they have

learned throughout their studies. It is the most complete project of their

academic carreer.. The brief of 2012 involved the exploration, analysis

and posterior design of anything

you wanted to do. As open as it

may seems here, the real challenge was to finally define your personal approach to the word “Design”. I decided to explore the concept of

The following project is sample of

the stated above; it involved the participation of over 600 people and

became an statement that social

change could be made by anyone, anywhere and almost budgetless.

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*Screenshots of the video

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foto por: Eduardo Gómez

foto por: Eduardo Gómez

foto por: Santiago Méndez

foto por: Oscar Andrés Berrío

foto por:Luis Lemus

foto por:Mariana Hoyos

foto por: Oscar Andrés Berrío

foto por: Oscar Andrés Berrío

foto por: Javier Rodríguez

foto por: Mariana Hoyos

foto por: Adri Luna Lunera

foto por: Nicolás Murcia

foto por: Adri Luna Lunera

foto por: Juan Alan

foto por: Santiago Rozo

foto por: Luis Lemus

*Some of the `pictures recieved by the participant students

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*Instalation Photoshoot

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*Reactions with the main Stakeholdes

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*Thank you letters I recieved

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PRISMA BUILDING 4-STORY OFFICE BUILDING

Role in project // Architect Designer.

Client // Inverunda

Place // 70th(calle) - 15th, Chapinero, Bogotá, Colombia.

Project started // Dec 2015

Construction started // Nov 2014

This project is characterized by being a building enclosed between the side walls of the two adjacent buildings, in a length of 8 meters wide, with a clever design that maximizes its own space to provide places for comfort, leisure and production with a limited budget and area. In order to achieve this I wanted to rethink the available areas to generate different dynamics in the same space without affecting any activity.

It is an open-plan building, designed

to provide maximum flexibility and it is divided into two sectors: The first sector is “services and vertical circulation”. However, this space should be understood as a balcony, which as such is a place of permanence that is accompanied with vegetation and unrestricted air entry, creating a fresh space, isolated and enjoyable. This place is mixed with the vertical circulation, which crosses the entire facade, but due to its lightness, it doesn’t block neither the view not the natural light. Additionally it is equipped with two bathrooms per floor, allowing proper ventilation and noninterference access, ideal for offices.

The second sector is a highly flexible open plan with availability to increase its load of water and electrical supplies and evacuation.

A rain water system collects water from the terrace and reused it in the plants water irrigation, whose growth will eventually make nature the main language of this architectural design. *This project is under construction, If you may want to see the process, check my online portfolio: www.cargocollective.com/mateogu

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Puesto de trabjao: Max: 46 personas / piso

Oficinas: Max: 14 oficinas / pis o

Gran salรณn: Max: 96 sillas / pis o

Salรณnes: 4 salones de max 25 sillas / piso

*Project explanation

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*Rendering and plans

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*Project explanation

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*Rendering and plans

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*Construction photoshoot

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*Construction Photoshoot

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BUTTERFLIES OVER WINDS OF CHANGE LEATHER FOR UNEXPECTED BUTTERFLIES

Lunera and Juanis, women from two Role in project //

very different generations (25 vs. 58

Co-owner of the project.

2 young-adult sons and the other

years). One, a mature woman with a traveler and ecologist. Although there were many factors that sep-

University // Andes University

arated them, they were linked by

Co-owners // Andrés Pérez.

butterflies over winds of change. We

Coures // Creative Direction

Mentors // Carolina Agudelo, Ricardo Sarmiento Grade 5/5, best group of the semester 2010-2.

*November 2010, Bogotá, Colombia

Butterflies over winds of change, is

an academic project of marketing, design and experimentation. Our

client is a company of leather, we offer the client a new unexpected costumer. By understanding the

way of living of this new costumer, we defined two different ranges that were represented by, Adri Luna

their constant metamorphosis, as intended to understand both the formal and the idealogic aspect of

their way of living, and then offer a product that adjacent interlace with their own lifes.

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*Adri luna and Juanis, the new constumers

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*Leather experimentation

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*Product

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DEL MAR LA ESPUMA ROCK BAND CREATIVE DIRECTION

Role in project // Name creation worshop facilitator, Graphic Designer, Photography, Video production and post.

the band, we tried to catch at first

the attention of the band’s personal friends. Subsequently, we made the

first concert, that was more as a pub-

lic rehearsal and a excuse to pass a

good time between old friends, Client // Del Mar la Espuma

Project time // Sept 2014 - Sept 2015

have a beer andlisten to good music.

The logo is a mixture between a

“mar” (sea) contained in a wine cup with “espuma” bubbles.

“Del Mar la Espuma” is the name of

the rock band of a friend. It combines Mexican, Colombian and Argentinian folk sounds with a touch

of deep ocean/galaxy Spanish Rock.

The band was concept was an informal-natural-kitsch. The photos and video clips, intend to show the

real nature of the band without any mask, to show them selves as they really are.

While I was the graphic designer of

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*Logo

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*Photoshoot

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*Screenshots of the videos, “Concierto entre amigos“ and “en la rivera”

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*CD cover design.

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CONTACT INFORMATION

DIGITAL Cell Phone

[+57] 3192855132

Email

mateogu@gmail.com

Facebook

https://www.facebook.com/mateogu

Linkedin

https://co.linkedin.com/in/mateogu89

Online Portfolio

http://cargocollective.com/mateogu

Behance

https://www.behance.net/mateogu

Instagram

https://www.instagram.com/mateogu/

Phisical Adress:

Kra 54a No. 122a -17 casa 77 Recreo de los Frailes Bogotรก, Colombia

Phone

[+57] 1 3034938