Selected_Works: Matthew Hickey

Selected _ Works Matthew Hickey Portfolio // 2016

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Matthew David Hickey

EXPerience

M.Arch Architects - Junior Architect March Chadwick RA, AIA, LEED AP

Summer 2006, Summer 2014, December 2014 – January 2015

• • • • •

Assisted with construction documents, specifications and presentation materials for residential townhouses Produced renderings, animations, and conceptual designs for presentations to owners Created zoning analyses and presentations for developers.

Collaborated with contractors, engineers, and owners on design and approvals.

Attended site inspections, made reports

Direct Access Expediting - Jr. Architect Ann Hickey, P.E.

Summer 2007-2013, May 2015 – Present

• • • • •

Drafted schematic drawings for construction/ mechanical equipment, interior/exterior alterations.

Assured compliance with NYC DOB specifications under PE supervision.

Acquired NYC DOB permits for variety of projects Researched agency requirements at DOB, DOT, DPR, FDNY, DEP, LPC. Conducted site progress inspections to document and relay information to DOB.

References upon request

OBJective

www.matthewhickey.nyc matthewhickey06@gmail.com (646) 492-3100

As a native New Yorker, I have grown up in a city more dynamic than ever. Changing laws continuously alter the landscape, dramatically shifting the city’s culture over the years. This dynamism is what drove me to architecture, the changes, culture and construction.

I plan to become a registered architect through a variety of projects and work experiences. I work in different mediums, from the virtual to the model and constructed.

The information age has led to the proliferation of information and culture, before inaccessible. As an aspiring architect, it has never been more important to work between fields. To gather knowledge and analyze multiple sources, to refine, react, and create.

EDUcation

Rensselaer Polytechnic Institute

B.Arch, Architecture (Minor in Studio Arts) - 2015

RPI has been a tremendous experience preparing me for the rigorous profession of architecture. It has given me profound insight as to where profession is going. Architecture requires an attention to detail, but also a larger understanding of physics, mathematics, computing, and material science.

Xavier High School

Ignatian Scholar - 2010

Xavier stands today as a reminder of “Men for Others”, where I learned the importance of spirituality in an academically demanding environment. Collaboration was a strong component of education, where it’s value is unparalleled in preparing me for a professional career.

SKIlls

Rhino 5 Revit 2016 AutoCAD 2015 Adobe Creative Suite CS6 Photoshop Illustrator InDesign Premiere After Effects ZBrush Maya 2015 3DS Max 2016 VRay 3.0 Mental Ray

_ Contents Redefining the Architectural Joint // 4 Fall 2010 - Professor Anthony Titus

Beacon for Humanity // 8 Fall 2011 - Professor Serban Ionescu

Contorted Entanglement // Fall 2011, Professor Florencia Vetcher

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Inhabitating Differentiation // 18 Spring 2012 - Professor Casey Rehm

Inhabitating Difference // 22 Fall 2013 - Professor Fleet Hower

Material Manifolds // 28 Spring 2014 - Professor Lonn Combs and Alex Pincus

M.Arch Architects // 32 March Chadwick, RA, LEED A.P., 2014

Direct Access Expediting // Ann C. Hickey, P.E. - 2010-2016

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34

Redefining the Architectural Joint Fall 2010 - Professor Anthony Titus

My architectural education began with the research, development and experimentation of the architectural joint. The project began with teams of students to constructing a joint to constrain two people.

This construction was videotaped, photographed, and diagrammed to develop a series demonstrating this construction.

The joints was a system of articulating joints, allowing movement of some axes, while constraining others. These diagrams express various ideas found within our recorded sessions. Dense areas arose in highly trafficked areas Translating the diagrams to models was an iterative process. At first simplistic, and reductionistic, these models began to take on other ideas. They furthered the idea, allowing permutations, and mutations to occur.

This semester allowed me to embrace architectural design for the first time. The conception and experimentation of an idea, embodies a methodology relevant to any project.

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Juxtapose

Translate

The three ideas that arose out of these diagrams were: juxtaposition, translation, and revolution.

These diagrams enhanced the theories present within the photographs, and the drawings. By relating space time, connection, and material, the project rapidly approached architectural thought processing more so than the individual parts.

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Revolve

Exploded Axonometric. Graphite on Mylar. 36” x 72” -6-

Transposing Juxaposition. Basswood. 36” x 36” x 46”

As my first chance to engage in architectural design for the first time, I was forced out of the comfort zone. A daily critique helped to refine the ideas, that there was always work to do. The conception, experimentation, and refinement of an idea embodies a methodology relevant to any project.

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Beacon for Humanity Fall 2011 - Professor Serban Ionescu

Engaging a Foreign Context: Mars The image above, of a martian topography was selected to initiate my research of the “Martian condition”.

Digitally enhancing the image allowed previously hidden topological changes to become apparent. Along with mining additional information from books and websites, I worked on diagrams emblematic of this condition.

The different gravity, atmosphere and environmental conditions reinforce the “foreign” of the Red Planet. As the analysis continued, structures were exposed, forming skins and constructive drawings iterating on multiple scales, which were then translated into models.

Turbulent Analysis. Graphite and Ink on Mylar (36”x36”)

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By constructing the diagrams, it became apparent the hostility, but incredible possibility Mars had. Erosion, storms, and low gravity were key ideas emphasized in these drawings and models.

It became evident that our group would work to design an initial “welcome” station for those new to the planet.

This beacon would rise in the distance, drawing humanity towards it to accustom them to their new surroundings. This lighthouse of sorts would rise above the desolate and dangerous planet. Symbolizing human knowledge and adaptation. “no History, no Order, no Law, no Code.

Wasteland or Utopia? Barren or Fertile?

Humanity adapts, It rises above the unforgiving,”

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Landing on Mars, Section. Ink on Mylar. 42”x42”

I Devoid of structure, form falls onto us.

It attacks relentlessly without reprise.

Lost and bewildered, we search for hope.

Expedition continues without an end in sight.

As it inhabits the mind, it transforms.

Once unknown, they manifest themselves as memories.

Formal understanding has relapsed through the chaotic dispositions.

III A new order exists, it always has.

Fragments of order exist intrinsically.

The fundamental state of existence entrances this order.

Composing the order is easy, but describing it can become enigmatic.

Will the order be accessible to all?

Or will it implode itself and destroy?

Refining the Skin, Section. Ink on Mylar. 42”x42” -10-

The Beacon for Humanity. Basswood, MDF, latex paint. 42”x42”x42” -11-

Contorted Entanglement Fall 2011, Professor Florencia Vetcher

The Hyde’s Collection is a small museum in Hyde’s Falls, NY. The proximity to both Albany and Saratoga Springs makes it a convenient place for art-lovers from the capital region to get their impressionist fix. The collection started in the Hyde family’s estate, eventually becoming separate from the family when the museum was established. With one addition designed by Edward Barnes in the 1980s, the museum is looking to expand.

RPI was invited to host a exhibition engaging the possibility of an expansion.

Each student was assigned a random work of art from the collection. Mine was a medieval stained glass window (depicted above). The craftsman’s methods for constructing the piece were just as important as the composition of the artwork itself.

A flattened perspective, and the juxtaposition of structure to transparent glass made an interesting selection. Construction lines, moments of interest, and medieval representation were juxtaposed to generate diagrams, which led to the project’s focus of contortion, which were translated to basswood models. These models served as the primary catalyst for the geometry for the museum’s addition.

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Contorsion became evident throughout the digram and analysis phase. This demonstrated a mutation that had occured from the initial inspiration, but also a derivative.

A reinterpertation of the at, distorted perspective, heirarchical structure, and intense methods.

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Programmatic Organization

Ticketed/Employed Circulation

Special Event Space

Contemporary Art

Basement

Permanent Collections

Courtyard Lobby

Cafe

Museum Store

First Floor

Temporary Installations Archive Storage

Auditorium

Kitchen

Education (Studios and Workshops)

Second Floor

Program Axonometric. Rhino 5, Illustrator

Pliant Skins. Basswood. 12”x12”

Drawn by: Matthew David Hick

By overlaying the diagrams, with traditional orthographic and perspective drawings with the site, connections arose from the elements. It seemed that the methodical contorting of martial envelope alluded a historical reference to stained glass.

The site, rich with history was also close to the family’s logging mill.

Long ignored as a an element of the site. I chose rather to open views up on the new addition. As a reminder to look backward, as the family might not have been able to develop such an extensive art collection without their industrial might.

Program Axonometric. Graphite and Paper, Photoshop, Illustrator -14-

Warren Street

Oakland Avenue

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Site Drawing. Rhino 5, Illustrator, Photoshop, V-Ray

Schematic Bird’s Eye. Rhino 5, Photoshop, V-Ray -15-

Southwestern winds allow ventilation during warmer months, when visitors are visiting most to supply a more comfortable stay, as well as reducing energy usage by cutting back on air conditioning needs.

Hyde Collection Expansion - Fall 2011

Drawn by: Matthew Hickey

Adding trees would reduce the intensity of these southwest winds during the winter, altering summer ventilation slightly.

Stainability Diagram. Rhino 5, Illustrator, Vray, Photoshop -16-

Schematic Render., Street Side. Rhino 5, Photoshop, V-Ray

Interior Perspective Render. Rhino 5, Grasshopper, Vray, Photoshop

The museum addition would wrap the existing museum from side to back. This preserves historic facades along the main street. Contorting walls allow art to be shown in a unique way. Windows allow views of the

family’s wood mill behind the existing site, allowing the museum to engage Glen’s Falls’ history, it’s visitors, and collections opposed to the typical white box.

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CASA BATLLÓ

ANTONI GAUDI

BARCELONA, SPAIN

Inhabitating Differentiation Spring 2012 - Professor Casey Rehm

Antoni Gaudi’s Casa Battlo

This semester’s project was to design an offcampus housing project for travelling scholars at RPI located along the Hudson River waterfront in downtown Troy, NY. My case study building was Casa Batlló by Antoni Gaudi. By diagrammatically analyzing the radius of each wall within the building and relating proportions of each part to each other, an informed decision was learned that these curvatures were highly precise and relied on interdependent proportions.

My integrating the lessons of Gaudi’s curvature and tectonic studies, I was able to plan the use of ornament and it’s relation to the building of a housing project downtown. The unique relationship between ornamental tiles attached to the exterior of the building and the free-flowing interior atrium allowed unique affects throughout the entire project as it engaged the student population and the waterfront from both the public and private realms.

Bedroom

Communal Stairs Courtyard

Dining Room

Salon

Private Entrance

Waiting Room Bedroom

MAIN FLOOR

GROUND FLOOR

BASEMENT

Floor Plans of Gaudi’s Casa Battlo. Rhino 5, Illustrator CS6

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Scale 1” : 4’

Matthew Hickey

Analytical Drawi

Professor Casey

Matthew H

Delaunay Triangulation of Rooms Relative to the Curvature of their Walls

Back Elevation/ Transverse Section

Front Elevation

Not to Scale

Translated Gradating Geometries Reflecting Among Axes

CASA BATLLÓ

BARCELONA, SPAIN

BARCELONA, SPAIN

ANTONI GAUDI

Matthew Hickey

Delaunay Triangulation of Rooms Relative to the Curvature of their Walls

Not to Scale

Translated Gradating Geometries Reflecting Among Axes

CASA BATLLÓ

Longitudinal Section

Transverse and Longitudinal Sections of Gaudi’s Casa Battlo. Rhino 5, Illustrator CS6

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Matthew Hickey

1 Bedroom 2 Bedroom

Studio 2 Bedroom

2 Bedroom

2 Bedroom

Third Floor

1 Bedroom 1 Bedroom

2 Bedroom

Lounge - 700 sf

Studio

Studio 2 Bedroom Studio

1 Bedroom

Studio

2 Bedroom Studio

Studio

2 Bedroom

Second Floor

Third Floor

Matthew Hickey

Professor Casey Rehm

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1 Bedroom

Lounge - 700 sf

Studio

Studio

1 Bedroom

Studio

Studio

Studio

Second Floor

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Inhabitating Difference Fall 2013 - Professor Fleet Hower

Mineral Solution Path of Mineral Flow Sequential Depositing Porous Substrate This studio dealt with generative design through the power of the Processing language. The semester started off with each group finding and researching a natural morphological process. My group chose crystal deposits on porous surfaces. It started with a series of small scale models that explored how crystals could grow on various substrates. Paper proved to be the most effective as it is a highly porous material.

The large scale model utilized a cut paper that would change with the crystal growth, allowing generative design to occur. The concepts of ocking crystals were then integrated into a processing script which developed a rhino model to use as a tower with a variable site. The Gelogical growth. Rhino 5, Illustrator importance of this project was to emphasize the importance of new materiality through a new direction of design processes.

Simulating paper deformations. Processing, Rhino 5.

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Gravitation Simulation. Processing, Rhino 5.

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1 - Create random points within the boundary of the container

2 - Create cubes (crystals) with cohesion mesh/agents

3 - Clumps form as seeds intersect while moving towards mesh -244 - When crystals intersect the mesh, they loose their rules, and begin the process over again.

Sectional cut renders. Zbrush, Rhino, VRay, Photoshop -25-

Exterior Detail. Rhino 5, Photoshop, ZBrush, V-Ray

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Material Manifolds

Spring 2014 - Professor Lonn Combs and Alex Pincus

Expanding Montreal’s Museum of Fine Arts For the design development studio, I chose Pavilion No. 5 at the Montreal Fine Arts Museum, designed by Saucier + Perrotte. It was designed to expand the museum’s hospitality, educational services, and gallery spaces.

The geometry narrates through materials to the historic and cultural heritage of the museum and to Montreal’s diverse social interactions Clear, reflective glass juxtaposes the grain of geologically formed marble acting as a unifying symbol of the museums’ pavilions’ collective material tradition. By relating differentiated materials spatially, the pavilion not only acts as a catalyst into the community. Creating a testament to the city of Montreal, in all that it stands for in it’s 275th anniversary.

Interior Programmatic Axon. Rhino 5, Illustrator CS6 -28-

PROGRAM

Storage/Mechanical Cafe Gallery Circulation Restroom Workshop

O

N

Refining Material through Program

1 A-301

Emphasizing the expansions’ new role in the community was critical in developing the project’s diagrammatic understanding. Materials and geometry derived from contextual references would play off the programmatic ones.

This key idea developed the manifolds that wrap, bend and slide with the varied programs inside. As program changes, the manifold adjusts accordingly.

M

F

Connection to other pavilions Lightwell/Main Circulation A

C

D

B

Entrance/Reception Area

3

1

1

A-300

A-400

A-300

Stair Core and Main Circulation

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Stair Core and Elevator

Workshop/Temporary Exhibition Lounging Area Cafeteria

1

N

A-301

M

F

Circulatory Diagram. Rhino 5, Illustrator CS6

Floor Plans. Revit 2015, Rhino 5, Illustrator CS6 -29-

24005

Marble Panel 50mm 40mm x 40mm Vertical Galvanized Steel Support 130mm Rigid Foam Exterior Insulation 22mm Steel Channel Furring

Roof 24005 305mm Steel Channel Framing

HSS 12x12x1/2 (305x305x12.7) Steel Vierendeel Truss (column and Beam)

22mm Steel Channel Furring

4th Floor 18700

305mm Steel Channel Framing

HSS 12x12x1/2 (305x305x12.7) Steel Vierendeel Truss (column and Beam)

60mm x 20mm Pine Wood floor panels

4th Floor 18700

3 - Desmarais Pavilion 13700

3rd Floor 13700

Callout 1:5

60mm x 20mm Pine Wood floor panels

3 - Desmarais Pavilion 13700

3rd Floor 13700

Callout 1:5

2 - Desmarais Pavilion 8700

80mm Hollow Steel Frame

Centria Foam Insulated Metal Panels 1020mm x 80mm

2 - Desmarais Pavilion 8700 1.5 - Mezzanine 5117

80mm Hollow Steel Frame

Centria Foam Insulated Metal Panels 1020mm x 80mm 1 - Lobby 3617

1.5 - Mezzanine 5117 38mm bentonite drain board, EPS, with filter fabric

0 - Demarais Pavilion 900

1 - Lobby Gravel and drainage pipe 3617 0 - Lower Level 0

1 A-400

B

D

C

A Roof

Roof

24005

24005

4th Floor 18700

3 - Desmarais Pavilion 14520 3rd Floor 13700

2 - Desmarais Pavilion 8700 2nd Floor 8700

1.5 - Mezzanine 5117

1 - Desmarais Pavilion

4700 1 - Lobby 3617

0 - Demarais Pavilion 900 0 - Lower Level 0

1 A-301

O

N

M

F Roof 24005

4th Floor 18700

3rd Floor 13700

2 - Desmarais Pavilion 2nd Floor 8700

1.5 - Mezzanine 5117 1 - Desmarais Pavilion 4700 1 - Lobby 3617

0 - Demarais Pavilion 900 0 - Lower Level 0

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M.Arch Architects March Chadwick, RA, LEED A.P., 2014 514 Broome Street - SD

d 2.3 K-8

www.marcharch.com 545 8th Avenue, RM 19N New York, NY 10018 phone 212-608-1511 email: info@marcharch.com

Dixon Advisory USA Inc. PO BOX 2032 Jersey City, NJ 07303

Clear

Clear

Clear

Clear

New cornice

Clear

This charrette was done for a developer who wanted a zoning analysis for a non-landmark building and vacant lot. We proposed a hotel with interior courtyard. The zoning analysis concluded that this building conformed to zoning bulk, and LH (limited height) district restrictions. Although, the render above shows a buildable schematic design, there are many other proposals the design would require before construction could occur.

Taking cues from residential and manufacturing buildings in vicinity. This building utilizes a corten steel curtain wall with windows aligning to street views on Watts street. This area is rich in cultural cues rangng from industrial, artistic, and a homey vibe makes SoHo a desirable palace to live and work.

Brooklyn

Architecture Interior Design Const. Management

This drawing is the property of M.ARCH Architects, and has been prepared specifically for the owner of this pr this site and is not to be used for any other purpose, locatio owner without written consent of M.ARCH ARCHITECTS, C 2012 M.ARCH ARCHITECTS

Copper flashing

Waterproofing

Dykes #75

Insulated 1" glass

Insulated 1" glass

Privacy Film

Insulated 1" glass

Privacy Film

Privacy Film

2 1/2"

3/4"

Dykes #513

Privacy Film

2 1/2"

3/4"

1 3/4"

Copper flashing

Insulated 1" glass

CORNICE

Dykes #354 modified

1 1/8"

11 3/4"

Wood blocking as required.

Water resistant material, treated against water moisture.

7/8"

2 1/2"

New windows

10 1/4" 1'-2 3/4" Existing structural beam

Dykes #354 modified

K-5

Kane st - NORTH - Elevation (NEW CONSTRUCTION) Scale: 1/2" = 1'-0"

New Brick

K-6

Kane st - WEST - Elevation (NEW CONSTRUCTION) Scale: 1/2" = 1'-0"

1 7/8"

Adhesive waterproofing membrane

Existing door to be removed.

New 1" Insulated window & wood paneling to be installed

New doors & window above New wood storefront element

Storefront cornice doors, all wood work from ground to cornice to be replaced for new

2"

Dykes #153

5/8" Sheetrock

Copper flashing

Window Head, frame - Red Oak or Spanish Oak. Prime & 2 coats painted, finish Gloss, color Black.

Exterior water resistant paint.

1/4" bevel edge

2"

No.

1/4" bevel edge

Dykes #215 modified

PROJECT

132 Kane Street

2 1/2"

Brooklyn, NY 11231

1/4"

Clear

5/8"

2"

2 1/4"

1/4"

1/2"

3 1/8"

1/8"

Water drip reveal

1/4"

Adhesive waterproofing membrane

Dykes #513

Proposed Elevation Storefront Restorati

1"

New brick to match existing facade, Approved by Dixon.

Grout to match existing facade color.

DOB Job # Landmarks Docket #

1/2"

Block

Privacy Film

BASE

Cement stucco base to mach existing in "Brown" color NOTE: All exposed wood - Red Oak or Spanish Oak to receive exterior Benajmin Moore brand water resistant 1 coat Primer & 2 coats of Paint.

Finish - Gloss Color - Black

Existing siedwalk - No work.

To be protected.

K-8

D

3/4"

1/4" bevel edge

Window Sill, frame - Red Oak or Spanish Oak. Prime & 2 coats painted, finish Gloss, color Black.

Exterior water resistant paint.

SILL

Description

Dykes #513

Insulated glass 1" double pane 1/4" tempered Privacy film at interior as per elevation.

1/4"

WINDOW

1/2" Pittcon aluminum reveal

Dykes #513

3 5/8"

Window Transom bar, frame - Red Oak or Spanish Oak. Prime & 2 coats painted, finish Gloss, color Black.

Exterior water resistant paint.

Kane St - WEST - Storefront Section (NEW CONSTRUCTION) Scale: 3" = 1'-0"

Townhouse

321

SEAL & SIGNATURE

Lot

40

DATE: PROJECT No:

K-7

Cheever - NORTH - Elevation (NEW CONSTRUCTION) Scale: 1/2" = 1'-0"

New windows

New Brick

Cobble Hill is one of New York City’s earliest Landmarked, Historic neighborhoods. Working closely with developer and city agencies, we coordinated to design and gut renovate a Cobble Hill townhouse. The building required extensive approvals and close communication with all parties. Tremendous due-diligence was required during design and construction of the townhouses new interiors, structural modifications, and more.

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15-1947, 15-5645

Regulatory Stamps

Insulated 1" glass

06/02 1

DRAWING BY: CHK BY:

L-101 .0 CADO FILE No:

2

Architecture Interior Design Const. Management

www.marcharch.com 545 8th Avenue, RM 19N New York, NY 10018 phone 212-608-1511 email: info@marcharch.com

This drawing is the property of M.ARCH Architects, and has been prepared specifically for the owner of this project at this site and is not to be used for any other purpose, location or owner without written consent of M.ARCH ARCHITECTS, C 2012 M.ARCH ARCHITECTS

PROPOSED WINDOWS TO MATCH STYLE AND COLOR OF ADJACENT

Dixon Advisory USA Inc. PO BOX 2032 Jersey City, NJ 07303

ED. PROPOSED STING, GREEK REVIVAL STYLE ERTY. MULLIONS AND BRICK MOULDING TO BE PAINTED BLACK TO MATCH EXISTING WINDOWS IVAL STYLE LINTELS AND

K-1

Kane st - NORTH - Elevation (Existing Condition) Scale: 1/2" = 1'-0"

K-2

Kane st - WEST - Elevation (Existing Condition) Scale: 1/2" = 1'-0"

No.

Description

Date

PROJECT

132 Kane Street Brooklyn, NY 11231

Existing Condition Storefront Shop Drawings DOB Job # Landmarks Docket # Block

15-1947, 15-5645

321

Lot

40

Regulatory Stamps

SEAL & SIGNATURE

06/06/2014 13-18A

DATE: PROJECT No:

MWC/EF/KS MWC

DRAWING BY: CHK BY:

K-4

K-3

Cheever - NORTH - Elevation (EXISTING Scale: 1/2" = 1'-0"

L-100 .00

Kane st - WEST - Elevation (Existing Condition) Scale: 3/4" = 1'-0"

CADO FILE No:

CONDITION)

1

Architecture Interior Design Const. Management

www.marcharch.com 545 8th Avenue, RM 19N New York, NY 10018 phone 212-608-1511 email: info@marcharch.com

This drawing is the property of M.ARCH Architects, and has been prepared specifically for the owner of this project at this site and is not to be used for any other purpose, location or owner without written consent of M.ARCH ARCHITECTS, C 2012 M.ARCH ARCHITECTS

CLIENT NAME: Dixon Advisory USA INC PO BOX 2032 Jersey City NJ 07303, USA

KC

kane & Cheever - NORTH - Elevation (Existing Condition) Scale: 1/2" = 1'-0"

No.

Description

Date

PROJECT

6-8 Cheever Place BROOKLYN, NY

Existing Conditions, Site, Storefront, Cornice DOB Job # Landmarks Docket # Block

321

151947 Lot

41

Regulatory Stamps

C-4

Cheever - DETAIL (EXISTING Scale: Not Specified

CONDITION)

C-5

Cheever - SIDE Scale: Not Specified

DETAIL (EXISTING

CONDITION)

SEAL & SIGNATURE

DATE: PROJECT No: DRAWING BY: CHK BY:

03/28/2014 13-18B MWC/EF/KS MWC

L-102 .00 CADO FILE No:

C-2

Cheever - NORTH - Elevation (EXISTING Scale: 3/4" = 1'-0"

CONDITION)

C:\Users\Gertrude\Documents\BK_CHEEVER_PLACE_Gertrude.rvt

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8th AVENUE

36'-0"

DOT PERMITS NEEDED FOR PHASE I:

P.M.

Repair Vault DOB#121548735-01-EW OT

24'-9"

557 8th Avenue Block: 761, Lot: 39 Existing 3 Story Building

AKA 557 8 AVE BLOCK: 761 LOT: 39

Scale: Not to Scale

Container L

T

SITE PLOT PLAN

10'-0"

10'-0"

Parking Lane

Pedestrian Walkway

14-0"

10'-0"

Moving Lane

38th STREET

Construction Fence DOB#121548735-01-EQ FN

5'-0"

8'-0"

Moving Lane

STR

EE

Barriers to protect pedestrians

11'-0"

Parking Lane

8'-0"

116’-0"

1. Full Sidewalk Closing 2. 14’ Roadway Closing 3. Pedestrian Walkway in Street 4. Vault Repair 5. Install Fence 6. Maintain Fence 7. Curb Replacement 8. Place Equipment other than shovel/crane on Street Barriers 9. Place Equipment other than shovel/crane on Street Container 10. Signs/Markings: No Parking During Work Hours

P.B.

LEGEND TREE (WITH PIT)

100'-0"

16'-0"

P.M. PARKING METER LAMP-POST

L P.B.

PHONE BOOTH

FENCE VAULT WALLS BARRIERS PED. WALKWAY VAULT AREA

Direct Access Expediting MPT

DOT P

P

Ann C. Hickey, P.E. - 2010-2016

Ave nu 7th

193'-4"

136'-10"

TO CORNER OF 7th AVENUE SOUTH

17 Barrow St. Block: 590 Lot: 63

1'-0"

Barrow St.

1'-0"

TO CORNER OF WASHINGTON PLACE

5'-0" 5'-0" 5'-0" 5'-0" 5'-0" 5'-0"4'-0" 5'-0" 5'-0" 10'-0"

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6'-0" 4'-0"

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25'-0"

17 BARROW ST - PLOT PLAN Scale: Not to Scale

Existing 4” Curb to remain

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Corn

LPC SIDEWALK CONSTRUCTION NOTES:

1. Replace concrete with concrete, or restore the historic material if documentation indicates the sidewalk was another material.

2. Match the color of the new concrete to the adjacent and/or predominant paving on the sidewalk by using tints or pigments 3. Score the new concrete to align with the adjacent sidewalks.

4. Retain historic stone curbs whenever possible.

23 Barrow St.

19 Barrow St.

17 Barrow St. Block: 590 Lot: 63

15 Barrow St.

MPT AND DOT PERMIT PLAN

LEGEND

Scale: 1/4” = 1’

PROPERTY LINE

CONCRETE COLORING NOTES:

BUILDING LINE

1. Curing agents should be colored to match concrete.

2. Colors may vary due to slump, water content and aggregates.

3. Concrete should be uniform in slump and lowest slump possible.

CURB LINE

COLOR SPECIFICATIONS:

S

1 bag Scofield Chromix, Charcoal No. C-24 (or Dark Grey, No. C-34), per 1 yard Portland Cement and sand mixed to match adjacent concrete flags

AREA OF WORK TREE PIT

PHOTO OF SIDEWALK TO BE REPAIRED

Please see additional attached photos for adjacent conditions

PREPARED/FILED BY:

DIRECT ACCESS EXPEDITING, INC. 311 GREENWICH ST. APT#6C NEW YORK, NY 10013

17 BARROW ST:experience SIDEWALK Ras EPAIR (LANDMARK PRESERVATION COM.) Building upon my an expediter and my time with architecture.

My job here consisted drafting plans according to Hagency regulaDATE: Aof UGUST 13, 2015 CREATED BY: MATTHEW ICKEY STAMPED BY: SHEET: A-100.00 tions. Managing multipple projects, coordinating with contractors and ensuring that projects were completed in a neat and orderly fashion.

PROPERTY OWNER:

COLLEN GIUJJONE 17 BARROW ST NEW YORK, NY 10014

SIGN

PROJECT:

-34-

ANN C. HICKEY, PE.

Plot plan: 46 Gansevoort Street, New York NY

Safety railing Safety mesh

Gansevoort Street

5’

The engineer has not been retained for and is not responsible for construction supervision or inspection.

60’

NOTICE

Flame Retardant Plastic Enclosure (Filed Seperately) Roof

Heavy Duty (300 Psf) Sidewalk Shed (Filed Seperately)

Building facade

Lot 54 Block 643

27’

The contractor shall indemnify and hold harmless Ann C. Hickey, P.E. against all expenses and attorney fees for any lawsuits of actions arising in whole or part from any act or omission of the contractor, owner or subcontractor, or anyone directly or indirectly employed by them.

In accordance with Section 7209 of the State Education Law, no person shall alter these plans in any way, unless he or she is acting under the supervision of a licensed professional engineer.

46 Gansevoort Street

5’

Flame Retardant Plastic Enclosure

Greenwich Street

Steel Pipe Scaffold (Filed Seperately)

Horatio Street

Copies of of these plans not bearing the inked or embossed seal of a professional engineer shall not be considered a valid and true copy.

Installation Contractor: WEST NEW

YORK R ESTORATION OF CT, INC. 1800 Boston Road Bronx, N.Y. 10460-4909

Project Location:

46 Gansevoort Street New York, NY 10014

Property Information:

Block: Lot: Zoning: Zoning Map#:

Electric Light

10’-14’

Sidewalk Shed (FIled Seperately)

TENANT SAFETY NOTES: 1). Construction work will be confined to the normal working hours: 8a.m. to 5p.m., Monday thru Friday, except legal holidays.

2). Construction work will not block hallways or means of egress for tenants of the building.

3). Construction work will not involve interruption of heating, water or electric services to other tenants of the building.

4’-12’ 6’-14’

Section A - Typical Detail

Stair Tower and Scaffold (Filed Seperately)

8’

CONTRACTOR’S RESPONSIBILITIES: All field coinditions differing from the drawing and any field changes shall be re-reported.

643 54 M1-5 8D

Floor:

1

Project:

Plastic Enclosure

Scale:

Date:

Not to scale

Engineer:

28 December, 2012

Ann Hickey P.E.

CONSULTING ENGINEER

305 Broadway - Suite 800A New York, N.Y. 10007-1109

Flame Retardant Plastic Enclosure

NYS Licensed Professional Engineer # 065430

EQ-001.00 Sheet 1 of 1 10'-14’ 8’

Sidewalk Bridge (Filed Seperately)

3' 8’

8’

6’

8’

10’

12’

6’

7’

DOB label

Gansevoort Street Elevation (typ.)

5/16” cable

INSTALLATION NOTES:

Highline Jurisdiction and Air Rights

Threaded eye bolt (1” opening and 4“ wall penetration secured by epoxy) 36” - 48” O.C.

Netting will be hung from the cable in order to wrap the upper façade of the building. Netting to be secured at the bottom of the second floor in equal manner.

Purpose of Netting - a "make-safe" measure to contain debris and prevention of loose material falling to public thoroughfares below. The building is not occupied and has a full vacate issued 2009 for roof collapse.

Netting will remain in place indefinitely while the building management evaluates its options for the future of the building, develops a plan, and raises the funds necessary to proceed with capital improvements.

This will be a semi-permanent installation; no façade maintenance will be done at this time with the exception of removal of loose material such as mortar & paint.

Black color personnel safety nets with liner.

40 10 Avenue interrupts High Line Park Light and Air Easement

Carabiner clip Building Facade

Connection Detail

liateD )tlob eyE(

Chainlink fence installed on building (existing, prevent trespassing) Netting to be attached, with zip ties, to chainlink fence to prevent falling debris from engaging public

The engineer has not been retained for and is not responsible for construction supervision or inspection.

NOTICE

MATERIAL NOTES:

The contractor shall indemnify and hold harmless Ann C. Hickey, P.E. against all expenses and attorney fees for any lawsuits of actions arising in whole or part from any act or omission of the contractor, owner or subcontractor, or anyone directly or indirectly employed by them.

Façade is standard sized masonry clay brick.

We are remediating the façade with netting secured at top on rear of parapet & at the bottom along the top of the marquee with the eyebolt fastening method.

Netting purpose is to contain cracking, prevent loose material from falling, provide reinforcement to exterior wall to retard further wall deterioration.

5/16” cable will be drawn through the eyebolts along top & bottom and netting will be attached with carabiner clips.

Netting is 3/16” x 5/16” webbing, interfaced with 2” x 2” nylon rope webbing, rated at 18 kips.

I-Bolts attached to building shall be secured using industrial-grade epoxy to prevent movement.

Copies of of these plans not bearing the inked or embossed seal of a professional engineer shall not be considered a valid and true copy.

TENANY SAFETY NOTES: 1). Building is unoccupied and shall remain that way, except during installation of safety netting.

2). Construction work will be confined to the normal working hours: 8a.m. to 5p.m., Monday thru Friday, except legal holidays.

In accordance with Section 7209 of the State Education Law, no person shall alter these plans in any way, unless he or she is acting under the supervision of a licensed professional engineer.

Installation Contractor:

W��� N�� Y��� R���������� �� C�.

1800 Boston Road Bronx, New York 10460

DEPARTMENT OF PARKS AND RECREATION NOTES: 1. Installation will not interefere with public thoroughfares. All public routes will be accessed as normally during installation.

2. Installation of netting will occur from the building and be accessed with ladders from the High Line Park.

3. Materials and other equipment shall not interefere with public thoroughfares during installation.

40 10 Avenue Block: 646 Lot: 1

Project Location:

40 10 Avenue New York, NY 10014

FRIENDS OF HIGH LINE NOTES: 1. Installation of netting will occur using the roof of 40 10 Avenue. It will be installed during typical work hours, taking from 10-14 days to complete.

2. All work will be supervised by DPR and friend of high line employees to ensure compliance with rules and regulations.

3. Installation crew will pay careful attention not to disturb any plantings during installation.

4'

Property Information:

Block: Lot: Zoning: Zoning Map#:

4' Floor:

4'

First Floor

High Line Park Project:

3’

Install Netting :Public Protection

Scale:

Not to scale

Engineer:

Section A: Through Highline and 40 10th Avenue

et

Highline Park (DPR jurisdiction)

4

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110’

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CONSULTING ENGINEER

311 Greenwich St, 6C New York, N.Y. 10013

NYS Licensed Professional Engineer # 065430

EQ-001.00 Sheet 1 of 1

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Plan: 40 10 Ave Area of Work

Perspective Rendering: Installation of Netting hin

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Highline Park (DPR jurisdiction)

Block: 646 Lot: 1

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December 23, 2015

ANN HICKEY P.E.

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40 10 Av Building Overhang

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Date:

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40 10 Ave

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High Lin e Park

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40 10 Avenue Site Boundary

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40 10 Avenue Site Boundary Te n

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AN: 40 10th Avenue

646 1 M1-5 8B

40 10 Av Building Overhang

DOB label

-35-