POETIC REALITY
Architecture is not just a physical existence, it can intervene in our daily lives as a connecting medium, relating different layers of realities and dreams surrounding us, thus wonderful richness, fresh understanding, and deep meaning can emerge in our lives. Architecture is a poem in our reality.
Name: Zhenfeng Huang
Phone: +358 449246383
Email: matthuang19@gmail.com
Adress: Välimerenkatu Helsinki, 00180, Finland
Position Application: Architect Summer Internship/Job
Portfolio Issuu : https://issuu.com/matthuang19/docs/portfolio_zhenfeng_huang_architect_internship
ZHENFENG HUANG I CURRICULUM VITAE
Birth 30-10-1994
E-mail matthuang19@gmail.com
Adress Välimerenkatu 5 A 01 Helsinki, 00180, Finland
Position Application Architect Summer Internship / Job Phone +358 449246383
EDUCATION
Dear Sir or Madam,
My name is Zhenfeng Huang, and I am currently a first-year master student majoring in Architecture at Aalto University. I browsed some of your works on your company's website and I liked them very much. I believe this meets my expectations for architectural work, so I am interested in pursuing an a architect summer internship/job position in your firm. The following is my resume and background information.
After completing my undergraduate degree in architecture in China, I participated in practical work. Before continuing my master's study, I had more than 5 years of work experience, including 2 years as an assistant architect at CCDI Group and 3 years as an architect at Atelier Xi. In my past work experience During this period, I have participated in projects in different scales, types, and design periods, from small-scale space design to large-scale urban design, from community renovation to cultural and educational complexes, and from conceptual competitions to construction implementation. These experiences have helped me a lot. It not only gave me a comprehensive understanding of architectural design and how to be an architect but also trained my work skills, which allowed me to master the use of various software (Rhino, Sketchup, Revit, CAD, Archicad, Vray, Enscape, Grasshopper, Adobe Suits, etc.) and communication skills. In addition, in my past work, as a team member, I have won some different awards, including the AIA(HK) MERIT AWARD For Architecture 2024 & For Sustainability 2024 and a series of First Prizes in several international public buildings competitions. I am very honored that my work could gain such high recognition. This valuable work experience has given me the confidence to face future work challenges!
I love architecture, and I hope to expand my understanding and cognition of architecture in different environments. So after working for a few years, I stopped my job and went to Europe to study. At present, I am about to finish my first year of master's studies. I hope to join an excellent architectural company in the summer to learn how to create architecture in different cultural environments and make contributions with my abilities. And your company is exactly what I aspire to. It would be my honor if you could offer me this valuable job opportunity!
Thanks for considering my application. Please contact me if there is any possibility to join your excellent team
Sincerely, Zhenfeng Huang
/ Huizhou, China / Bachelor of Engineering in
SKILLS
Software
/ AutoCAD, Archicad, Revit, Rhino,Sketchup, Adobe Creative Suite (PS, AI, ID, PR), Microsoft Office, Vray, Enscape, Lumion, Python, Grasshopper
Language
/ Mandarin, English, Cantonese
/ BIM, Photography, Pen Sketch, Watercolor Painting, Music Others
RELEVENT ACTIVISTS
WORKS
ⅡPRACTICAL WORKS
01 THE PRESENT MEET THE PAST
New community center on the disappearing village
Academic Project ｜ Individual Work 2016.09 - 2017.01
02 SOUL CONNECTION ABOVE SEGREGATION
New chapel crossing the wall of shame
Academic Project ｜ Individual Work 2016.03 - 2016.07
03 BETWEEN FOREST AND LAKE
New booksotre between Forest and Lake
Academic Project ｜ Individual Work 2015.09 - 2016.01
04 FROM HEAVY TO LIGHT
Wood Adaptability Housing
Academic Project ｜ Group Work ｜ Highest Grade Work 2024.09 - 2024.12
05 ABSTRACT NATURE IN THE URBAN
Architecture as public art I Pubic Culture
Practical Work in Atelier XI｜ Group Work 2022.04 - 2024.02
06 CORTEN STEEL NARRATIVE
Qiaochengbei Park Visitor Center Pubic Service
Practical Work in Atelier XI｜ Group Work ｜ AIA(HK) Merit Award 2024 2021.08 - 2023.12
07 SOCIAL SYMBIOSIS BETWEEN AGED AND KIDS
A Shared Interaction Space for the Aged and Kids Renovation
Practical Work in Atelier XI｜ Group Work 2022.04 - 2023.03
08 THREE LANDSCAPES IN ONE TOWER
A Viewing Tower Facing Different Landscapes I Landscape
Practical Work in Atelier XI｜ Group Work 2021.12 -
09 MULTIPLE GROUND WITHIN VERTICAL CONTEXT
Baoan Culture Center Design Competition I Pubic Culture
Practical Work in CCDI Group｜ Group Work ｜ First Prize Award 2019.03 - 2020.09
10 RICH SPACE IN HIGH DENSITY CONTEXT
Guiyuan Middle School Expansion Competition I Education Practical Work in CCDI Group｜ Group Work ｜ First Prize Award 2018.08 - 2020.03
11 OTHER WORKS
Drawing / Measuring / Field Survey / Photography
Individual Work 2013 - 2023
ACADEMIC WORKS I
01-04 2015-2024
01 THE PAST MEET THE PRESENT
New Community Center embedded in the Disappearing Village Focused on Light / Typology / Memory / Even / Context / Material
New Construction, GuangZhou, China
Academic Project ｜ Individual Work HZU ｜The 1st Term of The 4th Academic Year Instructor: Lin Chaohui 2016.09-2017.01
This project is a rethink of the relationship between the present and the past.
As a traditional village, WenChong village was a local recorder of traditional life culture. However, the traditional space texture of WenChong village which contains two main spatial typology - "Lane" and "Yard" are constantly destroyed due to the rough and rapid urbanization over the past few decades. A rift exists between the present and the past in Wenchong village...
My design is a community center which introduces modern life activities into this "broken" place. Based on the reference to traditional space typology, I devised a light-receiving structure, which can not only reflect past spatial memories, but also intervene in the present life events. When the familiar light emerges in the current life scene, memory and reality mingled in this space Ultimately, the past can be connected with the present and the local life history can continue through the narrative of space
The Weather Project records such a scene: When people walk into a public space illuminated by an artificial sun, they begin to think of the scene of bathing in the sun in the past. And those memories enter the present with light and begin to influence the activities of the present.So some people start to lie down and enjoy the sun, just like on the beach.
It inspires usLight in space is powerful enough to evoke memories of people's lives and bring them into the present. Through perceiving light, the past and the present can be connected...
The light space which records old memories is distributed in a public space and participates in modern life. When the familiar light emerges in the current life scene, memory and reality mingle. And the past can be connected with the present, and Local life culture can be continued in a poetic way ...
ENTANGLEMENT BETWEEN THE PAST AND THE PRESENT
As people step into the space of light, they can pick up life memories of the past through the light. At the same time, their behavior at the moment is influenced by the light. The light creates an atmosphere, Fresh but Familiar, which narrates the entanglement between the past and the present, then, local life culture can be continued in a poetic way...
application of rammed concrete wall and wood roof which close to the texture of traditional buildings and the spatial scale which is close to traditional space make the place can emerge familiar light texture.
02 SOUL CONNECTION ABOVE SEGREGATION
A chapel crossing the wall of shame Focused on Structure Perception / Form / Vision / Place
New Construction, Lima, Peru
Academic Project ｜ Individual Work HZU ｜The 2nd Term of The 3rd Academic Year Instructor: Li Wei 2016.03-2016.07
This project is a rethink about the inner connection between people who are placed in quarantine
There are over 10 kilometer separation walls built by the communities and citizens in the north urban area to prevent the expansion of slums in Lima, Peru. The physical barriers against the poor looking for a better life. What's worse is that there is an invisible wall higher than the physical wall - the mental separation between the rich and the poor
This design focuses on people's inner isolation issue (prejudice and inferiority), which is more severe than segregation in the physical world and aims to connect people's estranged souls. Based on the common religious beliefs of residents on both sides, I designed a chapel crossing the segregated wall. The common belief becomes the stepping stone of spiritual communication . Through the control of spatial form and vison direction, as well as the focus on the structure perception, a strong atmosphere specifically a spatial tension , can be created. Ultimately this intense sense of horizontal connection to against vertical isolation emerging in space, arousing people's soul connection, which is the basis for those people moving towards a united social community...
The over 10 kilometer separation wall was built by the communities and citizens in the north urban area to prevent the expansion of slums in Lima, Peru. The physical barriers against the poor looking for a better life. What's worse is that there is an invisible wall higher than the physical wall - the mental separation between the rich and the poor...
COMMON RELIGIOUS BELIEFS IN A SEPARATION STATE
ISSUES & OPPORTUNITIES
There is an invisible wall higher than the wall of shame - the inner isolation between people on two sides of the wall. They have limited contact in daily life，but perhaps they can establish understanding and connection through their shared belief activities.
THE INFERIORITY
People from slum regard the wall as separation
THE PREJUDICE
People from urban area regard the wall as safeguard
DESIGN CONCEPT
- Encouraging Conection -
A sense of horizional intense above separation envoke a tightly connected relationships within people's inner world. - "both sides as a whole"
ELEMENT ANALYSIS
A SPIRITUAL SPACE ABOVE THE REALITY OF ISOLATION
There is a chapel crossed the segregation wall. The spiritual space above the wall shows a brave attitude to the residents on both sides. It clearly expresses the existence of a spiritual space that above physical isolation.
STAIRCASE TO “ANOTHER WORLD”
A stair across over the separation wall represents transcendence. It encourages people to cross the inward barrier to enter the auditorium with thoughts about their self identity and relationship with people on the other side.
COMPOSITE FLOOR(UP-DN)：
03 BETWEEN FOREST AND LAKE
New booksotre between Forest and Lake Focused on Atmosphere / Boundary Texture / Form
New Construction, ChengDu, China
Academic Project ｜ Individual Work
HZU ｜The 1st Term of The 3rd Academic Year Instructor: Lin Chaohui 2015.09-2016.01
This project is a combination of two spatial sensations which reflect the characteristics of the environment and aim to bring about a rich reading experience
The bookstore is located at the boundary between the forest and the lake , where the two spatial environments meet and transform. Interestingly, in classical Chinese aesthetics, the reading experience is closely related to the natural environment . The unique natural environment can evoke specific moods and emotions in readers. For example, in ancient Chinese paintings, we can see the literati reading freely and easely in the foreset or quietly contemplating with a book in the lake. Reading behavior is closely related to environmental characteristics
Inspired by this, the bookstore design focuses on capturing the two environmental qualities of the site (lake and forest) and generating two types of reading spaces that reflect these elements.People can switch between two different space, just as people can freely travel between a forest and a lake, thus, they can feel different environmental atmosphere, which enriches their reading experience.
BOOKSHELF SPACE PROTOTYPE - "BY THE LAKE"
Prototype Model 1:100
A linear elongated bookshelves space corresponds to the continuous spatial form of the lake
BOOKSHELF SPACE PROTOTYPE - "BY THE FOREST"
Prototype Model 1:100
A series of unparallel bookshelves responds to the fragmented spatial form of the forest
BOOKSHELF SPACE PROTOTYPE - "BETWEEN FOREST AND LAKE"
Prototype Model 1:100
The two prototypes of the lake and forest are combined into the final form, which is a blender of two environmental qualities (Forest - Freely and Easely & Lake - Carmly and Lonely) and encourages people to move freely between different interfaces
A linear elongated bookshelves space with low eaves corresponds to the continuous spatial form of the lake The calm and lonely atmosphere of the lake can be brought to the in-between reading gallery, which creates a peaceful environment for readers to immerse themselves in the beauty of literature ...
04 FROM HEAVY TO LIGHT
Wood Adaptability Housing
Focused on Cordwood / Adaptability / Assembly / Sustainability / Prototype
New Construction
Academic Project ｜ Group Work
ZhenfengHuang｜SamuelHautamäki｜LukasHaers-Vander Aalto, Wood Studio ｜The 1st Term of The 1st Academic Year Instructor: Pekka Heikkinen, Laura Zubillaga 2024.09-2024.12
This project exploring the adaptability housing based on wood materials research. We focus on the materials , assembly , form and social sustainability of spatial units prototype.
We rethink the adaptability through a set of antonyms Permanent & Change . The design concept Heavy & Light go through with it, which shows in different spatial layer and rooms enclosed by them. The heavy cordwood facade is permanent and brings a sense of beloning which happened before adaptability Beloning sense can make people live in the space and do changing with time rather than relocate or demolish. Light frame is allow for changing with time within this thick envolope. Here, lightness means flexibility and adaptability The assemble post and beam frame allows for different space configurations in a long-term perspecive. The semi-warm space be define by the shelf system and atrium bring the high flexibility which respond to daily changing.
Between Heavy & light, the building create a space in different timescale adaptability . Living inside, people can reflect their life, what is need to change and what is need to keep?
Adaptability & Flexibility (Assemble Joints)
Adaptability & Flexibility (Assemble Joints)
Cordwall Cordwall
Adaptability & Flexibility (Assemble Joints)
Adaptability & Flexibility (Assemble Joints)
Cordwall
Adaptability & Flexibility (Assemble Joints)
Cordwall
Cordwall
Cordwall
Adaptability & Flexibility (Assemble Joints)
Adaptability & Flexibility (Assemble Joints)
Book Shelf (Intermediate Layer)
Book Shelf (Intermediate Layer)
Adaptability & Flexibility (Assemble Joints)
Adaptability & Flexibility (Assemble Joints)
Ceilling and Hiden Pipe (Service Space)
Adaptability & Flexibility (Assemble Joints)
Book Shelf (Intermediate Layer)
Adaptability & Flexibility (Assemble Joints)
Adaptability & Flexibility (Assemble Joints)
&
(Assemble Joints)
&
(Assemble Joints)
Adaptability & Flexibility (Assemble Joints)
20mm
4
2 UPSTAIRS OUTER WALL
38mm
PRACTICAL WORKS I 05-10 2018-2024
THE CONCENTRATED MASS IS DISASSEMBLED INTO THREE DISPERSED SMALL UNITS，WHICH COULD BETTER ACTIVATE THE SITE AND MAKE IT EASIER TO BUILD.
05 ABSTRACT NATURE IN THE URBAN Architecture as public art Focused on Transformation / Material / Construction
New Construction, GuiYang, China Practical Work in Atelier XI｜ Group Work Huang Zhenfeng, Chen Xi, Zhu Zhu
My Contribution: Project Architect & Main Designer from Concept Design to Construction Design Coordination
Gross Floor Area: 96 sqm(Building A); 64 sqm(Building B/C) 2022,04 - 2024,02
The project is an abstract representation of a natural landscape in an urban setting environment
Karst cave is a local characteristic natural landscape in Guizhou. For a long time, people on this land have established life connection and telepathy with the natural landscape in this strange terrain. How to respond to the memory of this landscape land with contemporary space art and create a natural imagination in this urban park land is the original intention of design.
Sculpted from within, the three buildings stand above the natural terrain in a cavern-like form, presenting the beauty of structural power in a suspended moment of balance . The building is composed of white cave stone with natural texture and curved stainless steel with artificial properties, responding to the state of the building between nature and artificial. The three sculptures will serve as places for multiple activities like reading, performing, and meditating.
The project not only represents the mission of space aesthetics, but also stimulates the infinite imagination of life and the future
The three cave-like spaces have internalized spatial energy, which create a field of
It is gratifying to see people using these spaces for different activities after construction.
Them constantly injecting huge and new energy into these reserved "voids".
06 CORTEN STEEL NARRATIVE
Qiaochengbei Park Visitor Center
Focused on Material, Form and Tectonics
New Construction, ShengZhen, China
Practical Work in ATELIER XI｜ Group Work
AIA(Hong Kong) MERIT AWARD FOR ARCHITECTURE 2024
AIA(Hong Kong) MERIT AWARD FOR SUSTAINABILITY 2024
Team Members: Huang Zhenfeng,Xi Chen, Zhu Zhu, Ye Fangnan
Gross Floor Area: 311 sqm(East Building); 156 sqm(West Building) 2021,08-2023,12
Qiaochengbei Park is situated on a hillside covered with pristine forest, surrounded by high density urban development in the central area of Shenzhen.
How to incorporate essential public service facilities into this untouched forest while preserving the original natural environment presents a challenge for architects. The architects proposed preserving all native trees and strategically interweaving two service buildings, one with curvilinear outline and one angular, among the existing trees and inserting them into the natural topography with minimal disturbance to the site.
To facilitate a harmonious dialogue between the new structures and the natural environment, weathering steel, which ages well over time, was chosen as the building material. Initially resembling the color of the native tree trunks in the forest, it gradually changes color over time and develops a protective layer of rust, reducing maintenance need of the building facade.
Given the hot and humid climate, the architectural design incorporates vertical lattices and perforated metal in the facades to provide ample shade and ventilation, reducing reliance on air conditioning
Overall, traditionally defined “service spaces” such as restrooms, vending machines, drinking water stations, nursing rooms, and rest areas for cleaners are integrated as vital components of the enclosed public space, transforming the park toilets into a miniature village nestled in the forest, serving as a comprehensive community service facility and gathering place.
IN PRAISE OF SHADOWS
Unlike traditional public toilet designs featuring white tiles or terrazzo, this project embraces a sense of “shelter,” reminiscent of Junichiro Tanizaki’s description in In Praise of Shadows — where one can sit in dim light, immersed in the faint reflections, listening to the sound of rain, and contemplating the natural scenery outside.
This design philosophy moves beyond the typical binary oppositions found in modern public spaces—such as light and dark, nature and artificiality—instead allowing them to merge into an organic whole. Here, “shadows” are not flaws but a way of perceiving beauty—through layers of light and shadow, the warmth of materials, and the interaction between people and their surroundings, creating a profound and tranquil spatial experience. Just as the Chinese characters for“light” (光) and “shade” (阴) combine to form “time” (光阴), this philosophy suggests that time is not merely passing but is instead something to be felt in the interplay of light and darkness.
The multi-purpose shared space can promote interaction between the elderly and the children
Dinner Party / Cooking Classroom
/ Story-Sharing Session
/
/ Chating Corner
Ballroom Dance /
AGED KIDS
Site Analysis
Co-Living Patterns
07 SOCIAL SYMBIOSIS BETWEEN AGED AND KIDS
A Shared Interaction Space for the Aged and Kids Focused on Program / Material / Construction
Renovation Project, He Bi, China
Practical Work in Atelier XI｜ Group Work
Team Members: Huang Zhenfeng, Chen Xi, Weng Cekai
My Contribution: Pre-research, Conceptual Development, Program, Diagram Drawings and Construction Coordination
Renovation Area: 2,000 sqm 2022, 04 - 2023, 03
This project is an exploration of the co-living patterns of two groups of people (the elderly and kids).
The design aims to create a shared space for both the elderly and kids between the community center and the kindergarten. The two groups can interact and help each other and communicate in the shared
model for the
and psychological needs of both
and
This spatial strategy is reflected in both the space and the facade Interactive spaces and lively facades encourage interaction and communication between the elderly and children.
08 THREE LANDSCAPES IN ONE TOWER A Viewing Tower Facing Different Landscapes Focused on Landscape / Form / Material / Construction
New Project, Shenzhen, China Practical Work in Atelier XI｜ Group Work Team Members: Huang Zhenfeng, Chen Xi
My Contribution: Project Architect & Main Designer from Concept Design to Construction Desing Coordination Building / Site Area: 72.5 / 380 sqm 2021, 12 -
This project is a collection device of multiple landscapes, its spiral form symbolizes the convergence of 3 different landscapes
The project is located on a triangular hillside of the Longgang River. This is a site with three different landscape views. Unlike the local traditional watchtower with negative Windows, the scheme has several positive openings. Three standard boxes are stacked in height at an angle of 120°, forming a spiral form that faces in 3 directions to capture 3 different landscapes. Below them is a service space with public toilets and food vending machines for the public. In terms of material, given the abundant forest resources and the wild atmosphere in the site, we choose pine wood and corten steel as the main material, emphasizing harmony with the forest environment.
On the basis of not affecting the greening of the park, we "borrow" the space from the south side by overhanging and place some function to the underground floor to keep the building volume as low as possible.
The first floor is overhead, only remaining two lobbies, forming a convenient and accessible ground walking environment, "returning" the ground park space and its urban life more to the public, to shape an intimate and enjoyable city cultural life stage.
09 MULTIPLE GROUND WITHIN VERTICAL CONTEXT
Baoan Culture Center Design Competition Focused on Structure, Context and Program
New Construction, ShengZhen, China
Practical Work in CCDI Group｜ Group Work (First Prize in the Competiton)
Team Members: Huang Zhenfeng, Zhu Xiongyi, Zhou Mi My Contribution: Conceptual design and drawing, Case study, Study Model, Renderings Building / Site Area: 78,940 / 8,670 sqm 2019,03-2020,09
This project is a reflection on the vertical context of the city . Human beings pursue efficiency and image in conquering height, but their inner appeal is more inclined to the standard lifestyle , a complex rooted in land Thus, we keep the building low to emphasize the horizontality compared with the skyscraper around the site. By creating the multi-level system blurs the traditional boundaries of underground and underground spaces to establish a horizontal living mode The building provides maximum space flexibility free flowing spaces like a park and the individual and collective activities of the citizens will participate in the overall shaping of the built environment.
The project adopts rectangular steel inclined column + steel truss + steel frame tube structure system, and 6 rows of W-shaped oblique columns are evenly arranged in the whole building plane. The structural reinforcing layers are connected by trusses between the inclined columns to form a space structure system to realize local column-free space and large span suspension. Pick, while the other floors of the building are supported by hanging the pillars on the truss floor. On the basis of the structural framework, the two vertical traffic elevators and escalators are added to form a framework for structural and basic functions to meet the design and use requirements of space free layout.
Typical school designs start from the ground floor and go up to five floors. Students are far away from the ground activity floor. The rigid model is the yield of the high-density environment, which causes monotony and is not conducive to carrying out interclass activities and play.
By lifting the ground floor to the second and third floors, the classroom blocks become a series of small buildings of one to three storeys, and courtyard space can be shaped on a suitable scale. Therefore, an efficient and rich learning space model is created, which grants the space a lively campus atmosphere.
The traditional model of the school presents a horizontal layout, while the vertical circulation of the high-rise building on the north is organized through elevators, which is of poor accessibility
The complex building on the north side is put down to form a composite shared interlayer with high accessibility, which connects the upper classrooms and the large-scale public functional block on the lower floor
The classroom blocks are divided to form group teaching module, creating a pleasant scale of outdoor communication and interaction space
10 RICH SPACE IN HIGH DENSITY CONTEXT
Guiyuan Middle School Expansion & Renovation Focused on Scale, Density and Program
Extension Building, ShengZhen, China
Practical Work in CCDI Group｜ Group Work (First Prize in the Competiton)
There are two interfaces of different characteristic, one facing the city and the other facing the internal activity playground of the campus. Due to the limitation of construction land in the first phase, the building volume on the playground side will be divided into two phases
The building massing on the side adjacent to the city maintains a strong integrity, while the massing on the side adjacent to the campus is lowered and rearranged to form teaching blocks of three scales: large, medium and small
Friendly Southern Community
Resource Center as the Connection
By adding courtyard and corridors, a variety of courtyard spaces are created at different levels and are connected with the retained building through the corridors
"Zero" Layers of Ground Space
Team Members: Huang Zhenfeng, Zhu Xiongyi, Wang Xue Building / Site Area: 83,085 / 24,224 sqm 2018,08-2020,03
This project is a reflection on the high density context of the city. It is a try to expand space in a way that increases density but reduces monotony caused by the high density Guiyuan middle school will be expanded from the original 36 classes to 60 classes. We respect the high density of the city, and try to create a rich scale under high density. Through the strategy of "multiple horizon, compound and multiple, aerial connection", to provide a rich learning place, in appropriate scale, with lively campus atmosphere for the highdensity place.
FACADE CONSTRUCTION DETAIL Ⅰ
FACADE CONSTRUCTION DETAILEⅡ
11 OTHER WORK
Focused on Field Survey, Measuring, Drawing and Photography 2013 - 2023
FIELD SURVEY IN HISTORICAL BLOCKS OF HUI ZHOU (2016-2017)
like Chinese traditional ancient architecture, which records our history and culture. Unfortunately, many traditional buildings have disappeared in the process of rapid urbanization. I took part in a summer activity about historic district conservation. I am mainly involved in 3 types of work: The Architectural Quality Classfication, Facade Composition Analysis and Spatial Scale Analysis of Ancient Street. All of these works will serve as the basic research for the future repair work.
At the same time, the results of field research also serve as a background study of this paper - Study on the Necessity of Huizhou Legislation to Protect Historical and Cultural City District, Lin Chaohui, Huang Zhenfeng, Lai huai, published in HUAZHONG ARCHITECTURE, 06/2016, Which is Promoting the local government legislates to protect historical districts of Huizhou.
I had the honor to participate in the basic research and typesetting of the paper with the help of my teacher and classmates.
COLOR DRAWING AND PEN SKETCH (2013)
I like to capture moments on a journey with my pen. Old brick walls and roadside plants in the old Hui Zhou street exude a strong favor of traditional life. The Bank of China Tower's appearance shows the prosperity of Hong Kong.
I drew a sketch to record these feelings.
drawing
MEASURING & DRAWING (2015)
and traditional
