Design + Decor CT/NJ/NY Volume 16 Issue 1 by East Coast Home Publishing

DESIGN +DECOR

CONNECTICUT NEW JERSEY NEW YORK

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DESIGN +DECOR

CONNECTICUT NEW JERSEY NEW YORK

VOLUME 16 ISSUE 1 | 2019

Industrial Vibe

The talents of Jan Hiltz and her team at Jan Hiltz Interiors create this uniquely modern eclectic home in Scarsdale, New York. Story by Anastasia Storer Photography by Neil Landino

Splendor on the Sound Douglas Graneto Design’s renovation of this Larchmont residence results in a dazzling entertaining hub for the homeowners. Story by Anastasia Storer Photography by Peter Murdock

Stunningly Shingled and Styled in Quogue

An unsightly structure is transformed into a spectacular residence with just the right balance of preservation and restoration. Story by Anna Wirth Photography by Rebecca McAlpin

DEPARTMENTS 12 Editors Letter 18 Ask the Experts 34 Kitchens & Baths 96 Profile

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14 Melange 26 Kitchen Roundtable 94 Events

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DESIGN +DECOR VOLUME 16 ISSUE 1 - 2010

Editor-in-Chief Matthew J. Kolk mattkolk@me.com 203-820-1092 Managing Editor James Eagen Contributing Writers Deborah Brannon, Lisa Gant, Susan Heller, Pam Gersh, Kait Shea, Anastasia Storer, Anna Wirth Contributing Photographers Jane Beiles, Michael Biondo, Phillip Ennis, Tria Giovan, John Gruen, John Hannon, Paul Johnson, Neil Landino, Mark La Rosa, Tim Lee, Daniel Milstein, Janice Parker, Durston Saylor, Debra Somerville, Eric Striffler, Jonathan Wallen, Woodruff/Brown Photography Copy Editor Elena Serocki Graphic & Web Design East Coast Home Publishing

Publisher Shelley E. McCormick sm@dd-mag.com 203-545-7091 Account Manager Alessandra Flanagan af@dd-mag.com Design + Decor 7485 Inspira Circle #1203 Naples, Florida 34113 Fax: 203-286-1850

Design + Decor is published six issues per year. To subscribe: www.dd-mag.com; Subscriptions: one year, $28; two years, $50. Back issues can be purchased at www.dd-mag.com. For editorial inquiries: Editor, Design + Decor, 7485 Inspira Circle #1203 Naples, Florida 34113 or e-mail: mattkolk@me.com. For advertising inquiries: Please call Shelley McCormick at 203-545-7091. Reproduction whole or in part without permission is prohibited. All projects described in this publication are for private, noncommercial use only. No rights for commercial use or exploitation are given or implied. The opinions expressed by writers for articles published by Design + Decor are not necessarily those of the magazine.

EAST COAST HOME PUBLISHING 7485 Inspira Circle #1203 Naples, Florida 34113 DD-MAG.COM

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This is the place for you. Imagine hundreds of exceptional bath, kitchen and lighting products from trusted brands, in settings that help you envision them in your own home. You’ll find classic styles alongside the newest trends. A friendly, accessible staff offers guidance and detailed coordination to ensure that your project goes smoothly. Find your showroom hours online and stop by to explore.

PISCATAWAY, NJ 180 Centennial Avenue PLEASANTVILLE, NJ 755 West Delilah Road MAMARONECK, NY 1020 Mamaroneck Avenue NEWBURGH, NY 600 Corporate Boulevard STAMFORD, CT 200 Richmond Hill Avenue

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EDITOR’S LETTER

2 F S A

or the first issue of this new year, we have introduced we exciting enter spaces. into theour is “dog the day term ’s” weofPublishing. came summer, up we 019 is apecialty year This for East Coast Our as very new roundtable to group ofHome informative andwith infor find those the time rooms to that enjoy don’t family fit into and friends. the usual Entergenre Northeast publication enters its 16th year in production, while our teresting articles. The First Annual Kitchen Designer of taining the home. in ourits These backyards rooms andareenjoying cool....really cool. Southwest Florida enters 2nd year in production. We areour veryStayproud Roundtable. They cations. are not only home as of this accomplishment andthe lookspaces forwardthat to serving bothdefine marketsa for a very unique, but give you a little insight into the personlong time to come. We have brought together a talented group of heavy-hitting designers alities While enjoying the ahomeowners this much themselves. needed a look around to talk of about variety of topics such downtime, as: trends intake kitchen design, the your home. Ask yourself what would you change to make With this wonderful milestone, we decided it was time for a change. Asyour youa changing landscape of the buyer and how to identify and market to We home more so much enjoyable fun andcover, thethis envy section ofchanged thetogether neighborhood. for of you. Well, Like havehad probably noticed by putting the we have the names both of new generation of clients. kids this issue in a candy of East store. Coast Home Home theaters, + Design winelocations. isrooms, the perfect manre brandcaves, place our publications to Design + Decor under regional This unique to offices and on roundtable and on only andinEast on. What’s not love!of South ing start. effort is very important to not Coast Home Publishing, but to We produced this lively partnership withto Clarke our advertising community as well. By tying both magazines together under Norwalk, where the event was held, as well as a fantastic meal followinga Working This issue withthis isprovided our packed partners with to solidifies compile Amazing thisTransformations. section fun asFrom well. unified name, positive change our position inwas two of the most the discussion by Match Restaurant of South Norwalk. Each Architecture firm so excited Kitchens toluxury share to living. Landscapes, each space with we’ve us that got soughttalented after areasto in Interiors, thewas United States for it you made covered. me realize The talented just how firms lucky included we all are in to this be able issue to provide do this East Coast Home + Design would like to thank Sean Clarke, Marco for you a with living. many We all creative to regions, solutions make people happy. enhance your allwith get home to on take life Many of our clients forget both in anto effort to We diversify, participate ina Barallon and Heather Beland of Clarke for partnering us the persons through wildest thoughtful dreams beauty. for their home and make it a reality. My both publications. In light of this and various other factors, we felt that unifyevent, the talented chefs from Match for providing a wonderful meal partners get would to design itofthe and build it and geta segregated to it share with ing both simplify brand recognition from brand to and all oftitles the participants the roundtable forwe taking theshare time to you. Take your time with this edition, hear what our industry partatheir unified brand, as well as allowing us to grow as a publishing company under infinite knowledge of this very intricate segment of the shelter ners have toour sayreaders. about this more recognizable title. the issues of each project and their industry with We solutions. hope that you enjoy this issue as much as we do. We had a blast putting it together. hope inspires you toastake aa lighter side We hope absolutely loveenjoy this Inew title asaddition well as our logo. It welcome and We you all this newthis andnew much weisall did producwhen Creativity it comes flows to through your home the and pages. have a little fun when planning exciting change and as we welcome the new year, we look forward to continuing ing it for you and look forward to making this a staple in our publicayour next project. our mission to bring you the best of what each of our regions have to offer. tion. Enjoy, Enjoy, Enjoy this spectacular issue of Design + Decor and thank you for Enjoy, all of your overwhelming support.

Matthew Kolk Matthew Matthew Kolk Kolk

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- Editor in Chief -- Editor Editor in in Chief Chief - Editor in Chief

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MELANGE

THE CURATED KITCHEN On Tap Inspired by vintage beer taps, On Tap offers an engaging new experience in water delivery – one that feels familiar and trailblazing all at once. Large in scale and handcrafted from solid brass, the interpretation represents a unique feat of engineering: Its ruggedly beautiful pull handle lets users control the generous flow of water, while a separate knob on the side dictates temperature. waterworks.com Bridle Bridle boasts “V” groove wood paneling and metal strapping that recalls classic boxed planters at Versailles, while also incorporating luxurious details from vintage luggage, antique car trunks and honest plank doors for a truly distinctive, exclusive design. Integrated hardware, including exposed olive-knuckle hinges, slotted dome screws and sturdy pulls result in a versatile, layered effect evoking urban sophistication and traditional warmth. Shown in Dark Gray Oak with Unlacquered Brass hardware waterworks.com

Miele Vacuum Sealing Drawer Vacuum sealing is a tried-and-tested method of extending the storage life of food and of conveniently portioning larger quantities. The vacuum-sealing drawer by Miele enables the user to control the sealing level and duration to adjust for delicate items, such as fish or vegetables, or performs a strong hold on meat that would benefit from locking in marinades or seasoning. For sous-vide cooking, the vacuum-sealing drawer and a steam oven from Miele join together to form a formidable team. miele.com

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Dash The perfect blend of art and function, Dash pays homage to 1930s design elements, with pared-down shapes, softened curves and minimal details. The resulting forms are beautiful and sophisticated, with a unique simplicity that goes well beyond basic. Newly expanded to include kitchen gooseneck and pull-out faucets, the collection is versatile enough to suit any decor style without sacrificing the vintage character and inspiration that set it apart. waterworks.com

Miele Combi-Steam The Miele combi-steam oven fulfils all your cooking requirements. As a fully-fledged steam oven, it cooks foods delicately without the need for added oils and butters. It is also equipped with various oven functions including Convection Bake as well as operating modes such as Surround, Intensive and Broil. It shows its skill in Combination cooking - a combination of moisture and blower heat for perfect results, particularly when baking and roasting. miele.com

Miele Ranges Harmonious Design, precise performance, purposeful innovation and effortless operation blend to create the Miele 36” Dual Fuel Range. Miele redefined the category offering an assortment of 30”, 36” and 48” Ranges that are as functional as they are pleasing to the eye. Simmer, sear, roast and bake with confidence. miele.com

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Miele Graphite Grey Built-in Appliances Stylish, trending and a favorite in today’s kitchen design, ‘Grey’ has made a bold statement. Miele is proud offer Graphite Grey – an extension to the brand’s built-in appliance from the PureLine design assortment. The Graphite Grey collection includes a 30” Convection Oven, 24” and 30” Speed Oven, XL Combi-Steam Oven, Warming Drawers, Wall Ventilation, and Counter and Built-in Coffee Systems. miele.com

Belden New Door Styles - Belden is classic with a twist, featuring familiar paneled wood doors reimagined in a distinctive, transitional style. Its subtle cove molding and wide flat band design tips its hat to both American and Federal detailing and 20th-century French neoclassicism. The result: a stunning yet uniquely simplistic architectural style that pairs perfectly with a variety of hardware style. What’s more: Belden is available in nine door designs, including mesh, chicken wire, antique mirror, and iconic panels trimmed with various moldings—which work beautifully uniformly or in an unexpected mix of texture and form. Shown in Midnight with Nickel hardware waterworks.com

Canteen Luxurious and heavily built, Canteen elevates the pull-out kitchen faucet. The generously scaled, handcrafted collection is inspired by the clean simplicity of vintage water pumps,with a tall, graceful faucet and polished,highly durable oak levers. This original, innovative silhouette brings warmth, character and dimension to a kitchen, setting the tone for the rest of the decor. waterworks.com

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ASK THE EXPERTS

Engineered Quartz Industry Upheaval

What You Need to Know Story by Anastasia Storer

ngineered quartz has become one of the most popular material choices for kitchens and baths due to its superiority to marble in terms of durability and stain resistance. Unlike 100% natural quartz, which has some of the same weaknesses as other natural stone products, engineered quartz is a man-made product composed of approximately 90% to 97% natural quartz, which is then mixed with resins and pigments to create the finished product. Last year, homeowners who wanted to use engineered quartz in their home got an unexpected and unpleasant surprise, as the product experienced extreme fluctuations in price, with some varieties and colors simply becoming unavailable. “We had a lot of confused clients,” says Tyra Dellacroce, vice president of interior sales and marketing at Connecticut Stone. “We’ve seen clients who were planning their budget around a specific price, only to come back weeks later to find the price had increased or, in some cases, that the style and color they had chosen was no longer available.” Previously, homeowners and interior designers didn’t worry much about availability or price instability when it came to engineered quartz; because it’s a man-made product, the assumption was that, other than the normal annual price changes and discontinuation of

some products, it would always be readily available. All that changed last year, however. Why? “The situation we have now is the culmination of two different factors affecting the market,” Tyra explains. “The first is a ruling made by the U.S.’s International Trade Commission (ITC). The second is the current trade war between the U.S. and China.” A Little History The ITC ruling is the result of a case filed by Cambria, a U.S.-based engineered quartz manufacturer. In April of 2018, Cambria filed a petition asking for anti-dumping and countervailing duties to be imposed on imports of quartz surface products originating from the People’s Republic of China. In layman’s terms, that means that quartz manufacturers in China had been receiving significant subsidies from the Chinese government, which allowed them to export and sell their products in the U.S. at a significantly reduced cost. This gave them an unfair advantage over both domestic companies like Cambria and manufacturers from elsewhere in the world who export engineered quartz products to the U.S., such as Silestone, whose headquarters is in Spain, and Israel’s Caesarstone.

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After conducting its investigation, the ITC ruled that Cambria was correct, and it imposed retroactive tariffs on these Chinese companies. That created the first wave of industry disruption and price fluctuations. Trade War Completely separate from the ITC investigation and ruling is the current and ongoing trade war between the U.S. and China. In September 2018, imported Chinese engineered quartz, along with thousands of other products, began to be subject to a 10% tariff. This created a second wave of disruption and price fluctuation. A second 25% tariff was scheduled to go into effect in January of 2019, but it is currently on hold while China and the U.S. are in negotiations. What’s Next? These two issues have caused serious disruption in the engineered quartz industry simply because a significant percentage of the products on the market here in the U.S. were in fact imported from China. “We don’t have exact numbers,” says Adam Weinberg, general manager of Cosentino Boston, “but in 2017, the dollar value of imported Chinese quartz was around $460 million. Last year it was over $600 million.” “Engineered quartz production is already moving from China to other countries, such as Taiwan, India and

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Vietnam,” continues Adam. “We expect to see a lag in supply as new production lines are set up and any kinks are worked out—generally, you see a high rejection rate with new production due to various issues. We’re also anticipating pricing to be higher than what we saw from China due to the difference in labor and shipping costs.” What does this mean for the homeowner? According to Adam, there is still a glut of Chinese quartz inventory, so it will be four to six months before the final effects of the disruption and changes are seen here. At this point, it would be wise to ask the source of any engineered quartz product you’re considering so you can plan accordingly. Tyra recommends that homeowners who find a Chinese quartz product they like and want to purchase it as soon as possible to ensure it’s still available for their project. Resource: Connecticut Stone Tyra Dellacroce 138 Woodmont Road Milford, CT 06460 203.882.1000 connecticutstone.com

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MOEN

Changing the Way We See Water

or 75 years, Moen has led the industry in creating kitchen and bath hardware that is not only incredibly beautiful, but also incorporates the latest technologies into the design—all with the goal of enhancing the homeowner’s experience with water. “We want to offer thoughtfully designed products and ideas that combine beauty and function to make people’s lives easier and more enjoyable,” says Jessica Birchfield, a senior industrial designer for the company. What design trends is Jessica seeing in the kitchen and bathroom for 2019? “Homeowners are looking for ways to make their spaces stand out,” she says. “They are choosing finishes that make a bold statement.” Moen’s Matte Black finish, for example, offers a contemporary and unique look that is the perfect complement to the popular modern design aesthetic. “The finish is available on select fixtures, like our Align Spring kitchen faucet,” Jessica says. “The look is industrial-inspired, and the design has a lot of helpful features we consider essential for home use. These include the faucet’s pull-down hose with a multifunction spray wand that provides extended reach and is easy to maneuver, and a hose that retracts effortlessly and docks securely when not in use.” For homeowners whose style preferences lean towards something with a little glamour that is not chrome or polished nickel, Moen’s new Brushed Gold finish adds elegance to any space, easily becoming a visual focal point for any design. The soft brushed gold coordinates with other golden-toned accents and also blends seamlessly as part of a mixed-metals palette. Moen’s latest products utilize innovative designs to offer ease and convenience. These include its MotionSense touchless faucets and finishes that prevent the growth of bacteria and resist water spots and fingerprints. “Our goal is to make the

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homeowner’s life easier,” says Jessica. “U By Moen is our smart technology innovation. It’s a cloud-based, app-driven digital shower offering Wi-Fi mobile connectivity and unmatched personalization. There are up to 12 customizable presets, giving you absolute control over your showering experience.” U by Moen can be voice-activated or controlled by either the smartphone app or an in-shower control panel. It also works with all the major smart home assistants: Amazon’s Alexa, Google Assistant and Apple HomeKit. One of the company’s newest products is Doux, a full suite of bathroom hardware inspired by the sleek lines of the contemporary aesthetic and the French word itself, which translates as soft. “The faucet was designed with a distinct D-shaped spout that shapes the way waters flows from it,” Jessica says. “The water becomes this silky, flat ribbon that reflects the lines of the faucet itself.” No matter what a homeowner’s personal design preference is—and whether hardware is needed for a new construction, a room renovation, or simply to freshen up a kitchen or bath—Moen has a product that will add a unique, gleaming touch of beauty. Resource: Moen Jessica Birchfield Senior Industrial Designer 25300 Al Moen Drive North Olmsted Ohio 44070 moen.com

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TIPS ON TILE with Tile + Stone Techniques

boutique showroom in downtown New Canaan, CT, Tile & Stone Techniques boasts luxurious and practical tiles for every area of your home. Senior Design Consultant Vicki Beltz, who has been in the industry for over 30 years, operates the showroom with coworker Dana Bilello. Their approach is simple: Treat every client with whiteglove service, no matter what the budget or scope of the project may be. Below, Vicki answers a few common questions they receive daily from clients. Where do I begin with my project, and what should I be selecting first? As many projects can be overwhelming and daunting, Dana and I can ensure that the design and selection process go as flawlessly as possible. We see your project through from beginning to end. From paint swatches to a picture online to a quick sketch, we work together to create beautiful and functional spaces that reflect the vision and desires of our clients. Is the tile I’m looking at within my allowance? Every client and every project is different. Some clients want to stay within the allowance that their builder/designer has provided them, and some clients do not. We ensure that no matter what the price range may be, the final result we create will be unique, functional and tailored to your needs. Are you available to come to our house to see the space and measure? As a courtesy to our clients, we can make appointments for on-site 24

Christine Donner Kitchens

visits. This gives us an opportunity to view what the client is viewing, and affords us the time to listen to what our client wants and needs. At the time of the visit, we can take field measurements, which are just an estimate. Your tile installer should be responsible for providing firm quantities before any order is placed. Since there are so many materials to select from, can you suggest one? There are many different types of materials to choose from these days, and clients become easily confused and overwhelmed. It is our responsibility to educate our clients regarding the different materials, their application limitations, and maintenance that may be required with certain products. Many clients love the look of natural stone, but do not want the daily maintenance that can be involved. In this situation, we would recommend that our clients select a ceramic/porcelain tile with a marble look. This option is maintenance free and ensures that our clients get the look they desire. Resource: Tile + Stone Techniques Vicki Beltz Dana Bilello 3 Morse Court New Canaan, CT 06840 203.594.9146 tile-stone-techniques.com

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Dana Bilello and Vicki Beltz

TR Building and Remodeling

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Anthony Maucieri and Sean Clarke

IN THE FIELD

2019 Second Annual Kitchen Design Roundtable

THE MYTHOLOGY: THE HUMBLE KITCHEN THE REALITY: THE MOST EXPENSIVE ROOM IN THE HOUSE Story by Susan Heller | Photography by Jack Chou

KITCHEN CREATION From an upgrade to a renovation, all the way through to brand new construction, Everybody is doing it. It’s estimated that 80% of home remodeling is all about the kitchen, so if you are even considering being a part of that majority, you need to embrace the phrase Buyer Beware. What does that mean? The architects, designers and fabricators of this year’s Roundtable weigh in on what you need to know, what you should do and what you most definitely should not do, to ensure that you and your family have the very best experience and achieve the desired results. A kitchen upgrade is an expensive proposition and not just because it requires the participation of all of the trades. It is also due to the fact that the kitchen no longer has its own individual zip code. Whether it’s new construction or a renovation, open living plans mean that the (a) living room, (b) family room, (c) dining room, (d) home office or, (e) All of the Above, have coalesced to become the point of intersection for family life. Even if you’re going old-school style and you want your kitchen to be, 26

quite simply, just your kitchen, an upgrade or a renovation may still require the presence of demolition crew, electricians, plumbers, painters, drywallers, tile installers, cabinetmakers, HVAC experts, lighting designers and appliance installers. THE ABSOLUTE ANTITHESIS OF DIY An investment of this magnitude requires professional–make that experienced professional–participation. There is a reason that designers and architects specialize in kitchen design. It’s not just that it’s complicated. It’s because you need the equivalent of a Master’s degree or a PhD to understand the thousands of options, choices, and possibilities in a multiplicity of categories across a ridiculously wide range of subjects. It is the job of a designer to learn who you are, how you live, what you want and what you need, so they can help you manifest a knock-out space that will serve you and your family for years to come. IT BEGINS WITH A VISION Consider this the first make-it or break-it milestone; Due Diligence. This is the time to avail yourself of the extraordinary resources of the Internet. Put together a visual wish-list by grabbing images from Instagram, Pinterest, and Facebook. For high-end ideas, check out Houzz and Dering Hall. Take photos of your friends’ kitchens, pull pages from

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magazines, and bring photographs or a video of your current space. Help your designer “see” where you currently are and what you’re envisioning for your new kitchen. Anthony Maucieri – East Hill Cabinetry “Many of our clients come in with a lot of information, but they are not necessarily well informed. That’s our job. To listen to them so we can hone in on what the right choice is in terms of materials, budget, function and work centers, resulting in the best way to design the flow of the kitchen for their lifestyle.”

Sarah Blank and Jennifer Howard

Sarah Blank – Sarah Blank Design Studio “There is no shortcut to getting a kitchen done. If you try to do it quickly and you don’t go through due process, there is going to be a mistake somewhere.” Sean Clarke – Clarke Kitchen & Design Showroom “The time to explore new surfaces and styles is not after the design has been completed.” Make a list of the features and specialized appliances you want to include. In addition to defining the price tag for the appliance, designers (and appliance showrooms) can fill you in on unforeseen issues such as the floor requiring additional support to accommodate a 900 lb. professional grade range. Or the advantage of a plastic molded interior for a double drawer dishwasher (quieter, no spray arm necessary, water engineered to hit every surface).

Sam Goldstein

Consider the cost of buying a less expensive product and replacing it two or three times over the life of what would be a really good product, which is basically your cost of ownership over time. Cheaper isn’t better. Don’t compromise. Sarah Blank – Sarah Blank Design Studio “You don’t design in a vacuum. When you first meet a client you really have to listen, you have to hear what they’re saying. If a client says, “I just can’t stand a countertop that stains,” you’ve just really narrowed down the possibilities. There are only certain materials that are going to meet that criteria.”

Carlo Vona

Carlo Vona Jr. – Paramount Stone “I’m a fabricator. So when clients come in to see me, even if they’ve been working with their designer, they still can’t ‘see’ it. What’s a pencil edge, a waterfall, a mitered edge? So it gives clients a sense of comfort, that they’ve been sent to someone who is able to show them the differences and who can deliver what has been deDesign + Decor

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Matthew Kolk

signed for them.” Jennifer Howard – JWH Designs “Once a client gets to our showroom they may say, “Oh we want beautiful marble countertops,” and we can explore whether they have young children and explain why marble is not the best choice.” THE 800 LB. GORILLA IN THE ROOM BUDGET – You may feel the need to play your cards close to the vest, but in reality you are doing yourself a massive disservice by taking options off the table. Designers will create to your number rather than create the best design possible. That means that there will be ideas, features and concepts you won’t see as they strive to accommodate your budget. These people will be in your home and in your lives, responsible for creating the very center of your living experience for years to come. Trust is paramount. Scott Weinlein – Majestic Kitchens 28

“Rarely will a client come in and divulge a budget in the first meeting. That’s probably one of the hardest conversations to have. “But it’s absolutely necessary if you’re going to have a working relationship with your client. I find that you just have to be honest. If they are looking for something and you know that it’s not going to fulfill their criteria, you have to be able to say, “No. This is really not going to work for you and this is why.”” Anthony Maucieri – East Hill Cabinetry “The downside to being coy about your budget is that it creates a challenge for your designer in terms of selecting features and products. We can do the same room for $20,000, $50,000 and $80,000. “However, if you don’t feel comfortable discussing numbers with your designer, the project is destined for failure. At our company, our reputation is worth far more than any revenue we might gain by padding our quote because there is room in the budget.”

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Jennifer Howard

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Vasileios Symeondis

Jennifer Howard – JWH Designs “We are a design and interior architecture firm and we do cross over into the contractor line. We have definitely lost jobs because clients will come in with a specific budget and we will say, “No, it’s not possible. Whether you use me or not, you can’t possibly do it for that.”” IT’S A QUESTION OF ANSWERS A professional architect, designer, appliance center, or fabricator will dig deep to learn about your needs. It is in their best interest, as well as yours, for them to understand everything about how the new space will be used. Vasileious Symeonidis – Tile + Stone Techniques “I am a fabricator, so by the time clients get to me the kitchen is designed. But they do want assistance in choosing the surfaces because the countertops are like the icing on the cake. We find out how they will use their kitchen to help them decide what materials would be best.” Jennifer Howard – JWH Designs 30

“We do a decent amount of question asking too. What is your general timing, do you have a sense of your budget? If the response is “$50,000 all in,” we can help clients understand whether that is feasible.” Sean Clarke – Clarke Kitchen & Design Showroom Buyer’s Remorse is more of a problem than is generally talked about, where someone invests a significant amount of money and then they learn there was a better choice. We ask every question imaginable so that doesn’t happen. THINK TECHNOLOGY. THEN THINK AGAIN Everyone can easily Google prices and styles, but you’re not going to begin to understand the kinesthetic pleasure that something like the silky roll-out of a drawer provides. It’s interesting to note that as augmented-reality helmets, combined with AR gloves, are making it possible for you to walk around inside buildings (albeit at $15,000 a crack), the Roundtable participants stressed the real-world benefits of sight, touch and sound in addition to elements of CAD (computer aided design) for 21st century kitchen design. Something of a slight step away

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from technology and a return to the tangible power of the five senses. Sam Goldstein – Marketing Consultant “Once AI (Artificial Intelligence) is invoked—that is, the 3-D is created and you see exactly how that shelf in that corner drawer comes out— you still don’t get it. Ultimately, clients are going to want to come into a showroom like Clarke to touch, see, feel, and even smell the reality.” Jennifer Howard – JWH Designs “I’m a big 3-D girl. So my clients can see where the wall is going to be, where the window will be, they’ll get a sense of proportion, of how it feels and why I’ve moved something to avoid an awkwardness.” Sarah Blank and Jennifer Howard

Vicki Beltz and Dana Bilello

Sean Clarke – Clarke Kitchen & Design Showroom It’s difficult to have our business disintermediated by the Internet. To design a kitchen, to choose a countertop, pick appliances, to make $50,000, $75,000, $100,000 decisions, you need to see and feel all the elements. You’re never going to learn the difference between a 5/4 inch door and a standard door until you feel the weight of it, the way it feels when it swings open. That’s exactly why we built our showroom; to combine physical touch relationship with technology. KITCHEN CHOREOGRAPHY People live their kitchens actively. There is a sort of musicianship at play in a well-designed kitchen. An elegance of convenience as people turn, pivot, open, close, place and slide doors, cupboards and drawers. Each element must be beautiful and all the pieces should function as a symphony of colors, textures, angles, surfaces, and layers of light. Sarah Blank – Sarah Blank Design Studio “I attended the Design Leadership Network and what’s very interesting is that the conversation was about the sensual mystery of a beautiful rendering. In a way things are going retro. So many designers are not using phone technology, not doing 3-D. The renderings are gorgeous watercolor presentations. Computer generated visuals don’t have that warmth and the luster and the sensuousness. Yes, they use CAD, but they use it for floor plans and elevations, cross-sections and profiles.”

Marco Barallon, Vicki Beltz and Dana Bilello

HICCUPS! Have you heard the word “hiccup” used in context with any process, system, program or methodology? The now ubiquitous euphemism is used in place of terms like mistake, error, screw-up, or miscalculation. Whatever it is called, in kitchen remodeling it is inevitable. So says absolutely everyone with any expertise in the subject. With so many complex moving parts and people, the best strategy is to have a strategy in place before you begin, because as Editor-in-Chief Matt Kolk puts it, “Building a kitchen is the least perfect science there is. There are always issues.” Scott Weinlein – Majestic Kitchens “I go back to honesty, transparency and expediency. You have to be totally above board with clients. If something happens, don’t try to hide it. Bring your clients into it. Put the solution on the table.”

Heather Beland

Anthony Maucieri – East Hill Cabinetry “We try to deal with this stuff on the front end and if it costs us the job, so be it. Clients know, because we tell them, before they even file the permits there are going to be issues, and we show them, “Here is the process we’ve devised to resolve problems.” As Matt said, this is not a Design + Decor

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Scott Weinlein and Kathie Anechiarico

Anthony Maucieri, Alessandra Flanagan and Sam Goldstein

www.dd-mag.com

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Artistic Tile

game of perfect.” as well as the hope of a story that is not yet over—that creation and life continue. I’d like to acknowledge my collaboraJennifer – JWH tors andHoward friends, CoreyDesigns Grant Tippin and Kim Nelson, who “Whether you go with small or ainto largethis one,world.” mistakes happen, have brought a wholea lot of firm beauty ARTISTICTILE.COM they just do. It’s about the willingness to work together to get it fixed and make sure it comes out right in the end.” is this powerful In showcasing their creativity and compassion window display project, these top designers each offer a unique IN BRIEF... design but all convey the same message: spread the word, raise Here is whatand youpromote should know, to utilize Sean awareness care,orcompassion andClarke’s hope indescriptor, the fight here are the crucial Capstone Takeaways: against HIV/AIDS. • Your participation in terms of performing your Due Diligence is key. Do the research, talk to friends, ask for referrals and find the Resources designer that is right for your lifestyle, your budget and your timeChristopher Spitzmiller pair of wide zig zag lamps in frame. marigold christopherspitzmiller.com Farrow and Ball Designer Resources “Yellow is the most luminous of all colors in the with purchases and shipping, and can even suggest accommodations, Locations and Designers in almost everyisculture it represents • Buildingspectrum, or renovating a kitchen incredibly complex. Understand ifus.farrow-ball.com needed. Alexander Doherty warmth” that there will besunshine,happiness, mistakes, issues andand timing snafus. Alexander Doherty Design We arrive Doherty at Antichita Trois, where I’m introduced to Alberto Alexander 71 W 85th Street #4A Anfo• Relationship is everything. The key is to work with people you dillo. again I’m whisked away—indeed, my feet UpperOnce West Side New York, NY barely 10024 touch the trust and with whom you share common ground in terms of the viGypset Travel ground!—to the interior ofwith a somber palazzo. Of course, the ground 322 Columbus Avenue 212.390.1572 Acrylic bench Mongolian Fur Seat sion for your home. assouline.com worlds-away.com floor is reserved for acqua alta, and thus left vacant. We enter an New York, NY 10023 alexanderdohertydesign.com elevator that is small even by European standards and are brought to 212.799.0900 This is an incredibly for a very So cozy - cliché Worldsthing Away-toyetsay interesting in good reason: a the most spacious rooms ofany hisroom magnificent palazzo. Alberto guides Antonino Buzzetta successful build for any kitchen is unequivocally a team effort. Comus through his treasure trove of antiqueAntonino paintings on reverse Antonino Buzzetta Buzzetta Design glass; munication and collaboration throughout the entire process is the aFlatiron collection of lions (the symbol of Venice); ancient boxes, some as 39 W 14th Street #504 closest thing you PUZZLE can get toCHANDELIER a guarantee that the kitchen of your beautiful onaStreet the inside as the outside; furniture; glass; and, 32 E. 22nd New York,paintings; NY 10011 Inspired by house of cards, our Puzzle Chandelier is made dreams will become your living reality. ofNew course, chandeliers (this is Venice, all). I’ve always been fond of sheets of solid brass layered into after a dynamic York, NY 10010 917.971.0571 The clients wanted an open, free-flowing house composition. that would take adThe Architectural Modernist feel isand warmed by the luminous of212.334.8330 Venetian Murano chandeliers, now I’mup convinced that antique antoninobuzzetta.com Design by Sara Baldwin for New Ravenna, The Aurelia fromLathrop vantage ofyour a dramatic waterside location ona circular a cove. Sellars metal. Chandelier above table, like isResources: theHang way to go.isPuzzle Delft Collection a modern American interpretation of a cenArchitects and Landscape Architects were fortunate to colourArtemis Nixon, or in a here fabulous Carmina turies oldRoth familiar craft, . Shown isCarmina a foyer. hand Roth cut jewel glass laborate on this classic modern home. Clarke Paramount Stone jonathanadler.com David Rachtian isLapis, a Venetian ofLolite, partial Persian descent on hisand father’s 32 East Putnam Avenue Carmiña Roth Interiors mosia shown in Lazuli, Mica, Absolute White erie’sClarke team decided to update themCarlo to anVona off-white finish. Doing so Sean side. At hisCT shop we find antique Persian rugs from Tabriz, Kashan, Greenwich, 06830 203.987.5961 Blue Spinel. not only helped but also offered the enduring look While Howard Lathrop ofrooms Sellars Lathrop provided the overall deMarco Barallon 338 Courtland Avenue Photo credit: lighten Chuan the Bing. imagesbychuan.com Isfahan and China, around which one could easily build a room. This 203.422.0990 carminarothinteriors.com jamieshop.com that couple for wasthe seeking. color helped provide a sense of sign the direction housePlus, and the the site, he knew it was important Heather Beland Stamford, CT 06906 Collection thoughtfully arranged and packed antiqueIbiza storeLounge also features glass64 Main in Street uniformity within home. from203.353.9119 toSbring Tara M.the Vincenta Artemis, a firm known for its exrestorationhardware.com ware, silverware, jewelry and important, sought-after Jewish pieces. Connie Cooper Connie Cooper Norwalk, CT 06854 paramountstone.com pertisewhites, in coastal plants andsilver, sensitive ecological locations. Howard grays, which “really makes decorated the artWhat catches mytaupes eye areand paperweights from the 1950s, 396 Post Roadwere East Connie Cooper Designs 203.838.9385 The couple thrilled with the results—a timeless home that is says he and Tara “worked collaboratively to meld the interior of the work stand out nicely,” she says. with mythological creatures. Westport, CT 06880 58 adult High Point Road clarkeliving.com Goldstein just as with welcoming to their kids as toSam their guests. house the exterior.” 203.221.3117 Westport, CT 06880 Marketing Consultant White and was Chiara also integrated into the sleeker modern Orseola walk me back to where the tour began, powder and I am 203.256.9183 East Hill Cabinetry 203.913.5520 “Hedgerows and stone walls work together to formits thefixtures interplaytoof room, which was long and narrow, and needed pleasantly surprised to find myself in familiar surroundings. Then I Caleb Anderson conniecooperdesigns.com Anthony Maucieri INTERIOR DESIGNER planes and solids that create the designthat aesthetic,” he The palbe small and modern. Laracircle, believes whites aresays. important realize we have made a large and they have given me a lesson D & D Building 305 Central Avenue Sarah Blank Design Studio Valerie etteuse ofGrant hardscape materials is limited rooms to washed rock, to in smaller rooms thatriver have no narrow winin getting around Venice, too.and dark Suite 1519 Caleb Anderson White Plains, NY 10606 Sarah Blank Valerie Grant Interiors concrete pavers, Ipe wood deck tiles and native stone outcropping. dows or don’t get much light. In this case, Lara “didn’t want 914.432.7341 19 West Putnam Avenue 979 ThirdTuck Avenue Drake / Anderson 14 Friar Circle Retaining walls are natural concrete matching the pavers. A native to clutter the with artwork,” she to says, “soa Leaving Venice islong like empty parting wall withGreenwich, a lover; I daydream linger easthillcabinetry.com CT 06830 New York, NY 10022 67 Irving Place, 12th Floor Summit, NJ 07901 stone wall runs adjacent to the road and at the parking area. instead I chose a delicately patterned silver-white wallpaper 203.655.6900 little longer before returning to reality. Visitors at least can take 212.752.5544 New York can NY 10003 917.921.1916 to fill the wall withsomething a bit of shimmer and tons of interest.” JWH Design Cabinetry sarahblankdesignstudio.com comfort in & bringing back home—a beautiful lion, box, 212.754.3099 valeriegrantinteriors.com Tara white, provided a clean, simple landscape that keeps fits thethe architecture and The silver and gray color scheme small room Jennifer Howard chandelier, a commissioned Luigi Bevilacqua fabric for that very speMichael Herold drakeanderson.com spectacular waterfront setting. As she explains, “Howard and I were light and bright evenunique thoughbag. it Tile has windows. 1111 Boston Road &noStone Techniques cial upholstery and/or Finds like these add sparkle to 160 Route 17Post North The Jenning Brutalist Ribbon was in agreement that the landscape toBeltz be simple and architectural, Rye, NY 10580 Vicki interiors and wardrobe, lifting one out of the sea of sameness. Paramus, NJ 07652 Michael Herold Table will dazzle thethe particularly the entrance to home, with thewith use aoftint clipped Lara likesLamp toatpick a whiteincolor for wall paint of 914.967.6020 Dana Bilello 201.265.4030 Michael Herold Design and vermodern home with striking ilboxwood hedges, ivy groundcover, concrete plank walkways the color that will coordinate with any other colors in the jwhdesigns.com Vasileios Symeondis Venice is a bewitching city that I can’t 287 waitS to getStreet back#8 to as soon Main lumination, simple geometric nacular stone site walls.” She uses brighter whiteAnd on itthe window trim, Morse Court asroom. possible. Itthen makes me ayearn for 3more. makes me wonder, Patrick Mele Lambertville, NJ 08530 designs and boldto metal done with doors and ceilings contrast the off-white color on Majestic Kitchens New Canaan, CT 06840 Cockatoo Wallcovering Scalamandre Spring 2016 fabric Where will The Antiques Diva takeIndoor/Outdoor me to travel and shop next? the Upper East Side 609.460.4763 BIZET TABLE inher aThe gold leafwas finish. One of the project goals to has extend the direct coastal vegetation Kathie Anechiarico 203.594.9146 wall. Unless clients insist, she tries to steer them away osborneandlittle.com book. colors Linda selected are the 142 East 73rd Street mydesignermichael.com A stunning hand-wrought base is topped zincdoor.com into the house, all while becoming part of the shoreline. To achieve Scott Weinlein tile-stone-techniques.com following: 27056-002 Surf, 27059-002 Surf,for 27058-002 from white fabrics on upholstered items, obvious practiThe Antiques Diva &with Co New York, NY 10021 tempered glass. Distinctively Osborne Little -27067-003 fun in awhite/light-colored child’s room or perhaps a mudSurf, Surf scalamandre.com thisFenimore theand team used a circular variety of ornamental grasses and perennials, 700 Road cal reasons. 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KITCHENS + BATHS

COLORFUL KITCHENS 2019 ANNUAL KITCHEN + BATH ISSUE Story by Anna Wirth

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LEICHT

he design process for any project often begins with assessing the space, the structural challenges and the overall style and aesthetic of the house as a whole. Before she considers these factors, however, Leah Diamond of LEICHT chooses to listen to the client. “My design process begins with being a good listener,” she explains. “In our first meeting, I ask the clients what they hate and what they love about their current kitchen.” Their answers serve as the foundation for the choices that resolve questions of aesthetics and function. Here, the clients explicitly wanted to buck the trend of having an open plan and center island. Instead they opted for a peninsula crowned by a small seating area, and bifold pocket doors that separate the kitchen from the dining room area. They also wanted to incorporate color into the design, choosing a palette dominated by blue, punctuated with red-and-yellow accents. The clients settled on a hue of blue followed by a red to complement it; the yellow addition came in the form of a wall panel accent. The whole aesthetic is reminiscent of a Piet Mondrian painting. Leah collaborated closely with Renate Sieg of Sieg Design & Construction Associates in Stamford, CT, who had worked with the clients on other projects in the home. Renate helped them choose the exquisite countertop in Semiprecious Blue Agate from Walker Zanger, which covers the peninsula and seating area table. Storage and hardware solutions were practical, and feature pullout pantries, lazy Susans and kidney-shaped pullouts in the corners. Everything is easy to access and handle. The interplay of textures was limited due to the color scheme and the high-gloss lacquer finish of the cabinetry. “We kept things more subtle and softer, such as the floor and wall tiles that were both executed in a soft gray,” Leah notes. The Stone Snowfall quartz countertops, also from Walker Zanger, offer a crisp and clean white contrast against the blue. Reflecting on the transformation, Leah notes: “The kitchen has become a multipurpose space now—it’s not just about cooking and eating. It’s a great example of maintaining a separate space for those more formal events, but at the same time encouraging an open flow for everyday use.” Resources: LEICHT Leah Diamond 200 East Main Street Mt Kisco, NY 10549 914.218.3433 leichtwestchester.com

Sieg Design & Construction Associates Renate Sieg 840 Rock Rimmon Road Stamford, CT 06903 646.234.7936 siegassociates.com Design + Decor

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STONEWATER ARCHITECTURE

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itchens are created for cooks, but not all cooks are created equal. For this gorgeous, modern, openconcept kitchen designed and executed by Michael Moritz of Stonewater Architecture, the client had very specific functional requirements.

“The home is a very traditional center hall colonial,” says Michael. The clients, a young couple with children, maintained the exterior to reflect the more traditional vibe of the neighborhood; the interior, however, is a true reflection of their edgier modern aesthetic. The old layout offered no view to the backyard, nor was it connected to the dining or living area. The client wanted to completely open up the space so the children would be in view at all times. In addition, the self-described yogi and healthful eater also required a simple and streamlined design to serve as a backdrop for her food prep, drying and processing. Previously, there was no storage space for all her tools and equipment, and an additional refrigerator was stored in the dining area. The new layout offers unobstructed views of the living and dining rooms. A pantry behind the stove serves as a storage area for the client’s equipment, and an extension of her prep area. Children and visiting friends gather at the large island. Views of the backyard and private yoga studio are captured through the largest window that Marvin Windows manufactures. Pendant lighting over the island and recessed LED lighting in the ceiling illuminate walkways and work areas. There is also built-in lighting in the cabinetry. A pop-up ceiling above the window makes the room feel larger and allows natural daylight to flood the space. The color scheme is absolutely Zen-like. The clients wanted a New York loft look, so all ceilings and walls are painted white to achieve this end. The oak flooring, from Carlisle, boasts a custom-colored, violet-tinged gray finish. For the cabinets, the clients chose a deep blue-colored finish from Poggenpohl called Diamond Grey, which provides a stark contrast to the white countertops and exposed steel beams. Contributing to the overall refined and streamlined look is the complete absence of casing, trim or baseboards. “I really enjoyed the fact that this project was done without the use of any millwork,” says Michael. “It was exciting and challenging to be able to do everything with Sheetrock and Sheetrock reveals. Between the Sheetrock and baseboard, the windows and doors, and the ceilings and floors, you can’t hide any of your mistakes. This was the challenge—to make all these details refined and perfect, everything had to be level.” The finished product perfectly embodies the client’s aesthetic and lifestyle: clean lines for clean living. Resources: Stonewater Architecture Michael A. Moritz Principal Architect 99 Morningside Road Colonia, NJ 07067 908.380.2496 stonewaterarch.com Design + Decor

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ature has inspired art for centuries. “Bringing the outdoors inside” is on many a client’s wish list. Often, walls are broken, windows installed and ceilings vaulted to meet this end. Alternatively, nature can be brought into the home, quite literally, by integrating natural materials into structural and decorative features. Connecticut Stone has been partnering with designers, architects and builders for decades, offering a virtually endless array of natural stone products.

CONNECTICUT STONE

Tyra Dellacroce of Connecticut Stone describes the design process as an attempt to gauge a client’s aesthetic taste and lifestyle. “An active family with young children may desire countertops for durability and ease of maintenance,” she explains. Other clients may have a particular color wish or texture from which all other choices follow. Working together with Peter Cadoux Architects and Quarterhorse Home Builders, Tyra found it important that the design and aesthetic also reflect the client’s vibrant personality and love of color, pattern and texture. In this project, the client was especially drawn to a granite that reminded her of peacock feathers—“a swath of iridescent blue, green and gold clusters that appear and disappear as you approach from varying angles,” Tyra describes. Not unlike fashioning an entire outfit around a favorite silk scarf, the remaining space was designed around this stunning Labradorite Blue Australe Granite from Madagascar. The design—and sartorial—challenge was, how to pull it all together? In this case, the choice to was amplify the blue hue and add texture. The glass backsplash brought texture and vibrancy to the space. “It was the perfect complement to the blue iridescent cluster featured in the granite, and it really pulled the space together,” notes Tyra. A free-form sculptural basin is executed in a metallic hue, which, along with the nickel-finished hardware, echoes the granite’s luster. A distinctly tactile finish to the basin complements the granite’s smooth surface. In this space, a rather mundane ritual becomes a celestial experience. Resources: Connecticut Stone Tyra Dellacroce 138 Woodmont Road Milford, CT 06460 203.882.1000 connecticutstone.com

Quarterhorse Builders 49 Great Ring Road Newtown, CT 06482 203.426.4974

Peter Cadoux Architects Peter Cadoux 35 Post Road West Westport, CT 06880 203 .227.4304 cadouxaia.com

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MICHAEL SMITH ARCHITECTS

ou can almost hear Julia Child’s shrill pitch chirping from behind the island in this remodeled bistro-style kitchen. Designed and executed by Michael Smith Architects, this inviting space embraces a natural palette—with one stunning exception.

grout to enhance the textural quality. It contrasts with the smooth surfaces of Caesarstone countertops and natural stone flooring. These paler shades are combined with warm wooden tones. The built-in refrigerator cabinetry is executed in alder wood with antique icebox hinges and handles, clues to its function.

Discerning chefs can agonize for hours over a set of pans, baking sheets or Japanese knives—these are tools of the trade, after all. Appliances are equally important, and often a client will struggle to identify whether funds are being invested in performance or brand recognition. There’s usually one standout investment that a client cannot overlook when equipping a kitchen. Here, the stunning blue Molteni stove is the pièce de résistance. The clients saw one on a trip to France and knew they wanted it in their new kitchen.

The original space needed natural lighting, so Michael added a number of windows along two fronts. The breakfast area is awash with natural light. The exposed beams, dark table and leather upholstered chairs offer a counterpoint to the white walls and neutral tones.

The owners’ home is an early 1800s traditional colonial. They wanted to update the space with a “modern bistro-type feel,” explains Michael. The original ceiling height of 7 feet 2 inches presented the greatest challenge in the initial design phase. Michael incorporated a few features to make the ceiling appear higher. “The open shelves give the illusion of more height, as do the upper cabinets that come down and sit directly on the countertop,” he notes. “One challenge with really low ceilings is that the upper cabinets look really stubby, so we tried to avoid that. The full height wall tile and ceiling texture also help a lot.”

Whether visitors are perched at the spacious island or relaxing in the breakfast area over croissants and café au lait, their gaze is always permitted—perhaps even encouraged—to wander in the direction of the Molteni stove. Bon appétit! Resources: Michael Smith Architects Michael Smith 41 North Main Street, Suite101 Norwalk, CT 06854 203.563.0553 michaelsmitharchitects.com

The backsplash consists of a simple subway tile in a white hue, with charcoal Design + Decor

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HEMINGWAY CONSTRUCTION

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his kitchen remodel almost defies description—mere superlatives do not suffice. Peter Sciarretta of Hemingway Construction partnered with Jon Halper of Halper Architects to create this stunning space with unsurpassed attention to detail.

Hemingway built the stately custom Georgian Colonial for the clients roughly 10 years ago. They charged him with recreating the kitchen into a space that offered more opportunity for connection and communication, but at the same time served as a functional workspace where real roll-upyour-sleeves cooking happens as well. “The original kitchen was walled in by a traditional colonial maze floor plan, and was now burst into one open space where rooms are defined by ceilings and millwork, instead of walls,” Peter recounts. Indeed, the variety in ceiling height, architectural detail and execution define the function and separation of space. The kitchen has a double-stepped recessed ceiling. A vaulted trapezoid ceiling over the seating area adds visual drama and intimacy. Coffered ceilings give a cozier ambience to the family and breakfast room area. The central kitchen area boasts clean-lined moldings, white cabinetry with two-inch stiles, and rails for both doors and drawers, all of which were expertly executed by Sterling Custom Cabinetry. The custom cabinetry for the island was done in white oak stained a gray hue, with somewhat softer one-inch stiles and rails and quarter-inch stepped recessed panels. The slab work in this kitchen is extraordinary and, indeed, the client was uncompromising on this feature: She wanted a particular color in a single piece, so there would be no seams or joints. The 10- by 6-foot island surface and the backsplash in the stove alcove total approximately 50 square feet and are executed in “Calacatta Gold Supreme Honed.” Connecticut Stone was instrumental in sourcing the product out of state. Despite the tremendous workmanship and wealth of exquisite details, the kitchen is warm and inviting and not at all pretentious. The butler’s pantry remains a walled-in space, but it’s not hidden from view, thanks to its stunning blue color. A metallic blue automotive paint was used on all the custom cabinetry, and the herringbone tiled backsplash offers additional visual interest and texture. The starburst pendant radiates a soft glow and echoes the gilt frame in the wall art and the brass fixtures in the main kitchen space. The visual details converse with one another and connect to the remaining expanse of the kitchen. “The heart of the home is really about conversation and exchange,” reflects Peter. “The seating and gathering areas in this kitchen needed to be connected, and there had to be a conversational relationship between the spaces.” He credits the clients with the success, noting that, along with their exceptional patience and generosity, it was their unrelenting commitment to getting all the details right that proved invaluable. “The clients’ elevated expectations and exacting standards made us better,” he adds. When the bar is set high, true artistry rises to the occasion. Resources: Hemingway Construction Peter Sciarretta 115 Mason Street Greenwich, CT 06830 203.625.0566 hemingwayconstruction.com

Halper Architects Jon Halper 225 Mill Street Greenwich, CT 06830 203.531.5341 halper.com Design + Decor

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TIGER LILY’S

esigners are often confronted with a wish list: a catalog of all the dreams and visions the clients want to incorporate in their new space. In this project for a young family with three children, Samantha Knapp of Tiger Lily’s in Greenwich, CT, was given what she referred to as a “blank canvas on which to paint a story.” The narrative had to be warm and colorful and reflect the homeowners’ personality. In some ways, Samantha already had a clean slate to work from. The existing kitchen had all-white cabinetry and did not need any major spatial reworkings. To accentuate the white but prevent it from appearing sterile, Samantha chose a geometric wallpaper from Phillip Jeffries. For color accents, she wanted to incorporate a more modern and youthful interpretation of a blue-and-red color pairing. “I wanted to explore and highlight the warmth of red, which I think is seeing a resurgence from clients frankly tired of the gray tones that anchored the last decade of design,” she explains. “I think we are ripe for color as we move into the future, and I wanted to bring that full circle in this design.” Samantha also wove the family’s own personal narrative into her design. The client’s husband was blessed with an upbringing by the beach. Natural woven fibers in the Serena & Lily counter stools, batik prints and the dramatically oversized dining room pendant light all serve to give the space a relaxed coastal vibe. These unprocessed surfaces offer a counterpoint to the smooth finish of the countertops and custom upholstery solutions.

One focal point in this kitchen is the table and banquette seating. The table is a family heirloom; the accompanying chairs were custom upholstered in a wipe-friendly red patent leather with blue piping to tie in with the overall color scheme. The banquette seating area has the somewhat ironic distinction of serving as anti-storage. “Before we installed the banquette seating, the corner of the kitchen was a repository of school bags and musical instruments,” notes Samantha. “By creating a proper banquette seating area, we introduced a pride of space that changed the way the family came into the house. Absolutely no one gets to throw their backpacks down on momma’s new sofa!” The family buzzes through the pathways of their new kitchen, with the kids adding their own masterpieces to the walls. Vacation moments blend with designer touches. It’s their space, their canvas, a reflection of their essence—utterly charming and charismatic. Resources: Tiger Lily’s Greenwich Samantha Knapp 154 Prospect Street Greenwich, CT 06830 203.629.6510 tigerlilysgreenwich.com

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ADAMS INTERIOR DESIGN

or some clients, color is a reflection of their personality, not just their aesthetic preference. Designers are mindful of trends, however, and they tend to adhere to guidelines that may conflict with their clients’ wish for flamingo pink cabinetry, for example. If trapped at a crossroads, Melissa Adams Gruber of Adams Interior Design has some sage advice for homeowners: “Trust your designer.” “I love color, but it should be handled responsibly for the client,” she explains. Specifically, larger ticket and permanent features should be kept traditional, which today means sleek. Accents, walls and other touches are opportunities to be bold with color, texture or finish. The kitchen featured here was a rather large renovation project. Because of its scope and the client’s traditional aesthetic, Melissa kept the design choices classic, and describes the kitchen as “a chameleon.” There is an interplay of texture, color and light that shifts with the angles of natural light, which is abundant in the space. As classic and traditional should not be equated with conservative and boring, there’s whimsy and a touch of glamour at play here. “The kitchen is really the only spot in the house that has a definite color, which makes it feel very current,” says Melissa. “I am obsessed with how the crystal in the light fixtures glint against this wall color.” Melissa believes that lighting is a key feature that is often overlooked. She considers it “jewelry” and thinks clients are often too cautious

when they should be bold. Circa’s oversized globe crystal pendant Renwick makes exactly the statement that Melissa is describing. Combined with a tray tin ceiling, it gives the kitchen visual drama. In fact, the combination was a risk that Melissa was admittedly somewhat reticent about. “The juxtaposition of the tin, crystal lighting and icy quartzite is a lot of fun,” she notes. “It was one of those decisions that seemed like such an eclectic, designer-esque choice that it caused me extreme last-minute panic until it came together.” The space is vibrant and alive thanks to these bold maneuvers. Splashes of color along the walls of the island inspired the client to incorporate the color in the neighboring family room. The gleam of the quartzite countertops helps capture the dance of natural light reflected across surfaces. Design is a process and a compromise, and it should allow latitude for risk-taking and a touch of derring-do on the part of either the client or the designer. Without stretching our boundaries, how can we grow? Good designers know this—trust them. Resources: Adams Interior Design Melissa Adams Gruber 845.440.3135 aidesignny.com Design + Decor

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LISA DAVENPORT DESIGNS

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esigners and artists often employ optical illusion to great effect. Lisa Davenport of Lisa Davenport Designs, however, incorporated some features in this kitchen remodel that qualify as wizardry.

Charged by her client with providing more light, improved counter space and an attractive island centerpiece, Lisa set out to achieve these goals through what seemed to be rather counterintuitive choices. “For this kitchen, we actually closed off an entry to create a more open design,” she says. “Rather than remove walls, we actually closed one and added an eight-foot window.” But sometimes bold moves lead to particular challenges that require design know-how and a little magic. “While closing the entry from the foyer, we were faced with the challenge of the refrigerator and wall ovens flanking the entry to the basement,” she explains. “We embraced the challenge and hid the entry behind a faux second refrigerator cabinet, and added some additional storage via hanging shelves on the back side of the door.”

edge to an otherwise traditional form. Having provided the space with sufficient natural light through the addition of the window, Lisa chose beautiful custom handblown pendant lights by artist Tory Glover to illuminate the island area. The muted and ethereal blue color is echoed in the backsplash tile from Streamline mosaic and the accents in the island, made from Calacatta Carrara. The choice of white cabinetry from Nayaug & Co creates a visual expanse that contrasts with the verticality of the backsplash. The overall feel is bright, tranquil and spacious. Kitchens are made to be lived in and used, so practical storage solutions were also incorporated. Separate drawers for utensils free up precious counter space. Pullouts provide a spot for pantry items that do not require refrigeration. Yet the coup de grâce of Lisa’s whimsical yet practical wizardry was to incorporate a baseboard vacuum. The clients greatly appreciate this touch—with a sweep of the lever the crumbs just disappear, like magic. Resources:

The actual footprint of the kitchen was quite small, but thanks to delightfully original details, the space does not seem cramped or cluttered. One particular focal point is the custom range hood. The sweeping hood was framed by stainless-steel strips that follow the natural flow of the shape. The verticality of the stainless outline creates the illusion of more height. The final result is a modern

Lisa Davenport Designs Lisa Davenport 140 West Street Middlefield, CT 06455 860.316.5718

9015 Strada Stell Lane Suite #101 Naples, FL 34109 239.260.1845 lisadavenportdesigns.com Design + Decor

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DIANE DUROCHER INTERIORS

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ere “lonely” cooks the inspiration behind the open kitchen floor plan? Or did the chefs just want some extra space? Either way, the open plan has been popular for many years, and most kitchen designers have embraced its arrival. Diane Durocher of Diane Durocher Interiors is no exception. “Whether our clients are raising a family and want an easy sight line to their children, or entertaining family and friends, everyone seems to gather in the kitchen. Why not extend the space so it’s more inclusive for the cook?” she posits.

throughout the space. A variety of lighting solutions enhance the overall warm ambience. Recessed ceiling lighting brightens the work areas. Pendant lamps from Crystorama are suspended from a reverse tray ceiling above the island. A spectacular chandelier from Arte de Mexico offers light and a similarly textured and ornate touch to the range hood.

The custom cabinetry alternates between open and closed. Finishes are warm and balanced. A corner built-in houses a rotisserie—a sure sign that this kitchen is not just a showpiece, but a workplace as well. In fact, Diane In this project, the clients approached Diane shortly after move-in, and emphasizes functionality: She recommends refrigerator drawers, warming their goal was to improve flow and update appliances in the space. More- drawers where applicable, and additional appliances for a streamlined work over, they wanted their kitchen to connect both visually and spatially to the flow. adjacent great room. The overall palette is neutral, but the textural variety adds complexity to the space. The atmosphere is welcoming, like a hot cup of First Flush Darjeeling: light, clear, lively and bright. This kitchen does not overpower you with Initially, Diane tackled functional challenges by what appears to be a radi- color. Rather, the interplay of textures and neutral tones are warm and cal departure from the expected. Typically, cabinets are replaced with walk- soothing, while the upholstery, sculptural details and tactile finishes all ins and most butler pantries are secluded islands cordoned off from view. comfort the senses. Diane has succeeded in creating a space that is not only In this project, however, Diane chose to convert the walk-in pantry closet inclusive, but can be experienced as a warm embrace. into pantry cabinetry. She incorporated the original butler’s pantry into the kitchen through the removal of a wall, which improved functionality Resources: considerably for a family that enjoys hosting large parties. Diane Durocher Interiors Deco Custom Builders Most kitchens have a focal point and, here, the range takes center stage. Diane Durocher Ramsey, NJ 07446 The range hood was made using antique tin ceiling tiles, and its sculptural 375 South Central Avenue 201.825.0563 design, massive scale and tactile finish offer a stark contrast to the rigid Ramsey, NJ 07446 symmetry and modern lines of the stove itself. The backsplash area boasts 201.825.3832 patterned tile work, adding both visual interest and hues that are echoed dianedurocherinteriors.com Design + Decor

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ABC STONE JENNY DINA KIRSCHNER INTERIORS

iamonds may be a girl’s best friend, but Jenny Dina Kirschner of Jenny Dina Kirschner Interiors is smitten with stone. In fact, in her own kitchen featured here, she’d chosen the slabs before she’d even closed on the property—that’s commitment to a material.

The space was completely gutted, so Jenny had a fresh canvas on which to leave her indelible imprint. It would be impossible to misidentify the focal point of the space in this kitchen. The luscious sculptural island is made of polished Belvedere quartzite. The entire piece is seamless with mitered corners at the top and sides; two large slabs were used, measuring approximately 80 square feet of stone in total. Jenny found her match at ABC Stone, a renowned resource for natural and man-made stone. The company also features Functional Art and Cubic Elements to complement any exceptional interior or exterior space. When designing kitchens for her clients, Jenny often starts with the countertop material, and her own kitchen was no exception. The entire perimeter of the room is white: the flooring, cabinetry and even the hardware deliberately sublimates itself to the majesty of the quartzite island. “The intensity of the dark stone immediately grabbed my attention,” says Jenny. “It has all these really beautiful earth tones: green, caramel, crystals and ivories. It’s swirly and very dreamy.” The cantilevered drop to table height creates an architectural play of lines and volume that add visual interest and functionality. Flanked by Prouvé Standard SP Chairs, designed by Jean Prouvé and produced by Vitra, the island beckons to be touched and interacted with—it’s not passive decoration. With storage often a challenge in urban kitchens, Jenny chose to extend her 48

cabinets to new heights, quite literally. “Building the double-height cabinetry was pricey and challenging, but a must for me,” she says. “There were architectural soffits and elements we had to work around, and I wanted it to look seamless.” Since the kitchen is an open concept, Jenny preferred to delineate the spaces discreetly yet purposefully. Flooring in the kitchen is porcelain by Stone Source in UonUon, and the rest of the flooring on the first floor is pickled and white-washed white oak. By interweaving individual floor planks, Jenny creates a subtly textured boundary between spaces. Visually blurred, it’s less jarring and abrupt than a complete switch of materials and colors. Jenny masterfully integrates textures into her spaces, but here in the kitchen she deliberately kept textural layering to a minimum. She prefers instead for the enraptured gaze and attention to wander into the vastness and beyond. Resources: Jenny Dina Kirschner Jenny Dina Kirschner Interiors 646.242.6336 jdkinteriors.com ABC Stone 129 West 22nd Street, New York, NY 10011 | 646.707.3065 234 Banker Street, Brooklyn, NY 11222 | 718.389.8360 210 Miller Place, Hicksville, NY 11801 | 516.997.9412 abcworldwidestone.com

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SNAIDERO

or those who are better chefs than drivers, investing in a kitchen from the luxury manufacturer Snaidero may be a wiser choice than purchasing a new Ferrari. Aficionados of made-in-Italy design will appreciate the lines and finishes of Snaidero’s more modern aesthetic. The OLA 25 L.E. is a collaboration and a celebration of the partnership between Snaidero and the Pininfarina design house. An iconic automotive design firm with a storied history, Pininfarina has also partnered with industrial and interior designers to create spectacular products that reflect a distinct aesthetic and functionality. The OLA 25 is a continuation of a partnership with Snaidero that began in 2008 when the OLA 20 was launched. The OLA 25 has a strictly limited production and is available in three different iterations. The OLA 25 Audace is probably the most explicitly automotive-inspired version of the three. You can almost hear the piece purr. It was inspired by the Sergio concept car, six of which were ultimately built and sold. The color scheme of red and black as well the incorporation of carbon fiber materials are unabashedly rooted in automotive design.

content and possibly push them outside their comfort zone slightly to ensure that the project will be more exciting and timeless,” explains Denise Rodriguez, a public relations specialist with Snaidero. Clearly, the OLA 25 is intended to remain the centerpiece of any kitchen design. Snaidero designers work with clients to ensure that the entire space is functional and stylish. Lighting is an incredibly important element as well; Snaidero’s cabinetry include LED lighting and can be integrated to offer illumination of work spaces. Although the prevalent trend in kitchen design favors a more neutral palette, Denise disagrees that colors must be neutral in order to remain modern. “We feature warm wood tones and darker toned lacquers, or we combine beautifully veined marbles with high-gloss lacquered cabinets that provide a warm and modern aesthetic,” she notes. The sculptural lines, bold colors and iconic design legacy of the OLA 25 intersect to offer homeowners the opportunity to place luxury Italian design in their kitchen, rather than in the garage. Resources:

Available in two finishes—high-gloss lacquer or matte micalized lacquer—and four worktop finishes, the OLA 25 can be customized by the client. A melamine finish is recommended to clients who prefer a more durable and cost-effective yet handsome solution. The selection process is overseen by an in-house designer, who ensures that the client’s expectations are fulfilled. However, such a unique product does require some exceptional guidance. “Our styles lend themselves to being modern, so it is a matter of guiding our clients to finishes that will complement their design

SnaideroUSA Corporate Headquarters 20300 South Vermont, Suite125 Torrance, CA 90502 310.516.8499 snaidero-usa.com

Design + Decor

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CLARITY HOME

comprehensive kitchen remodel is all about a balance between continuity and change. This was no exception for Amy Zolin of Clarity Home Interiors, who’d done work for these clients in the past, and was aware of their tastes and the overall layout of their home.

wanted to tackle. She chose to create two distinct islands, opening up a pathway that runs straight through the workspace of the kitchen to the dining area. She also approached storage in a methodical fashion by incorporating a walk-in pantry, multiple refrigeration drawers and a wall of glass-front cabinetry to accommodate the client’s china and stemware collection.

“Colors predominated throughout the interior of the house with fresh greens, blues and red,” recalls Amy, “yet initially the client had wished for a white kitchen.” Amy believed, however, that it was important to incorporate some color to make the kitchen connect visually with the rest of the house and reflect the personality of the client. Blue was chosen to add vibrancy and visual interest in the kitchen, as well as to connect the eat-in area with the family room.

The focal point of this kitchen is the Wolf 60-inch dual fuel range, crowned by a custom hood made of stainless steel with brass rivets and outline accents. Adding texture to the cooking niche is a hand-cut, chevron-patterned tile flanked by stainlesssteel shelving. Visually arresting, the cooking “station,” as Amy describes it, anchors the space, and its rich textures and colors are echoed throughout the rest of the kitchen.

Lighting is always an important factor, and here Amy and her A rather cumbersome flow was an initial layout hurdle that Amy collaborator, builder Randy Sullivan of Gatehouse Partners LLC, 50

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chose to install a 60-inch double window adjacent to a doorway that leads to the patio and pool area. Lighting choices were strategically placed to illuminate work areas and offer an additional glow. Handblown milk glass pendants from SkLO hover gracefully over one of the islands and connect visually with other brass accents. The gold gilt interior finish of Circa’s Agnes pendant lamps gives the stunning dining table a warm glow. The table is a custom design measuring 10 feet in length. Two inches thick, the tabletop is made of white-washed oak and rests on a metal base. The handmade indoor/outdoor chairs are from the Danish manufacturer Sika, and the bench cushion is covered with a bright and lively wipe-clean vinyl finish from Schumacher. The overriding objective was to make this area practical, yet sophisticated and welcoming. Reflecting on the end result, Amy notes, “Having such a large empty space as a canvas, and filling it without making it cluttered yet complete for the client, was fun. To me, this is the hub. It’s the heart of the house, because you’re with your family, and this is a family kitchen. There’s a sigh…you can just be yourself in here.” Resources: Clarity Home Amy Zolin 580 Lake Avenue Greenwich, CT 06830 203.340.2468 clarityhomeinteriors.com Builder Gatehouse Partners LLC 12 Doubling Road Greenwich, CT 06830 203.622.7310 gatehousepartners.com Photography: Dauny Chillin Design + Decor

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JWH DESIGN + CABINETRY

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ome clients are savvy enough consumers to play an active role in the design process. They know what they want and have a clear budget and a sophisticated understanding of the process. For this kitchen, the client wanted innovative storage solutions, modern lines, an extra-large island and color.

The coffee station has become a regular feature in many kitchen designs. Having received an “inspiration photo” from the homeowner, Jennifer conceived the space to respect functionality and reflect the client’s personality. A magnetic chalkboard serves as a creative backsplash and provides perhaps the first glance at the day ’s to-do list. The island offers storage and improves workflow. Multiple storage options throughout the space keep countertops looking streamlined Collaborating with Vita Design Group and Kimberly Ann Interi- and clean, and also improve functionality. ors, Jennifer Howard of JWH Design & Cabinetry was charged with creating a streamlined space that would be functional for preparing The overall feel is dynamic. The interplay between open and closed family meals as well as for entertaining. Initially, the space was some- cabinetry and the vibrant color scheme coupled with warm wood what awkward, as a mudroom opened into the middle of the space. tones create a melodic harmony. The tangerine-hued seating nook By moving the doorway and creating a flow of traffic through the imbues the space with a charged energy. Used for reading, loungmudroom, the design team centered the kitchen space with all three ing and playing games, it’s the ultimate gathering area while meals walls around the island. are being made. While a stunning space, this kitchen is absolutely a workhorse. Though armed with a disciplined wish list, the homeowner still had many decisions to make throughout the process. Since color was Resources: an important request, the client worked closely with Kimberly Ann Architect Interiors to select the perfect hue of blue to highlight the pop-up JWH Design & Cabinetry Vita Design Group ceiling created by the architect, Vita Design Group. The entire color Jennifer W. Howard 1 Wilton Road palette was chosen to add vibrancy and a more modern look. 1111 Boston Post Road Westport, CT 06880 Rye, NY 10580 203.283.1561 The process was often involved and required patience, however. 914.967.6020 vdarch.com “Finding the ‘right’ wood finish for the cabinetry was quite a chal- jwhdesigns.com lenge!” recalls Jennifer. “How a specialty veneer looks in a raw sample is not representative of the finished product once it has been Interior Design finished as part of the custom cabinetry. The neutrality of the deeper Kimberly Ann Interiors Inc. brown became a great contrast with the white cabinetry frames, and Norwalk, CT beautifully complements the rest of the colors on the ceiling and 203.803.5309 bench seat area.” kimberlyanninteriors.com Design + Decor

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INDUSTRIAL VIBE

The talents of Jan Hiltz and her team at Jan Hiltz Interiors create this uniquely modern eclectic home in Scarsdale, New York. Story by Anastasia Storer Photography by Neil Landino

A metal and wood floating staircase enhances the modern, industrial aesthetic of the home. Instead of balusters, cable wires are used.

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An incredible three-dimensional fertility art installation hangs across from the music room’s grand piano.

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A geometric object d’art is mirrored in the light fixture above.

home should reflect the personality of its owner. That’s the philosophy of Jan Hiltz, the principal behind the eponymously named Jan Hiltz Interiors LLC. And, certainly, the beautiful design of this black-and-white home, inside and out, is inspired by Jan’s clients and a reflection

of their lives.

In an interesting reversal, it was the wife, a well-known professional photographer, who wanted the new home they were building for their retirement to have a very modern, industrial look, and the husband who wanted assurance that the design wouldn’t feel aus-

tere and stark. “She wanted no frills or fuss,” Jan says. “Our first inspiration was from the wife’s own black-and-white photography of everyday objects like nuts and bolts and lightbulbs.” The husband needn’t have worried: Jan’s exquisite taste and talent were more than up to the task of giving both wife and husband the home of their dreams. With 30 years in the design business, Jan is known for her unswerving dedication to delivering perfection to her clients. Business Beginnings Jan’s first degree wasn’t in design—it was in business. “I always Design + Decor

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A pair of French doors on either side of the room’s elegant card table lead into the music room; the unique chairs are both futuristic, yet modern, with their unusual curved structure.

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The black basalt fireplace is given center stage in the living room, flanked by custom-designed built-ins on either side.

loved interior design, but my father insisted on a more practical degree for me,” she says, “and since he was paying for my education, business it was!” But she never forgot her love of design, and fate gave her the chance to pursue her dream years later while working for the president of an upscale healthcare and retirement organization. “I was in charge of special projects and, as luck would have it, I eventually took over the oversight of the design firm that was doing all the interiors for their properties.” Working with them reminded her of just how much she loved the process of design, so Jan went to the company president with a proposal. “I suggested that the organization pay for my design degree so we could bring our interior design work in-house and lower costs.” The president agreed, and that proposal launched her career. “Not only was I doing the interior design, I was also handling the construction side and the project management.” Jan’s years at the healthcare facility served her well when she took the next step and moved into interior design full-time. She worked a few years in New York before starting her own firm, where the business education her father paid for came in handy. “It’s funny,” she says with a laugh. “Once I started showing up in magazines, when you talk to my father, you’d swear my going into interior design was his idea!” Now based in Westport, CT, Jan has clients who ask her to design homes not just in the tristate area, but in Maine, Florida, California, and across the Atlantic, in London. Design + Decor

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An expansive open dining area has a concrete-topped table with a base made of old railroad ties. The light fixture anchors the space and holds to the industrial theme, with glass in fascinating bottle shapes and a wrought- iron frame.

A Surprise in Every Room Because the overall inspiration for this home’s design was sleek minimalism and a monochromatic color palette, Jan knew she wanted to give every room something special to catch the eye and visually impress. This drove the design for every space in the home, including the foyer. “We actually redesigned the foyer space,” Jan explains. “Instead of leaving the closed-in stairwell with a door going down to the basement, we opened it all up and custom designed this very industrial-feeling floating staircase. We wanted you to know what style house you were walking into from the moment you came in the door.” Jan paired the staircase with an organically shaped mirror made from driftwood to add a rustic, natural texture to the space. 62

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In the living room, the black basalt fireplace takes prominence, making a powerful statement. The custom built-ins that flank the fireplace were designed by Jan’s daughter-in-law, Christine, who also works for the firm. “She also designed the staircase in the foyer and the cabinetry in the kitchen and bathroom; we’re so lucky to have her talent on our team,” says Jan. The backs of the shelves are veneered; as in other rooms of the home, Jan chose a natural wood to bring texture and warmth to the space. The warm, bright wood also enhances the stark beauty of the basalt stone. More surprises await throughout the house to delight the eye and spark conversation. In the home’s music room is the husband’s grand piano and, beyond it, an incredible three-dimensional sculp-

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The kitchen is an intriguing blend of modern sleekness with old country farmhouse. The brick is antique, brought in from Vermont, and paired with contemporary high-gloss laminate for the floating top cabinetry, and a distressed-oak base cabinetry.

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The family room has ceiling beams brought in from a 100-year-old barn in Pennsylvania. In keeping with the ceiling beams, two decorative “doors” were created for added visual interest between the family room and kitchen, using more antique wood from the Pennsylvania barn.

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tural fertility art installation. But the room does much more than hold the piano; it’s the space where the husband and wife spend time together. Often they play cards at the small table set between the French doors; other times the husband plays piano while the wife paints in an area set aside for the purpose. A sunburst-patterned chest provides a place where art supplies can be hidden away when not in use. In the kitchen, the surprise comes in the wonderful texture and color of brick, while the family room has wood ceiling beams from a Pennsylvania barn that was over 100 years old. “It was funny because some of the beams even have writing on them, which flummoxed the husband until we explained where they came from,” says Jan. “They really are authentic.” The room also houses a curated collection of the wife’s photographs. “These were six photos with special meaning for her,” Jan says, “so we wanted to give her a wonderful showcase of them in the home.” Even the master suite’s rooms offer up their own special something: the bedroom has a ceiling cleverly wallpapered to look like riveted aluminum, and the copper soaking tub in the master bath offers a visual statement as stunning and impressive as the living room fireplace. The Best of the Best Layering in lots of interesting and unique accessories is another important aspect of the design, and this was the means by which Jan added warmth and texture to the rooms—to avoid that cold austerity left by some modern designs. “The layer of accessories and art really is the most important layer of the room— you remove that, and all you have is furniture,” says Jan. And with 30 years of treasure-hunting and relationship-building, Jan’s list of vendor contacts and resources is extensive. “I want the absolute best for my clients. I have access to thousands of different vendors and artists— my reach is vast!”

The client is a well-known photographer; six of her favorite photos are showcased above the mirrored sideboard in the family room.

Every year, the High Point Market’s annual spring and fall trade shows take place in North Carolina. And every year, Jan is there, looking at the merchandise offered by more than 2,000 vendors from over 100 different countries. “It’s the largest home furnishings trade show for our industry in the world,” explains Jan. “We want to know everything that’s out there and keep abreast of trends and what’s new in the industry. We love to visit our current vendors and also discover new artists and artisans. We always find so many fabulous, amazing Design + Decor

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Sumptuous bedding softens the modern design. A chandelier adds elegance, and draws the eye to the unusual ceiling, custom-wallpapered to look like aviation riveted aluminum.

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A free-standing copper soaking tub makes an impressive statement in the spa-like master bathroom. The unusual visual texture of the custom cabinet is actually created by chicken wire installed over mirror.

things when we go.” It’s perhaps not too great an exaggeration when Jan says, “We have about a million fabrics at our fingertips, and all our pillows are custom made. It’s one of the things we’re known for.” All the accent pillows in this client’s home—from the elegant white-and-black pillows on the living room chairs, to the fun and funkier pillows in the music room, to the subtler patterned pillows in the family room—use fabrics chosen by Jan. Indeed, all the accessories were carefully curated and found by Jan for the home. Nothing Left to Chance Jan’s care and attention to detail go far beyond pillow fabric selection. Absolutely nothing is left to chance. The brick in the kitchen? It’s antique, brought in from Vermont, and the location of every single brick was personally approved by Jan. “The mason would come in and pre-set the bricks, and before applying the mortar, he’d come get me and I would move bricks around as needed. Once I had them where I wanted them, he’d mortar them in place.” The same held true for the basalt stone used for the living room fireplace—Jan went to the supplier and personally chose each and every stone. And for the flooring, Jan opted for new wood but had it bleached and fumed to create the faded, grayed-out antique look that matched the actual antique wood used elsewhere in the home.

extended to the exterior. “The original blueprints were for a cottage-style home,” says Jan. “That didn’t fit with the vision, so we changed it. We switched in black mullion windows—no moldings at all—and we wanted the garage doors and front door to have a more industrial look. We even changed the roofing material. All the finishes inside and out were changed to give the clients the home they wanted.” Jan’s clients all have one thing in common: they want a unique home that reflects them, not something that looks like everyone else’s home. “We spend a lot of time interviewing our clients, getting a feel for their personality and lifestyle, and that is always foremost in our minds when we begin to create the design,” Jan explains. “There are thousands of details and decisions that go into our preparation.” But it’s that uncompromising attention to every aspect of the design that allows Jan to live up to the promise of delivering “livable luxury ” to her clients.

Resources: Jan Hiltz Interiors Jan Hiltz 21 Bridge Square Westport, CT 06880 203.331.5578 janhiltzinteriorsllc.com

The changes to the home in pursuit of the client’s vision even Design + Decor

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SPLENDOR on the Sound Douglas Graneto Design’s renovation of this Larchmont residence results in a dazzling entertaining hub for the homeowners. Story by Anastasia Storer | Photography by Peter Murdock

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Three different marbles make up the home’s entry- hall floor, and clever use of glass as the railing for the staircase and balcony preserves the open expansiveness of the space. A chunky, geometric table with a Viya Acropolis brass base has pride of place in the center of the hall.

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love of color and the need to renovate a storm-damaged home brought about this project in the village of Larchmont, NY. “Starting from the purely functional need to repair the hurricane damage, the clients also wanted to modernize this second home and turn it into a welcoming place for entertaining,” says Douglas Graneto, principal of Douglas Graneto Design. “The previous interior design was very traditional—dark and a bit heavy. The clients wanted something more contemporary and a place to better show off their collection of contemporary art. The home has incredible views of the Long Island Sound, so they wanted to take advantage of that as well.” It was also important to the clients, who are of Indian descent, to incorporate design elements from the Indian culture into the home’s new modern-style design. Douglas worked with the clients’ original art pieces by Indian contemporary artists Subodh Gupta and Manjit Bawa, while also collaborating with Vikram Goyal, an Indian designer who happens to be a personal friend of the clients. Based in New Delhi, Vikram and his company, Viya, employ expert Indian artisans to handcraft a range of luxury furnishings. All the exquisite brass furniture pieces and fixtures found throughout the house are from Viya.

A brass Eros Art Deco bench by Viya anchors one of the clients’ contemporary artworks in a corner of the home’s entry hall.

Douglas is originally from Portland, OR, and his love of design started early. As a teenager, when he would dream up new designs for his bedroom, he actually thought his career was going to be as a painter and curator for an art gallery. “I really love visual art,” he says, “In Portland, you don’t find a lot of interior designers, so it wasn’t something I’d considered. But while I was working on my degree in art history, I took a class in the history of furniture. That class really piqued my interest and resonated with me on a deeply personal level.” That interest led Douglas to move to Miami, where he worked for a furniture shop that also did interior design. Next he was off to New York City, where he spent nearly a decade working for Anthony Ingrao at the internationally acclaimed design and architecture firm Ingrao Inc. “During my time there I truly fell in love with interiors, and I was able to work on some amazing projects all over the world. That was when I took the final steps into interior design.” It was also while working at Ingrao that Douglas was introduced to his husband, and the two eventually decided to move to Greenwich, CT. At that point, “people began to approach me to do some work,” he says, “and it just flowed naturally into starting my own company.” Douglas’ background in art history has certainly influenced his own evolution as a designer. “Art history encompasses the history of design as well,” he says. “As you study art, you’re learning about the color palettes that were used, how rooms were arranged, how art was created, and the fabrics, textures and patterns that were popular. My own personal aesthetic started as modernist, but my years of work have given me an understanding and appreciation of antiques and different design periods. Every period has something beautiful to offer us today.” Douglas’ experience has given him a keen eye and a talent for effortlessly marrying the contemporary and the antique into a Design + Decor

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Custom brass Persepolis wall sconce by Viya covers the wall above the living room fireplace.

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Jewel tones in velvet are a beautiful rainbow of color in the living room.

single design. A Feast for the Eyes The visual delights begin the moment the visitor steps inside the front doors and is greeted by the home’s bright, airy entry hall. “The original home had a closed-in style of grand foyer, with a wall and a curved staircase,” Douglas explains. “We completely redesigned the entryway; we opened up the entire space and pushed the staircase to the right so we could give the room a stunning view of the water.” The hall’s monochromatic palette makes it the perfect location to display some of the clients’ contemporary artworks by allowing the art to attract the gaze. Douglas’ use of a brass-and-glass railing system for the staircase and balcony above is inspired; a more traditional balustrade railing would have weighted down the space and broken up the sight lines. The glass allows the visitor’s gaze to pass through, and enhances the contemporary 74

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A wide archway leads from the living room into the dining room. The brass of the Viya consoles on either side is echoed in the brass base of the dining room table, also by Viya.

feel of the entry. The hall is so expansive and beautiful, the clients fill it with tables and use it as an integral part of their indoor entertaining space when they host gatherings.

The women’s powder- room wallcovering is Maya Romanoff’s Aphrodite in Golden Pearl, and the vanity top and flooring are genuine mother- of- pearl.

The men’s powder- room wall is done in brass plates imported from India, and paired with a textured brass vanity top.

A pair of secrets awaits behind two doors in the entry hall: on either side of the front doors are two small powder rooms, each one a shimmering, hidden jewel behind an unobtrusive white door. Another designer might have elected to make the rooms identical, but Douglas had the brilliant inspiration to make each room unique. The “men’s” powder room is done in brass—a metal that is used to incredible effect throughout the home—while the “ women’s” is done in genuine mother-of-pearl, including the glorious Golden Pearl Aphrodite wallcovering by Maya Romanoff. Different vanity mirrors, basin sinks and light fixtures give each powder room its own personality and ambience, while the golden shimmer and shine, albeit from different materials, create a visual connection between the two. Design + Decor

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Brilliant blue dining room chairs enhance the blues of the wallpaper, which was custom-made and based off an antique Japanese print.

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Leather-upholstered furniture and wood built-ins give the family room a masculine feel. Coral and seashell objets d’art reflect the home’s location on the Sound.

The entry hall exists as a visual transitional space between the outdoors and the rest of the home. The touches of brass and dashes of color from the art and the view are but the prelude to the remainder of the house, for it is beyond the entry hall that the feast truly begins. Color and Culture The gleaming brass of Viya’s Indian-inspired furnishings and fixtures is often the focal design element around which the rest of Douglas’ interior design dances and intertwines, creating a vision of indulgent splendor. Nowhere is this better illustrated than in the living room, which is a veritable smorgasbord of jeweled color. Amethyst, peridot, sapphire and carnelian are resplendent in sumptuous velvet fabrics. The space radiates a joyful exuberance, an effect that is only heightened by the creamy lemon-yellow color chosen for the furniture in the solarium just beyond—a hue that echoes the sunshine streaming through the room’s glass walls. The walls can be completely opened up during the summer months, making it a most unusual room—not something seen often in the northern climes. Golden amber and brilliant blue hues dominate the formal dining room in a homage to the beautiful waters of the sound. And, while the wallcoverings in the rest of the main living areas are subtle, Design + Decor

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The home’s solarium is cheery yet sophisticated in pale lemon, with a splash of deep purple on the coffee tabletop. It takes full advantage of the home’s incredible views of the Sound.

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The home’s kitchen aesthetic is modern, with clean lines and a sleek profile.

Hues of blue soothe the senses in this guest bedroom.

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A pillowed wall and a large area rug add coziness to the master bedroom, while the paler color palette brings a sense of soft sleepiness and serenity. A Bodhi console by Viya stands at the foot of the bed.

used for texture rather than to add color, here in the dining room, the wallpaper itself is the art. “We deliberately have no artwork hanging in the dining room,” says Douglas. “We wanted the walls to speak for themselves.” The Waves wallpaper, based on an antique Japanese print, is custom-made and hand painted by Gracie. The result is simply spectacular. For the kitchen, Douglas went full-on modern, with minimal hardware, anodized aluminum panels for the cabinetry along the back wall, and stainless-steel countertops. The silver tones are a marked departure from the warm brass of the rest of the home, giving the space a sleek, futuristic feel. The colors blur and transition to the soft and dreamy to create a peaceful, somnolent atmosphere appropriate for the home’s bedrooms. “I wanted to give the bedrooms calm and serenity,” Douglas says. “The master bedroom was intended to be very Zen.” The master suite’s barely-there hues are mere whispers of color, while the two guest bedrooms’ palettes blush a little brighter, yet still remain soothing and gentle. A Sense of Drama The deep colors, gleaming brass and rich fabrics all work magnificently together to create a luxurious, dramatic ambience for the entire home. “I wanted to give the home a warm environment with a wel-

coming energy and a sense of drama for entertaining,” says Douglas. “I wanted rooms that both my clients and their guests would love to be in.” In fact, the deliberate and distinct lack of a singular palette heightens the drama and creates a sense of anticipation as one moves through the home, wondering what visions the next room will bring. The brass is the design’s unifying factor, tying the rooms and spaces together. “Creating a beautiful contemporary aesthetic is all about the materials used,” says Douglas. “Clean, simple lines are of course important, but it can feel cold if the materials used are flat. You want materials that have depth and warmth to add richness and soften the lines.” This principle assuredly works here in this home, where Douglas’ choices in materials and the rainbow of colors he uses breathe life into the modern architecture, creating a remarkable home that is both modern and yet rich with culture and stories waiting to be told.

Resources: Douglas Graneto Design Douglas Graneto 61 Ridgeview Avenue Greenwich, CT 06830 203.622.8383 douglasgraneto.com Design + Decor

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STUNNINGLY SHINGLED AND STYLED IN QUOGUE An unsightly structure is transformed into a spectacular residence with just the right balance of preservation and restoration. Story by Anna Wirth | Photography by Rebecca McAlpin

Nicholas Vero’s stunning gable window floods the house with natural light and creates an aesthetic that is true to the local vernacular. The shingles will retain a gray hue over time.

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enovating or remodeling an existing structure is always an adventure, but in the case of this stunning vacation retreat in the Hamptons on Long Island, NY, it was also an aesthetic imperative. The original residence, a Spanish Colonial home replete with all the requisite details of red-tiled roof and pink stucco exterior, had the rather unfortunate status of being the “ugliest house on the block.” But builder Hobbs, Inc., architect Nicholas Vero and designer John Willey got to work and transformed this “ugly duckling” into a magnificent swan.

Although many structures that grace the sandy dunes and finely groomed lawns of the Hamptons draw attention to themselves, this nine-bedroom, 11-bath residence in Quogue instead embraces the local vernacular unpretentiously. A lovely hamlet in Suffolk County, Quogue has been called “The Most Un-Hampton of Them All” by Forbes magazine. Indeed, the homepage of the Village of Quogue boasts: “Quogue proudly stands apart from the Hamptons scene, focusing on wholesome, Design + Decor

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A powerfully vertical two-story great room, with double-sided bespoke travertine fireplace.

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The dining area boasts a medley of textures bathed in natural light.

family-oriented activities.” This does not intend to suggest, however, that Quogue and this vacation home in particular lack sophistication and grace—much to the contrary. But as with so many things that whisper rather than shout, the subdued elegance of the residence belies the effort behind its transformation. Although a good bit of the original footprint was maintained, the structural modifications were overseen by Hobbs Inc., a leader in custom construction. Open-book Collaboration A high-end home construction firm that has been family-owned and operated for three generations, Hobbs features a portfolio that includes custom homes, additions and renovations across the New York metropolitan area, including Westchester and Fairfield counties. The company has been building and remodeling custom homes in the Hamptons for the past 15 years; Joe Perna, Jr., managing director, Hamptons, oversees these projects. “We try to do four to six projects concurrently per year, most of which take considerably longer than a year to complete,” notes Joe. What sets Hobbs apart, says Joe, is its commitment to transparency. By offering access to subcontractor proposals, where applicable, Hobbs provides its clients with greater control and input in the decision-making process, and makes them aware of how 86

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much is being spent and for what purpose. “We prefer open-book collaborative processes,” notes Joe. This is a significant departure from the prevailing notion that clients just want a number and will choose a builder based solely on the bottom line. He emphasizes that the trust the company builds with clients is what ultimately secures the contract. “By engaging with the clients and answering all their questions, we assure them that working with us will be a smooth process,” he explains. “Our goal is to build a quality home from day one to year 30.” Sometimes, merely answering client questions doesn’t suffice; a good builder also needs to be proactive. In this project, the clients initially wanted to keep the existing HVAC system, since it had recently been updated. After doing some research, however, Hobbs’ team—which strives for sustainability in its projects— suggested updating it with a geothermal system. Although initially an unexpected expense, in the long run the update would be cost-effective and energy-efficient: At the time of construction, federal incentives for such heating options meant that 30% of the cost would be tax-deductible. Such interventions and conversations between builder and homeowner can prevent penny-wise and pound-foolish decisions. This common scenario also emphasizes an overarching premise in all remodels and renovations: be prepared for the unexpected. The clients followed the recommenda-

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The cabinets are made of cerused oak. Sometimes referred to as a “limed finish,” cerusing involves drawing out the the natural detail and grain of the wood, usually with a wire brush, and then covering it with lime wax or a thin layer of paint. The effect here is to create a distinct texture and luminous finish.

John Willey chose to design a corner banquette to both improve traffic flow and save valuable space.

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tion, which a less experienced builder might not have had the foresight to propose. Hobbs’ transparent and proactive business approach also builds trust with the firm’s collaborators. Since Hobbs is not a designbuild construction firm, it came on board after the initial design phase, which is not unusual. “The sooner we can be part of the process, the better,” notes Joe. The collaborative effort is paramount in such projects. “We have to act as a team,” he explains, “because if we don’t have a common goal, then the project could become acrimonious or adversarial.” This project was an incredibly harmonious endeavor, with all parts working in sync. The rapport between Hobbs and designer John Willey was particularly positive. John, who has a very successful interior design firm based in Manhattan, has executed numerous high-end projects across the globe. He was particularly instrumental in the entire design process early on. Liaising with the client, Hobbs and the architect, John was a pivotal figure in ensuring that the particularly tight time frame was honored. Joe notes that John’s dedication and prescient talents enabled all design elements to flow seamlessly with the structural modifications. Bringing the Outdoors In The clients were richly rewarded by the efforts of this exceptional team. Hobbs was able to translate architect Nicholas Vero’s vision of a more traditional Hamptons vernacular, which included 88

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reframing the roof and replacing the rose-hued stucco façade. The clients wished to have an exterior finish, which would retain a grayish hue over time. To meet these specifications, Hobbs sourced shingles made of lasting yellow Alaskan cedar, a slowgrowing durable variety, which is actually a cypress and not a cedar. Hobbs also executed the entire roof restructuring. Facing in an easterly direction, the grand entryway of the house was a design element integrating form and function. Vero’s roof design culminates in a vertically charged gable over the entranceway, housing a central window that floods the home with natural light. This central gable is flanked by two softer eyebrow dormers. The porch below is an inviting spot for people-watching and catching a sea breeze. The most striking feature upon entering the house is the sense of openness and tranquility. John’s color palette was meticulously selected to bring the ocean indoors. Shades of blue, gray and sand make the interior of the house harmonize seamlessly with the landscape. The visitor’s gaze is directed to the expanse of the house and is carried outdoors to an inviting patio and outdoor entertaining area. Hobbs added a spa area and renovated the pool. The clients explicitly wanted to experience the outdoors in their new home. “They love the ocean air and cross breeze, so they keep the terrace doors open to capture this tranquil energy indoors,” says John. The most significant change the team made to achieve this ethereal openness was to modify the existing living room. The original living room was sunken—perhaps a nod to

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A spectrum of natural wood tones graces a decidedly modern take on the billiard/game room. The gray felt on the billiard table adds a sophisticated edge.

A detail of John Willey’s custom-designed travertine mantel in the billiard room.

conversation pits of the ’70s—and there were single-story ceiling heights throughout the first floor, which the clients disliked. Hobbs’ solution was to open up the living room space by leveling the first floor and eliminating two bedrooms that were above the living room. The crew removed the flooring and structurally secured the grand two-story space. The great room is now a gathering place and focal point of the house. “This space also created a catwalk that leads from one wing of the house to the other, which has the double-story-height entrance foyer,” says John, describing the flow. All of this contributes to beautiful, light-filled, Zen-like spaces. Design + Decor

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The muted blue of the master bedroom palette echoes nature’s ocean shades and tranquility.

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Well-conceived details, such as this naturally lit master vanity, prevail throughout the master bedroom suite.

Stylish, Timeless—and Usable John also designed the stunning travertine mantel for the double-sided fireplace: one side opens to the great room, and the other graces a decidedly elegant and richly textured billiard room. He describes his design approach as pragmatic: “You want to be stylish and timeless, but at the same time very usable. I am mindful of design solutions—from textures, to finishes, to textiles—that encourage living in a real space and not a showroom.” The beach is a short bike ride away from the property, and its colors and tranquility are integrated throughout the house. The master bedroom and bath retain the soft blue-and-gray color palette. In the master bath, a divider made of blue-and-gray glass mosaic creates a shimmering effect, which John describes as reminiscent of a waterfall. This effect is repeated in the backsplash of the wet bar area in the kitchen, which was created with beveled antique mirror tiles. “You can glimpse its shimmering when you walk by,” he notes. In the kitchen, John designed a luminous space with perused oak cabinetry, white quartz countertops and a blue corner banquette area—another gathering place and heart of the home. (In fact, when Design + Decor

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Hobbs completely remodeled and repurposed an old shed intoas a small guest cottage. The windmill still functions, but it no longer propels water out of a well.

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Joe continues to meet with the clients to discuss updates, the group always sits at the huge quartz island.) The kitchen is separated from the dining area by an ingenious louvered door; John convinced the client to include the option of closing off the kitchen to create a more intimate dining space. The seating area and somewhat more vibrant color pattern are a nod to a more Caribbean vibe. With most remodels and renovations, the clients have to consider which features and quirks to jettison, which to embrace and which to restore and repurpose. Here, the homeowners chose to reimagine a tumbledown and rather dingy shed in the rear of the property into a snug guest house. Hobbs went to great pains to remodel and preserve its charm. The team elevated the entire structure, inserted a slab foundation and finished the exterior with the same shingle siding used on the home. John added a dark gray hue to the walls, imbuing the space with an edgier, yet cozy vibe. The windmill that rests atop the guest house was originally used to pump water out of a well and dates back to the early 1900s. It adds a whimsical touch that also pays homage to the Hamptons architectural history and aesthetic. It’s like having a Hamptons landmark in your backyard. It brings the house back home, welcome and nestled in what now look like familiar surroundings.

Resources: An inviting al fresco dining area and bar perfect for entertaining.

Builder Hobbs Inc. Joe Perna Jr 2273 Montauk Highway Bridgehampton, NY 11932 631.537.8620 hobbsinc.com Architect Nicholas Vero Architect Nicholas Vero 120 Mill Road Westhampton Beach, NY 11978 631.288.1404 Interior Design Willey Design John Willey 304 Park Avenue South, 7th Floor New York, NY 10010 212.579.4159 willeydesign.com

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EVENTS

Celebrating the Grand Opening of Chloe Winston Lighting Design East Coast Home + Design in conjunction with lighting manufacturers Crystorama, Feiss, Fourteenth Colony, Hinkley, Innovations and Visual Comfort, sponsored the Grand Opening of Chloe Winston Lighting Design at their new showroom in South Norwalk, CT on December 20th. The store boasts hand-picked, high-end lighting displayed in their stunning urban-chic showroom. Owners Candace Pereira and Rina DiMarte hosted the event welcoming design professionals, architects, and builders. Having dedicated their entire careers to lighting design, a combined 40 plus years, Candace and Rina found a great home to express their creativity and cater to the CT and Westchester markets.

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PROFILE

Navy Wassily Chair with Gold Frame Marcel Breuer 1925 $4,587

Four Seasons Stool with Antique Bronze Ludwig Mies van der Rohe 1958 $4,077

Flat Bar Brno with Antique Bronze Ludwig Mies van der Rohe 1930 $4,686

80 Years of Knoll

he new year marks the Bauhaus centennial, celebrating 100 years of influential art and design. The Bauhaus centennial comes on the heels of the 80th anniversary of Knoll. Both milestones embody the vision of Knoll founders, Hans and Florence Knoll, to bring the beauty, functionality, and benefits of modern design to the way we live and work. Knoll continues to produce some of the most iconic pieces designed by Bauhaus founding masters Marcel Breuer, Mies van der Rohe, Anni Albers, among others. The company’s strong tie to the Bauhaus revolves around Florence Knoll. She was mentored by Mies van der Rohe, who brought from the Bauhaus to the Illinois Institute of Technology the concept of gesamtkunstwerk - the total work of art. Florence Schust “Shu” Knoll brought this idea to Knoll by establishing the Planning unit, which worked on large corporate projects, placing Knoll furniture in architectural spaces in order to achieve the ultimate goal of creating inspiring work environments for clients. In this sense, the company is founded upon the idea that furniture design is only valuable insofar as it contributes to and speaks to the overall design of a space. Even

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the furniture she designed herself was envisioned as parts of a larger spatial whole - she referred to them as the “meat and potatoes” that had to be designed as solutions to larger problems of spatial planning. Over the course of her career, Florence Knoll translated the Bauhaus idea of the total work of art to the American public and corporate world of the 1950s and 1960s. She helped define American Modernism and set a precedent for design that is holistic rather than objectfocused. The Bauhaus approach combines industrial materials and modern forms. Florence Knoll understood this idea of modern and had an extremely exacting eye - determining proportions, angles, materials and other details down to the most minute level. For its 80th Anniversary, Knoll reimagined a selection of Bauhaus classics, adding a new palette of fabrics and finishes to the Wassily Chair, MR Side Chair, Brno Chair, Four Seasons Stool, and Flat Bar Brno. knoll.com

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